mgillett/sorcerer/acti no overt.pdf · the sorcerer – songs and choruses act i page 1 ring forth...

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A direct demonstration of functional specialization within motion-related visual and auditory cortex of the human brain R.J. Howard * , M. Brammer * , I. Wright * , P.W. Woodruff * , E.T. Bullmore * and S. Zeki Background: Physiological studies of the macaque brain have shown that there is a large expanse of visual cortex, the V5 complex, which is specialized for visual motion, and that several areas within V5 are specialized for different kinds of visual motion. In continuing work on motion-related visual cortex, we wished to chart the specialized visual motion areas in the human brain and to determine their anatomical relationship. Human subjects viewed different motion displays, and the cortical location of the increased activity produced by each stimulus was recorded. The technique of functional magnetic resonance imaging (fMRI) was used, in order to image the same subjects repeatedly. Results: We found that each of the three motion stimuli activated specific parts of the V5 complex. These sites of activation overlap with V5 and, to a smaller extent, with each other. Unexpectedly, the three motion stimuli also activated neighbouring, but nonoverlapping, regions of auditory cortex that are normally activated by the perception of speech. Conclusions: The three sites of activation produced by the visual motion stimuli occupy adjacent territories within the V5 complex. Components of the V5 complex are specifically connected to regions within auditory cortex. Introduction Central to the visual motion system of the primate brain is area V5 (also known as MT). This area is specialized for motion in both monkey [1–3] and man [4–6], as it con- tains a population of cells that are highly activated by moving stimuli; these neurons detect motion in all direc- tions in the fronto-parallel plane, as well as simple motion towards or away from the organism [7]. But there are many other kinds of visual motion of importance, principally optical flow and biological motion. Optical flow simulates forward motion in depth, and appears to have a cortical locus adjacent to, but separate from, V5, both in monkey [8–10] and man [11]. Biological (Johans- son) motion [12] is a system of moving dots that can give instant knowledge about the characteristics of the moving system [13]. In the monkey, biological motion is signalled by cells in an area that is distinct from V5 [14]. Here, we wished to investigate whether there are such specialized cortical sites for the different kinds of visual motion in the human brain, and how they might be related anatomically. Positron emission tomography (PET) and functional magnetic resonance imaging (fMRI) studies of motion- related visual cortex in man have confirmed that a ventro- lateral area, posterior to the junction of the ascending limb of the inferior temporal and lateral occipital sulci, is activated by the perception of real [4–6] and illusory [15,16] motion. In a previous PET study of optical flow [17], no changes in regional cerebral blood flow were observed within V5, but bilateral foci on fusiform and temporal gyri and right posterior cuneus were reported. In the present study, we took advantage of the repeata- bility of fMRI, together with its simultaneous acquisition of high-resolution structural and functional images, to compare the relative location of visual cortical activation that accompanies perception of these three different kinds of visual motion — coherent motion, optical flow and biological motion. Results Activation within visual cortex The stimuli used are shown in Figure 1. The perception of coherent motion produced major activity in two sites in each hemisphere, though more predominantly in the left (averaged brain activation maps are shown in Fig. 2). One site was between the ascending limb of the inferior tem- poral sulcus and the lateral occipital sulcus, corresponding to area V5 as defined by previous PET and fMRI studies. The second site was within dorsal and ventral V3. In agreement with some [4,6], but not all [5], previous PET and fMRI studies, there was little differential activation of areas V1 and V2. In general, both optical flow and biological motion acti- vated smaller regions of cortex, the latter possibly due to Addresses: *Institute of Psychiatry, De Crespigny Park, London SE5 8AF, UK. University College London, Gower Street, London WC1E 6BT, UK. Correspondence to: S. Zeki E-mail: [email protected] Received: 22 April 1996 Revised: 3 June 1996 Accepted: 3 June 1996 Current Biology 1996, Vol 6 No 8:1015–1019 © Current Biology Ltd ISSN 0960-9822 Research Paper 1015

