mirjana detelić - ka poetici epske formule

8/13/2019 Mirjana Deteli - Ka Poetici Epske Formule

1/28

1 / YU ISSN 0350 6428


2/28

( )

- . " ( ) ( 1000 ), "( III, 78) .

. , ( ; ; ), " . , ( ), ( , ). ( ), . , - , .

. , , ". - . , , ( , , , , ), - (

,1 ).2 -

1 j ( , Hainsworth 1964; Foley 1985; Ong 1982).

2 . , O ng , 1 98 2.


3/28

S - , < , 5 - ( ) ( - 2 7 0 00 ). g = _


4/28

: ."7 , . T o , . -

, ( ), , ( , , ) :8 ) - , - - concreto in abstracto ? ) ( - )1 0 - , .

- - , , , : ; , - a . , , - .11 , - -

7 , . 95. " ( formulaic) . , (Pei &Milosevic orevi, 1984, s.v.). ( , - , ) , . ( - - , . ) .

8 H oekstra (1964),H ainsw orth (1969). K rav ar (1 97 8) .O ng (1 982 ), (1 98 9).

9 Kravar, 1978, . 95.10 :

, "( . 201), , , - " . , ( . 2 03) . . , 1990.

11 T o , ( , .) . , , - , , . Pevau pria ( . 3).


5/28

S < "1 2 - , 3 , g , pq g , .t l , . ^ ,

, - - , , , ).

- , ( " ), , , , , . , . , - - , , , , , , . , , . ) ( , , .),

17

" Pei & Milosevic orevi, . .

l o , , . , ,

3 2 4 ] ,


6/28

, , "1 4 W ( ), (

) . ^ , , - - , , .

- he , , , , . , ( ), - . , , - . , - , , . - , , - - . , - - - .15

( ) . ? ,

i i i to - , , . - , r o p e , . , - - -

14

, , , 1990 ( " , . 21 ).

15 . , . [325


7/28

in medias res: cy ( < ) , . S , ^ .1 6 , , pj ,

, trf , , ^ , ( .17 , .

cy , ". , , - " - - . , - , ( ) , ", , ( ), , ( ".18 , " , , , .

, , ,

"

, , -

16 , 1988.17 , , ( -

, 1 99 0, . 2 0).

3 2 6 ] 18 Schmaus, 1971, I II , . 334-35 5.


8/28

- " . ,19 no - " , .

- , . . - - : , , , a , ( , ,

) ( ) , , ( h e ), ( ), ( , ).20 , , - - - , : " , " ,

" , " , ", / ", " . ( ) , - , - , ( ) . , - , : ' , / - ,/ / " ; / , / ' , / ,

19 , ( ) ( Van G ennep, 1909; Bowra, 1952; Nagler, 1969), ce . ce .

2 0 . ( ) . " , " , n e t t e " , , , - ( " , ", " .). ( ) , : 1) , 2) " . .


9/28

S / . / To g / < , " ( II, 95). ^ , ^ , ( ) . ,

g ( t [ ), ^ . U

, , .21 , , , .

, , .

: " , " , ", , ", " . - Ma , , ( " , " ,

", ", . , . , , , ( , / " , "), - - ( ", " ) ,

.2 2 . , , : , , . ,

2 1 (1989, . 53)

2 2 . : .. ." , , ..." , ' ..." , " ,

3 2 8 ] " , " .


10/28

. " , a - - : , ".23 ^

. , - : - " .

ce , , , " -

. : " , ( ") , he -- , .24 , , ( ) ( , ) -

essential, > " " , .25 , ,

2 3 , " . " . . 65 (The Singer of Tales. H a rv ar d U P, 1 96 4) : From the po in t of v iew of usefu lness in composi tion, t he fo rmula means itsessential idea; that is to say, a noun-epithet formula has the essential idea of its noun" . ( je

je - I, . 122 - " " . ) ( - ), - - . , , .

2 4 , , , , . : ( ) ; / ( ) ; ( ) .

2 5

" , , . - : . . " / / . , 1992, s.v. , [319


11/28

rh-i

G

( ) , ( . , , he


12/28

, - - f^ - - , .29 , , , . , , , - - .

,

. - , ( , ), , ( ) , - ,30 , : , ",3 1 , ,

( - , ,). ( - ) - , - . , , - .3 2 , -

- " ". 3 3 , -

) . .

2 9 , 1989. , , o c eh a , , - - (I, . 1 22 -1 25 ).

