Dearest Friends!

We are delighted to welcome you to a unique and thrilling theatrical event, especially created with you in mind…

You are the first viewers to experience this magical performance and we are happy you have joined us in Cyprus on this balmy, summer evening for what will be a breathtaking show.

Classical Ballet – one of man’s greatest gifts to the art of theatrical performance.The sublime unity of music, movement and dance…When senses are stronger than words, our souls hear music;When senses are stronger than words, our souls dance…When our hearts and souls are lifted, the spirit is alive; It is poetry in motion.

Our performance blends together the high art of ballet, poetry and visual imagery.

Tonight, dancers from eight of the world’s most prestigious ballet companies, spanning six countries, will present ‘Wings of Dance’, a unique amalgam of some of the greatest and most beloved of all classical ballet moments.

Enjoy moments from ‘Romeo and Juliet’, ‘The Walpurgis Night’, ‘Swan Lake’, ‘The Dying Swan’, ‘Giselle, ‘Le Corsaire’, ‘Don-Quixote’ and other great ballets in one unique production.

Welcome to the breathtaking world of ‘Wings of Dance’!

On behalf of the Limassol Municipality I am delighted to welcome stars from the unique world of ballet to the unique setting of Limassol’s Municipal Garden Theatre.

Tonight, under starlight on a warm summer’s evening, the world premiere of a new classical ballet production will be revealed to you all – ‘Wings of Dance’. This unique spectacle incorporates excerpts from many of the world’s greatest ballets. It blends poetry, visual imagery, music, light and dance elements, crafted into a single show by renowned directors, producers, choreographers, artists and performers from around the world.

You will experience a stunning show as leading performers from the world’s most prestigious ballet companies present the world premiere of ‘Wings of Dance’, here, on our unique Limassol stage.

The production crew of this World premiere includes a highly professional team from Russia, Cyprus and the United Kingdom; a symbol of our times as Cyprus further reflects its multi-national, multi-cultural diversity; a home for many nationalities.

As the show begins, let me express my hope that tonight, all of us gathered here under the warm and embracing Cyprus sunshine, will feel that special unity as never before…I wish you all an evening of pure joy and peace – Thank you!

Stage DirectorHerman Sadchenkov

ProducerAndrey Tikhomirov

Sabre DancePrincipal’s - Viacheslav Buchkovskiy, Olga Prikhodtseva Corps de Ballet - Alexey Karasev, Mikhail Kirshin, Dmitrii Kozhemiakin, Iaroslav Ivanov, Galina Kravchenko, Yulia Shoshina, Maria BorodinetsMusic by Aram Khachaturian, fragment from the ballet “Gayane”, Choreography by Nina Anisimova

Amour de la VieCaitlin Valentine-Ellis Music by Yann Tiersen, Choreography by Cara Copper

Swan LakeNadezda Gonchar, Andrei Solovyov Music by Pyotr Tchaikovsky, Choreography by Marius Petipa

BaсhYevgen Uzlenkov, Nandita Shankardass Music by Ástor Piazzolla, fragment from the ballet ”Nine Tango and Bach”, Choreography by Dmitriy Bryantsev

Romeo and JulietteSergey Sydorsky, Tetyana Lozova Music by Sergei Prokofiev, Choreography by Anatoly Shekera

The Walpurgis nightPrincipal’s - Yevgeniy Kolesnik, Caitlin Valentine-Ellis, Viacheslav Buchkovskiy Corps de Ballet - Alexey Karasev, Mikhail Kirshin, Dmitrii Kozhemiakin, Iaroslav Ivanov, Galina Kravchenko, Kristina Golovacheva, Maria BorodinetsMusic by Charles-François Gounod, fragment from the opera “Faust”, Choreography by Leonid Lavrovskiy

Approximate time 45 min

Gypsy Dance Principal’s - Yevgen Uzlenkov, Nandita Shankardass Corps de Ballet -Alexey Karasev, Mikhail Kirshin, Dmitrii Kozhemiakin, Iaroslav Ivanov, Galina Kravchenko, Yulia Shoshina, Kristina Golovacheva, Maria BorodinetsMusic by Ludwig Minkus, fragment from the ballet “Don-Quixote”, Choreography by Alexey Chichinadze

The Dying SwanOlga Prikhodtseva Music by Charles-Camille Saint-Saëns, Choreography by Mikhail Fokin

GiselleNadezda Gonchar, Dmitri Dovgoselets Music by Adolphe Adam, Choreography by Jean Coralli, Jules Perrot

Return to the JungleYevgeniy Kolesnik Music by “Stomp out loud”, Choreography by Olga Vorobieva

Le CorsaireTetyana Lozova, Sergei SydorskyMusic by Adolphe Adam, fragment from the ballet “Le Corsaire”, Choreography by Marius Petipa

Don-Quixote Grand-pasPrincipal’s - Viacheslav Buchkovskiy, Caitlin Valentine-Ellis Variation - Maria Borodinets Corps de Ballet: Galina Kravchenko, Yulia Shoshina, Kristina Golovacheva, Maria BorodinetsMusic by Ludwig Minkus, fragment from the ballet “Don-Quixote”, Choreography by Marius Petipa

Finale - All Dancers Music by P.Tchaikovskiy, “The Polonaise” from opera “Eugene Onegin”

Approximate time 45 min

Sabre Dance - Music by Aram Khachaturian, Ballet “Gayane”, Choreography by Nina Anisimova

The Sabre Dance is a movement in the final act of the ballet «Gayane», written by Armenian composer Aram Khachaturian and completed in 1942. It evokes a whirling war dance in an Armenian dance, where the dancers display their skill with sabres. Its middle section incorporates an Armenian folk song. Due to its exceptionally exciting rhythm, the “Sabre Dance” established a place for itself in common con-cert practice, leading also to various adaptations in popular music. Its recognizable ostinato and popular melodies have made it a popular concert band piece.

Nina Anisimova was a Russian dancer and choreographer. She studied at the Petrograd (later Lenin-grad) Ballet School with Maria Romanova, Alexander Shiryaev, and Agrippina Vaganova. In 1926 she graduated into the Maly Theatre of Opera and Ballet, then from 1927 to 1958 danced with GATOB (later Kirov Ballet). In 1936 she choreographed her first major ballet, Andalusian Wedding (music by Chabrier) for the Len-ingrad Ballet School. Her subsequent works include Gayane (music by Khachaturian, 1942) for the Kirov, Perm in which she danced the lead in the ‘Sabre Dance’. She also choreographed Songs of the Crane (music by Stepanov and Ismagilov, 1944) for Bashkir Opera, The Magic Veil (music by Zaranek, 1947), and her own version of Scheherazade (music by Rimsky-Korsakov, 1950), both for the Maly Theatre, Leningrad. In 1964 she staged Swan Lake for the Royal Danish Ballet. Between 1963 and 1974 she taught at the choreographic department of the Leningrad Conservatory.

