meagan kelley - resume and portfolio
DESCRIPTION
ÂTRANSCRIPT
design portfoliomeagan kelley
meagankelley
222 E. grattan st.harrisonburg, va [email protected]
OBJECTIVE Seeking a summer internship to further my design education and knowledge before begining my graduate studies. Through an internship I hope to gain more knowledge about the physical construction of design components, as well as ways in which design affects people’s interactions within a space.
- Revit - SketchUp Pro- Microsoft Offi ce - SketchUp Podium- Adobe InDesign, Illustrator, and Photoshop - Sketching- Rhinoceros - Space Planning - Move Management
EDUCATION
AWARDS AND ACHIEVEMENTS
ACTIVITIES AND LEADERSHIP
WORK EXPERIENCE
SKILLS
VOLUNTEER WORK
Virginia Tech ‘15Blacksburg, VABachelor of Science, Interior DesignMinor in SociologyStudy Abroad- Europe (Summer 2013)- Virginia Tech’s CESA (Fall 2015)
- Haworth Award for Contributions to the Studio (2013)
- Steelcase NEXT Design Competition Winner (2013)
- Joe Rogers and Associates Studio Excellence Award (2013)
- Virginia Tech School of Architecture and Design First Year Design Competition Winner (2012)
- Pamplin Leader Award (2010)
- Virginia Tech Dean’s List (2010 - 2013)
IDEAS Website Interview Team August 2013 – PresentIDEAS (Interior Designers for Education and Sustainability) 2011 – PresentNational Residence Hall Honorary 2011 – 2012Wesley Foundation of Virginia Tech - 2010 - Present Alternative spring break planning team (2013-2014) Fellowship Team member (2013- 2014) Alternative Spring Break Trips (2011-2014)
Clark Nexsen Interior Design Intern (May 2014 - August 2014) - Very involved with the offi ce relocation - Redesigned The Nofolk SPCA Exterior James Madison University Landscaping/Grounds Staff (May 2012 - August 2012)Harrisonburg Farmers Market Online Newsletter Layout Manager (2010)
The Big Event at Virginia Tech Staff Member (2010-2012) Committee Member (2012-2013)Harrisonburg/Rockingham County SPCA June 2006 – September 2008
meagan kelley 222 e. grattan st.harrisonburg, va. [email protected]
virginia techschool of architecture + design
interior design
diane von furstenberg boutique
dynamic wall
energy ensō traveling exhibit
whimsical lobby
schamus and emonts residence
n.e.x.t. offi ce
cane assetato vini winery + tasting house
sketching
03 - 07
09 - 13
15 - 19
21 - 23
25 - 29
31 - 37
39 - 43
45 - 49
01
diane von furstenbergboutique
spring 2013
upper west side,
new york
03
This design was a boutique for fashion designer Diane von Furstenberg, located in the Upper West Side of Manhattan. The design was based off of the concepts of line, pattern and movement that are present in her designs. The clothing has very bold and brightly colored patterns, so the goal was to create a mostly white space that would show off these colors and patterns. To pull people into the store, I reshaped the shell of the boutique, moving the main axis onto a diagonal that infl uenced the placement of everything else in the design. The walls being moved infl uenced the counter, which infl uenced the fl oor and then the display.
diane von furstenberg boutique
05
OPEN TO BELOW
DRESSING
DOWN
E1
DVF BoutiqueFirst FloorScale: 1/8” = 1’0”
N
ENTRY
CASH COUNTERADA
BATHROOM
STORAGE
OFFICE
UP
E2
diane von furstenberg boutique
Floorplan Process
Second Floor Plan
First Floor Plan
diane von furstenberg boutique
The ceiling installation is created from abstracting the main line movement in Diane von Furstenberg’s most famous design: the wrap dress. Through pattern and line movement, the design allows for direction and effective display within the boutique.
Diagram of Circulation Spatial Typology Diagram Wrap Dress
07diane von furstenberg boutique
Display Process
Level Two Elevation
Section
Exterrior Elevation
Northeast Elevation
dynamicwall
fall 2012
09
dynamic wall
The dynamic wall was designed as part of a spatial typology study. The goal was for the occupant to be able to control the amount of sunlight entering the space, while still allowing a line of sight through the building as a whole.
dynamic wall 11
Built Model
Process
dynamic wall
The design resulted as a series of sliding screens with circle cutouts to allow for amounts of light to be altered, while still having openings in the wall. The sun coming through the screens creates light patterns on the walls, fl oor and ceiling. These patterns are different with every movement of the screen.
