lichtgalerie marset
DESCRIPTION
Lichtgalerie Katalog marsetTRANSCRIPT
02 MARANGA 10 PLEAT BOX 16 TAM TAM 22 POLO 28 FUNICULÍ 34 CALA 40 LAB 46 LEDCOMPASS
50 LEDTUBE R 54 SCENE 60 DISCOCÓ A
featuring
MARSETNEWS‘12
Marset News — 2012— 2 — Marset News — 2012
The story behind the Maranga
MARANGA— Christophe Mathieu —
maranga is the name of a fruit, an imaginary fruit: exquisite, tempting, succulent. It reinterprets Scandinavian style in the essentiality of its shape and its rational use of lighting to generate a warm, comfortable atmosphere. Theshadeismadeupof32slice-likepieceswhichfittogethertoallowchinksoflighttoescape.Thisinterplayoflightanddarkgeneratesaneffectwhichisrichinshadesof light and prevents glare, while an opening at the bottom fittedwithadiffusergivesoutdirectlightdownwards. The maranga collection is available in two diameters -32cmand50cm-whichcancombinetoform2floorlamps,2 table versions, 2 hanging and one ceiling lamp. It comes in3colours:white,sandanddarkgrey.
What I would highlight about maranga is the richness of shades of light, especially with the colour versions, due to the combination of direct and indirectlight,tothelightanddarkcausedbythesurfaceofthematerialandtothedifferentplanesonwhichthe light is reflected.Itsflattenedshapegivesitconsiderabledynamism,makingitvisuallylighter.MyrelationshipwithMarsetgoesbackto1996whenIdesignedtheCom-
pass light, which is still being made. One of the great advantages of desig-ning for Marset is the constant search for technologically smart solutions throughout the development of a product in order to improve it, without cutting corners on investment.My goal is to create lights which transmit emotion, lights which one can in a sense fall in love with, to share your daily life.
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Marset News — 2012— 4 — Marset News — 2012 — 5 —
Ø50cm
Ø35cm
Ø35cm
Ø35cm
Ø23cm
Ø50cm Ø50cm Ø32cm
Maranga P170 Maranga P170Maranga P130
Maranga M
3x E27 20W FBT3x E27 70W HSGSA/C/UB
Colours
White
Sand RAL 7032
Umbra Grey RAL 7022
Maranga S
2x E14 FBT 15W2x E14 HSGSP/C/UB 42W
Colours
White
Sand RAL 7032
Umbra Grey RAL 7022
Maranga P130 Maranga M Maranga S
171c
m
131c
m
71cm
50cm
Maranga S
Maranga M
Maranga P130
Maranga P130
Maranga P170
Maranga P170 Maranga S
Marset News — 2012— 6 —
16,5
cm
Ø50cm
Maranga 50
Maranga C
16cm
Ø50cm
11,5
cm
Ø32cm
Maranga 32
Maranga 50
Colours
WhiteSand RAL 7032
Umbra Grey RAL 7022
Bulbs3x E27 20W FBT
3x E27 70W HSGSA/C/UB
Maranga 32
Colours
WhiteSand RAL 7032
Umbra Grey RAL 7022
Bulbs2x E14 FBT 15W
2x E14 HSGSP/C/UB 42W
Maranga C
Colours
WhiteSand RAL 7032
Umbra Grey RAL 7022
Bulbs3x E27 20W FBT
3x E27 70W HSGSA/C/UB
Maranga 50 Sand Maranga 50 White Maranga 50 WhiteMaranga 50 Umbra Grey
Maranga 50 Sand
Maranga 50 Umbra Grey
Maranga C Maranga C
Mara
nga
50 W
hite
The story behind the Pleat Box
PLEAT BOX— Xavier Mañosa & Mashallah —
The idea behind the pleat box is that of a sophisticated combination between a digitally-designed crease in apiece of cloth, the silhouette of which is applied to a ceramic base. Theouterpartofthelampisofferedinwhiteceramic,underglazedredclayandgrey–theresultofrecyclingdiffe-rent enamels. The brilliant white enamel interior creates aglittereffect,whichenhancesthelightfromthelamp.Itcan also be supplied in gold on the inside, which genera-tes an extremely warm light. Available in 4 sizes: 47cm �, 36cm�, 24cm �&13cm�. pleat boxhascomeaboutthroughthefirst-evercol-laboration between Xavier Mañosa, a master ceramicist from Barcelona, and the Mashallah design studio in Ber-lin with Marset.