Amour de la Vie - Music by Yann Tiersen, Choreography by Cara Copper

Yann Tiersen is a musician from France. His musical career is split between studio albums, collabora-tions and film soundtracks with a distinctive sound that is always involved. It can be recognized by its use of a large variety of instruments; primarily the guitar, synthesizer or violin together with instruments like the melodica, xylophone, toy piano, harpsichord, accordion and typewriter. Tiersen is often mis-taken as a composer of soundtracks, himself saying “I’m not a composer and I really don’t have a classical background,” but his real focus is on touring and studio albums which just happen to often be suitable for film. His most famous soundtrack for the film Amélie was primarily made up of tracks taken from his first studio albums.

Cara Cooper is from Jackson Hole, Wyoming and trained at the Colorado Ballet Academy where she received the Florence Rustin Award for Excellence. Ms. Cooper joined Colorado Ballet in 2005, and during the 2007-2008 season Ms. Cooper danced with the English National Ballet in London, England. Ms. Cooper has performed several leading roles including Rum and Cola in Paul Taylor’s Company B, Arabian in The Nutcracker, the Pas de Trois in Swan Lake, Flower Girl and Gypsie Queen in Don Quix-ote, Brown Woman in Celts and the Haughty Stepsister in Cinderella. In 2009, Ms. Cooper was invited to perform in the Gala Performance for the New York International Ballet Competition in the Rose Theater at Jazz at Lincoln Center in New York City.

Swan Lake - Music by Pyotr Tchaikovsky, Choreography by Marius PetipaNew choreographic version by Konstantina SergeevaFemale variation by Yuri Grigorovich

Swan Lake (Russian: Lebedinoye ozero) ballet, op. 20, by Pyotr Tchaikovsky, was composed 1875–1876. The scenario, initially in four acts, was fashioned from Russian folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer’s curse.Pyotr Tchaikovsky was a Russian composer whose works included symphonies, concertos, operas, bal-lets, and chamber music. Some of these are amongst the most popular concert and theatrical music in the classical repertoire. He was the first Russian composer whose music made a lasting impression inter-nationally, which he bolstered with appearances as a guest conductor later in his career in Europe and the United States. One of these appearances was at the inaugural concert of Carnegie Hall in New York City in 1892. Tchaikovsky was honored in 1844 by Tsar Alexander III, and awarded a lifetime pension in the late 1880s.

Victor Marius Alphonse Petipa was a French ballet dancer, teacher and choreographer. Petipa is consid-ered to be the most influential ballet master and choreographer of ballet that has ever lived.

Marius Petipa is noted for his long career as Premier Maître de Ballet of the St. Petersburg Imperial Theatres, a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original — The Pharaoh’s Daughter (1862); Don Quixote (1869); La Bayadère (1877); Le Talisman (1889); The Sleeping Beauty (1890); The Nutcracker (which was most likely choreographed by Lev Ivanov, perhaps with Petipa’s coun-sel and instruction) (1892); Le Réveil de Flore (1894); Le Halte de Cavalerie (1896); Raymonda (1898); Les Saisons (1900), and Les Millions d’Arlequin (a.k.a. Harlequinade) (1900).

Konstantin Sergeyev a former director of the Kirov Ballet who was also one of Soviet ballet’s leading male stars through the 1950’s. Soviet and Russian choreographer. He was the Kirov’s Ballet artistic direc-tor from 1951 to 1955 and from 1960 to 1970. Mr. Sergeyev was a driving force in Soviet ballet. He was born on March 3, 1910 in St. Petersburg and in 1930 joined the Kirov, then known as the Leningrad Bal-let, after attending night ballet classes and its regular school. As a choreographer, he created such ballets as “Path of Thunder” (1957), based on a South African story; “Cinderella” (1946), and “Hamlet” (1970), with Mikhail Baryshnikov.

Yuri Grigorovich was the soloist of the Maryinsky Theatre for 18 years and later for a short time headed its ballet. His first productions at the Kirov were «The Stone Flower» and «The Legend of Love». They marked the birth of a new choreographer soon to be known all over the world and of a new trend that many years determined the development of ballet in Russia.

Since 1964 and for over 30 years Grigorovich has been the choreographer-in-chief of the Bolshoi Theatre. It was the time of the greatest achievements in the artistic activity of the company, when it won the world acknowledgment and authority. The Bolshoi Theatre with Grigorovich at the head made international tours over than 90 times. He established the leadership of Russian Classic Ballet everywhere in the world and brought to the world stage brilliant dancers. In Moscow Yuri Grigorovich created ballets which won the world-wide reputation, among them «The Nutcracker», «Spartacus», «Ivan the Terrible», «Angara», «Romeo and Juliet», «The Golden Age». He also choreographed new versions of such masterpieces of the past as: «The Sleeping Beauty» and «Swan Lake», «Raymonda», «La Bayadere» and «Don Quixote», «Giselle» and «Le Corsaire».

Baсh- Music by Ástor Piazzolla, from ballet ”9 Tango and Bach”, Choreography by Dmitriy Bryantsev

Ástor Piazzolla was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneónist, he regularly performed his own compositions with different ensembles.

Dmitry Bryantsev was a Russian choreographer, dancer and writer. Chief choreographer of the Moscow Academic Music Theatre. Stanislavsky and Nemirovich-Danchenko (1985 - 2004). Member of the Union of Theatre Workers (since 1981). Honored Artist of the RSFSR (1983), People’s Artist of the RSFSR (1989). A member of ISPA (1996).

Romeo and Juliette - Music by Sergei Prokofiev, Choreography by Anatoly Shekera

Romeo and Juliet (Op. 64) is a ballet by Sergei Prokofiev based on William Shakespeare’s play Romeo and Juliet. It is one of the most enduringly popular ballets. Music from the ballet was extracted by Prokofiev as three suites for orchestra and as a piano work.

Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Ser-gey Radlov, the ballet in its original form was completed by Prokofiev in September 1935, on commission by the Kirov Ballet, since when he first presented the music to the Bolshoi Ballet that year, they claimed it was “undanceable”. The original version had a “happy” ending, but was never publicly mounted, partly due to increased fear and caution in the musical and theatrical community in the aftermath of the two notorious Pravda editorials criticising Shostakovich and other “degenerate modernists” including Piotro-vsky. Suites of the ballet music were heard in Moscow and the United States, but the full ballet premiered in the Mahen Theatre, Brno (then in Czechoslovakia, now in the Czech Republic), on 30 December 1938. It is better known today from the significantly revised version that was first presented at the Kirov Ballet in Leningrad on 11 January 1940, with choreography by Leonid Lavrovsky and with Galina Ulanova and Konstantin Sergeyev in the lead roles.

Sergei Prokofiev was a Russian composer, pianist and conductor who mastered numerous musical genres and is regarded as one of the major composers of the 20th century. His best-known works include the March from ‘Love for Three Oranges’, the suite ‘Lieutenant Kijé’, the ballet ‘Romeo and Juliet’ – from which “Dance of the Knights” is taken – and Peter and the Wolf. He also composed amongst many other works five piano concertos, nine completed piano sonatas and seven symphonies.

A graduate of the St Petersburg Conservatory, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument and his first two piano concertos. Prokofiev’s first major success breaking out of the composer-pianist mould was with his purely orchestral Scythian Suite, compiled from music originally composed for a ballet commissioned by Serge Diaghilev of the Ballets Russes; Diaghilev commissioned three further ballets from Prokofiev – Chout, Le pas d’acier and The Prodigal Son – which at the time of their original production were all highly successful. Prokofiev’s greatest interest, however, was opera, and he composed several works in that genre, including The Gambler and The Fiery Angel. Prokofiev’s one relative success in that genre during his lifetime was The Love for Three Oranges, composed for Chicago and subsequently performed over the following decade in Europe and Russia.

Anatoly Shekera was a Ukrainian choreographer. This master of choreography made more 17 ballets and 9 choreographic scenes in operas on the Kiev stage. His best productions, Romeo and Juliet, Sparta-cus, Swan Lake, and Coppelia, all considered masterpieces of Slavic choreography. In fact, these ballets are included in repertoire The National Opera of Ukraine on every tour abroad. Several generations of dancers have gone through the Shekera school.

The Walpurgis night - Music by Charles-François Gounod, opera “Faust” Choreography by Leonid Lavrovskiy

Walpurgis Night is found at the beginning of the last act of Faust. Mephistopheles shows Faust the folk celebration before May Day when the souls of the dead are released briefly to wander as they will. The bal-let does not directly depict Walpurgisnacht but builds on a sense of joyful revelry.

Charles-François Gounod was a French composer, known for his Ave Maria as well as his operas Faust and Roméo et Juliette. Gounod was born in Paris, the son of a pianist mother and an artist father. His mother was his first piano teacher. Under her tutelage, Gounod first showed his musical talents. He entered the Paris Conservatoire, where he studied under Fromental Halévy and Pierre Zimmermann (he later married Zimmermann’s daughter). In 1839, he won the Prix de Rome for his cantata Fernand. He was following his father; François-Louis Gounod (d. 1823) had won the second Prix de Rome in painting in 1783. During his stay of four years in Italy, Gounod studied the music of Palestrina and other sacred works of the sixteenth century; these he never ceased to cherish. Around 1846-47 he gave serious consid-eration to joining the priesthood, but he changed his mind before actually taking holy orders, and went back to composition. During that period, he was attached to the Church of Foreign Missions in Paris. Gounod wrote his first opera, Sapho, in 1851, at the urging of a friend of his, the singer Pauline Viardot; it was a commercial failure. He had no great theatrical success until Faust (1859), derived from Goethe. This remains the composition for which he is best known; and although it took a while to achieve popularity, it became one of the most frequently staged operas of all time, with no fewer than 2,000 performances of the work having taken place by 1975 at the Paris Opéra alone, not counting other theatres. The romantic and melodious Roméo et Juliette (based on the Shakespeare play Romeo and Juliet), premiered in 1867, is revived now and then but has never come close to matching Faust’s popular following. Mireille, first per-formed in 1864, has been admired by connoisseurs rather than by the general public. The other Gounod operas have fallen into oblivion.

Leonid Lavrovskiy In 1922, after the ballet school for thirteen years danced in the company of the Lenin-grad State Academic Opera and Ballet (now Mariinsky). In 1935-38 was the Artistic Director of the Lenin-grad Academic State Opera (now St. Petersburg State Opera and Ballet Theatre named after Mussorgsky). In 1938 he headed the ballet troupe of opera and ballet theatre named Kirov (Mariinsky). In 1944 - 1964. was the Artistic Director of the Bolshoi Ballet. In 1959 he organized the first group “Ballet on Ice”, which combined the management of their activities in the theater. The final goodbye to the Bolshoi Theatre, was the artistic director of the Moscow State Academic Choreographic School.

Gypsy Dance - Music by Ludwig Minkus, ballet ‘Don-Quixote’. Choreography by Alexey Chichinadze

Ludwig Minkus was an Austrian composer of ballet music, a violin virtuoso and teacher. Minkus is most noted for the music he composed while serving as Ballet Composer of the St. Petersburg Imperial Theatres in Russia, where he wrote for the original works and revivals of the renowned Ballet Masters Arthur Saint-Léon and Marius Petipa. Among the composer’s most celebrated compositions for these Ballet Masters were La Source (1866; composed jointly with Léo Delibes), Don Quixote (1869); and La Bayadère (1877). During his career Minkus wrote a substantial amount of supplemental material for insertion into already existing ballets. Among these pieces, Minkus is most noted for the Grand Pas classique, Pas de trois and Mazurka des enfants written for Marius Petipa’s 1881 revival of the ballet Paquita. Today, Minkus’s ballet music is some of the most popular and performed in all of ballet, and is a most integral part of the tradi-tional classical ballet repertory.

Alexey Chichinadze is a famous Russian dancer and choreographer. 1971 - 1984 years - the chief choreog-rapher of the Moscow Musical Theatre named after K. Stanislavsky and V. Nemirovich-Danchenko.

