ContentsJOE GRANDAPublisher

FRANK CERAOLOEditor

GABRIEL BRANDGraphics & Web Design

JERRY TORRESCreative DirectorPromotions Coordinator

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WEBSITEwww.latinmusicclubreport.com

ON THE COVEREnrique Iglesias

For expanded interview content, please refer to our website, www.latinmusicclubreport.com, which features full interviews as well as Spanish language content.

Latin Music Club Report Magazine is published bimonthly and distributed at no charge to “elite vip members” of entertainment community. Printed in the USA.

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© 2011 Latin Music Club Report, LLC. All rights reserved.

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From The EditorAre we currently riding a “new wave” of dance music?

It’s getting more and more difficult to notice that both genres of Anglo and Latin music are being “infused” with what is rapidly being known as a “new wave” of dance/club/rhythmic music.

Notice that I used various terms, because depending on who you speak with, some music industry pundits are more comfortable using one synonym than the other. Although most radio programmers would want to deny it, they have been forced to deal with another wave of “music with a beat”.

Of course, I know that Anglo radio programmers “squirm” in their office chairs wondering how long this “rhythmic wave” of multiple single releases from Britney, Gaga, Enrique, BEP, Kesha, Usher and Rihannas are all going to last—the answer is that it’s definitely here for an “extended play” stay. Same seems to be true for the Latino radio programmers—it’s no lie that Enrique’s current album, “Euphoria”, is markedly one of his biggest albums to date, netting both massive Anglo and Latino radio hits. On top of the “obvious hits” at Latin radio, the trend seems to be that recent single releases from Usher and Rihanna which have shot to the top regions of the Hot 100 recently are also charting high on the Latin Radio Airplay charts in Billboard as well—and surprisingly, in their original Anglo recorded versions.

Although some tend to identify the current “clubby” trend with breakthrough global dance hits like “Stereo Love” by Edward Maya featuring Vika Jigulina (originally from Greece) and “We No Speak Americano” by Yolanda B Cool and DCUP (from Australia), this electro-influenced pop, progressive house and club fare was sparked and ignited in 2007 by an innovative French DJ/producer named David Guetta. There’s no denying that his style and influence are intricately interwoven in a majority of these current pop/dance tunes, but it’s a shame though, that his music was first encountered with such resistance. For those who follow the music, many will remember the anthem, “Love is Gone”, Guetta’s first official radio single in the U.S. (although certainly not his first in Europe), which featured vocals by Chris Willis, was met with such resistance by programmers, although breaking through as a “hit” in several major markets.

The resistance continued in 2009, with the release of mega-single “When Love Takes Over”, Guetta’s first global #1 single (#1 or Top 5 in most territories except for the U.S., where it reached only #76 on the Hot 100), featuring former Destiny’s Child member, Kelly Rowland. If that undeniable track wasn’t proof enough of his talent and trendsetting pulse, he was the songwriting and production mastermind behind the Black Eyed Peas multi-million selling release, “I Got a Feeling”, which was the #1 pop/dance single of the year in 2009 and the highest selling digital single in the history of iTunes (and still selling).

I guess the point that I’m attempting to make here is that when the “wave” is more closely aligned in “tsunami” proportions, WHY fight it? As most industry people know, outside of the obvious major label hits, only a mere couple indie dance tracks (the aforementioned “Stereo Love” and “We No Speak Americano”) have actually broken the U.S. Top 40 chart in Billboard.

Most industry insiders MUST realize that most of these heavyweight artist album projects that are currently being released were produced sometime last year and usually inspired by one of these innovative global dance tracks. And more importantly, with every current success and milestone which is achieved, another block of singles and albums are being recorded, auto-tuned, produced, tweaked and pre-bundled (or packaged) as we speak. Radio programmers hear this: Please expand those narrow, dance-resistant minds of yours and become a bit more open to trends for which you cannot deny (no matter how much you want to fight them)!With that being said, we are expanding one of our Genre charts in the current issue—our Pop/Remix chart is now lengthened to a Top 10 chart and will follow the LMCR Top 20 and Top 5 Genre charts. Viva la Club!!