WefirstcameintocontactwithMarset,asacompany,ayearagoinNewYork,wherewewereshowing,togetherwithAlexTrochut,ourceramiccollectionintheNohoneighbourhood.JavierMarsetattendedtheope-ning,whereheshowedconsiderableinterestinourstuff.Wechattedforawhileand,inanunselfishmoment,ImentionedtohimthatIwasworkingonacollectionoflampswithMashallah.BackinBarcelona,weagreedtomeetatmyworkshoponeFridaymorning.Iclearlyrememberthathearrivedabouthalfanhourearlyand,asluckwouldhaveit,wecameacrosseachotherinthesmallcornerbarwhereIgoforcoffeeeveryday.Javiergets straight to thepointand,fiveminutes later,withhishandson a prototype, he told me that it was sure to sell. Both we and Masha-
llah were very happy about the proposition of Marset handling our lamp. With their help, we made a few design changes and decided on the new finishes–theinteriorofthelampwouldbewhiteorgoldtosuggestwar-mth and, for the outside surface, we would use the base material, showing the unglazed potter’s clay itself, in terracotta or white and in a coarse grey, the result of a recycled glaze made up from other used glazes.We have already started to manufacture the lamps, and it has its own specialplaceintheworkshop.Asitisbeingconstructed,eachindividualpleat boxprovesverycapricious– itssimpleorganicshaperequiresustoworkthecurvesandtheedgeswithgreatprecision.Eachoneneedsspecial pampering.
Marset News — 2012— 10 — Marset News — 2012 — 11 —
Pleat Box 36
Pleat Box 47
Marset News — 2012— 12 —
Pleat Box 47
26cm
47cm
44cm
Pleat Box 36
16cm
36cm
34cm
Pleat Box 13
26cm
13cm
11,5cm
Pleat Box 24
18cm
23,5
cm
21cm
Pleat Box 47
Colours White-White
Grey-White
Terracota-whiteWhite-Gold
Grey-GoldTerracota-Gold
BulbsG9 48W ECOG9 9W FBT
E27 70W HSGSA/C/UBE27 18W FBT Microtwist
Pleat Box 36
Colours White-White
Grey-White
Terracota-whiteWhite-Gold
Grey-GoldTerracota-Gold
BulbsG9 48W ECOG9 9W FBT
E14 42W HSGSP/C/UBE27 7W FBT Nanotwist
Pleat Box 24Pleat Box 13
Colours White-White
Grey-White
Terracota-whiteWhite-Gold
Grey-GoldTerracota-Gold
BulbsG9 48W ECOG9 9W FBT
E27 52W HSGSA/C/UBE27 18W FBTMicrotwist
The most important thing about the tam tam is maybe the fact that itenabledmetobecomeacquaintedwithJavierMarsetandJoanGaspar.TheveryfirsttimewemetwasontheMarsetstandattheLight&Building2010ExhibitioninFrankfurt.Iwenttheresixtimesaskingforsomeoneincharge; six times I left without meeting anyone. Business lunches, business meetings,business talks -every timeagoodreason for thembeingawayfrom the booth and, as time went by, I thought I might have more chan-ceofmeetingtheminoneofthegoodrestaurantsorcafés inFrankfortrather than on the exhibition site itself. Anyway, the seventh time I got luc-ky.Theintroductionsweremadeandwewereallsittinginthe“conferenceroom”,akindofVIPareawithloungeseatsandalowtable,surroundedbysome not very practical curtains. Soft music plus a little bit of alcohol and it could have been a very fancy club! However, I presented my portfolio to
them-andtheyjustlaughed!Forsure,thesightofmyhomemadephotoalbumcoveredwith60’sstylefloweredfabric,fulloftapedPolaroidsandcoveredwithsketchesanddiverseremarksmusthavebeenquiteunappea-ling to them. But then, something incredible happened. The more they browsed,themoreinterestedtheygot.Evenmorethanthat,Javierevenconfessedhowenjoyableitwastotouchgoodold-fashionedplainpaper,howpleasant itwastofeelsomethingthickerthanan iPhoneandmorecharmingthananyPowerPointdocument.Inspiteoftheverylowbudgetof my presentation, I had attracted their attention. I was in and that, for me,was thekeyeventofourfirstmeeting; regardlessofwhat followed,thatwas theprecisemomentwhenwecametoknowoneanother, thatinstantofsurpriseandjoywhenyourealisethatyouandyourcounterpartareonthesamewavelength,talkingthesamelanguage.
