marked set by ge123 · oviya, padugappu sangam, 17/58, manojiyappa, veedhi, thanjavur, tamil nadu...
TRANSCRIPT
GOVERNMENT OF INDIA
GEOGRAPHICAL INDICATIONS JOURNAL NO.17
APRIL 1, 2007/CHAITRA-11, SAKA 1929
2
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OFFICIAL NOTICES
Sub: Notice is given under Rule 41(1) of Geographical Indications of goods (Registration & Protection) Rules 2002.
1. As per the requirement of Rule 41(1), it is informed that the issue No.17 of the Geographical Indication Journal dated 1
st April
2007/Chaitra-11, Saka 1929 has been made available to the public from ..... June 2007.
OFFICIAL NOTICES
II. Issue of Registration Certificate:-
1. It is hereby certified that the entry has been made in Part A of the Register of Geographical Indication that the Director of Industries, Vikas Bhawan, Department of Industries, Bihar, Patna – 800 015 is the registered proprietor for MADHUBANI PAINTING for the goods Paintings under Class 16, under G.I. application No.37 as of date 22
nd of August 2005.
2. It is hereby certified that the entry has been made in Part A of
the Register of Geographical Indication that the Thanjavur Oviya, Padugappu Sangam, 17/58, Manojiyappa, Veedhi, Thanjavur, Tamil Nadu is the registered proprietor for THANJAVUR PAINTING for the goods Paintings under Class 16, under G.I. application No.47 as of date 4
th of January 2006.
3. It is hereby certified that the entry has been made in Part A of
the Register of Geographical Indication that the Kairmnagar Silver Filigree Handicrafts Mutually Aided Co-operative Welfare Society Limited, No.4-5-38, Fathepura, Karimnagar – 505 001,
Andhra Pradesh is the registered proprietor for SILVER FILIGREE OF KARIMNAGAR for the goods Key Chains under Class 6, for the goods Hand tools and implements (hand operated), cutlery, side arms, razors under Class 8, for the goods Bangles, Brooches, Bracelets, Arm Bands, Ear Rings, Ear Tops, Coatpins, Necklaces, Chains, Tie Pins, Buttons, Paan-Daan, Attar-Dan, Cigarette Boxes, Ornamental Boxes, Kum-Kum Boxes, Perfume Tins, Leaf Patterned Purses, Tea Trays, Key Chains, Other Contemporary Monumental Replicas like Charminar, Hightech city, Globe etc., and Idols of Gods and Goddesses, under Class 14, for the goods Purses and hand bags under Class 18, for the goods furniture, mirrors, picture frames under Class 20, for the goods Brooches, hair pins, tie pins and buttons under Class 26 and for the goods Decorations for Christmas trees under Class 28, under G.I. application No.53 as of date 28
th of April 2006.
4. It is hereby certified that the entry has been made in Part A of the Register of Geographical Indication that the Coir Board, Ministry of Agro & Rural Industries, Government of India, Coir House, Post Box No.1752, M. G. Road, Cochin – 682 016 is the registered proprietor for ALLEPPEY COIR for the goods Coir Mats, Mattings, Carpets, Rugs and Geo-textiles under Class 27, under G.I. application No.54 as of date 3
rd of July
2006. 5. It is hereby certified that the entry has been made in Part A of
the Register of Geographical Indication that the Director of Horticulture, Department of Horticulture, Government of Karnataka, Biotechnology Centre, Hulimayu, PB No.7648, Bangalore – 560 076 is the registered proprietor for MYSORE MALLIGAE for the goods Horticulture Commodity under Class 31, under G.I. application No.69 as of date 24
th of July 2006.
6. It is hereby certified that the entry has been made in Part A of the Register of Geographical Indication that the Director of Horticulture, Department of Horticulture, Government of Karnataka, Biotechnology Centre, Hulimayu, PB No.7648, Bangalore – 560 076 is the registered proprietor for UDUPI MALLIGAE for the goods Horticulture Commodity under Class 31, under G.I. application No.70 as of date 24
th of July 2006.
7. It is hereby certified that the entry has been made in Part A of
the Register of Geographical Indication that the Director of Horticulture, Department of Horticulture, Government of Karnataka, Biotechnology Centre, Hulimayu, PB No.7648, Bangalore – 560 076 is the registered proprietor for HADAGALI MALLIGAE for the goods Horticulture Commodity under Class 31, under G.I. application No.71 as of date 24
th of July 2006.
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HkkSxksfyd min'kZu
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HkkSxksfyd min'kZu ds uke
oxZ Ekky
1 nkftZfyax ¼oMZ½ 30 Pkk;
2 nkftZfyax ¼yksxks½ 30 Pkk;
3 vkjUeqyk /kkrq dk¡p 20 /kkrq dk vkbuk
4 ikspeiYyh bDdr 24
25
27
oL= rFkk oL= eky] csM vkSj Vscy doj
oL=] ixMh
dkisZV] #eky] dEcy vkSj pVkbZ
Q'kZ dks vkoj.k djus dh oLrq
5 Lksye oL= 24 oL= rFkk oL= eky
6 i;Uuwj ifo=k fjax 14 xguk
7 pansjh lkMh 24 lkfM+;ka
8 lksykiqj 24 pknj
G.I.Application
No.
Name of Geographical Indication Class Goods
1 Darjeeling (Word) 30 Tea2 Darjeeling (Logo) 30 Tea3 Aranmula Kannadi 20 Metal Mirror
4 Pochampally Ikat
24
2527
Textile & Textile Goods, Bed and Table Cover. Clothing, Headgear. Carpets, Rugs, Mats, Mattings, Materials for covering floors
5 Salem Fabric 24 Textile and Textile Goods
6 Payyannur Pavithra Ring 14 Jewellary7 Chanderi Saree 24 Sarees8 Solapur Chaddar 24 Chaddars
9 Solapur Terry Towel 24 Textile Piece Goods – Terry Towel
10 Kotpad Handloom Fabric 24 Textile and Textile Goods
11 Mysore Silk
2324
25
Raw Silk Yarn Textile and Textile Goods including SareesReadymade garments, made ups, ties
12 Kota Doria 24
25
Textile and Textile GoodsClothing
13 Mysore Agarbathi 3Agarbathi / Oodabathi (Incense / Joss Sticks)
14 Basmati Rice 30 Rice
15 Kancheepuram Silk 24 & 25
24: Textile and Textile Goods 25: Clothing including Sarees & Rumal
16 Bhavani Jamakkalam
24
27
Textile and Textile GoodsCarpets, Rugs, Mats & Matting
17 Navara – The Grain of Kerala 30 Rice
18 Mysore Agarbathi “Logo”` 3 Agarbathi / Oodabathi
9 lksykiqj rsjh rkSfy;k 24 oL= rqdM+k eky & rsjh rkSfy;k
10 dksVikM gFkdj?kk oL= 24 oL= rFkk oL= eky
11 eSlwj flYd 23 24 25
dPpk js'keh /kkxk oL= rFkk oL= eky ds lkFk lkM+h rS;kj diM+s] cus gq,] VkbZl
12 dksVk nksfj;k 24 25
oL= rFkk oL= eky oL=
13 eSlwj vxjcÙkh 3 vxjcÙkh@mncÙkh 14 cklerh pkoy 30 Pkoy 15 dkaphiqje flYd 24o25 24: oL= rFkk oL=
eky( 25: iks'kkd ds varxZr lkM+h vkSj #eky
16 Hkokuh teDdkye 24 27
oL= rFkk oL= eky dkisZV] dEcy] pVkbZ vkSj pVkbZ eky
17 uokjk & dsjy dk nkuk 30 Pkoy 18 eSlwj vxjcÙkh
^^yksxks** 3 vxjcÙkh@mncÙkh
7
19 Kullu Shawl 24 Textile and Textile Goods 20 Bidar
6
2134
Boxes, Statues, Statuettes, Busts made of Metal Flower Vass, Trays Cigar Can and Ashtrays made of Metal
21 Madurai Sungudi Saree 24 & 25 Textile and Textile Goods
22 Orissa Ikat
23
24
25
Yarn & Threads Tied and Dyed for Textile Use Textile & Textile Goods Clothing
23 Channapatna Toys and Dolls 28 Toys and Dolls
24 Mysore Rosewood Inlay
19
20
27
28
Doors, Partition Screens & Veneers of WoodStatues, Statutes of Wood & Furniture’sWall Hangings of Wood Jhoolas (Swings) & Toys
25 Kangra Tea 30 Tea 26 Coimbatore Wet Grinder 7 Wet Grinders 27 Phulkari 26 Phulkari Embroidery
28 Kalamkari
24
25
27
Textile and Textile Goods not included in other Classes; Bed and Table Cover and all other goods falling in Class 24
Clothing and all other goods falling in Class 25 Furnishings, Bags, Covers, Cloth Envelopes, Handicraft Items, Wall Panels, Wall Hangings, Wall Paintings
29 Mysore Sandalwood Oil 3 Sandalwood Oil 30 Mysore Sandal Soap 3 Mysore Sandal Soap
31 Kasuti Embroidery – Karnataka 26 Kasuti Embroidery –
Karnataka
19 dqYyq 'kky 24 oL= rFkk oL= eky
20 fcnj 6
21
34
cDls] ewfrZ;k¡] NksVh ewfrZ;k¡] /kkrq ds cus
v/kZizfrek
Qwynkuh] /kkrq ;k ydM+h dh Fkkyh
flxkj dsu vkSj /kkrq ds cus ,s'k~Vªs
21 enqjS lqaxqMh ¼;k½ tqUuMh lkM+h
24 o 25 oL= vkSj oL= eky
22 mM+hlk bDdr 23
24
25
oL= cukus ds fy, cka/kk vkSj jaxk x;k
;kuZ vkSj /kkxs
oL= vkSj oL= eky
oL=
23 pUuiVuk f[kykSuk vkSj xqfM+;k
28 f[kykSuk vkSj xqfM+;k
24 eSlwj jksloqM bUys
19
20
27
28
njokts] insZ vkSj ydM+h dh iryh rg
ydM+h dh eqfrZ rFkk NksVh ewfrZ vkSj
QuhZpj
ydM+h ds nhokj esa yVdk;s tkus okyh phtsa
>wyk vkSj f[kykSus
32 Mysore Traditional Paintings 16 Mysore Traditional Paintings (Mysore)
33 Coorg Orange 31 Horticulture Product - Orange
34 Mysore Betel Leaf 31 Horticulture Product – Betel Leaf
35 Nanjangud Banana 31 Horticulture Product – Banana
36 Palakkadan Matta Rice 30 Rice37 Madhubani Paintings 16 Paintings38 Jamnagar – MS 4 Motor Spirit (Petrol)
39 Jamnagar – ATF 4 Aviation Turbine Fuel (Kerosene Type)
40 Krishna Godavari Gas 4 Fuel
41 Jamnagar – LPG 4 Liquified Petroleum Gas (LPG)
42 Jamnagar – HSD 4 High Speed Disel 43 PISCO 33 Alcoholic Beverage
44 Kondapalli Bommallu (Toys)
16
20
27
28
Stationery, Artist Materials, Instructing & Teaching Materials; Printing Blocks Goods (not included inOther classes) of WoodWall hangings (non-textile) Games, Playthings, sporting articles not included in other classes; decoration of Christmas tree
45 Poddar Diamond 14 Jewellary46 Kashmir Pashmina 24 Textiles47 Thanjavur Paintings 16 Paintings48 Kashmir Sozani Craft 26 Embroidery 49 Malabar pepper 30 Pepper
50 Allahabad Surkha 31 Horticulture Product Guava
51 Kani Shawl 25 Shawl
52 Nakshi Kantha 19,20,24&25
Wall panels and more; Bolsters & Pillows; Throws, Cushions, Bed Spreads, Runners, Duvet Covers, Lights Quilts (Single & Double), Baby quilts,
25 dkaxMk pk; 30 pk;
26 dks;EcÙkwj osV xzSaMj
7 osV xzSaMj
27 Qqydkjh 26 Qqydkjh d<+kbZ
28 dyedkjh 24
25
27
oL= vkSj oL= eky vU; oxZ jfgr] oxZ 24 es 'kfey csM vkSj Vscy vkoj.k
oxZ 25 es 'kfey oL= vkSj vU; eky
ltkoV dk lkeku] FkSyk] vkoj.k] oL= vkoj.k] gLrf'kYi oLrq,¡] nhokj esa yxk;s tkus okys iSuy] nhokj ij Vkaxus okyh oLrq] nhokj esa yxk;s tkus okys fp=
29 eSlwj lSaMyoqM rsy
3 lSaMyoqM rsy
30 eSlqj panu lkcqu
3 eSlqj panu lkcqu
31 dlqrh dlhnkdkjh&dukZVd
26 dlqrh dlhnkdkjh&dukZVd
32 eSlwj ikjEifjd fp=dyk
16 eSlwj ikjEifjd fp=dyk ¼eSlwj½
33 dwxZ ukjaxh 31 ckxckuh mRikn&ukjaxh
34 eSlwj iku iÙkh 31 ckxckuh mRikn&iku iÙkh
35 uatuxqM dsyk 31 ckxckuh mRikn&dsyk
Yardage for Curtains, Apparel Fabrics, Bath Linen, Bath Sheets (Towel), Bathroom furnishings, Bathroom linen, Bean Bag Covers, Blanket Covers, Bed Covers/ Spreads, Bed Sheets, Blackout blinds (outdoor) or textile, Coasters (Table Linen), Cushion Covers, Pillow Covers, Toilet Seat Covers, Curtain Fabrics & Materials, Curtain Linings, Curtain covers, Pillow Covers, Toilet Seat Covers, curtain Fabrics & Materials, Curtain Covers, Pillow Covers, Toilet Seat Covers Curlin Linings, Curtain Holders of textile material, Curtain Loops made of textile material, Curtain for windows, Dinner Napkins, Dish Cloths for drying, Dish Mats, Door Curtains, Drapes, Drapes in the nature of curtains, Drink coasters of table linen, Drink mats of table linen, Fabric Covers for kitchen appliances, Fabrics for interior decoration, Fabrics for use as linings in clothing, Hand Towels, Handkerchiefs, Wall Hangings, Horizontal slatted blinds (outdoor) of textile, Horizontal Venetian blings (outdoor) of textile, Household cloths for
36 ikyDdkM eê pkoy
30 pkoy
37 e/kqcuh fp=dyk 16 fp=dyk
38 tkeyxj&,e-,l
4 eksVj LihjhV ¼isVªksy½
39 tkeuxj&,-Vh-,Q
4 ,oh,'ku Vjckbu ¶;wy ¼dsjksflu izdkj½
40 —".kk xksnkojh xSl
4 ¶;wy
41 tkeuxj&,y-ih-th-
4 fyDohQkbM isVªksfy;e xSl ¼,y-ih-th-½
42 tkeuxj&,p-,l-Mh
4 gkbZ LihM Mht+y
43 fildks 33 e|lkj is;
44 dksUMiYyh cksEeyq
16
20
27
28
LVs'kujh] dkjhxj oLrq] funsZ'k vkSj f'k{k.k
oLrq ( fizfUVax CykWd
ydM+h dk eky ¼vU; oxZ
es 'kkfey ugh½
nhokj ij Vkaxus okyh oLrq] ¼xSj&oLrz½ [ksy] [ksy oLrq] [ksy inkFkZ vU; oxZ es 'kkfey ugha( fØlel isM+ dk ltkukA
45 Iksíkj ghjk 14 vkHkw"k.k
46 d'ehj i'ehuk 24 oL=
drying glasses, Household linen, Infants bed Linen, Jewellery sachets, Kitchen 21 sachets, Kitchen furnishings, Kitchen Linen, Kitchen Towel Mosquito Nets, Net Curtains, Piano Covers, Quilt Covers, Table Runners, Sofa Covers, Seat covers for use in automobiles, Table covers, Table Linen, Table Mats, Table Napkins, Textile articles for kitchen use; Sarees, upattas & Scarfts, Aprons, Babies’ bibs, Casual wear, Casual jackets for women/men, Casual shirts, Cloths, Dressing gowns, Dresses, Eye masks, Head shawls, House robes, House Coats, Kaftans, Ladies long Scarves, Ladies Wear, Quilted jackets, Sandals, Sarongs, Shawls, Silk scarves, Silk Ties.
