kinky boots - alfred music · 2017. 9. 21. · kinky boots soprano alto tenor bass piano 5...
TRANSCRIPT
-
Words and Music byCYNTHIA LAUPER
Arranged byANDY BECK
Mellow rock (q = ca. 110)
Mellow rock (q = ca. 110)
© 2012 OUR LADY OF THE RAINBOW MUSICAll Rights for OUR LADY OF THE RAINBOW MUSIC
Controlled and Administered by SPIRIT ONE MUSIC (BMI)This Arrangement © 2014 OUR LADY OF THE RAINBOW MUSIC
All Rights Reserved. Used by Permission. International Copyright Secured.Sole Selling Agent for This Arrangement: Alfred Music
To purchase a full-length performance recording of this piece, go to alfred.com/downloads
for S.A.T.B. voices and pianowith optional SoundPax and SoundTrax CD*
A CHORAL MEDLEYCharlie’s Soliloquy • Step One • The History of Wrong Guys •
Take What You Got • Everybody Say Yeah •Hold Me in Your Heart • Raise You Up / Just Be
KINKY BOOTS
SOPRANOALTO
TENORBASS
PIANO
5
CHARLIE’S SOLILOQUY
B¨5
mp
Do
mpSOLO
I be long- here? Am I what’s wrong here? Know what I’m do ing?- Or
B¨ B¨sus4 B¨ B¨sus4
* Also available for S.A.B. (41839). SoundTrax CD available (41840). SoundPax available (41841) - includes score and set of parts for 2 Synthesizers, Guitar, Bass, and Drumset.
41838
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11 13
14
am I a fraud? Do I fit in? Where do I be gin?-
B¨ B¨sus4 B¨
I’m
mp
watch ing- my -
Same old Char lie,- fright ened- and flawed.
(end solo) ALL mp mel.
B¨sus4 B¨ E¨
self and I know what to do. Hey,
mel.
F B¨ E¨/B¨
41838
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17
Rock (q = ca. 138)
Rock (q = ca. 138)
20
23
look at me now…
SPOKEN SOLO: It’s a shoe.
F
STEP ONE
F5 F/A Dm C/E
mf
This
mf
is time for a shake up, look at me wake up
F5 F/A B¨5
41838
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29 31
32
tak ing- con trol.-
This
mf
is a new be gin- ning,- my gears are spin-
D‹ C/E F5 F/A
Just put
- ning. Let’s rock and roll. Just
B¨5 Dm C/E F5
one foot on ward- and for ward.- I
put one foot on ward- and for ward.- I
F/A B¨5 Dm C/E
41838
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used to be a ze ro,- but now I clear ly- feel that
D5
I may be the he ro- who re in- vents- the heel. I
f
may be fac ing- the im -f
C5
f
pos si- ble.- I may be chas ing- af ter- mir a- cles.-
F5 G‹ F/A
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And there may be the steep est- moun tain- to
B¨ D‹
o ver- come.- But this is step
C B¨ C
one. Yeah, this is step one.
But this is step one. Yeah, this is step
F/A B¨ F/A
41838
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Electro pop (q = ca. 132)
Electro pop (q = ca. 132)
54
57 58
This is step one!
one, step one!
C/G F5
SOPRANO
THE HISTORY OF WRONG GUYS
SPOKEN SOLO: Oh, no. You don’t dare. Girl, girl, girl, I’m warning you!
ALTO
C5
mp
G/B B¨5
Wom
mpopt. SOLO
en- have been mak ing-
F5 C5
41838
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bad choic es- since the be
3
gin- ning- of
3
time.
G/B B¨5 F5
Are you gon na- be an oth- er- one of mine?
C5 G/B
Uh oh.-
(end solo)
Used
ALLmp
to think you were from
mel.