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The Dying Swan - Music by Camille Saint-Saëns, Choreography by Mikhail Fokin

The Dying Swan (originally The Swan) is a ballet choreographed by Mikhail Fokine in 1905 to Camille Saint-Saëns’s cello solo Le Cygne from Le Carnaval des Animaux as a pièce d’occasion for the ballerina Anna Pavlova. The short ballet follows the last moments in the life of a swan, and was first presented in St. Petersburg, Russia in 1905. Pavlova performed the dance about 4,000 times. The ballet has since influenced modern interpretations of Odette in Tchaikovsky’s Swan Lake and has inspired non-traditional interpreta-tions and various adaptations.

Charles-Camille Saint-Saëns was a French Late-Romantic composer, organist, conductor, and pianist. He is known especially for The Carnival of the Animals, Danse macabre, Samson and Delilah, Piano Concerto No. 2, Cello Concerto No. 1, Havanaise, Introduction and Rondo Capriccioso, and his Symphony No. 3 (Organ Symphony). Saint-Saëns began his musical career as a musical pioneer, introducing to France the symphonic poem and championing the radical works of Liszt and Wagner at a time when Bach and Mo-zart were the norms. By the dawn of the 20th century, Saint-Saëns was an ultra-conservative, fighting the influence of Debussy and Richard Strauss while defending the reputations of Meyerbeer and Berlioz. This is hardly surprising—Saint-Saëns’s career began while Chopin and Mendelssohn were in their prime, and ended at the commencement of the Jazz Age; but his image endured for years after his death.

Mikhail Fokin was a groundbreaking Russian choreographer and dancer. Fokine was born in Saint Pe-tersburg, as son of a prosperous, middle-class merchant and at the age of 9, he was accepted into the Saint Petersburg Imperial Ballet School (Vaganova Ballet Academy). In 1898, on his 18th birthday, he debuted on the stage of the Imperial Mariinsky Theatre in Paquita, with the Imperial Russian Ballet (now the Mariin-sky Ballet). In 1902, he became a teacher of the ballet school. Among his students were Desha Delteil and Bronislava Nijinska. Fokine aspired to move beyond stereotypical ballet traditions. Virtuoso ballet techniques to him were not an end in themselves, but a means of expression. He also believed that many of the ballets of his time used costuming and mime that did not reflect the themes conveyed in the ballets. Therefore, Fokine sought to strip ballets of their artificial miming and outdated costumes. In addition, as a choreographer, he initiated a reform that took ballerinas out of their pointe shoes and also experimented with a freer use of the arms and torso. He presented his reformist ideas to the management of the Imperial theatre, but did not win their support. Some of his early works include the ballet Acis and Galatea (1905) and The Dying Swan (1907), which was a solo dance for Anna Pavlova, choreographed to the music of Le Cygne.

In 1909, Sergei Diaghilev invited Fokine to become the choreographer of his Ballets Russes in Paris. How-ever, Fokine broke off the collaboration in 1912, jealous of Diaghilev’s close association with Vaslav

Fokine staged more than 70 ballets in Europe and the United States. His best known works were Chopini-ana (later revised as Les Sylphides), Le Carnaval and Le Pavillon d’Armide. Among his works for the Ballets Russes were The Firebird, Petrushka, Le Spectre de la Rose and Daphnis et Chloé. Also, for the Ballets Russes, he created a ballet out of Rimsky-Korsakov’s Scheherazade. His pieces are still performed by the leading ballet troupes of the world, the Mariinsky Ballet having performed a retrospective of his works at London’s Covent Garden in late July 2011.

Giselle - Music by Adolphe Adam, Choreography by Jean Coralli, Jules Perrot

Giselle (French: Giselle ou les Wilis) is a ballet in two acts with a libretto by Jules-Henri Vernoy de Saint-Georges and Théophile Gautier, music by Adolphe Adam, and choreography by Jean Coralli and Jules Perrot. The librettist took his inspiration from a poem by Heinrich Heine. The ballet tells the story of a peasant girl named Giselle whose ghost, after her premature death, protects her lover from the vengeance of a group of evil female spirits called Wilis (a type of Slavic fairy also spelled Vila, Wila, Wiła, Veela). Gi-selle was first presented by the Ballet du Théâtre de l’Académie Royale de Musique at the Salle Le Peletier in Paris, France, on 28 June 1841. The choreography in modern productions generally derives from the revivals of Marius Petipa for the Imperial Russian Ballet (1884, 1899, 1903).

Adolphe Charles Adam was a French composer and music critic. A prolific composer of operas and bal-lets, he is best known today for his ballets Giselle (1844) and Le Corsaire (1856, his last work), his operas Le postillon de Lonjumeau (1836), Le Toréador (1849) and Si j’étais roi (1852, often regarded as his finest work), and his Christmas carol “Minuit, chrétiens!” (“O Holy Night”) (1847). Adam was also a noted teacher. Léo Delibes was among his pupils.

Jean Coralli was a French dancer and choreographer and later held the esteemed post of First Balletmas-ter of the Paris Opera Ballet. He is best known for the creation of the Romantic ballet Giselle (1841) which he choreographed in tandem with another French dancer, Jules Perrot.

Jules-Joseph Perrot was a dancer and choreographer who later became Balletmaster of the Imperial Ballet in St. Petersburg, Russia. He created some of the most famous ballets of the 19th century including Pas de Quatre, La Esmeralda, Ondine, and Giselle with Jean Coralli.

Return to the Jungle - Music by the group “Stomp”, Choreography by Olga Vorobieva

Stomp is a percussion group (originating in Brighton, UK) that uses the body and ordinary objects to cre-ate a physical theatre performance.

Olga Vorobieva - winner of international competitions in modern dance. As an expert is qualified Master of Arts confirmed the formation of the diploma “The University of the Americas” (1999).She worked as a ballet dancer and choreographer in Ukraine, Hungary, Portugal, South America, receive higher education in Central America, in Italy (Balletsommer BozenBolzano Danza), Austria (Mambo-rama), Brazil (La Palatforma). Works together with artists and directors from Peru, Dominican Republic, Canada, Italy, Ethiopia.

Le Corsaire - Music by Adolphe Adam, Choreography by Marius Petipa

Le Corsaire is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the poem The Corsair by Lord Byron. Originally choreographed by Joseph Mazilier to the music of Adolphe Adam, it was first presented by the ballet of the Théâtre Impé-rial de l´Opéra in Paris on 23 January 1856. All modern productions of Le Corsaire are derived from the revivals staged by the Ballet Master Marius Petipa for the Imperial Ballet of St. Petersburg throughout the mid to late 19th century.

