jonathan carroll bradley
DESCRIPTION
Master of ArchitectureTRANSCRIPT
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komoidia + village song
ADOCODA
INSTRUCTORS: KEITH PLYMALE, ROBERT CRAMER DATE OF FINAL REVIEW: MAY 7 2013
FINAL THESIS PROJECT
JON BRADLEY 02448338 SPRING 2013ACADEMY OF ART UNIVERSITYMASTER OF ARCHITECTURE (87 UNITS) GRADUATE DIRECTOR : MARK MUCKENHEIMTHESIS COORDINATOR : RICHARD SMITH
THE VERNACULAR ECHO CHAMBER SERVES AS AN INSTURMENT TO TRANSFORM THE RELATIONSHIP BETWEEN BUILDING AND SITE.
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TABLE OF CONTENTS I
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SUN
EARTH
MOON
MERCURY
VENUS
MARS
JUPITERPROPOSAL
MISSION / USER GROUPS
PRECEDENT ANALYSIS
ODEON OF HERODES / ANCIENT / 300 BC / ATHENS, GREECE / SITECHARTRES CATHEDRAL / MEDIEVAL / 13TH CENTURY / CHARTRES FRANCE / STRUCTURETEATRO OLIMPICO / RENAISSANCE / 1585 / VICENZA, ITALY / PALLADIO / MUSICAL PROPORTIONTANGLEWOOD / MODERN /1924 / LENOX, MA / WILLIAM RAWN ASSOCIATES / PROGRAMSAN FRANCISCO JAZZ CENTER / CONTEMPORARY / UNDER CONSTRUCTION / CAVAGNERO / ACOUSTICS
SITE ANALYSIS / STATIC
MAPPING DEMOGRAPHICS / MAJOR CITY NODES/ NATURAL FEATURES / MUSICZONING / CIRCULATION / SHADOW
ENVIRONMENTAL RECREATION / HYDROLOGYGEOLOGY / HISTORICAL / AXONOMETRIC SHADOW
SCHEMATIC DESIGNCONCEPT TREE / OCTAVE / PILGRIM
ARCHITECTURAL DRAWINGS SITE 1/32 - 1ROOF 1/16 - 1SKIN / STRUCTURE 1/8-1
EXITING / ADA AXONOMETRIC 1/8-1 FULL / LEVELS 5-4 / 3-2 / 1- 0
FLOOR 1/8-1
ELEVATION 1/8-1
SOUTH EAST
SECTION 1/8-1
AXONOMETRIC SUB STRUCTURESTRUCTURAL SYSTEMSPATIAL COMPOSITION SPACIAL / PROGRAM / COST / CODE
RENDERINGMAP EXTERIORINTERIOR
LEVEL / 5 / 4 / 3 / 2 / 1
EAST WEST
SCHEMATIC DESIGN
SUSTAINABLILITY
ARCHITECTURAL DETAIL DRAWINGS / RENDERINGWALL SECTION - 1/2-1 DETAIL 1 - 1/2-1 FOUNDATION DOORROOF CONNECTION STRUCTURAL ASSEMBLAGESECTION DETAIL 1/2-1 BATHROOM DETAIL
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TABLE OF CONTENTS II
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FIXED STARS /URANUS
SUN
PREMIUM MOBLE /NEPTUNE
SATURN
EARTH
MERCURY
ARCHITECTURAL DRAWINGS SITE 1/32 - 1ROOF 1/16 - 1SKIN / STRUCTURE 1/8-1
EXITING / ADA AXONOMETRIC 1/8-1 FULL / LEVELS 5-4 / 3-2 / 1- 0
FLOOR 1/8-1
ELEVATION 1/8-1
SOUTH EAST
SECTION 1/8-1
AXONOMETRIC SUB STRUCTURESTRUCTURAL SYSTEMSPATIAL COMPOSITION SPACIAL / PROGRAM / COST / CODE
RENDERINGMAP EXTERIORINTERIOR
PHYSICAL
SITE MODEL 1/32 - 1 CONCEPT MODEL / SKETCH
PERSONAL
SEMESTER BREAKDOWN / TIMERESUME
APPENDIX
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LEVEL / 5 / 4 / 3 / 2 / 1
EAST WEST
SCHEMATIC DESIGN
SUSTAINABLILITY
ARCHITECTURAL DETAIL DRAWINGS / RENDERINGWALL SECTION - 1/2-1 DETAIL 1 - 1/2-1 FOUNDATION DOORROOF CONNECTION STRUCTURAL ASSEMBLAGESECTION DETAIL 1/2-1 BATHROOM DETAIL
PAINTING
INDEXBIBLIOGRAPHY
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M[ISSION]USE MUSE / MISSION / USER GROUPS 1
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MISSION USER PROFILE
I PROPOSE TO DESIGN A VERNACULAR ECHO CHAMBER THATHOPES TO UNCOVER THE SYMBIOTIC RELATIONSHIP BETWEENTHE SPACIAL QUALITIES OF A BUILDING AND THE FORM OF A SONG THAT IS CREATED IN IT. MORE SPECIFICALLY, TO ANSWERTHE QUESTION: IS MUSICAL FORM CREATED WITH AN ARCHITECTURAL CONTEXT IN MIND? AND IF SO, WHAT IS THE RELATIONSHIP BETWEEN MUSICAL AND ARCHITECTURAL ORDER?
IF A ODEON CAN BE SEEN AS A HOUSE FOR MUSIC.CHORD FORM ON A GUITAR CAN BE SEEN AS A HOUSE OF SONG. THE WORD SONGE IN FRENCH MEANS DREAM OR VISION. IN ITALIAN, STANZA MEANS ROOM; AND IN GREEK THE WORD POEM DENOTES STRUCTURE.
THROUGH THE ETYMOLOGY OF THESE WORDS IT IS VERY CLEAR THE RELATIONSHIP BETWEEN MUSICAL FORM AND ARCHITECTURE.
THIS RELATIONSHIP HAS CHANGED THROUGHOUT THE COURSE OF HISTORY. RELATIVE TIME PERIODS IN ARCHITECTURE HOUSE THEIR RESPECTIVE TIME PERIODS IN MUSIC.
WITHOUT A HEALTHY BALANCE, BETWEEN MUSIC AND THE ARCHITECTURE THAT IT IS CREATED IN; EACH ART FORM SUFFERS. OSCAR WILDE, IN HIS ESSAY THE DECAY OF LYING STATED: THAT LIFE IS IN FACT THE MIRROR AND ART THE REALITY. WITHOUT HEALTHY BALANCE BETWEEN THE TWO, THE RESULT IS THAT SOCIETY SUFFERS.
NOW, IN ORDER FOR MUSICIANS TO CATER TO CONTEMPORARY MARKETS THEIR CRAFT MUST BE REDUCED INTO THE CHANNELSTHAT THEIR MUSIC WILL BE CONSUMED. THIS MEANS GEARING THEIR MUSIC TO THE I-POD EAR PHONE GENERATION. THUS SUBVERTING THE ROLE THAT ARCHITECTURE PLAYS IN THIS SYMBIOTIC RELATIONSHIP.
THE MISSION OF THIS PROJECT IS TO ALLOW MUSICIANS TO EXPLORE DIFFERENT ENVIRONMENTS FOR CREATING MUSIC IN. RATHER THEN BLINDLY CREATING MUSAK RELATIVE TO A INVISIBLE MARKETABLE SUPERSTRUCTURE.
THIS THESIS WILL EXPLORE VERNACULAR MUSIC OF AMERICA CONSISTING OF ITS SEVEN MAJOR MUSICAL GENRES: JAZZ, BLUES,CAJUN, TEJANO, OLE TYME, GOSPEL, NATIVE AMERICAN. THIS FACILITYWILL NOT BE EXCLUSIVE TO, BUT FOCUS ON THE NATIVE MUSICAL DIALECTS SPECIFIC TO THE UPSTATE NEW YORK REGION.
VERNACULAR, FROM THE LATIN VERNACULUS MEANING HOME-BORN SLAVE; IS CONSIDERED THE NATIVE LANGUAGE OR NATIVE DIALECT OF A SPECIFIC POPULATION. ITS MUSICAL FORM AND SONG IS HOW THAT REGION PASSES DOWN ITS TRADITION AND HISTORY FROM GENERATION TO GENERATION.
THIS CENTER, BECAUSE OF THE NATURE OF VERNACULAR MUSIC, WILL ONLY FACILITATE ACOUSTIC MUSICIANSHIP. FINALLY, UNLIKE CLASSICAL MUSIC, VERNACULAR MUSIC CAN SURVIVE WITHOUT A CONDUCTOR SO THE ARCHITECTURE WILL REFLECT THIS MAJOR DIFFERENCE BY PROVIDING A MULTITUDE OF STAGE AND AUDIENCE PERSPECTIVES.THIS FACILITY WILL ATTEMPT TO BREAK AWAY FROM THE TRADITIONAL SINGLE STAGED CENTRIC DESIGN AND BLEND THE LINE BETWEEN AUDIENCE AND PERFORMER.
THIS WILL INCLUDE LOCAL MUSICIANS AS PERFORMERS AND LOCAL ITHACA RESIDENCE AS AUDIENCE MEMBERS TO DISTORT THIS LINE THE FACILITY WILL USE ITS LOCAL RESOURCES TO OFFER EDUCATIONAL PROGRAMS TO ENTICE AUDIENCE MEMBERS INTO PERFORMANCE. THIS WILL INCLUDE ATTEMPT TO FUSE WITH ITHACA COLLEGES MUSIC SCHOOL, AND BOTH THE BOUND FOR GLORY AND TRACY CRAIGRADIO STATION. THE FACILITY WILL PROVIDE A STUDIO LIKE ATMOSPHERE WHERE THE AUDIENCE CAN CONDUCT INTERVIEWS WITHTHE ARTISTS, THUS, FURTHER BLENDING THE LINE.