53 Silver Filigree 6,8,14,18,20,
26&28
Key Chains; Hand tools and Implements (Hand Operated) Cutlery, Side Arms, Razors; Bangles, Brooches, Bracelets, Arm Bands, Ear Rings, Ear Tops, Coatpins, Necklaces, Chains, Tie Pins, Buttons, Paan-Dan, Attar-Dan, Cigarette Boxes,
47 ratkowj fp=dyk 16 fp=dyk 48 d'ehj lkst+kuh
f'kYi 26 d<+kbZ
49 Ekkykckj dkyh fepZ
30 dkyh fepZ
50 bykgkckn lw[kZ 31 Ckkxokuh mRikn ve:n
51 dkuh 'kkWy 25 'kkWy
52
ud'kh dakrk
19]20]24 vkSj 25
nhokj ij Vaxus okys fp= vkSj vf/kd] rfd;k vkSj rfd;] Fkzksl dq'ku] fcNkou] nwosV doj] c kh] xík¼,d ;k nks½] f'k'kq dk xík] inksZa ds fy, ;kMsZt] oL=ksa ds /kkxs ugkus dk vLrj] ugkus dk 'khV ¼rkSfy;k½ ckFk:e ds lkeku] ckFk:e dk ykbfuu] chu FkSyh dk doj] jtkbZ dk [kksy] pknj] fcNkou oL=] inkZ¼ckgjh½] eksVk ¼esu ykbfuu½ dq'ku [kksy] rfd;s dk [kksy] Vk;ysV 'khV dk doj] inkZ dk diM+k] inkZ dh ykbfuu] djfyu ykbuu inkZ dks yVdk;s tkus oL= dk gksYMj] inZs dks yVdk;s tkus okyk Qkan tks diM+s dk cuku gksrk gS A f[kM+fd;ksa ds fy, inkZ ] jkrsa ds [kkus dk usifdu] crZu iksaNus dk diM+k]
Ornamental Boxes, Kum-Kum Boxes, Perfume Tins, Leaf Patterned Purses,Tea Trays, Key Chains, Other Contemporary Monumental Replicas Like Charminar, Hightech city, Globe etc., And Idols of Gods and Goddesses; Purses and Hand Bags; Furniture, Mirrors, Picture,Frames;Brooches, Hair Pins, Tie Pins and Buttons; Decorations for Christmas Trees.
54 Alleppey Coir 27Coir Mats, Mattings, Carpets, Rugs and Geotextiles.
55 Muga Silk 23,24&25
Raw Silk Yarn, Textile and Textile Goods Including Sarees, Mekhela-Chadar,Readymade Garments, Made ups, Ties.
56 Tellicherry Pepper 30 Pepper
57 Coconut shell crafts of Kerala 20Coconut shell products of Kerala
58 Screw pine crafts of Kerala 27
Screw pine Craft of Kerala, Mats, Wall hangings, Shopping bags, Parasols, Caparisons, bed mats, boxes, purses, tea coasters, prayer mats.
59 Maddalam of Palakkad (Kerala) 15Maddalam – a percussion instrument of Kerala.
60 Ganjifa cards of Mysore (Karnataka) 16 Ganjifa playing cards falling under class 16.
61 Navalgund Durries 24 Woven Durries of Navalgund
c kZu ds esV] njokts ds insZ] insZ dks yVdk;s tkus okyk] Xykl j[kus okys esV dk ykbfuu] est ij Xykl ds fy, j[kk tkus okyk esV ] jlksbZ ?kj ds leku ds fy, oL= doj ?kj ds Hkhrjh Hkkx dh ltkoV ds diM+s ] diM+s ds fy, iz;qDr gksus okyk ykbfuu ] gkFk dk rkSfy;k] :eky] nhokj ij Vkaxh tkus okyh oLrq,¡] lh/kh ydhjinkZ] dkap dks iksaNs tkus okyk diM+k] ?kjsyw ykbfuu] foLrj dk ykbfuu ] vkHkw"k.k dh FkSyh] jlksbZ ?kj dks ltkus dh oLrqvksa ] jlksbZ ?kj dk rkSfy;k ] ePNj nkuh ] tkyhnkj insZa] fi;kuska ds doj] xís dk [kksy] est dk [kksy] lksQs dk [kksy] xkfM+;ksa ds Vsfcy ij yxus okyk doj] est dk doj] jlksbZ esa iz;qDr gskus okys oLrq,¡] lkM+h] nqiêk vkSj LdkQZ] Åijh tkek] cPpksa dk fccl] jkstejkZ esa igus tkus okys diM+s] L=h;ksa vkSj
62 Karnataka Bronze Ware 6
Karnataka bronze ware – Religious idols, temple bells.and vessels, lamps and other ritual ware.
63 Thanjavur Art Plate 14 Thanjavur Art plate falling
64 Swamimalai Bronze Icons 6 Bronze Icons65 Temple jewellery of Nagercoil 14 Jewellery66 Blue Pottery of Jaipur 21 Pottery67 Molela Clay Idols 21 Molela Clay Idols 68 Kathputlis of Rajasthan 28 Kathputlis
69 Mysore Jasmine 31 Horticulture Commodity
70 Udupi Jasmine 31 Horticulture Commodity
71 Hadagali Jasmine 31 Horticulture Commodity
72 Alleppey Green Cardamom 30 Spices73 Applique (Khatwa) Work of Bihar 24 & 26 Textile & Embroidery
74 Sujini Embroidery work of Muzzaffarpur District in Bihar 24 & 26
Bedspreads, wall hanging cushion & Bolster covers / Saris, Dupattas & Kurtas
75 Sikki Grass Products of Bihar 20Utilitarian & Ornamental products from sikki grass
76 Ilkal sarees 24 Ilkal Sarees 77 Molakalmuru Sarees 24 Molkalmuru sarees 78 Coorg Green Cardamom 30 Agricultural Products 79 Chamba Rumal 24 Textiles
iq:"kksa ds jkstejkZ ds tSdsV] jkstejkZ ds deht] diM+s Mªsflax xkmu] oL=] vk¡[kksa esa yxk;s tkus okyk ekLd] flj esa yxk;s tkus okys 'kkWy ] ?kj esa igus tkus okyk tkek] ?kj esa igus tkus okyk dksV] fL=;ksa ds yacs LdkQZ] L=h ds oL= xeZ tSdsV] pIiy] lsjksaXl] 'kkWy] js'eh LdkQZ] js'eh VkbZ
53
flYoj fQyhxjh
6]8]14]18]20]26vkSj28
Pkkoh dk psbu% gkFk }kjk iz;qDr vkStkj] pepk] cktwcan] Nqjk] pwM+h] fL=;ksa ds diM+ksa esa yxk;s tkus okyk fiu] dM+k] cktwcan] Ckkyh] dku ds cwans] dksV fiu] usdysl] psSu] VkbZ fiu] cVu] iku�nku] vVj�nku] flxjsV ckWDl] vkHkw"k.k dk cDlk ] dqe�dqe dh fMfc;k] b= dk fVu] if k;ksa ls ltk gqvk ilZ] pk; ds Vsª] dh psbu] vU; ledkyhu Lekjd dk izfr:i tSls pkjehukj] mPprduhd 'kgj] Xyksc vkfn] vkSj nsoh vkSj nsorksvksa
dh ewfrZ] ilZ vkSj FkSyh] ?kj dh oLrq,¡] niZ.k] fp= Qzse % fL=;ksa ds diM+ksa esa yxus okyk fiu] ckyksa esa yxk;k tkus okyk fiu] VkbZ dk fiu vkSj cVu% fdzlel ds isM+ dh ltkoV dh oLrq,¡
54 vYysIih dkW;j 27 Ukkfj;y ds tVs dk esV ] dkisZV] dacy vkSj HkkSxksfyd oL=
55 Ekqxk js'ke 23]24 vkSj 25 dPpk js'eh ;kuZ] oL= vkSj oL= eky] ftlds varxZr lkM+h ] es[kyk�pknj] cus ;k flys gq, diM+s] VkbZ A
56 Rksyhpsjh dkyh fepZ
30 dkyh fepZ
57 dsjy dk Ukkfj;y [kksy f'kYi
20 dsjy ds Ukkfj;y ds [kksy dk
mRikn] 58 dsjy ds nsonkj
ds uDdk'kh dk f'kYi]
27 dsjy ds nsonkj ds uDdk'kh dk f'kYi] eSV] nhokj esa yxkbZ tkus okyh oLrq,¡] /kwi dh Nrjh] ?kksM+s dk vksgkj] fcLrj dh pVkbZ] cDl ] pk; j[kus dk eSV] iwtk dk eSV
59 ikyDdkM ¼dsjy½ dk eìye~
15 eìye~� dsjy dk ,d ctkus oky midj.k
60 eSlwj ¼dukZVd½ dk xaftQk dkMZ
16 oxZ 16 esa vkus okyk xaftQk [ksyus okyk dkMZ
61 uoyxqM njh 24 uoyxqM ds cqus gq, njh
62 dukZVd ds dkaL; dh oLrq,¡
6 dukZVd dk dkaL; eky�/kkfeZd ewfrZ] eafnj dh ?kaVh] c kh vkSj vU; /kkfeZd oLrq,¡ A
63 ratkowj dh dykRed Fkkyh
14 ratkowj dh dykRed Fkkyh
64 Lokeh eyS dh dkaL; dh oLrq,¡
6 dkaL; dh oLrq,¡
65 Ukkxjdksby ds eafnj ds vkHkw"k.k
14 vkHkw"k.k
66 t;iwj ds uhyh feêh dk crZu
21 feêh dk dke
67 eksysyk feV~Vh dh ewfrZ
21 eksysyk feV~Vh dh ewfrZ
68 jktLFkku dh dBiqryh
28 dBiqryh
69 eSlwj pesyh 31 ckx+ckuh oLrq
70 mMqih pesyh 31 ckx+ckuh oLrq
71 gMxyh pesyh 31 ckx+ckuh oLrq
72 vyIih gjk xeZelkyk
30 xeZ elkyk
73 fcgkj dk vIiyhd ¼[krok½ dk;Z
24 o 26 oL= vkSj dlhnkdkjh
74 fcgkj ds eqt¶Qjiqj ftyk dk lqthuh dlhnkdkjh dk;Z
24 o 26 fcLrj dk lkeku] nhokj ltkoV dk lkeku xÌh vkSj cksYLVj fcNkuk@lkMh] nqiV~Vk vkSj dqjrk
75 fcgkj dk flDdh ?kkl mRikn
20 flDdh ?kkl dk mi;ksfxrkoknh vkSj vkyadkfjd mRikn
76 bydy lkMh 24 bydy lkMh
77 eksydyeq# lkMh 24 eksydyeq# lkMh
78 dqxZ gjk xeZ elkyk
30 —f"k mRikn
79 pEck #eky 24 oL=
lkoZtfud lwpuk
lHkh lacaf/kr O;fDr;ksa ds /;ku esa ;g lwpuk yk;k tkrk gS fd HkkSxksfyd min”kZu if=dk dk ewY; fLFkj fd;k gqvk ,d izdk”ku tqykbZ 2004 ls miyC/k gS A ;g ,d f}ekfld izdk”ku gksxk A izR;sd izfr dk ewY; #o 150/- ¼,d lkS ipkl #i;s½ gS A okf’kZd pUnk #o 900/- ¼ukS lkS #i;s½ gksxk A izfro’kZ N % if=dk,a Nik tk,xk A okf’kZd pUnk Hkstus ds bPNqd ÞHkkSxksfyd min”kZu iath;dß ds uke ij psUuS esa vnk djus okyk fMekaM MªkQ~V Hkst ldrk gS A
HkkSxksfyd min”kZu iathd`fr] ckSf)d lEink vf/kdkj Hkou] bUMfLVª;y ,LVsV] flM~dks vkj-,e-Mh- xksnke ,fj;k] th-,l-Vh-jksM] fx.Mh] psUuS & 600 032 ds dkÅaVj ij lHkh dk;Zfnolksa esa udn pqdkSrk Hkh fd;k tk ldrk gS A blds ckjs esa vfrfjDr tkudkjh dsfy,]
lgk;d iath;d HkkSxksfyd min’kZu] HkkSxksfyd min’kZu iathd`fr] ckSf)d lEink vf/kdkj Hkou] bUMfLVª;y ,LVsV] flM~dks vkj-,e-Mh- xksnke ,fj;k] th-,l-Vh-jksM] fx.Mh] psUuS & 600 032 ls laidZ djsa A nwjHkk’k % 22321992, 93 & 96 QSDl % 22321991
E-mail : [email protected].
¼go½ ¼oh joh ½
HkkSxksfyd min’kZu iath;d
PUBLIC NOTICE It is brought to the notice of all concerned that a priced publication of Geographical Indications Journal is available from July 2004. It would be a bimonthly publication. The cost of each Journal is Rs.150/- (Rupees One Fifty Only). The cost of the Annual Subscription is Rs.900 (Rupees Nine Hundred Only). There will be six issues annually. Interested parties who are desirous of subscribing the Annual Subscription for the above Journal may forward a Demand Draft which should be drawn in favour of “Registrar of Geographical Indications” Payable at Chennai. The public can also remit cash at the counter of Geographical Indications Registry, Intellectual Property Office Building, Industrial Estate, SIDCO RMD Godown Area, G.S.T Road, Guindy, Chennai – 600 032 on all working days. For any further information in this regard please contact:- The Assistant Registrar of Geographical Indications, Geographical Indications Registry, Intellectual Property Office Building, Industrial Estate, G.S.T Road, Guindy, Chennai – 600 032 Tel: 2232 1992, 93 &96 Fax No: 2232 1991 E-mail: [email protected].
Sd. ___________
(V. RAVI) Registrar of Geographical Indications
Tkh vkbZ vkosnu la[;k 17Tkh vkbZ vkosnu la[;k 17Tkh vkbZ vkosnu la[;k 17Tkh vkbZ vkosnu la[;k 17
;g vthZ uokjk pkoy fdlku lekt] d#dkefudkye] fpRrwj dkyst] ih -vks - ikyDdkM 678 104 dsjy ] Hkkjr us Hksth gSA uokjk pkoy iath ds Hkkx ^v ^ esa vthZ vad 17 esa iathd`r djus ds fy, ;g vthZ Hksth xbZ gSA oxZ 30
esa 'kkfey gksusokys uokjk pkoy HkkSxksfyd min'kZu (iathd`r vkSj cpko ) fof/k
1999 ds Hkkx 13 ds miHkkx (1) esa Lohdkj djus gsrq ,rn~}kjk ;g foKkiu fn;k tkrk gSA vkosnd % uokjk pkoy fdlku lekt Jh-lrh'k ewfrZ ewfrZ vkSj ewfrZ] odhy }kjk izfrfuf/kr isVsUV vkSj VªsaMekdZ vVuhZ nwljh eafty] chVk Iykt+k d`’.kLokeh jksM dksph 682 035 irk % uokjk pkoy fdlku laekt d#dkefudkye fpRrwj dkWyst ihvks ikyDdkM 678 104 dsjy] Hkkjr HkkSxksfyd mins'ku % uokjk pkoy
G.I. – APPLICATION NUMBER 17 Application is made by Navara Rice Farmers Society, Karukamanikalam, Chittur College, P.O., Palakkad – 678 104, Kerala, India for registration in Part A of the register of Navara Rice under Application No 17 in respect of Rice falling under Class 30 is hereby advertised as accepted under sub-section (1) of section 13 of Geographical Indications of Goods (Registration and Protection) Act, 1999.