The ballet has many celebrated passages which are often extracted from the full-length work and per-formed independently: the scene Le jardin animé, the Pas d’esclave, the Pas de trois des odalisques, and the so-called Le Corsaire pas de deux, which is among classical ballet’s most famous and performed excerpts.

Don-Quixote (Grand-pas) - Music by Ludwig Minkus, Choreography by Marius Petipa

Don Quixote is a ballet originally staged in four acts and eight scenes, based on an episode taken from the famous novel Don Quixote de la Mancha by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and was first presented by the Ballet of the Imperial Bolshoi Theatre of Moscow, Russia on 26 December [O.S. 14 December] 1869. Petipa and Minkus revised the ballet into a far more expanded and elaborated edition in five acts and eleven scenes for the Imperial Ballet, first presented on 21 November [O.S. 9 November] 1871 at the Imperial Bolshoi Kamenny Theatre of St. Petersburg.

Don Quixote was brought from Russia to other countries first by Anna Pavlova’s company in 1924 in an abridged version of Gorsky’s 1902 production, though the full-length work was not staged abroad for many years. The famous Grand Pas de Deux from the ballet’s final scene was staged in the west as early as the 1940s, given first by the Ballet Russe de Monte Carlo. The first full-length production mounted out-side of Russia was a completely new staging, produced and choreographed by Ninette de Valois for The Royal Ballet in 1950. The first full revival of the original Russian production to be staged in the West was by Ballet Rambert in 1962. In 1966 Rudolf Nureyev staged his version for the Vienna State Opera Ballet, with Minkus’ score adapted by John Lanchbery. In 1973, Nureyev filmed his version with the Australian Ballet, and Robert Helpmann as Don Quixote. Mikhail Baryshnikov mounted his own version in 1980 for American Ballet Theatre, a production that has been staged by many companies, including the Paris Opera Ballet. Today the ballet has been staged by many companies all over the world in many different versions, and is considered to be among the great classics of the ballet.

NANDITA SHANKARDASS – SoloistCompania Nacional de Danza (Madrid, Spain)

NADEZHDA GONCHAR – SoloistMariinsky Ballet Company (St. Petersbourg, Russia)

TETYANA LOZOVA – SoloistBallet of National Opera of Ukraine (Kiev)

PROFESSIONAL EXPERIENCE & REPERTOIRE: Born in London (England). She began studying classical ballet at the Royal Ballet School, having as head teachers Dame Merle Park and Gailene Stock. In this period, she obtained the Diploma in Classical Ballet.In 2004 she made the leap to the main company, the Zürcher Ballet Company.In 2006, she moved to Madrid and joined the Víctor Ullate Ballet, where she stayed for a year and a half. Then she joined for the Black Ballet in London at the beginning of 2008, under the supervision of Cassa Pancho. In november 2009 she joined Scottish Ballet under the supervi-sion of Ashley Page. During 2011 she freelanced with Ballet Black, guesting and teaching and choreographing “Synergy” for the company which was premiered in July 2011 at The Royal Opera House. In 2006, she created her first choreography for the Zürcher Junior Ballet, Cap-ture. And in 2010 she created a solo called Homelands, which was premiered in Delhi,India in the same year. In September 2011, she joined the Compañia Nacional de Danza under the supervision of José Carlos Martínez.

PROFESSIONAL EXPERIENCE & REPERTOIRE:Graduated with distinction from the Kiev State School of Dance in 1996 and was engaged as a soloist at the Kiev National Shevchenko Theatre of Opera and Ballet. Her repertoire there included Myrtha (Giselle), Aurora and the Lilac Fairy (The Sleeping Beauty), solos and varia-tions from Paquita, Juliet (Romeo and Juliet, Serge Lifar’s staging) and the Queen of the Dry-ads (Don Quixote). Joined the Mariinsky Ballet Company in 2002. Her repertoire includes: La Sylphide, Giselle, Pas de six from the ballet La Vivandière, Le Corsaire, La Bayadère, The Sleeping Beauty, The Nutcracker, Swan Lake, Raymonda, Don Quixote, Chopiniana, Le Spectre de la rose, The Fountain of Bakhchisarai, Spartacus, Romeo and Juliet, Pas de quatre , Carmen Suite, Apollo, Prodigal Son, etc.Has toured with the Mariinsky Ballet Company to Great Britain, Germany, Korea and China. Prize-winner at the Serge Lifar International Ballet Competition (1999, 1st prize).

PROFESSIONAL EXPERIENCE & REPERTOIRE:Tetyana Lozova graduated from the Ballet School in Kiev in 2002 with honors. Immediately after graduation she was invited to the company National Opera of Ukraine.Over the years, she performed principal roles in ballets:“Spartacus”, “Giselle”, “Cinderella”, “Snow White”, “Legend of Love”, “Don Quixote”“The Nutcracker”, “Swan Lake”, “The Marriage of Figaro”, “La Bayadere” and many others.In 2008 graduated from the National Pedagogical University specialty teacher of choreogra-phy and artistic culture. She has the title - Honored Artist of Ukraine.

CAITLIN VALENTINE-ELLIS – SoloistColorado Ballet (Denver, USA)

OLGA PRIKHODTSEVADancer, Director of “Wings of Dance”

Colorado Ballet (Denver, USA)

PROFESSIONAL EXPERIENCE & REPERTOIRE: Caitlin Valentine-Ellis was born in New Jersey, where she began her training before mov-ing to Orlando, Florida. Valentine-Ellis was offered a contract at the age of 16 by Fernando Bujones to join Orlando Ballet as a full company member. With Orlando Ballet, Valentine-Ellis performed numerous soloist and principal roles including Odette/Odile in Swan Lake. Cinderella in Cinderella, Lise in La Fille mal Gardee, the Snow Queen and Sugar Plum Fairy in The Nutcracker, Guinevere in Camelot, and Cupid in Don Quixote, among others. She has also performed the grande pas de deuxes from Le Corsaire, Don Quixote, and La Bayadere and principal roles in George Balanchine works including Serenade, Who Cares?, Allegro Brillante and Stars and Stripes.In 2003, Valentine-Ellis was awarded the Bronze Medal at the New York International Ballet Competition. Valentine-Ellis was honored as one of Dance Magazine’s “Top 25 to Watch.” In 2006, she was a finalist and the Jury Award recipient at the USA International Ballet Competi-tion. Valentine-Ellis joined Colorado Ballet in 2007 and has enjoyed dancing a wide variety of roles such as Juliet in Romeo & Juliet, Hermia and Lead Fairy in A Midsummer Night’s Dream, Cupid and Flower Girl in Don Quixote, Clara and Dew Drop in The Nutcracker, Dawn in Coppelia, an Odalisque in Le Corsaire and the pas de trois in Swan Lake.

