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'rHE ~~TIONAl T'OPICH S01lll Y.AOHU~ IOOY . 20 , 1964 PRIC ~ -- 50;

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BEAU

4.D Ur ..

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..." ......... _-' " ............. . Do • • 6, a' .... T~ 0.. .. , _ ......... ........ 01. .... to .. _ ...... _ or 1 ....... 140'. _tlIlr --.

WAy'

'OET~Y SEeTIO' IIICB DRlWI, ts~ ' T IT By llarr is O.o.rd""r

I llent to be ... ve" JlI5t l .ut n.1sht Am f .oII:¥! no dltroN"'lQG wt_fI

black and Vhlta. Everyone vas trlend ly with hi.

h llow """I They nev ~ r heard of the ~ Klux Klan. Nlca <lreac , tsn't it .

Tht, 6on ' t knew the ....... 1 ... of udal strU e ,

'I~' lust to 00 Ib~1II: • c.rer~. Itr • •

I t ... u lup,)' '" la, up the", "lid Lord how I .... nte\! to .ta,. up tMU.

!f l O. dream , isn't It. 'filii l'I01'fllne r 100_ Cllt <loY dcor And ho"" aeain the 11.01'1<1' , ~QL~ liar. Tha l ight that I Say made .e .lck

to !I¥ he,,,I , Am I l O,",«od to btl \>ack Aldn

In _ . 'lea dre~ . i sn't it. Tonllht I bo~ I'll 1.0 away Just l ike I d id TO. t ,rd.,. til> there I ' ll try to ,et ..,..,tl\lt1f1:

"'M T.o ~k. it tha o&QG tor ever yone . ~lc. dr.~ 1 i.n't It . Illoa dre""" i .n 't it. -- ------ -- --

IWI'S PRAYER By Dayn Larll'lol'

Our rnhen , who art In t he Penta!on Rdl_ bot thy beahl

!hr 'l'a4htlon. eo""'ttbr .,111 be dene On .. rtll as it • In H ..... n

01V8 us this d.y our 4,,11y 4.,,4 "nd ror~lve WI oW' Ch'U D"rens" "" w. tor,lve tho" who 4,r.nd the~ •• lvc •• ,.Inst WI .

Lead. WI M t I nto annl h1bUcn But <Io l lvc r ~. from ovi1

1'01' thi ne is the boOlb, .nd tho 1'0""1' , "nil the hcrrcr I'or.ver , ' tIL novor 101' ••

~------

(~ot.: Thll 11 rul1.J a t.1U"I blue. , but 1t rita her e , at.clt)

t.IJJCmi IlEl/P()lIT B1 l'au1 C. "ell.rL _~ lla.

B"n.,lo-Cruy lld

\I~nt to t o"n In 11.1<1 July , ChIlly "ln11" r elny sky. ThoUllht I' ~ nen .. lotte bea""'.

around 'TIll I cot lnh I/elJ\>Ort t ovn . Feund .y ... , t' t he tieket plaee Gue.. I co t there too lite, LotU H<I. row" about, "' ... " ther. .. 1<1 so14 out . B"""ha B .... , Beards &: Bre", Pulled \lII • chaIr a n:! had. abeut

M, or ""1' • •• • lean t 1', .... ",1>11'.

Looke4 arounll for . pac" to d.ep ,

Ended up on •• eond beech, ill wrapped up In my . l e<>pln'

blanket. llc t hin to u t so I .""te4 •

et,nette • \I""t to a vorbhop .... ry ""xt

""rn. TO ... . f r iend .t 1:1 •• oberie.

alo", . Bob Dylan l ocked llke he lust

tot outa 1>od 1 Got. pltchor or the back of hh hud ... Looked 11ko • l unc 1& ••• A.,OI,IZO n .

Pett S."er atoed up 'n t a,t ld tht oolite

& .... ",_, eiapped .i yelled. • mite.

I co t \lII 'n d Id what "" dona They .It ye lled "sIde..,,,,,, "'

b ..... :" ... "nd I',. even I>Ittlr llX/kin 'n hi", .

liet _ gal later that nlte, AI l«>d "Ilc J "u, I d i dn' t tell

hor r lSht . 5aid I vn !Ioek Huds on In

d1lSuho •• • She said "Oh : " ••• tha ru t ot the niV>.t.

(eonttnue4) - - .- -- - ~--

POETRY (arid .uch ) -- l

That' s the way it vent tor abo"t If day ••

Maybe ttv ... .. ! lias 1n a dne . Hitch_h1Ked ho~, got a ride All the way to the Provider.co

side (" .. it ' till Il<lxt yead .

..• It wss all spontaneous .

