kneon magazine 10
DESCRIPTION
Welcome to the 10th issue of KNEON Magazine. www.kneon-magazine.comTRANSCRIPT
KNEON 10Supa’ Bold
KNEON MAGAZINE ISSUE 10 | SPRING 2014 WWW.KNEON-MAGAZINE.COM
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KNEON #10
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After 4 yeArs of building And connecting, Kneon is A fAmily to be proud of. tHis 10tH issue isAn embodiment of tHe tHings we believe in. we HAve tAKen tHe leAp And found
our own direction.
no more tHemes, tHis is Kneon. supA’ bold
forging our own direction HAs tAKen courAge, we HAve discovered tHe tHings tHAt Keep us strong And
striving. we invite you to join us.
we’ve found our direction but tHis journey
HAs only just begunApril 10 2014
welcometo issue
ten ofKneon
cover pHotogrApHed by gAbrielle murpHystyled by AyA tsucHiimodel is evelinA sriebAlytemAKe up, KristinA rAlpHHAir, terri cAponpHoto AssistAnt, clAudiA cibelli
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01 trust your gut.......... . . . . . 01202 be bold.......... . . . . . . . . . . . . . . . . . . 01803 meAn it......... . . . . . . . . . . . . . . . . . . . .07404 strip bAre.......... . . . . . . . . . . . . . 12205 be Humble ......... . . . . . . . . . . . . . 16606 seeK Adventure.......... . . . . 22207 express grAtitude......... 30008 never looK bAcK.......... . . 306
contents
it’s in our
nAture to
editor’s letter
Hi KneonKid,
welcome to tHe most Aggressive, individuAl And loving issue of Kneon yet.
since we lAst spoKe, Kneon HAs evolved, grown And mAtured. sHe’s still young, still recKless, And still very very bold - but sHe’s found Her direction.
in tHe lAst couple of montHs, we lAuncHed our first cApsule collection witH l.A. brAnd j+co, creAted Kneontv (our first sHort movie coming out tHis summer), And developed Kneon beyond A mAgAzine into A digitAl plAtform And meAningful brAnd.
onto tHe structure of tHis issue: we’ve sectioned it off into eigHt cHApters, eAcH representing A different mAntrA tHAt botH Kneon And i strongly believe in: trust yourself, be bold, meAn it, strip bAre, stAy Humble, seeK Adventure, express grAtitude And never looK bAcK.
witH tHese Keywords in mind, i’ll let you get on witH tHe next 300 pAges. oH, And don’t worry About your eyes getting tired - we’ve used big Ass fonts tHAt even people liKe me wHo HAve tHe eyesigHt of An 80-yeAr-old bAt, will find comfortAble reAding too :3
i Hope you enjoy tHis.
love,
victoriA,
founder & editor in cHief
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KNEON #10
reAlize wHAt you Are meAnt to do And begin.
liKe, rigHt now.
01trust yourgut
Founder / editor in chiefVictoria Jin
editorial Directorcaitlin Beryl Warther
regional editors harry Fisher Jones (Us)
rosie kane (Us)Jam Baylon (aUstralia)
miki nathan (Uk)
social media & Press tanya richarD
advertising assistantmiles agBanrin
copy editorlUcy henshall
Film & Digital VisualsJames roBerts
art Direction assistantstasya kUDryknyree Waters
kneon is an inDePenDent Digital magaZine, [email protected] | www.kneon-magazine.com
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sHop tHe exclusive Kneon x j+co collection At www.jco.lA
SUPA’ BOLD
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KNEON #10
stAnd out And stAnd up—
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courtney weArs jumper by Kris-tinit, eArrings by verAmeAt
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levi weArs t-sHirt by vintAge, jAcKet by g-stAr rAw, sunglAsses by rAy-bAn
levi weArs button down by coAst-wide, pAnts by g-stAr rAw, brAcelet by fineblue stu-dios, sHoes by dr mArtens
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KNEON #10
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mei-li weArs dress by m o n K i
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KNEON #10
mei-li weArs cos top, mon-Ki sKirt, And Asos sHoes
SUPA’ BOLD
mei-li weArs A sHirt
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SUPA’ BOLD
#KneonKid
meet rhuigi mark Villasenor – l.a. based fashion designer and the architect behind seminal menswear brand rhUDe. launching his career in 2012 with the release of his signature line of bandana shirts, rhuigi quickly made a name for himself as one of the brightest young designers on the West coast. two collections later, rhUDe has evolved into a label celebrated for its functional, minimalist design
and rich textures.
words + interview by HArry fisHer jonesrHuigi sHot by AAron feAverlooKbooK pHotos c our t e s y o f AntHony cAbAero
rHudeboy
I Spend eVery Second
ImAGInInG wAyS to
InnoVAte whAt I hAVe
done
cAn you tell us A little About your bAcKground? wHere did you grow up?
my name’s rhuigi pronounced as (roo-wee-g). i was sup-posed be named luigi but, thank god, for my family tradi-tion the rh in the beginning was infused. i was born in manila, Philippines. Went to a private school and bounced around different countries due to my father’s job. Lived in different countries for a short time.
were you very creAtive As A cHild?
creative? hmm i think that might be a little pretentious of me to say, but i was that kid that had no limitations to my imagination. i wanted to be a cartoonist or an artist for a very long time. i was drawing realistic images at a very young age and sang at church. my parents were interesting and creative but strict people.
witH no formAl educAtion in fAsHion, wHAt first got you into tHe industry? wHen did you reAlise tHere wAs A cA-reer in it for you?
Well when i was in high school i used to get out of school early so i could take basic pattern making and sewing classes. so i had a little bit of knowledge on how garments are constructed. i created what is now the rhUDe ban-dana tee years ago before i realised it for myself. there was a high volume of interest in the product; it’s about that time i kind of knew that there was a business to be built with my vision. But it is really my desire to better what’s in my surroundings that turned my passion into a career.
How would you describe your brAnd? wHAt is tHe meAning beHind tHe nAme “r H u d e”?
I try not to define my brand so much, but sometimes it’s necessary in this business. rhUDe to me is my creative outlet, a figment of my imagination. I believe my clothes are innovative; they have a touch of femininity but still remain masculine at the same time. certainly clothes for someone who is strong-minded. there’s an aggressive connotation attached to the name “rhUDe”, but i balance it all with the minimal and monochromatic designs. i try to infuse different cultures, history, and political topics each time I design a season.
How importAnt is your current-city lA to you And your brAnd?
The affect of your surroundings is totally inevitable when designing. i still believe you can design masterfully any
place in the world, but to me the weather plays a big fac-tor in the textiles I use. Let’s just say I don’t know what an actual winter feels like. But in a way i feel like a “rhude boy, man, woman, girl” is really an easy-going-light-weight-clothes nonchalantly-cool kinda person.
in only A couple of yeArs, you HAve reAlly mAde A nAme for yourself As one of tHe brigHtest young design-ers in tHe industry; to wHAt do you Attribute your success?
Hmm thank you I’m glad you think that. I think I’ve just created exactly what i wanted with a clear vision as to what I want my brand to be and it has paid off, only a lit-tle. i have so much to learn and i still feel like the same kid I was when I was just in the conceptualizing stage.
