kanye west at united center
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4/30/2014 Kanye West at United Center: photos and review
http://www.timeout.com/chicago/music/kanye-west-at-united-center-photos-and-review 1/3
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Photo: Josh Mellin
Kanye West brings mountains and masks United Center in Chicago on his Yeezus Tour of North America, December 18,2013.
Kendrick Lamar and Kanye West presented quite the juxtaposition in their concert last night. Where asthe opening Lamar focused on a small, three-person band and a short film of friends in his hometownof Compton to back him up, Kanye went as expected—not big, but huge.
Lamar’s performance was good, gushing energy in his hits from his latest album, good kid, m.A.A.dcity, like "Backseat Freestyle" and "Bitch, Don’t Kill My Vibe." The live band does not do his recordsjustice, as touches of a jazz flute float in at one point. Unfortunately, the arena was just starting to fill atthe end of his set. For those of you going tonight, get there early. It’s worth seeing.
Following an hour-long set swap, West was ready to present himself. His 12 babely apostles walkedcultishly onto the glacier-like stage and patiently awaited West's—ahem—Yeezus’s explosiveappearance onstage. Donning four different bedazzled S&M masks, he energetically whipped theaudience through a two-hour, marathon synopsis of his rap career. Whether he sang "Flashing Lights"from Graduation or angrily spat "Black Skinhead" from his most recent creation, Yeezus, West broughttons of electricity and crowd-pleasing beats.
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By Sofia Carlson Thu Dec 19 2013 CommentsAdd +
Kanye West at United Center:photos and reviewHoly Yeezus! Kanye West brings brings fire, sweat, snow and tears to his
hometown. Check out our review and photos
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4/30/2014 Kanye West at United Center: photos and review
http://www.timeout.com/chicago/music/kanye-west-at-united-center-photos-and-review 2/3
The entire performance was reminiscent of the passion of the Christ, with each jewel-encrusted maskappearing to signify a point in his life as Yeezus. He began in a colorful mask with a gold jawline tostart the show. A black-and-ruby-toned face cover displayed his angry, angsty side, performing songslike “Blood On The Leaves” (complete with flames) and “Coldest Winter,” a song in honor of his motherwho died in 2007, lying on his back as fake snow drifted into the crowd.
A disco-ball mask represented resurrection, with songs like "Stronger" and "Through the Wire." Mixedwith his Indian-inspired Sherwani coat, he fantastically looked a bit like a luchador. Finally, a whitemask announced his angelic side (yes, he has one), with "Runaway" and an entrance processionaltypically reserved for Roman Catholic masses, with incense, crucifix, Virgin Mary statue and suchregalia.
He ended the show face uncovered (finally, unlike with MF DOOM, we could be sure it was him) andblasted through his older hits like "Jesus Walks," after an apt blessing from White Jesus, and"Diamonds From Sierra Leone." Finally, West closed with "Bound 2," passing the mic into the throngfor audience assistance, as flames and flares fired. However, no naked Kim Kardashian on amotorcycle.
But wait, what would a Kanye concert be without a 15-minute rant? The self-proclaimed new SteveJobs/Michaelangelo/Walt Disney let off steam, kvetching about the media’s attempt to control him, thathe’d have to care in order for that to be possible. Yeezus encouraged others to stop caring whatothers think, because “you’re only as good as you think you are." (Spoken-sung in Auto-Tune.) He wasadmittedly tame, confessing he had calmed down since the beginning of the tour. (Sorry to those atearlier dates. Or should we say sorry to those in Chicago?) Aside from this gentle tirade against themedia, he remained fairly mild-mannered and almost coy for the entire night, joking at point, “At leastI’m fucking up in my own city,” when an A/V hiccup brought a moment of pause.
The best quote of the night: “My baby mama is Kim K! I am from Chicago and my baby mama is KimKardashian! The media can’t find a better headline than that.”
Whether West was accompanied by his 12 apostles, a scary mythological creature with glowing redeyes, Tony Williams on vocals or Jesus himself, he overwhelmed with character and enthusiasm.Despite having his face covered for approximately 75-percent of the set, noticeably dripping sweatthrough the contraption, he continued to jump and sprint about stage, imbuing each tune with adifferent emotion, driving fans out of their very expensive seats. You got what you paid for. Did wemention he went non-stop for two hours? The man is one hell of a performer.
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