3 0 , 1990, . 2 1 ,2 2 .31 , . 22.3 2 , 1985, . 34 9-3 75 .

(= explico, cavi, catum - , , ) , [ 3 3 1


13/28

S , , ,

5 , . fct . . .^ " ,

, ",34 . , , , a - - . , . , - , ( ). , .

"

" . , . 35 -

, , .

(I -X ) 3 6

( : I 3 - 5 / 1 7 - 1 9 ; II 7 3 -7 6 /7 7 - 81 ; III 9 4 - 98 / 1 02 - 1 06 ; IV 1 5 4 -163/165-175; V 178-180/243-245; VI 186-188 /231-233; VI I 190-193 /252-255; VIII 212-21 3 /216-21 7; IX 257-2 58/28 2-283; X 2 6 6 -268/274-276).

3 4 , 1989, . 68.35 , 1992; , 1989.

3 6 H e , , 332 ) .


14/28

( : 1/8; 2 0 / 2 4 ; 43-45/67-70; 1 9 4 - 2 0 1 / 2 4 8 - 2 5 1 ; 269-273/277-28 0), g je 284 ( ), 112 . , (48-55) - (140-146), (25-40)

(114-139), -

. - (156 284) . ^

, - , ( , : - - I, II VIII, - III IV, -

- VI, - IX). To , . , ( - III, IV VI), . - , , , .

(V, VII X)

, . je ( , , ), . :

V

, , , , , . , .

VII

, , , , . .

X

, , ' , ,

, : : , , , , ' , , ' " " He , ,H e , . [ 3 3 3


15/28

1

"

jr >2 ,

. ( ) -

(7 : , ^ 1; " 8;

" 20; " , / " 91-93; , , ' 114), ( , / , /

129-131). - , :

, , * : ; ; (2 -8 )

, :

, , , , ; , ( II, 29; 1 - 6

,

- " ( ), - : - , " .37 , - - , . , ( - ,

- ) , - (

334]37 : , 1992, . 22 1-25 4 .


16/28

, - . ( ' , / , /

" 43-45), " (69) , 38 , , , .39 - , ( ), , m e numen , . oca , .

, - - . , , . " , :

' , , , : , , h e n o ? " (58 -6 4)

, , "( II, 7), :

, : , , , he ? h e ? ' ? ' ? ' ? " (9 -1 6 )

. 12: " .

3 9 , , . : , 1992, . 6 3 -6 4 ,2 9 0 -2 9 2 . [ 3


17/28

w

S " .40 To < ( , . ) , - -

, .

( : ^ ( , / U " 100-102).

, , - - ( , - , ( ) .

, , ,41 , , , , , . ( ,

". , V, VII X

.42

4 0 , . ( , . ( . 1 ,16 , 89) .

4 1 : , , " . : , 1981, . 345.

4 2 T o je " . , , ( ) . ( , , , ) , ( , , , , , , ) , ( , , , ) . ,

3 3 6 ,


18/28

, , , , , .4 3 , ( ) , - .44 S . , : , " . : " - , ( " ) , . , , , , , , - . , .

, . ( ) : , - , ( , ) . - ( ) : - , - , - , - . - .

, : - - - -

. , , " . " . ( . ) , ,

4 3 , . , 1986.

4 4 , . " : , / ' : / , ' , ? ' / : / , , / '. "

, , , . , , : " (M X I, 62 ). , a , : ' ' , / , " . / : , 1981, . 196-200 . [ 3 3 7


19/28

a

- - . :

< 4 5 , , . s - -

( )

, . ,

, , , : . .

, - - - . , . , - - - ( - , - , - ) . - . - . - , ( ,

, .46 ( , cpehe, ) ,

4 5 ( , - , . ) , : " ( ) , , ,

.4 6

. 3 3 8 ] ( , 1981, . 199


20/28

.4 7 - , .48

, - - : - , - , - - , . , ( ? / ? / ? ") ( , / / " ), ( , )49 - ( ), ( / "), . , :

, : , ,T p e h e . ( I, 77)

: , h e ' , , ' . ( I, 59:1,2)

:

: ? ' , , , , , , " . ( , I, 92:6-14)

, , - :

47 MiupbL , 2, . . . : , , , , , . ( , .) .

4 8 1 ,2, 8 ,2 7, 42, 5 6 ,8 2 ,1 1 5 ,1 2 3 ; I, 3, 4 , 5 , 4 3 ,5 5 , 60 .