SUPA’ BOLD
KNEON #10
HAve you ever felt tHAt your young Age HAs Held you bAcK? wHAt Are some of tHe otHer ob-stAcles you HAve HAd to over-come to reAcH wHere you Are todAy?
i try to go against the current – always. But i think age has affected my self-discipline and knowledge of things more. i’m a business and mistakes can’t be made. certain aspects in life you can’t learn through a book or even mentor-ship. time and experience builds knowledge, and that’s a fact that i think i’m trying to overcome since i’ve matured at such an early age. so in a way it’s the decisions i’ve made and a few designs I chose that’s definitely reflected that.
could you describe your cre-Ative process? from wHere do you drAw your inspirAtion?
certainly not from the same fountain as the youth. i did really well in school and loved history so i think my passion for researching worldly topics and such derives from that. so i begin by conceptualizing the silhouette, then i think of topics i want to reach and that leads on to a shit ton of researching to minimalize it all into garments. in the end they’re clothes and i’d like for my clothes to still be wearable; so discipline and remaining cohesive with the idea is very necessary.
do you HAve A pArticulAr de-mogrApHy in mind wHen design-ing A new collection?
Yes. The ones that can afford it. Kidding. Umm i design with function and purpose. so to whom it translates well to, those are the people i design for.
Are tHere Any designers tHAt you looK up to?
I’m really into florists in LA as of right now, I think they’re designers in their own right. But as far as looking up to anyone, i admire many of the established designers but i feel the connection between the designer and the consumers is no longer there. so i can’t quite answer that. i do know that i am part of the youth culture and i will remain designing and translating what i feel the kids should be wearing.
since your signAture bAndAnA sHirt collection you HAve moved AwAy from strictly street-weAr to A more sopHis-
certAIn ASpectS In
LIfe you can’t learn throuGh A
booK or eVen mentorShIp.
tIme And experIence
buILdS KnowLedGe
ticAted And minimAlist AestHetic. wAs tHis AlwAys tHe intention?
the bandana shirt was my key to the door so to speak. yes! i’ve always had a clear vision for what i wanted my brand to be.
wHAt does your AverAge dAy looK liKe?
okay so i start my day around 8 o’clock. i read my emails and listen to preferably Brazilian jazz and I research my ass off! my assistant eric and i spend a lot of time together working on new designs. I try to sneak in a bite or a coffee with my girl from time to time. then we resource textiles, talk to our tailors etc. it’s a pretty normal day but sometimes a gin and tonic is necessary to end the night.
How would you describe your person-Al style? do you HAve Any fAvourite brAnds or designers?
the california climate dictates what i wear. i’m an easy-going guy and I like my classic cars so definitely informal. Great boots or dirty, really dirty sneakers (which my girlfriend hates by the way), and of course rhUDe. i’ve made exactly what i want-ed to wear from day to night. i think i’ve tailored the cut of the perfecto jacket to perfection so that’s become my uniform.
since its inception, r H u d e HAs re-ceived support from A number of Art-ists in tHe Hip-Hop industry, from Kend-ricK lAmAr to frAnK oceAn. do you feel A pArticulAr Affinity to Hip-Hop music? wHAt Are you listening to At tHe mo-ment?
i feel that i made clothes at that moment that reached a par-ticular audience at that time. i do understand that the hip-hop culture played a big role in my rising. But i’m aware of the loyalty the industry has for brands and I don’t want to just be a brand that’s rapped and forgotten. so i create with awareness for everyday wear. I listen to tons of jazz, old Neptunes produc-tion, and anything spotify has under arctic monkeys radio.
wHAt do you liKe to do in your down time?
i like to think. i drown myself in my thoughts. i feel like i spend every second imagining ways to innovate what i had done and overall just trying to be a better person. I read when I find the time. i certainly have world war four happening inside my head, fighting man’s greatest war: ego versus reality.
every weeK it looKs liKe you Are di-versifying into new mercHAndise, from sKAteboArds to socKs. wHere do you see tHe brAnd going next?
ahh! i always create; sometimes i think i move quicker than my consumer. I just want everyone to know that I’m truly passionate with the clothes i create. But everything takes time. We’re developing a lot of ideas, but the consumers dictate the tempo and where i’m directed. i can only create at the highest level and be hopeful that my consumers will take me to the goal. i want rhUDe to be the ultimate go-to essential brand. i’m sure it will in time.
you cAn sHop rHude’s lAtest collection At www.rH-ude.com now. All items Are mAde in tHe usA.
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Pat
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foreword by lucy HensHAllAll ArtworK by pAt HobAugH
‘Quirky’ and ‘captivating’ only begin to describe the work of Pat hobaugh. Born and raised on a small farm in indiana, he is concerned with the physical and metaphysical understanding of what it is to be human. his skillful hand and sharp eye merge the real and surreal, leaving
the mind in awe and the imagination wild.
SUPA’ BOLD
I thInK It cAn be dAnGerouS
to hAVe too StronG of An IdoL In your
perSonAL LIfe. you ShouLd be the beSt
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otherS.
KNEON #10
“Ken’s venus”, 18”x 24”, oil And lAtex on cAnvAs, 2013.
SUPA’ BOLD
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wHo is pAt HobAugH?
Tough question. Well, I’m a Gemini, who enjoys thunderstorms and cherry pie. i have a wide array of interests ranging from theoretical physics and baseball to tin-type photography and restoring antique tractors. however, i never actually do any of these things. i’m primarily a painter, who has been focusing on still lifes of contemporary pop culture, which also often reference and draw comparisons to earlier generations and art history. i’m also 6 ‘ 4” and weigh 200 lbs.
i love your remAKes of fAmous worKs of Art sucH As ‘fAt dAvid’ And ‘Kens venus’. cAn you tell us A little bit About tHe ideA beHind tHese?
i’ve always had a love for art history and have been interested in
the traditional hierarchy of painting genres with still life always being the lowest. one of my goals with my work is to elevate the still life, and one way i’m trying to do this is by putting famous works of art in a still life and transforming them to fit a new message.
your undeniAble sKill HAs cAptivAted me. wHen did you reAlise you wAnted to do tHis for A living?
Thank you, but you can’t make a living off painting. I got into art late, i was a senior in college when i started to teach myself how to paint, so then I went back to school just for art and several student loans later i thought of myself as an artist. Plus, i doubt i could do anything else.
tell us A bit About your educAtion
KNEON #10
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cherry pIeS.
bAcKground. wHAt did you study?
i was getting degrees in management and communications when i took a survey art history course that inspired me to take up painting. then i studied art history, before committing and getting a BFa and an mFa in painting
How old/young do you feel todAy?
i feel young as an artist with a lot that i want to get to, hopefully sooner than later.
wHicH tHree guests Alive todAy would you invite for A dinner pArty? And wHAt would you serve?
Jeff Koons, and I would throw a cream pie in his face. mark ryden, and i would serve him a large rare steak. and olivia de havilland. i would probably grill out with steak, vegetables, and a lot of beer.
wHere do you cAll Home?
We’ve moved around a lot, so anywhere my wife and pets are.
tell us About your concept of life As you Know it tHis moment. wHAt mAKes it exciting or emotionAl or reAl for you?
i’ve always liked discovering that new thing that will keep you excited for a while, like a new author, or band, or hobby. there’s always something out there to be discovered. one of those recent new things for me has been old jazz music like cab calloway, louis armstrong, Fats Waller and so on.
Kneon focuses A lot on nAture And being bold witH creAtivity. wHAt does nAture meAn to you?
i grew up on a farm in indiana, so the cycle of life was very present both with crops and livestock, and its connection with the soil. also, ever since i took an art history course on eighteenth century european architecture, i’ve been interested in how humans have used architecture and landscape architecture to both
“teA pArty”, 24”x 24”, oil And lAtex on cAnvAs, 2013.
