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  • BeBop Cliches/Patterns1

    Dm7

    G7

    C^7

    25 3

    Dm7

    G7

    Dm7

    G7

    49

    Dm7 G7

    C^7

    513 6

    G7 Coltrane

    Dm7 G7 717 8

    G7

    OR G7 etc.

    921

    C A7 Dm7 G7

    C

    1025

    C A7 Dm7 G7

    C

    1129 12

    C^7 or C7

    C^7 orC7

    1333

    Dm7

    G7

    C^7

    1437

    Dm7

    G7

    C^7

    3

    1541 16

    Dm7

    G7

    Dm7 G7(Eb7)

    C^7

  • 1745 18

    G7

    etc. G7

    C

    3 3 3

    1949

    Dm7

    G7 C^7

    3

    2053

    Dm7 G7 C^7

    2157

    Dm7

    G7

    C^7

    2261

    Dm7

    G7(Db^7)

    C^7

    2365

    Dm7

    G7

    C^7

    2469 25

    G7alt

    C

    G7

    3

    2673 Diminished

    Dm7

    G7

    C^7

    2777

    Dm7 G7 C^7

    81

    2

  • 13rds

    BOXES - Exercises

    (All permutations based on Cmaj.)

    etc. etc.

    2

    Broken 3rds

    etc.

    etc.

    3

    Three Note Stacked 3rds

    etc.

    etc. 3 3 3 3

    3 3 3 3 3 3 3 3 3 3

    3a etc.

    etc.

    3 3 3 3

    3 3 3 3 3 3

    4

    Four Note Stacked 3rds

    etc.

    etc.

    4a etc.

    etc.

    5Three Note Stacked 3rds Up and Down

    etc.

    etc.

    5aFour Note Stacked 3rds Up and Down

    etc.

    etc.

    6

    Broken Triads etc.

    etc.

    6a etc.

    etc.

  • Brecker - Rhythm Changes

    From "Oleo" bootleg - at NTSU '84

    C

    Am

    Dm

    G7 C A7 Dm

    G7

    6

    C7 F7

    14

    in(Rhythm

    concertChanges

    F)

    From "Frieda" David Benoit - Here's To You Charlie Brown

    G

    Em7

    Am7 D7

    Bm7

    E7 Am7 D7

    3

    19

    G7 C7

    Bm7 3 3

    26

    B7 Bridge E7 A7

    3

    31

    D7

    G^7 3

    37

    47

    57

    67

    76

  • Coltrane Changes (Countdown)

    C^7

    Eb7

    Ab^7 B7

    E^7 G7 C^7

    5

    C^7 Eb7

    The following phrases come from the Ridker/Wieskoepf book Coltrane's Harmony

    Ab^7

    B7 E^7 G7 C^7 9

    13

    17

    21

    25

    29

    33

    37

    41

    45

  • 49

    C^7 Eb7

    Ab^7 B7 E^7

    G7

    C^7

    53

    57

    61

    65

    69

    73

    77

    81

    85

    89

    93

    2

  • CONFIRMATION (Bird Blues) CHANGES

    Brecker

    B7 E7alt

    Trane

    Am7 D7 Art Farmer

    Gm7 C7

    F^7

    5

    9

    13

    B7 E7alt

    Am7 D7 Gm7

    C7

    F^7

    17

    21

    25

    29

    33

    37

    41

    45

  • Lines in Minor

    Dm melodic

    Traneetc.

    5

    Gm7 Trane

    9

    Gm7

    F#m7 Fm7

    Em7

    13

    Em7 Ebm7

    Dm7 Dbm7

    Brecker 17

    21

    25

    29

  • Pete Lewis

    Long Line Exercises

    A7

    3

    Eric Alexander (BeBop Scale)

    In the Key of C

  • Eric Alexander (BeBop Scale with Rotations)

    In The Key of C

  • 1Eric Alexander (Loops)

    2 (Gm7-C7)

    3

    3 (Gm7-C7)

    3

  • MAJOR 2, 5, 1s (all in C major)