Editor

lengthened to a Top 10 chart and will follow the LMCR Top 20 and Top 5 Genre charts. Viva la Club!!

Editor2

Producer Billboard Latin Music Conference Issue

Richy PeñaRichy Peña, talented music producer of the Latin GrammyWinning Album, “Mi Niña Bonita,” started producing andwriting songs in his hometown of Boston back in 1998.

Although he made a name for himself locally as a singing, rapper, and even record label president, he craved more. He soon packed his bags and moved to New York City . Once in the Big Apple, he began working with various artists, but his first big break came in 2006 with an artist named Nely. After that intial success, he began working with Don Omar, which eventually led to him meeting Chino y Nacho. In late 2010, he won a Grammy for Best Latin Urban album, “Nina Bonita” by Chino y Nacho. More recently, he’s working with name artists like Juanes, J King y Maximan, Tony Dize and Angel y Khriz.

Recently signed by Warner/Chappell Music, Richy has become an inspiration for the many aspiring artists that are working hard to succeed in the music industry.

He recently took time out of his busy schedule where he balances his roles as a producer, entrepreneur and philanthropist to share his musical journey with us.

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Thanks so much, Richy for taking the time to talk with us today—why don’t we start by you briefly telling us about how you developed as a producer.I started producing and writing songs back in 1998. I was inspired by the Spanish Reggae sounds of Playero in the late 90’s and Dj Blass in the early 2000’s. I started rapping and singing and in 2001, and I started a label and group that became very well known in my home town of Boston. After years of performing locally, I decide to move to New York to pursue a bigger dream.

What was your first big break? In the winter of 2006, my break came working with Nely “El Arma Secreta”, who was part of the reggaeton explosion, in New York. I was working with Nely in the studio engineering, writing and producing several projects. The first song I was involved with (that had my name shouted out) was “Calm My Nerves”, by Don Omar. Since the first day that Don and I met, we got along great. He later took me under his wing and I started to work for him under El Orfanato. While working with Don Omar I met Chino & Nacho, and produced, “Dentro De Mi” for them. Soon after that record, I began to branch out on my own, doing my own productions. Eventually, I produced Chino & Nacho’s biggest hit, “Mi Nina Bonita”, which prompted me to introduce them to Aldo Gonzalez, Director of A&R, at UMG, which led to their eventual signing to the label.

Your favorite memory in your career thus far?I think one of my favorite memories is signing a co-publishing deal with Warner Chappell Music. When I saw that check arrive in the mail, I felt that all the hard work and struggles I had endured were all worth it…..probably one of the first times I felt truly successful doing music. Of course, winning a Grammy for Urban Album of the Year 2010 is another great memory!

Is there a particular song or album which you feel defines you as an Producer? The music industry is always changing and people are always changing. I think the song or album that will define me as a producer will be the next one I produce. Because it will be my latest creation, I think it will define more accurately how I was feeling at the time.

Which artist would you consider a favorite of yours? My favorite artist is Jay Z-- he is able to paint you a picture with his music and words, but he is also one of the most

influential entrepreneurs of our time. I find the way that he’s ventured out of the music business and amassed his own multi-million dollar empire is truly inspiring. I especially relate to him because he is someone that came from the bottom up, and I see many similarities in both of our lives.

How do you feel that recent technological advances have altered your creative process? Thanks to the internet, I am able to make a great song with an artist who is halfway around the world. For example, Nacho and I get on Skype late at night and exchange song ideas and create great music together. Social media has also become the best way to connect and interact with your fans. Follow me on Twitter @RichyPena.

What important lesson have you learned about the music business? One of the most important things I’ve learned is that everything has to be on paper. For some reason some people in the music industry suffer from amnesia and forget things. So it’s good to have things on a piece of paper, especially for those who have trouble recalling a conversation... lol.

If there was one thing you could change about the industry, what would you change? I think parts of the music industry are operating on an old school model. I feel that because they are so corporate, they take too long to adopt what’s hot, when it’s hot. As a nightclub owner, I hear what’s playing and what people are dancing to in the streets before they go mainstream. There should be a better way for a major label to keep its ear in tune with the streets and with what people want... which leads me to my next point-- Labels should take more risks on new talent and a new sound. Last years sound won’t sell in the next year, and that’s why so many artists flop.