PROFESSIONAL EXPERIENCE & REPERTOIRE: Olga Prikhodtseva is from Moscow, Russia. Prikhodtseva graduated from Lavrovsky Moscow State Academy of Choreography in 2001. Upon graduating, she worked in the Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre where she danced until 2008. Prikhodtseva has danced various roles in many works including The Nutcracker, Cinderella, Tchaikovsky Seasons, Casanova, Swan Lake, Carmen and Giselle, among others. Prikhodtseva joined Colorado Ballet’s Studio Company in 2008 and was promoted to the Company in 2009.Olga Prikhodtseva performed leading roles in the movies. Teacher and choreographer.

SERGEI SIDORSKY - SoloistBallet of National Opera of Ukraine (Kiev)

VIACHESLAV BUCHKOVSKIYPrincipal, Director of “Wings of Dance”Colorado Ballet (Denver, USA)

PROFESSIONAL EXPERIENCE & REPERTOIRE: From 1991 - 1999 he studied at the Kiev State Choreographic School in the class teacher Lahtionova S. At the end of the school, was enrolled in the company of the National Opera of Ukraine named. TG Shevchenko, which currently occupies the rate of the leading masters of the stage. Honored Artist of Ukraine. Winner of the Fourth International Ballet Competition them. S.Lifarya (2nd prize) and the eighth winner of the Open Russian Ballet Competition “Arabesque 2004” Special Prize for best performance of Tchaikovsky pas de deux to music by Tchaikovsky, Petipa award for cleanliness and academic performance. Leading roles in ballets: “Swan Lake”, “Romeo and Juliet,” “Paquita,” “Raymonda”, “Coppelia”, “The Rite of Spring,” “Cinderella,” “La Sylphide,” “Le Corsaire”, “Forest Song” , “The Nutcracker”, “Giselle,” “The Marriage of Figaro,” “Don Quixote”, “Carmen Suite”, “Sleeping Beauty,” “La Bayadere”, etc.

PROFESSIONAL EXPERIENCE & REPERTOIRE: Viacheslav Buchkovskiy was born in Ukraine. He began his training at Kharkov State Chore-ography School in 1990. In 1995, Buchkovskiy entered into the Choreography school in Kiev. Upon graduating in 1999, Buchkovskiy was invited to join the Kiev Musical Theater School as a Principal, where he danced under the direction of People’s Artist of the U.S.S.R. Valeriy Kovtun. Buchkovskiy danced leading parts in ballets such as Swan Lake, Don Quixote, Gi-selle, The Nutcracker, La Bayadere, The Ball for Strauss, Peter and the Wolf, Thumbelina, and Paquita. In 2000, he was invited to the 17th Fresh Ballerina Festival in Japan, along with world ballet stars. In 2001, Buchkovskiy was invited to Stanislavskiy and Nemirovish-Danchenko Academic Music Theater in Moscow where he danced numerous leading roles. During his working career in Kiev and Moscow Music Theaters Buchkovskiy toured the world including the United States, England, Spain, France, Germany, Japan, China, and Thailand.Buchkovskiy has been a Soloist at Colorado Ballet since 2007, and was promoted to Principal for the 2011-2012 season. During his career with Colorado Ballet, Buchkovskiy has danced leading roles such as the Prince in The Nutcracker, Franz in Coppélia, Harker in Dracula and Lankendem in Le Corsaire, as well as others.

DMITRI DOVGOSELETS – Soloist Canada’s Royal Winnipeg Ballet

PROFESSIONAL EXPERIENCE & REPERTOIRE: He trained at The School of Ukrainian Dance and at The National Ballet School of Ukraine. In 1996, he performed in Nutcracker with Kiev’s Classical Ballet for a one-month tour of Japan. In 1997, he danced on a Canadian Nutcracker tour with The National Ballet of Ukraine and Shumka Ukrainian Dancers. Dovgoselets joined Canada’s Royal Winnipeg Ballet as an ap-prentice in 1998. He was promoted to soloist for the 2005/06 season. He has danced the pas de six in Giselle, Mercutio in Rudi van Dantzig’s Romeo & Juliet and Arthur Holmwood in Mark Godden’s Dracula. He has been featured in Prince Desire and Bluebird in The Sleeping Beauty, the Prince in the Nutcracker and Monostatos in Mark Godden’s The Magic Flute. His other accomplishments include the pas de trois in Swan Lake, Balanchine’s Allegro Brillante, Vesak’s The Ecstasy of Rita Joe, Kylian’s Symphony in D, Mauricio Wainrot’s Carmina Burana, Nina Menon’s La Soif and Itzik Galili’s Hikarizatto. In 2008 he performed Belong with Prin-cipal Dancer Tara Birtwhistle at the Gala des Etoiles. As part of the British Monarchy’s Royal visit to Canada this past summer, Dovgoselets performed a pas de deux with fellow RWB dancer Maureya Lebowitz under the watchful eye of Queen Elizabeth II.

YEVGEN UZLENKOV – Soloist Corella Ballet (Madrid, Spain)

YEVGENIY KOLESNIK – SoloistRoyal Ballet of Flanders (Antwerpen, Belgium)

ANDREI SOLOVYOV – DancerMariinsky Ballet Company (St. Petersbourg, Russia)

PROFESSIONAL EXPERIENCE & REPERTOIRE: Yevgen Uzlenkov began his dance studies at the School of Ballet in Kiev, Ukrania. In 1998 he joined Kiev National Opera Ballet. He has also danced with Carmen Roche Young Ballet, National Opera of Bordeaux and Teatre du Capitole Company.In 1997, Mr. Uzlenkov danced at the Aoyama Ballet Festival (Tokio) and in 2000 he was finalist at the Paris International Ballet Competition. In 2003 he joined Víctor Ullate Ballet as soloist. In 2007 started his collaboration with Corella & Friends, Leipzig Ballet and Ballet de Madrid.He joined the Corella Ballet in 2008 and in 2009 was promoted to Soloist and to First Solo-ist one year later. His repertoire with the company includes: Bronze Idol and Lead Faquir in Makarova’s Bayadère; Wheeldon’s “For 4” Benno and Napolitian in “Swan Lake”; Pink, Red and Aqua Pas de Deux in “Bruch Violin Concerto”; Principal and Trio in “Clear”; Quartet in “VIII”; Classical Couple “In the Upper Room; First Principal Couple in “String Sextet”; Sec-ond Sailor in “Fancy Free”; Romeo & Juliet Pas de Deux, Walpurgis Night Pas de Trois; Boy in “Raymonda Suite”; Epimetheus; Birbanto in “Le Corsaire Suite”; Fourth Movement in “DGV” and “Macbeth”.