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Page 1: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and
Page 2: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and
Page 3: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

The Sorcerer – Songs and Choruses

Act I Page

1 Ring Forth Ye Bells (Chorus) 12 Recitative –Why this strange depression? (Mrs Partlet and Constance) 72a When he is here (Constance) 103 Recitative- The Air is Charged (Dr Daly) 153a Time was when love and I (Dr Daly) 164. Recitative Sir Marmaduke, (Dr Daly, Alexis) 214a Minuet –May fortune bless you 225 With heart and voice (Chorus of Girls) 246 Recitative – My kindly friends (Aline) 296a Oh, happy young heart (Aline) 307 Recitative – My child, I join you (Lady Sangazure) 358 With heart and voice (Chorus of Men) 368a Recitative - O my adored one (Alexis and Aline) 399 Welcome joy (Sir Marmaduke and Lady Sangazure) 4010 All is prepared (Aline, Alexis, Notary, Chorus) 5111 Love feeds on many kinds of food (Alexis) 5912 My name is John Wellington Wells (Mr Wells) 6513 Incantation (Aline, Alexis, Wells, Chorus) 7414 Finale –Now to the Banquet We Press (Ensemble) 88

Act II

15 Tis Twelve, I Think – Trio and Chorus (Aline, Alexis, Wells, Chorus) 12216 Dear friends, take pity on my lot 137

(Constance, Notary, Aline,Alexis, Chorus)17 Thou hast the power (Alexis) 15018 I rejoice that it’s decided – Quintet 156

(Aline, Mrs Partlett, Alexis, Dr.Daly, Sir Marmaduke)19 Oh I have wrought much evil – Duet (Mr Wells and Lady Sangazure) 16420 Alexis, doubt me not. –Recitative and Air (Aline) 17621 Oh, my voice is sad and low (Dr Daly) 17822 O joyous boon (Aline, Dr Daly, Alexis, Chorus) 18123 Prepare for sad surprises – Recitative (Alexis) 29524 Finale (Ensemble) 202

Rehearsal NumbersIn this edition, there are 3 kinds of rehearsal numbers. Boxed letters correspond to therehearsal letters in the orchestra score. Boxed numbers correspond to page numbers in theKalmus edition. In addition, measure numbers have been added to each piece.This performing edition was prepared for Troupers Light Opera by Jim Cooper:[email protected].

Page 4: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Act I.SCENE: Exterior of Sir Marmaduke's Elizabethan Mansion, mid-day.

Page 5: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 6: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 7: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 8: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 9: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 10: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 11: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 12: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 13: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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10

Page 14: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 15: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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12

Page 16: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

"Constance

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53

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Page 17: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

14

MRS. P. Come, tell me all about it! Do not fear— I, too, have loved; but that was long ago! Who is the object of your young affections? CONST. Hush, mother! He is here! (Looking off) Enter DR. DALY. He is pensive and does not see them MRS. P. (amazed) Our reverend vicar! CONST. Oh, pity me, my heart is almost broken! MRS. P. My child, be comforted. To such an union I shall not offer any opposition. Take him—he's yours! May you and he be happy! CONST. But, mother dear, he is not yours to give! MRS. P. That's true, indeed! CONST. He might object! MRS. P. He might. But come—take heart—I'll probe him on the subject. Be comforted—leave this affair to me.

(They withdraw.)

Page 18: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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15

---

Page 19: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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16

Page 20: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 21: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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18

Page 22: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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colla voce.