Well said, Richy!! Thank you so much for your time, talent and perspective…we truly appreciate it.Wishing you continued success!!

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LMCR Promo Cds and Compilation

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LMCR Compilation01. India & Peppe Citarella - Tacalacateo (Tribal Miami Mix) (Angel Eyes Music

Group)

02. Elvis Crespo - Dulce, Salada (Manny Lehman Club Mix) (Flashmusic)

03. Elvis Crespo - Dulce, Salada (Krafter’s Club Mix) (Flashmusic)

04. Juanes - Regalito (Giuseppe D. Radio Mix) (Universal Music Latin)

05. Juanes - Regalito (Mike Mucci Soulfusion Club Mix) (Universal Music Latin)

06. Dulce Maria - Ya No (Klubjumpers Extended Mix) (Universal Music Latin)

07. Sohanny - No Es Normal (feat. Fuego) (Tohlih Music Group)

08. Ninel Conde - Hoy Tengo Ganas De Ti (Klubjumpers Club Remix) (peerT6H

music)

09. Ninel Conde - Hoy Tengo Ganas De Ti (Gustavo Scorpio Club Mix) (peerT6H

music)

10. Lanka - Historia De Mi Soledad (Gustavo Scorpio Mix) (Lanhouse Records)

11. Lanka - Historia De Mi Soledad (Yaxkin Retrodisko Extended Mix)

(Lanhouse Records)

12. Gerardo Traa - Loco (peerT6H music)

Enrique Iglesias Single Promo CDNo Me Digas Que No (feat. Wisin & Yandel)Iglesias, Bueno, Luna, Malavé,

Padilla & Martinez

(Universal Musica Unica Publishing)

1. Gustavo Scorpio Club Mix 7:49

2. Klubjumpers Extended Mix 5:08

3. Klubjumpers Radio Mix 3:26

4. Klubjumpers Mixshow Mix 4:23

5. Meren Mambo feat. Omega 4:03

Gloria Trevi Single Promo CDMe Río de TiGloria Trevi, Marcela de La Garza y Baltazar Hinojosa

(Baltamusic/Sony/ATV Latin Music Publishing, LLC)

1. Gustavo Scorpio Club Mix 7:27

2. Yaxkin’s Club Papi Style Mix 7:48

3. Evolved ElektroClub Mix 6:57

4. Evolved ElektroClub Radio Mix 3:42

5. Evolved ElektroDub Mix 7:22

6. Manny Lopez & Nemesis Club Mix 5:29

7. Manny Lopez & Nemesis Radio Mix 3:56

8. Album Version 3:37

Tonight (I’m F**kin’ You)Iglesias, Lauren Christy, Christopher Bridges

(Lauren Christy Songs/Universal Music Careers)

6. D&J Club Mix 6:15

7. D&J Club Dub 5:27

8. D&J Radio Mix 3:53

9. Richard Vission Solmatic Mix 5:23

10. Wideboys Full Club 6:55

11. Dirty Chuckie Remix 6:09

Record Pool/DJManny SobaManny Soba has been djing for nearly 30 years and grew up in the era of Jellybean, Shep, and Larry (Levan). He began spinning as a DJ at a Bayside Queens club called Sidestreet in 1985. He joined his first record pool, City Sounds Record Pool, in 1987, and created a specific Latin division with the pool by 1989. By 1992, he was already working hard creating another pool, Discos Latinos Pool in the Tri-State area. Later in ’92, he contined branching out, promoting local dances and events in his region. Sony took notice of his focus and diligence and hired him as their NE Promo Rep in 1993.

But that didn’t stop Manny….he created his own entertainment company in 1994, M.S. Entertainment, representing Gilberto Santa Rosa, Isidro Infante and Marcas Records. During this very active time, Manny was also spinning at the legendary club, the Copacabana, from 1994-1997.