SUPA’ BOLD
A new generAtion
KNEON #10
A new generAtion
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suzi (left) weArs dress by soot tHe lAbel, cHoKer by ruby prAnK-stAr, visor is stylists own
sHAnnon (centre) weArs onsie by Alex meAring, jumper by celest tes-oriero, eArrings, wrist cuff (worn
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ruby (rigHt) weArs sweAter by unif.m, sKirt by mlm, eArring, cHoKer And brAcelet by ruby prAnKstAr, visor is stylists own
suzi (left) weArs sHirt by bul, fur top by mlm, tigHts by Alex meAring, sKirt by isobel bAdin, sHoes by birKen-stocK, socKs Are stylists own, cHocKer, necKpiece And wrist cuffs by ruby prAnK-stAr, visor is stylists own
s H A n n o n (rigHt) weArs lAce long sleeve top by dAnielA stepH-Anie, sleeve-less top by bul, tigHts by Alex meAring, sKirt by isobel bAdin, sHoes by birKen-stocK, socKs Are stylists own, eAr-rings, cHoK-er And HAr-ness by ruby p r A n K s t A r
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BernDnaUt smilDe’s indoor clouds have taken the world by storm. the clouds
are hauntingly ephemeral. the photographs are all that remain, immortalizing them
before they disappear. the diversity of the rooms chosen
create various atmospheres. From the comical to
mysterious. in our discussion with Berndnaut, we get a
closer look into his work as well as the man himself.
tAKe the worLd by
Storm
interviewed by miKi nAtHAnforeword by cAitlin beryl wArtHer
ArtworK by berndnAut smilde
#KNEONKID
berndnAut smilde, nimbus green room, 2013, courtesy tHe Artist And roncHini gAllery
SUPA’ BOLD
wHAt does nAture meAn to you?
it’s not so much that i am interested in nature, but there is something you cannot grasp about it that I find interesting. I work with this idea through the introduction of a cloud or a rainbow aiming to explore their possible meaning. People have been projecting meaning and ideas on clouds for centuries; it is the fantastical nature of the clouds that creates a mythical narrative where the imagination is set free. What people seem to be touched by is that the clouds are in effect real at the moment they are captured. the fact that the nimbus works are recognised by so many different viewers means that the work has something universal and timeless maybe.
cAn you tell us A little bit About tHe ideA beHind tHese?
the idea came from working on a small scale space for art projects, called Probe, which is an exhibition space with walls
no higher then 1.10m and a surface of 6.2m. its small and practical dimensions enable artists to create works that respond to those requirements, which do not reflect real-life sizes. I wanted to see if it would be possible to exhibit a raincloud. Because you have total control over this miniature space it enables you to create an ideal situation. this was one of the reasons i think a model can stand as an idea in my work. i transformed the exhibition space into my ideal perception of a museum hall, within which i wanted to present an ominous situation. this ominous element is not so much represented by the shape of the cloud, but by placing it outside of its natural context. in this case it’s the unnatural situation that can be threatening.
you could say that by boxing nature into a space you are deconstructing nature or trying to have control over it, but i’m more focused on the potential of this idea. eventually it is determined to fail, but for a very brief moment you transport
berndnAut smilde, nimbus munneKeHolm, 2012, c-type print on dibond, 125 x 184 cm, courtesy tHe Artist And roncHini gAllery, pHoto onur dAg.
the preSence of the cLoud IS ALmoSt
LIKe A perSonALIty AS It tAKeS on A dIfferent ShApe
And SIze eAch tIme dependInG on whAt
the SpAce needS.
berndnAut smilde, nimbus np3, 2012, digi-tAl c-type print on dibond, 125x185 cm, courtesy tHe Artist And roncHini gAllery.
the image of a cloud inside a space where you can start making new connections. this situation also questions whether a sculpture could exist from just well exposed by light air. The physical aspect is important but the actual work in the end only exists as a photograph. the photo functions as a document of something that happened on a specific location and is now gone.
And How did you come to combine tHe nimbus series witH designers sucH As KArl lAgerfeld And donAtellA versAce?
harper’s Bazaar U.s. asked me to collaborate with them for their september 2013 issue to create works featuring some of the most influential designers of the fashion industry, namely Karl Lagerfeld, Dolce & gabbana, Donatella Versace and alber elbaz. named the in-cloud, the feature was developed for their biggest issue of the year. the works were created in locations in Paris and milan including the grand Palais and the intercontinental Paris le grand, as well as Palazzo litta and the metropol (Dolce & gabbana’s headquarters in milan).
the presence of the cloud is almost like a personality as it takes on a different shape and size each time depending on what the space needs. having an actual human there was like bringing two personalities together – it was interesting to bring a person into the nimbus works and see how each designer reacted to it. those are by the way available through ronchini gallery in a special limited edition entitled
iconocloUDs where each image is grouped together in a presentation box.
wHAt is your fAvourite mAntrA or Quote?
Leonard Cohen once stated: ‘There is a crack in everything, that’s how the light gets in.’
wHo Are your greAtest influences in worK?
olafur eliasson, Pedro cabrita reis and gregor schneider are artists i appreciate very much.
BernDnaUt smilDe, ronchini gallery, london, 11 april – 14 June 2014, ronchinigallery.com
berndnAut smilde, nimbus cuKurcumA HAmAm i, 2012, c-type print on dibond, 125 x 184 cm, courte-sy tHe Artist And roncHini gAllery, pHoto onur dAg.
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Fine artist and illustrator christian newell has kept himself busy since his days at the camberwell college of arts, london. Whether acting as creative Director for Uk art collective last night in Paris, collaborating with big names like adidas and Urban Outfitters or showcasing his own solo artwork across london, his diligence is admirable. christian’s portfolio is as diverse as his resume; ultra-realistic sketching, large-scale graffiti painting and beautifully dark surrealism all contributing to his broad collection of works. His name is definitely one to look
out for in the future.
SUPA’ BOLD
2013 ‘letting go for love’
2013 ‘dvvvvvvvv’
#KNEONKID
How would you describe your Artistic style?
i have explored many styles, such as impressionism and surrealism in my early years of painting. i ventured into them until i felt i had learnt enough to move on, making sure i always incorporated myself through the practises of such theories and working methods. Personally i don’t con-sider myself having a style as i know that the way i look at the world around me changes every day, i keep an open mind so my creativity doesn’t stagnate.
wHAt is your fAvourite medium?
This depends. When I find a new way of working i tend to get very obsessed over it, but i need variety in my life so i work in multiple mediums simultaneously to keep me going. i tend to use whatever i feel is best for me at that given time.
were you very creAtive As A cHild? wHen did you decide tHAt you wAnted to pursue A cAreer in visuAl Art?
i was drawing before i could even talk according to my mother. i don’t recall my early years but i do recall becoming aware of my talent around the age of 10. it was not until the age of 15 that i knew that this would be my so-called career, however i don’t like the word career as it makes what I do sound like a job. I don’t see it as a job but rather a way of life, this is just something i must do.
How did your relAtionsHip witH tHe lAst nigHt in pAr-is collective come About?
telepathically. in the beginning it wasn’t even so much about lniP it was more like, yeah these dudes are cool and they are super ambitious and creative like i am I definitely want to hang out with them. at the time i was doing everything on my own and to meet like-minded people for once was a blessing. Then it all just pro-gressed from there our friendship grew
and our vision expanded.
How do you tHinK your worK As lAst nigHt in pAris creAtive director HAs con-tributed to your cAreer As An Artist?
I definitely know that it has challenged me and has taken me out of my comfort zone many a time. At first it was very hard for me to work as a team but over time it just got easier, so it has help me grow not only as an artist but as an individual.
Are you going to contin-ue worKing closely witH tHem in tHe future, or do you wisH to focus more on your solo worK? Are tHere Any upcoming projects you cAn sHAre witH us?
lniP is my family so i will always have time for them. the best thing is that my solo career doesn’t clash but rather integrates with what we are doing. We all do our own things but when we need help we have each other’s backs, we all just want to learn from each other. yes there are so many exciting things happening, i am going to be holding an exhibition of paintings with the magnificent Vermilion hook collective, i have a collaboration with meri karhu coming up, i am work-ing on a lot of new work which i will be releasing in the upcoming months, lniP movie and more stuff – arghhhh – it’s all super exciting.