Page 23: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

20

(At the conclusion of the ballad, MRS. PARTLET comes forward with CONSTANCE.) MRS. P. Good day, reverend sir. DR. D. Ah, good Mrs. Partlet, I am glad to see you. And your little daughter, Constance! Why, she is quite a little woman, I declare! CONST. (aside) Oh, mother, I cannot speak to him! MRS. P. Yes, reverend sir, she is nearly eighteen, and as good a girl as ever stepped. (Aside to DR. DALY) Ah, sir, I'm afraid I shall soon lose her! DR. D. (aside to MRS. PARTLET) Dear me, you pain me very much. Is she delicate? MRS. P. Oh no, sir – I don't mean that—but young girls look to get married. DR. D. Oh, I take you. To be sure. But there's plenty of time for that. Four or five years hence, Mrs. Partlet, four or five years hence. But when the time does come, I shall have much pleasure in marrying her myself— CONST. (aside) Oh, mother! DR. D. To some strapping young fellow in her own rank of life. CONST. (in tears) He does not love me! MRS. P. I have often wondered, reverend sir (if you'll excuse the liberty), that you have never married. DR. D. (aside) Be still, my fluttering heart! MRS. P. A clergyman's wife does so much good in a village. Besides that, you are not as young as you were, and before very long you will want somebody to nurse you, and look after your little comforts. DR. D. Mrs. Partlet, there is much truth in what you say. I am indeed getting on in years, and a helpmate would cheer my declining days. Time was when it might have been; but I have left it too long—I am an old fogy, now, am I not, my dear? (to CONSTANCE) – a very old fogy, indeed. Ha! ha! No, Mrs. Partlet, my mind is quite made up. I shall live and die a solitary old bachelor. CONST. Oh, mother, mother! (Sobs on MRS. PARTLET'S bosom) MRS. P. Come, come, dear one, don't fret. At a more fitting time we will try again – we will try again. (Exeunt MRS. PARTLET and CONSTANCE.) DR. D. (looking after them) Poor little girl! I'm afraid she has something on her mind. She is rather comely. Time was when this old heart would have throbbed in double-time at the sight of such a fairy form! But tush! I am puling! Here comes the young Alexis with his proud and happy father. Let me dry this tell-tale tear!

Enter SIR MARMADUKE and ALEXIS

Page 24: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 26: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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(Dialog spoken over music) DR. D. May fortune bless you! may the middle distance Of your young life be pleasant as the foreground— The joyous foreground! and, when you have reached it, May that which now is the far-off horizon (But which will then become the middle distance), In fruitful promise be exceeded only By that which will have opened, in the meantime, Into a new and glorious horizon! SIR M. Dear Sir, that is an excellent example Of an old school of stately compliment To which I have, through life, been much addicted. Will you obleege me with a copy of it, In clerkly manuscript, that I myself May use it on appropriate occasions? DR. D. Sir, you shall have a fairly-written copy Ere Sol has sunk into his western slumbers! (Exit DR. DALY) SIR M. (to ALEXIS, who is in a reverie) Come, come, my son—your fiancée will be here in five minutes. Rouse yourself to receive her. ALEXIS. Oh rapture! SIR M. Yes, you are a fortunate young fellow, and I will not disguise from you that this union with the House of Sangazure realizes my fondest wishes. Aline is rich, and she comes of a sufficiently old family, for she is the seven thousand and thirty-seventh in direct descent from Helen of Troy. True, there was a blot on the escutcheon of that lady—that affair with Paris—but where is the family, other than my own, in which there is no flaw? You are a lucky fellow, sir—a very lucky fellow! ALEXIS. Father, I am welling over with limpid joy! No sicklying taint of sorrow overlies the lucid lake of liquid love, upon which, hand in hand, Aline and I are to float into eternity! SIR M. Alexis, I desire that of your love for this young lady you do not speak so openly. You are always singing ballads in praise of her beauty, and you expect the very menials who wait behind your chair to chorus your ecstasies. It is not delicate. ALEXIS. Father, a man who loves as I love— SIR M. Pooh pooh, sir! fifty years ago I madly loved your future mother-in-law, the Lady Sangazure, and I have reason to believe that she returned my love. But were we guilty of the indelicacy of publicly rushing into each other's arms, exclaiming— "Oh, my adored one!" "Beloved boy!" "Ecstatic rapture!" "Unmingled joy!" which seems to be the modern fashion of love-making? No! it was "Madam, I trust you are in the enjoyment of good health"—"Sir, you are vastly polite, I protest I am mighty well"—and so forth. Much more delicate—much more respectful. But see—Aline approaches—let us retire, that she may compose herself for the interesting ceremony in which she is to play so important a part. (Exeunt SIR MARMADUKE and ALEXIS.)