Applicant : Navara Rice Farmers Society Represented by: Mr. Satish Murti M/s. Muirti & Murti, advocates Patent and Trademark Attorneys 2nd Floor, Beeta Plaza, Krishnaswamy Road,
Kochi – 682 035 Address : Navara Rice Farmers Society
Karukamanikalam, Chittur College, P.O., Palakkad – 678104 Kerala, India.
Geographical Indication : NAVARA RICE
Class : 30 Goods : Rice
oxZ % 30 eky % pkoy ¼d½ vkosnd dk uke % uokjk pkoy fdlku laekt ¼[k-½ irk % uokjk pkoy fdlku lekt d#dkefudkye fpRrwj dkWyst ihvks ikyDdkM 678 104 dsjy] Hkkjr ¼x½ O;fDr @ mRiknd@ % ekaaWxs tkus ij fn;k tk;sxk laxBu @ izf/kdkj la?k dh lwph ¼?k-½ ekyksa dk oxZ % oxZ 30 esa pkoy ¼M½ fufnZf’Vdj.k % nks rjg ds ,d dkys jax dk vkSj nwljk ihyk lqugjs jax dk gS ij pkoy nksuksa fLFkfr;ksa esa
gYds cSxuh jax dk gksrk gSA
¼p½ HkkSxksfyd min'kZu dk uke ¼vkSj fooj.k½ uokjk uokjk pkoy dsjy ds ukS ftys ikyDdkM] ekykiqje] dkfydV] o;ukM] dUuj] f=pwj] ,ukZdqye dksV~V;e vkSj vkyIih esa mxk;k tkrk gSA
(A) Name of the applicant : Navara Rice Farmers Society
(B) Address : Navara Rice Farmers Society Karukamanikalam,
Chittur College, P.O. Palakkad – 678104,Kerala, India
(C) List of association ofpersons / Producers / Organization/Authority : To be provided on request.
(D) Type of goods : Rice in class 30
(E) Specification : Two varieties are of black colour glumed and golden yellow color glumed. But the rice is purple in color in both cases
(F) Name of the Geographical Indication (and particulars):
NAVARA RICE
Navara is grown in nine districts of Kerala-namely Palakkad, Malappuram, Calicut, Wayanad, Kannur, Trichur, Ernakulam, Kottayam and Alleppey.
(G) Description of goods:
The “Navara Rice” is an indigenous medicinal Rice variety of Kerala. There are two varieties of navara-the black colour glumed and golden yellow color glumed. But the rice is purple
¼N½ eky dk fooj.k %
uokjk pkoy dsjy ds LFkkuh; nok ds fy, egRo j[kusokyh pkoy gSA
nks izdkj ds uokjk gSa & dkys jax vkSj Lo.kZ ihys jaxA ysfdu pkoy nksuksa dh
fLFkfr;ksa esa cSaaxuh gksrk gSa uokjk dk iz;ksx dsjy esa dqN vk;qosZfnd mipkj
tSls iapdekZ mipkj ds fy, cgqr igys ls fd;k tk jgk gSA bldk iz;ksx
cjlkr ds ekSle esa ikSf’Vd vkgkj ds fy, Hkh fd;k tkrk gS A ;g pkoy
viuh vuks[ksiu rFkk fof”k’V xq.k tks fd blds c<+us vkSj ifjiDo gksus ds
fy, dsoy 60 fnu yxrs gSa ds dkj.k ** “kfCndk pkoy ** bls ^”kf’Vdk
pkoky ^ dgk tkrk gSA
¼t½ mRiknu dk HkkSxksfyd mRikn dk HkkSxksfyd vapy vkSj uD”kk i`’B la[;k
esa fn;k x;k gS A
¼>½ mRifRr dk lcwr (,sfrgkfld vfHkys[k) uokjk ls laca/k esa ^”kf’Vdk pkoy ^ ds :Ik izkphu vk;qosZfnd /keZxzaFk
tSls ** lqJqr lafgrk ** esa 400&200 bZ iw feyrk gSa vkSj 600 bZLoh esa **v’Vkax
g`n; ** esa feyrk gSA blls fudys m)j.k dh izkar fn;k x;k gSA ^^uokjk
fdfy ^ vkSj ^uokjrsiq ^ vkfn dsjy ds vk;qosZfnd mipkj ds nks eq[; ?kVd gSA
uokjk Åij x;s nksuksa fof/k;ksa esa uokjk ds mi;ksfxrk dks crkrk gSA
uokjk dsjy dk ,d viuk iSr`d lalk/ku gSA bldh d`f’k vkSj iz;ksx dsjy
rd gh lhfer gS vkSj bls LFkku esa O;kIr Qly ds :Ik esa tkuk tkrk gSA
vkerkSj ls uokjk dks ** ifo= vUu ** ekuk tkrk gS ftldk mi;ksx “kqHk
voljksa ij fd;ktkrk gS A
in color in both cases. Navara is used effectively in certain ayurvedic treatments in Kerala like in Panchakarma treatment from very olden times. It is also used as a health food especially in rainy seasons. The rice is known as “Shashtika Rice” for its unique and peculiar characteristic requirement of only sixty days to grow and mature. Navara Rice is valued for its curative properties in circulatory, digestive and rheumatic complaints.
(H) Geographical area of production and Map as shown in the page no.
(I) Proof of origin (Historical Records)
Referance of Navara as “Sashtika”rice are found in ancient ayurvedic scriptures like”Susrutha Samhitha”, date back approximately to 400-200 B.C. and in ‘Ashtanga Hrudaya’ date back approximately to 600 A.D. Copies of extract from these are furnished. “Navara kizhi” and “Navaratheppu” are two main components of Ayurvedic treatment in Kerala. The “Navara” in the above mentioned two methods itself denote the importance of Navara.
Njavara is one of the native genetic resources or Kerala. Its cultivation and use is confined to Kerala and is considered as an endmic crop. Navara is often referred as a “pious grain” used on auspicious occassions.
(J) Method of production
The Navara rice plant prefers warm humid conditions. As Navara is medicinal rice the cultivation has to be organic otherwise the use of chemicals might adversely affect the medicinal properties of the rice and the health of the patients and consumers.
¼´½ mRiknu dh fof/k
uokjk pkoy dk ikS/kk xeZ vknzZrk iw.kZ ekSle pkgrk gSA uokjk ,d
fpfdRldh; egRo okyk pkoy gS blfy, bldh d`f’k tSo inkFkksZa ls dh tkuh
pkfg, ugha rks jlk;fud inkFkksZa ls pkoy dks fpfdRldh; xq.k vkSj jksxh ds
lsgr vkSj miHkksDrk ij cqjk izHkko Mky ldrk gSA
chtksa dks ikuh esa 12 ?kaVs ds fy, Hkhxks;k tkrk gS mlds ckn mldks
fudkydj ,d cksjh esa dldj cka/k fn;k tkrk gS vkSj lw[kh ?kkl ls rhu pkj
fnu ds fy, tc rd dh vadqfjr u gks tk, <Ddj j[kk tkrk gSA blh chp
cksjh esa ueh cuk;s j[kus ds fy, chp chp esa ikuh gj fnu 2&3 ckj fNM+dk
tkrk gSA bu chtksa dks lh/ks dhpM+] [kkn Hkjs txg esa Mky fn;k tkrk gSA
nwljh fof/k esa vadqfjr chtksa dks nks feuV ds fy, xeZ ikuh esa jk[k ds lkFk
j[kk tkrk gS vkSj mlds ckn bu chtksa dks ,d ckaWl ds crZu esa j[kdj veyk
ds iRrs @ beyh ds iRrs vkSj lkxkSu ds iRrs <ddj] mlds Åij dqN Hkkj
j[k fn;k tkrk gSaA crZu ds fdukjksa dks Hkhxkdj mlesa ueh cuk;s j[kk tkrk gS
vkSj 3&4 fnuksa esa cht vadqfjr gks tkrk gS mlds ckn cht dks tehu esa cks
fn;k tkrk gSA gjh ifRr;kaW vkus ls igys xkscj vkfn dks [kkn ds rkSj ij
tehu esa feyk fn;k tkrk gSa A uokjk pkoy nwljkasssa ds eqdkcys de ikuh dh
vko”;drk iM+rh gSA
ikS/ks ,d ckj O;ofLFkr gks tkus ij] dhM+s iqf’ir gksus dh voLFkk vkfn esa
vkØe.k djrs gSAa dhVuk”kd tSLks rqylh] xsank vkfn [ksr ds pkjksa rjQ
yxk;k tkrk gSA ;fn dhM+ksa dh la[;k cgqr vkSj rqjar c<us yxh rks ekuo }kjk
fu;af=r djus dh fof/k;ksa esa ckaWl ds crZuksa rFkk tkys dk iz;ksx ls mls idM+us
ds fy, fd;k tkrk gSA Qly cu tkus ds pkoy ds fy, lcls cM+k [krjk
pwgk gSA ;gkaW Hkh x<<s dks [kksndj pwgs dks ckgj fudkyus ds fy, vuqHkoh
Seeds are soaked in water for 12 hours and then taken out and kept in gunny bags tightly tied, covered with hay and kept for 3-4 days till sprouts emerge. In the meantime moisture in the gunny is maintained by sprinkling water 2-3 times a day over the hay cover. This seed is sown directly in puddled plots. Another method of sprouting seeds is by dipping the seed for two minutes in hot water with some ash and then transferring this seed to a bamboo container, covering with gooseberry leaves/tamarindleaves and teak leaves over that and keeping, some weight on it. Moisture is maintained by wetting the sides of the container and in 3-4 days time sprouts come and after that the seed is sown. Before sowing green leaves, cow dung etc. are incorporated in the field as manure. Navara rice requires comparatively less water for growth.
Once the plants stabilize, pests might attack during flowering stages etc. Pest repellents like tulsi, marigold etc. are planted on the bunds of the plots. If the pests multiply drastically, then manual controlling methods like catching them using bamboo containers or nets has to be adopted. After grain formation rice rats might be a major threat. Here also, experienced laborers in catching rats by digging open the burrows could be employed. The crop matures in very short duration. Paddy is harvested manually.
Seed of Navara has short life cycle. After 5-6 months of storage the viability of the seed reduces considerably.
Scriptures prescribe Navara to be kept at least for a year as paddy before conversion to rice for better results. Raw rice of Navara is used.
etnwj j[kk tk ldrk gSA Qly cgqr de le; esa ifjiDo gks tkrh gSA
pkoy dh dVkbZ euq’; gh djrk gS A
uokjk cht dk thou lkbfdy cgqr NksVk gksrk gSA 5&6 eghus rd
LVksj djds j[kus ls mlds cht dh {kerk de gksrh tkrh gS A
/keZxzaFk esa fy[kk x;k gS fd uokjk dks ,d lky ds fy, gh /kku ds :Ik
esa j[kk tkrk gS pkoy esa cnyus ls iwoZ rkfd vPNk ifj.kke feysa uokjk ds
dPps pkoy dk mi;ksx fd;k tkrk gS A
¼V½ vuks[kkiu
uokjk pkoy dsjy dk LFkkuh; vkS’k/kh; ikS/kk gS A blesa vuks[kk vkS’k/kh;
xq.k gS vkSj vk;qosZfnd mipkj ds fy, O;kid mi;ksx gksrk gSA uokjk pkoy
vklkuh ls ip tkrk gSAblfy, cgqr gh gYdk [kkuk gS vkSj bldk Lokn Hkh
vuks[kk gSA cgqr gh de le; yxHkx 60 fnuksa esa ifjiDo gks tkuk Hkh vius
vki esa uokjk dk vuks[kkiu gSA de le; rFkk cnyrs ekSle dk izHkko ds
dkj.k uokjk dh mRifRr de gksrh tkrh gS A gok rFkk lnhZ ds ekSle ds vksl
esa Hkh ;g ikS/kk fVdrk gSA
¼B½ tkaWp fudk;
vkosnd mfpr rFkk izHkko”kkyh tkaaWp fudk; dh LFkkiuk ds fy, dne
mBk jgs gSA
(K) Uniqueness
The Navara Rice is the indigenous medicinal plant of Kerala. It has unique medicinal characteristics and hence widely used in Ayurvedic treatments. Navara rice is easily digestrible and hence a light food and has got a unique taste. The short span of about sixty days to mature is unique to Navara rice. The yield of Navara is very poor due to its short duration and susceptibility of the plant to the weather changes. The plant lodges in wind and even in dew during winter season.
(L) Inspection Body
The applicant is taking steps to set up a suitable and effective inspection body.
TkhTkhTkhTkh----vkbZvkbZvkbZvkbZ----& vkosnu la[;k 36& vkosnu la[;k 36& vkosnu la[;k 36& vkosnu la[;k 36 ;g vthZ ikyDdkMu eV~Vk fdlku mRiknd dEiuh fyfeVsM] d#dkefudkye] fpRrwj dkyst] ih-vks-] ikyDdkM 678 104 ] dsjy] Hkkjr us Hksth gSA ikyDdkMu eV~Vk dks iaath ds Hkkx ^v ^ esa vkSj ml iath ds vthZ vad 36 esa iathd`r djus ds fy, Hksth
xbZ gSA oxZ 30 esa 'kkfey gksusokys ikyDdkMu eV~Vk pkoy HkkSxksfyd min'kZu (iathd`r
vkSj cpko) fof/k 1999 ds Hkkx 13 ds miHkkx (1) esa Lohdkj djus gsrq :rn~}kjk ;g foKkiu fn;k tkrk gSA vkosnd % ikyDdkMu eV~Vk fdlku mRiknu dEiuh fyfeVsM Jheku lrh'k ewfrZ ewfrZ vkSj ewfrZ] odhy }kjk izfrfuf/kr isVsUV vkSj VªsaMekdZ vVuhZ nwljh eafty] chVk Iykt+k d`’.kLokeh jksM dksph 682 035 irk % ikyDdkMu eV~Vk fdlku mRiknu fyfeVsM d#dkefudkye fpRrwj dkWyst ih-vks ikyDdkM 678 104 dsjy] Hkkjr HkkSxksfyd min'kZu % ikyDdkMu eV~Vk pkoy
oxZ % 30 eky % pkoy
G.I. – APPLICATION NUMBER 36 Application is made by Palakkadan Matta Farmers Producer Company Limited, Karukamanikalam, Chittur College, P.O., Palakkad – 678 104, Kerala, India for registration in Part A of the register of Palakkadan Matta under Application No 36 in respect of Palakkadan Matta Rice falling under Class 30 is hereby advertised as accepted under sub-section (1) of section 13 of Geographical Indications of Goods (Registration and Protection) Act, 1999. Applicant : Palakkadan Matta Farmers Producer
Company Limited Represented by: Mr.Satish Murti M/s. Muirti & murti, Advocates Patent and Trademark Attorneys 2nd Floor, Beeta Plaza,
Krishnaswamy Road, Kochi – 682 035 Address : Palakkadan Matta Farmers Producer
Company Limited Karukamanikalam, Chittur College, P.O., Palakkad – 678104 Kerala, India.
