mark twain and realism

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Regionalism & Local Color 1865-1920

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Page 1: Mark twain and realism

Regionalism & Local Color

1865-1920

Page 2: Mark twain and realism

• Literary Realism is a literary movement which began in the late 19th century.

• A literary technique devoted to "the faithful representation of reality"

• A reaction against romanticism

• Sparked by an interest in the scientific method, the systematizing of the study of documentary history, and the influence of rational philosophy

Page 3: Mark twain and realism

REALISM

•Emphasizes

accuracy and

objectivity

•Depicts common,

everyday heroes

•Views the world

scientifically

•Focuses on real-

life situations

ROMANTICISM

•Emphasizes

imagination and

emotion

•Depicts larger-than-

life heroes

•Views the world

poetically

•Focuses on exotic,

supernatural, and

imaginary worlds

Page 4: Mark twain and realism

• Endeavored to accurately represent contemporary culture and people from all walks of life

• Addressed themes of socioeconomic conflict by contrasting the living conditions of the poor with those of the upper classes in urban as well as rural societies

• Sought to narrate their novels from an objective, unbiased perspective that simply and clearly represented the factual elements of the story

• Became masters at psychological characterization, detailed descriptions of everyday life in realistic settings, and dialogue that captures the idioms of natural human speech

Page 5: Mark twain and realism

•The Civil War

•Advances in Technology

•Advances in Science and Education

• Social Changes

• Increasing rates of democracy and literacy

•Rapid growth in industrialism

•Concern about loss of personal identity

Page 6: Mark twain and realism

The Civil War was a major cause of the rise of

realism in America. The four-year conflict:

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edia

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rary

•destroyed cities,

industries, and

lives

•left bitter

memories and

economic

desolation in the

South

Page 7: Mark twain and realism

• Technological advances also contributed

to the rise of realism in America.

•Photography allowed people to see

real, sometimes dismaying, images of

war and poverty.

•Telephones and coast-to-coast

railways allowed more people than

ever to hear about events that

affected the nation.

Page 8: Mark twain and realism

•Advances in psychology, biology, and

geology contradicted long-held beliefs

about the nature of humans, the world, and

the universe.

•More people, especially women, minorities,

and the poor, had access to an education

and learned to read.

• Newspapers and the new mass-circulation

magazines were widely read.

Page 9: Mark twain and realism

•In 1865 the Thirteenth Amendment to the

U.S. Constitution, outlawing slavery, was

ratified.

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Page 10: Mark twain and realism

•Industrialization led to overpopulation

and poverty in the cities.

•The agrarian economy of the South

was devastated by the war and by the

loss of slave labor.

•Many newly freed slaves and other

Southerners moved to Northern cities

looking for work.

Page 11: Mark twain and realism

• Local color or regional literature focuses on the characters, dialect, customs, topography, and other features particular to a specific region. This type of literature describes the details, even when unpleasant, of everyday life.

• Between the Civil War and the end of the nineteenth century, this mode of writing became dominant in American literature.

• Contains themes that center on contemporary society and on the lives of the middle and lower classes

• Features characters drawn from the poor and outcast of society

• Avoids extravagant language in favor of simpler, everyday diction

Page 12: Mark twain and realism

• According to the Oxford Companion to American Literature, "In local-color literature one finds the dual influence of romanticism and realism, since the author frequently looks away from ordinary life to distant lands, strange customs, or exotic scenes, but retains through minute detail a sense of fidelity and accuracy of description" (439).

Page 13: Mark twain and realism

• Regionalism is literature that emphasizes a specific geographic setting and reproduces the speech, behavior, and attitudes of the people who live in that region. Regional literature incorporates the broader concept of sectional differences within a locale.

• Regionalist writers differed from strict realists by portraying their characters in a somewhat sentimental fashion.

• For example, in The Adventures of Huckleberry Finn, Mark Twain makes use of seven distinct dialects to represent the differences of various groups living in the region.

• Some important American regionalists are Sarah OrneJewett, Harriet Beecher Stowe, Bret Harte, and Mark Twain.

Page 14: Mark twain and realism

•Contributed to the reunification of the country after the Civil War

• Helped build a national identity

•Contributed to the narrative of unified nationhood that late nineteenth-century America sought to construct

Page 15: Mark twain and realism

• Regionalism is a realist modern American art movement wherein artists shunned the city and rapidly developing technological advances to focus on scenes of rural life.