(Enter ALINE on terrace, preceded by Chorus of Girls.)

Page 27: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 29: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 30: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 31: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 32: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 33: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 34: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 35: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 36: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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126

heart!

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to

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part

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t t t t tt tt tt

133 t t t t t t

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34

ne- ver

Enter Lady Sangazure

Page 38: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

>?

! ŠPiano ! Š

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1

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||| Çt Çt| tItA

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!Lady S

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9

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13

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7. My child, I join in these congratulationsRecitative

Lady Sangazure

35

Enter Alexis, preceded by Chorus of Men

Page 39: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

>?

"" 24Piano "" 24

t tc

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;

<

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<

† ""Tenors

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a

8. With Heart and VoiceChorus of Men

36

unis

Page 40: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

;

<

† ""Tenors

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<

† ""Tenors

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and

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29

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ma

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25

ting

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maid

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maid

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37

K unis

unis

Page 41: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

;

<

† ""Tenors

""Basses

>?

"" ""

choice

tComes

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30

brave

||||tt t tt tt t tt

A -

||||t tt tt t tt

lex -

ttis,

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dThe

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;

<

† ""Tenors

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>?

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lex -

ttis,

tYtIA -

tYttt tYt tYttt t tt ttt t ttt

35

lex -

ttis

ÇtIÇtYthe

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brave.

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tYt d tYt d

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t Çt tt ttt t ttt

aa

>?

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t t tt ttt t ttt

40 tt Çt tt

ttt tttt

t t Çt tt ttt t ttt

t Çt tt ttt t ttt

t t tt ttt t ttt

tt Çt Çt Çt ttYtt d tYtt d

tIt d ctYtt d c

38

(Sir Marmaduke enters. Lady Sangazure and he exhibit signs of strong emotion at the sight of each other, which they endeavor to suppress. Alexis and Aline rush into each other's arms.)

Page 42: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

""" Š

>?

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""" Š

O!

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ta

a

dored

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t bb ttt ttt

b tt tt

cBe -

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boy!

| bb ttt ttt

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c dEc -

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t

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rap -

tture!

t bb ttt ttt

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cUn -

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joy!

| bb ttt c

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8a - Oh my adored oneAlexis and Aline

Recitative

39

Alexis Aline

Alexis Aline

(They retire up.)

Page 43: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

>?

""" Š """ Š

tÇ tÇ tÇ tÇ™ a

30

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"""Sir M

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day;

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way;

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t tre

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9. Welcome JoySir Marmaduke and Lady Sangazure

40

(With stately courtesy)

Page 44: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

"""Sir M

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hum -

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tkiss

t tyour

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15

hand;

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t tyour

t ttt t c tt c t t

ser -

tvant

tmost

tat -

tt tÇ tÇ tÇ tÇ tÇ tÇ tÇt t t ttt

"""Sir M

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ten -

ttive,

tMost

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ttÇ tÇ t tt t tt tt tt t t

18

ten

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t t tt t ||tt| t t t t| t

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mand.

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a -

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21

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ta -

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miss!

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41

(Aside with frantic vehemence.)

Page 45: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

"""Sir M

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fac -

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31

3127

this;

t ctt t tt t tt t tt tt c

B appassionata

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# tJzure

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mor -

ttal,

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30

San -

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# tJzure

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"| |"| "|

vine!

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"""Sir M

>?

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Wel -

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33

por -

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mine!

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36

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42

Page 46: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

"""Sir M

>?

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An -

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tJ|"| | –

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39 –mine!"

| dim.

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"""Sir M

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sis -

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42

cen -

ttive

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t tme

t tc tt c ttt c t c

hum -

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tkiss

t tyour

t tc tt tÇ tÇ tÇ ttÇt c tYt d tYt d

"""Sir M

>?