Geographical Indication : PALAKKADAN MATTA RICE
Class : 30 Goods : Rice
¼d½ vkosnd dk uke % ikyDdkMu eV~Vk pkoy mRIkknu daiuh fyfeVsM ¼ [k½ irk % ikyDdkMu eV~Vk fdlku mRiknu fyfeVsM d#dkefudkye fpRrwj dkWyst ihvks ikyDdkM 678 104 dsjy] Hkkjr ¼x½ O;fDr @ mRiknd@% ekaaWxs tkus ij fn;k tk;sxk laxBu izkf/kdkj
la?k dh lwph
¼?k½ ekyksa dk oxZ % oxZ 30 esa pkoy
¼M½ fufnZf’Vdj.k % ;g ikyDdkM ftyk (HkwriwoZ iky/kk< ftyk) ds fuf'pr {ks= ls mitrk gSA vukt cM+k vkSj gYds yky jax dk gksrk gSA
¼p½ HkkSxksfyd min'kZu dk
uke (vkSj fooj.k) % ikyDdkM eV~Vk pkoy izLrqr rjg dk pkoy dsjy ds ikyDdkM ftys esa mitrk gSA
¼N½ eky dk fooj.k % ^ikyDdkM eV~Vk pkoy ^ dsjy ds ikyDdkM dk {ks=h; vukt laca/kh ikS/kk gSA ;g ,d eksVk pkoy gS ftlds nkus cMs vkSj yky jax ds gksrs gSaA **ikyDdkM eV~Vk** ,d vuks[kk vukt gS ] ftlesa cgqr gh ikSf’Vdrk gS vkSj tks 'kkjhfjd rkSj ij dfBu ifjJe djusokyksa ds fy, cgqr gh mi;ksxh gSA ¼t½ mRiknu dk HkkSxksfyd vapy vkSj uD'kk i`’B la-esa fn;k x;k gSA
¼>½ mRifRr dk lcwr (,sfrgkfld vfHkys[k ) **ikydkM eV~Vk ** pkoy viuh le`f) vius vuks[ks Lokn rFkk pkoy ds inkFkZ tSls ^dksaMkVe ^ e#dw vkfn esa mi;ksx ds dkj.k vius 'kq:vkrh ds fnuksa esa
(A) Name of the applicant : Palakkadan Matta Farmers Producer Company Limited
(B) Address : Palakkadan Matta Farmers Producer Company Limited Karukamanikalam,
Chittur College, P.O. Palakkad – 678104,Kerala, India
(C) List of association of persons / Producers / organization / Authority : To be provided on request.
(D) Type of goods : Rice in class 30
(E) Specification : It originates from the definite territory of Palakkad District
(Erstwhile palghat District). The grains are bold and the pericarp
is red.
(F) Name of the Geographical Indication (and particulars):
PALAKKADAN MATTA RICE
This variety of rice grown in Palghat District of Kerala.
gh ;g pkoy cgqr izfl) gks x;kA ^ikyDdkMu eV~Vpkjh dath ^ Hkh vius
ikSf’Vd xq.k ds fy, izfl) gSA ^ikyDdkMu eV~Vk pkoy ds ckjs esa ^jkbl bu
dsjyk] Jh ih lh lgnsou }kjk fyf[kr vkSj 1966 easa dsjy ljdkj }kjk izdkf'kr
fdrkc esa fy[kk x;k gSA rfey lkfgR; tSls fr#Ddqjy esa Hkh vuks[kh pkoy ds
ckjs esa mYYs[k feyrk gSA izkphu le; esa ikyDdkM ftyk rfeyukMq dk gh ,d
Hkkx Fkk A psj@ pksy ds 'kkludky esa bl pkoy dk 'kkgh egRo FkkA lk/kkj.k
turk *pEek * (fuEu dksfV dk pkoy ) ls gh [kq”k FkhA ,d lkglksa fdlku dks
bl vuks[kh dksfV ds pkoy dks jktk ds [ksr esa ns[kuss dk ekSdk feyk rks og eV~Vk
^vjsdk iRrk ^ esa pkoy ys x;kA pkoy dh bl dksfV ds ckjs esa lk/kkj.k turk Hkh
tku xbZ vkSj fdlkuksa }kjk ;g cks;k tkus yxk vkSj tYnh gh ;g ikyDdkM dk
fu;fer Qly cu x;kA bl pkoy dks **eV~Vk ** ds :Ik esa tkuk tkrk gSA vkSj
ikyDdkM ftys esa gh bldh R;kid [ksrh dh tkrh Fkh vkSj blfy, ckn esa bls
ikyDdkM eV~Vk pkoy dgk tkus yxkA ikyDdkM eV~Vk pkoy ds iqjkus rFkk
izfl) Ikzdkjksa esa ^psadyEek ^ ^psRrknh ^] ^v#odkjh ^] ^vk;Zu ^] ^osV~Vu ^
^bywikiksPpDiu ^] ^fpRrsuh ^] ^roydUuu ^ vkSj u;s izdkjksa esa tSls ^datqdqatq ^ vkSj
**T;ksfr**A ts oh vDdjiV~Vh (vodk”k izkIr d`f’k vQlj ) ds }kjk 1957 esa
fyf[kr ^d`f’k'kkL=je ^ ds Hkkx 2 ds 65 osa i`’B esa ikyDdkMu iV~Vk pkoy ckjs esa
fo'ks’k mYys[k gSA
¼´½ mRiknu dh fof/k
ikydkV eV~Vk dh [ksrh iwjh rjg oSKkfud <ax ls dh tkrh gSA [ksr dks
^dkye ^ ¼QkeZ½ dgk tkrk gSA dkye esa dkyiqjk ^ (QkeZ ?kj ) ^vudksyiqjk ^
^dV~Vkdkye ^ (pkoy dks lkQ djus ds dksVZ;kMZ)] ,sjh (flapkbZ ds rkykc )]
^rYykdqye ^ (,d Vsad ftlesa [ksr esa maWpkbZ esa ikuh Hkj dj j[kk tkrk gSA) vkfn
gksrs gSaA bl vkdkj esa [ksr esa o’kkZ ikuh dks lafpr djds j[kus] flapkbZ djus ]
dVkbZ ds ckn Qly lq[kkus rFkk vukt lafpr djus dh iwjh O;oLFkk gSA
(G) Description of goods: The “PALAKKADAN MATA RICE” is an indigenous cereal plant of Palakkad in Kerala. It is a coarse variety of rice with bold grains and red pericarp. The “Palakkadan Matta” is a unique cereal having high content of nutrients and is indispensable for those who do hard physical work.
(H) Geographical area of production and Map as shown in the page no.
(I) Proof of origin (Historical Records)The “Palakkadan Matta” rice has been very popular from early days because of the richness of rice, its unique taste and use in preparations of rice-snacks like “Kondattam,”“Murukku” etc. The “Palakkadan Mattayari Kanji” is also famous for its rich nutrient qualities. The PALAKKADAN MATTA is referred to in the work “Rice in Kerala” authored by Sri.P.C. Sahadevan and published by the Government of Kerala in the year 1966. The unique rice is mentioned in Tamil Classics like Thirukkural. During the ancient times Palghat District was part of Tamil Nadu. Rice in the days of Chera/Chola Kingdoms was considered as a royal food. The commoners were happy with ‘Chama’ (an inferior variety of cereal). One adventurous farmer chanced upon this unique rice variety in the king’s farm and carried it away in a “MATTA” meaning “Areca Leaf’. The rice variety fell into the public domain and was sown by the farmer and soon became a regular rice crop in Palakkad. This rice was popularly referred to as “Matta” and exclusively cultivated in Palakkad and later came to be known as the PALAKKADAN MATTA RICE. Some of the old and popular varieties of Palakkadan Matta are “Chenkazhama”, “Chettadi”, “Aruvakkari”, “Aryan”, “Vatton”, “Ilupappoochampan”, “Chitteni”, “Thavalakkannan” and the newer varieties like “Kunjukunju’ and “jyothi”. In page 65 of the 2nd volume of “KRISHISASTRAM”, a book authored by Mr. J.V. Akkarappatti (a Retired Agricultural Officer) in 1957, there is a special reference to the PALAKKADAN MATTA RICE.
cht dks lwjt dh jks'kuh esa rhu fnu rd lq[kk;k tkrk gS vkSj mlds ckn
fdlh fnu pkanuh jkr esa bls dksVZ;kMZ esa QSyk fn;k tkrk gS ftlls dh pkan dh
jks”kuh iM+ ldsA bls **eEiwdV~Vy ** dgk tkrk gS & bl rjg ls lkQ lqjf{kr
gq, cht dks fo”ks’k dejs esa y+dMh isuy ds lkFk j[kk tkrk gSA
^eqaMdu ^ vFkkZr~ tuojh Qjojh esa nwljh dVkbZ ds ckn tehu esa 4&5 ckj
gy pyk;k tkrk gS tc rd dh mijh feV~Vh ikmMj :Ik esa u fd;k tk,A ^fo’kq
^ (esMe 1 tc ikyDdkM dh [ksrh dk ekSle “kq: gksrk gS ) ds fnu fdlku dqN
vuqikr esa cht ys tkrs gS vkSj iwtk ds ckn fQj ls [ksr esa gy pykrs gSa vkSj fQj
cht cksrs gSa vkSj bl rjg **pfyny ** ,d u;s d`f’k o’kZ dk “kqHkkjaHk gksrk gSA
blds ckn] ,d eghus ds vanj gh ^utrqosyk ^ ( 13 1@2 fnuksa dk lkbfdy
ftls flrkjs dkuke fn;k x;k gS vkSj utrqosyk dgk tkrk gS) IykV esa ¼iwoky
dgrs gSa ½ miyC/k ueh dks ns[krs gq, cht dks cks;k tkrk gS vkSj fQj ls tehu ij
nks ckj gy pyk;k tkrk gSA (bl izfØ;k dks ^fo/kqeV~Ve ^ ;k dkyeV~Ve dgk
tkrk gSA ½
cht dks fNMdkus ds fy, Hkh dq”kyrk dh vko”;drk gS D;ksafd cht dks
iwjs [ksr esa leku :Ik ls fNM+dkuk gSA feV~Vh dks ikmMj cukus rFkk QSykus ds fy,
,d fo”ks’k izdkj ds gy dk iz;ksx fd;k tkrk gS vkSj bls leku :Ik esa QSyk;k
tkrk gS ftlls fd cht vPNh rjg ls <d tk; ( bl izfØ;k dks fpDdqekju dgk
tkrk gS ) A cksvkbZ dk le; cgqr gh [kkl gS D;ksafd cht dk vadqfjr gksuk vkSj ikS/ks ds
:Ik esa iuiuk blh ij fuHkZj djrk gSA bl le; dks **iV~V**q dgk tkrk gSA iV~Vq
fo”ks’k fLFkfr utrqosyk ** tSls dkfrZdk dks egRo fn;k tkrk gSA bls ^dkfrZdk
iV~Vq dUdk iV`Vq ^ dgk tkrk gS vFkkZr~ vxj le; mfpr gS mnkgj.k dkfrZd esa
;g ^dUudkiV~Vq ^ gS vFkkZr~ mls lqugjk Qly fey ldrk gS!! vkSj ;g lp Hkh
lkfcr gqvk gSA
(J) Method of production
The build of a typical Palakkadan Matta farm is scientific. This is called a “kalam” (farm). The kalam consists of “kalappura” (farm house) built as “aynkolpura” “kattakkalam” (courtyard for curing paddy), “aeri” (pond for irrigation),” thalakkulam” (a tank at the higher part of farm for storing water). In this structure the farm has a sound infrastructure for storage of rainwater, irrigation, drying of grain after harvest and storage of grain.
The seed is dried in sunlight for three days and after that during one full moon night is spread in the courtyard and exposed to moonlight. This is called “Mampookkattal”-seed cured like this is kept in special rooms with wooden panels.
After “Mundakan” i.e. the second crop harvest in January-February, the fields are ploughed 4-5 times till the topsoil attains almost powder form. On “Vishu”(medam-1-when the Palakkadan rice cultivation season starts) day, farmers take some quantity of these seeds to the field and after doing Pooja, plough again and sow-this is “chalidal” – an auspicious start for a new farming year has been made.
After this, within a month, during one of the “njattuvela”s (13 ½ days cycles named after stars and called “njattuvela”), depending on the optimum moisture availability on the plot (called “Pooval”), the seeds are sown and land is ploughed again two times (process called “vithumatam”, kalamattam”).
The broadcasting of seeds also requires skill, as the seed has to be distributed evenly in the field. A special kind of plough is used to powder and spread the soil evenly so as to cover the seeds (this implement is called “chikkumaram”).
^fo:IIkq ^ (igyh Qly ) ds fy, mi;qZDr izfØ;k dks ^iksMh foRrk ^ dgk
tkrk gS vFkkZr~ lw[k cksvkbZ & ikydkM ds pkoy ds fdlkuksa dh ,d LFkkuh;
rduhdA
ikydkM ds fdlkuksa }kjk fo”ks’k izdkj dk d`f’k lkeku iz;ksx fd;k tkrk
gSA ^galqvk ^ ,d fo”ks’k izdkj dk gksrk gS ftlesa ** djDdq ** gksrk gS] ftlls fd
iuis gq, pkoy ds ikS/kksas dks fcuk pkjk ds u’V gq, dVk tk ldrk gS] fQj dVkbZ
fd, x;s Qlyksa ds caMy dks pkoy ds ikS/ks fo”ks’k :Ik ls cka/kk tkrk gS ftls
**droq ** dgk tkrk gSA bl **dRroq **ckaWLk ds cus fo”ks’k Vªs ftls ** rksV~Vh **dgk
tkrk gS] esa j[kk tkrk gS] ftlls a rsth ls NVkbZ ds nkSjku T;knk vukt u’V u
gksA Qlysa ds caMy dks **dyke ** esa ckaWl ds Vªs ftls ** dV~Vk ijEcq ** dgk tkrk
gS esa j[kk tkrk gS vkSj bl caMy dks rkM isM ds IkRrksa rkj ftls ** dV~Vukj
**dgk tkrk gS ls ckaW/kk tkrk gSA ** dV~Vdkye **esa Qly dks Fkz”kM fd;k tkrk
gS ftls **dV~Vrkyy ** dgk tkrk gSA
& ikyDdkM dk ,d vkSj fo”ks’k fof/k A
dVkbZ fd, Qly dks mlh fnu Fkz”kM fd;k tkrk gS] Qly dks lkQ dj
/kwi esa nwljs fnu lq[kk;k tkrk gS ftlls dh pkoy viuh jax vkSj xq.k cpk ldsA
Qly fudkyus ds ckn pkjs dks /kwi esa lq[kk;k tkrk gS] blds fy, Hkh ikyDdkM
ds fdlkuksa ds ikl fo”ks’k rduhd **obDdksyiuh ** gS pkjs dks dksVZ;kMZ esa QSykus
izfØ;k dks **rEchMy ** dgk tkrk gSA pkjs fu;fer nwjh ij mYV iYVdj lq[kk;k
tkrk gS vkSj bl dk;Z ds fy, ftl ydMh dk iz;ksx fd;k tkrk gS mls
**obdksyoMh** dgk tkrk gSA ;fn pkjk ,d gh fnu esa ugha lq[kkrk gS rks bls yacs
<sj ds :Ik esa j[kk tkrk gS ftls rafMdk dgrs gS vkSj iwjh rjg ls lw[kus ds ckn
cMs <sj es Mkyk tkrk gS ftldks **vUukdqaMk** dgk tkrk gSA bl rjg ls j[kk pkjk
vf/kd o’kkZ esa Hkh ,d lky rd jg tk ldrk gSA lw[kus ds ckn chtksa ckaaWl ds
crZu ftlsa ** foRrq oYykse ** dgrs gSa esa j[kk tkrk gSA dVkbZ ds vkf[kjh fnu
The timing of sowing is very crucial as germination of the seed and establishment of the plants depend on this. This timing is named “pattu”. “Pattu “on some particular “njattuvela”s are preferred- like “karthika”. It is called ‘karthika pattu-kanaka pattu”, meaning, if the timing is perfect for eg. In karthika, it will be “kanakapattu” ie, one can expect a golden harvest!! And it will be proved true too!!
