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' m ' m ~ a i f i u & w m x ~ t i ~ h f a i s r ~ n w m r s 8

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p 3 & 3 m x M % s T ~ z R a r n m ? @ * m - S 4 3 ; 1 q m

@m& 1 Masochi srn 8 3 k T T - ~ V mi7 F ~ - $ c

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mg 1

1. Freud: ' His dreams and sex theories P. 38

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PGU jU a m m r a+ fl W~ftmrr mmr @ -- "Jainendra Kurnar's s t y l e i s l u c i d and appears unaf fec ted

but i s i n f a c t s tudied . That perhaps i s the consequence of

h i s super craftsman-ship. H e can f a s h i o n words us ing

them a s he l i k e s , w i t h extreme d e l i b e r a t i o n but without

g i v i n g any h int o f a laboured s t y l e . " 2

*' The Ilindusthan t i m e s Weekly Feb. 14 , 1972, P.7.

C 0 l . 3-4

" H e may n o t c h o o s e t o t e l l u s a l l h e knows -- Inany

of t h e f a c t s , e v e n o f t h e k i n d w e c t l l o b v i o u s may be

h idden . But he w i l l g i v e u s t h e f e e l i n g t h a t t hough

t h e c h a r a c t e r h a s n o t been e x p l a i n e d , i t is e x p l i c a b l e .

and w e get f rom t h i s a r e a l i t y of a k i n d w e c a n n e v e r

g e t i n d a i l y l i f e . ,a 1

........................................................... 1) A s p e c t s of t h e Novel - E.M. F o r s t e r P . 4 6

21 ~d@i=i: QW 145 C

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"The t h i n g t o d o - c o n t r a r y t o t h e p r a c t i c e o f M e r e d i t h

and James i s t o g i v e a n a d v a n t a g e o v e r m e , t o manage l lh ings

so t h a t t h e r e a d e r may t h i n k h i m s e l f more i n t e l l i g e n t even

t h a n t h e a u t h o r o f h i g h e r m o r a l i t y , and more d i s c e r n i n g

and as i t were i n s p i t e of t h e a u t h o r , may d i s c o v e r many

p o i n t s i n t h e c h a r a c t e r s and many t r u t h s i n tile stor1,

n o t p e r c e i v e d by t h e a u t h o r h i m s e l f . 1

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**et?, m 3 l m 3 l t 3 A ~ ~ 0 . 8 e ~ I

------- - .............................. _ --.. -..------ -.___._-- _--- _ 1. Andre J e e t h - The T w e n t i e t h C e n t u r y Novel P. 468

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I 01 sr. asalwrr $3

X X X X X

ENGLlSH BOOKS ---------------

1. Arnold K e t t l e

2. D r . A.A. B r i l l

3. A.A. Mendilow

4. C a r l Grabo

5. C r o s s

6. E.M. F o r s t e r

7. Edwin Muir

8 . F.L. L u e a s

9. Homai J. S h r o f f

1C. i a n w a f t

1.1. J , P I . s . Tompkins

12. Kurt Kof fka

.. An i n t r o d u c t i o n t o t h e E n g l i s h Novel

A r r o w Books L t d . , G r e a t P o r t l a n d S t r e e t

London 1951.

.. T h e B a s i c w r i t i n g s o f Sigmund Freud .

The Modern L i b r a r y N e w York.

.. Time and t h e 1.lovel - 1952

.. The T e c h n i q u e of t h e Novel 1928.

. . T h e Development of E n g l i s h Novel.

.. Aspects of t h e Novel. Edward Arnold

( P u b l i e h e r s ) Ltd. . London, 1960.

.. T h e S t r u c t u r e of t h e Novel 1954.

.. L i t e r a t u r e and P s y c h o l o g y 1951.

.. The E i g h t e e n t h C e n t u r y Novel , 1978.

. . The R i s e o f t h e IJovel , C h a t l a and

Windus, London, 1963.

. . The P o p u l a r Novel i n Eng land ,

c o n s t a b l e and Co. London 1932.

.. P r i n c i p l e s of G e s t a l t P sycho logy .

R o u t l e d g e and Keyan P a u l Ltd. . London

1962.

13. Leon E d e l

14. M i r i a m A l l o t t

15. R a l p h Fox

16. Robert L i d d l e

17. Sigrnond Freud

18. Mood Worth

.. The P s c h o l o g i c a l Novel.

.. N o v e l i s t s on t h e n o v e l .

R o u t l e d g e and Keyan P a u l L t d . ,

London 1962.

.. The Novel and t h e P e o p l e 1937.

. . A T r e a t i s e on t h e Novel.

. . A Genera l I n t r o d u c t i o n t o

Psycho A n a l y s i s . N e w York.

.. Contempora ry S c h o o l o f

Psycho logy , A s i a P u b l i s h i n g

House, D e l h i .

X X X X X X