keys for the (beautifully, joyously) rowdy soul within us

3
TRANSFORMATION Keys for the (Beautifully, Joyously) Rowdy Soul Within Us By Parashakti and Rabbi Miriyam Glazer Tonight we went to an amazing concert: 29 yearold Venezuelan conductor Gustavo Dudamel conducting Mahler's Symphony Number 1, an aweinspiring magical interplay of flutes, oboes, clarinets, bassoons, horns, trumpets, trombones, tuba, cymbals, gong, triangle, timpani, harp not to mention the whole panoply of strings! As the music moved from a gentle awakening to an earthy dance movem ent, to a transformative finale that truly seemed like a wild storm dissolving in incandescently brilliant light, Dudamel's body moved with it. He bent, he swirled, he jumped high in the air: every gesture of the music reverberated in his whole body. It was just like what happens in the Dance of Liberation™ where dancers are guided to hear the awakening of a new song through their instrument: their glorious body, which has no limitations, once you can deeply hear the inner symphony of your own soul. And tears rolled down our cheeks at the sheer beauty, intensity, genius of it all. The poet T.S. Eliot described such an experience as "music heard so deeply, it is not heard at all: but you are the music while the music lasts." When we respond to music "so deeply" it is because we're not hearing with our ears or mind alone. All of our senses, all of our being, is engaged. We are the music; it reverberates within us; it speaks to the circulation of our blood, the beating of our heart, the stomping of our feet, the arc of our arms, the alltoooften stifled voice that is great within us. That is us. For all those reasons, we believe so profoundly in the power of dance. Not, at least for us, the dance that follows rigid rules (step left, step right, move forward, move back), but the dance, like the Dance of ISSUE 159 ADVERTISEMENT ADVERTISEMENT ADVERTISEMENT ADVERTISEMENT ADVERTISEMENT READING RESOURCES ADVERTISING ABOUT US

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Keys for the (Beautifully, Joyously) Rowdy Soul Within Us By Parashakti and Rabbi Miriyam Glazer

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Page 1: Keys for the (Beautifully, Joyously) Rowdy Soul Within Us

TRANSFORMATION

Keys for the (Beautifully, Joyously) Rowdy Soul Within UsBy Parashakti and Rabbi Miriyam Glazer

Tonight we went to an amazing concert: 29­

year­old Venezuelan conductor Gustavo

Dudamel conducting Mahler's Symphony

Number 1, an awe­inspiring magical interplay of

flutes, oboes, clarinets, bassoons, horns,

trumpets, trombones, tuba, cymbals, gong,

triangle, timpani, harp ­ not to mention the whole

panoply of strings!

As the music moved from a gentle awakening to an

earthy dance movem ent, to a transformative

finale that truly seemed like a wild storm

dissolving in incandescently brilliant light,

Dudamel's body moved with it. He bent, he

swirled, he jumped high in the air: every gesture of

the music reverberated in his whole body. It was

just like what happens in the Dance of Liberation™

where dancers are guided to hear the awakening of

a new song through their instrument: their

glorious body, which has no limitations, once you

can deeply hear the inner symphony of your own

soul.

And tears rolled down our cheeks at the sheer

beauty, intensity, genius of it all.

The poet T.S. Eliot described such an experience

as "music heard so deeply, it is not heard at all: but

you are the music while the music lasts." When we

respond to music "so deeply" it is because we're not hearing with our ears or mind alone. All of our senses,

all of our being, is engaged. We are the music; it reverberates within us; it speaks to the circulation of our

blood, the beating of our heart, the stomping of our feet, the arc of our arms, the all­too­often stifled voice

that is great within us.

That is us.

For all those reasons, we believe so profoundly in the power of dance. Not, at least for us, the dance that

follows rigid rules (step left, step right, move forward, move back), but the dance, like the Dance of

Liberation™, that awakens in our bodysouls when we allow ourselves to respond, freely, wholly, without

embarrassment or self­consciousness or fear of judgment, to evocative music. It is that kind of dance, for

example, that the Hebrew psalmist is imagining when he calls for cymbals, harps, drums, horns, to shout

"Hallelujah!" to the Spirit of the Universe, and when the legendary King David himself dances without

restraint as the car carrying the Ark of the Covenant makes its way up the hills of Jerusalem.

