meta diorama

8/22/2019 Meta Diorama

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MetadioramaMixed Recursive Interactions

diorama is a natural imaginationGaston Bachelard

Project: A recursive creation process of a museum diorama inside any of yourmuseum's room, with a specific interactive schedule intending to create artmaking

meetings with the local community and recognize socially the museum itself as an artwork....

Objectives: The making of an open transcurated space to be occupied during theexhibition period where museum pragmatics will be openly discussed and the

audience joins the artists in the creation of their own museologies.Exchange: Meeting visitors and collaborators of your museumto nurture theirrelation with subjective production and create a work on processwith them.Local Specificity: Being present and available to endorse the local creativeworks of artthrough continuous workflows of knowledges and practices.Research Orientation: A daily search for the local symbolical aestheticsandcultural environment to produce artworks activating it even more.Open Documentation: A multimedia documentationof the poetic gestures inthe process, that may be used as raw material, shared under an open license.


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i've always failed to find finityMaurits Cornelius Escher

Process: The work is a metaprocessual enquiry based on serendipity, the followingcomplementary logistics schedule may work as tools in the establishment of a

transcuratorial dialogueand stablishes common ground for collective artworks:Routine Programming: Maintainance of a collaborative space of operations,socialization and knowlege exchanges needed for the ongoing core processes

of an art museum. We believe the museum cleaners make art and vice-versa.Presentation Progression: Everyone who wishes to participate collectivelyor individually, has to create its own museology and artworks, from the

ideaization of the piece, to its metavernisage with the other works....

Methodologies: Based on your offered budget for the exhibition, we will study your

museum rules and procedures. We wil get to a open co-created institutionaltranscuratorial museological mission acknowledgement statement. This statement and thisproject should be translated to your local language(s) and made available for visitors useand online open inquiring. Apart from that, the environment itself is the mutable art piece.

Neutrality: The artists shall remain neutral in the curatorial process,delivering popular demandings, proposals and criticisms to the musseum

staff, wich will decide what may or not be done.Do It With Less: We envision the minimal production of waste. We use whatwe get, recycling both the garbage and the processes.Open Structures: All the methods may be multiplied and repeated, weactually ask you to, please, contribute on its code, recognize it as a collective

cultural achievement rather then any individual showcase.

Open Accountance: The artists will only use the budget money, so that theaccountance of it remains collective and open. The participants must help todecide if we buy tea or ink, for instance.


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infinity is a circular voyage through timeMarcel Duschamp

Schedule: The artists will occupy the provided space according to the activities anddemands pointed by the agenda, pre-structured with the museum's staff, based on

the following criteria:

...Periodic Routines: A first sketch on a routine mantainance for the keeping ofthe space and the people inhabiting it. The project itself is the trigger art piece

in the opening event:Daily Routines: Comunitary foodmaking, enviromental cleansings,aesthetical spatial organization, recitals and readings, workshops,

resolution of bureocratic matters, meditation, dances and walks, urbanresearch, artistic activities and encounters, strategies of the unpredictable.

Weekly Routines: Each day in the week will be devoted to specificthemes, in order to generate a collective focus on the common

creation. We have expertise in many artistic fields (to be mentioned further)and would be very pleased to listen and share possibilities of artistic

endeavours together. ...Process(es) Progression: The general project and its presentations and socialconnections guideline are presented in the following order, but their intensity

and duration may vary according to local specificities.Preproduction: Research (including visits to specialists, talks,discussions), rehearsals and self created exercises, strategical

plannings for acquiring data, material and poetic ways of dealing with it.Production: The physical structuralization of the artworks, whichbegins with the opening of the concerning exhibition and proceeds

until the end of the presentation.Presentation: One or more exhibitions may occur during the, ever in

process, construction of this piece, which may embody diverse medias.


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MetadioramaMixed Recursive Interactions:(){ :|:& };:

Unix Forkbomb

Key Concepts: In order to reflect on the processes of artcrafting and enrich the localpolitical subjective economywe find necessary to inquiry the project procedures and

how they mold the poetic gesture through its projectification, allowing the dialogue aboutthese sociomuseologic questions with involved workers, from the cleaning staff to the

curators. Here are some ideas and conceptual references that serve as an axiom for thestart of this endeavour:

...Diorama: Maquete that shows human figures, animals or even imaginarybeings as focal points of a scenic composition, presented inside a particular

surrounding with the aim ofrepresenting a story, theater without movement.Miniature: Science works through experimentation, documenting theexperiments, analysing them for the creation of abstract models: imaginary

simplified landscapes, static or dynamic. Cybernetics is deeply entrained withcyberkynetics, from cognitive webs of imagery we create models of movement.

Recursion: See Recursion. Metapoethical recursive autopoiesis during itsfractal selfproduction of quasi-similar reproduction care.

Serendipity: That which may only be found when one is not looking for it.Profound serenity.


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MetadioramaMixed Recursive Interactio

words are dioramas of gesturesMacednio Fernandez

Responsible Artist:

Felipe Ribeiro is operistic composer (http://fruido.pravida.org), hacker(http://jardim.devolts.org), researcher (http://auricultura.devolts.org) and philosopher(http://filosonias.pravida.org) interested in the social consequences of symbolical

creation (http://oelefantedemarfim.cc & http://kcah.hotglue.me) and tecniques ofrelational approaches to collective artmaking (http://metadioramas.metawards.cc).Coordinated creative exchanges with the Homeless Movement of dowtown So Paulo(http://is.gd/IEJOL3 & http://is.gd/X3qpIE), the Feminine Jail House nursery creatinglullabies with the preagnant women, and education NGO (http://is.gd/2vM2hH) teachingseniors and teenagers research methodology and art history, indigenous tribes

(http://is.gd/TMN7xK) recreating ancient myths througout musical videos made bythemselves and producing their own bands. Had works in many international festivals withinstallations and sound performances, workshops, lectures and operas. Among others, theHavana and Istambul Biennales, Medialab Prado ARCO08 Madrid, Tesla Berlin, NOD MeetFactory Prague, Frum Social Mundial Belm, Freewaves Los Angeles, Cinesonika California,Instituto Hemisfrico Buenos Aires, Dana em Foco Rio, STEIM Amsterdam. Got someawards like the Rolex Award, APCA and Bravo awards (important ones in Brasil) with thecompanies of dance and theater he works with as listening and voice coach and musicaldirector: Key e Zetta e Cia, Club Noir, Vitrola Quntica, Vera Sala, Fukushima. Was judg ofthe So Paulo State cultural workshops and curator of the first center-west residencyprogram and salon Fora do Eixo at the Republic Museum in Brasilia (http://is.gd/gFbey2).Collaborates in the organization of many events of free culture with the networks ofart-action Submidiologia, Descartgrafos, Movimento dos Sem Satlites

(http://is.gd/hLeJth ) , Metareciclagem (http://is.gd/rRiM6N) and Ruidocracia. Nowadays,writes an epic poem on the history of musical mythology.


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MetadioramaMixed Recursive Interactionsthe core of the onion is a nameles tear

Hilda Hilst

Contact Us: Believing or not that our project can be valuable to your community,please kindly send us their honest opinion about the project so that we can keep

improving it. Already grateful for the attention. Felipe Ribeiroand Cia pera Desnuda:

+55 (47) [email protected]

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