GRESS Itf SHAllTYTOh' 1I

(" • •• Rere " 0 .... that ' s beon need_ ed II. long t:l::e . It do,,"n ' t noM any long-\I1~od explanation. E1the~ . o."e old tun. can be used, Uke I do , or you can h.""""r out " ne" one to !1t your wlr¥1 plfc, _ 1 didn' t . ny anything about Th1. 1. a Christian house. No drink_ 1~ . No wo~n . We ' l l have to put .o~cone aloe i n here with you', and .0 forth - . thi. one ' s t or t ne t".,1110" They have oo r e t remble riMIng a pl ace t ha n u. single ~cn , ar>J. I can ..... ite US another .ong later," S . M. )

It's only " shanty that ' ll soon be t orn down --

The ht"Jdlord s and bull<1er. arc changIng t h t, to~n .

You called it your ho"" for " few month. or '0,

But you t\:Ivn yo m' ""Uea , and ""w lOU "ust go .

IIhOra ;t1ll you "",,vo to? Ho" lonll CC- 'l YQU stay?

Ho" ~uch !!Ie ~e rent ,,111 you M"~ to ~ay?

YOm' ~ead11ne 1. nenr , you can' t fool . ",uM . _

There', P"OR~MS 1n old Shllntyto"n.

There's a hc uso to find "nd kid. to ~1n6, maybe they'll ~ve t o change s chools - .

WHl t hey let you keep )'<'\U' pets , or i s it a~dn.t t heir rulc.7

T~.re ' s sturr t o pack 1n a box or sack, ~fter you find ~""t""r .hack

Ther~'. p.~nt. rtue on a th1ng or t wo, aM the bill eolleetor 1. ba1l1n;o; tho laek.

T~ro" away half of wh~t )'<'U own, change )'<'ur ~ddres a , ~hange )'<'ur phone;

You've got to <DOve .0 they Can I .. prove, t~ey just OIOn 't let you a10",,­

T~,ere ' ~ a war on pOverty , a"" it yo u 're n casualty , don ' t you frown - _

!hera'. progress t~ old S~u"tyto"n.

Er nie llarrs Sept .17 , 196i+

. ~ . . - . - . ~ . . . - --PUT T.::l TOP BACK ON , IIY DEAR

( Tun<)' Ya nkco Doo<!-lo) By I.lbort Larmon , Jr.

1:;'0 fashion worl~'. got so""'thing nC\ .. ,

It's sOM t hi"l very dad,,!,:; A bNnd no" toplo.s butb inll suit, A style ve~y baring .

(Refrain: ) Put th~ top back on , "y ~~ar , Don't b~ ' 0 r~vealing; Clothing keeps out sun and

c ol~, ... "" keep" r:rt ",i"" fro", r""l1ng

churc~esi cops il: lots of folks J.re rc~l y u~ in or"", · '!lout gIrls "ho "esr hi. bath_

tng ouit Expo"lng ali their ch.r~s . (CEO)

en tho be~eh or out . t ~lay It causes conver.~tionl ~lso traffic lQ~s & mobs It's rc~lly " .ensation. (CHO) The .uIt's not very flatterIng, There'. too ~uch flop & bounce ; And if tho lady' , "all eooowed There's :nora bounce to the ounce. ·:ow thay'rc se1l1n;o; sea -t~rough

goW'ns , To wear "hen you are dancing; If things continue on t~is "ay Th"y'll have"" na1Gly prsnclng. Pro[)Ot eu SQY "Don't be such

pr ude. , T~ls 1. a revolution;" But oavo,"on ""ver wore "" clothes So where "eat ovolut :lon? (CEO)

- - _._- ---

LETTERS

OPEN LEI"l'ER 'ro PEtE SEEGER, (coot.)

NO" & vord "bout the "cult or originality" . Cslli!lll s" .. ething a cult ds"ns it rIght roo" , of oow.c . The Brti . t B~n Shah.., (the Shape of Contcnt , Vant aec Books,p.SS) .ny~, "lIoncomfor.,ny i. root only a cle.irable thing , it 1. a tactual thln&. One ""c<l only ro~nr k that all ar t 10 ba.w UPiOn noneonfor .. _ ity __ a point I .hall undertake to establish (I rccom""M thi. .erie. or essays to ."or)'<l .... '. attontion. M. S.) __ and th~t every cr ent historical ohange has been based upon noncOnformlty! has beon bought olthor "ith tho b oad or " ith th~ ro~utat1on of """"ontor,,-1.ts. ~11thout nonconfor.,lty lie ""uld helre had no Btll of Right! or Poag"" Charta, no PUbliC educat_ ion sy.to", no ""Uon upon thH continent, no continent , no .cience at nll , no ph ilo.ophy, and con"i~ _ eUbly fa"",r religions. All t ha t is pretty obvious .

"But it "CP""" to ~~ 1",," obvious . o .. ~ho" th~', t o erMte anything ln .ny l' to l d, 8M espoclally anything of out,tandif\ll worth! requires Mn_ confor,.1ty or s "3n of utis_ hat10n "lth t hing . ~s they are."

