licht pavilion

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Page 1: Licht Pavilion

oscarpatarroyoarchitect/designer/photographer

000

Page 2: Licht Pavilion

lightpavilionacademicproject

001germany2012

Page 3: Licht Pavilion

Viacrucis Pavilion

Music by Franz Liszt

Via Crucis is perhaps the closest Liszt came to cre-ating a new kind of church music through com-bining a new harmonic language with traditional liturgy. The harmony underpinning the music is experimental, including an extensive use of the whole-tone scale.

Pavilion Concept

This Pavilion is the deconstruction of the Liszt’s mu-sical piece by a rigorous analysis of the Tone scale used, then these surfaces were the main element to create a space where the most important was to show the diversity and constrast of the piece and also to create an unique experience for the user by the combination of Sound + Light + Space.

a. Reinterpretation

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a. Reinterpretation b. Design of Surface based on Musical Waves

b. Design of Surface based on Musical Waves

b. Pavilion = Surface + Light + User’s Experience

Off

Low Tones

Medium Tones

High Tones

Low Tones Low Light

Medium Tones Regular Light

High Tones Intense Light

Page 4: Licht Pavilion

c. Pavilion = Surface + Light + User’s Experience

Wood Pieces by Laser Model in Progress

Model in Progress

Pieces of Structure

Page 5: Licht Pavilion

Front Facade

3.5mts

Back Facade

Low Tones Low Light

Medium Tones Regular Light

High Tones Intense Light

Interior View: Regular Light

Aerial View

Main Perspective

Page 6: Licht Pavilion

oscarpatarroyoarchitect/designer/photographer2012