lemis, zachary portfolio

40
Zachary Lemis University of Michigan College of Architecture Class of 2012

Upload: zach-lemis

Post on 12-Mar-2016

219 views

Category:

Documents


2 download

DESCRIPTION

Collection of works from junior and senior year at University of Michigan School of Architecture

TRANSCRIPT

Page 1: Lemis, Zachary Portfolio

MATERIAL FRINGEHailey Landis, Zach Lemis, Vittorio Lovato, Matthew Ritsema

External LogicReflected Ceiling PlanScale: 1” = 1’-0”

0 3” 6” 12” 24”

Internal LogicReflected Ceiling PlanScale: 1” = 1’-0”

0 3” 6” 12” 24”

CONCEPTThe duplicitous nature of the project, conceived through a multiplicity of interior and exterior conditions, attempts to create spatial and constructional uncertainties that call to question the distinction between the digital and analog within architectural applications. Through the application of paper pulp to a routed surface, the surface definitions inherent in the mold are masked by the pulp’s natural tendency to cover detail. From the exterior, the artifacts of fabrication are visually lost. Questions of construction reemerge, however, after the imposition of a strong hard edge to the project, the pathway. The precision and detail of the pathway, generated as a section cut, gives thickness to an otherwise planar project. It acts visually as the surface’s interior while simultaneously cultivating the discrepancies between its own digital construction within its “random” frame. While the overall ceiling reveals little of its origins, it isn’t until one investigates further into the surface fissures that the pathway as an interior is broken down. Unlike the exterior, the real interior of the project still bears the marks of fabrication. Known as the “moments of reveal”, the fissures expose a second interior condition where it begins to interact in a way that triggers confusion and blur the distinction between the exterior and the double layer of interiors.

DESIGNAs one moves through the project, these multiple conditions are experienced simultaneously. The three surface conditions were generated from the computer scripting language of grasshopper. The exterior’s stark rigidity and very cave-like texture contrast with the soft glow and vibrant color of the path. The difference is further exacerbated through the project’s invitation for contact and the pathway’s acoustic qualities. The pathway’s characteristics push the distinction to the point of separation. From outside the pathway, the cut gives the surface thickness. From within the path, this thickness is broken down. The two spaces collide through the framing of the surface’s interior.

CONSTRUCTIONThe 3-axis CNC router was utilized to generate a three dimensional styrofoam mould from a digital parametric model. The paper pulp consisting of a 1:1 mixture of newspaper and vellum was applied to the surface of the styrofoam mould and later removed to leave a structural shell of paper pulp. Paint is applied to create the distinct surface conditions. Because of its strength to weight ratio, the surface can be held by fishing line to a sub-structure. The additional of lighting completes the ceiling.

THICK N’THINPaper Pulp Ceiling

Zachary LemisUniversity of Michigan

College of ArchitectureClass of 2012

Page 2: Lemis, Zachary Portfolio
Page 3: Lemis, Zachary Portfolio

Works Emerging Intersections

Community in the Cut

Thick N’Thin

Re-emerging Library

Outside - In

Pathways

Page 4: Lemis, Zachary Portfolio

EMERGINGINTERSECTIONS

The redesign of the US District Courthouse in Manhattan utilizes petal architecture in a new way. Original petal architecture has a center with separate, distinct petals stemming from it. This design incorporates three centers with eight programmatic petals growing into each other, creating a unified building. At these intersections, the space opens up with two atria creating large, open public interaction spaces. There is a secondary system of petaling that extends past the envelope of the courthouse that highlights each courtroom from the exterior of the building.

In the courthouse there are three different types of occupation: public, judge/staff, and prisoner. Reflecting these occupancies, there are three separate circulation routes in the courthouse that keeps the three groups completely separate until they all meet in the courtroom for a trial.

professor: Kyle ReynoldsWinter 2012

Page 5: Lemis, Zachary Portfolio

8th floor plan 13th floor plan 17th floor plan

Page 6: Lemis, Zachary Portfolio

overall formgrowth from base 3

site plan

site three programatic bases growth from base 1

growth from base 2

aperture pattern

opened up public space

public circulation and access

interior floors

placement of courts and extra library/office space

judge/staff circulation and access

atria cutting planes

program extends past building envelope

secure prisoner circulation and access

composite

Page 7: Lemis, Zachary Portfolio

ba

Section a Section b

Page 8: Lemis, Zachary Portfolio
Page 9: Lemis, Zachary Portfolio
Page 10: Lemis, Zachary Portfolio

COMMUNITYIN THECUT

The Dequindre Cut in Detroit is an old rail line that has been converted to a greenway connecting the Eastern Market and the waterfront. Sunk just over two stories below the street level, it is used year round by bikers, runners, and the rest of the community for various activities.