The story behind the Tam Tam
TAM TAM— Fabien Dumas —
It’sajuicybunchofgrapes,NickMason’sdrumsfromPinkFloyd, the constellation of Perseus...there are so manyexamples that could be used to describe the tam tam, a new perception in the world of lamps, which extols repetitiveness by focusing on the archetypal lampshade: a number of lightsourcespointedindifferentdirections,geometricallyarrangedtoinvokeafeelingoforganizedchaos. The tam tamconsistsofalargecentralshade(50cm�) in lacquered aluminium, to which are attached various satellite shades (35cm �), which can be rotated through360º by means of a swivel mechanism. An opalescent,methacrylatediffuserovertheopenendsoftensthelight. tam tam is available as a suspension lamp in two sizes: aregularsizewitheither3or5satelliteshadesandaminisize with 3 shades. A wall lamp version with one or two shades completes the collection. Eachshadecanbepersonalisedinanyofthefollowingcolours:black,white,orange,brown,greenorgray. The tam tam is suitable for any space. Using more than one,thesetsofshadeswiththeirdifferentpositionscanbeused tocreate vast,multi-colouredceilings, eachonedifferentfromanyother.
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Tam Tam3
35cm
85,9cm
102,
7cm
34,9
cmØ
50c
m
Tam Tam5
35cm 34,9
cm
105,5cm
102,
7cm
Ø 50cm
Marset News — 2012 — 19 —Tam Tam5
Tam Tam3 Tam Tam3 Tam Tam3
Tam Tam3
Tam Tam3
TAM TAM5
Colours
Green Ral 6025White RAL 1013
Sand RAL 7032Orange RAL 2000
Brown Grey RAL 7013Black RAL 9011
Bulbs13x E27 FBT 18W
13x E27 HSGSA/C/UB 42W
TAM TAM3
Colours
Green Ral 6025White RAL 1013
Sand RAL 7032Orange RAL 2000
Brown Grey RAL 7013Black RAL 9011
Bulbs 9x E27 FBT 18W
9x E27 HSGSA/C/UB 42W
Tam Tam A Tam Tam A2
22cm 22cm
26,3cm 42,5cm
24cm
Ø22
cm
Ø35
cm
24,5
cm
23cm
Marset News — 2012 Marset News — 2012— 20 — — 21 —
Tam Tam Mini
22cm
57,5cm
66cm
26cm
Ø 3
5cm
Tam Tam 2A
Tam Tam A
Tam Tam A
StructureWhite RAL 1013
Shade
Green Ral 6025White RAL 1013
Sand RAL 7032Orange RAL 2000
Brown Grey RAL 7013Black RAL 9011
BulbsE14 FBT 15W
E14 HSGSP/C/UB 42W
Tam Tam A2
StructureWhite RAL 1013
Shade
Green Ral 6025White RAL 1013
Sand RAL 7032Orange RAL 2000
Brown Grey RAL 7013Black RAL 9011
Bulbs2x E14 FBT 15W
2x E14 HSGSP/C/UB 42W
TAM TAM MINI
Colours
Central shadeBlack RAL 9011
White RAL 1013
Satellite shades
Green Ral 6025White RAL 1013
Sand RAL 7032Orange RAL 2000
Brown Grey RAL 7013Black RAL 9011
Bulbs5x E14 FBT 15W
5x E14 HSGSP/C/UB 42W
Tam Tam Mini
Tam Tam Mini
Thefluidityofitsmovementsanditstotalstabilitymakethisflexiblefittingalightsourcewhichcanbemovedaroundthetablewhiletakinguphardlyanyspace.ThisarticulatedlampfeaturesLEDtechnology,enabling the light to be directed accurately without burning yourself if you touch the shade. Its fullymovablestructure ismadeof injection-moulded aluminium with joint and arm built intoa single piece. The switch with its wheel system is located on the top of the head. poloisavailableinblackorsilkgreymountedona base, with clamp or the wall.