True orir1nality ~ lrnply ~eans being onascl! inst~ .d of so:ocoody el.e , eM th!tt'. t.'>e sb,olut~ oPP­osite or oult of any ktr>d. Even honest unorigi~.L; ad"'irc t he hon_ ut orlg1nal -- i. that "hat you ,..,sn by a cult?

lIers'; anothe r apt quote rroa Sh~hn (p.95) . "Cootpuo1on "itt> h~n woe. thread. throUgh a l l art fro,. )!u scolo ' . a llg1Ji.t>ed 'Ads" and EYe' to tile bittor .ufferers or Kotho Koll.,itz ' 'Weaver. Strike ' snd on do" n to th~ pre.ent, al_ though tor the '.'''Dc nt it m~y hovo tbinned . P.rt1 "an.hi~ on the sida of ttte huob l e has boe" sn ever re_ eurria~ pas . ioo in ar t - - Bruogbol, ~e~brandt . De~ier . And with these t hree .nd so many othen, there 1. S1"8Y' the other side ot t bo coin,

the thru,t" and .stires Upon "oe_ !~l and pol1tieel Mlpractise . !ioQConru"lty . ff

Now "hat ' . tbe oatter ,,1t h een­ius? Are ~ t o look fer ~omo kind or colorle .. egnl1h,.isnisa ~n tbQ vorld around \15; to neg_ ote overy veluntion ot qual1ty tn pro~uctlon? Unle~ s "0 do t hi., lIe "ust admit thot '0",,, people Ue bet t or HUsh or c r es tors thnn othors, and so~ fire a lo t better, a nd that'. a ll thnt geni"" mea n'. You ~ I ght 11ke t o out out some or Shnk.$p~aro" lines ( i t " ould tn~~ a genius to do it, ~ nd ha wouldn't have U"Q) but tn,t does not le .. en the tact that b is Gqual ho. ye t to be found in EoE­Ush dr:l"'~ ,

I'", :tOt quite sUI"e "h't you ... en to prove in lour orticle, but I ~~ 'UI"e thnt sO"-O or tho ob.erlra tions you ~8 k. along the "'y noed to be chnlle~ed.

••• J!alvinn Reynold" - - - - - - - ~ . - - - - - - .

.0~pl1ment )'<lU U'S von-

,~;;:;;,; ...

A.t . I'lClhnapolh -.- -- -- -- --- -- --- . Here at S"arthrnoro .,!~cnt about Phl1 Be 15" , So.", students

"y b~ d1d not r eally \il"ite the word.; they ~ ay a ,.an namc<l Poe wrote the", . Ca n you help ~ottl o thi. ~rg"",ent1" D. L. (Ed. ""te: tbe i nitials are E.A. ~nd IIr.Poo live. in 6altllllOu) .

r.ttors _ 2

ROllo __ ••• "One haUl rllllCU [!'OIl

tiM to t"'" nat BRO.IJlSIDE .11" ltof publl.hl~ __ pl c.lo II' t i ln t 10 __ KCop on l oopine on!" •

Carolyn lIoltor _.----------

---- L.II ., POM<!. -------

-----Don Sl o: ''5cb Oyl,n'. now db"", 11 !cntutically . upro .... HU pootry t . tottor and hi. ccneept. nowly pur. and ltght."

StoYO Swttt --------- ----• rd . note : '!her o 1. ""thine to tho,,, r~rl . at leas t thoro va.n't on hour &CO . ---------------

------ ------

PUCI CORPS, ------- -

R.S .,cd1torn14 --------------

----- - -Ocar Bro~dllde' "r h .... d Phil Oehs at tho !j3!l1tht in N"" Yor k, ,,,>Il he IOUnd. 15", the gronto. t foll<l1 "l1er-writor ainc" W.Quti'lrlo . Phil ,,,vo ~o tho ~.t ente r t,,1n-1"1: nonlne ot ~ lite. "

fl. P.. .lluu -------------

1I01E5 :'M G~r:;' :-0 081 ~fY 51.!1Y Olft.l. JHL Ctl l<" Len capc$ ~l .• ~th tN>t '" I'!"Y" in G i"'sttton.

"I'", rotn' to tat CJ' boby out or J.~l , t' .. lOin ' tQ C ;.~_? G

G out - " D~all, She u1d .ho ..... lS~'t guHty 000 .~e

u C ;'~.7 r ' I> goin' to _.et OIl' ba_by out · .,

~';;·'l<l.n't poy

~~ll .

, 1"10 hll,

lOO~5. Co~t.·-.t. 'lo~t1":ly; &::tor, , P"t~~ La l"er~., ;'~·/l"C,.y, P<t~

oopl' • • 812. 00