In 1996, Manny was responsible for negotiating a a lucrative recording contract for one of his platinum clients, Isidro Infante, to RMM Records. Soon after he began working directly with the RMM President, Ralph Mercado, who asked Manny to take on the role of co-producer of the RMM 10th Anniversary Club Tour, along with co-sponsor, Heineken, in 1996.

Manny continued to trailblaze his own path, returning to Sony Tropics as an A&R rep in 1998, and soon after, initiated another new Entertainment company, Urban Tropics. In 2002, the Urban Tropics Record Pool was born.

He continues to remain active in deejaying as well, gigging at various clubs in the Tri-State area during 2008, like El Morocco, Club Iguana, Room Fifty5, and Club Tropicana, to name a few.

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Let’s speak now with one of the innovative Tri-State legends of DJing, promotion, touring and A&R, Manny Soba... Manny, so happy, to have you with us today... and there’s so much ground to cover... let’s begin with the basics - How many years have you been a DJ? I started DJing in 1983 at the age of 19, this will be my 28th year.

How did you start your DJ career?I always enjoyed buying records after listening to mixshow dj’s like Shep Pettibone, Jellybean Benitez, Jose “Animal” Diaz, Aldo Marin, The Latin Rascals and Larry Levan. My family would have a lot of house parties and I would hire my childhood friend, Carlos Berrios, to DJ the parties. We would combine records and arrange the mixes for Carlos to spin. In 1983, a friend of mine suggested that I learn how to mix and they would get me a lot of bookings for house and club parties. By that time, my friend, Carlos was already a hot club DJ, also doing remix and production work as well.

Was there a particular person/mentor who helped you get started? Carlos Berrios taught me how to mix and how to count beats. I also learned a lot from Roger Sanchez about mixing and technique as well.

They both helped me get booked at many parties because they were also very busy between their club gigs, and their remix and production work.

When did you first join a record pool?I first joined City Sounds record pool in 1987 under Eddie Arroyo and Ed Paunetto. A year later, Rich Hernandez replaced Ed Paunetto as Director. Eddie and Rich taught me so much about music, helping me navigate thru industry channels, and opening doors with various record labels.

Eddie and Rich also helped get me started in clubs by scheduling me to open for them at clubs like Limelight and Octagon. They both inspired me to start a Latin division within their record pool.

When did you become director of your record pool?I created the Latin Division for City Sounds Record Pool in 1989, which was the first Latin record pool at the time and opened my own record pool in 1992, which was called the Discos Latinos Pool.

What’s your biggest challenge in running your record pool? It’s definitely trying to obtain record label support from the various Latin labels that still exist, as well as the growing number of independent labels that now exist.

What club(s) do you currently DJ at currently?I do guest spots at El Morocco and Tropicana in NY. I am hired to work for a lot of private events as well as working on producing various concert events and festivals.

Favorite ALL-time Club record?Luv Dancin’- Underground Solution.

Current favorite club track? I really like “A llorar a Otra Parte” by Mikeal Devante, which is on Angel Eyes Music Group, which has been #1 on my chart for the last couple of months.

What Latin club record shows the most promise which your pool has been serviced in the last month based on member response? A hot Club track is “No Es Normal” by Sohanny featuring Fuego. “Amor Prohibido” by Siglo XXI from Puerto Rico is the hot Salsa track right now.

What do you feel is the strongest “trend”(or genre) in club music right now? The strongest trend is bachata but I feel Salsa is making a comeback.

If there was one thing you could change about the industry now, what would it be? I would love to see big clubs again in NYC with live music.

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Cover StoryEnrique Iglesias is a Spanish pop music singer-songwriter who initially launched his musical career on Mexican label Fonovisa in 1995. He rapidly became one of the most popular artists in Latin America and in the Hispanic or Latino market in the United States, and the biggest seller of Spanish language albums of the 1990’s.

Before the turn of the millennium, he made a crossover into the mainstream English language market, signing a unique multi-album deal with Universal Music Group for an unprecedented sum of money. The unique deal designated Universal Music Latino to release his Spanish albums and Interscope to release English albums. In 2010, he parted with Interscope and signed with another Universal Music Group label, Universal Republic.