AS A RESULT OF THE SITE CONTEXT THIS ARCHITECTURE HARNESES THE NATURAL OCCURENCES OF THE SITE IN ORDER TO PLAY THE BUILDING LIKE AN INSTURMENT.
- CALLIOPE HOUSE IS A IRISH JIG TUNE IN 6/8 TIME. THIS TUNE SERVES AS A CALL TO THE DANCERS WHOM FORM A RHYTHMICAL PATTERN OF JUMPING IN IT'S RESPONSE. BY CREATING A REACTIVE DANCE-FLOOR THIS ARCHITECTURE, FUNCTIONS IN A VERY SIMILAR WAY TO THAT OF A DIAPHRAGM AND A SET OF LUNGS. BY UTILIZING THE ENERGY PRODUCED FROM THE DANCERS JUMPING, PRESSURE IS DISPLACED BY THE DANCE-FLOOR AND USED TO HARNESS ENERGY.
- A CALLIOPE IS A MUSICAL INSTRUMENT THAT USES STEAM POWER TO PRODUCE MUSIC. HOW CAN AN ARCHITECTURE INVERT THIS PHENOMENON BY USING MUSIC TO PRODUCE ENERGY?
- "WHERE WE DO NOT REFLECT ON MYTH BUT TRULY LIVE IN IT, THERE IS NO CLEFT BETWEEN THE ACTUAL REALITY OF PERCEPTION AND THE WORLD OF MYTHICAL FANTASY." -ERNST CASSIRER PHILOSPPHY OF SYMBOLIC FORMS
thesis
anti-thesis
synthesis
echo
MUSE
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2 13 8
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PRECEDENT / ODEON OF HERODES ANCIENT / 300 BC / ATHENS, GREECE / SITE 2
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SITE AREA: 8 ACRES BUILDING FOOTPRINT: 40,000 SQ FT
WHAT: THE ODEON OF HERODES WAS BUILT TO HOUSE THE MUSICAL COMPETITIONS OF THE PANATHENIAN GAMES. THERE ARE TWO THEATER DESIGN TYPOLOGIESON THE GREEK ACROPOLIS: THE THEATER OF DIONYSUS, SPANNING ABOUT TWO TIMES THE FOOT PRINT OF THE ODEON OF HERODES. THE MAJOR DIFFERENCE BETWEEN THE TWO IS THE ROOF ASSEMBLY. IN ORDER FOR ACOUSTICAL PROJECTION INTO THE 2,000 PERSON BOWL THERE WAS A TIMBER FRAMED SQUARE PYRAMID ROOFTOP FROM WOOD CAPTURED FROM CAPTURED PERSIAN SHIPS.
WHY: THE GREEK CLASSICAL ORDERING SYSTEM LAID THE FOOTWORK FOR VETRUVIUS TEN BOOKS ON ARCHITECTURE. IT IS IN THE STRICT GEOMETRIC ORDERING PRINCIPALS OF THE ACROPOLIS AND THE ODEON IN TALKING ABOUT PROPORTION VETRUVIUS REFERS TO PROPORTION AS A CORRESPONDENCE AMONG THE MEASURES OF THE MEMBERS OF AN ENTIRE WORK AND OF THE WHOLE TO ACERTAIN PART SELECTED AS A STANDARD. FROM THIS LAW SET THE ODEON OF HERODES DIRECTLY CORRESPONDS THE SAME PRINCIPALS SET OUT FOR THE ACROPOLIS AS A WHOLE RELATING IT TO ITS GREATER SITE CONTEXT.
ODEON OF HERODES ATHENS GREECE
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ARCHITECT /
PREFORMER / TOM RELLINGARRAGEMENT / SLIDE GUITAR, VOCAL SONG / TRAVELING RIVERSIDE BLUES AUTHOR / ROBERT JOHNSON DATE RECORDED / 01 /13 /2013ORIGINAL DATE RECORDED / 06 /20 /1937FORM / 12 BAR BLUES
ECHO:
KALMANOVITZ HALL ODEON UNIVERSITY OF SAN FRANCISCO
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PRECEDENT / CHARTRES CATHEDRAL MEDIEVAL / 13TH CENTURY / CHARTRES FRANCE / STRUCTURE 3
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SITE AREA: 15 ACRES BUILDING FOOTPRINT: 117,060 SQ FT WHAT: THE DELICACIES OF THE ROSE AND LANCET WINDOW SYSTEM IS SUPPORTED BY AN EXTERIOR, FLYING BUTTRESS, STRUCTURAL SYSTEM. ALLOWING WITH THE STORY TELLING ABILITY OF THE STAINED GLASS, THE CATHEDRAL IS STRUCTURED IN PERFECT TUNE WITH THE PIPE ORGAN TO COMMUNICATE THE LITURGY ON A MUSICAL LEVEL. THE ENTIRE CATHEDRAL SERVE AS THE ORGANS MAIN CHAMBER,LARGE ENOUGH FOR HUMANS TO ENTER. THEY ARE ABLE TO EXPERIENCE HOW ACOUSTICAL FINE TURNINGS CAN TRANSFORM THEIR SONOROUS EXPERIENCE OF THEIR NATURAL SURROUNDINGS, TO THAT, OF THE DIVINE.
WHY:THIS ARCHITECTURAL TYPOLOGY IS THE MOST ECONOMICAL WITH ITS STRUCTURE SO THAT IF ONE STONE WERE TO BE REMOVED, THE WHOLE BUILDING WOULD COLLAPSE. IT IS ALSO BASED AROUND THE CONCEPT OF THE LABYRINTH WHICH HASHISTORICAL ASSOCIATION WITH ARCHITECTURE (DEADALUS: ARCHITECT OF LABYRINTH) MUSIC AND DANCE ( THE CLERGY AT CHARTRES RE-CREATED HELL AND DANCED THEIR WAY OUT.)
CHARTRES CATHEDRAL CHARTRES FRANCE
ARCHITECT / LEWIS P. HOBART
PREFORMER / JON VRADLEYARRAGEMENT / FIDDLESONG / C MAJOR SCALE AUTHOR / TRADITIONALDATE RECORDED / 12 / 06 /2012ORIGINAL DATE RECORDED / NAFORM / DORIAN
ECHO:
GRACE CATHEDRAL NOB HILL
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PRECEDENT / TEATRO OLIMPICO RENAISSANCE / 1585 / VICENZA, ITALY / PALLADIO / MUSICAL PROPORTION 4
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SITE AREA: 4 ACRES BUILDING FOOTPRINT: 12,000 SQ FT WHAT: TEATRO OLIMPICO IS MODELED AFTER A STRICT ADHERENCE TO CLASSICAL THEATER DESIGN ORDERING PRINCIPALS BASED ON VETRUVIUS TEN BOOKS ON ARCHITECTURE. IT IS UNIQUE IN DESIGN BECAUSE OF ITS STRICT ECONOMY OF MATERIALITY. PALLADIO WAS VERY AWARE OF PERCEPTION. BECAUSE OF THIS TEATRO OLIMPICO IS UNIQUE FROM CLASSICAL THEATERS.WHERE A COLONNADE OR A ROOF STRUCTURE IN A CLASSICAL THEATER DESIGN WOULD CONSIST OF SOLID MARBLE OR STONE, PALLADIO WOULD USE WOOD TIMBER FRAMING AND FACE THE WOOD WITH STONE BRICK OR PLASTER TO MAKE THE ARCHITECTURE APPEAR CLASSICAL. PALLADIO ALSO PLAYED WITH PERCEPTION BY TILTING UP THE ALLEY WAYS AT THE BACK OF THE THEATER IN ORDER TO GIVE OFF THE EFFECT THAT THE ALWAYS WAS EXTENDING INTO THE CITY BEHIND.
WHY: PALLADIOS STRICT ADHERENCE TO MUSICAL PROPORTIONALITY BASED ON SUB DIVISIONS OF THE OCTAVE. THE SAME MATHEMATICAL PROPORTIONS THAT ARE USED TO STRUCTURE MUSICAL SCALES, PALLADIO USES THEM IN HIS ROOMPROPORTIONS. TEATRO OLIMPICO , WITH ITS UNIQUE STAGE PERSPECTIVE BLENDS THE LINE BETWEEN THE NATURAL STREETS CAPE STAGE OF VICENZA AND ARTIFICIALSTAGE OF TEATRO OLIMPICO.
TEATRO OLIMPICO VICENZA ITALY
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ARCHITECT / BERNARD MAYBECK
PREFORMER / JON BRADLEYARRAGEMENT / FIDDLE SONG / CALLIOPE HOUSE AUTHOR / NIEL GOW DATE RECORDED / 12 /13 / 2012ORIGINAL DATE RECORDED / 1895 FORM / OLE TYME FIDDLE TUNE / 6/8 IRISH JIG
ECHO:
PALACE OF FINE ARTS PRESIDIO GATE
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PRECEDENT / TANGLEWOOD MODERN /1924 / LENOX, MA / WILLIAM RAWN ASSOCIATES / PROGRAM 5
SITE AREA: 210 ACRE BUILDING FOOTPRINT (SIJI OZAWA HALL): 36,000 SQ FTCOST: $7.5 MILLION WHAT: THE TANGLEWOOD MUSIC CENTER IS A ESTATE OPENED IN 1924 WITH THE HOPESOF CREATING A MULTI USE MUSIC FACILITY INCLUDING INDOOR AND OUTDOORPERFORMANCE AREAS. PROVIDING A MULTITUDE OF FACILITIES WHERE STUDENTS AND FELLOWS COULD LEARN FROM THEIR EXPOSURE TO THE BOSTON SYMPHONYORCHESTRA. THERE ARE 13 DIFFERENT PERFORMANCE FACILITIES, LIBRARY, CAFE, GALLERIA, MUSIC STORE, AND VISITORS CENTER EACH FACILITY RANGES IN SCALE, MATERIALITY, ACOUSTICAL MAKE UP, AND INTERIOR/ EXTERIOR CONDITION. THE SEIJI OZAWA HALL ALLOWS SEATING FOR 1,200 INTERIOR AND 2,000 EXTERIOR.