The above process for “virippu” (1st crop) is termed “podi vitha”, ie dry sowing – an ingenious technique of rice farmers of Palakkad.There are special agricultural implements used by Palakkad farmers. The sickle is of a special kind with “karikku”, so that the lodged rice plants can also be harvested without loss of hay. Then there is the special tying of bundles of harvested paddy using rice plants called “kathuvu”. This “kathuvu” is kept in a special tray made of bamboo called “thotti” to minimize loss of grain while speedy harvest. This bundle of paddy carried to the “kalam” in bigger bamboo trays called “kattaparambu” and these bundles are tied using palmyrah tree leaf strings called “kattanar”. At the “kattakkalam” the paddy is thrushed termed as “kattathallal’ -one more special method from Palakkad.
The harvested crop is thrushed the same day, the paddy is cleaned and sun dried the next day to retain color and quality of the rice. The hay after taking the paddy is sun dried. For this also the Palakkadan farmers have a special method “vaikkolpani”. The spreading of hay in the courtyard is called “thambidal”. The hay is turned over at intervals for uniform drying and the stick used for this purpose is called “vaikkolvadi”. If the hay is not completely dried in the day’s drying, it is kept in long heaps called”thandika” and when fully dried is heaped in big formations called “aanakkunda”. Hay kept like this will survive heavy rains at least for a year. After drying, seeds are kept in bamboo containers called “vithu vallom”s. At the last day of the harvest the head of the labourers is given three big bundles of paddy called “mallan churuttu” The individual farmers do pooja at their
etnwjksa ds eq[;k dk Qly dh rhu cMk caMy ftksa ^eyu pq#Rrq ^ dgrs gS fn;k
tkrk gSA izR;sd fdlku vQy dVkbZ ds ckn ** dkyke ** esa iwtk djrk gSA
leqnk; ds rkSj ij **dRrhd ** mRlo ds :Ik esa euk;k tkrk gS ftlesa chtksa rkM
ds iRrksa esa Hkjdj ikl ds eafnj esa mRlkg Hkjs “kksj (v:Iiq ) ds lkFk fdlkuksa }kjk
ys tk;k tkrk gS vkSj Hkxoku dks vfiZRk fd;k tkrk gSA
[ksrh dk dk;Z Hkwfe dh rS;kjh ls fo”kq (esMk ekle ds igys fnu ls “kq:
gksrk gSA /kkfeZd mRlo ds lkFk Hkwfe dh rS;kjh dh tkrh gS vkSj iwtk vpZuk ml
Lrj rda pyrh jgrh gS tc iwtk ds ckn cht cks;k tkrk gS vkSj Hkwfe eka dksW
vfiZRk fd;k tkrk gSA iwjh izfØ;k izd`fr esa je dj dh tkrh gSA lh/kh cksvkbZ gh
igyh Qly ds fy, pquk tkrk gSA igyh Qly dh dVkbZ flrEcj&vDVwcj vksue
R;ksgkj ds nkSjku dh tkrh gSA lkFk esa nwljh Qly dh rS;kjh izfØ;k Hkh “kq: dj
nh tkrh gSA nwljh Qly ds cksvkbZ ikuh dh miyC/krk ds vuqlkj dh tkrh gS
D;ksafd ikuh dks miyC/krk gj eghus [kMrk gS A nwljh Qly dh dVkbZ dks
fofHkUu LFkkuh; R;ksgkjks ftlesa dksaxu ikMka Hkh gS ds lkFk euk;k tkrk gS] tks
dsjy dk ,dek= ;q) R;ksgkj gSA
¼V½ vuks[kkiu
pkoy eksVk] cM+k vkSj yky jax dk gksrk gSA pkoy dk viuk vuks[kk Lokn
gksrk gSA eksVs yky isjhdkiZ pkoy ea mPp ek=k ds ikSf’Vd inkFkZ gksrs gSA **
cjkcj mcyuk ** ls pkoy dh ikSf’Vd egRo c<+rk gSA ;g Qly vuks[ks dkys jax
lwrh ;k jsxkj feV~Vh] tks ikyDdkM dh fof”k’V pV~Vku esa gS ftlesaa ykbe dh
ek=k vf/kd gksrh gS] dks ^iqanyikMe ^ dgk tkrk gS ftlesa feV~Vh Hkkjh ] 60&80
izfr”kr xkjk vkSj flYV vkSj Hksn;rk de vkSj ikuh dks lks[ks j[kus dh {kerk
vf/kd gksrh gSA ;g feV~Vh ikyDdkM dk ue ekSle] iwohZ gok,aW ikyDdkM ds chp
esa pyrh gSa vkSj ufn;ksaW tks if”pe ?kkV ls cgrh gS vkSj lqugjh /kwi ikyDdkMu
eV~Vk pkoy dh vuks[ks Lokn rFkk xq.koRRkk dks fu/kkZfjr djrk gSA
¼B ½ tkaWp fudk;
vkosndksa dks lwfpr fd;k tkrk gS fd os tkaWp fudk; dh LFkkiuk dh izfØ;k esa gSA
“kalam” after the successful completion of harvest. At the community level there is “kathiru” festival where seeds are taken in palmyrah leaf containers to the neighbourhood temples by the farmers with gaiety and joyous shouts (“aarppu”) and offered to the deities.The farming activities starts with the land preparation on the auspicious day of VISHU (the 1st day of Meda Masam). The land is specially prepared with a religious ceremony leading upto a stage where, the seeds are sown after pooja and offering to Mother Earth. The entire activity is done in tune with nature. Direct sowing is mainly adopted for the first crop. The first crop is harvested by September-October during the harvest festival of ONAM. Simultaneously the preparatory activities for the second crop begin. Transplanting is usually done for the second crop since the availability of the water increases over the months. The second crop harvests are celebrated with a variety of local festivals including ‘Kongan Pada’, which is the only war festival of Kerala.
(K) Uniqueness
The rice is, coarse bold and red in color. The rice has got a unique taste. The coarse rice with red pericarp by itself ensures high content of nutrients. “Par-boiling” of the rice further ensures retention of nutritional value. The grains is grown on unique black cotton or regar soil, derived from rocks rich in lime peculiar to Palakkad also in “Poonthalpadam” where the soil is heavy, containing 60-80% of clay and silt and posses low permeability and high water holding capacity. These soils, the humid weather of Palakkad, easterly winds that blow through the Palakkad gap and the rivers that flow from the Western Ghats, and the bright sunshine determine the unique taste and quality of the Palakkadan Matta Rice.
(L) Inspection Body The applicant has informed that they are in the process of the establishment of an inspection body.
Tkh-vkbZ- & vkosnu la[;k 63 ;g vthZ fodkl dfe’uj ¼gLrf’kYi½] oL= ea=ky;] Hkkjr ljdkj]
osLV CykWd u-7] vkj-ds-iqje] ubZ fnYyh] Hkkjr us Hksth gS A oxZ 14 ds varxZr
vkusokyk ratkowj dyk IysV dks iath ds Hkkx ^v* es iathd`r djus ds fy,
HkkSxksfyd min’kZu vkosnu la[;k 63 ds v/khu ;g vthZ Hksth xbZ gS vkSj
HkkSxksfyd min’kZu eky ¼iathdj.k vkSj laj{k.k½ fof/k] 1999 ds Hkkx 13 ds
miHkkx ¼1½ ds v/khu mldh Lohd`fr djus gsrq ,rn~}kjk ;g foKkiu fn;k
tkrk gS A
vkosnd % fodkl dfe’uj ¼gLrf’kYi½
oL= ea=ky;] Hkkjr ljdkj]
osLV CykWd u-7] vkj-ds-iqje]
ubZ fnYyh] Hkkjr
irk % fodkl dfe’uj ¼gLrf’kYi½
oL= ea=ky;] Hkkjr ljdkj]
osLV CykWd u-7] vkj-ds-iqje]
ubZ fnYyh] Hkkjr-
HkkSxksfyd min’kZu % rratkowj dyk IysV
oxZ % 14
eky % dyk IysV
G.I. – APPLICATION NUMBER 63
Application is made by Development Commissioner (Handcrafts), Ministry of Textiles, government of India, West Block No.7, RK Puram, New Delhi, India for registration in Part A under Application No. 63 of Thanjavur art plate in respect of Art Plates falling under Class 14 is hereby advertised as accepted under sub-section (1) of section 13 of Geographical Indications of Goods (Registration and Protection) Act, 1999.
Applicant : Development Commissioner (Handicrafts), Ministry of Textiles, Government of India West Block No. 7, RK Puram, New Delhi, India
Address : Development Commissioner (Handicrafts), Ministry of Textiles, Government of India West Block No. 7, RK Puram, New Delhi, India
Geographical Indication : THANJAVUR ART PLATE
Class : 14
Goods : Art Plates
¼d½ vkosnd dk uke % fodkl dfe’uj ¼gLrf’kYi½
oL= ea=ky;] Hkkjr ljdkj]
osLV CykWd u-7] vkj-ds-iqje]
ubZ fnYyh]
¼[k½ irk % fodkl dfe’uj ¼gLrf’kYi½
oL= ea=ky;] Hkkjr ljdkj]
osLV CykWd u-7] vkj-ds-iqje]
ubZ fnYyh]
¼x½ O;fDr@mRiknd@laxBu@
izkf/kdkj la?k dh lwph % ekaxs tkus ij fn;k tk;sxk A
¼/k½ ekyksa dk oxZ % gLrf’kYi
¼M½ fufnZf"Vdj.k %
vkerkSj ls vkdkj esa dyk IysV xksy ;k vaMkdkj gksrk gS vkSj
ihry ds ry dk vkdkj 3Þ ls 48Þ gksrk gS ftls rjQ ls T;knkrj fganq
ikSjkf.kd o.;Z fo"k; ds vkd`fr dks pk¡nh vkSj rk¡ck ijr ls bEckl djrs gS
tks vkerkSj ls 44 xqvkWt dk gksrk gS A lqanj ratkowj IysV ds vykok] bEckl
dk;Z dk cf<+;k uewuk esaaaaaaaaaaa dVksjk] uSifdu v¡xwBh] ikmMj cWdl vkfn ftls
rk¡ck vkSj ihry ls cukrs gS] lkFk es fgUnq ikSjkf.kd ds ewyHkko cukrs gS
vkSj pk¡nh ijr ds ihNs cf<+;k uD+d+k’kh Ik`"BHkwfe gksrh gS tks oLrq ds nksuksa
loksZÙke dkS’ky vkSj fo"k;xr iw.kZ fuiq.krk izLrqr djrk gS A bldh ltkoV
esa T;knkrj ikSjkf.kd nsork ds fp=.k gksrs gS A bl vkd`fr ltkoV dks ;k
rks oLrq ds /kkrq lrg dks ekjdj cukrs gS] ,d izdkj dk vk/kkfjr gS ;k mls
vyx ls cukrs gS vkSj /kkrq oLrq ds lkFk dkS’ky ls lksYMju ;k fjcV fd;k
tkrk gS A
(A) Name of the applicant : Development Commissioner (Handicrafts), Ministry of Textiles, Government of India,
West Block No. 7, RK Puram New Delhi
(B) Address : Development Commissioner (Handicrafts), Ministry of Textiles, Government of India,
West Block No. 7, RK Puram New Delhi
(C) List of association ofpersons / Producers / organization /Authority : To be provided on request
(D) Type of goods : Handicrafts
(E) Specification Generally the Art plates are round or oval in shape and the
base plate in brass from the size of 3” to 48” with the side decoration figures are embossed in silver and copper foil generally in the guage of 44, mostly the themes of Hindu mythology. Besides the beautiful Thanjavur Plates, the finest examples of embossed work include bowls, napkins rings, powder boxes etc., made of copper and brass with motifs drawn from Hindu Mythology and encrusted in silver against a finely engraved background, exemplify both superlative skill and mastery of material. The ornamentation mostly consists of figure of puranic Gods in high relief. These figure ornaments are either beaten out from the metal surface of the article itself, a kind of repose, or they are separately made and skillfully soldered or riveted onto the metal article.Hexagonal, Octogonal, square and rectangle shapes were also made according to the demand.
ek¡x ds vuqlkj "kM~Hkqt] v"VHkqt] pkSdksj vkSj vk;r vkdkj cuk;k
tkrk gS A
¼p½ HkkSxksfyd min’kZu ds uke %
ratkowj dyk IysV
rfeyukMq es ratkowj ftyk ¼ 10-6 m v{kka’k vkSj 79-07 iw ns’kkarj½ A
¼N½ eky dk o.kZu %
ratkowj f’kYidkjksa dk mRd`"V mRikn ratkowj dyk IysV gS A viuh
fo’kq) lkSan;Z dk y{; vkSj viuh ’kkSyh ds meax ds fy, Qjfu’k ?kjksa ds
ltkuk ds fy, je.kh; xkSjo dk LFkku izkIr gS A ’kkSyh vkSj f’kYi dh dyk
esa ratkowj dyk IysV] uSifdu v¡xwBh] ikmMj cDl vkfn] rk¡ck vkSj ihry ls
cus gksrs gS lkFk esa fgUnq ikSjkf.kd ewyHkko ls cuk;s tkrs gS vkSj pk¡nh ijr ds
ihNs cf<+;k uD+d+k’kh Ik`"BHkwfe gksrh gS tks oLrq dsa nksuksa* lokSÙke dkS’ky vkSj
fo"k;xr iw.kZ fuiq.krk izLrqr djrk gS A mRikn esa cgqr fofo/krk gS A tSls
nhokj /kfM;k¡] Lekfjdk] nhokj ij V¡kxus okyh phtsa vkfn A Lekfjdk Hkh
cuk;k tkrk gS vkSj fdlh vko’;d vkdkj vkSj ek=k dh iwfrZ fd;k tkrk gS
lkFk esa fn;k gqvk mRdh.kZ ys[k gksrk gS tks Qjfu’k ?kjksa dks je.kh; cukrk
gS A uD+d+k’kh djuk vkSj lqUnj bEckl vkd`fr dh dyk vkSj /kkrq esa eq[;r%
pk¡nh es fofHkUu vkdkj vkSj izdkj dh vkd`fr cukuk vkSj mls ihry ;k rk¡ck
IysV ij Mkyuk bl f’kYi dh fof’k"V miyfC/k gS A
¼t½ mRiknu dk HkkSxksfyd vapy vkSj uD’kk Ik`LB la[;k
esa fn;k x;k gS A
¼>½ mRifÙk dk lcwr @ la{ksi bfrgkl ¼,sfrgkfld vfHkys[k½
ratkowj ,d izphu ’kgj gS] ratkowj izkar ds dkosjh MsYVk ds ikl
bl lH;rk vkSj laLd`fr dk fodkl gqvk] bldh ,sfrgkfld Ik`"BHkwfe gS A
(F) Name of the Geographical Indication
THANJAVUR ART PLATE
Thanjavur District in Tamilnadu (10.6 N latitude and 79.07 E longitude).
