lianza 1 the rise and rise of the graphic novel
DESCRIPTION
Keynote from the LIANZA conference 2008. An introduction to comics and graphic novels: their history and how they work.TRANSCRIPT
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TheRise and Rise
of theGraphic Novel
~Comics as a literary form
Dylan Horrocks
Art Spiegelman
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Rodolphe Töpffer, Histoire de M. Jabot (1833)
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Rodolphe Töpffer, L’Histoire d’Albert (1845)
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Georges Remi (Hérge), Tintin au Pays des Soviets, (1930)
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R. F. Outcault (USA, 1863-1928), The Yellow Kid (1895-8)
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Winsor McCay, Little Nemo in Slumberland (1905-1914)
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John Mayes (cover art), Famous Funnies (1934)
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Joe Shuster (cover), Action Comics, (1938)
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Dr. FredericWertham
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Seduction of the Innocent by Dr. Frederic Wertham (1954)
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“The comics erode the most fundamental habits of humane, civilised living… and they erode them in the most vulnerable element of our society, our children…
“If we ban the comics we are reducing the chances of war and preventing the further perversion of the world’s children.”
Bill Pearsonletter to Landfall (March,
1955)
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“There will be no attempt to give them serious consideration on aesthetic grounds, because they are simply not worth it.”
Margaret Dalziel‘The Comics in New Zealand,’ Landfall (March, 1955)
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we read pictures
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closure
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Charles Schulz, Peanuts, 1950-2000
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David B., Epileptic, 2005
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Herge, Tintin (The Castafiore Emerald), 1963
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Miwa Ueda, Peach Girl, 1998-2003
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Drawing style = ‘voice’
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Joe Kubert, Fax from Sarajevo, 1996
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Joe Sacco, Safe Area Gorazde, 2000
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John Porcellino, Perfect
Example, 2000
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Jiro Taniguchi, The Man Who Walks, 1992
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Scott McCloud, Understanding Comics: the Invisible Art, 1993
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Katsuhiro Otomo, Akira, 1982-1990
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Chester Brown, Louis Riel, 2003
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Chris Ware, Quimby the Mouse, 1990-1, 2003
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George Herriman, Krazy Kat (1913-1944)
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Words + Pictures
Will Eisner, Comics & Sequential Art, 1985
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Jim Woodring, Frank
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John Byrne, Alpha Flight, 1980
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Dave Sim & Gerhard, Cerebus, 1977-2004
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René Goscinny & Albert Uderzo, Asterix the Legionary, 1966
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Chris Ware, Jimmy Corrigan, the Smartest Kid on Earth, 2000.
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