How did it feel to HAve your worK displAyed As ‘tHe pride of soutHwArK’ on A billboArd inlondon As pArt of AdidAs’ olympic cAmpAign in 2012?
i was more excited on the fact that i got given a huge studio space to work in, with so many materials to work with, it was all a little bit surreal at first but I had been so prepared for an opportunity like this that I felt very confident about it all. I was pre-pared for it. shout outs to ruby Pseudo.
KNEON #10
we GrAVItAte to the
thInGS we LIKe In LIfe, the thInGS
thAt we wAnt Are AttrActed to uS, AS
LonG AS we cAn InItIALLy
conceIVe It In our mInd.
SUPA’ BOLD
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digitAl or film pHotogrApHy?
Film.
cAn you describe your creAtive process? from wHere do you tAKe inspirAtion?
i gather inspiration from what surrounds me, from what i already have. We gravitate to the things we like in life, the things that we want are attracted to us, as long as we can initially conceive it in our mind. i keep sketchbooks and notebooks where i record ideas and go about solving them like puzzles, awaiting to find the puzzle piece to finish it all. The most effective creative process for me is to simply feel your way through.
Are tHere Any recurrent tHemes tHAt you cAn identify in your worK?
Women and a variety of emotions.
wHAt could you not live witHout?
love. wHere do you see yourself in five yeArs?
living a rich life of abundance with the people whom i love, not simply producing art but being a work of art for art is not a means of production but a lifestyle.
I don’t See It AS A job but rAther A wAy of LIfe, thIS IS juSt SomethInG I muSt do.
SUPA’ BOLD
Orbis Fidei
pHotogrApHed b y gAbrielle murpHystyled by AyA tsucHii
model i s evelinA sriebAlytemAKe up, KristinA rAlpH
HAir, terri cAponpHoto AssistAnt, clAudiA cibelli
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danny seth
twenty-three year old london born rapper Danny seth has gone from strength to strength after the release of his debut EP “Prespliffs Vol. 1” in 2012. his distinct tone, raw content and inimitable style have built him a fan base across europe and america, and warranted him recognition from some of the most influential figures in the industry – Pharrell Williams and Virgil abloh of the Been trill collective among them. We caught up with him fresh from his performance at the sXsW
festival in Austin, Texas to find out what all the fuss is about.
interviewed by HArry fisHer jonespHotogrApHed by vic lentAigne
KNEON #10
How would you describe your sound to someone wHo HAs never come Across your music before?
Damn, i guess something that you have never heard before and will never hear again. think outside of the box and don’t just put me in one because i’m from the Uk. i want my sound to be universal.
wHAt wAs your first introduction into tHe music industry, And wHAt mAde you first decide to rAp?
i DJ’ed from the age of about seventeen; it was never any huge venues, just local ones in my area and university gigs. if i was lucky maybe fifty people would show up (thirty of them being the homies). i always used to write too but never really had the balls to do anything with it. then i got this amazing opportunity to intern for Bmg chrysalis one summer a few years ago out in la. i used to sift through so much trash music. i literally sat there one day in my final week of the internship and was like, ‘fuck this, i’m better than these guys and i’m for sure not built for a desk job.’
tHis issue we Are feAturing AnotHer of your contemporAries from tHe lAst nigHt in pAris cAmp – Artist cHristiAn newell. How did your relAtionsHip witH tHe group come About? And How do you tHinK your involvement HAs Helped you to develop into tHe Artist tHAt you Are todAy?
Well the story of Paris and me is this. Whilst i was in la my producer Zach nahome told me about this group hailing out of london and i tried to find stuff online about them but
there was nothing besides a tumblr page. then Zach went to link up with them and they started making music together. Zach sent me their shit and i was hooked; then i came back, we all clicked instantly and the rest is history. i think Paris has made me become more open-minded towards the music i make - for sure we are cooking some crazy stuff. And as far as Christian is concerned, damn, honestly no words can describe this young man’s talent. every time he shows me a new piece i am mesmerized. trust me, watch this space.
in “stereotypes” on prespliffs vol. ii, you speAK of tHe difficulties you HAve fAced trying to mAKe it in tHe Hip-Hop industry As A wHite jewisH mAn from tHe uK. How HAve you tried to overcome tHese prejudices?
you know for me, and where i am from, it was always going to be difficult being taken seriously. Being white, Jewish and from north West london were all factors which made me less likely to succeed. But i have always not given a fuck about what anyone thinks about me, the way i dress, the things i do or the things i say. i think if you really want people to take you seriously you really have to not care, build a force field around yourself and keep your clique nice and tight. i’m so thankful that i’ve been accepted overseas in a way that a Uk rapper never really has before. I’m just excited to show the world what i’ve been working on.
wHAt Are some of your principAl musicAl influences?
For me, Pharrell and the neptunes are for sure some of my biggest influences. The first album I bought was “lord Willing” by the clipse,
With the internet comes a
new wave of open-
mindedness.
#KNEONKID
Being white, Jewish and
from north West london
were all factors which made
me less likely to succeed. But i have always
not given a fuck about what
anyone thinks about me.
SUPA’ BOLD
and it really made me appreciate production. and as far as rappers are concerned, lil Wayne was a huge part of my life. Back in 2006–09 Wayne could do no wrong in my eyes and I’m still a major fan. I can’t really leave out Kanye either; the guy is a living legend and icon. the way he picks and produces the sound and visual aesthetics he envisions is incredible and he is really someone i look up to. i also cannot forget Dizzee; “Boy in da corner” is still one of my top 3 rap albums of all time and he really changed the Uk rap scene forever.
cAn you describe your writing process for us? How do you get into your creAtive zone? I usually like to use pen and paper - it’s definitely my preferred choice. Unfortunately, i recently lost my luggage which had two notepads filled with future music. That’s the downside of physically writing rather than digitally – there’s no way to icloud your notes. But i have my own crib I share with two other people and I usually just zone out in my living room and get in my mode. my neighbours hate me but fuck ‘em. i gotta play it loud to really get in the zone, even to the point where i have a small sound system in my smart car and i bowl around my area listening to my roughs on full blast.
you HAve previously stAted your desire to conQuer AmericA, And you Are definitely mAKing A nAme for yourself out tHere HAving AlreAdy received recognition from some of tHe biggest nAmes in tHe industry. wAs tHis your stAted goAl from tHe beginning? wHy do you tHinK you Are not getting tHe sAme reception on your own turf?
i have spent four years coming back and forth from america, and i feel as though the culture has become a part of me. american hip-hop is what i love and i always have. i spend most of my time there in la with a really cool bunch of people, and the way they are so open-minded and cool about music really inspires me. i’m thankful i’ve grown up in an era where the internet has allowed my music to become accessible worldwide, and fortunate that with the internet comes a new wave of open-mindedness. Due to the vast nature of the internet you see a huge diversity in musical talent and we live in a time when people are being accepted for their music rather than where they come from or who they are. In the UK too I definitely think people’s opinions are starting to change. At first people in London were close-minded to my music, but now i’m getting more recognition and credibility i think people are starting to change their minds. london is home to the coolest and best talent whether it is in fashion or music and it’s a very competitive market - not everyone wants to help each other out.
so HAs tHe us very mucH become A Home-from-Home for you? do you HAve plAns to trAvel bAcK tHere soon?
yeah for sure. i got real family out there now like my boy
Jesse who i’ve been staying with. he’s my co-manager. and I plan to move out there in May, first to Atlanta and then to la.
let’s tAlK fAsHion. you HAve previously modelled for feAr of god And rHuigi villAsenor of rHude, Also feAtured in tHis issue. wHo Are some of your otHer fAvourite designers?
man shout out to rhuigi and Jerry, those are real good people. as i said there is a small circle of really dope designers in la and i’m blessed to be friends with them. also shout out my dawg guillermo from FourtwoFour on Fairfax - for sure my favourite store in la and my favourite jewellery brand. I’m really fucking with Rhude’s new collection, rhuigi’s aesthetics and branding are always on point and i have mad respect for him. i am also really fucking with the new helmut lang men’s range; the quality is always incredible and for me it is quality over everything. Yohji Yamamoto for Y3 has always been one of my favourite designers too, always one step ahead. and my dawg kyle simone from skingraft designs, that’s my family and he is always coming through with incredible quality garments.