Used
mp
to think you were fromB¨5 F5 C5
41838
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out er- space. Who’s this bright eyed guy
out er- space. Who’s this bright eyed guy
G/B B¨5
in your place? You’re kind of cute
in your place? You’re kind of cute
F5 C5
when you’re not so shy. Uh oh.-
when you’re not so shy. Uh oh.-
G/B B¨5 F5
41838
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Woh,
mf
But
mf
I’ve been here be fore.- Have I come back for more?
C5
mf
G/B
in the his to- ry- of wrong guys.
An oth- er- chap ter- in the his to- ry- of wrong guys.
B¨5 F5
Woh,
You used to be so “eh,” a limp lack lust- er- bore.
C5 G/B
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in to- some one- I just can’t ig nore.-
But now you’re chang ing- in to- some one- I just can’t ig nore.-
B¨5 F5
mel.
Char
f
lie,-
Char
f
lie,-
f
C5 G
hon est- ly,-
hon est- ly,-
D5 G
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89 90
91
I’ve been hurt like this be fore.-
I’ve been hurt like this be fore.-
C5 G D5
Is there real ly- more
Is there real ly- more
C5
to you than what I al ways- thought?
to you than what I al ways- thought?
G D5
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97
How can you sur prise-
How can you sur prise-
G C5
me an y- more,- –ore,
me an y- more,- –ore,
G D5
–ore, –ore?
–ore, –ore?
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Folk rock (q = ca. 126)
100
103 104
105
TENOR
TAKE WHAT YOU GOT
BASS
G5
mf
Gmaj7 G5 Gmaj7 C('2) D/C
Re
mf
mem- ber- the pub where
C('2) D/C G5 Gmaj7
our fa thers
3
- went to spend the end of their day?
G5 Gmaj7 C('2) D/C C('2) D/C
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Re
mf
mem- ber- the yard be hind- the pub where we’d run and play?
G5 Gmaj7 G5 Gmaj7 C('2) D/C
Yeah well, now the pub is a
3
laun dro- mat.-
C('2) D/C Em7 C('2)
Now the yard is a high rise- flat. You can’t go
G5 Dsus4 G5 Gmaj7
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123
back, you can’t make it
3
last. You’ve got ta-3 mel.
G5 Gmaj7 C5 D/C C('2)
take what you got. E ven- when your life is in
3
3
Em7 C('2) G5
knots. You take aim, take your shot. Some-
Dsus4 Em7 C('2)
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130
times you’ve got ta- re write- the
3
plot.3
G5 Dsus4
You’ve got ta- take what you
3
You’ve got ta- take what you
3
got.
Em7 F%
got.
G5 Gmaj7 G5 Gmaj7 C('2) D/C
mp
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Hot soul jam (q = ca. 132)
Hot soul jam (q = ca. 132)
133 134
136
139
A.
S.
EVERYBODY SAY YEAH
Let
f
me hear you say yeah, yeah! Say
B.
T.
Yeah,
f
yeah!
C('2) C E¨
f
yeah, yeah! Say yeah!
Yeah, yeah! Say
F Gû 7(#9) C
Say yeah!
yeah! Yeah!
TENOR onlymf
You can
E¨ F Gû 7(#9)
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147
ALTO only
We’re
mf
get ting-
throw out the old way, ’cause it’s been done.
mf
C
read y- for the new.
Wit
BASS onlymf
ness- the fu ture- of “Price
SOPRANO only
Ow! Pa
mf
pa’s- got a brand new shoe.
A life of
and Son.”
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156
bro
Ah,A.
ken- heels
wah
got
ah.
you down? Well,
Well
we’ve
we’ve
got
got
your
your
so
so
lu
lu
-
-
-
-
B.
T.
B¨ E¨
tion.
tion.
-
-
Get
Get
up!
up!
Get it on
Get
and get
in
in, step with
with
our
our
F C B¨
kink
kink
y
y
-
-
rev
rev
o
o
-
-
lu
lu
-
-
tion.
tion.
-
- Let
f
me hear you say
E¨ F Gû 7(#9)
f
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164
yeah, yeah! Say yeah, yeah!