WHY: THE DIVERSITY AND SUCCESS OF TANGLEWOOD HAS BEEN A DRIVING FORCE IN CLASSICAL MUSIC. PLACING 20% OF ITS MEMBERS TO AMERICAN SYMPHONY ORCHESTRAS AND 30% OF ITS MEMBERS AS FIRST CHAIR PLAYERS. EACH OF THEFACILITIES AT TANGLEWOOD IS ARCHITECTURAL FINE TUNED FOR THE ACADEMY TO BE SO SUCCESSFUL. EACH OF THESE FACILITIES ARE GEARED TOWARDS DIFFERENT CLASSICAL MUSIC FORMS. I WANT TO APPLY THE SAME PRINCIPALS THAT EACH BUILDING HOLDS FOR 250 PIECE CLASSICAL ORCHESTRAS AND SCALE DOWN TO HOUSE MUCH SMALLER 3 PIECE VERNACULAR MUSIC GROUPS. THE RATIO BETWEEN PERFORMER AND AUDIENCE SHOULD REMAIN MAKING THE VERNACULAR MUSIC CENTER ROUGHLY 1/10 THE SIZE OF TANGLEWOOD.
TANGLEWOOD LENOX, MASSACHUSETTS
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ARCHITECT / LAWRENCE HALPRIN
ECHO:
STERN GROVE MUSIC FESTIVAL WEST PORTAL
PREFORMER / BELA FLECK AND THE FLECKTONESARRAGEMENT / BANJO, TABLA, BASS SONG / BIG COUNTRY AUTHOR / BELA FLECKDATE RECORDED / 06 / 25 /2000ORIGINAL DATE RECORDED / 06 /09 / 1998FORM / TRADITIONAL BLUEGRASS ARANGEMENT
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PRECEDENT / SAN FRANCISCO JAZZ CENTER CONTEMPORARY / UNDER CONSTRUCTION/ CAVAGNERO / ACOUSTICS 6
ECHO:
PALACE OF FINE ARTSGRACE CATHEDRAL
KALMANOVITZ HALL ODEON SFJAZZ
STERN GROVE
LOCAL ACOUSTICAL PRECEDENTS
SITE AREA: .5 ACRE BUILDING FOOTPRINT: 13,000 SQ FTCOST: $30 MILLION ($3 MILLION ACOUSTICAL) WHAT:THE SF JAZZ CENTER IS RANGING FROM 200 TO 700 SEAT TRANSFORMABLEAUDITORIUM. THIS INCLUDES ADJUSTABLE, SEATING, DEFUSE, REFLECT, AND ABSORBING WALL CONDITIONS. DRAPE WALL SYSTEM COMPACTING SPACE TO ALLOW FOR DIFFERENT SCALE PERFORMANCE. PROGRAMMATICALLY THERE IS AN80 PERSON ENSEMBLE ROOM THAT NEEDS TO BE ACOUSTICALLY RATED FOR FIRE ENGINES FROM THE EXTERIOR AND ISOLATED FROM THE REST OF THE SPACE VIA A ACOUSTICALLY ROBUST FLOOR, WALL, AND CEILING CONDITION. THE SPACE ALSO HOUSES A MULTITUDE OF THEATER FEATURES INCLUDING DIGITAL LEARNING CENTER, CAFE, BOX OFFICE, LOBBY, RETAIL, GREEN, PRACTICE, OFFICE AND DRESSING ROOMS.
WHY:BEING UNDER CONSTRUCTION, THE SAN FRANCISCO JAZZ CENTER WILL BE A HUMAN SCALE RESEARCH LABORATORY UNTIL ITS PROPOSED COMPLETION IN 180 DAYS. WORKING DIRECTLY WITH SAM MESIKEPP I HAVE BEEN ABLE TO LOOK THROUGH THE COMPLETE SET OF WORKING CONSTRUCTION DOCUMENTS AND THE WORKING REVIT MODEL FOR THE PROJECT. THIS INCLUDES ACCESS TO ALL OF THE LATEST TECHNOLOGY IN ACOUSTICAL ENGINEERING WALL, CEILING AND FLOOR ASSEMBLAGE DETAILS. THIS INCLUDED A PRESENTATION ON THE PROJECT DEVELOPMENT WITH THE PROGRAM NAVISWORKS. THIS PROGRAM ALLOWS FOR EACH SUB - CONTRACTOR TO CREATE A 3D MODEL OF THEIR JOB: I E. ELECTRICAL, HVAC, ETC. AND IMPORT INTO THE CREATED ARCHITECTURAL REVIT MODEL TO SEE HOW EVERYTHING IS ORGANIZED. IT IS THEN THE ARCHITECTS JOB TO SOLVE PROBLEMS OF OVERLAPPING WITH DIFFERENT SUB CONTRACTORS. THIS APPROACH, GIVES THE MOST EXTENSIVE LOOK TO HOW A HIGH PERFORMANCE BUILDING IS ASSEMBLED. WITH ITS BOX FORM THE SF JAZZ CENTER APPEARS SIMPLE, BUT UNDER THE HOOD IT IS ONE OF THE MOST COMPLEX PROJECTS IN ITS FIELD.
SF JAZZ CENTER SAN FRANCISCO CALIFORNIA
52.
PREFORMER / ZAKIR HUSSAINARRAGEMENT / TABLASONG / INTERVIEW AUTHOR / BELA FLECKDATE RECORDED / 03 / 06 /2013ORIGINAL DATE RECORDED / 03 /06 /13FORM / TRADITIONAL TABLA
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SITE ANALYSIS / STATIC / REGIONAL SITE ZOOM / DEMOGRAPHICS / MUSIC / CITY NODES 7
C
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A
CORNELL UNIVERSITY
ESTABLISHED - 1865 UNDERGRADUATE - 13,935
GRADUATE - 7,004FACULTY - 1,564
STAFF - 8,081OTHER - 1,313
TOTAL - 31,899
ITHACA COLLEGE
ESTABLISHED - 1892AS ITHACA CONSERVATORY OF MUSIC
UNDERGRADUATE - 6,200GRADUATE - 500
FACULTY - 223 STAFF- 487
TOTAL - 7001
CAYUGA LAKE
PEOPLE OF THE GREAT SWAMPLENGTH - 38.2 MI
AVERAGE WIDTH -1.7 MIMAX DEPTH - 433 FT.
ITHACA NEW YORK
AREA - 476 SQ. MI.POPULATION - 101,000
MEAN TEMP - SUMMER - 78 FMEAN TEMP - WINTER - 32 F
NAMED AFTER GREEK ISLAND OF ITHAKA
ITHACA IS GORGES
WATERFALLS - 100 WITHIN 10 MILES OF DOWNTOWN
GORGES - 6 MAJOR 27 MINORHIGHEST WATERFALL
EAST OF MISSISSIPPI -TAUGHANNOCK FALLS - 215
NODE - 3
NODE - 2
NODE - 1
0.25 MI
M
U
S
I
C
D.
A.
E.
A.
H.
K.
G.
I.
C.
B.
J.
A. GRASSROOTS MUSIC FESTIVAL
ANNUAL VERNACULAR MUSIC FESTIVAL
B. RONGOVIAN EMBASSY 50 PERSON VENUE
C. THE HAUNT 250 PERSON VENUE
D. CASTAWAYS
500 PERSON VENUE CLOSING - TAX PROBLEMS
E. STATE THEATERRESTORED
1,000 PERSON VENUE
F. WVBR-FMHOME OF LIVE OLD TYME
SUNDAY RADIO SHOW G. ITHACA FESTIVAL
ANNUAL MUSIC AND ART FESTIVAL
K.
F.
G. ITHACA FESTIVALANNUAL MUSIC AND
ART FESTIVAL
H. PYRAMID STUDIOSHOME OF I TOWN
RECORDS CLOSING BECAUSE OF
STRUCTURAL PROBLEMS
I. ITHACA COLLEGE SCHOOL OF MUSIC
450 STUDENTS
J. CHAPTER HOUSE BAR200 PERSON VENUE
K. TAUGANNOCK PARKSUMMER CONCERT SERIES
L. WILLARD STRAIT HALLHOME OF LONGEST
RUNNING FOLK RADIO PROGRAM IN COUNTRY
BOUND FOR GLORY
1.
2.
3.
4.
5.
6.
10 MI30 MI
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SITE ANALYSIS / STATIC / ENVIRONMENTAL / REGIONAL MIDDLE DEVONIAN GLACIER / FREQUENCY / CIRCULATION / TRAJECTORY / FALLING WATER 8
1,000
- ADVANCEMENT AND RETREAT OF GLACIER GOUGE DEEP TRENCHES FORMING FINGER LAKES REGION.
- GLACIAL ICE MELT DAMMING SEDIMENT CREATED VERY DEEP ELONGATED LAKES. STREAMS PLUNGED INTO LAKE FROM THE GLACIALLY STEEPENED VALLEY SIDES.
- LATER LAKE LEVEL FELL, LEAVING A SERIES OF STEPS ON THE HILLSIDE.
- STREAMS THEN ERODED DOWNWARD AS THE LAKE LEVEL CONTINUED TO DROP, FORMING GORGES AND DELTAS.
MUSICIAN
440 FREQU
ENCY
C-MA
JOR SCA
LE
GLACIAL FLOW MODEL
1/10 YEARS
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3
8
1
ELEVATION CHANGE321 OVER 6.0 MILES
W
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3
9
3
FALLING WATER
A river watering the garden flowed from Eden
Facilis descensus Averni
In this room, the heat pipes just cough
Seadeath, mildest of all deaths known to man. Old father ocean
Two roads diverged in a yellow wood,And sorry I could not travel both
Congealing Cocytus
.. The sum of all the general rage felt by his whole race from Adam down.