How would you describe your own style? do you HAve Any style icons?
i mean, i can’t really describe it. i think the whole point is that i want other people to describe it as they perceive it. As far as icons go, definitely Verbal from the Teriyaki Boyz. his style goes from outlandish to chic and suave. also takahiro miyashita of the soloist, i’ve always been vibing with the whole Japanese underground look. i really fuck with him.
wHAt Are some of your essentiAl pieces tHAt you could not live witHout?
Definitely hats. Whether it’s fedoras, conceptual pieces or even fitted caps, I can’t live without them! My Rolex too, it meant a lot to me when I first bought it and always reminds me that i’m on the right track. i’m also a massive sunglasses fiend and I just copped a rare pair of vintage Cottets from France, the company hasn’t even existed for a good twenty years and i got my hands on these bad boys and haven’t taken them off since.
wHAt cAn we expect from you tHis yeAr?
My project, which is currently untitled, will drop this summer. i also have a mini-movie and two videos in the works as we speak, both of which i’ve been planning for almost two years. I took all my old stuff off the web because i didn’t feel that it represented the music that i am making right now, but these new visuals one-hundred percent will. expect greatness too because i am coming for the crown and I’m aiming to finally bridge that gap between the Us and Uk.
SUPA’ BOLD
pHotogrApHy And collAge by tAsyA KudryK model i s olimpiA wHitemustAcHe mAKeup by eugeniA spiKtorenKo HAir by Artem sosHyn Assistent, olgA sHtAbA
All clotHes worn by lArA Quint
Pure forms
KNEON #10
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OwllepHotogrApHed by yuji wAtAnAbeinterviewed b y victoriA jinstyled by nAoKo soeyAHAir b y Quentin guyenmAKe-up, cAmille lutzforeword, lucy HensHAll
France Picoulet naturally yields seductive beats and vocals. With the
recent release of her self-titled album, the 27-year-
old electro-pop queen continues the rise up the
music ladder that started in 2012, when the former Fine Arts student first released
her debut eP.
Photographed wearing azzedine alaia and
Bernard Delltrex by Yuji Watanabe at the hotel
madison in Paris, France exhibits her natural poise
in a raw and reticent manner – matching to her inimitable artistic
character.
#KNEONKID
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wHo is ‘owlle’?
It’s like the bird, and for me it was a good definition of my personality. Also for the mystic definition, I feminised it with the two l’s.
tell us wHAt is tHe difference between owlle And frAnce [Her reAl nAme] I think were the same person, it’s just a way to be another person on stage and to have a way to have a character or icon. it’s like another world or a mask for my music
How old do you feel?
oh i don’t know... i’m 27 and i feel myself and live like that. Day after day - it’s my life.
you studied cinemAtogrApHy And film At tHe ecole des beAux Arts in pAris, How do you tHinK tHAt Affected your tAKe on music And visuAls?
it’s very important for me to create my personality and character. it’s important to have strong visuals. it’s like my references in music - madonna, David Bowie. music and visuals are an ensemble, it all goes together - a package. and i need that to be myself.
#KNEONKID
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music, fAsHion And Art - wHicH one Are you most pAssionAte About?
music. But i like fashion very much and i pick something in fashion, cinema and contemporary art too and mix all the elements.
wHo Are your fAvorite designers?
alaia and alexander mcQueen.
did you see tHeir lAtest sHow witH tHe woodlAnd creAtures At fAsHion weeK?
no i was too busy! i only saw it on the Vogue website
you put A lot of your personAl experiences into your trAcKs. witH your new Album, How mucH of yourself did you invest?
Sometimes it’s my personal experience, and sometimes it’s just a description of landscape, but its very abstract. But it’s my life in this album.
do you ever feel sHy About putting out your personAlity?
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KNEON #10
no, when it comes its a pleasure! i’m not afraid to be without inspiration. i need to have something to tell and after that it’s natural to me.
if A friend were to use tHree words to describe you, wHAt would tHey be?
generous, maybe cool, and shy.
your music mAKes me wAnt to dAnce - tHere’s A lot of good vibes involved. cAn you tell us wHAt your dreAm pArty would be liKe?
in a big festival! that’s my dream. But everywhere!
wHo would you liKe to collAborAte witH in tHe future ideAlly? Frank ocean
if you could Host A dinner And only in 3 people wHo would it be?my mother, Frank ocean and my boyfriend
cAn you tell us About tHe lAst dreAm you remember?
i was making my music
wHAt Are you doing tHis time tomorrow?
at home - i need to work on a new project.
locAtion isHôtel mAdison
143, boulevArd sAint-germAin75006 pAris - frAnceHotel-mAdison.com
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KNEON #10
04strip bare
discover yourself, AgAin And AgAin.
be tHAt person wHo gets tHeir HAir wet
not done.
SUPA’ BOLD
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DeWit
#KneonKid
it’s time you get
acquainted with
adelaide’s most sun-
kissed face.
laura DeWit
pHotogrApHed by nicole corbettwords by lucy HensHAll
model i s lAurA dewit, pride models HAir & mAKeup, julie provis
SInce beInG dIScoVered
At the AGe of 14 by prIde
modeLS, LAurA dewIt’s upbeat
perSonALIty And cLASSIc
LooKS hAVe Led her to beInG
photoGrAphed by the LIKeS of
thom Kerr, And GrAcInG the
pAGeS of ruSSh mAGAzIne. l
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lAurA weArs top by metAli-cus, necKlAce Are model’s own, rings Are model’s own
In thIS SerIeS of
photoGrAphS by nIcoLe
corbett, LAurA LooKS heALthy,
eLeGAnt And beAch-reAdy.
we can’t waIt to See whAt the future
hoLdS In Store for thIS
younG Gun.
#KNEONKID
lAurA weArs top by zArA
#KneonKid
pHotogrApHed by lloyd stevieHAir, Quenton bArnettemodel, cArey @ muse nyc
#KneonKid from zImbAbwe
to new yorK
How old do you feel?
i feel my age, 19, but i think everyone has a different interpretation about how that feels.
wHere do you cAll Home?
i was born and raise in Zimbabwe, so it’s always the place that springs to mind when i think of home - although i’m loving nyc!
wHere Are you rigHt now As you Answer tHese Questions?
lazing around in my room in Brooklyn, indulging in a ‘game of thrones’ marathon.
wHAt’s your current jAm trAcK?
i’m listening to Portishead - glory Box at the moment but i’m more of a ‘different music for every mood’ type of person.
fAvourite clotHes for A comfy dAy?
i have this huge tie dye sweater that’s always first choice for a lazy day...it gets a lot of use!
wHAt Kind of food gets you excited?
What kind of food doesn’t get me excited? i love cooking and experiencing different flavors - eating should always be a pleasure!
fAvourite disney movie?
i’d have to go with ‘the lion king’.
if you could cHAnge lives witH someone for one Hour, wHo would it be?