Yeah,
f
yeah! Say
C E¨ F
Let me hear you say yeah! Say
yeah, yeah! Yeah!
Gû 7(#9) C
yeah! Say yeah! Yeah! Yeah!
Yeah! Yeah! Yeah!
E¨ F Gû 7(#9)
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Ballad (q. = ca. 58)
169
171
HOLD ME IN YOUR HEART
C5
mp
G5/C
You
mpopt. SOLO
don’t want to see me an y- more.-
C5 G
You can’t lis ten- to me laugh out loud.
(end solo)2 2
C5 G
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177
You
mpALL
don’t want to see me dance. You can’t e ven- take the chancemp
Dm C/E
that it might re flect- on you.
F C/G G
You missed out on the best part of me. The
C G
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part that made me who I am to day.- Oh,
C G
but the best part of me is stand ing- in
But the best part of me is stand ing- in front of youDm C/E
front of you and
mel.
loves you an y- - way.
F C/G G
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mel.
Hold
mf
me in your heart till you un der- stand.-mf
A¨maj7
mf
Fm9 Cm7
Hold me in your heart just the way that
cresc.
I am. Withcresc.
D¨maj7 B¨m9 C7
sim. cresc.
all your faults I
f
love you, I need you to love me that way,f
D¨maj7 B¨m9
f
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Dance club tempo (q = ca. 120)
Dance club tempo (q = ca. 120)
193
195
too.2
2
Csus4 D¨ E¨
RAISE YOU UP / JUST BE
mf
Fm Cm E¨
Oo!
mf
A¨ B¨
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201
Once
mf
I was a fraid- but then you came a long,- you
Fm E¨
put your faith in me and I was chal lenged- to be strong.
A¨ B¨
Whenmf
I lost my way, you were there to see me through.
Fm E¨
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207
Now let Lo la- lend some love and do the same for you.
A¨ B¨
Feed your fi re- to take you high er.- We’ll
F B¨
light you up like a live wi re.-
F C
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213
Cel e- brate- you to el e- vate- you. When you
F B¨
strug gle- to stand, well, take a help ing- hand. IfIf
f
youf
C
hit the dust, let me raise you up. When your
B¨
f
C Am7 Dm
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219
bub ble- busts, let me raise you up. If your
B¨ C Am7 Dm
glit ter- rusts, let me raise you up.
and up.B¨ C Am7 Dm
Hoo. Raise ya up! Raise ya up!
E¨
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226
Hoo. Raise ya up!
SPOKEN SOLO: Ladies and gentlemen ... as people all over the world clamor for Kinky Boots ... it is time for us to
F Cm/E¨ B¨/D F/C
get back to work. But before we go, we’d like to share the “Price and Simon” secret to success!
B¨/D F Cm/F B¨/F
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231
(SPOKEN SOLO)
and it goes like this:
One!
f
f
F B¨/D F
Pur
SOLO 1f
sue- the truth. Learn
SOLO 2f
some thing- new.
Two! Three!
Cm/F B¨/F
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Ac
SOLO 3f
cept- your self- and you’ll ac cept- oth ers,- too.
Four!
F
Let
SOLO 4f
love shine. Let
SOLO 5f
pride be your guide.
Five!
Cm/F Cm/D
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You
SOLO 6f
change the world when you change your mind.
Six! Just
B¨/F
be who you wan na- be. Nev -
F E¨ B¨
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er- let ’em tell you who you ought to be. Just
F
be with dig ni- ty.-
E¨ B¨
Cel e- brate- your life tri um- phant- ly.- You’ll see,
F
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SMALL GROUP (mixed voices)
It’s
f
beau ti- ful!- It’s beau ti- ful!-
you’ll see, just
B¨sus4/E¨ B¨
It’s beau ti- ful!- It’s beau ti- ful!-
be, just be. You’ll see, you’ll see,
F B¨sus4/E¨
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