Lighting Pattern Study
8’ 5’’
1’ 1”
11.5”
8’ 5’ 8’ 3’
1’ 1”
dynamic wall 13
energy ensōexhibit
fall 2013
blacksburg,
virginia
15
Energy Ensō is a traveling design exhibit and yoga studio meant to educate the public about interior design and how it can directly affect the health of people. The concept for the traveling exhibit is based off of the circular Japanese calligraphy symbol Ensō. Ensō is not a fi xed or static form but rather one that shows the continuation of activity by the circle not being closed. This relates directly to the activity and meditation of yoga. An open Ensō shows that it is part of something bigger and not a separate entity, similar to the relationship of exercise to overall health.
energy ensō exhibit
JUICE BAR INTERACTIVE WALL
YOGA INSTRUCTIONSTAGE
HANDICAPLIFT
HANDICAPLIFT
RESTROOM
JUICING STATION
FRUIT STORAGE DISPLAY
” = 1’-0”
AN
17energy ensō exhibit
Circulation Diagrams
Floorplan
The goals of the project were to create an environment that interacts, but does not rely on technology and electricity; to educate the public on good interior
design; to allow all participants regardless of physical or mental limitation; to incorporate sustainability through design and materials; and to promote
physical activity.
energy ensō exhibit
Exterrior of Trailer Projector Diagram
Interactive Wall Elevation Juice Bar Elevation
energy ensō exhibit 19
To cut electricity costs, the ceiling of the trailer is made of glass tubes that fi lter sunlight through to the space, allowing for natural light. To control
heat, pannels are built above the tubes to be pulled over the roof when the sun is too hot.
The interactive wall engages participants and encourages movement and activity, thus promoting health while also displaying a design element.
whimsicallobby
spring 2014
new orleans,
louisiana
21
whimsical lobby
The design of this hotel lobby in New Orleans, Louisiana was part of a fi ve day group project during which our only parameters were to design a lobby that conveys a feeling. We chose “whimsical” as our feeling and created a kinetic ceiling sculpture as well as overlapping staircases, colored LED lighting and abstract furniture to convey this feeling.
whimsical lobby 23
The kinetic sculpture on the ceiling is composed of 1 inch diameter beads and 3 inch diameter globe lights. The beads slowly fl uctuate up and down to create a dynamic environment. The
beads hang almost to a height of human touch, making the user feel that they are interacting with the sculpture.
Conceptual fl oor plan - not to scale
Kinetic ceiling sculpture diagram
schamus and emontsresidence
spring 2014
upper west side,
new york city
25
The remodel of this pre-war apartment, in the Upper West Side of Manhattan was designed for James Schamus, a screenwriter and Columbia professor, and his wife Ann French Emonts, a former Broadway costume designer and current owner of Darling Boutique. The couple have both found success in Los Angeles and New York, thus inspiring the transitional style of the design. The apartment has a backdrop of white walls, with a consistent wood fl ooring throughout to represent the more sophisticated style of New York, but incorporates pops of color to represent Los Angeles.
schamus and emonts residence
Floorplan
Process
27schamus and emonts residence
schamus and emonts residence
29schamus and emonts residence
n.e.x.t.offi ce
fall 2013
austin, texas
winning studio project
31
NEXT is a Think Tank organization that selects entrepreneurs and assists them in developing and prototyping their concepts to create the best products that represent what’s next in innovation. NEXT becomes the canvas for the entrepreneur’s idea to be developed on. The offi ce represents the canvas and the employees become the tools to develop the project into a fi nal, marketable product.
n.e.x.t. offi ce
Cafe
Classroom
Classroom
Reception
Ideation Zone
Open Offi ce
Open Offi ce
Studio
ProjectRoom Project
Room
ProjectRooms Private Offi ces
PrivateOffi ces
Copy/Work Room
Think Tank
Video Conference
n.e.x.t. offi ce 33
The concept of part to whole allows the space to be viewed as a canvas for ideas and to be sculpted into unique zones that allow for very different work environments. Different areas are
assigned different colors to identify the work environment. For example blue, representing calm, identifi es to quieter, more private spaces in the offi ce while orange, a more lively color, represents
more public spaces. The long, narrow space is broken up by different collaborative spaces, thus carving the offi ce. These spaces also allow for more interaction between employees.