Iglesias has had five Billboard Hot 100 top five singles including two #1s, and holds the record for producing 22 number 1 Spanish-language singles on the Billboard’s Hot Latin Tracks. Up until the release of his latest album, Euphoria, in 2010, he had sold over 55 million albums in both English and Spanish.[1] He has also had eight #1 songs on Billboard’s Dance charts, more than any other single male artist.

Enrique has been touring recently to support “Euphoria”, and took a few minutes out of his incredibly busy schedule to speak with us.

Enrique, first, we wanted to say congratulations to you on the many achievements that you have scored on this most recent album project….How do you feel about the massive success you’ve had in the last year with the release of “Euphoria”? It’s been fantastic. I’m so happy that it’s reached so many listeners. I’m forever thankful to fans both old and new.

What is your favorite song on the album and why?I can’t really choose a favorite. I do really love “I Like It” - It’s just a fun upbeat party song, and it really gets the crowd going at shows.

What was it like to duet with Wisin & Yandel on the song, “No Me Digas Que No”? It was great. I love working with those guys. Every time seems to get better and better. What is your favorite genre of music? I’ve always been into pop.

Which of your vocal collaborations has been your favorite (or most memorable)?Once again, so hard to choose favorites as every single one has been unique and special in it’s own way. I can say, however, that working with a legend like Juan Luis Guerra was an amazing experience for me.

How do you feel that DJs and Clubs contribute to your worldwide success?I’m forever thankful and glad my music is played on the scene.

How do you feel about being the first artist ever to top Billboard’s Hot Latin Songs and Mainstream Top 40 charts simultaneously with two different songs, in two different languages? I love it!

What would you say is the most memorable moment of your career thus far? This past Euphoria tour has been incredible so far. The large crowds in these incredible historical arenas makes everything worth while.

What has it been like to tour around the world with your latest album? Amazing... I have to say that I think this is my best tour to date.

Is there a particular artist that you are intrigued by and would like to work with in the near future? There’s many more. In a perfect world, I’d like to collaborate with as many artists as possible.

THANK YOU so much for your time with our readers!

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ChartsNational Top 201234567891011121314151617181920

Sohanny ft. Fuego

India & Peppe Citarella

Wisin & Yandel

Gloria Trevi

Juanes

Enrique Iglesias ft. Wisin & Yandel

Kat De Luna

Issa Galada

Monchy Y Nathalia

Siglo XXI Orquesta

Aventura

El Potro Alvarez ft. Chino Y Nacho

Charlie Cruz

Adriel

Hector Acosta

Toby Love

Elvis Crespo

Tito Rojas

Rakim Y Ken-Y ft. Alexis Y Fido

Gerardo Traa

No Es Normal

Tacalacateo

Zun Zun Rompiendo Caderas

Me Rio De Ti

Regalito

No Me Digas Que No

Dancing Tonight

Arrepentida

Hasta El Alma

Amor Prohibido

La Curita

Bla Bla Bla

Porque No Lo Dices

O Seras Tu, O Sere Yo

Me Duele La Cabeza

Casi Casi

Dulce, Salada

Ese No Soy Yo

El Party Sigue

Loco

TMGAngel Eyes Music GroupMachete/Universal MusicUniversal Music Universal MusicUniversal MusicUniversal MusicUniversal MusicVenemusicIndependiente/P.R.Premium LatinSumma EntertainmentBlakout MusicMojica MusicVenemusicSony/BMGSonyMP/JNPina RecordspeerT6H music

#1Feeling compelled to create and perform the Dominican music of her soul, singer and songwriter Sohanny has released her first single, the urban merengue club smash entitled “No Es Normal,” which is igniting dance floors from New York to Los Angeles to Santo Domingo.

Produced by Grammy award winning producer Richy Peña (of “Mi Niña Bonita” fame) and featuring one of the hottest new artists in the genre, Fuego; “No Es Normal” firmly establishes that the beautiful Sohanny is on the verge of becoming Latin music’s hottest rising star.