4 9 " . . , , 9 , - : , 1981, . 115,1 59 ,1 70 -1 85 ,3 41 . . [ 3 3 9


21/28

S , 3 ,

. ( I, 124)50

5 ( ),

: ; . r^ ce . Cj

.

, "

, ). ( ) , - , " ( 147 - ). , , , . , : .

1

" , ( . T o ,

5 0 , , : " " . , I : 2 4- 2 6 , 6 8 , 7 3 , 7 8 , 7 9 ,


22/28

. ^

,

, -

, . I Ia - . , , " " , , , , , . - .

, . : - - . - - . ,

.51

, , , - . , - . , , - . , - . , .52 > , , , , - -

5 1 "

(1995, . 199) .

5 2 . , , ( . . , 1965; 1974). [ 3 4 1


23/28

S je , g .

, , tr S pq " , g . : ( ^ ),

) . ". ), - " ( V II, . h e , . ( , ) , -

- .

, - . , , . ( ; ), , - - .53 , " ( ) . , , "

342]

5 3 Bynum , 1978. . , 1985), " .


24/28

. , ", , . , - : - " " , -

- , a . , , . , - - . .

, -- - .

1. , ii3 - ; , - ;

2. , . , , ;

3. - - , - ( ). - ;

4.

( ) ;5.

, , , ;6.

- , . - , ;

7. , - , , ;

8. [343


25/28

S ( do

). <

^ , pq , , g fct , , ^ -

, . , , , " - .

B o w r a, .

1952 Heroic Poetry, London.

B y n u m , D a v i d E .1978 The Daem on in the Wood: A Study of Oral Narrative Patterns, C a m -

bridge, Mass.

, 1985 " ;

, XXXIII /2 , . 349-375 .1989 : " ,

, 8 , . 6 1 -6 5 .1992 , .

D u k a t , Z d e s l a v

1 97 7 i f u nk c ij a e ps ke f or m u le ", Umjetnost rijei 4, . 2 9 5 -3 2 0 .

Foley, J . M. ed .1981 Oral Traditional Literature. A Festschrift For Albert Bates Lord, Sla-

vica Publishers, Inc.

Foley, J . M.1985 Oral-Formulaic Theory, New York - London, Garland.

G e n n e p , A r n o l d Va n1909 La Question d'Homere, Paris.

Ha inswor th , J . B .1968 The Flexibility of the Homeric Formula, Oxford.1969 Homer, Greece & Rome, Oxford, Clarendon Press.

H a r k i n s , Wi l l i a m1963

", American Contributions to the FifthInternational Con gres of Slavists, Sofia.

Hoeks t ra , A .1965 Hom eric Modifications of Formulaic Prototypes, Amsterdam.


26/28

, . . & , . . g1963 " , - t j

, V , , . 8 8- 15 9.

1965 mbiKoebie - jij-M bi ( nepuod), . ^

1974 , . ^

Jakobson, Rom an ^1982 Slovenski epski stih", Ka poetici usmenog pesnitva priredio Sve- &

tozar Koljevi, Beograd, . 3 1 9 - 3 4 1 .

Kirk, G. S.1966 Formular Langua ge and Oral Qu ali ty", Yale Classical Studies, 20,

. 1 5 5- 17 4 .1985 Homer and the Epic. A Shortened Version of The Songs of H omer',

Cambridge Universi ty Press.

Kravar, Miroslav

1978 Naa narodna ep ika kao argument u hom erskom pi tan ju , Umjetnostrijei Zagreb , 1978, XXII , 3 -4 , . 8 7- 11 9 ;1979 1979, XXI I I, 2 , . 93 -102 .

Lotman, J.1970 Predavanja iz strukturalne poetike, Sarajevo.

Lord, Albert B.1990 Peva pria I - I I , Beograd

, 1991 Teori ja formu le A. B. Lorda u svetlu ruralno-urbanih odn osa ", Ma-

kedonski folklor, Skop je, XXIV, 47 , . 115 -122 .

, . .1989 TpadunuoHHbie op y bl -

, .

, 1982 " , -

, X V, 5 7 - 5 8 , . 1 9 9 - 2 2 8 .

, . .1960 " ,

cjjoA bK /iop, - , . 8 1 -1 0 1 .1963 , .1964 " , , , . 3 2 -7 8 .

, 1 -2 , , 1980.

Murko, Matija1951 Tragom srpsko-hrvatske epike, III, Zagreb.

Nagler, Michael1969 Oral Poetry and the Que stion of Origina lity in Lite rature ", Actes du

V Congres de Association Internationale cle Literature Comparee,B e lg ra de , . 4 5 1 - 4 5 9 .