CIRCULATION / TRAJECTORY
`
REVERBERATION FREQUENCY
MIDDLE DEVONIAN GLACIER
DIRECTION OF GLACIALSHOVE
LATERAL SHIFT LEFT
SLIP NON LATERAL PARALLEL JOINTS
SLIP LATERAL PARALLEL JOINTS
STRESS TRAJECTORY
LATERAL SHIFT RIGHT
BASE OF RHINESTREET SHALE
RESIDUAL STRESS
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SITE ANALYSIS / MAPPING / LOCAL SITE CIRCULATION / ZONING / SITE OPTICS / SITE OBSCURA 9
SITE
1.
3.
2.
4.
5.6. 7.
8.9.
APPROACH VIEWS
1. CAFE CULTURE2. DOWNTOWN CHANNELIZATION3. SUSPENSION BRIDGE4. NATURAL SHALE PATHWAY5. EXISTING GRADED ROAD6. NATURAL ROCK AMPHITHEATER7. HUMAN SCALE8. EXPOSED ROOT SYSTEM9. GLACIAL REMAINS
CIRCULATION
A. TCAT - BUS STOP 10 LINE - 0.15 MILES FROM SITEB. TCAT - BUS STOP 11 LINE - 0.2 MILES FROM SITEC. BICYCLE LANE - LOW TRAFFIC DESIGNATED LANES CONNECTING DOWNTOWN, CORNELL, AND ITHACA COLLEGE WITH SITED. SOUTH HILL RECREATION MULTI - USE PATH - 0.2 MILES FROM SITE
5.
6.
7.
8.
9.
1.
2.
3.
4.
SITE OBSCURA ZONING
A.
B.
C.
D.
200
SECTION 325-8: DISTRICT REGULATIONS CHARTP-1 USE DISTRICTUSE PERMITTED PRIMARY USES PERMITTED ACCESSORY USES OFF-STREET PARKING OFF-STREET LOADINGDIST. (See: General Notes) REQUIREMENTS 1 2 3 4 51. Public recreation. Accessory uses and service buildings for permitted 1. Public recreation: 1 space per 10 persons viewing Institutional: As set forth above and in2. Public and semi-public institution whose purpose is education except that uses, upon issuance of a special permit as set forth or participating. 325-21 For similar specific uses, subject alsoWithin 200 feet of a residential district, any use other than classrooms or in 325-9. 2. Institutional: As set forth above and in 325-20 for to 325-9.Living accommodations whichconform to the regulations of the adjacent similar specific uses, subject also to 325-9. P-1 residential district is permitted onlyby special permit of the Board of Appeals (See: 325-9)3. All municipal public buildings, facilities and functions.
P -1 - CITY OWNED
R -1 - RESIDENTIAL
C -1 / B-1 COMMERCIAL/CIVIC
BUSBIKEMULTI-USESTOP
RESIDENTIAL COMMERCIAL
SITE OPTICS
SITE CIRCULATION
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SITE ANALYSIS / STATIC / ENVIRONMENTAL / LOCAL RECREATION / [RE] CREATION 10
1,000
W
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# !
CITY WATER SUPPLY
CLIF
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atti
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the
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Pup
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Roun
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e
Maypol
es gaze Drenched in
the P
rude pala ce
O
f H
elios Hy
drog
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t Twinkle St. Cecilia
s Vac
ant azure glaz
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estial Pirouette
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celib
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Scr
awna
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POTTERS FALLS DAM THRESHOLD ONE
SECOND DAM THRESHOLD TWO
WELLS FALLS DAM THRESHOLD THREE
-
+ CULTIVATION
- ABRASION
= SYNTHESIS BURL DERAILMENT
... ECHO
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CONCEPT GLACIAL HARROW / TREE PROGRAM 11
PARTI
ONCE UPON A TIME, 380 MILLION YEARS AGO, SIX MILE CREEK GORGE WAS THE HOME OF THE MIDDLE DEVONIAN GLACIER. NOW, AMIDST ITS HOUSE OF RUIN , THE GLACIAL HARROW, HAS LEFT US A GEOLOGICAL THUMB PRINT OF THE MIDDLE DEVONIANS FREQUENCY.
FREQUENCY IN MUSIC, IS THE ORDERING OF COMMON OCCURRENCES REPEATED WITHIN A FUNCTION OF TIME.
SOUND OR SONG IS CREATED WHEN AN OBJECT CREATES FRICTION, THROUGH VIBRATION WITH THE AIR.
SIX MILE CREEK IS THE REMAINS OR ARCHITECTURAL FORM OF THE MIDDLE DEVONIAN GLACIERS SONG.
AFTER THE GLACIAL THAW, SIX MILE CREEK WAS PROGRAMED WITH DENSE FOREST AND A WATER SOURCE WHICH WILL EVENTUALLYIRRIGATE THE CITY OF ITHACA.
CONCEPT GLACIAL HARROW
-
CALLIOPE HOUSE: TIME SIGNATURE : 6/8 - IRISH JIG TUNE
VERNACULAR-
a: Using a language or dialect native to a region or country rather than a literary, cultured, or foreign language.
b: In music, vernacular is the arrangement of local musical dialects around traditional songs and how these songs are arranged with instrumentation and dance.
THROUGHOUT HISTORY THE TERM CALLIOPE HAS REQUIRED ENERGY TO PRODUCE MUSIC. FOR HOMER IT WAS HIS LOVE, THE CIRCUS RINGLEADER STEAM, THE WARLORD OIL AND FOR THE SIRIN BREATH.
MY THESIS ATTEMPTS TO SEE IF THERE IS AN ARCHITECTURE THAT CAN INVERT THIS PHENOMENON BY CREATING AN INSTRUMENT THAT USES MUSIC TO PRODUCE ENERGY.
[HIS]TORY
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CONCEPT EPIC / VERNACULAR 12
1.
28.30.
REE ALPH
A BET
A Cross, the foiled daw
nTracing the breaking w
heelStretched upon St. CatharineLending D
A illiterate
Her ornam
ental paneSheathed a Yellow
ish Blue,O
ccidental StainIve W
andered neath the oceanThy Tar Baby ReassuredBut its the A
ir who w
as jealousW
ith her nimbus O
bscuredSo I thought it the bestJust to leave this w
orldSo slipper-ally and SplinteredThe Ivory vine w
indsRetracting upon a reverieW
here Her Ivy does w
hine:To-m
orrow, and To-M
orrow and To-m
orrow
Once upon a tim
e.Tusks Tap trickle track pattedPatterning the parched ponys jaw
sPeering panoram
a pleat,seep the w
ounds beneath her gauzeD
eep, where D
att a Dioram
aD
ew Perm
eate Her a Flaw
s.The Curse of the M
ississippiW
here Eddies Echoed her perfume
Where the Bucked toothed Virgins
Atrax M
en-straight to Ma oooom
But Wont you play the rest for m
e?Sobs babble bobbes w
oonO
h the Arkansas Travelers
With a face of cured H
amReects lyres Liriopes, toc, hung so grandFathers hand, Tw
ix, the Rowan w
indow jam
bPlay it yourself
says heW
urr hur numb son done sw
amU
nder a Lacquered Lenten lanternSilos Silhouette the H
arvest worm
As the return of the robins
To Close their nal turnday-Break
O, how
their Caw bled
A sound a gnom
on could discernA
nd the guest tickled RapeseedA
s Lucifers sickle reapedSew
In Pascals ebony cabinetA
Pallid Peg-leg Weeps
But Theres hope inside the alder groveW
here his machinery m
edicine sleepsThe H
eroine Nym
pho tracksSeven years of ScarsBut cant veil the stenchhatched plum
beneath the mar
Cause the High-m
ans blades KnowLess than the journey-w
ork of starsThat shed its radiance bright and farW
ill pointed a path which led
Low D
own the kiddym
ine chatterboxof a store-bought headBut the lids on the jars are just too tightTo hear w
hat they saidSo like a cloud of urine, bellow
Orions belt
I forded the Nueces that penetrates the grand
Corpus Christi carcass, liquid quick sandyW
here the trinities just muddy rusty and dandy
So La, la, la, le, please lend me your brazos
Cause theres many a w
omen, to gossip this landy.
How
the Panoptic pollutants palsiedPinocchios penicillin spum
eTheir leagues cant fathomA
Rabid slaver Neptune
So, weve all w
orried wonders
Witch w
icked wanders loom
The ninth Alchem
y, Aristotle sym
phonyW
hos drawing room
so tenderly wrote
A Chant for the Transhom
o column Q
uinnsW
here children born with hairy coats
Because it Seams that his storys
Heavens w
rath unto the kingdom it denotes
Ode to The O
edipal Opis
Great devour of the road
Eating villages for breakfastW
itch Scarlet's doth forebode:)Crafting the shades urthonaTom
b cough Oppened en code
A M
eaty-esh, invertebrates,disjointed chain of bonesThe Blood-purple Em
press splatteredH
er albino-clay monochrom
eA
nd a chance to mold that w
icked-whale
In an innite amount of form
sThe W
inds wind her leather bag
Letters Found oating between
The varlet abandoned wagons
Mercury static appearllatticed m
achineThat Retard the resonance of hisM
yriad attic apparatus of dreams
As the M
yopic menopause m
onsters,Som
e Stretch the yolk in vainSom
e Like the Om
ahas cattle stock,O
r even the autumn m
ans grazeU
pon Oberon, Titania and Puck,
Theyre all cloaked in lacePorcelain Puppet PrancingRound the m
aypoles gazeD
renched in the Prude palaceO
f Helios H
ydrogen raysThat Tw
inkle St. CeciliasVacant azure glazeThe Celestial Pirouette plotA
tlas, the celibate sirens silence brokeScraw
nally sheveled, objectifying their Note
An old an gasp bound the cripplers joke
While A
lma gests m
ost hystericalhistoricalSom
n am bu lists w
okeD
o rhyme phone D
elph si tuCom
mands, tim
e the sword her prod
But the tender Roast beef mutton
She musk polio nus Ball-odd
Digesting m
amas cham
berScene behind her shroudN
eurosis uncles and a golden bugO
Hex I gonzo go com
bD
is lexical Logorithmic stanzas
As am
our crystallized Rome
Dow
n six seven eight nineAccents Jupiter acrostyxx,, hom
e
Yes-rosy ngers fecalShe raised her arm
s in wrath
So mythm
aker, mythm
akerPlease draw
me a bath
Be fore be low be tw
een be neath,Be yond this dirty pathTo string along the seashellsA
mazed at the am
putees ropeM
eanwhile M
inos Meandering
To Pool the Hypochondriacs hope
Portinas prosthetic pattersPenal Pattrns to N
yx Hypnos elope
CirQuilling the M
ary-go-RowO
arso divides the thirty-fourth ActThe noise of Palinurus Stranded:Like the m
asts of the Essex: CRACKA
s the creamy-iris yaw
nG
asping, that Cat a ract
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CONCEPT OCTAVE / BREATH 13.1
DOREMEFA SOLASI
OCTAVE -nounA series of eight notes occupying the interval between (and including) two notes, one having twice or half the frequencyof vibration of the other
SYNCHYSISnoun
a hyper-baton so violent as to confuse the meaning of a sentence.