(G) Description of goods:
Thanjavur art plate is an exquisite product of the artisans of Thanjavur. For the sheer beauty of its purpose and vigour of its style, it occupies a pride of place among the show pieces adorning elegantly furnished houses. The style and range of the craft includes Tanjore Art Plates, bowls, napkin rings, Powder boxes etc., made of copper and brass with motifs drawn form Hindu mythology and encrusted in Silver against a finely engraved background depicting the superlative skill and mastery of material. There is a vast product diversification. Like wall clocks, mementos, wall hangings etc. Mementoes were also done and supplying in any desired shape and quantity with the given inscriptions lace among the show pieces adorning elegantly furnished houses. The art of engraving and embossing beautiful figures and images of different size and shapes on metal mainly silver and fixing them on brass or copper plates is the unique merit of the craft.
(H) Geographical area of production and maps as shown in the page no.
(I) Proof of origin / Brief History (Historical Records)
Thanjavur is one the ancient cities; the civilization and culture that flourished along the cauvery delta in Thanjavur province has a historical background.
Mellsfuax ¼;k ,uØfLVax½ dyk gS ftlesa rkj ds :Ik esa ,d
/kkrq dks nwljs esa ijr ds :Ik es Mkyrs gS ftls uhps ls dkVk tkrk gS vkSj
/kkrq dks gFkkSMs ls vPNh rjg fuxfer fd;k tkrk gS rkfd lksuk ;k dHkh
pk¡nh rkj dks ykSgk] bLikr ;k ihry dh lrg ij ijr te ldsa A fMtkbZu
dks bLikr ¼;k ykSgk ;k ihry½ ds lrg ij dBksj vkSj cgqr rhoz rjhds ls
psl fd;k tkrk gS vkSj rkj dks] [kk¡ps ds vanj ,d gkFk ij j[kdj] nwljs ls
gFkkSM+k ekjk tkrk gS] tc rd og /kkrq ls ,d u gks tk;s A bl izdkj dk
ltkuk iwjh rjg iwohZ gS vkSj bldk uke Meldl ls vk;k gS] tgk¡ iwoZ
lqukjksa us bls lEiw.kZ fd;k A tcfd ,uØfLVax dk dk;Z nf{k.k Hkkjr ds
ratkowj f’kYi dk ,dkf/kdkj nS] f’kYidkj tks fo’odekZ leqnk; ds gS tks bl
dyk dk vH;kl iwoZ ejkBk ’kklu ls djrs vk jgs gS A ratkowj dyk IysV dks
=h/kkrq fufeZr oLrq,¡ Hkh dgrs gSa D;ksafd blesa rk¡ck] pk¡nh vkSj ihry ’kkfey
gS A ;g loZfof/kr gS fd ratkowj dyk IysV f’kYi dss mn~Hko ds lEca/k esa dbZ
er gS A dqN vuqHkoh f’kYidkjksa dk dguk gS fd felz ds jktk us jktk
ljQksth dks ltkoVh rk¡ck eVdk HksaV fd;k Fkk ftldks ratkowj ds f’kYidkjksa
us iqu:Riknu fd;k A dqN vU; f’kYidkjksa dk ;g er gS fd bldk mn~Hko
250 lky iwoZ gqvk rc ejkBk ’kkldkasa us eksjknkckn ls dq’ky f’kYidkjksa dks
=h/kkrq dyk oLrq,¡ rduhd dk izf’k{k.k nsus dh vuqefr nh A rhljk er ;g
gS fd tc jktk ljQksth iz;kx] dk’kh vkSj xaxk rhFkZ;k=k ds fy, x;s Fkss rc
os ,d dykRed fcnjh IysV [kjhns] bl fcnjh IysV dks os dEey laj{k.k dks
HksaV djuk pkgrs gS A LFkkuh; f’kYidkj ,d nwljs ds lkFk Li/kkZ djrs Fks vkSj
fcnjh IysV tSlk dyk IysV dk fuekZ.k djrs Fks A vr% ratkowj es dyk IysV
dk tUe gqvk A mijksDr rhu fofHkUu dgkuh ls ;g lkQ gS fd dyk IysV
dh LFkkiuk vkSj laj{k.k jktk ljQksth us fd;k A bl f’kYi dks flQZ ratkowj
Damascening (or encrusting) is the art of encrusting one metal on another in the form of wire which by undercutting and hammering is thoroughly incorporated into the metal it is intended to encrusting gold and sometimes silver wire, on the surface or iron, steel or bronze. The design is chased on the steel (or iron or bronze) surface with a hard and very sharp style, and the wire, held by one hand within the grooves, is hammered by the other, until it is made literally to unite with the metal. This form of ornamentation is purely oriental and takes its name from Damascus, where it reached perfection under the early goldsmiths. Whereas encrusting work is the monopoly craft of Thanjavur in South India, a set of craft person belonging to Vishwakarma community practice this craft from the early period of Maratta monarachs. Thanjavur art plate is also called as trimetal artware, as the object consists of copper, silver and brass. It is widely accepted that the origin of the craft Tanjore Art plate has different versions.One set of experienced craftperson say that an Egyptian King presented an ornamental copper pot to King sarfoji which was reproduced by sculptors of Thanjavur. Another set of senior artisans say that the origin dates back to 250 years when Maratha Rulers allowed specialized artisans from Moradabad to impart the technique of tri metal art ware. The third kind of version is King Sarfoji bought one artistic bidri plate during his pilgrimage to Prayag, Kasi and Ganga which he wanted to presented the Bidri Plate to kammal patronage. Local artisans competed with each other and produced art plates similar to bidri plate. Thus art plate was born in Thanjavur. It is evident from the above said three different stories that the art plate was originally founded and patronized by King Sarfoji. This craft was practiced only in Thanjavur, that too in and around, Palace building, i.e., Nanayakkara Chetty Street, Ellaimman Koil Street, Karandi later on spread to the entire Thanjavur District and of late at Thirukattupalli.
esa gh vH;kl djrs Fks] og Hkh vkl & ikl ds isysl fcfYMax tSls
ukuk;ddkjk psV~Vh LVªhV] ,YybZvEeu dksbZy LVªhV] djUMh ckn es lEiw.kZ
ratkowj ftyk esa QSy x;k vkSj var esa fr#dkFFkqiYyh es Hkh A
¼¥½ mRiknu dh fof/k %
ihry pn~nj dk 18 ;k xqvkt dks vko’;d vkdkj vkSj izdkj
dks foHkktd] Nsuh vkSj gFkkSMs+ dh enn ls dkVk tkrk gS IysV dks N% ;k lkr
Hkkxks esa foHkktu fd;k tkrk gS A vkd`fr vkSj fMtkbZu dks ekse esa cuk;k
tkrk gS vkSj ckn esa tLrk ls dkLV fd;k tkrk gS tks izkFkfed eksYM ds :Ik
esa dk;Z djrk gS A ,d ckjhd ihry pn~nj tks eksYM esa Bhd cSBrk gS
fQuhf’kax dk;Z ds le; vafre foLr`r eksYM dk dk;Z djrk gS A
42 xqvkt dk ckjhd rk¡ck ;k pk¡nh ds iUuh dks vkdkj eas dkVk
tkrk gS] tLrk eksYM esa Mkyk tkrk gS vkSj jCcj vkoj.k ls vkjke ls ekjk
tkrk gS vkSj tc rd eksYM dk vkdkj ugha ys ysrk rc rd gFkkSM+k ls ekjk
tkrk gS A ckn es bl iUuh dks ihry eksYM es j[kk tkrk gS tks vkd`fr ds
lw{e fooj.k dks /kkj.k djrk gS vkSj /khjs ls rc rd ekjk tkrk gS tc rd
vkd`fr ij lw{e fooj.k vk;s A
ckn esa iUuh dks iyVk tkrk gS vkSj ^dqaxhfy;e* ds lkFk
e/kqeD[kh ekse ds feJ.k dks xje fd;k tkrk gS vkSj mHkkjnkj uD+d+k’kh
vkd`fr ds ihNs rjQ xgjkbZ ls Hkjk tkrk gS rkfd lery lrg feys A ckn
esa bEckl iUuh dks lw{e ltkoVh ihry fjcV es tek;k tkrk gS A var es
bls gbZMªksDyksfjd ,flM vkSj lkcqu ikmMj ls /kks;k tkrk gS A
(J) Method of Production:
The brass sheet of 18 or guage is cut onto the required shape and size with the help of divider, chisels and hammer. The plates are divided into six or eight portions. Figures and designs were made in wax and then cast with lead which acts as the primary mold. A thin brass sheet which exactly fits to the mold acts as the final detailed mold for the finishing work.
Thin copper or silver foil of 42 gauge is cut into the shape, fixed over the lead mold and beaten gently with a rubber shell and hammer until it takes the shape in the mold. Then the same foil is kept over the brass mold which bears the minute details of the image and beaten gently until it takes even the minute details if the image.
The foil is then inverted and bees wax mixed with “Kungilium” is heated and filled on the depths to get a flat surface on the backside of the relief image. Then the embossed foil is fixed with minute decorative brass rivets. Finally it is polished with hydrochloric acid and soap powder.
(K) Uniqueness:
Tanjore Art Plates have a unique appeal on account of its superb manual dexterity and skilled craftsmanship and its elegance as recognized the world ever. The encrusting of copperware with silver figure is a modern adaptation of the older art of covering brass with copper figures and the silver is attached to the copper or brass This type of tri metal work is not being done anywhere other than in Thanjavur.
¼V½ vrqyuh;rk %
ratkowj dyk IysV viuh cf<+;k gLrpkfyr n{krk vkSj dq’ky
f’kYidkfjrk ds fy, fof’k"V vkd"kZ.k dk izrhd gS vkSj fo’o Hkj esa bldh
je.khd dks ekU;rk izkIr gS A rk¡ck fufeZr oLrq,¡ ij pk¡nh vkd`fr dk
,uØfLVax djuk vk/kqud :ikarj.k gS tcfd iqjus dyk esa rk¡ck vkd`fr esa
ihry dks <dk tkrk Fkk vkSj pk¡nh dks rk¡ck ;k ihry ls tksMk tkrk Fkk A
bl izdkj dk =h/kkrq dk;Z Hkkjr esa ratkowj dks NksM+dj vkSj dgh ugh fd;k
tkrk gS A
¼B½ fujh{k.k fudk; %
fujh{k.k fudk; dk <k¡pk fuEufyf[kr gS %
1- {ks=h; funs’kd ¼,p½ ,l- vkj] Mh-lh ¼gLrf’kYi½ dk dk;kZy;]
psUubZ A
2- lHkkifr] ØWk¶V dkWÅaaafly vkWQ bafM;k A
3- gLrf’kYi ,u-th-vks dk izfrfuf/k A
4- ,u-vkbZ-Mh dk izfrfuf/k A
5- dyk vkSj f’kYi ls lEcaf/kr xSj & ljdkjh lnL; A
¼M½ vU; %
ratkowj dyk IysV ,d ’kkL=h; fof’k"V f’kYi gS ftls fo’oHkj ls
dyk ikj[kh dk laj{k.k izkIr gS A ratkowj ds vkl ikl bl f’kYi dk
mRiknu uhao LoLFk gS vkSj dbZ ns’kksa esa ratkowj dyk IysV dk fu;kZr fd;k
tkrk gS A
(L) Inspection body
Structure of the inspection body is given below.
� Regional Director(H) SR, Office DC (Handicrafts), Chennai
� Chairperson, Crafts Council of India, Chennai. � A representative from Handicrafts NGO. � A representative from NID. � A non-official Member associated with art and craft.
(M) Others:
Tanjore Art Plate is a classic unique craft which enjoys patronage from the connoisseurs all over the world. The production base in and around Thanjavur for this craft is healthy and the Thanjavur Art Plates are exported to many countries.
Tkh vkbZ vkosnu la[;k 76
;g vthZ oL= fodkl vk;qDr rFkk gLrf'kYi vkSj oL= funs'kd] dukZVd
ljdkj] la 14@3,] rhljh eafty] vkj ih fcfYMax] u`irqaxk jksM] cSsaxyksj 560001 us
Hksth gSA bydky lkM+h ds iath ds Hkkx ^v ^ esa vkSj ml iath ds vthZ vad 76 esa
iathd`r djus ds fy, Hksth xbZA oxZ 24 esa 'kkfey gksusokys bydky lkM+h
HkkSxksfyd min'kZu (iathd`r vkSj cpko ) fof/k 1999 ds Hkkx 13 ds miHkkx (1) esa
Lohdkj djus gsrq ,rn~}kjk ;g foKkiu fn;k tkrk Gsa
vkosnd % oL= fodkl vk;qDr rFkk gLrf'kYi vkSj oL+=
funs'kd] dukZVd ljdkj
irk % la[;k 14@3,] 3 eafty] vkj ih bekjr]
u`iVqaxk jksM] cSaxyksj 560 001
HkkSxksfyd min'kZu % bydky lkM+h
oxZ % 24
eky % lkM+h
(d) vkosnd dk uke % oL= fodkl vk;qDr rFkk gLrf'kYi vkSj oL=
funs'kd] dukZVd ljdkj
([k) irk % la[;k 14@3, rhljh eafty vkj-ih bekjr]
u`iVqxk jksM] cSaxyksj 560 001
G.I. – APPLICATION NUMBER 76
Application is made by The Commissioner for Textile, Development and Director of Handlooms and Textiles, Government of Karnataka, No. 14/3A, 3rd Floor, R.P. Building, Nrupatunga Road, Bangalore - 560001 for registration in Part A of the register of Ilkal Sarees under Application No 76 in respect of Sarees falling in Class 24 is hereby advertised as accepted under sub-section (1) of section 13 of Geographical Indications of Goods (Registration and Protection) Act, 1999.
Applicant : The Commissioner for Textile Development and Director of
Handlooms and Textiles, Government of Karnataka.
Address : No. 14/3A, 3rd Floor, R.P. Building, Nrupatunga Road,
Bangalore - 560001
Geographical Indication : ILKAL SAREES
Class : 24
Goods : Sarees
(x) O;fDr@mRiknd % ekaWxs tkus ij fn;k tk;sxk
lxBu@ izkf/kdkj
la/k dh lwph
(?k) eky ds izdkj % rS;kj eky] oL=
(M) fufnZf’Vdj.k % (d) lkM+h dh yEckbZ
(i) 5-4 eh (6 ;kMZ )
(ii) 7-2 eh (8 ;kMZ )
(iii) 8-1 eh (9 ;kMZ )
([k) pkSM+kbZ % 48^^
'kjhj % 40^^
ckMZj % 8^^ (izR;sd rjQ % 4^^)
vkSj 5^^] 7^^] 9^^ (9 ^^ xk;=h lkM+h)
(x) fMtkbu (ckMZj )
(i) ckMZj % fpDdh][ xkseh] fpDdh ikjkl
ukohyq MkMh] gksUuwj & ijEijkxr izdkj
(ii) xk;=h vkSj xksnhnknh vk/kqfud izdkj
(?k) 'kjhj dk fMtkbu
i. psd
ii. IySu vkSj ydhj
iii. fof'k’V psd
(M) jax
(i) ckMZj % yky ;k es#u ;k gjk ;k ihyk ;k
Dkyk
ii. 'kjhj % uhyk] xqykch] gjk vkWjsat ;k ihyk ;k
dkyk
(p)- iz;qDr ;kuZ
(A) Name of the applicant : Commissioner for Textile Development and Director of
Handlooms and Textiles, Government of Karnataka,
(B) Address : No. 14/3A, 3rd Floor, R.P. Building, Nrupatunga Road,
Bangalore - 560001
(C) List of association ofpersons / Producers / organization / Authority : To be provided on request.