POLO— Joan Gaspar —
Tomywayofthinking,agoodideaorconceptisessentialinindustrialde-sign, but the industrial process chosen is crucial, as the how determines the what:theindustrialprocessdeterminesthefinalappearanceandthevaluesitexpresses.IbelievethatthisflexiblelampisaperfectexampleofhowIseeproducts:beforedecidingonthepartsofthefinalform,Iwasquiteclearabout how it was to be made, as the type of manufacturing and the materials chosenhaddefinedaparticularwayofcommunicating,moretechnicalbutalso emotive, stronger, with less parts... technically simple... attractive.Ihadbeensketchingitforyears,andIliketoseethatcertainaspectshaveremainedthesame:themechanicalsystemwhichcontrolsfriction(asimpleclipsystemwhichusesascrewtosetthenecessarypressure),thetechnology
for producing the arms (injection-moulded aluminium featuring the jointandarminasinglepiece)andalsothesystemforpullingthespringslocatedinside(astainlesssteelstrip).Theshadeisaveryimportantpartofaproductofthiskindbecauseitisthe part with which the user interacts the most. In this case, I wanted the shadetorecall, inaway,theoldflexible lamps,towhichitssizeandsha-perefers,thoughthelightsourceiscertainlyverydifferent.Theswitchiswhere I express this aspect the most, using a wheel system to turn it on and off,deliberatelyavoidingelectronicmechanisms.Iwantedthe“click”soundeverytimethelampwasturnedonoroff,mechanicallyrecallingthoseearlyarticulated lights.
The story behind the Polo
Marset News — 2012— 22 — Marset News — 2012 — 23 —
Marset News — 2012— 24 —
Polo
35cm
44cm
Ø18cm
Ø4,5cm
10cm
Colours Black RAL 9005
Silk grey RAL 7044
Light source8W LED, 400 lm
Polo
Polo
Marset News — 2012— 26 — Marset News — 2012 — 27 —Polo
Inthelate70’s,Ihadalampfirm,Vapor.Thethingsitmadewereverysimple:althoughthe industrialprocess included25operations, theendresult was one of absolute simplicity; what interested me was pruning, pruning and pruning again to leave nothing but the essence of a useful, simpleobject.Overtime,IrealisedthatIwasaverybadbusinessman.Fortunately,Mar-set tookan interest inwhatweweredoing atVapor andmuchofourcatalogue became part of their collection. Moreover, my former colleague JoanGaspar,agoodfriendofmine,becamethecreativemanageratMar-set.Now,30yearslater,Marsethasdecidedtore-releasefuniculí.Wehaveallhadtheubiquitousdesk lightwithaflexiblearm.Itwasarounded object, with a very simple shade covering the typical Edisonlight bulb. It occurred to me to free this shade and give it more features
and mobility. I added a curved stem and clips to allow it to be raised and lowered. Hence the name funiculí,fromthe“funicular”actionofgoingupanddown,likethefunicularrailwaysofTibidaboorMontjüicinBar-celona.I have always believed that the light in a room must also go with sha-dow, that there should be contrasts with the points of light. This is what createswell-being,calm;yourhomemustbearefugefromtheaggressiveoutdoors in thecity.Lightsare lit for severalhoursaday,andtherestof the time they must maintain a certain discretion so that they do not bother youwhen they are off, and only becomenoticeablewhen theyareon...likeglowworms.Fashiondoesnotinterestme,andIhavene-ver made fashionable lights because they soon go out of fashion. I have alwaysmadelampsIliked.
The story behind the Funiculí
funiculí is aneweditionofa lampdesigned in 1979.LluísPorquerashasalwayssoughtanabsolutesimplicityinhisdesigns,doingawaywitheverythingsuperfluoustoleavetheessenceoftheuseful,simpleobject.30yearson, funiculí remains highly contemporary, both in its purist forms and in its features. The name funiculícomesfromtheconceptofa“fu-nicular”action-movingupanddown.Themechanismfor raising and lowering the lamp uses a pair of clips whichmakeitveryeasytochangetheheightofthesha-de to meet the user’s needs. The shade itself can be ro-tatedthrough360ºtopointthebeamoflightwhereverit is required. The base of funiculí is covered in rubber on the bottom, avoiding the cold contact between the metal andthefloorandaddingstabilitytothelamp. Itisavailableinblack,white,red,beigeandmossgrey.