2. A complicated, interlocking word-order pattern in early Latin verse, demonstrated by Virgil and his contemporaries.
3. Following the rhetorical structure: ABAB
HORN
HOLLOW
DRUM
LABYRINTH
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TELEMACHIAD ODYSSEYNOSTOS
A D O C O D ASI LA SO FA ME RE DO
EPIC
CHIASTICOCTAVE
M(OTHER)
SON
UMBILICALS
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CONCEPT PILGRIM / 3/4 WALTZ 13.2
PILGRIMnoun
A wanderer; a traveler; particularly, one that travels to a distance from his own country to visit a holy place, or to pay his devotion to the remains of dead saints
CHIASMUS
noun
grammatical constructions, or concepts are repeated in reverse order.
2. Following the rhetorical structure: ABCDEFGFEDCBA
A B
B A
HAMLET
TREE ALPHABET
WINTER SOLSTICE DAWNSATURNALIA
PILGRIM
COLLECTIVE
NADIR ITHACA
42.4406
C
AD
O
AD
O
CIRCULATION : 3/4 WALTZ
COLLECTIVE (STATIC)
ECLIPSES BOTH THE SUN AND MOON
PILGRIM IN TIME
PILGRIM(STATIC)
NW TOWARDS TWILIGHT
SE TOWARDS DAWN
1.
3.
2.
4.
5.6. 7.
8.9.
A.
B.
C.
D.
PILGRIMnounA wanderer; a traveler; particularly, one that travelsto a distance from his own country to visit a holy place,or to pay his devotion to the remains of dead saintsCHIASMUSnoungrammatical constructions, or concepts are repeated in reverse order.2. Following the rhetorical structure: ABCDEFGFEDCBA
ITHACA42.4406
NADIR
COLLECTIVE
PILGRIM
HAMLET
NW TOWARDSTWILIGHT
ECLIPSES BOTH THESUN AND MOON
SE TOWARDSDAWN
COLLECTIVE(STATIC)
PILGRIMIN TIME
TREE ALPHABET PILGRIM
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A Cross,, the ffoileddawn Tracing the eeeebreabb kinng wheelStretched upon St. Cathaarine LendingDA iDA iilliterate Her illit t Hornnamental pane Shheathed a Yellow-issh Blue, Occiden-tal Stain Ive wan-dered neath the ocean Thy TarBaby Reassured But its the Air who was jealous With her nimbusWith her nimbusObscured So Ithought it thebest Just toleave this world So slipper-ally and SplinteredThe Ivory vine
nwinds Retractinng eupon a reveriee
Where Her IvyWWWhere er IvWherWWWW e Her Ivyvydoesddddddd whine: To-
mmmorrmmmm ow, andoToToTo-ToToToTT Morroow
ananand anannn To---ommmorrmmmmm oow OOOncue e e ue ueee uuponaaa aa tiaaaa a me
TTuskTTTTTTTu s Tap tricttttrttrtt kle track
pattpppppppp ed Pattern-ingiiinininin the parched ponyss
jawsjajjajajajajajjjjj Peering panorama pleat, jjseep the wounds beneath her gauze
Deep, wwhere Datt a Diorama Dew Peermeate Her a p FFFlaaws. The Curse of tooo he Mississippi Where edddies echoed her perfume Wheere the Bucked toothed Virgins Atrax Menoo -
strass ight to Ma ooooom But wont you play the resst for me? Sobs babble bobbes woonstsOhO the Arkannsas TravelersWith a face of cured Ham Reflects lyres lirioppppppesp , too, too, to, c,c,c,c,ccccc,O
A CAA Cross, hhhhhthe ffffooiled dawn Tracing the breaking
wheel Strretched upon St. Catharine Leending DA illiterate Her nornamentall pane Sheathed a Yellowish BBlue, Occidental Stain Ive wann-sdderedddddd d neath tthe ocean Thy Tar Baby Reasssured But its the Air who wass jealous oWWWithWWWW her nimbuus Obscured So I thought it thhe best Just to leave this woorld
So sSo sSSo sSooSooSo lippliplippppeer-aally lylly lly lyy and aaaanaaaaann Splintered The Ivory vine winds Re-tracttttt ting upon a reverie Where
HHHHHHer Ivy does whine: To-wmorrow, and To-Morrowwwwwwmorrow and To Morroww anw anw anw anw annww nnd ddd ddd dw anaaaaaaaa d
u To-morrow Once e e ue e eee upon a timtimtimtimtimtimtimmme.e.e.e.eee.eTusks Tap trictttt kle eeee eeee ttract k
pattpppppppppppppppp ed PPPPattPPPPPPPPPPPPPPPP erning the parched ponys jaws PPeer-
ing panorama pleat, seep the wounwounwounwounwounwounwounwowounnwwwww uwww ds bdddddd eneaeaneaneaneaeneneanneath her ggauze
DeepDeepDeepDeepDeepDeepDeepDeepDeepDDDeD , wheeere eeee Dattt a Diorama Dew D PermPermPermPermPermPermermermmPerPer eatee Her a Flaws. The
CursCursrsrsCursrsCurrrsr e oe oe ofe oe oe ofe oofe o thee Mississippi Where eddies echoed her perfumeeddie ees eee ceddieddddd eees eeeee cchoed her perfumechoed her perfume
WheWheheWheeheerheheeheeeWW e tthe Bucked toothed ViVViVirgVVVVV inss Atrax Men-straighttto Mtttt a oooom But wontyyouyyyyyyy play the rest formme?mmmm Sobs babblebobbbbbbbbbbb ees woon Oh theArkArArAArkaArAAArkrr nnsas
TraTraTravTraTraTraTraraTrra eleersWith a faceof coff cf cf cf cf cf ff uredd Ham Re-
yflececectecececflececeecece s lyrres lirlirilirilirlirlililir opes, toc, hung soo
grangragragragragraggrgrgragrgragraraggrrraragra d FathFathFathFathFathFathFathFathhFathFatFathFathhaFathathaathththatathhattttheerseeeeeeeeeeee s
handhandhandhandhhanhandhandhandhandndhandhandhandhhandhaandandhandhandhanndhannanhandndh dddnddhanddddh dnddh ddd,,,,,, ,,,, ,, ,,,,,,TwixTwixTwixTwixTwixTwixTwixTwTwixTwTwixTwixTwixTwix, tht, ththththththhhhh, th, ththh, ththhtthhtthheeeeeeeeeeeeeeeee eeeeeeeeeeee e
RowaRowaRowaRowaRowaRowaRowaRowaRowaRowaRowaannnnnnnnnnnnnnnnnwindwindwindwindwindwindndwindndwindwindndndow jow jow jow jow jow jow jow jow jjow jow jowow wwoww owwow joowwwowow jw jow jjjjamamambamamammamamamamammmmmammmmmb
PlaPlPlaPlaPlaPlaPlaPlaPlaPlaPlaP aPlaPPlPllalPlalaPllaay itity ity ity itiy iiy ity ity ityyy ity itityy youryouryourouryouryouyouryouyouyouyouy rselfselfselfselfselfselfelfelffselfselfsele sasasasasa ys hys hys hys hys hs hhs hys hhhe eeeeeeeee
h bwurr hur numbh b
A CrAAAA oss, the fooiled dawn Tracing the bbreaking
wheel Stretched upoon St. CathCathathCathhCatCatCathCathCathCathCathCatCatCathatatharinarinarinarinarinarinarin Le Lee LeLLe Lendinndndinndinndinnding DAg Dg DAg DADAg DA illillilliteriteriteritertee ----
A Cross, the foiled dCross, the foiled ddawn Tracing thedawn Tracing thebreaking wheel SStretched upon St. Catharine Lendinng DA illiterate Herornamental panee Sheathed a Yellowish Blue, Occidental Stain Ive wanderedneath the ocean Thy Tar Baby Reassured But its the Air whho was jealous With hernimbus Obscured So I thought it the bestJust to leave this world So slipper-ally annd Splintered The Ivory vine
ywinds Retractingg upon a reverie Where Her Ivyy doesowhine: To-morrow, and To-Morrow and To-moorrow
O tti
gg pp
Once upon a ttime.pTusks Tap trickle track patted Patterning the pparchedeponys jaws Peering panorama pleat, seep thee wounds be-
neath her gauze Deep, where Datt a Diorama Dew Perme-
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ARCHITECTURAL DRAWINGS SITE PLAN / 1 - 1/32 14
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1 - 1/32
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SGILEGILEGILES SSSSTREETREETREET
A Cross, the foiled dawn Tracing thhe breaking wheel Stretcheed
upon St. CCatharine Lending DA illiteraate Her ornamental pane Shheathed a Yellowish Blue, Occidental Stain Ive wandereed neath the ocean Thy Tarr Baby Reassured But its
the Air who was jealouus With her nimbus Obscureed So I thought it the best Just to leave this world So slipper-ally and Splintered The Ivory vine winds RRetracting upon a reverie WWhere Her Ivy does whine: Too-morrow, and To-
Morrow and To-morrow Once upon a time. Tuusks Tap trickle track patted Patterning the parched poonys jaws Peering panoramma pleat, seep the wounds bbeneath her gauze Deep, wwhere
DDattt a Diorama Dew Permeate Her a Flaws. The Curse of thhe Mississippi Where eddiess echoed her perfume Wherre the Bucked toothed Virgiins Atrax Men-straight to Ma oooom But wont you play the rest for me? Sobs babble bobbes woon Oh the Arkansas TravelersWith a face of cured Ham Reflects lyres liriopes,sstras igsstras igght to Ma oooom But won tght to Ma oooom But wontt you play the rest for me? t you play the rest for me? Sobs babble bobbes woonSobs babble bobbes woon Oh the Arkansas Traveler sOh the Arkansas TravelerssWith a face of cured Ham RsWith a face of cured Ham RReflects lyres liriope s, Reflects lyres liriopes