(D) Type of goods : Manufactured goods, Textiles.
(E) Specification : (a) Length of sarees (i) 5.4 metres (6 yards) (ii) 7.2 metres (8 yards) (iii) 8.1 metres (9 yards) (b) Width: 48” Body: 40” Borders: 8” (each side: 4”) and
5”, 7”, 9” (9” Gayatri Saree) (c) Designs (Borders) (i) Borders: Chikki , gomi, Chikki Paras, Naveelu Dadi, Honnur – Traditional ones,(ii) Gayathree and Godidadi – Modern type(d) Body Designs (i) Checks, (ii) Plain and Stripes,(iii) Special checks. (e) Colours: (i) Borders: Red or Maroon or Green or Yellow or Black(ii) Body: Blue, Rose, Green, and Orange or lemon yellow, Black (f) Yarn used
Ø la Hkkx jax vkVZ js'keh xlwrh
js'keh x lwrh js'kehx js'keh
1- 'kjhj okiZ vko';drk 120^ ,l
Msfu;j , ,l
20@22
Msfu;j js'ke
20@22
Msfu;j js'keh
2- iYyw okiZ yky 75@1
Msfu;j js'ke
, ,l
20@22
Msfu;j js'ke
20@22
Msfu;j js'keh
3- okiZ okMZj yky 75@2
Msfu;j js'ke
20@22
Msfu;j js'ke
20@22
Msfu;j js'keh
4- vfrfjDr
okiZ
xzs 75@2
Msfu;j , ,l
20@22
Msfu;j js'ke
20@22
Msfu;j js'keh
5- vfrfjDr
okiZ
ihyk 120@2
Msfu;j , ,l
20@22
Msfu;j js'ke
20@22
Msfu;j js'keh
6- vfrfjDRk okiZ gjk@ukjaxh
yky
150@1
Msfu;j , ,l
20@22
Msfu;j js'ke
20@22
Msfu;j js'ke
7- 'kjhj osQV vko';drk 120@,l
Msfu;j , ,l
24@26
Msfu;j js'ke 2
IykbZ
24@26
Msfu;j js'ke 2
IykbZ
8- 'kjhj osQV vko';drk 60 lwrh 60 lwrh 24@26
Msfu;j js'ke 2
IykbZ
9- iYyo osQV Cyhp 150^ Msfu;j ,
,l
24@26 lwrh
2 IykbZ
24@26 Msfu;j
2 IykbZ
10- iYyo osQV yky 150^ Msfu;j
,l ,
24@26
Msfu;j js'ke
2 IykbZ
24@26 Msfu;j
js'ke
2 IykbZ
S.No. Portion Colour
Art silk X
Cotton
SilkX
Cotton
SilkX
Silk1 Body warp Required 120’s
Denier A.s 20/22 DenierSilk
20/22 Denier Silk
2. Pallavwarp Red 75/1 Denier A.s
20/22 DenierSilk
20/22 Denier Silk
3 Border warp
Red 75/2 Denier A.s
20/22 DenierSilk
20/22 Denier Silk
4 Extra warp Grey 75/2 DenierA.s
20/22 DenierSilk
20/22 Denier Silk
5 Extra warp Yellow 120/2 Denier A.s
20/22 DenierSilk
20/22 Denier Silk
6 Extra warp Gr/ Or / Red
150/1 Denier A.s
20/22 DenierSilk
20/22 Denier Silk
7 Body weft Required 120’s Denier A.s
24/26 DenierSilk 2 ply
24/26 Denier silk 2 ply
8 Body weft Black 60’s Cotton 60’s Cotton
24/26 Denier silk 2 ply
9 Pallav weft
Bleach 150’s Denier A.s
24/26 Cotton 2 Ply
24/26 Denier silk 2 ply
10 Pallav weft
Red 150’s Denier A.s
24/26 Deniersilk 2 ply
24/26 Denier silk 2 ply
uksV % , ,l vkVZ js'keh
iz;qDr lkeku% 1- vkVZ js'ke x lwrh & 60 ,l x 50 ^^ LVkWd iksVZ LVhy
2- js'ke x lwrh & 72^,l x 50^^ LVkWd iksVZ LVhy
3- js'ke x js'ke & 72^,lx50^^ LVkWd iksVZ LVhy
uksV % dHkh dHkh 100,lx 50^^ LVkWd iksVZ LVhy jhM dk
iz;ksx xq.koRrk ds vuqlkj rhuksa dslksa esa iz;qDr gksrk gSa
(p)- HkkSxksfyd min'kZu dk uke (vkSj fooj.k ) bydky lkfM;kaW
cxydksV ftyk esa bydky ,d e/;e vkdkj dk uxj gSA ;g uxj ,d
,slh [kkbZ esa fLFkr gS tks cxydksV ftyk ds nf{k.k rFkk ;g dksiky ftyk ds
dq'krkxh rkyqd ds lhek ls dkQh ut+nhd gSA ;g 'kgj gxqan ds vf/kdkj {ks= esa
vkrk gSA vkSj ;g rkyqd gsMDokVj ds eq[; {ks= ls 12 fdyksehVj dh nwjh ij
fLFkr gSA bu nksuksa 'kgjksa ds chp okf.kT;] O;kikj vkSj m|ksx dk eq[; dsUnz
bydky fLFkr gSA
nwljs cqukbZ ds dsUnz tgkaW bydky lkM+h mRiUu gksrh gS os bl izdkj gSA
d) gudqan rkyqd
i- gkW;j miuky & bydky ls 1 fdyksehVj nwjh
ii- xksjcky & bydky ls 2 fdyksehVj nwjh
iii- dksfngy & bydky ls 35 fdyksehVj nwjh
iv- vfeudn & bydky ls 24 fdyksehVj nwjh
v- lqyh Hkkoh & bygky ls 26 fdyksehVj nwjh
vi- derkxh & bydky ls 36 fdyksehVj nwjh
vii- danxy & bydky ls 19 fdyksehVj nwjh
viii- xqnqj & bydky ls 25 fdyksehVj nwjh
ix- jDdklkxh & bydky ls 20 fdyksehVj nwjh
Note: As: Art Silk.
Read Count used: 1) Art silk x cotton – 60s x 50” stock port steel2) Silk x Cotton – 72’s x 50” stock port steel 3) Silk x Silk – 72’s x 50” stock port steel Note: - Some times 100s x 50” Stock port steel reed is used in all three cases depending upon the quality required.
(F) Name of the Geographical Indication (and particulars):
ILKAL SAREES
Ilkal is medium sized town in Bagalkote district. The town is located in a valley that lies in South – East corner of Bagalkote district and is quite close to the borders of Kushtagi taluk of Koppal district. The town falls within the jurisdiction of Hungund taluk and lies at a distance of about 12 Kms south of taluk head quarters. Between these two towns, Ilkal is an important centre of trade, commerce and industry. Among other weaving centres where Ilkal sarees produced are as follows.
A. Hungund taluk
(i) Hire upnal – 1Km from Ilkal (ii) Gorbal – 2Km from Ilkal (iii) Kodihal – 35 Km from Ilkal (iv) Amingad – 24 Km from Ilkal (v) Suli bhavi – 26 Kms from Ilkal (vi) Kamtagi – 36 Km from Ilkal (vii) Kandgal – 19Km from Ilkal (viii)Gudur – 25Km from Ilkal (ix) Rakkasagi – 20Km from Ilkal
[k) cnkeh rkyqd
i- csyqj & bydky ls 48 fdyksehVj nwjh
ii- tyhgky & bydky ls 50 fdyksehVj nwjh
iii- gsCckyh & bydky ls 60 fdyksehVj nwjh
iv- dksudkukdksIik & bydky ls 65 fdyksehVj nwjh
v- xqysnkxqMk & bydky ls 50 fdyksehVj nwjh
II- dksIiy ftyk
v) dqLrkxh rkyqd
i- nksfrgky & bydky ls 15 fdyksehVj nwjh
ii- guqelkxj & bydky ls 15 fdyksehVj nwjh
iii- rokjxsjk & bydky ls 45 fdyksehVj nwjh
III- xMx ftyk
i- xtsUnzxM+ & rkyqd vkj vks ,u
IV - chtkiqj ftyk
i- xksyklax & clokuk ctokMh rkyqd
ii- oaMy & clokuk ctokMh rkyqd
iii- xuy & clokuk ctokMh rkyqd
iv- csuy & clokuk ctokMh rkyqd
v- gk;jeqjky & eqn~nsfHkgky rkyqd
vi- coqj & eqn~nsfHkgky rkyqd
vii- cykxuwj & eqn~nsfHkgky rkyqd
B. Badami taluk
(i) Belur – 48Kms from Ilkal (ii) Jalihal – 50Kms from Ilkal (iii) Hebballi – 60Kms from Ilkal (iv) Konkanakoppa – 65Kms from Ilkal (v) Guledagudda-50Kms from Ilkal
II) Koppal District A. Kustagi taluk
(i) Dotihal – 15Kms from Ilkal (ii) Hanumsagar – 15Kms from Ilkal (iii) Tawargera – 45Kms from Ilkal
III) Gadag District (i) Gajendragad- Taluk RON
IV) Bijapur District (i) Golasang - Basavana Bagewadi Taluk (ii) Vandal - Basavana Bagewadi Taluk (iii) Ganal - Basavana Bagewadi Taluk (iv) Benal - Basavana Bagewadi Taluk (v) Hiremural - Muddebihal Taluk (vi) Bavoor - Muddebihal Taluk (vii) Balaganur--Muddebihal Taluk
(G) Description of goods:(i) General:
Ilkal sarees are woven using cotton warp on the body and art silk warp for border and art silk warp for pallav portion of the saree. In some cases instead of art silk, pure silk is also used. The general construction particulars followed at Ilkal for the past years are given in the page 3 of 28.
N- eky dk fooj.k
(i) lkekU; %
bydky lkM+h 'kjhj lwrh okiZ ls rFkk ckMZj rFkk iYyo ds Hkkxksa esa udyh
js'keh okiZ dk iz;ksx fd;k tkrk gSA dqN dsl esa udyh js'keh /kkxs dh txg
vlyh js'keh /kkxs dk iz;ksx fd;k tkrk gSA bydky esa fiNys dqN lkyksa ls
vuqdj.k fd;s tkusokys dqN lk/kkj.k fuekZ.k dk fooj.k i`’B la[;k 3 vkSj 28 esa
fn;k tk jgk gSA
bl lkM+h dk foy{k.k xq.k gS 'kjhj ds okiZ ds ckMZj ds okiZ ls tqM+k gksuk
gSA ftls LFkkuh; {ks= esa Vksi Vsuh dgk tkrk gSa A ;g rduhd flQZ bydky esa
iz;qDr gksrk gS ;fn dksbZ pkgsa rks A
gj lkM+h ds okiZ dks rS;kj djuk t:jh gS 'kjhj ds fy, okiZ /kkxk vyx ls
rS;kj fd;k tkrk gSA mlh rjg xq.koRrk dh vko”;drk ds vuqlkj vyx ls vkVZ
js”ke ;k ”kq) js”kek ds lkFk iYyo okiZ rS;kj fd;k tkrk gSA mlds ckn okiZ
dk ckMZj okyk Hkkx iYyw okiZ dh rjg vkVZ js'ke ;k 'kqn~/k js'ke ls rS;kj fd;k
tkrk gSA iYyo rFkk ckMZj okys Hkkx es iz;qDr gksus okyk jax ,d gh gksrk gSA
lk/kkj.kr% iYyw dk yWEckbZ 16^^ ls 27 ^^ gksxhA iYyo ds /kkxs rFkk 'kjhj ds /kkxs
dks ywi rduhd ls tksMk tkrk gSA ,d ikjEifjd rjhdk ftls LFkkuh; :i esa
VksiVsuh dgk tkrk gSA
ii) fMtkbu
(v) ckMZj
ckMZj yackbZ ds vuqlkj cqus fMtkbu rhu izdkj ds gSA
i. xkseh (iz[;kr :i ls bls bydky nkMh tkuk tkrk gSA)
ii. ijkLisV (;g fpDdh ikjkl rFkk MkWM ikjkl esas mifoHkkftr gksrk gSA)
iii.xk<h
(vk)- eq[; 'kjhj dk fMtkbu
i- /kkjh] vk;r] oxZ
The peculiar characteristic of the saree is joining the body warp with the pallav warp which is locally called as TOPE TENI. This technique is only used exclusively at Ilkal. If anyone requires Ilkal saree one must prepare a warp for every saree. Warp threads for body is prepared separately. Similarly pallav warp is prepared separately either with art silk or pure silk depending upon the quality required. Thirdly border portion of warp is prepared as like the pallav warp either art silk or pure silk and the colour used for pallav and on border will be one and the same. In general, the length of the pallav will range 16” to 27”. The pallav threads and body threads are joined in loop technique, a typical method which is locally called as TOPE TENI.:
(ii) Designs
(a) Borders
The design woven in the length wise borders are mainly three types.
(i) Gomi (more popularly known as Ilkal dadi) (ii) Paraspet (Sub-divided into chikki paras and dodd paras) (iii) Gaadi
(b) Main body design
(i) Stripes, rectangles, squares
(c) Inner body does not have any special features.
With above broad parameters the Ilkal sarees differ in matters of size, nature and quality of yarn used for different portion of saree as also colour combination and combinations of designs on the borders and main body of the saree. The beauty of Tope-teni seragu is further enhanced at times by weaving in its middle portion, yet another design known as ‘Kyadgi’.
b- lkM+h ds Hkhrjh Hkkx esa dksbZ fof'k’V xq.k ugha gksrk gSA
Åijh iSjkehVj ds lkFk bydky lkM+h ds fofHkUu Hkkxksa iz;qDr gksus okys ;kuZ ds
vkdkj] izd`fr rFkk xq.k ds vuqlkj cnyrk gSA mlh rjg ckMZj rFkk eq[; Hkkx ds
fMt+kbu dk dkWfcus'ku rFkk jaxksa dk esy Hkh cnyrk gSaA Vksi&Vsuh dh [kwclwjrh
rc vkSj c<+ tkrh gS tc e/; Hkkx esa ,d vkSj fMtkbu ftls ^D;knxh ^ dgk
tkrk gS] dks cquk tkrk gS A
(t) mRiknu dk HkkSxksfyd vapy vkSj uD'kk i`’B la[;k esa fn;k x;k gSA
(>) mRifRr dk lcwr % (,sfrgkfld vfHkys[k)
(v)- chtkiqj ftyk % eSlwj&jkT; xstfV;j & 1966 i`’B 204 vafre ifjNsn ^^eqy]
ckjhd /kksrh bydky esa mRiUu fd;k tkrk gSA bydky esa rS;kj gksus okyh lkM+h
dh foy{k.krk mldh ckMZj dh pkSMkbZ 2] 1@2^^ ls 4^^ gS vkSj tks eq[; :i ls
yky jax dk gksrk gSA
i`’B 508 nwljs ifjPNsn ^^bydky cqukbZ rFkk jaxkbZ mn~;ksx dk dsUnz gSA
vkSj fo'ks"k dj lkM+h ds fy, izfln~/k gSA
(vk) Hkkjrh; tux.kuk 1981 & Hkkx XD & dze 9 & dukZVd & gLrf'kYi losZ{k.k
fjiksVZ A bydky lkM+h & Hkkjr ljdkj }kjk izLrqrA
i`’B 1
bydky LFkku [kwclwjr lkfM+;ksa ls lacaf/kr Hkkx ls gSA vkSj ;g
ikjEifjd :i ls fof'k’V rjg ds cqus gq, lkfM+;ksa ls tqM+k gqvk gSA tks bydky
lkM+h ds ukedj.k ls dukZVd ds mRrjh ftyksa esa izfln~/k gSA
i`’B 3
i. bydky lkM+h dh ijhHkk’kk ;g gS fd bydky lkM+h bydky ds cqudjksa }kjk
fMtkbu dh gqbZ rFkk mRiUu gS A
ii. bydky] chtkiqj ftys ds gqdqan rkyqd dk ,d 'kgj gS tgkaW og f'kYi tks
v/;;uk/khu (bydky lkM+h) gS] dh O;qRifRr dk LFkku gSA
(H) Geographical area of Production and Map as shown in page no.