The first person who came to mind was einstein (so unoriginal, i know). completely overwhelming but incredible to see the world from his perspective, even if it was just an hour. c
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KNEON #10
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siobHAn weArs dress by jeAn jAcKson couture vintAge, coAt by All sAints, boots by roy-Al excHAnge costume
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KNEON #10
siobHAn weArs dress by jeAn jAcKson couture vintAge, coAt by All sAints, boots by roy-Al excHAnge costume
pHotogrApHed by sAlly Ann & emily mAy gunAwAn styling by cHrisnA sujAtmiKoHAir/mAKe up by cHrisnA sujAtmiKomodel i s putri sulistyowAti @ cHic
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a snapshot of a melancholic teen lounging in the backyard in an attempt to figure out adolescence. What a mission indeed. sadness, anger, frustration — all these sensations course through her as she tries to pull together all the loose ends. With a hint of chic modernism and a touch of vintage, this girl is
vulnerable and introverted.
loose
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left: sweAter by zArAtHis pAge: urbAn outfitter brA, vin-tAge pAnts And converse sHoes
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the girl with the bejeweledbanana
KNEON #10
lucianarondolini
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luciana rondolini from Buenos aires, brings us unique works of art, that in their aesthetic beauty, comment on the disposability of objects and the material culture in which we are consumed. having graduated as a graphic designer from the national institute of arts, luciana has attended impressive workshops with artists hernan Marina, Fabian Burgos, Carlos Huffman and Elsa Soibelman. Besides solo shows and collective shows in Buenos aires and rosario, she was recently awarded a prize for her work as the most distinguished young artist by the arteba Foundation in 2013. the bejeweled banana, commissioned to Luciana by a Brazilian buyer, encapsulates ideas of temporary material value vs. value given by people to objects. Luciana is interested in studying human behavior through relationships with material things, and uses her
artwork to uncover the concept of identity.
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How would you describe your worK?
i’m a 37-year-old girl that makes art. i live and work in Buenos aires. my work is linked to the analysis of the value that is given to objects and people, focusing on the habits that determine their use and subsequent disposal, as evidence of the ephemeral nature of relationships in our society. they are sociological cores of human behavior that i try to analyze society with, along with the way in which we follow trends.
one of your most celebrAted worKs of Art is your bejeweled bAnAnA. it’s Also tHe mAin feAture on your website. is tHis A personAl fAvorite of yours or is tHere AnotHer piece tHAt you Are especiAlly fond of from your body of worK?
that image is a photo of a banana a Brazilian buyer commissioned me at an art fair. it is an iconic image that sums up very well the relativity of the value we place on things. For some it may be a decorated peel that will rot in a few weeks, for others a valuable artwork. i also really like a series of giant popsicles that i made for the Petrobras award at the arteba Fair. every day, i placed a melting ice cream that was 1.80 m long laying over a metal structure. the fact that it was exhibited at an art fair, allowed it to be seen by a huge number and variety of ostentapublic. What interests me most from that work is the possibility of an art piece that can be read by anyone. it was very popular amongst the children. We can relate ourselves with art not only by our intellect or knowledge of art history, but through our senses. to me, colors are very important, the smell and touch too. in this way, as it happens with publicity, any person has the possibility of feeling attracted and connected in his own way with the work.
diAmonds Are A girl’s best friend. HAve you AlwAys been AttrActed to jewels?
i was never interested in diamonds, but lately i started to realize that people give too much value to those kinds of things, like ostentation, popularity, fame and all that bling bling stuff. It really catches my attention. i think that this behavior
impersonalizes us and separates us from each other.
i love tHe irony And contrAdiction in your worK, in tHe deteriorAtion And consumption tHAt is present between tHe rotting fruit And tHe jewels. How did you come up witH tHis ideA?
i started researching about human relationships, and how they are structured by the culture and values generated by the market. one of my last works consists on coating fruits with fancy gems that represent real jewelry that slowly begins to rot. i also draw people covered with diamonds. the use i give to rhinestone denotes an ambiguous meaning. on one hand, the valuable and enduring character that enhances the person portrayed, and in another aspect, the ridicule that supposes the act of covering all their faces with diamonds to the point of kitsch. it can be read as a way of understanding the nature of personality and the search of identity in this culture, as well as a way of searching the meaning of the ephemeral in reference to vanity. i focus on what is consumed; i try to understand society and the way in which we follow fashions and masses, in an attempt to analyze consumerism and hierarchy given to everything around us.
tell us A bit About your dAily routine As An Artist: do you go to tHe studio everydAy, do you worK from Home)? wHAt object mAKes your life eAsier everydAy?
i hate routine, but i work every day! one of the things that makes my life easier is my bike. The other is my coffee machine that provides me with the latte that i drink every morning to start the day. my studio is in a factory where i share the space with other artists. there, my iPod and my speakers are indispensable. the studio is in a neighborhood where you can get almost anything you need, it is a very diverse area full of shops, and there is where i buy my diamonds at very low prices.
if you weren’t An Artist, wHAt would you be?
i’ve always wanted to be an ambulance
driver; it’s the perfect combination between the almost poetic drama of having to drive to save someone’s life and live life to the speed limit.
wHAt drinK do you tHinK describes you best?
about a year ago, in the day of my birthday, i discovered one drink. its called cynar, it’s served with orange and a few leaves of mint. it’s an alcoholic drink that is also a digestive. I find it sympathetic because is an italian drink like my last name.
tell us About your fAmily. Are tHey Artistic? wHAt do tHey tHinK About your worK?
they are in the pharmacy industry, but they’ve always encouraged me on my own decisions, and since i am working as an artist they began to get more involved with art too.
wHAt is buenos Aires liKe to live in?
It’s a very chaotic, fluid and artistic city. like any big city, it’s very dynamic. We don’t have many economic resources but we manage to make things happen.
if you didn’t live in ArgentinA, wHere would you live?
i have not been to many places so far as to say which would be my perfect place in the world. i like very much Venice, Paris and Bilbao, but i think that i still haven’t visited the city of my dreams. wHAt Are you worKing on At tHe moment?
i’m working in a series of miley cyrus drawings.
finAlly, wHAt Are you going to do After Answering tHese Questions?
I’m going to watch some films laying in bed while having a chocolate bar.
for Some It mAy be A
decorAted peeL thAt wILL rot
In A few weeKS. for otherS, A VALuAbLe
ArtworK
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pHotogrApHed by ricHArd rAmirez jr. styled b y cHAine leyendecKer
mAKeup by mArygeneHAir by liz HArris
model i s devon @ vision & juliette @ pHotogenics
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pHotogrApHed b y AnnA dAKimodel i s louisA @ promod model Agency And louisA @ spin model Agency styled by AnouK jAns mAKeup by micHAel mAyer
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All clotHes Are ss2014 collec-tions from mArni, cHloe, di-Ane von furstenberg, odeeH
KNEON #10
richard kelly
Beans on toast, yoga and manchester United are unpicked when delving into the everyday life of photographer richard kelly, who’s photographed the likes of grayson Perry and the arctic monkeys. a mysterious man, richard calls london home and playground for his creative mind — we caught up with him about his upcom-
ing projects and creative process.
interviewed by miKi nAtHAnwords by lucy HensHAll
portrAit by cHris rHodes
SUPA’ BOLD
my eArLy worK wIth the ArctIc monKeyS cAme from SpendInG the fuLL dAy wIth them At theIr reheArSAL room, ShootInG them In pLAceS they hunG out And GettInG to Know them, whIch reSuLted In Some reLAxed cAndId And funny ShotS
wHere Are you rigHt now As you Answer tHese Questions?
it’s Friday afternoon and i’m at home in my flat in London with a cup of tea. I’m doing my usual boring job of paper work (invoicing, filing etc.). I try to always do it on Fridays as that’s the most exciting day of the week and paperwork is the most dull thing to do so they sort of cancel each other out if that makes sense?