PROFESSIONAL EXPERIENCE & REPERTOIRE: Upon graduating he joined the Ukranian National Opera House in Kievas a soloist. In 2000 he joined the Royal Ballet of Flanders, and is currentlyworking there as a first soloist under the artistic direction of Kathryn Bennetts. Principal roles in classical repertoire: Theme and Variations, Swan Lake, Sleeping Beauty, La Bayadere, Giselle, Romeo&Julliet, Coppelia, The Nutcracker, Don Quixote, Grand pas Classic, Festival of Flowers, La Sylphide etc. Modern repertoire : “Symphonie of Psalms”, “Forgoten-land, “In the Middle Somewhat Elevated” etc.He has performed as a guest dancer in Europe, Russia, USA, Canada, Japan, China, Brazil, Columbia. Awards :Gold Medal & “Best Dancer” award at the Festival De Danca in Joinville, Brazil, 2004. 1st prize for best modern solo at the international ballet competition “Arabesque “ in Perm, Russia, 2000. Gold Medal at the “Serg Lifar de La Dance” international ballet competition in Ukraine, 1999 As a choreographer work in theatres and movies.

PROFESSIONAL EXPERIENCE & REPERTOIRE: Graduated from the Vaganova Academy of Russian Ballet. Joined the Mariinsky Ballet Company in 2006. Repertoire includes: Raymonda , The Fountain of Bakhchisarai ,La Bayadère, Swan Lake, Cinderella, The Legend of Love, Le Parc,The Magic Nut, Symphony in C, Jewels, Romeo and Juliet, The Little Humpbacked Horse, The Nutcracker With Maryinsky Theater troupe went on tour in Great Britain, Germany, France, Italy,Spain, America, Israel, Japan, China, Thailand, Taiwan.

Maria Borodinets

Iaroslav Ivanov

Kristina Golovacheva

Dmitrii Kozhemiakin

Galina Kravchenko

Aleksey Karasev

Yulia Shoshina

Mikhail Kirshin

HERMAN SADCHENKOVArtistic Director & Stage Director of “Wings of Dance”

GEORGIOS PAPADOPOULOSTechnical Producer & Scenographer of “Wings of Dance”

KAROLINA SPYROULighting Designer of “Wings of Dance”

PROFESSIONAL EXPERIENCE:Graduated from State Institute for Theatre Arts (Moscow, USSR). Stage Director more than 40 musical shows, more than 20 theatrical performance and 40 concerts of classic music in Moscow. Producer and Director of documentary. Has created more than 50 historical and modern documentary. Director more than 10 TV shows and 50 TV music shows. Worked in Moscow State Theatre of Operetta, Stanislavsky and Nemirovich-Danchenko Moscow Music Theatre, Moscow City Ballet. Some works as a stage director: The Bolshoi Theatre of Russia - Gala-concert of “Stars” of the Russian classical arts: Maya Plisetskaya (Star of Russia Ballet), Vladimir Matorin (World Star of opera, bass of the Bolshoi Theatre), Olga Guryakova (World Star of opera, soprano), the Russian State choreographic ensemble “Berezka”, Nikolai Petrov (pianist, the professor of the Moscow Conservatory), soloists of an opera and ballet, chorus and orchestra of the Bolshoi Theatre of Russia and more. Moscow State Theatre NEW OPERA. Sergey Prokofiev. A cantata ‘’Alexander Nevskiy’’. Moscow State Theatre of Operetta - a musical « Cafe” Quarter” (Choreographer Mikhail Lavrovsky (Ballet master of Bolshoi Theatre). Moscow Academic Theatre named A. Pushkin - Modern opera on ancient pagan songs ‘’Female field’’, Roman Catholic Church of Immaculate Conception of the Virgin Mary in Moscow - Performance-oratorio on music of J.S. Bach “ The Bible Revelation’’ for soloists, chorus, a chapel and an orchestra. Tchaikovsky Concert Hall in Moscow - Concert versions of operas, concerts and programs of vocal opera music, symphonic music, jazz revues and many others. He has orders, medals and diplomas in different countries.

PROFESSIONAL EXPERIENCE:An Architect and Scenographer. He graduated from the London University’s Bartlet School of Architecture with First Degree Honours. He obtained the Diploma in Architecture and be-came a member of RIBA, ARCUK and ETEK. He studied under such Architects and teachers as James Stirling, James Gowan, and Phylip Tabor.In 1992 he formed the company SKINOTECHNIKI, to provide his clients with a complete package that includes design and construction of sets for the stage television and film, exhibi-tion stands, museums, and architecture.He designed for stages and TV channels around the world such us the Alberta Ballet Com-pany - Canada, Ballet Austin - USA, THOK (The Cyprus National Theatre), ITI (Interna-tional Theatre Institute), Bloomsbury Theatre – London, Vergina Theatre -Thessaloniki, EBU (European Broadcasting Union), UNICEF, PIK-Cyprus Broadcasting Corporation, Sigma TV-Cyprus.

PROFESSIONAL EXPERIENCE:Karolina Spyrou was born in 1980 in Nicosia. She studied Performance Design at Liverpool Institute of Performing Arts (Lipa) and graduated in 2003 with first class honors. She is a cer-tified technician for High End Systems. Since 2003 she is working as a freelance lighting and set designer. From 2005 until 2008 she was an in-house lighting designer for Thoc (Cyprus National Theatre), where she lit numerous performances. She has an ongoing collaboration with many theatre groups including Ethal, Theatro Dionysos, Alpha Square, Solo for Three. She has worked on many projects as a lighting designer including dance, concerts, exhibitions and fashion shows. She took part in several festivals around the world including Edinburg Fringe Festival as a lighting designer for the musical Blues in the Night, Euro- scene 14 Festi-val in Germany as a lighting designer for the dance performance Awakening and the Dance union festival in London as a lighting designer for the dance performance Turnaround.