(I) Proof of origin: (Historical records)
(a) Bijapur District - Mysore – state Gazetteer – 1966 Page 204 – last para “Mulls, fine Dhoties are produced at Ilkal………………… The peculiarity of saree manufactured at Ilkal is its border ranging in width from 2,1/2 to 4” in which red colour generally predominant ………..” Page 508 – 2nd para “Ilkal is a centre of the weaving and dyeing industries in the district specially famous for its sarees”.
(b) Census of India -1981 – Part XD – series 9. – Karnataka- Handicraft survey report. - Ilkal sarees – brought out by Government of India
Page 1
The place “Ilkal” too belongs to the illustrious category of beautiful sarees and is traditionally associated with weaving of specific verities of sarees which under nomenclature of Ilkal sarees “are of popular in northern districts of Karnataka
Page 3
(i) “By definition Ilkal sarees are those that were first designed and produced almost exclusively by the weavers at Ilkal”.
(ii) Ilkal, a town in Hungund taluk of Bijapur District is obviously a place where the craft under study (Ilkal Sarees) had its origin
(iii)Page 5 – 2nd Para
“Sarees which are popularly labeled as Ilkal sarees are mainly produced at Ilkal and few other near by villages ….”
iii. i`’B 5 dk nwljk ifjPNsn
lkM+h ftldk uke bydky gS og eq[; :i ls bydky esa rFkk dqN ikl ds
xkaWoksa esa Hkh mRiUu gksrh gSA
(b) eqEcbZ izsflMsalh dk jkti= (Hkkx xxiii ) & chtkiqj & i`’B 654
& 1884 esa izdkf'kr
^^bydky cqukbZ vkSj jaxkbZ mn~;ksx dk dsUnz gqdqan gSA ;gkaW 1851 esa 500 ds eqdkcys
1883 esa 684 gFkdj/kk gS A
´- mRiknu dh izfØ;k
bydky dh ikjaifjd lkafM+;kaW eq[; :i lsfiV dj/ks esa rhu rjg /kkxs tSls
js'keh x js'keh ] js'keh x lwrh] vkSj vkVZ js'keh x lwrh] ds iz;ksx ls mRiUu dh
tkrh gSA mi;qZDRk ;kuksZa ds iz;ksx ls pkj rjg ds ikjEifjd fMtkbu mRiUu fd;s
tkrs gSA os gS &
phdhyh ikjkl] xkseh] tkjh] vkSj dqN gh le; igys ikjaifjd :i ls fMtkbu dh
gqbZ xk;=h dk ifjofrZr :i A
;s lkfM+;kaW fofHkUu yackbZ;ksa esa 6-00 ;kMZ] 8-00 ;kMZ rFkk 9-00 ;kMZ ds lkFk l[r
rFkk dkaaVªLV ckMZj ds lkFk mRiUu dh tkrh gS A
bl lkM+h dh eq[; fof'k’Brk blls tqM+k gq, eafnj ds rjg dk iYyo
(ftls LFkkuh; esa Vksis Vsuh ) ftls 'kjhj okiZ vkSj iYyo okiZ djNs fof/k ds iz;ksx
ls baVjykWd fd;k tkrk gS] vkSj osQV dks rhu dj/kksa ls nks fofHkUu jaxksa ds iz;ksx
dksaMh rduhd }kjk ?kqlk;k tkrk gSA
,d cqudj rS;kjh djus ds fy, mlds vykok vkSj nks O;fDr dh vko';drk
gksrh gSA
/kkxs dks oL= ds :i esa nsus dh izfØ;k
'kjhj okiZ
dks.k ;k gkad ds :i /kkxs dks vko';d yackbZ esa ckWy okiZ ds :i esa isx
okfiZax izfØ ;k ds }kjk cnyk tkrk gSA okiZ dk vkdkj isM+ ds jsft+u ;k xsan
(LFkkuh; :i esa vaVw dgk tkrk gS), bls euq’; }kjk gh Qawdk tkrk gS ftlls fd
(c) Gazetteer of the Bombay Presidency – Vol XXIII - Bijapur – Page 654
- Published in 1884 “Ilkal is the centre of weaving and dyeing industries in Hungund and had 684 looms in 1883 against 500 in 1851”.
(J) Methods of Production:
Ilkal traditional sarees are produced mainly on pit looms with the combination of three types of different yarns namely Silk x Silk, Silk x Cotton, Art silk x Cotton. Along with the above said yarn combination totally four different traditional designs are produced - they are Chikki Paras, Gomi, Jari and recently modified traditional design Gayathri.
These sarees are produced in different lengths 6.00 yards, 8.00 yards, and 9.00 yards with solid as well as contrast borders.
The main distinction in these sarees is its attached temple type Pallav (locally called as TOPE TENI) by inter locking body warp and pallav warp using loop system and inserting weft by three shuttles using two different colours yarn by Kondi technique ;
A weaver requires apart from himself two others for preparatory work.
Process of yarn to fabric
Body Warp
The yarn in the cone or Hank form is converted in to required length of ball warp by peg warping system. This warp is sized by plant resin or gum (Locally called antu), manually blowing on it to get stiffness, extra care is taken to avoid clinging of wet ends each other during drying; this warp has to be prepared for each saree, initially this warp will be in two layers having half the saree length excluding stretching latter it becomes single layer of full length required for this saree after weaving the Pallav portion.
mlesa dM+kiu vk ldsA Hkhaxs gq, Nksjksa dks ,d nwljs ls lVus ls cpkus ds fy,
vfrfjDRk lko/kkuh dh vko';drk gSA ;g okiZ izR;sd lkM+h ds fy, cuk;k tkuk
pkfg,A igys rks ;g okiZ nks Lrjksas esa gksxk tks fd lkM+h dh yackbZ vk/kk gksxk]
QSyko dks NksMdj ckn esa ;g iwjh yEckbZ dk ,d Lrj cu tkrk gSA tks cqukbZ ds
ckn bl lkM+h ds fy, vko';d gSA
ckMZj okiZ
ckMZj okiZ isx okfiZax fof/k ds }kjk vko';d yackbZ esa cuk;k tkrk gSA
blds fy, jsft+u dh vko';drk ugha iM+rh] ysfdu okiZ dh yackbZ 6 ;k ukS
lkfM+;ksa ds fy, ,d gh cuk yh tkrh gS A
iYyo okiZ
iYyo okiZ Hkh lh/ks :i esa yxs gq, isx okfiZax fof/k ds }kjk izR;sd ckWMh
okiZ Nksj ls iYyo okiZ Nksj rd var% :i ls tqMk gksrk gS] euq’;ksa }kjk Nksjksa ij
tksMk tkrk gS] (LFkkuh; :i ls Vsu Mkyuk) jsft+u dk iz;ksx ugha gksrk] iYyo ds
fy, pkj Nksjksa dk iz;ksx fd;k tkrk gSA
vfrfjDRk okiZ
bu Nksjksa dks ckMZj okiZ ds :i esa cuk;k tkrk gS] fdlh jsft+u dk iz;ksx
ugha fd;k tkrk A vksj[ku cukuk okiksZa dh rS;kjh ds ckn iYyo okiZ ds izR;sd
Nksjksa ij jhM+ cuk;k tkrk gS vkSj DaVjh ghYM 'kkQ~V (ckaWl ds jhaM ds lkFk
LFkkuh; :i ls cus ghYM 'kkQV ) euq’; }kjk igys dh lkM+h ds NqVs Nksj ls
lVk;k tkrk gSA (LFkkuh; :i esa dsPpq dgk tkrk) ;k lh/ks mlh esa fp= cuk;k
tkrk gSA (ok;ikuh ) cqukbZ
okiZ vkSj ghYM dks dj/ks ij yxkus ds ckn cqukbZ 'kq: dj nh tkrh gSA
lcls igys dksaMh rduhd (eafnj ds rjg fMtkbu cukus ds fy, ) ds }kjk
rhu 'kVy ds lkFk nks fofHkUu jaxhu /kkxksa dk iz;ksx djds iYyo Hkkx cquk tkrk
gSA iYyo ds cqukbZ ds lkFk lkFk 'kjhj okiZ rFkk iYyo okiZ (tqMusokyk Hkkx)tksMus ds ckn dksMh rduhd ls cquus ds fy, nks cqudjksa dh vko';drk iMrh gSA
Border warp
Border warp also prepared by peg warping system in to required length, no resin is used, but the length of warp is made once for six sarees or nine sarees.
Pallav warp
Pallav warp also prepared by vertically arranged peg warping system during preparation of warp each body warp end interlaced with the Pallav warp end manually (locally called Tan adding) to get interlocking in the ends each other, no resin is used, four ends are used for Pallav.
Extra warp
These ends are prepared as of border warp, no resin is used. Drawing in: After preparation of warps each ends of Pallav warp are drawn in to the reed and country heald shafts (Bamboo reed with locally constructed heald shaft) manually sticking to the left over ends of previous saree (locally called Kechchu) or drawing in directly (Vaipani).
Weaving
After gaiting up warp and healds on the loom, weaving starts.
Firstly Pallav portion is woven by using three shuttles with two different colour yarn using Kondi technique (to form temple type design). Two weavers are required to weave KONDI technique After weaving of Pallav including the inter locked part of body warp and Pallav warp (Attaching portion) one part or layer of the body warp is cut to get standard length of saree (initially half length of body warp with four ends (two layers) latter becomes full length with two ends (single layer with two ends per dent). After this, normal plain or checks weaving continues till end of the saree.
lkM+h mfpr yackbZ izkIr djus ds fy, 'kjhj okiZ ds ,d Hkkx ;k Lrj dks dkV
fn;k tkrk gSA igys eq[; okiZ vk/kh yckbZ esa pkj Nksj (nks Lrj) gksrs gSaA ckn nks
Nksj (izR;sd MaV ds nks Nskj dk ,d Lrj ) ds lkFk iwjh yackbZ esa vk tkrs gSsaA
blds ckn lk/kkj.k IySu rFkk psd cqukbZ lkM+h rS;kj gksus rd pyrh gSA
mi;qZDr izfØ;k vkSj rS;kjh ckMZj okiZ rFkk vfrfjDr okiZ ds vykok izR;sd
lkM+h esa nqgjk;k tkrk gS ckMZj okiZ vkSj vfrfjDr okiZ dks NksM+dj] ftls izR;sd
N ;k ukS lkM+h ds cukus esaa nqgjk;k tkrk gSA
dke dk LFkku
bydky lkM+h cukuk eq[; rkSj ij ?kj ds vanj dk dk;Z gSA ;g izeq[k :i
ls x`g m|ksx gS ftlesa efgyk lnL;ksa dk lfØ; ;ksxnku gksrk gSA
(V) vuks[kkiu
1- lkM+h vuks[kkiu 'kjhj okiZ ds iYyo okiZ ds lkFk ywi dzeksa ls tksM+us dh izfØ;k
gS ftls LFkkuh; rkSj ij Vksih Vsuh rduhd dgk tkrk gSA
2- cqudj dsoy 6 ;kMZ] 8 ;kMZ] 9 ;kMZ ds okiZ Vksi Vsuh rduhd }kjk cukrk gSA
dksMh rduhd rhu 'kVyksa ds ?kqlkus ds fy, dksMh rduhd dk iz;ksx fd;k tkrk
gSA
3- iYyo Hkkx fMtkbu %& ^^Vksi Vsus lsjkxq ^ lk/kkj.k rkSj ij Vksi Vsuh lsjkxq esa
rhu Bksl Hkkx yky jax dk vkSj chp dk nks Hkkx lQsn jax gksrk gSA
4- Vksi Vsuh lsjkxq dks jkT; dk fpUg ekuk tkrk gS vkSj bls mRloksa ds nkSjku
vknj fd;k tkrk gSA
5- ikjaifjd ckMZj % 1- fpDdh 2- xkseh vkSj 3- xMhMkMh vkSj vk/kqfud xk;=h
vkfn bydky lkM+h dh vuks[kh lkfM;kaW gSA pkSM+kbZ 2-5^^ ls 4^^
6- ckMZj ds jax dk vuks[kkiu % lk/kkj.k rksj ij yky ;k es:u jax dk iz/kkurk
gSA
The above said process and preparation repeats for each saree except border warp and extra warp, the preparation of which repeats every six or nine sarees.
Place of work:
Weaving of Ilkal sarees is mostly an indoor activity. It is essentially a household enterprise involving active participation of female members.
(K) Uniqueness:
1. The uniqueness of saree is joining of the body warp with pallav warp with a series of loops locally called as TOPE TENI technique.
2. The weaver will gait only 6 yards, 8 yards, 9 yards warp due to above TOPE TENI technique. KONDI Technique is used for weft through inserting 3 shuttles.
3. Pallau portion-Design: “TOPE TENE SERAGU” Normally in tope teni seragu 3 solid portions would be in red colour, and in between 2 portions in white colour.
4. Tope Teni seragu has been regarded as a state symbol and was greatly respected during festival occasions.
5. Traditional Borders: (i) Chikki, (ii) Gomi, and (iii) Gadidadi, and modern Gaythri are unique ones in Ilkal sarees - width ranging from 2.5” to 4”
6. Border Colour Uniqueness: Red usually or Maroon dominates.
(m) tkaWp fudk;
dukZVd ljdkj ds gLrf'kYi vkSj oL= foHkkx }kjk eky dh ekud] xq.koRrk]
iw.kZrk ] eky dh n`<+rk ds fy, ,d dksj Vhe cukus dk izLrko gS bl Vhe ds
lnL; gksaxs
1. mifuns'kd oL=] gLrf'kYi foHkkx] dukZVd ljdkj] cxydksV] lnL;
lfpo
2. mifunsZ'kd] cqudj lsok dsUnz] cSasaxyksj & lnL;
3. dsfUnz; js'eh rduhdh 'kks/k laLFkku] csSaxyksj & lnL;
4. bydky dh egRoiw.kZ laLFkk,aW lnL; & 2 la[;k
5. dukZVd gLrf'kYi fodkl fuxe] bydky 'kgj & lnL;
6. QS'ku rduhd dk jk’Vªh; laLFkku] cSaxyksj & lnL;
7. ekLVj cqudj dk izfrfuf/k A
(L) Inspection body:
It is proposed by Department of Handlooms and Textiles, Government of Karnataka to form a core team towards ensuring standards, quality, integrity and consistency of goods. The team of members would be
1. Dy-Director Textiles, Department of Handlooms, Government of Karnataka, Bagalkote – Member Secretary
2. Dy Director, Weavers service centre, Bangalore – Member
3. Central silk Technological research Institute, Bangalore- Member.
4. Leading societies at Ilkal – Members – 2Nos.
5. Karnataka Handloom Development Corporation, Ilkal town – Member.
6. National Institute of Fashion Technology, Bangalore – Member
7. A representative from Master Weaver.