FUNICULÍ— Lluís Porqueras —
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Funiculí
Ø24,8cm
135c
m
Ø18,4cm
Colours
Red RAL 3024Moss grey RAL 7003
Beige RAL 1000Black RAL 9005
White RAL 9001
BulbsE27 FBT 18W
E27 HSGSA/C/UB 53W
Marset News — 2012— 32 —
Funiculí Funiculí
Theideawastomakeadecorativeoutdoorlightfitting,followingonfromTXLandincorporatingthepositiveaspectsoftheconcept.To produce the shade, for both practical and economical reasons, I had to use rotary moulded polyethylene. This material is ideal for creating volumes andsolvingproblemsofwaterproofing.However,inmyopinion,itisnota
materialwhichoffersacomfortablelight,evenlesssoforanoutdoorlampbut, on the other hand, it has fantastic qualities in construction terms.Itoccurredtometofitaclothsleeveovertheoutsideusingazip,allowingmetofilterthelightandgivethewholefittingahigher-qualityappearance,bringingthelampclosertotheideaofanindoorlightfitting.
The story behind the Cala
CALA— Joan Gaspar —
Marset News — 2012— 34 — Marset News — 2012 — 35 —
Creatingawarm,comfortableindooratmosphereinanoutdoor space. This is the aim of cala, a highly decorati-ve light with a structure which draws on the simplicity of metal café tables or the classic painter’s trestle. The rotary moulded polyethylene shade is enclosed in azippedTextilenesleevewhichfiltersthelightandgivesit a texture rich in nuances. ClassedIP65,thecala collection is made up of a han-gingversionandafree-standingonewithastructureinmetalorirokowood.There is also a wood indoor version, available in two sizes.
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Cala 140 IP65 Cala Susp IP65
Ø53cm
Ø53cm
24cm
24cm
140c
m
Bulbs2x E27 FBT 18W
Colours
WhiteBrown
Bulbs2x E27 FBT 18W
Structure
GreyIroko
Shade
BrownWhite
OUTDOOR
Cala P140 IP65
Marset News — 2012 — 39 —
Cala P140
Cala P180
Ø70cm
Ø53cm
35cm
24cm
179,
5cm
140c
m
Bulbs3x E27 FBT 18W
3x E27 70W HSGSA/C/UB
Bulbs4x E27 FBT 18W
4x E27 70W HSGSA/C/UB
Structure Iroko
Shade
White Structure
IrokoShade
White
Cala P180
INDOOR
MyworkwithMarsetbeganinMilano,atadinnerinarestaurantontheViaSolferino.Togetherwithotherdesigners,wewereenjoyingaverypleasanteve-ning. I had never wanted to design decorative lighting so we decided that the
projectwouldbemorearchitectural, sothatIwouldfeelmorecomfortablewith it. And lab came out of this, a more technical lighting system within the family of wall lights, and one with which both Marset and I are very pleased.
The story behind the Lab
Sober, architectural, functional… lab is a wall lamp for outdoor use which either blends into a space or standsoutinit,thankstothedifferentmaterialswhichcanbeusedinthefrontpanel:stone,irokowoodandwhiteorgrey-paintedaluminium. ThisLEDlightingsystemcantakealeadingroleifthematerialofthefrontpanelisdifferentfromthewall, or else merge into it. Whileitworksonitsown,ithasenoughpersona-lity to create multiple lighting compositions. ClassedIP65,italsofeaturestheoptionofinclu-ding signage.
LAB— Francesc Rifé —
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Lab 1
Lab 2
Lab 2
Marset News — 2012— 44 — Marset News — 2012 — 45 —
Lab 1 Lab 2
12,6cm 12,6cm8cm 8cm
12,6
cm
12,6
cm
Colours
Box
WhiteGrey
Lid
WhiteGrey
Dark IrokoLight Iroko
Stone
Light source3W LED 700mA, 95lm
Colours
Box
WhiteGrey
Lid
WhiteGrey
Dark IrokoLight Iroko
Stone
Light source2x 3W LED 700mA, 95lm
Lab 2
ledcompassfeaturescertainimprovementswhichmakeitratherspecialwithintheLEDreadinglightcategory:itprojectsverylittlefromthewallasthelightfocus can be directed using what I call a compass system. In fact, this will remind many people of the light above one’s head when one is sitting on an
ordinarypassengeraircraft...Everybodyknowshowitworksandhowitcanbe directed simply and intuitively. The truth is that this inspiration for this productcomes fromtheAxis range,designed forMarset in 2002,which inturnwasinspiredbyanairconditioningnozzleinafantasticAlfaRomeo156!