That kind of liberating dance speaks to our inchoate souls ­ the souls within us that have no words for what

they are longing to express. The way our hips, arms, legs, neck, belly, even our fingertips!, move to the

music connects us with the seabirds soaring through the sky, zebras rushing across the savanna, dolphins

frolicking on the waves, galaxies whirling through the heavens, infants awakening. Life is movement;

movement is life.

That is why liberating dance has the power to awaken aspects of our being that otherwise are left silent,

forlorn ­ the aspects, for example, that Native American tradition identifies as our "power animals."

Just this last week, through the journey of dance, we ourselves experienced new and vivid connections to

our own power animals: the great eagle wings soaring ever more intensely for Parashakti, the magnificent

white horse awaiting Rabbi Miriyam in a meadow of fragrant wildflowers.

It's out of our experience that we urge all our readers to dance, celebrate, journey ­ discover your own

power animals!

The awakening and intensifying of an intimate relationship with one's power animals opens up otherwise

unfathomable pathways of self­discovery, of emotion, intuition, knowledge, wisdom.

Opens up veins of joy.

Arteries of ecstasy.

Frees you to dance to the drummer you hear, not the drummer others have needed you to hear, insisted

that you hear, demanded that you hear.

Your dance.

Through dance, through the discovery of our power animals, we release more and more of the not­self,

and embrace more and more of the authentic, profound, mind­bogglingly alive inner self, the self that is

truly ours, different from what we may have imagined, different from who we have been, different from

what others have demanded we be, expected we'd be, wished we'd be, needed us to be.

We don't mean to imply that this is an easy process. Change never is. There's a good reason that many of

us choose to remain drowsy, if not entirely asleep; to go through life living in cages that others have

created for us out of their needs, their fears. Or, of course, in cages that we have constructed for

ourselves.

Our friend Michael Molin­Skelton, whose Spiritweaves™ dance classes we love to take in Los Angeles,

shared important words of the medieval Persian poet Hafiz with us:

The small man

Builds cages for everyone

He

Knows.

While the sage,

Who has to duck his head

When the moon is low,

Keeps dropping keys all night long

For the

Beautiful

Rowdy

Prisoners.

The "small men," the cages, are all around us: created through fear of human freedom, distrust of the

human spirit, a miserliness of feeling, a stinginess of heart. We ourselves can erect our own cages, out of

our own fears, our own distrust, our anxiety.

What we've learned, though, is through the journeying we ourselves engage in, and we have been blessed

to lead others in, the keys to the cage "for the Beautiful Rowdy Prisoners" are there, ready to release them

to soar through the sky like an eagle, prance through the meadows like a white horse, transform with the

grace of a butterly, find the curative powers of the buffalo or the magical shape­shifting energy of raven.

Dance, journey, discover new avenues of consciousness, new avenues of your own being.

Discover your own power animals, your symbolic sources of strength, your gifts, the keys to the

rowdiness of your own being.

Join us. In the words of Hafiz, "stay close to any sounds that make you glad you are alive."

And ­ especially now, in the glory of the summer, DANCE FREE!

Join us for a special Dance of Liberation with Parashakti: Dancing your Power Animal:

Liberation info line: 646 415 7553

PARASHAKTI is the founder of Dance of Liberation, and creator of Liberation detox

and cleansing programs. Through the integration of dance yoga, ritual, hands on

healing, spiritual nutrition , live drumming, global music, sweat lodges, her programs

heal and free physical, mental, emotional and spiritual blockages. www.parashakti.org

RABBI MIRIYAM GLAZER Professor of Literature Chair, Depar™ent of Literature,

Communication & Media American Jewish Universityis and the author of PSALMS OF

THE JEWISH LITURGY: A GUIDE TO THEIR BEAUTY, POWER, AND MEANING

(a new translation and commentary).