The apartment building and community work space offers an affordable place to live for all members of the community. With one to six bed apartments of various layouts, anyone can find what they are looking for. Through the center of the building are large open work areas with shop tools, welding areas, vent hoods, and collaboration spaces. But the main focus is on the community kitchens and dining areas on almost every floor that are open to the public and encourage a sense of community between the tenants and the rest of the public.

professor: Tsz Yan Ngfall 2011

Page 11: Lemis, Zachary Portfolio

dequindre cut level

parking level

street level

first floor

second floor

third floor

fourth floor

fifth floor

sixth floor

seventh floor

eighth floor

roof

Page 12: Lemis, Zachary Portfolio

long section

site plan

Page 13: Lemis, Zachary Portfolio

Section

Site Plan

northeast elevation

composite

circulation

infrastructuralcores

public hackspace

continuousgreenway

southwest elevation

northwest elevation

southeast elevation

Page 14: Lemis, Zachary Portfolio
Page 15: Lemis, Zachary Portfolio
Page 16: Lemis, Zachary Portfolio

THICKN’THIN

This project, conceived through a multiplicity of interior and exterior conditions, attempts to create spatial and constructional uncertainties that call to question the distinction between the digital and analog within architectural applications. Through the application of paper pulp to a routed surface, the surface definitions inherent in the mold are masked by the pulp’s natural tendency to cover detail. From the exterior, the artifacts of fabrication are visually lost. Ques-tions of construction reemerge after the imposition of a strong hard edge to the project, the pathway. The precision and detail of the pathway gives thickness to an otherwise planar proj-ect. It acts visually as the surface’s interior while simultaneously cultivating the discrepancies between its own digital construction within its “random” frame. It isn’t until one investigates further into the surface fissures that the pathway as an interior is broken down. Unlike the exterior, the real interior of the project still bears the marks of fabrication. The fissures expose a second interior condition where it begins to interact in a way that triggers confusion and blurs the distinction between the exterior and the double layer of interiors.

professor: Adam Furefall 2011

Ceiling Installation

with Hailey Lanis, Vittorio Lovato,Matthew Ritsema

Page 17: Lemis, Zachary Portfolio

How to Make Paper Pulp

Pulping Process

Experiential Axon

Scripting Logic

Gria

dde

d G

uide

sIn

itial

Sur

face

Mod

els

Add

ed S

urfa

ce D

efin

iton

Initial Three-Part Grid System

1

Randomized Light Placement on Medium Definition Grid

2

Surface Based On Light Placement Points

3

Surface Edges Raised to Upper Ceiling Height

4

Manipulation of Control Points on Low Definition Grid

5

Manipulation of Control Points on High Definition Grid

6

Final Slice for Human Circulation

7

Scripting Logic

Scripting Logic

Gria

dde

d G

uide

sIn

itial

Sur

face

Mod

els

Add

ed S

urfa

ce D

efin

iton

Initial Three-Part Grid System

1

Randomized Light Placement on Medium Definition Grid

2

Surface Based On Light Placement Points

3

Surface Edges Raised to Upper Ceiling Height

4

Manipulation of Control Points on Low Definition Grid

5

Manipulation of Control Points on High Definition Grid

6

Final Slice for Human Circulation

7

Scripting Logic

Page 18: Lemis, Zachary Portfolio

Wood Framing Members

Electrical Hub Components

LED Light Clusters

Paper Pulp Ceiling

Wooden Support Frames

Exploded Axonometric

Electrical Plan

Ceiling SectionExploded Axon

Wood Framing Members

Electrical Hub Components

LED Light Clusters

Paper Pulp Ceiling

Wooden SupportFrames

Electrical Plan

Ceiling Section

Page 19: Lemis, Zachary Portfolio

Material, Form, Lighting, and Color Tests

Page 20: Lemis, Zachary Portfolio

RE-EMERGINGLIBRARY

Along Woodward Avenue, Detroit is slowly disappearing. Many vacant lots and dilapidated homes are scattered up and down this main artery of Detroit. This new Detroit Public Library aims to revitalize the area and draw in more people to the city and the surrounding neighborhoods. It wants to show the rest of America that Detroit is not a lost cause, that it will re-emerge and become the once great city that it was in the past. The library seems to emerge from the ground to passery-bys along Woodward Ave. It features an image of the Spirit of Detroit on the street side and the skyline of downtown Detroit overlooks the neighborhood behind the library. The library also acts as a community center by offering a cafe, interior and exterior lounges, a small theater for presentations and lectures, and classrooms.