• Regionalist style was at its height from 1930 to 1935.

• During the Great Depression of the 1930s, Regionalist art was widely appreciated for its reassuring images of the American heartland.

Page 16: Mark twain and realism
Page 17: Mark twain and realism

• In Regionalism works

the emphasis is

frequently on nature

and the limitations it

imposes; settings are

frequently remote and

inaccessible. The

setting is integral to

the story and may

sometimes become a

character in itself.

Page 18: Mark twain and realism

• Local color stories tend to be concerned

with the character of the district or

region rather than with the individual:

characters may become character types,

sometimes quaint or stereotypical.

• The characters are marked by their

adherence to the old ways, by dialect,

and by particular personality traits

central to the region.

Page 19: Mark twain and realism

• The narrator is typically an educated observer from the world beyond who learns something from the characters while preserving a sometimes sympathetic, sometimes ironic distance from them.

• The narrator serves as mediator between the rural folk of the tale and the urban audience to whom the tale is directed.

Page 20: Mark twain and realism

• It has been said that "nothing happens" in local color stories by women authors, and often very little does happen.

• Stories may include lots of storytelling and revolve around the community and its rituals.

Page 21: Mark twain and realism

• Many local color stories share an antipathy to change and a nostalgia for an always-past golden age. Thematic tension or conflict between urban ways and old-fashioned rural values is often symbolized by the intrusion of an outsider or interloper who seeks something from the community.

Page 22: Mark twain and realism

• Mark Twain

• Bret Harte

• Hamlin Garland

• Joel Chandler Harris

• William Faulkner

• William Styron

• Robert Frost

• Sinclair Lewis

• Henry James

• John Steinbeck

• Dashiell Hammett

• Kate Chopin

• Harriet Beecher Stowe

• Eudora Welty

• Sarah Orne Jewett

• Willa Cather

• Harper Lee

Page 23: Mark twain and realism

• Samuel Langhorne Clemens, aka. Mark Twain, was a natural-born storyteller who was the first writer to recognize that art could be created out of the American language.

• Through his use of carefully chosen words and his sharply honed humor, he dealt head-on with controversial issues that others were afraid to confront.

Page 24: Mark twain and realism

• “Whatever you have

lived, you can write – &

by hard work & a

genuine apprenticeship,

you can learn to write

well; but what you have

not lived you cannot

write, you can only

pretend to write it...”

Page 25: Mark twain and realism

• Mark Twain is described as “an enormous

noticer.” Much of what he noticed as a boy

growing up in the small Mississippi River town of

Hannibal, Missouri, found its way into his

writings in books such as The Adventures of Tom

Sawyer and The Adventures of Huckleberry

Finn.

• He was always noticing whether people had

their hands in their pockets or not, how they

dressed, walked, spoke or presented themselves

to others.

Page 26: Mark twain and realism

• "The Celebrated Jumping Frog of Calaveras County" (1865) was Twain’s first great success as a writer, bringing him national attention.

• In it, the narrator retells a story he heard from a bartender at the Angels Hotel in Angels Camp, California, about the gambler Jim Smiley and his “celebrated jumping frog”.

Page 27: Mark twain and realism

• Twain began his career as a journalist, travel writer, and writer of light, humorous verse.

• He evolved into a chronicler of the vanities, hypocrisies. and murderous acts of mankind, making frequent use of satire.

• At mid-career, with Huckleberry Finn, he combined rich humor, sturdy narrative and social criticism.

Page 28: Mark twain and realism

• A literary genre or form in which vices, follies, abuses, and shortcomings are held up to ridicule, ideally with the intent of shaming individuals, and society itself, into improvement.

• Although satire is usually meant to be funny, its greater purpose is often constructive social criticism, using wit as a weapon.

• A common feature of satire is strong irony or sarcasm; it also makes frequent use of parody, burlesque, analogy, exaggeration, juxtaposition, and double entendre.

• Modern Examples: Animal Farm; Fahrenheit 451; Lord of the Flies; Saturday Night Live, “Doonesbury,” John Stewart; Stephen Colbert; The Simpsons; South Park

Page 29: Mark twain and realism

• Twain was a master at rendering colloquial speech and helped to create and popularize a distinctive American literature built on American themes and language.

• In The Adventures of Huckleberry Finn, Twain uses seven different dialects and even provides an explanation for doing so …

Page 30: Mark twain and realism

• https://www.youtube.com/watch?v=vuQMBWjmlHk