ISSUE 159

ADVERTISEMENT

ADVERTISEMENT

ADVERTISEMENT

ADVERTISEMENT

ADVERTISEMENT

Thinking of subscribing?For only $20.00 per year or $4.00 per issue, the Spirit will travel... right into your mailbox! Contact us to start your subscription today!

reading | resources | advertising | about us

READING RESOURCES ADVERTISING ABOUT US

Page 2: Keys for the (Beautifully, Joyously) Rowdy Soul Within Us

TRANSFORMATION

Keys for the (Beautifully, Joyously) Rowdy Soul Within UsBy Parashakti and Rabbi Miriyam Glazer

Tonight we went to an amazing concert: 29­

year­old Venezuelan conductor Gustavo

Dudamel conducting Mahler's Symphony

Number 1, an awe­inspiring magical interplay of

flutes, oboes, clarinets, bassoons, horns,

trumpets, trombones, tuba, cymbals, gong,

triangle, timpani, harp ­ not to mention the whole

panoply of strings!

As the music moved from a gentle awakening to an

earthy dance movem ent, to a transformative

finale that truly seemed like a wild storm

dissolving in incandescently brilliant light,

Dudamel's body moved with it. He bent, he

swirled, he jumped high in the air: every gesture of

the music reverberated in his whole body. It was

just like what happens in the Dance of Liberation™

where dancers are guided to hear the awakening of

a new song through their instrument: their

glorious body, which has no limitations, once you

can deeply hear the inner symphony of your own

soul.

And tears rolled down our cheeks at the sheer

beauty, intensity, genius of it all.

The poet T.S. Eliot described such an experience

as "music heard so deeply, it is not heard at all: but

you are the music while the music lasts." When we

respond to music "so deeply" it is because we're not hearing with our ears or mind alone. All of our senses,

all of our being, is engaged. We are the music; it reverberates within us; it speaks to the circulation of our

blood, the beating of our heart, the stomping of our feet, the arc of our arms, the all­too­often stifled voice

that is great within us.

That is us.

For all those reasons, we believe so profoundly in the power of dance. Not, at least for us, the dance that

follows rigid rules (step left, step right, move forward, move back), but the dance, like the Dance of

Liberation™, that awakens in our bodysouls when we allow ourselves to respond, freely, wholly, without

embarrassment or self­consciousness or fear of judgment, to evocative music. It is that kind of dance, for

example, that the Hebrew psalmist is imagining when he calls for cymbals, harps, drums, horns, to shout

"Hallelujah!" to the Spirit of the Universe, and when the legendary King David himself dances without

restraint as the car carrying the Ark of the Covenant makes its way up the hills of Jerusalem.

That kind of liberating dance speaks to our inchoate souls ­ the souls within us that have no words for what

they are longing to express. The way our hips, arms, legs, neck, belly, even our fingertips!, move to the

music connects us with the seabirds soaring through the sky, zebras rushing across the savanna, dolphins

frolicking on the waves, galaxies whirling through the heavens, infants awakening. Life is movement;

movement is life.

That is why liberating dance has the power to awaken aspects of our being that otherwise are left silent,

forlorn ­ the aspects, for example, that Native American tradition identifies as our "power animals."

Just this last week, through the journey of dance, we ourselves experienced new and vivid connections to

our own power animals: the great eagle wings soaring ever more intensely for Parashakti, the magnificent

white horse awaiting Rabbi Miriyam in a meadow of fragrant wildflowers.

It's out of our experience that we urge all our readers to dance, celebrate, journey ­ discover your own

power animals!

The awakening and intensifying of an intimate relationship with one's power animals opens up otherwise

unfathomable pathways of self­discovery, of emotion, intuition, knowledge, wisdom.

Opens up veins of joy.

Arteries of ecstasy.

Frees you to dance to the drummer you hear, not the drummer others have needed you to hear, insisted

that you hear, demanded that you hear.

Your dance.

Through dance, through the discovery of our power animals, we release more and more of the not­self,

and embrace more and more of the authentic, profound, mind­bogglingly alive inner self, the self that is

truly ours, different from what we may have imagined, different from who we have been, different from

what others have demanded we be, expected we'd be, wished we'd be, needed us to be.

We don't mean to imply that this is an easy process. Change never is. There's a good reason that many of

us choose to remain drowsy, if not entirely asleep; to go through life living in cages that others have

created for us out of their needs, their fears. Or, of course, in cages that we have constructed for

ourselves.

Our friend Michael Molin­Skelton, whose Spiritweaves™ dance classes we love to take in Los Angeles,

shared important words of the medieval Persian poet Hafiz with us:

The small man

Builds cages for everyone

He

Knows.

While the sage,

Who has to duck his head

When the moon is low,

Keeps dropping keys all night long

For the

Beautiful

Rowdy

Prisoners.