    Dm7

    G7

    C^7

    Aebersold5

    9

    13

    17

    Good in Blues

    21

    25

    Diminished

    29

    33

    37

    41

    Red Garland Good in Blues

    3 3 345

  • 49

    Dm7

    G7

    C

    ^7

    Cannonball53

    Dm7

    G7 C^7

    3

    57

    3

    61

    BeBop Cliche

    65

    Hemiola

    3 3 3

    3 3 3 3 3

    69

    Garzone

    73

    Use of Ab Pent. 6

    77

    Sonny Stitt

    81

    Diminished85

    Good in Blues3 3 3

    89

    John Nugent

    2

  • 93

    Dm7

    G7

    C^7 3

    97

    101

    105

    109

    113

    117

    121

    3

  • MINOR 2, 5, 1s (All in Aminor)

    Bm7(b5)

    E7alt

    Am

    5

    Aebersold Tritone Sub

    9

    Aebersold

    13

    17

    21

    25

    Diminished Scale29

    Diminished Scale33

    37

    41

  • Quick Major 2, 5, 1s (All in Cmaj.)

    4

    Bird

    7

    Circle of 4ths

    10

    BeBop Cliche

    13

    Art Farmer

    16

    19

    Trane22

    25

    28

    31

  • 34

    BeBop Scale37

    40

    43

    46

    Trane / Bergonzi49

    52

    2

  • Quick Minor 2, 5, 1s (All in A minor)

    B7 E7alt

    Am

    4

    7

    Diminished Scale10

    13

    16

    19

    Arpeggiation

    22

    Arpeggiation25

    Arpeggiation28

    Arpeggiation

    31

  • Shapes

    1 etc.

    etc.

    etc.

    etc.

    2 Also start this shape with the first note as a pickup.

    etc.

    etc.

    etc.

    etc.

    3 (Gm)

    (F#m) (Fm)

    (Em) etc.

    Use of above shape in a 2,5,1

    Dm7 G7 C^7

    4 etc.

    5 A7alt Brecker Cape Verdean Blues etc.

    -

    6 Around the circle

    of 4ths

    etc.

    7 Also starting one half step lower

    etc.

    8

  • Use of Patterns 2 and 1 in a 2, 5, 1

    Dm7

    G7

    C^7

    9 Whole-Tone (also, 1/2 step higher)

    etc.

    10 also 1/2 step lower

    etc.

    11

    etc.

    12 etc.

    13 Diminished

    also start on C and B

    etc.

    14 Diminished

    etc. OR

    etc.

    15 etc.

    16 Also start on D, C#, C

    (G7, B7, Eb7)

    Bob Berg

    etc.

    17 4ths

    Also Start on C and D

    etc.

    Ricker

    18 4ths

    Also Start on B, C, C#, D, E b

    Ricker

    2

  • TURNAROUNDS (3, 6, 2, 5, 1s)

    Em7

    A7 Dm7 G7

    C^7

    5

    9

    13

    Trane

    17

    Bird

    21

    Ornithology

    25

    29

    33

    37

    41

    45

  • V7 to I Resolutions

    G7

    C^7

    G7

    C^7

    5

    G7

    C^7 G7

    C^7 9

    G7

    The above six examples are "Double Rotation" (an idea from Cannonball Adderley)

    C^7 G7

    C^7

    13

    G7

    C^7 Stan Getz

    G7

    C^7

    17

    C7 F7 Bars 4 and 5 in Blues3

    20

    G7

    C^7 G7

    C^7

    24

    G7

    C^7 G7

    Cannonball

    C^7

    28

    G7 Triad Pairs

    Brecker

    C^7 G7 Triad Pairs

    Gary Campbell

    C^7

    32

    G7alt

    Quarter TonesCm7 G7

    Quarter Tones

    C^7

    36

    G7alt

    Chip McNiel

    Cm

    G7alt

    Chip McNiel

    Cm

    340

    G7alt

    The last two examples make use of the Ab minor pentatonic 6

    Cm

    G7alt(Or start on 3rd of Dominant chord)

    D or E

    Cm

    3 3 3 3 3 3 3

    3