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Lorenz Klingebiel Summer 2020

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Page 1: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Lorenz Klingebiel

Summer 2020

Page 2: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Redesign of art and culture magazine frieze, published 8 × year, 2020

frieze Magazine

Page 3: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Charity campaign supporting Shelter, Samaritans and the NHS, 2020

Solidarity Shirts

Page 4: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Graphic design for Emily Richardson’s filmic portrait of Margaret Howell’s clothing label, 2020

MH50 – 50 Years of Design

Page 5: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Visual identity for Berlin-based architecture practice, 2019

2020

Page 6: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Exhibition catalogue, 128 pp, 189 × 246 mm, 2019

‘Keith Haring’, Tate Liverpool

Page 7: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Product Development & Art Direction for limited-edition bag, 2019

YL-OSB-01

Page 8: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Campaign for inaugural exhibition at E-WERK Luckenwalde, 2019

Kunststrom

Page 9: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Design & Direction of Open House weekend at Kaymet Studios, SE1 5AN, 2019

Yard Life

Page 10: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

New edition of William Blake’s classic poetry book, 128 pp, 112 × 162 mm, 2019

‘Songs of Innocence and Experience’, Tate Britain

Page 11: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Record cover for Cologne-based record label Ancient Future Now, 2019

Please don’t intend to let your intellect dominate you!

Page 12: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Signage system for community centre in London Poplar, 2019

St Paul’s Way Centre

Page 13: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Visual identity for series of concerts in Cologne, 2019

C.A.R. presents KRAUT am Ebertplatz

Page 14: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Visual identity for LOWER.GREEN Gallery, Norwich, 2018–19

LOWER.GREEN

Page 15: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Exhibition catalogue, 184 pp, 240 × 310 mm, 2018

‘Elmgreen & Dragset – This Is How We Bite Our Tongue’, Whitechapel Gallery

Page 16: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

‘Thomas Ruff Photographs 1979–2017’, Whitechapel Gallery

Exhibition catalogue, 232 pp, 250 × 300 mm, 2017

Page 17: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

Exhibition catalogue, 256 pp, 245 × 285 mm, 2016

‘William Kentridge: Thick Time’, Whitechapel Gallery

Page 18: Lorenz Klingebiel · Groove Magazine Keith Haring Margaret Howell Hoxton Mini Press LOWER.GREEN William Kentridge Multistory West Bromwich Emily Richardson Thomas Ruff Smyle Tate

2020Ancient Future Now

William BlakePolly Braden

C.A.R.Contrast Trio

Deutsche Bank Arts, Culture & SportsElmgreen & Dragset

E-WERK Luckenwaldefrieze

Groove MagazineKeith Haring

Margaret HowellHoxton Mini Press

LOWER.GREENWilliam Kentridge

Multistory West BromwichEmily Richardson

Thomas RuffSmyle

Tate BritainTate LiverpoolJ.M.W. Turner

Typography Museum KlingsporUniversity of Art & Design Offenbach

Jonathan P. WattsWhitechapel Gallery

Yard Life

Artists/Clients/Institutions

[email protected] lorenzklingebiel.com @lorenzklingebiel