ttoct , huung so grandFaatha ers hand, Twix, the Rowan window jamb Plaaaaay ity ity ity itity ity y iy ity ity youryouryouryyouououy ursssssselfseeee says he
wurrwwuwuwwwuwuwu huur numb son done swam UUnder a Lacquered Lenten laantern SiloSSSSSSS s Silhouette the Harvvest worm As the return of the robins To
closccc e their final tturn day-Break O, how their Caw bled Asounssss d a ggnomon could discern And tthe guest tickled
RaRRapeseed As LA ucifers sickle reapedd Sew In Pascals ebononyon cabcababinetineinen A
Pallid Peg-leg weeps But theres hope insnsidns e thee alder erer grovgrovgro e-WherWW e his machineery medicine sleepeps ep
The Heroine Nyympho tracks vSeveSeSSS en years of Scararsara But cant vveil thestench hatchhed plumbe--- hneatnnnnn h thhhee mae r Cause thhe
High-maans blades KKnowKKKK Less than the journey-work of stsstars That sheds its radiance bright and far Will
cpoinpp ted a path whicch led Low Down the kiddyy-mine chatterbox of a sstore-bought head But the lids
oon the jars are just tooo tight To hear what they said So like Oa ca cla caaaaaaa oud of urine, bellow OOrions belt I forded the Nueeces that dpenepenenpeppep nepepepeppppppp tratrarr es tes tee he gh randpeneeneenetratrrr es tes he grandd CorCorCorpus pupu Christi carcass, liqud Corpus Christi carcass liquuid quick sandyuid quick sandy
WherWherWherWWWWWWWWWWW e the the the tre trrinitinitnitieies just muddy rusty and daandy So La, la, la,ele, e, e,e, ll pleapleaeaplease leend me yyyyour brazos Cause ttheres many a
womewowww n, to gossippp this landy. How tthe Panoptic pollutants epalspppppp ieed Pinoooocchicchicccchios o penicillin spuume Their leagues cant tfatfffff thom A RabRabRabid id sid laver Neptunne So, weve all worried wonn-dersddddd WitWitWitWitch wch wch wch wicked wanderss loom The ninth Alchemy, AAr-
istoii tle ll symmpm hony Whos drawing room so tenderly wrotwwwwwww e A CChanC t for the TTrans-homo column Quinns
WherWWWWWWWW e ce che c ildren bornn with hairy coats Because ittSSeammSSSSS mSSSSS mS s thss at his storyys Heavens wrath unto the king-domom ddomdddddddd it denotes Odde to The Oedipal Opis Grreat ddevodddddddddddd urer of the rooad Eating villages for breakk-ffafastfffffffffffaff Witch Scarllet's doth forebode:) Craftinngttthhe tttththttttt shades urthoona Tomb cough Oppened een cccccodeccccc A Meaty-flesh, invertebrates, dis-joinjjjjojoojjojj ted chain of bbones The Blood-purple EEEEmprEEEE ess splattereed Her albino-clay mono-ccccchrocccccc meAnd a chaance to mold thatwwwwicwickwicwwwwww ed-whale In awwwicwickwwwwww ed-whale In aan infinite amount of an infinite amount offffformformfffformfffff s The Winds wind her leather
bbbagbagbagbbbagbbbbbbbb Letters Founnd floating betweenTTTTTheheTTheT eTTTTT vvarlvv et abandonned wagons Mer-
ccccuryryrycccc ryccc stststas tic appearllatticed machineTTTTThattTTTT tTTTT RRetRR ard the resonnance of his
MyriMMM iM iMMMMMMM adad aada ttic apparatuss of dreams AsAs Athettttttttttttt MMyopM ic menopausse mon-sstererers es s, Some Stretch the yolk in vin viniiii ain Some Like the OOmahas cattle stock, Or
even the autumn mmansgrazgrazgrazrarazrazazaazazze Upon Oberoon, TitaTitaTitatania niania ia aaniaaaia and Puck,
TheyTheyTheyeyeyeyeyeeyyyyre re re rrr alall alalaalall cloaked innlacelacelacellll PorPorPorPorcelacelacelacelacelacelacelacelaelacelacelace aain iniininininininnnnnPuppPuppPuppPuppuppuppPupppPuppPuppuppPuppPuppPuP et PPet PPet Pet Peteeeetet Peet Pet PPrancrancrancranccancancccanca ing ing inging ngnging inginnginin
RounRounRounRou dd thd thd thd thdd thd thd thd thd thd the e e e eee eeeeeeeeeMaypMaypMaypMMM oleoleoleole s gas ze zezeeeze
Drenched in theDreneDrenDrenD chedhedchedcheddh iniiniiiin theDrenDrenDrr chedchedhhededhchedhedh dcheddehe in thePPPPrudPrududde pae pae pallacelaceaceace Of Of ffffffOfOf HeliHeHeliiHHHHHeHH os os ososdHydHyHydH drdrrogenogenogenn rayrayrays Ths Ths ThThat Tat TTat Tat TTTTTTTwwinkwwwww le eecSt. t CecCeCecciciilialialias Vas Vas VaVaaVaVaaVaaacantcantcacanantcantcantcancantcacant azuazuazuazaazaazaaaazazz re gre gre ggggge ggggglazeeeeeeeee TheTheTheTheheehhhheheeeeee PCeleCeleCeleCeleCeleCCCCeCeleCeCeleeleeleel stiastiaaaaal Pl Plll PPiPiPiPiPiPiPPPirouerouourouroueroueorourouerororr tte tte tte tt plotplotploto AtlaAtlaAtlaAtlaAtlaAtlatltltlatlalas, ts, ts, ts, tts, tts, the ce e ce ce e cee ce ce elielieelieeelieeeeee --sbatebatebatebate sirsirsirsi ens ens ens ssssilesilesilesilesilence nce ce brokbrokbrokkke Se Se Se Scrawcrawcrawwwwwwwc wwwwnanalnallnallnalnanallnallnallnalnallallnallnalnalnna y y yyyy eshevshevshevsheveledeledeled, ob, ob, objejejeectectectifyiifyifying tng tng theirheirheir NotNotNote Ane Ane An oldololo
aan ga asp bound the cripplers joke WhiletAlmaAAAAAA gests mostt hysterical-
histhhhhhh orical
A Cross, the fooiled Tdawn TTracing the breaking wheel Stretched nuponuuu St. Catharine Lennding DA illiterate Her ornaamental epanepppp Sheathed a Yeellowish Blue, Occidental Sttain Ive
wandww ered neath the ocean Thy Tar Baby Reeassured But witsi the Air who wwas jealous With her nimbus ObscuredhSo ISSS thought it thhe best Just to leave this wworld
So slipppppper--ally and Splin-
ACrosCC s, the foiled daupon St. CatharinSheaSS thed a Yellowish Blue, Occidental Stain I ve wandered neath
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Trracing the breaking TTTwwheel Stretched wwwuppon St. CatharineuuLending DA illitLeLeending DA illitending DA illitLL -errate Her ornaee -mmental panemmShheaeaeeaaaaththththhthhththhtSS h
awn Tracing the breeaking wheel Stretched e Lending DA illiteratee Her ornamental pane wish Blue Occidental Stain Ive wandered neath
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ARCHITECTURAL DRAWINGS ROOF SKIN / 1 - 1/8 16
eA CrA oss, the foiled dawn Tracing the breaking wheeel on St. Catharine Lending DA illiterate Her ornamental pane Sheathed a YellowishStStreStSStrSSStrtt tched upoon St. Catharine Lending DAA illiterate Her ooornamental pane Sheathed a YellowishnBlueB , Occidental Stain Ive wandered neath the oceann Thy hy Tar TaTaTarTaraTar Baby Reassured But its the AAir who was jejeaj lous With heer nimbus Obscured So I
thout ght it the best Just tto leave this worldeSo sS lipper-ally and Splinterred The Ivory vine winds Reetrtrrt act- ring ing iningngng g upon a reverie Wherereree Her Ivy does whinne: To-morrow, and To-Morrrow and
To-mTToToTo orrow Once upon aa time.hTuskTuTuTuT s Tap trickle track ppatted Patterning the parchhhhed sppppppponynynypopoponponpon s jaws Peering panoraama pleat, seep the woundss beneath her gauze Deep,
wherwhww e Datt a Dioraama Dew Permeate Her a Flllaws. TTTThe TTTTTT Curse of the Mississippi Where eddies echoed her perfume Where the Buuckedtoottootootooo hed Virgiins Atrax Men- ostraight to Ma oooom Buut wont you play the rest foor me? Sobs babble bobbes woon Oh
thetheththettheth AAArkAA ansas pTTravelersWith a face of curred Ham Reflects lyres lirioppes, toc, hung so grandFathFathFathFathFathhersersrs hanhanand, d,F thhh h d TTwTTTTTwix, the Rowan window jami th R i d j mb Play it yourselfsays hb Pl it lf he
ewuwurrwu hur numb son done swamm Under a Lacquered Lenteen lantern Silos Silhouette the Harvest worm AsOthe ttthe tttthtttt rretur rrn of the robins To close theeir final turn day-Break OO, how their Caw bled A souund a gnomon could dis-
cerncccccc Andd the guest tickled RapeseeeddAs LAAAAAAAA uciferrs sickle reaped Sew In Pascals ebony cabinet A Pallidd Peg-leg weeps But theress hope inside the alder grovve-