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hand;

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t tyour

t ttt t c tÀtt c t t

45

ser -

tvant

tmost

tat -

tt tÇ tÇ tÇ t tÇ tÇ tÇt t t ttt

ten -

ttive,

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"""Sir M

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rall.

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48

mand!

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a

43

(Aloud with much ceremony.)

Page 47: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

"""Lady S

>?

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tt tY d tY d tY dtt tttt tÇt tÇ tÇ tÇ

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a bSir,

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tt c tt

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"""Lady S

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thank

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54

lite

t tlyt

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grace -

tful

tcour

t tt tte

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"""Lady S

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see;

|Com -

tpli -

ttÇ tÇ tÇ tÇ tYÇ d tI dt ttt tYt d tYt d

57

ment

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knight -

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32

"""Lady S

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yet

# t twas

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tto

ttIt#t d # ttÇ tÇ ttÇ tÇ ttÇ dtI d ttÇ tÇ # ttÇ tÇ ttÇ d

60

me!

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t t# tt c c tItt dtt c t c

ry

tis

tan

tin -

#tc ttt c tt#tt c t c

44

Page 48: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

"""Lady S

>?

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gre -

tdient

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t tly

t tc ttt ttÇ tÇ ttÇ tÇt c tY d tY d

63

lack -

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int t

ourt t

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|Sir,

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t ttIt d tI d c tÀtIt d c t t

"""Lady S

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am

tyour

tmost

to -

#tt tÇ tÇ tÇ # tÇ tÇ tÇ tÇt t t #tt

66

be -

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be

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""" 24Lady S

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mand.t

Wild

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69

ra -

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na -

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71

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45

(Aside with great vehemence.)

Page 49: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

"""Lady S

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miss!

tI dGoad -

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73

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"""Lady S

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fac -

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Mar -

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mor -

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79

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46

apassionata

Page 50: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

"""Lady S

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mine!

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85

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33

vine!

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Loved

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47

(Aloud with much ceremony.)

Page 51: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

"""Lady S

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gre -

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94

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in

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97

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ra -

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Page 53: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 54: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 55: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 56: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 57: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 58: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 59: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 60: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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(Exeunt all but Alexis and Aline) ALEXIS. At last we are alone! My darling, you are now irrevocably betrothed to me. Are you not very, very happy? ALINE. Oh, Alexis, can you doubt it? Do I not love you beyond all on earth, and am I not beloved in return? Is not true love, faithfully given and faithfully returned, the source of every earthly joy? ALEXIS. Of that there can be no doubt. Oh, that the world could be persuaded of the truth of that maxim! Oh, that the world would break down the artificial barriers of rank, wealth, education, age, beauty, habits, taste, and temper, and recognize the glorious principle, that in marriage alone is to be found the panacea for every ill! ALINE. Continue to preach that sweet doctrine, and you will succeed, oh, evangel of true happiness! ALEXIS. I hope so, but as yet the cause progresses but slowly. Still I have made some converts to the principle, that men and women should be coupled in matrimony without distinction of rank. I have lectured on the subject at Mechanics' Institutes, and the mechanics were unanimous in favour of my views. I have preached in workhouses, beershops, and Lunatic Asylums, and I have been received with enthusiasm. I have addressed ditch diggers on the advantages that would accrue to them if they married wealthy ladies of rank, and not a ditch digger dissented! ALINE. Noble fellows! And yet there are those who hold that the uneducated classes are not open to argument! And what do the countesses say? ALEXIS. Why, at present, it can't be denied, the aristocracy hold aloof. ALINE. Ah, the working man is the true Intelligence after all! ALEXIS. He is a noble creature when he is quite sober. Yes, Aline, true happiness comes of true love, and true love should be independent of external influences.It should live upon itself and by itself--in itself love should live for love alone!