The "small men," the cages, are all around us: created through fear of human freedom, distrust of the

human spirit, a miserliness of feeling, a stinginess of heart. We ourselves can erect our own cages, out of

our own fears, our own distrust, our anxiety.

What we've learned, though, is through the journeying we ourselves engage in, and we have been blessed

to lead others in, the keys to the cage "for the Beautiful Rowdy Prisoners" are there, ready to release them

to soar through the sky like an eagle, prance through the meadows like a white horse, transform with the

grace of a butterly, find the curative powers of the buffalo or the magical shape­shifting energy of raven.

Dance, journey, discover new avenues of consciousness, new avenues of your own being.

Discover your own power animals, your symbolic sources of strength, your gifts, the keys to the

rowdiness of your own being.

Join us. In the words of Hafiz, "stay close to any sounds that make you glad you are alive."

And ­ especially now, in the glory of the summer, DANCE FREE!

Join us for a special Dance of Liberation with Parashakti: Dancing your Power Animal:

Liberation info line: 646 415 7553

PARASHAKTI is the founder of Dance of Liberation, and creator of Liberation detox

and cleansing programs. Through the integration of dance yoga, ritual, hands on

healing, spiritual nutrition , live drumming, global music, sweat lodges, her programs

heal and free physical, mental, emotional and spiritual blockages. www.parashakti.org

RABBI MIRIYAM GLAZER Professor of Literature Chair, Depar™ent of Literature,

Communication & Media American Jewish Universityis and the author of PSALMS OF

THE JEWISH LITURGY: A GUIDE TO THEIR BEAUTY, POWER, AND MEANING

(a new translation and commentary).

ISSUE 159

ADVERTISEMENT

ADVERTISEMENT

ADVERTISEMENT

ADVERTISEMENT

ADVERTISEMENT

Thinking of subscribing?For only $20.00 per year or $4.00 per issue, the Spirit will travel... right into your mailbox! Contact us to start your subscription today!

reading | resources | advertising | about us

READING RESOURCES ADVERTISING ABOUT US

Page 3: Keys for the (Beautifully, Joyously) Rowdy Soul Within Us

TRANSFORMATION

Keys for the (Beautifully, Joyously) Rowdy Soul Within UsBy Parashakti and Rabbi Miriyam Glazer

Tonight we went to an amazing concert: 29­

year­old Venezuelan conductor Gustavo

Dudamel conducting Mahler's Symphony

Number 1, an awe­inspiring magical interplay of

flutes, oboes, clarinets, bassoons, horns,

trumpets, trombones, tuba, cymbals, gong,

triangle, timpani, harp ­ not to mention the whole

panoply of strings!

As the music moved from a gentle awakening to an

earthy dance movem ent, to a transformative

finale that truly seemed like a wild storm

dissolving in incandescently brilliant light,

Dudamel's body moved with it. He bent, he

swirled, he jumped high in the air: every gesture of

the music reverberated in his whole body. It was

just like what happens in the Dance of Liberation™

where dancers are guided to hear the awakening of

a new song through their instrument: their

glorious body, which has no limitations, once you

can deeply hear the inner symphony of your own

soul.

And tears rolled down our cheeks at the sheer

beauty, intensity, genius of it all.

The poet T.S. Eliot described such an experience

as "music heard so deeply, it is not heard at all: but

you are the music while the music lasts." When we

respond to music "so deeply" it is because we're not hearing with our ears or mind alone. All of our senses,

all of our being, is engaged. We are the music; it reverberates within us; it speaks to the circulation of our

blood, the beating of our heart, the stomping of our feet, the arc of our arms, the all­too­often stifled voice

that is great within us.

That is us.

For all those reasons, we believe so profoundly in the power of dance. Not, at least for us, the dance that

follows rigid rules (step left, step right, move forward, move back), but the dance, like the Dance of

Liberation™, that awakens in our bodysouls when we allow ourselves to respond, freely, wholly, without

embarrassment or self­consciousness or fear of judgment, to evocative music. It is that kind of dance, for

example, that the Hebrew psalmist is imagining when he calls for cymbals, harps, drums, horns, to shout

"Hallelujah!" to the Spirit of the Universe, and when the legendary King David himself dances without

restraint as the car carrying the Ark of the Covenant makes its way up the hills of Jerusalem.