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beltbebebebe I foordbeltbbbb I fI fI ffordooo ded thd e NuNN eces that penetrded the Nueces that penetrrates the grand Corpus Chrrates the grand Corpus Christi carcass, liquid quick sanisti carcass liquid quick sanndy Where the trinities just ndy Where the trinities just muddy rusty andmuddy rusty andhdanddddadadada dddy Soy Sy Sy La,a,, lala,la la, le,le pleeeaase lennd me your brazozos z CCCause thhhheres many a women, to goossip this landy. How the PPanoptic pollutants palsiedmPPPPPPinoPinPinPinPin cchicchicccchios os oss penipenen cillin sn spumpp e Their llleagueagueagug ees ce ant fathommmm A Rabid slaver Neptune SSo, weve all worried wonders Witch wicked wanders
loommmlooloolooloo TheTheTT ninninnn th Ath Ah lchelchechec mmmmmy, mymym ArisArisAristotlltotlee symphony Whoosoo drawing room so tenderly wrote A Chant for the Trrans-homo column Quinns WherWWWW e che che c ildrildrren ben ben boooornrnrn with hairy coats Becauseeee it Seams that his storys HHeavens wrath unto the kinngdom it denotes Ode to Thhe Oedi-
tpal papappa OpisOpisOpisOpis Gr Gr Greeeeat eaea devourer of the road Eattinngn villages for breakfast Witch Scarlet's doth forebbode:) Crafting the shades uurthona aTombmbmbToTombToT coucoucoo ggh Oppened en code A Meaaty-fl-fl-flesh, invertebrates, dissjointed chain of bones Thee Blood-purple Empress splattered Heraalbibial ialbalal nono-cclay monochromeAnd a chaance ttto mooo ld that wicked-wwhale In an infinite amountt of forms The Winds wind her leather bag
nLettLeLeLeLe eers Found floating betweennn Thn ThTT e varletrr abandoned waggons Mercury static appeaarllatticed machine That Rettard the resonance of fhihihihh s Myriad attic apparatus oooff ff drf drf drd eamseamsamsam As A the Myopic menopause monsters, Some SStretch the yolk in vain Somme Like the Omahas acattccacacaca le stock, Or even ththhhe ae aauttumnt manans graze Upon OOberon, Titania and Puck, TTheyre all cloaked in lace Poorcelain Puppet PrancinggRounRoRoRoRo d the Maypolles ggazezez Drerer nchenchenchenc d indd the Prudee palace Of Helios Hydrogeen rays That Twinkle St. Ceciilias Vacant azure glaze Thee pCeleCeCCeCe stial Pirouettte pplotttAtlaAtlalAtl s, thee ce eelibe ate sirenss silence broke Scrawnally sheveled, objectifying theiir Note An old an gasp lbounbobbb d the crrrriippllers jokejokjokk Whiiiile Alma gests most hysterical-historical SSomn am bu lists woke Do rrhyme phone Delph si tuCoom-
mandmmmm s, timeme me the hehe h sworsworword hed her ppprod But the tender Roast beef muttonTThe musk polio nus Ball-odd Digesting mamas chambber-nScenSSScSc e behinndndd her shrhrh oud Neurosis unccles and a golden bug O Heex I gonzo go comb Dis lexxical Logorithmic stanzas Ammourecrcryscrcrcr tallizeed RomesDownDDDD ssix seven eight nnine Accentts Jupiter acrostyxx,, homeYes-rosy fingers fecal
SheSSSS raised her arms inn wn rath So mythmaker, mythmaker Pllease draw me a bathBe fore be low be tween be neath, Be yond this dirty pathTo string along the seashells BBBe fBBB fB fore be low bbbbe twtwtween be nef b l bb t b eath, Be yond this dirty patth B d thi di t thTo string along the seashehT t i l th hellsll
AAAAAAmazed at the ame ame amputepp es rope Meanwhile Minos Meanndering Pool the Hypochonndriacs hope Portinas prosstheticpattpppp ers Penalaa PaPattP rns to Nyx Hypnos elopeCCCirQCC uilling ng gg ththe het Mary-go-RRow Oarso divides the thirtyy-fourth Act The noise of Paalinurus Stranded: Like thee masts oooof to he Essesexs : CRACK As the creamy-iris yawn Gasping, that Cat a ract A Crosss, the foiled dawn Tracinng thebbbreabb kinngn wheel Stretcheed upon St. Catharine Lendding DA illiterate Her ornammental pane Sheathed a Yellowish BBBlueBB , , Oc, cidental Stain Ive wandered neath the occean Thy Tar Baby Reassurred But its the Air who wass jeal-ooouss oo s With her nimbus OObscured So I thought it thhe best Just to leave this wworld SSSo o soSS lipper-ally and Splintered The Ivory vine windds Retracting upon a reveriie Where Her Ivy does whinne:
MTTTTo morrow, and To MTTTTo-o-moT orrow, and To-MMorrow and To morrow OMorrow and To-morrow OOnce upon a time. Once upon a time.TTTTuusskT s Tap trickle track patted Patterning the paarched ponys jaws Peering panorama pleat, seep the wwowounwwoo ds beneath her gauze Deep, where Datt a Diorama Dew Permeate HHer a Flaws. The Curse of thheMMMMissMMM issippi Where eddies echoed her perfume Where the Bucked toothedd Virgins Atrax Men-straighht
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nwwwwurr hur numb sonn done swam Under a Lacquered Lenten lantern Silos Silhouette the Harvest nwwwwworm As the returnn of the robins To close their final turn day-Break O, how their Caw bled A ossssoouno d a gnomon coould discern And the guestt tickled Rapeseed
AAAAAAs Lucifers sickle reeaped Sew In Pascals ebony cabinet A Pallid Peg-leg wweeps But theres hhhhhopeh inside the aldder groveWhere his machineery medicine sleepsThTTTThe h Heroine Nymphho tracks Seven years of Sccars But cant veil the stenchh hatched plumppplumppplumumbeneath the mmar Cause the High-mans bblades KnowLess than the joourney-work of starssss s TTThat shed its raadiance bright and far Will pointed a path which led Low Down the
kiddkiddkkkkk ymyminymm e chatterboox of a store-bought head BBut the lids on the jars are jjust too tight To hTTTTTo hToo ear ear r ear what they saiid So like a cloud of urine, bbellow Orions belt I forded the Nueces
thattttthatthat penpenpenenetraetraetretrates the grrand Corpus Christi carcass,, liquid quick sandy Where tthe trinities justjustjjjju mudmudmudu dy rdy rd usustyus and ddandy So La, la, la, le, pleasee lend me your brazos Cause theres
many a women, to gossip this landy. How the Panoptic pollutants palsied Pinocchios mmanyanymm yany a wa wa wwooomen, to gossmanymanymmm a wa woomeno to gosssip this landy. How the Pansip this landy How the Panoptic pollutants palsied Pinoptic pollutants palsied Pinnocchios nocchiospppennip nn cillcillcillin in sn in ppumep Their leeagues cant fathom A Rabidd slaver Neptune So, weve all wor-
riedrrr wowonwonderdersd Witch wickeed wanders loom The ninthh Alchemy, Aristotle symphony WWhoWWW s drs drs drdrawinawinawinawing room so teenderly wrote A Chant for thhe Trans-homo column Quiinns
WWWWWWWherWWWW e chchchildrildrdildren born with hhairy coats Because it Seamms that his storys Heavenswwwwwwwrath ununnto tto tto tt he kingdom it ddenotes Ode to The Oedipaal Opis Great devourereer or ofr of hthtttthe roaddd EatEatEatEa ining in villages for bbreakfast Witch Scarlet's ddoth forebode:) Craftiningin the ashassss ades urthurthurthrthona oo Tomb cough Oppened en code A Meatyy-flesh, invertebrates,s,s, dis-
njoinjjjj nted chaihaiainn ofnn bones The Bloood-purple Empress splatteered Her albino-clayay aynmmonmmonmmmm nochroomeAnm d a chance to mnochrooommeAnmm d a chance to mmold that wicked whale In mold that wicked-whale In an infinite amouunt of an infinite amoununt of
mformffff ms The Whehe Winds wind her leathher bag Letters Found flooating betweennn TheThe tvarlvvv ett aababandba oned wagons Mercury static appearllatticed machine That t ttt
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ARCHITECTURAL DRAWINGS ROOF STRUCTURAL / 1 - 1/8 17
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A Cross, the foiled dawn Tracing the breaking wheeel pon St. Catharine Lending DA illiterate Her ornamentaStretched uppon St. Catharine Lending DDA illiterate Herer oer rnamentaal pane Sheathed a YellowisshBlue, Occidental Stain Ivve wandered neath the ocean Thy Baby Reassured But its the Air who was jealous With Tar BBaby Reassured But its the Air who wassss jjealous With her nimbus Obscured So I thought it the best Jusst to leave this world So slipper-ally and Splinteered The Ivory vine winds RReeetract- hing upon a reveerie Whereree Her Ivy does whhine: To-morrow, and To-Moorrow andTo-morrow Once uponn a time.
