jp.yamaha.com...figl min fig 2 7 max — bias adj on 20k 7' 70 tape source i khz 10khz fig3...

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Page 1: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 2: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 3: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 4: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 5: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 6: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 7: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 8: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 9: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 10: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 11: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 12: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 13: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 14: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 15: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 16: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 17: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10
Page 18: jp.yamaha.com...Figl MIN Fig 2 7 MAX — BIAS ADJ ON 20k 7' 70 TAPE SOURCE I kHz 10kHz Fig3 HX-->a OdB 10k 2K C-Type B-Type 10 ODOLBY L a DOLBY F) —50 dBfjíjf¼a) Z E z 95dB 10