That kind of liberating dance speaks to our inchoate souls ­ the souls within us that have no words for what

they are longing to express. The way our hips, arms, legs, neck, belly, even our fingertips!, move to the

music connects us with the seabirds soaring through the sky, zebras rushing across the savanna, dolphins

frolicking on the waves, galaxies whirling through the heavens, infants awakening. Life is movement;

movement is life.

That is why liberating dance has the power to awaken aspects of our being that otherwise are left silent,

forlorn ­ the aspects, for example, that Native American tradition identifies as our "power animals."

Just this last week, through the journey of dance, we ourselves experienced new and vivid connections to

our own power animals: the great eagle wings soaring ever more intensely for Parashakti, the magnificent

white horse awaiting Rabbi Miriyam in a meadow of fragrant wildflowers.

It's out of our experience that we urge all our readers to dance, celebrate, journey ­ discover your own

power animals!

The awakening and intensifying of an intimate relationship with one's power animals opens up otherwise

unfathomable pathways of self­discovery, of emotion, intuition, knowledge, wisdom.

Opens up veins of joy.

Arteries of ecstasy.

Frees you to dance to the drummer you hear, not the drummer others have needed you to hear, insisted

that you hear, demanded that you hear.

Your dance.

Through dance, through the discovery of our power animals, we release more and more of the not­self,

and embrace more and more of the authentic, profound, mind­bogglingly alive inner self, the self that is

truly ours, different from what we may have imagined, different from who we have been, different from

what others have demanded we be, expected we'd be, wished we'd be, needed us to be.

We don't mean to imply that this is an easy process. Change never is. There's a good reason that many of

us choose to remain drowsy, if not entirely asleep; to go through life living in cages that others have

created for us out of their needs, their fears. Or, of course, in cages that we have constructed for

ourselves.

Our friend Michael Molin­Skelton, whose Spiritweaves™ dance classes we love to take in Los Angeles,

shared important words of the medieval Persian poet Hafiz with us:

The small man

Builds cages for everyone

He

Knows.

While the sage,

Who has to duck his head

When the moon is low,

Keeps dropping keys all night long

For the

Beautiful

Rowdy

Prisoners.

The "small men," the cages, are all around us: created through fear of human freedom, distrust of the

human spirit, a miserliness of feeling, a stinginess of heart. We ourselves can erect our own cages, out of

our own fears, our own distrust, our anxiety.

What we've learned, though, is through the journeying we ourselves engage in, and we have been blessed

to lead others in, the keys to the cage "for the Beautiful Rowdy Prisoners" are there, ready to release them

to soar through the sky like an eagle, prance through the meadows like a white horse, transform with the

grace of a butterly, find the curative powers of the buffalo or the magical shape­shifting energy of raven.

Dance, journey, discover new avenues of consciousness, new avenues of your own being.

Discover your own power animals, your symbolic sources of strength, your gifts, the keys to the

rowdiness of your own being.

Join us. In the words of Hafiz, "stay close to any sounds that make you glad you are alive."

And ­ especially now, in the glory of the summer, DANCE FREE!

Join us for a special Dance of Liberation with Parashakti: Dancing your Power Animal:

Liberation info line: 646 415 7553

PARASHAKTI is the founder of Dance of Liberation, and creator of Liberation detox

and cleansing programs. Through the integration of dance yoga, ritual, hands on

healing, spiritual nutrition , live drumming, global music, sweat lodges, her programs

heal and free physical, mental, emotional and spiritual blockages. www.parashakti.org

RABBI MIRIYAM GLAZER Professor of Literature Chair, Depar™ent of Literature,

Communication & Media American Jewish Universityis and the author of PSALMS OF

THE JEWISH LITURGY: A GUIDE TO THEIR BEAUTY, POWER, AND MEANING

(a new translation and commentary).

ISSUE 159

ADVERTISEMENT

ADVERTISEMENT

ADVERTISEMENT

ADVERTISEMENT

ADVERTISEMENT

Thinking of subscribing?For only $20.00 per year or $4.00 per issue, the Spirit will travel... right into your mailbox! Contact us to start your subscription today!

reading | resources | advertising | about us

READING RESOURCES ADVERTISING ABOUT US