Page 62: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 63: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Dia 5

ALINE. Oh, Alexis, those are noble principles!ALEXIS. Yes, Aline, and I am going to take a desperate step in support of them.

Have you ever heard of the firm of J. W. Wells & Co., the old-established FamilySorcerers in St. Mary Axe?

ALINE. I have seen their advertisement.ALEXIS. They have invented a philtre, which, if report may be believed, is simply

infallible. I intend to distribute it through the village, and within twelve hours of mydoing so there will not be an adult in the place who will not have learnt the secret of pureand lasting happiness. What do you say to that?

ALINE. Well, dear, of course a filter is a very useful thing in a house; quiteindispensable in the present state of the Thames water; but still I don’t quite see that it isthe sort of thing that places its possessor on the very pinnacle of earthly joy.

ALEXIS. Aline, you misunderstand me. I didn't say a filter – I said a philtre.ALINE. So did I, dear. I said a filter.ALEXIS. No dear, you said a filter. I didn’t mean a filter – I mean a philtre, - ph,

you know.ALINE. (alarmed) You don’t mean a love-potion?ALEXIS. On the contrary – I do mean a love potion.ALINE. Oh, Alexis! I don't think it would be right. I don't indeed. And then – a

real magician! Oh, it would be downright wicked.ALEXIS. Aline, is it, or is it not, a laudable object to steep the whole village up to

its lips in love, and to couple them in matrimony without distinction of age, rank, orfortune?

ALINE. Unquestionably, but –ALEXIS. Then unpleasant as it must be to have recourse to supernatural aid, I

must nevertheless pocket my aversion, in deference to the great and good end I have inview. (calling) Hercules.

Enter a Page from tent.

PAGE. Yes, sir.ALEXIS. Is Mr. Wells there?PAGE. He’s in the tent, sir – refreshing.ALEXIS. Ask him to be so good as to step this way.PAGE. Yes, sir. (Exit Page.)ALINE. Oh, but, Alexis! A real Sorcerer! Oh, I shall be frightened to death!ALEXIS. I trust my Aline will not yield to fear while the strong right arm of her

Alexis is here to protect her.ALINE. It’s nonsense, dear, to talk of your protecting me with your strong right

arm, in face of the fact that this Family Sorcerer could change me into a guinea-pigbefore you could turn round.

ALEXIS. He could change you into a guinea-pig, no doubt, but it is most unlikelythat he would take such a liberty. It’s a most respectable firm, and I am sure he wouldnever be guilty of so untradesmanlike an act.

63

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Enter MR. WELLS from tent.

MR. W. Good day, sir. (ALINE much terrified.)ALEXIS. Good day – I believe you are a Sorcerer.MR. W. Yes, sir, we practice Necromancy in all its branches. We’ve a choice

assortment of wishing-caps, divining-rods, amulets, charms, and counter-charms. Wecan cast you a nativity at a low figure, and we have a horoscope at three-and-six that wecan guarantee. Our Abudah chests, each containing a patent Hag who comes out andprophesies disasters, with spring complete, are strongly recommended. Our Aladdinlamps are very chaste, and our Prophetic Tablets, foretelling everything – from a changeof Ministry down to a rise in Unified – are much enquired for. Our penny Curse – one ofthe cheapest things in the trade –is considered infallible. We have some very superiorBlessings, too, but they’re very little asked for. We’ve only sold one since Christmas – toa gentleman who bought it to send to his mother-in-law – but it turned out that he wasafflicted in the head, and it's been returned on our hands. But our sale of penny Curses,especially on Saturday nights, is tremendous. We can’t turn ’em out fast enough.

64

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Dia 6

ALEXIS. I have sent for you to consult you on a very important matter. I believe youadvertise a Patent Oxy-Hydrogen Love-at-first-sight Philtre?

MR. W. Sir, it is our leading article. (Producing a phial.)ALEXIS. Now I want to know if you can confidently guarantee it as possessing all

the qualities you claim for it in your advertisement?MR. W. Sir, we are not in the habit of puffing our goods. Ours is an old-

established house with a large family connection, and every assurance held out in theadvertisement is fully realized. (hurt)

ALINE. (aside) Oh, Alexis, don’t offend him! He’ll change us into somethingdreadful – I know he will!