EKATERINA MELAS (VITEBSKAYA) Presenter of “Wings of Dance”

SERGEY PARSHIN Marketing Director of “Wings of Dance”

LUCY-JANE GEORGHIOUActress, Performance of Poems

ANTHONY PIKEActor, Performance of Poems

PROFESSIONAL EXPERIENCE:Born and educated in Moscow, Russia, Melas is a graduate of The Griboedov Institute of International Law and Economics. By 2003, she was President and General Producer of the Russian sector of Fashion TV. As president and general producer of Fashion TV Russia, from 2003 to 2007, Melas became a leading figure with the company. In 2005, Melas was named the seventh “Most Powerful and Influential Women in Russia.” In the year 2006 she ranked ninth under the same title. Her drive and determination lead her to begin to write books in 2007. In the years of 2009 and 2010 three of her books were formally published, working as an author at the OLMA Media Group, one of the most rapidly developing publishing companies in Rus-sia. Her books, published in Russia, were ladled with humor in the fiction category. In 2011, Melas began writing her own column with the up and coming Cyprus-Russian magazine Suc-cessful Business. Since November 2011 works as Marketing Director at HIT FM and CHOICE FM radio stations in Limassol.

PROFESSIONAL EXPERIENCE:Sergey was born in Omsk, part of Siberia in Russia. After he graduated in Law and Govern-ment Management at Omsk State University, he moved to Cyprus and started his own media business. In 2009 Sergey established public information source about Cyprus “Internet Search Guide” (www.isg-tour.ru), which is now one of the most powerful on-line projects about the island in ru-zone of the Internet.

PROFESSIONAL EXPERIENCE:Lucy-Jane hails from Lancashire and trained at the Lupino Dance School in Bury with a brief period at the Royal Ballet School, London and later part time training at the Northern Ballet School. She made her West End debut at the tender age of 6 years playing Marta in The Sound of Music and went on to play the title role in ‘Annie’ touring the UK. With the National Youth Music Theatre, Lucy-Jane played numerous lead roles in musicals which included Bugsy Malone and Alice the Musical. Indeed she worked extensively as a child in theatre, television and radio. A graduate of Cambridge University, Lucy-Jane returned to the West End to play Rumpleteaser in CATS and then joined the company of FAME playing Serena. TV credits include: Born to Run, Hetty Wainthrop Investigates, Casualty, Children’s Ward, A Touch of Frost. Since coming to live in Cyprus, as well as raising her family, Lucy-Jane performs when she can in musicals and plays and has been a regular voice for a well known radio station. She is Head of the Primary phase of an international school and runs her own Stage School for kids – Limassol Theatre Arts School (LTAS).

PROFESSIONAL EXPERIENCE:Anthony comes from Kent in England. He trained at the Italia Conti Academy for Performing Arts and graduated with a BA (Hons) in Acting in 2003. He has performed at the Royal Na-tional Theatre as a member of the cast in the premier of ‘Power’, travelled the UK delivering plays and workshops in ‘Why Did The Chicken Cross The Road?’, and has appeared as a body double for Matt Willis in Busted’s ‘Glad I Crashed The Wedding.’He has also directed productions of ‘The Crucible’, ‘Grease’, ‘West Side Story’, ‘Little Shop of Horrors’, ‘Romeo and Juliet’ and ‘The King & I.’Since moving to Cyprus in 2009 he has appeared in ‘Ladies’ Day’ at the Theatre Ena aswell as playing Bassanio in ‘Merchant of Venice’ and Mercutio in ‘Romeo and Juliet’ both for Shake-speare at Curium. He has just finished directing this year’s Shakespeare at Curium production of ‘Macbeth.’

ORGANIZERS

G.S. ART THEATRE Ltd.

VESTNIK KIPRAVestnik Kipra is a group of companies working with the Russian-speakingcommunity of Cyprus. The most important fields of activities are publishing,education, event management, PR and promotion of Cypriot companies in CIScountries. Well known publications are the Russian weekly newspaper VESTNIKKIPRA, the magazines - SUCESSFUL BUSINESS, MAGAZINI KIPRA, HOUSES andPEOPLE, Russian Yellow pages. The largest events: the Cyprus-RussianFestival and Limassol International Children Festival.

Natalia Kardash - Editor-in-Chief, Director at Vestnik Kipra CommunicationsGroup.Igor Nossonov - President of the Association of Russian-speaking residentsof Cyprus.

HIT FM 91.4 Limassol, russian station , playing the best russian and international hitsEkaterina Melas - Marketing DirectorSpyros Lilles – Sales & PR Executive

PRODUCTION CREW

ProducerAndrey Tikhomirov

Idea, Writing & DirectingOlga Prikhodtseva & Viacheslav Buchkovskiy

Artistic Director & Stage DirectorHerman Sadchenkov

Technical Producer & ScenographerGeorge Papadopoulos RIBA

Lighting DesignerKarolina Spyrou

Assistant of Stage DirectorTatiana Popova

Manager of “Wings of Dance” (Russia)Igor Ferapontov

Manager of “Wings of Dance” (Cyprus)Mikis Kotanidis

Video sets Shooting and Production Herman Sadchenkov

Production Recording StudioHIT FM 91.4 LimassolSound EngeneerDimitris Temertzioglis

SKINOTECHNIKI CONSTRUCTION AND ERECTION TEAM

Stage and Production Designer, Technical CoordinatorGeorge Papadopoulos RIBACostruction SupervisorKostakis GeorgallisWelders and set erectionIonuts DascaluRony MVlad Stahie

Workshop OrganiserDora Markides

SculptorNidal BebawyScenic paintersKoulla AlexandrouHelen SavvaRania Bebawy

WEB DESIGN STUDIO “OmStyle”

General DirectorSergey ParshinSenior ProgrammerAnton GydovGraphic DesignerAnatolios Spyrlidis

Representative of LimassolVadim Komkin

SeamstressRena Perdiki

Projectors and electricsVlad Stahie

TransportTassos Ioannou

LONDON OFFICE 27 St Annes CloseWD19 6RZUNITED KINGDOMTel. +44 7827 290271

CYPRUS OFFICE9 Digeni Akrita3035, LimassolCYPRUSTel. +357 99642394Fax. +35 725340352

HEAD OFFICE Hadjiefstathiou Str.Pilos Complex, Office 2PO 8220Paphos, CYPRUSTel. +357 99128715

REPRESENTIVE OFFICEIN RUSSIAOmsk, Bulvar Zeleniy,Tel: +7 (3812) 638470www.omstyle.ru info@omstyle.ru

OFFICIAL WEBSITE:www.wingsofdance.infoinfo@wingsofdance.info