Kneon mAgAzine embrAces tHe beAuty of tHe world, And tAlented Artists wHo HAve A vision. wHAt do you tHinK is tHe most beAutiful About tHe world?
it’s hard to answer this without sounding like I’m filling in a dating questionnaire! to be honest i think i’m going to keep what i think it is to myself as it’s good to retain an air of mysteriousness.
wHAt Kind of mood do you try to creAte in your portrAits? do you try to creAte sometHing Aligned witH your vision, or do you mAKe sure you Know tHe personAlity of your subject?
in an ideal world i like to try and capture what the subject is about personally. that comes from talking and getting to know something about them before you start shooting although time isn’t always a luxury you’re afforded. I shot the artist grayson Perry not that long ago and was really looking forward to suggesting some ideas but in the end had a total of 10 minutes to shoot him. the other the side of that my early work with the arctic monkeys came from spending the full day with them at their rehearsal room, shooting them in places they hung out and getting to know them which result in some relaxed candid and funny shots of them messing around and being daft together. tell us About How tHe process cAn differ between portrAits for
individuAl Artists And tHose commissioned by lArger compAnies.
When it comes to larger companies a lot of the time they are looking for a universal look for their company. there might be a discussion about the overall feel of the images but they are more interested in what the images will project about the company rather than the people being photographed. to be totally honest i much prefer shooting personal portrait stuff or artists - singers, actors - who are either only just becoming famous or still unknown as there seems to be so many P.r. people to deal with telling you what you can and can’t do and so forth before you actually get to shoot the person in question when it’s a celebrity or whatever.
How do you get reAdy to sHoot?
i’m very chaotic if i don’t keep myself in check so the night before the shoot I do all the stuff you’re supposed to do - check my equipment, charge batteries, look through proofs from the ad agency or emails from the PR just to sure what I’m supposed to be doing on the day. the more organized you are and prepared the easier it is to concentrate on just taking good photos and enjoying the actual shoot - instead of frantically looking for a battery and so on - while everyone waits for you on set.
wHAt object - ApArt from your cAmerA - could you not live witHout?
i’m not very sentimental when it comes to stuff to be honest. Even though i’ve got a big display cabinet of curious and stupid ornaments that i’ve collected and packed up and moved with me countless times i still think i’d be ok to do without it if it really came to it.
now About your cAmerA. it’s never down to just tHe eQuipment to decide wHetHer A pHoto is good or not. but wHicH Accessories Help you perform best?
the more orGAnIzed you Are And prepAred the eASIer It IS to concentrAte on juSt tAKInG Good photoS And
enjoyInG the ActuAL Shoot
i’ve always shot on canon cameras, as it’s what i’m used to. i never assisted a photographer who shot on nikon so when it came to me going out on my own i naturally bought canon. From a technical point of view i really like to use Pocket Wizard radio slaves for syncing flash. I hate loads of wires all over the studio and the sync lead falling aout of your camera when you’re shooting is really annoying. lighting-wise i choose Broncolor whenever possible. i always bring a small selection of Polaroid and old film cameras to most shoots, as it’s great to try different things. It’s amazing how switching to a medium Format mamyia camera changes my approach to shooting a portrait. As it’s only got 10 shots per 120 roll of film you really think about every shot. When you’re shooting digital you can just keep shooting and it’s easy to go on and on.
do you HAve AssistAnts Helping you out At sHoots?
always. as much as i like to be prepared on shoots it helps having someone that’s keeping an eye on things for you can just concentrate on the creative element. Ideally I like to work with one or two lighting assistants and one digital assistant. the more hands you have to help on a shoot the better plus it’s good to have a laugh with someone as all the setting up, lighting testing and take down would be so boring on your own! i assisted myself for 6 years with various photographers so i like to think i’m a nice one to work for as i worked for some real dicks! that said, i worked with a guy called gary steer who taught me everything i needed to know about being a photographer by being one of the nicest guys in the industry.
there SeemS to be So mAny
p.r. peopLe to deAL wIth teLLInG you
whAt you cAn and can’t do And So
forth before you ActuALLy Get to Shoot
the perSon In queStIon when It’s a ceLebrIty.
i would like to point out that one my favorite assistants and one the best i’ve worked with shot my portrait for this. his name is chris rhodes as he’s a really really good photographer so you should check him out.
now onto some less worK-relAted Questions. wHAt Are you plAnning to do rigHt After tHis?
Well, i’m hoping to get all paperwork done for 5pm then after that i’m going out for a run round regent’s Park then after that i’m meeting some friends to go out drinking round soho.
if you could eAt only one meAl for A wHole weeK, wHAt would it be?
actually i once worked out i eat beans-on-toast around four times a week on average so i’d pick that for sure. it’s been noted by a number of people how much of it i already eat it so i’m sure i could increase it to my sole meal for 7 days no problems.
wHere’s your fAvorite plAce to get some peAce And Quiet?
in the summer i go to Postman’s Park in london, which is a really small little place that’s usually quiet before lunchtime. i’ve recently been doing yoga and it’s great for switching off and not thinking about anything at all. if i could go back in time and tell my younger self i’d be extolling the virtues of yoga in an interview i’m sure my younger self would think i’d become a right hippie.
if you pHotogrApH Any person tHAt’s Alive todAy, wHo would it be?
i was originally going to say Jarvis cocker but after thinking about it a bit more I’ve come to realise I just actually want to be his mate. so i’m going to pick David hockney. i love his art but also his dress sense and style has always been so spot on From his pastel coloured jackets and specs when he lived in l.a. to even now he’s back in yorkshire in his tweed trousers and scarves. it would be great to shoot him in his studio and also round the countryside that he’s painting at the moment and get to capture him at this stage of his life.
finAlly, tell us About some upcoming projects tHAt you’re excited About.
ok, there’s a number of things coming up. i’m continuing my personal portrait project, which I can’t really reveal too much about, but looking forward to finishing that off by the end of summer and exhibiting somewhere in london in autumn. i’ll be exhibiting some of my Polaroid work in Paris in July. i’m involved with an art co-operative called mill co., which is a collection of photographers, illustrators and designers and we have an annual show so i’ll have something in that also. commercial-wise some more of my manchester United work for epson is out in May. Lastly I’ve just left my agent so am hoping to sign with a new one soon.
she’s Got thIS roGue StreAK
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KNEON #10
SUPA’ BOLD
first day of the spring and mel wants to get high -
Her own shape; her own sunshine.
Cover my face with flowers and play hide and seek -
l’esprit de l’arbre.
Wilderness and pink lily flowers -
i felt like the fairy of the otto-man forests
cherry blossoms wonder things nobody knows -
floating in the forest -
KISS meSummer
KNEON #10
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KNEON #10
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KNEON #10
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KNEON #10
you Are twice As beAutiful As you’d ever imAgined
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A diAlogue witH AustriAn grApH-ic designer And ‘leAfling’ found-er — juliAn HAgen
i n t e r v i e w e d by vicKy diAz
How were you As A cHild?
I am an only child so I had to find my brothers and sisters within the neighbor-hood children. i always knew exactly what i wanted and what we could play. Building factories and labyrinths for our mice, bringing up birds or just something related with animals was our favorite activ-ity. mostly i was the director and some-times i was even a little dictator because it
had to be as i imagined it.
were you AlwAys interest-ed in creAting?
yes! always. it started very early with drawings, collages, sculptures... With 17 I saw the first Mac in the office of my father. it was a “Quadra” and i fell in love with it almost immediately. to work with the computer in a creative field was very
fascinating for me. that was somehow the foundation for my later interest in graphic design.
wHAt would you consider An ideAl world? let imAgi-nAtion run free.