Nodilo, Natko

1981 Stara vjera Srba i Hrvata, Logos", Spli t .Ong, Walter J.1982 Orality and Literacy, Methuen, London and New York.

[345


27/28

g . Parry, Milman 1971 The Making of Homeric Verse: The Collected Papers of Milman Parry,-i Pei, Radmila Milosevic orevi, Nada

1984 Narodna knjiievnost Beograd

W , S 1990 , .^ 1995 , .( j ,

1986 - " , , 50.

, 1984

" , ,14, , . 2 0 9 -2 1 8 .

1988 , , ) " , , , . 171-190 .

Schmaus, Alois1971 Gesamm elte slavistische und balkanologische Abhandlungen, I-IV,

Muenchen.

, 1936 " , -

, I II , 1 , . 35 -42 .

Whallon, W.1969 Formula, Character, and Context. Studies in Homeric, Old English,

and Old Testament Poetry, Cambridge, Mass.

Whitman, Cedric1958 Homer and the Heroic Tradition, Cambridge. Mass.

Mirjana Deteli (Beograd)

TOWARDS A POETICS OF EPIC FORMULAPROPOSITIONS FOR DISCUSSION

S u m m a r y

This paper offers eight points for a future discussion about Parry-Lord's wellknown and generally accepted definition of epic formula. They are proposed as alogical outcome of presented analysis which was developed as a probe of Parry-Lordian method and its applicability to the problems and material of Serbian de-casyllabic epic poetry. Those points are:1. As a phraseological unit, epic form ula is a tool resulting from the wo rkin g

of formulaity within the framework of the secondary linguistic system of epicpoetry; the relation between them is a generic one, formulaity being onlyone of conditions necessary for creating formulas and not identical with them

346]


28/28

2. W ithi n the ge nre level , epic fo rm ul a is a spe cia l k in d of c l iche. Th ere fo re , as E-3a fo rm ab le to c rea te me an ing wi tho u t r e spec t to cod e chan ges , i t can be n a m e d s e n s e - c r e a t i n g f o r m . S

3 . Th e in f lux o f me an in g in the wa y an ep ic fo rm ula wo rks i s o r i en ted f ro m a ^t r ad i t iona l cu l tu re a s a mu tua l sourc e o f me an i ng s fo r o ra l l i t e ra tu re a s a wh o le , f c[to a gen re and i t s ac tua l i za t io n (ep ic po em ) . Th us , fo r mu la ab r id ges the h ie - ^r a r c h i c a l l ev e l c h a s m b e t w e e n e p i c s a n d t r a d i ti o n .

4 . Al l con s t ruc t iv e bord e r s in an ep ic po em a re ma rked ( s t r e s sed as s ign i f i can t ) ^by ep ic fo rm ula s . g

5 . Th e pos i t ion o f fo r mu las de f in es the i r fun c t io n , and th i s fun c t io n , then , de f in estheir var iabi l i ty.

6 . In an epic poe m a s t ron g pla ce is on e that carr ie s the largest qu ant i ty ofl i t e ra ry r e l evan t in fo rmat ion o f d i ff e ren t o r ig in . I f a fo rmula i s used in sucha posi t ion, i t has to respond to i t s proper t ies and, in turn , to share them.

7 . As a sens e -c rea t in g fo r m, such a fo r m ula kee ps these p rop er t i e s a s i t s po ten t i a lbo th in an ex t ra - t ex t and an ex t ra -genre pos i t ion , bu t wou ld no t ac t iva te themunt i l i t f inds a s t rong p lace i t s func t ion i s compa t ib le wi th .

8 . For tha t r eason , on e and the sam e fo r mu la wi th in d i ff e re n t po em s ma y haveno t on ly a d i ff e ren t me an i ng bu t a l so a d i ff e re n t use ( in the sco pe f ro m ape t r i f i ed ph raseo log i sm to a ca r r i e r o f in t e r t ex tu a l and in te rg enre con no t a t ion s ) .Po ten t i a l o f such a fo rmu la can be spok en o f on ly in the case o f sys te ma t i csurvey of i t s l i terary use in epic poetry.

Th e au tho r ' s op in io n i s tha t any de f in i t ion o f ep ic fo rm ula - i f i t s p re ten s ion sa re to be p rec i se and genera l ly ope ra t ive a t the same t ime - shou ld inc lude a t l eas tsome o f po in t s he re c i t ed .

[347

mirjana detelić - ka poetici epske formule

Documents