ALEXIS. I am anxious from purely philanthropical motives to distribute thisphiltre, secretly, among the inhabitants of this village. I shall of course require aquantity. How do you sell it?

MR. W. In buying a quantity, sir, we should strongly advise your taking it in thewood, and drawing it off as you happen to want it. We have it in four-and-a-half andnine gallon casks – also in pipes and hogsheads for laying down, and we deduct 10 percent from prompt cash.

ALEXIS. Aline, the villagers will assemble to carouse in a few minutes. Go andfetch the tea-pot.

ALINE. But, Alexis –ALEXIS. My dear, you must obey me, if you please. Go and fetch the teapot.ALINE. (going). I’m sure Dr. Daly would disapprove of it! (Exit ALINE.)ALEXIS. And how soon does it take effect?MR. W. In twelve hours. Whoever drinks of it loses consciousness for that period,

and on waking falls in love, as a matter of course, with the first lady he meets who hasalso tasted it, and his affection is at once returned. One trial will prove the fact.

Enter ALINE with large tea-pot

ALEXIS. Good: then, Mr. Wells, I shall feel obliged if you will at once pour asmuch philtre into this teapot as will suffice to affect the whole village.

ALINE. But bless me, Alexis, many of the villagers are married people!MR. W. Madam, this philtre is compounded on the strictest principles. On married

people it has no effect whatever. But are you quite sure that you have nerve enough tocarry you through the fearful ordeal?

ALEXIS. In the good cause I fear nothing.MR. W. Very good, then, we will proceed at once to the Incantation.

73

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Page 79: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 80: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 81: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 83: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 85: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 86: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 87: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 88: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 89: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 90: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 91: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 92: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 93: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 94: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 95: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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Page 96: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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93

Page 97: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

† !!Sir M

>?

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91

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103

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94

Page 98: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!Aline

!!Const

!!LdyS+MrsP

† !!Alexis

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95

Sir M & Notary

Page 99: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!Aline

!!Const

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111

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96

Page 100: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!Aline

!!Const

!!LdyS+MrsP

† !!Alexis

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;

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97

Page 101: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!Aline

† !!Alexis

† !!Wells

>?

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98

(aside)

(aside)

(aside)

Page 102: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!Aline

† !!Alexis

† !!Wells

>?

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132

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99

(During this verse, Constance has brought a small teapot, kettle, caddy and cosy to Dr Daly. He makes tea scientifically.

Page 103: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!Aline

† !!Alexis

† !!Wells

>?

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>?

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100

(with the teapot)

Page 104: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

† !!Dr D

>?

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154

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101

Page 105: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!Aline

!!Const

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† !!Alexis

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102

Page 106: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!Aline

!!Const

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† !!Alexis

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166

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Page 107: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!Aline

† !Alexis

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177

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104

(Aside)

Page 108: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!Aline

† !Alexis

>?

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105

Page 109: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!Aline

† !Alexis

>?

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106

Page 110: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!Aline

† !Alexis

>?

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107

(It becomes evident by the strange conduct of the characters that the charm is working. All rub their eyes, and stagger about the stage as if under the influence of a narcotic.)

Tenors

Basses

Page 111: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!!!!Aline

† !!!!!Alexis

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Page 112: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!!!!Aline

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109

Women

Men

Page 113: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!!!!Aline

!!!!!Const

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† !!!!!Alexis

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Page 114: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!!!!Aline

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Page 115: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!!!!Aline

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Page 116: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

!!!!!Aline

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Page 119: mgillett/sorcerer/ActI no Overt.pdf · The Sorcerer – Songs and Choruses Act I Page 1 Ring Forth Ye Bells (Chorus) 1 2 Recitative –Why this strange depression? (Mrs Partlet and

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