A cheesy answer: That as many people as possible are able to fulfill as much of their dreams as possible…
#KNEONKID
Another answer: a ban on Ronald McDonald
you mention on your site tHAt to dis-tinguisH between tHings in life, one must understAnd wHAt mAKes certAin tHings speciAl. wHAt is speciAl to you? wHy?
my freedom of being self-employed. it’s a big gift to live in a time where you have so much possibilities to work in. of course it needs effort and surely it´s hard sometimes, but you are the one who is doing the decision. That´s nice!
Kneon mAgAzine is bAsed on wHAt is nAturAl, reAl And tAlented. wHAt’s your fAvorite tHing About tHe world?
the diversity, and the chance to discover quite some places and people in a lifetime. last year, returning from Tokyo, flying above Siberia for several hours in constant dawn, looking down and seeing this giant never ending wideness and wildness. these are moments in live that i am so glad to experience.
your worK is gorgeous – cleAn yet bold And Hints of vintAge font And design. for exAmple in your projects for mArgit morscHer And lustenAuer senf brocHure. could you give us A peeK into tHe creAtive mind And world of juliAn, tHe designer?
One major lesson that I have learnt at the Rietveld Acad-emy is that the concept and idea is more important than the ethical result. I always try to find a new solution or at least a solution with a twist. if you have created something
innovative, something that makes people think or some-thing that even makes people happy than you have done a good work. Of course that´s not so easy and doesn´t work always. Bread-and-butter jobs on the one hand and heart projects on the other hand have to be in a balance – more or less.
if you HAd to picK, wHAt wAs/is your fAvorite project you HAve or Are in tHe process of doing?
My LEAFLING project
i see you worK in mediums otHer tHAn digitAl. specificAlly tAlKing About leAfling - How did tHAt brAincHild come to be?
it emerged from a never-ending interest and fascination in nature in general and the urge to find something in the realm of graphic design and “nature” design. But here as well: the aesthetical result wasn´t very interesting for me in the beginning – it was more like a side aspect. it was all about the idea. later when it took the shape of a product the aesthetical question became more and more impor-tant.
wHAt spurred your interest in com-bining sprouts witH stAtionAry?
mostly the interest came from typography, probably my favorite aspect in graphic design. i wanted to experiment with a kind of unpredictable design principle - something in the realm of our penjet printer project, which two fellow students and i have invented at the rietveld. in case of leaFling it is the unpredictability of the germination and seedling development, light conditions and the hu-midity. these factors cannot be fully controlled. they are adopted as design principles that influence the legibility of each letter.
wHAt do you Hope to give people witH your leAfling products?
a product with a good spirit.
finAlly - do you feel designing And creAting will be A mAjor pArt of your life in 30 yeArs or do you HAve otHer plAns?
i always feel comfortable in a niche. and i always try to find those niches. It’s this kind of exploratory spirit that keeps me motivated and curious. so, hopefully designing and creating will be a major part in 30 years.
WWW.leaFling.at
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lisa mitchell
Lisa’s unique sweet vocals and pop folk melodies first garnered attention in 2006, when she appeared as a contestant in australian idol at age 16. she performed several of her own songs, and her debut eP “said one to the other” topped the australian itunes album chart when it was released the following year. her first two full-length albums both made the top ten in the aria charts. her songs combine upbeat catchy folk tunes with a voice so sweet and girlish it is almost edible; then her lyrics catch you by surprise with their insight into the lonely beautiful places in the human heart and mind. here she talks to kneon australian Features editor Jam Baylon about life,
inspiration, and unicorns.
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wHo is lisA mitcHell?
life is easier in third person. she grew up in rural australia and always wrote little songs after school. now there’s more countries involved and no more school.
How old do you feel todAy?
age is bizarre. i feel young. Being in london is humbling.
tell us About your ideAl world. unicorns And cupcAKe fAiries Allowed.
Everyone lives off the land in communities that we cultivate ourselves. We pool our resources and break down the power of mass media and it’s sickly consumerism. the unicorns are welcome anytime.
Kneon mAgAzine is bAsed on wHAt is nAturAl And reAl And tAlented. wHAt’s your fAvorite tHing About tHe world?
my favorite thing about the world is that there is always something new to learn. French, for example!
wHAt drew you to producing music?
What drew me to making music, i think, was a need to express myself in my own weird way. It started off as a private ‘secret lisa World’ but when, as a teenager, i realised i was making twice as much money playing a little dinner-set than to have to work at maccas (australian for mcDonalds) like everyone else as i was getting little gigs in cafes, i decided i was onto a good thing.
tell us About your sound. wHo Are your inspirAtions, wHAt Kind of mood Are you trying to creAte?
i am so inspired by songwriters that make good decisions. those who avoid the pitfalls of the commercial rat-race, which is a very tempting trap. People like Joni mitchell, neil young, laura marling, Ben kweller, Feist to name a few.
if you could plAy music At Any fAmous person’s birtHdAy pArty, wHo would it be?
i’d have loved to have played at anais nin’s birthday party, just to see all the shenanigans!
let’s tAlK About your looK. you HAve A very signAture blunt-bAngs looK, And An etHereAl looK About your feAtures. do you tHinK you’ve found your ideAl ‘style’? is tHe performing lisA mitcHell different from tHe
everydAy lisA mitcHell?
i got tired of my fringe and decided to grow it out. style is fun. helena Bonham carter is my style icon at the moment.
wHAt’s your fAvourite type of outfit?
Something that’s comfortable and effortless and a little bit odd.
How do you get reAdy for A sHow?
getting ready for a show can be madness but i really like to just play my guitar backstage if there’s some peace and quiet. if not i’ll go for a stroll and keep myself busy. there’s nothing worse than hanging out in the back room and picking at the corn chips and just waiting.
wHicH Artists would you liKe to collAborAte witH next?
i am hoping to work with an amazing Jazz artist madeleine Peyroux this year. elton John is forever on my wish list.
on A dAily bAsis, wHicH objects Help to mAKe your life eAsier?
iPhone. Headphones. Caffeine. Funny human-shaped objects.
tell us About your ideAl dAte.
Paris, bike riding, some wine.
wHAt’s tHe best tHing tHAt’s HAppened to you in 2014 so fAr?
i am currently in london writing and recording for my new album. It’s been the best feeling - just that ‘Setting Off’ feeling.
tell us About tHe lAst time you lAugHed so HArd you felt your six pAcK.
this question poses another question - am i meant to feel my six pack when i laugh? am i broken?
lAstly - wHere do you see yourself in five yeArs? tell us About your surroundings And tHe bigger picture.
In five years I’ll be 29 – shit. I want to be fluent in French, have a farm, a dog, maybe thinking about having some little ones. gosh, would you feel bad if this question sparks a quarter-life crisis?
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KNEON #10
teAm plAy > teAm worK
07show grati-tude
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10Q
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tHis issue would not HAve been possible witHout All tHe tAlented con-tributors And #KneonKids. tHAnK you for joining us in tHis Adventure.
JoseRomussi
left: jose embelisHes over AnnA dAKi’s originAl imAge exclusive-ly for tHis edition of Kneon
words by cAitlin beryl wArtHer
the chilean born artist living in Berlin has a unique way of mixing his media; textural, vivid and dynamic. he collects photographs to embellish them with embroidered, colourful layers. We love that
his work is piercing boundaries, all hand-made and touchable. inspired by fellow chilean artists and friends; Pablo Benzo and chiri elizalde we are keeping our eyes on his stitches.
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neverlookback
Kneon mAgAzine issue 10it’s in our nAture# K n e o n K i d sw w w . K n e o n - m A g A z i n e . c o m
April 11 2014