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pick hit of the monthGrammy Award winner and International Merengue sensation Elvis Crespo returns with his eighth studio album, “Indestructible”, on Flash Music/Sony. This new album project was recorded in the Dominican Republic and Puerto Rico and captures the essence of what originally shot Crespo to stardom. This exclusive for club only single, “Dulce Salada”, is already burning up dancefloors, supported with club remixes by DJ Krafter and Manny Lehman, and is already a showstopper on Crespo’s “Indestructible” Club Tour, which has already kicked off in major cities across the US. Please consult his website for the complete list of tour dates.

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TW LW Artist Song Label

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Tito RojasAdrielSiglo XXI OrquestaMikael DevanteRey Ruiz

Ese No Soy YoO Seras Tu, O Sere YoAmor ProhibidoA Llorar A Otra ParteMe Equivoque

MP/JNMojica MusicIndependiente/P.R.Angel Eyes Music GroupLuna Negra

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Sohanny ft. FuegoEnrique Iglesias ft. OmegaRita Indiana Y Los Misteriosos

Fito Blanko ft. FuegoEl Negro 5 Estrella

No Es NormalNo Me Digas Que NoDulces SueñosVIPPlomo Plomo

TMGUniversalSony Latin USCrown Loyalty Ent.Cavernario Rec./Sunflower Ent.

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Wisin & YandelEl Potro Alvarez ft. Chino Y Nacho

Rakim Y Ken-Y ft. Alexis Y Fido

Rakim Y Ken-YIvy Queen

Zun Zun Rompiendo CaderasBla Bla BlaEl Party SigueMasAmor Puro

MacheteSumma Ent.Pina RecordsPina RecordsMachete

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Toby LovePrince RoyceMonchy Y NathaliaAventuraGrupo 24 Horas

Casi CasiEl Amor Que PerdimosHasta El AlmaLa Curita24 Horas

Sony/BMGTop Stop MusicVenemusicPremium LatinMachete

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Juan Jose MesaLisandro MezaPee WeeJenni RiveraVicente Fernandez

Corazoncito MioQue Nos PasaUn BesoYa Lo SeEl Hombre Que Mas Te Amo

Cafe RecordsCafe RecordsCapitol LatinFonovisaColumbia/Sony Mexico

salsa

merengue

urban

bachata

cumbia

Top 5 Genres

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Top 10 Pop Remixes #1India & Peppe Citarella - Tacalacateo (Angel Eyes Music Group)

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#2Enrique Iglesias ft. Wisin & Yandel - No Me Digas Que No (Remixes) (Universal Music Latin)

#3Gloria Trevi - Me Rio De Ti (Remixes)(Universal Music Latin)

#4Lanka - Historia De Mi Soledad (Remixes) (Lanhouse Records)

#5Elvis Crespo - Dulce, Salada (Remixes)(Flashmusic/Sony Latin)

#6Pitbull - Bon, Bon (Mr 305 Records)

#7Ninel Conde - Hoy Tengo Ganas De Ti (Remixes) (peerT6H music)

#8Jennifer Lopez - On The Floor (ft. Pitbull) (The Island Def Jam Music Group)

#9Juanes - Regalito (Remixes) (Universal Music Latin)

#10Christian Chavez & Anahi - Libertad (peerT6H music)

Record Pool Charts12345678910

Rakim Y Ken-YIndia & Peppe CitarellaManaKat DelunaSohanny ft. FuegoJuan Luis GuerraMonchy Y NathaliaGreg BassoElvis CrespoIssa Gadala

MasTacalacateo (Remixes)Lluvia Al CorazonDancing Tonight (Remixes)No Es NormalLola’s MamboHasta El AlmaSex AppealDulce, Salda/Mi ProblemaArrepentida

Pina RecordsAngel Eyes Music GroupWEAPromotionTohlih Music GroupCapitol EMI LatinVenemusicSanchez FamilyFlashmusicUniversal

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Wisin Y YandelRakim Y Ken-Y ft. Alexis Y FidoBachata SwingKalimateToby LoveTito RojasTali & MessiahJuanesNegro 5 EstrellaIndia & Peppe Citarella

