LIVE SOUND ENGINEERINGACCELERATED PROGRAM

September 2014

Intake Class Schedule

LIVE SOUND ENGINEERING

Entry Requirements:

• Minimum age 15 years • No formal requirements

• Familiar with basic computer operations

Course taught in : Indonesian

Registration Fee

Course Fee

Duration

Qualification

Rp 500.000,-

Rp 10.000.000,-

3 Months, (2x) 3 hour / week + practical time

Certificate in Live Sound Engineering

Aimed at those who want to make sound engineering a career and get work in the live industry. The course includes essential in-depth theory on the principles of sound, acoustics and gain structure, and from this moves onto the equipment, components and setting you should use.

There is in-depth training on patching in and using the mixing desk, understanding and using EQ, Grouping and Routing, using the matrix and record-ing a live mix.

On successful completion students can develop careers in numerous areas of the live sound industry.

Some examples include: - Rehearsal studios- Sound hire- Sound Installation- Music venues- Theatres- Audio equipment retail- Outside broadcast- Self employment

Career options:- Stage Monitor Engineering- Front of House (FOH) Engineering- Rigging & Cabling- Virtual Stadium Mixing- and many more

TBA

Subject

1

2

3

5

6

7

8

4

Session

Lecture

Method Lecturer

Syllabus

Norman Hajadi/Ozon

Lecture Norman Hajadi/Ozon

Lecture Norman Hajadi/Ozon

Lecture/Workshop Norman Hajadi/Ozon

Lecture/Workshop Norman Hajadi/Ozon

Lecture/Workshop Norman Hajadi/Ozon

Lecture

Lecture

Norman Hajadi/Ozon

Norman Hajadi/Ozon

• Live sound overview• Safe Work• Maintain Personal Safety Standards• Equipment Used in Live Sound• Role in Live Sound• Grounding requirements and safety• Signal ground, Earth and Chassis ground• Ground Loops• Single and Multiple point grounding• Floating ground• Hazardous solutions to grounding issues

• Sound Theory- Definition of Sound- Frequency- Amplitude- Wavelength- Speed of Sound- Phase

• Decibel

• Introduction to Microphone- Dynamic Microphone- Condenser Microphone- Ribbon Microphone- Wireless System- Lavaliere

• Polar Pattern- Cardioid- Super Cardioid- Hyper Cardioid- Omni-Directional- Figure 8

• Microphone Techniques and Microphone Workshop 1- Close Mic- Far Mic- A-B Spaced Pair- X-Y- On Axis- Off Axis

• Type of Connections- XLR- TRS- TS- RCA- Speakon

• Basic Soldering

• Microphone Techniques and Microphone Workshop 2- Vocals- Guitars- Drums

• Introduction to Mixing Console- Gain Structure- Standard Operating Level

• Mixing Console Workshop

Lecture/Workshop

Lecture/Workshop

Subject

9

10

11

12

13

14

15

16

17

18

Session

Lecture

Method Lecturer

Norman Hajadi/Ozon

Lecture Norman Hajadi/Ozon

Norman Hajadi/Ozon

Norman Hajadi/Ozon

Lecture/Workshop Norman Hajadi/Ozon

Lecture/Workshop

Lecture/Workshop

Lecture/Workshop

Lecture/Workshop

Norman Hajadi/Ozon

Lecture Norman Hajadi/Ozon

Norman Hajadi/Ozon

Norman Hajadi/Ozon

Norman Hajadi/Ozon

• Basic Electronics- Atoms,Protons,Neutrons and Electrons- Neutral, Positive and Negative- Conductors and Semi-‐Conductors- Voltage- Ampere- Batteries

• Basic Electronics 2- Resistors- Capasitors- Inductors- Ohm’s Law- Transformers- Power- Relay- Basic Soldering- Grounding Requirements and Safety

• Power Amplifiers and Crossovers- Fundamentaloperation of the Power Amplifier- Power Amplifier transistor types and class A/B/AB operation- Power Amplifier inputs and outputs- Power Amplifier bridging and daisy chaining- Speaker load impendence matching- Power Amplifierspecifications

• Loudspeakers• Loudspeakers Driver Types

- Subwoofer- Mid-Range Driver- High-Range Driver- Full Range

• Dynamic Processor 1- Equalizer and Filters

• Dynamic Processor 1 Workshop

• Dynamic Processor 2- Compressor/Limiter- Expander/Gate

• Equalizer Workshop

• Time Based Processor- Delay- Reverb

• Time Based Processor Workshop

• Signal FlowTest- Live sound wiring

Mixing ConsolePower AmplifierDynamic ProcessorTime Based Processor

• Loudspeaker Management System- Fundamental operation of the activecrossover- Active crossover input/output connection- Active crossover parameter adjustment- Active crossover signal flow diagram

• LoudspeakerWorkshop

Syllabus

Lecture/Workshop

Lecture/Workshop

Subject

19

20

21

22

23

24

Session

Method Lecturer

Norman Hajadi/Ozon

Norman Hajadi/Ozon

Lecture/Workshop Norman Hajadi/Ozon

Lecture/Workshop Norman Hajadi/Ozon

Lecture/Workshop Norman Hajadi/Ozon

Lecture/Workshop Norman Hajadi/Ozon

• Tuning the stage monitor system• Signal flow of an eight send active stage monitor system• Power ratings of a single and three phase outlets• Three phase distribution• FOH Speaker protection using a limiter• Room tuning the FOH• Acoustics Treatment in Live Sound

LECTURERS

OZONISASI - Live, Mixing & Mastering Engineer for Slank, Steven & the coconut trees, Samsons, Syaharani & the Queenfireworks, Saint Loco, Lightning Seeds (UK), Crystal Water (USA), Kerispatih and many more.

- Java Jazz Festival FOH Engineer for Kaori Kabayashi, Monday Michiru, Jose James and many more.

- Sound Reinforcement Manager at @America

NORMAN HAJADILive Sound Engineer for RAN, Raisa, Kerispatih, Seurieus, Saint Loco, Kripik Peudeus, Brandals, Nidji, Koil, Ecoutez and many more.

PARTNER

• FOH- FOH Console Placement- FOH Setup

• Technical Rider

• Small Bar Setup Practice

• Medium Setup Practice

• Big Scale Setup Practice

Syllabus