marketing at rice university
TRANSCRIPT
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Marketing at Rice Everything you think you should already know
Presented by Michelle Kerkstra, Hoot Marke;ng Manager
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Tradi&onal Marke&ng is Obsolete
h<p://www.baekdal.com/media/market-‐of-‐informa;on
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Online Presence is Important Effec&veness of Marke&ng Outlets at Rice
Emails
Printed Materials
Glass Doors, etc.
via my work with RPC, Hoot, Annual Fund & WRC
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Facebook Sta&s&cs
More than 500 million ac;ve users • 50 % of ac;ve users log on everyday • Average user has 130 friends • 200 million users access Facebook
through mobile device @ Rice • 3,600 people in the Rice network!
h<p://www.facebook.com/press/info.php?sta;s;cs
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Facebook is an Opportunity to Build a Community
1. Update your Facebook frequently, but find a balance – DO NOT post just to post. Be crea;ve.
2. Force people to post/like/comment on your FB 3. Offer Incen;ves for interac;ons 4. Acknowledge people who frequently interact
with your page
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Case Study: The Hoot
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GRAPHIC DESIGN { func;on } :
1. convey complex ideas quickly, creates be<er understanding across language barriers
2. Elevates aesthe;c pleasure and crea;ve thinking
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Prac&ce safe design: Use a concept
-‐ Petrula Vron;kis
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Effec&ve Marke&ng Conveys your Message Instantaneously
1. Simple 2. A<rac;ve 3. Unique 4. Accessible
h<p://adsogheworld.com/
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How To Design a Good Poster 1. Grab Their AMen&on
• Interes&ng Picture • Strategic Use of ‘White Space’ • Crea&ve Art
h<p://elbowroomdesign.com/musings/610/how-‐to-‐design-‐a-‐good-‐poster/
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How To Design a Good Poster
2. Simple is Good
• Pictures/Color Not Text
• Use FB for details
h<p://elbowroomdesign.com/musings/610/how-‐to-‐design-‐a-‐good-‐poster/
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How To Design a Good Poster
3. Fonts are SWEET • Experiment with
interes&ng fonts!
• Don’t use more then 3
• Free Fonts! dafont.com thx interwebs!
h<p://www.alecsorensen.com/porholio/font_poster.gif
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How To Design a Good Poster
4. Move the Eye around • Font size correlates to importance of informa&on
• Use cues in design to ‘point’ at important info
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How To Design a Good Poster
5. Color • Basic color rules • Tone, contrast
6. Balance • Symmetrical, asymmetrical
• By color, contrast, texture
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Symmetrical Balance
Asymmetrical Balance
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Typography
m m Serif/ Sans Serif
Serifs are the small endcaps on le<ers. Serifs can aid in reading large wri<en material (copy). Serifs should be avoided for small type ie. websites, ar;cles.
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Sans Serif J
I got into a fight with a type designer once. I was counterpunch drunk for hours. My hair was a mess, my cap height was all wrong, the blood had to be swashed off with gentle strokes into a bowl, and I had to stem my cursing on the way out of the bar, tail between my legs, nursing my arm.
I got into a fight with a type designer once. I was counterpunch drunk for hours. My hair was a mess, my cap height was all wrong, the blood had to be swashed off with gentle strokes into a bowl, and I had to stem my cursing on the way out of the bar, tail between my legs, nursing my arm.
C D
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Serif – Best for Media with Light Copy
C D
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Don’t do it!.... EVER
Brush Script MT
Comic Sans Papyrus
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Google. Comicsansified. Gross.
h<p://www.allgraphicdesign.com/comicsans-‐googlespoof.html
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“Two fonts walk into a bar, the bartender says ‘we don’t serve your type here’.
So they called the serif”
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Go Big or Go Home Illustrator
Vector-‐based graphics : logos, one-‐pg layouts
Photoshop
Photocorrec;on, web graphics, Not for type/logos
InDesign
Mul;-‐page layouts, or one-‐pg layouts. Not Logos
Word/Powerpoint
Text documents, presenta;ons
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Marke&ng @Rice • Hang flyers in the stairwells at Rice, every stairwell at least
bo<om 2 floors • Big posters are nice, but are overlooked a lot of the ;me
(and expensive) • Tabletops are trashed almost instantaneously
• Send an email to ustudents@ • FACEBOOK Like CRAZY • U;lize Erin and the webz for graphic work