professor: Ellen DonnoleyWinter 2011

Page 21: Lemis, Zachary Portfolio

a

b

c

a

b

c

a

b

c

a

b

c

plan at -12’

plan at 12’ plan at 36’

plan at 24’

Page 22: Lemis, Zachary Portfolio

lawrence st rosedale ct

burlingame stenglewood st

north

section a

site plan

Page 23: Lemis, Zachary Portfolio

section c

section b

site section

section a

Page 24: Lemis, Zachary Portfolio
Page 25: Lemis, Zachary Portfolio
Page 26: Lemis, Zachary Portfolio

OUTSIDE -IN

The Hajj Ishmael Institute for Stillness in Motion is to be a gathering place for college aged people and younger. It will act as a lounge and a place to hangout in addition to the exhibition and theater space. Admission will be free to view the art and to see any concert, play, or movie screening. The institute is to be a community place of learning and enjoyment and by putting a price on that will defeat the purpose of the institute. It will feature contemporary and street art, both on the interior and exterior of the institute. The idea is to bring in the mentality and lifestyle of the street artists. The act of interiorizing street art is to focus it within one insitute and make it easily accessible to all. It introduces a new context for street art that may create new forms of the practice. The fellowship artists featured in The Hajj Ishmael Institute for Stillness in Motion will include graffiti artists and other street artists who use the urban landscape as their canvas to create murals, sculptures, or other forms of art. It will also feature up-and-coming musicians from college campuses around the world. The institute will welcome anyone interested in the sport of parkour. The roofscape is designed in such a way to encourage running and jumping across, over, and around. This act in itself will be featured as a performance art and draw in even more visiters to The Hajj Ishmael Institute for Stillness in Motion.

professor: Anya SirotaFall 2010

Page 27: Lemis, Zachary Portfolio

A

B

Ground Floor Third Floor

First Floor Fifth Floor

Page 28: Lemis, Zachary Portfolio

Site Plan

Section A Section B

Page 29: Lemis, Zachary Portfolio

Lobby Exhibition Space Theater Cafe Book StoreMeeting RoomsOffices Work/Live Studios

Program

plan

plan

section

section

axon

axon

created space

created space

Module 1 Module 2 Module 3 Module 4 Synthesis 1 Synthesis 2 Synthesis 3 Synthesis 4 Synthesis 5

Synthesis 10 Synthesis 11 Synthesis 12 Synthesis 13 Synthesis 14Synthesis 6 Synthesis 7 Synthesis 8 Synthesis 9

Lobby + Exhibition Exhibition Space Exhition + O�ce Exhibition Space Book Store

Studio Cafe Meeting Rooms Bookstore + Studio Exhibition SpaceStudio Exhition + Bookstore Exhibition + Cafe + Studio Cafe

Studio O�ce Lobby Exhibition Space

Page 30: Lemis, Zachary Portfolio
Page 31: Lemis, Zachary Portfolio
Page 32: Lemis, Zachary Portfolio

PATH-WAYS

In order to find yourself within this space, one must first allow themselves to get lost. By navigating the intertwining pathways you find yourself starting to circulate through the space, all the while discovering something new at every turn and climb. At a moment of rest, it is imperative to take a moment and appreciate the space while planning the next path to be taken.

professor: Anya SirotaFall 2010

Page 33: Lemis, Zachary Portfolio

Stephane Couturier -Renaud Ile Seguine, 2002

navigateconsciously and actively making

cdecisions of which path to take

circulateact of moving up and through

connecting spaces

intertwinepathways that move through and

around eachother

Page 34: Lemis, Zachary Portfolio
Page 35: Lemis, Zachary Portfolio

intertwined

circulation

top

bottom

front back left

right

light wells

throughways

navigation spatial void

spatial void

spatial void

light wells

throughways

intertwine

navigation

circulation

spatial void

spatial void

spatial void

Page 36: Lemis, Zachary Portfolio
Page 37: Lemis, Zachary Portfolio
Page 38: Lemis, Zachary Portfolio
Page 39: Lemis, Zachary Portfolio

foam study models

Page 40: Lemis, Zachary Portfolio