Floorplan
Ceiling Element Diagram
Process
Reception Desk Axon
Yellow Acrylic
White Thermoset Plastic
n.e.x.t. offi ce
The different spaces are unifi ed through a wall and ceiling installation created by abstracting the neighborhoods of Austin into triangles and repeating the pattern. The triangle is an important form within the project because it represents narrowing many ideas down to a fi nal solution. The neighborhoods of Austin piece together to create the fi nal sculpture that is Austin, similar to the creation of fi nal products within Next.
Reception Elevation
Acoustic Panneling
Ceiling Installation
Black Polished Concrete
Throughout
Light Maple
Tables, Desks, Stools Throughout
Bernhardt - Urban - Sprout
Seating Throughout
Bernhardt - Urban - Zest
Seating Throughout
Maharam - Monk’s Wool - Tusk
Reception and Private offi ce Chairs
White Thermoset Plastic
Herman Miller - Twist - Turquoise
Seating Throughout
Maharam - Highfi eld by Kvadrat
Seating Throughout
Aluminum
Table and Chair Frames and Legs
Green, Orange, Yel-low Acrylic
Wall Element
10’ 6”
7’ 0”
E11
ELEVATION - FRONT
SCALE 1’ 0” = 1/2”
SCALE 1’ 0” = 1/2”SCALE 1’ 0” = 1/2”
NOT TO SCALE
3’ 6”
5’ 0”
2’ 6”2’ 7”
4’ 0”
1’ 3 7/8”
2’ 10”
4’ 7”
E22
ELEVATION - SIDENOT TO SCALE
E32
ELEVATION - BACKNOT TO SCALE
3’ 6”
3’ 9”
A1
PLAN - RECEPTION DESKNOT TO SCALE
n.e.x.t. offi ce 35
n.e.x.t. offi ce
The cafe was designed to be a multipurpose space that serves as a space to gather, meet, work, and eat.
Enclose Walls
Throughout
Haworth SE04 Table
Reception
LTB Bench Straight, SE04 Lounge Small Cube, LTB Table
Project Room
Reside Worksurface Corner 120
Open Offi ce
Reside Desking
Open Offi ce, Private Offi ce
qbic Lounge Seating
Reception, Private Offi ce
Zody Task Chair
Open Offi ce, Private Offi ce
Very Task Chair
Open Offi ce, Private Offi ce
450 Series Round Table
Cafe, Open Offi ce, Private Offi ce, Collaborative
n.e.x.t. offi ce
Hello Mini Mobile Stool
Think Tank
Planes Collaborative Tools
Throughout
Cafe RCP
Cafe Elevation
37
cane assetato viniwinery + tasting house
fall 2014
riva san vitale
switzerland
39
This project transforms the existing Casa Bianchi and the surrounding land into a tasting house and winery. The concept of pairing allows the new to be paired with the old, combining the original architecture with new design.
A new stair has been introduced to pull the visitor through the entire house. Starting at the top fl oor, visitors meander through two fl oors of retail to see the product and then experience the wine on the bottom two tasting fl oors. To then exit, visitors again walk through the retail space.
cane assetato vini winery + tasting house
The original stairwell is preserved through the creation of a light well in its place. Frosted glass fl ooring allows light to travel down the shaft through the entire house, bringing
in natural light to warm up the house. The yellow of the previous stair is kept as the accent color for the space.
cane assetato vini winery + tasting house 41
Process
Floorplans
Extending from the stairs is a wooden acoustic wall. This allows the old walls to be revealed underneath the stairs while addressing the problem of sound in a space being changed from private to public. The use of wood also brings warmth to the space.
cane assetato vini winery + tasting house
Stair and Feature Wall Elevations
Behind the tasting house sits the winery production building. This space is built into the mountain to symbolize the wine coming from nature. The production building does
not stand higher than the house and is the same width as to keep the building from distracting from the architecture of the house. The design creates a carport space
that serves as an entrance to both the production space and the tasting house.
cane assetato vini winery + tasting house 43
Site Axon
Casa Bianchi, Riva San Vitale, Switzerland
Winery and Tasting House Plans
sketching fall 2012 - spring 2014
europe 2013 + 2014
45
sketching
sketching 47
europe fall 2014 sketching
49europe fall 2014 sketching
meagan kelley 222 e. grattan st.harrisonburg, va. [email protected]
virginia techschool of architecture + design
interior design