The story behind the Ledcompass
ThisorientablesystemofLEDreadinglightsisbasedon a compass-type joint which allows the light tobe easily set to point in any direction. Inspired by the ventilation nozzles on airliners, the ledcompass collectioniseasyandintuitivetohandleasitsLEDtechnology enables users to aim the light without burning themselves. Clean and discreet in its lines, ledcompass is designedtofunctionasareadinglightoralightfittingin shelf units and corners which are to be highlighted.Availableasasurfacewalllamporbuilt-in,inwhite,aluminiumorblack.
LEDCOMPASS— Joan Gaspar —
Marset News — 2012— 46 — Marset News — 2012 — 47 —
Marset News — 2012 — 49 —
8,6cm
15cm
3,4c
m
10,4cm
13,4
cm
Ledcompass Ledcompass RSC
LedcompassLedcompass RSCLedcompass R
Colours
WhiteMatt Aluminium
Black
Light source3W LED 700mA, 95lm
Ø9,5cm
Ledcompass R
Ledcompass
Ledcompass
Ledcompass R
Ledcompass RLedcompass RSC
Ledcompass RSC
Thechallengewas to create a surface-fittedLedtubewhich retainedthe features of its predecessor as well as its architectural, practical looks.Tostop it lookingclumsywemovedthetubetoonesideand
gavethecasingaroundedshape.Inthiswayitkeepsitsessenceasitswitchesonandoffthankstoabuilt-inswitch.
The story behind the Ledtube R
LEDTUBE R— Daniel L. Carrillo —
Marset News — 2012— 50 — Marset News — 2012 — 51 —
Thissurface-mountedversionboastsallthevirtuesofthe ledtube collection and more: it is an orientable wall lamp featuring LED technology, with organic,intuitiveformswhichmakeiteasytouseasthelightcomes on automatically when the ledtube is opened outandgoesoffwhenitisclosed.Moreover,its360ºrotationmakesitidealforinstallingonanybedhead.
Marset News — 2012— 52 —
Ø13,2cm
3,4cm
Ledtube R
Colours
WhiteMatt Aluminium
Black
Light source3W LED 700mA, 95lm
Ledtube R right
Ledtube R left
I am especially proud of this product, above all because of the lighting effect it creates at the front.Obviously, this effect isdeliberate, with the space and volume specially designed to highlight it.
Infact,thislightingeffectwasthebeginningoftheproject,andthe whole thing developed out of it... I imagine it as the stage ofatheatre,clearlylitandwiththehallindarkness,creatingasuitable atmosphere for actors and artists to express their art.
The story behind the Scene
SCENE— Joan Gaspar —
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A wall lamp which provides indirect light, scene lights the wall in a neutral, discreet manner which combi-nes functionality and comfort. As if it were a lit stage in a small theatre, scene features an opening at the front which creates a halo of light to stage this thea-tricaleffect. Made from injection-moulded aluminium, it isavailableinblack,whiteorsilkgrey,withLED,low-energy or halogen light sources.
Marset News — 2012— 56 — Marset News — 2012 — 57 —
Scene
5cm
8,8c
m
28,7cm
10,3
cm
Colours
White RAL 9003Black RAL 9005
Grey RAL 7044
Light SourceR7s 120W ECO 114mm
G24 q3 TC-DEL 26W14W LED, 900 lm
In view of the enormous success and popularity of discocó, we thought the logical next step would be to complete the collection with this wall lamp which retains all the features of its predecessor: it is highly deco-rative, gives plenty of light without dazzling and is very rich in tones of
light.Inthiscase,wetookasourstartingpointthediscsfromthe35cmdiameterhangingversionbutIalteredtheproportions,seekingamoreoval shape which would be slightly more horizontal and better suited to wall mounting.
The story behind the Discocó A
Attractive and decorative, discocó has become a resounding success, with one foot in Scandinavian design and the other in Mediterranean style. Its complex simplicity and evocative play of light and shademakethislampidealtoilluminateandenricha setting. The collection is expanded with this new wall version, also available in white, chocolate, turquoise blue and sand.
DISCOCÓ A— Christophe Mathieu —
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27,5
cm
38cm
23,6cm
Discocó A
Colours
WhiteTurquoise Blue RAL 6034
Chocolate RAL 8017Sand RAL 7032
Bulbs2x E14 FBT 15W
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