Zun Zun Rompiendo CaderasEl Party SigueRegresaElla No Ta En EsoCasi CasiEse No Soy YoLos VocalesRegalito (Remixes)Mucho Swing Mucho Bling BlingTacalacateo

MachetePina RecordsIndieIndieSony/BMGMP/JNCrossover PromotionsUniversal Music LatinCavernario Rec./Sunflower Ent.Angel Eyes Music Group

Mikael DevanteIndia & Peppe CitarellaNino SegarraTito RojasOrquesta Siglo XXIEnrique IglesiasShakira ft. El CataHector Acosta “El Torito”Wisin & Yandel f/ Tego & PitbullJose Alberto “El Canario”

A Llorar A Otra ParteTacalacateoSolo Por EllaEse No Soy YoAmor ProhibidoTonight (I’m Loving You)Loca (Remixes)Me Duele La CabezaRompiendo Caderas RemixQue Me Lo Cuente Otro

Angel Eyes Music GroupAngel Eyes Music GroupPromoPromoPromoUniversal Music LatinEpic/SonyVenemusicMacheteLos Canarios

India & Peppe CitarellaEnrique Iglesias ft. OmegaSohanny ft. FuegoRita IndianaHector AcostaEddy HerreraPrince RoyceEnrique IglesiasAlexandraSonora Carruseles

TacalacateoNo Me Digas Que No RMXNo Es NormalEl JuideroMe Duele La CabezaLo Perdi TodoCorazon Sin CaraTonight (I’m Loving You)VamonosMaestro De La Salsa

Angel Eyes Music GroupUniversalTMGPremium LatinVenemusicPremium LatinTop Stop MusicUniversalJNMiami REC

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Olga TanonJuanesRita IndianaGerardo “Traa”Elvis CrespoSohanny ft. FuegoCharlie CruzWasonHector AcostaAlexandra ft. Daniel

You Need To KnowRegalitoDulces SuenosLocoDulce, SaladaNo Es NormalPor Que No Le DicesEl BombonMe Duele La CabezaVamonos

MIA MusicUniversalPremium Latin peerT6H musicFlashmusicTMGLP MusicPremium LatinVenemusicJ&N

Ritmo Internacional Record Pool - Antioch, CA - Director: Tony Orellana

Urban Tropics Record Pool - East Northport, NY - Director: Manny Soba

VA Latin Promotions Record Pool - Sterling, VA - Director: Alex Valatin

Latinos Unidos Record Pool - North Arlington, NJ - Director: William Otero

Ritmo Camacho Record Pool - Ashburn, VA - Director: Jorge Camacho

Record Pool Charts12345678910

Rey RuizCharlie Sierra Y Su Orq.Luisito RosarioSiglo XXIEl Gran Combo De P.R.Wisin & YandelKynto ElementoLos Nuevos SabrososAventuraKinito Mendez

Me EquivoqueQue Se Repita Esa NocheDame La OportunidadAmor ProhibidoA Mi Me Gusta Mi PuebloZun Zun Rompiendo CaderasLa La LandLlegaste TuLa CuritaUn Beso

Luna Negra ProductionsIndependienteSunflower EntertainmentIndependiente/P.R.Sony MusicMacheteIndependienteMusical ProductionsPremium LatinIndie

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Charlie CruzKat DelunaEl Potro Alvarez ft. Chino Y NachoMonchy Y NathaliaSohanny ft. FuegoAventuraJuanesIssa GadalaPelusa Y La Banda CarambaTito Rojas

Por Que No Le DicesDancing TonightBla, Bla, BlaHasta El AlmaNo Es NormalLa CuritaRegalito (Juan Magan Mix)ArrepentidaEscuela De La SalsaEse No Soy Yo

LP MusicUniversalCrossover ProductionsVenemusicTMGPremium LatinUniversalCrossover PromotionsBan Caramba MusicMP

DJ’s Latinos Record Pool - Medford, MA - Director: Antonio Ortiz Jr.

Record Pool Latino - West Palm Beach, FL - Director: Tony Torres

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