Tusks Tap trickle trackk patted Patterning the parrcchc ed rama pleat, seep the wounds beneath her gauze Deepononyoppp s jaws Peering panorama pleat, seep the wounds beneath her gauze Deeep, where Datt a Dioorama Dew Permeate Her a Flaws. ssippi Where eddies echoed her perfume Where the BThe Curse of the Mississsippi Where eddies echoedd her perfume Where the BBucked
toothed Virgins Atrax Men- But wont you play the rest for me? Sobs babble bobstraight to Ma oooom BBut wont you play the rest for me? Sobs babble bobbbes woon Oh thee Arkansas u TravelersWith a face of cuured Ham Reflects lyres lirioopes, toc, hung so grand
Fathhher ser sere hand, FathFathFat ers hand mTTTwix, the Rowan window jamTwix the Rowan window jammb Play it yourself saysmb Play it yourself says hehem Under a Lacquered Lenten lantern Silos Silhouettewwuw rr hur numb son done swam Under a Lacquered Lentten lantern Silos Silhouettee the Harvest worm Asheir final turn day-Break O, how their Caw bled A sthe the the retturn of the robins To close their final turn day-Break O, how their Caw bled A sound a gnomon could dis--
ecern Annd the guest tickled Rapeseeedascals ebony cabinet A Pallid Peg-leg weeps But thereAs Luciffers sickle reaped Sew In Paascals ebony cabinet A Pallid Peg-leg weeps But therees hope inside the alder grrove-eWhere hhis machinery medicine sleeeps of Scars But cant veil the stench hatched plumbeneaThe Heroine NNympho tracks Seven years of Scars But cant veil the sstench hatched plumbeneaath the mar Cause the Highh-mans blades
s That shed its radiance bright and far Will pointed a pKnoKnowKnKn Less thaan the journey-work of starss That shed its radiance brigght and far Will pointed a ppath which led Low Down the kiddymine t the lids on the jars are just too tight To hear what thechathatatterbttt ox oof a store-bought head Butt the lids on the jars are justt too tight To hear what theey said So like a cloud of uriine, bellow Orions etrates the grand Corpus Christi carcass, liquid quick sabelteltelt I fI o prded the Nueces that pene g petrates the grand Corpus Ch , q qhristi carcass, liquid quick sa y jandy Where the trinities jus y yst muddy rusty andend me your brazos Cause theres many a women, to dananndnndy Soyy La, la, la, le, please leend me your braarazoszos CauCauCause tttheres many a women, to gossip this landy. How thee Panoptic pollutants palsieed ddme Their leagues cant fathom A Rabid slaver NeptunePinononocchios penicillin spumme Their leagugugues cant fathoom oo A Rabid slaver Neptunee So, weve all worried wonnders Witch wicked wanders emy, Aristotle symphony Whos drawing room so tendloomoomoom The ninth Alcheemy, , , ArisAristotlotltotlee symphony WWhhoshh drawing room so tendderly wrote A Chant for the Trans-homo column Quinnnsborn with hairy coats Because it Seams that his storysWhWWherW e children bborrnrn with hairy coats Becauusses it Seams that his storyss Heavens wrath unto the kingdom it denotes Ode to TThe Oedi-reat devourer of the road Eating villages for breakfastpal palpal Opis Grrreeat devourer of the road EEattting villages for breakfast Witch Scarlet's doth foreebode:) Crafting the shadess urthona ugh Oppened en code A Meaty-flesh, invertebrates, dTomTomTomb couououugh Oppened en code A Meeaaaty-flesh, invertebrates, ddisjointed chain of bones The Blood-purple Empress ssplattered Her-clay monochromeAnd a chance to mold that wickedalbialbialbilb no-clay monochromeAnd a chaana ce to mold that wickedd-whale In an infinite amount of forms The Winds windd her leather bagters Found floating between The varlet abandoned wLettters Found floating betweeeeeen The varlet abandoned wwagons Mercury static appeearllatticed machine That RRetard the resonance of fffhis Myriad attic apparatus of dreams As the Myopic mhhis Myriad attic apparatusus ous of dreams As the Myopic mmenopause monsters, Somee Stretch the yolk in vain Some Like the Omahas
ncattle stock, Or even tn thn ee autumn mans graze Uponn Oberon, Titania and Puck,, Theyre all cloaked in lace Porcelain Puppet PrancingdRound the Maypoolo ess gaze Drenched in the Prudde palace Of Helios Hydroggen rays That Twinkle St. Ceecilias Vacant azure glaze Thhe
Celestial Pirouettee plotAtlas, the celibate sirens silence broke Scrawnallly sheveled, objectifying their Note An old an gasp bound the ccrcc ipplers joke While Alma gests most hysterical-historicall Somn am bu lists woke Doo rhyme phone Delph si tuCCom-
manddds, tiimeii e the sword her prod But the tender Roast beef muttonnThe musk polio nus Ball-oodd Digesting mamas chammber-Scenee e behhind her shroud Neurosis uncles and a golden bug O Hex I gonzo go comb Dis leexical Logorithmic stanzas AAmour
crysrysrysstallized RomenDoDowno n six seven eight nine Accennts Jupiter acrostyxx,, hommeYes-rosy fingers fecal
SShShehe raised her arms in wrath SSo mythmaker, mythmaker Please draw me a bathBe fore be low be tween be neath, Be yond this dirty pathTo string along the seashells BeBeBeee fe ore be low be tween be ne fe ore be low be tween be nneath, Be yond this dirty paneath Be yond this dirty paathTo string along the seashathTo string along the seashhellshells
rAmAmazAm ed at the amputees rrope Meanwhile Minos Meeandering Pool the Hypochondriacs hope Portinas proostheticppattp ers Penal Pattrns to Nyx Hypnos elopeCCirQC uilling the Mary-go-Row Oarso divides the thirrty-fourth Act The noise of Palinurus Stranded: Like thhe masts
sofof toof he Essex: CRACK Ass the creamy-iris yawn Gaspping, that Cat a ract A Crooss, the foiled dawn Traccing the bbreab king wheel Stretched upon St. Catharine Lennding DA illiterate Her ornaamental pane Sheathed a Yeellowish
nBBlueB , Occidental Stainn Ive wandered neath the ocean Thy Tar Baby Reassuured But its the Air who was jeal-soous oo With her nimbuss Obscured So I thought it tthe best Just to leave thiss world
SSo sS lipper-ally and Splintered The Ivory vine winds Retracting upon a reveerie Where Her Ivy does whhine:Morrow and To-morrow ,TTo-mT orrow, and To-Morrow and To-morrow pOnce upon a time.
ack patted Patterning the pTTuskT s Tap trickle traack patted Patterning the pparched ponys jaws Peering panorama pleat, seep theeher gauze Deep, where Datwwounw ds beneath hher gauze Deep, where Dattt a Diorama Dew Permeatee Her a Flaws. The Curse of tthe
eddies echoed her perfumMMissM issippi Where eddies echoed her perfumme Where the Bucked toothed Virgins Atrax Men-straigght t wont you play the rest fortto Mt a oooom Butt wont you play the rest forr me? Sobs babble bobbes woon Oh the Arkansasace of cured Ham Reflects lyTTravelersWith a faace of cured Ham Reflects lyyres liriopes, toc, hung so ggrand ix, the Rowan window jambFFathers hand, Twiix, the Rowan window jambb Play it yourselfsays heeon done swam Under a Lacwwurrw hur numb soon done swam Under a Laccquered Lenten lantern Siloos Silhouette the Harvest rn of the robins To close thewwworm As the returrn of the robins To close theeir final turn day-Break OO, how their Caw bled Acould discern And the guesound a gnomon could discern And the gueest tickled Rapeseed
As Lucifers sickle reaped Sew In Pascals eboAs Lucifers sickle A L if i kl reaped Sew In Pascals ebod S I P l bony cabinet A Pallid Peg-legbi A P llid P l g weeps But theres B h hope inside the alder groveWhere his machiinery medicine sleepsThe Heroine Nympho tracks Seven years of SScars But cant veil the stench hatched plumbeneath the mar Cause the High-mans blades KnowLess than thee journey-work of stars That shed its radiance bright and far Wiill pointed a path which ledd Low Down the
kiddymine chatterbox of a store-bought headd But the lids on the jars aree just too tight To hear what they said So like a cloud of urine,, bellow Orions belt I forded the Nueces
that penetrates the ggrand Corpus Christi carcasss, liquid quick sandy Wheree the trinitiessss just muddy rusty andd dandy So La, la, la, le, please lend me your brazos Caause theres
many a women, to gossip this landy. How the Panoptic pollutants palsied Pinocchios many a women, to gomany a women to gossip this landy. How the Passip this landy How the Paanoptic pollutants palsied Panoptic pollutants palsied PPinocchiossss Pinocchiospenicillin spume Their leagues cant fathom A Rabbid slaver Neptune So, wevve all wor--
ried wonders Witch wicked wanders loom The nintth Alchemy, Aristotle sympphony Whos drawing room so ttenderly wrote A Chant for the Trans-homo column QQuinns
WWherW e children born withh hairy coats Because it Seaams that his storys Heavensswrratr h unto the kingdom itt denotes Ode to The Oedippal Opis Great devoureureeurer orr oof
tthehe he road Eating villages for breakfast Witch Scarlet'ss doth forebode:) Crafffttingtt ttheeeee shhhadh es urthona Tomb cough Oppened en code A Meaaty-flesh, invertebratees, e dis--
joiini ted chain of bones The BBlood-purple Empress splatttered Her albino-clalay lamooooonochromeAnd a chance too mold that wicked-whale IIn an infinite amouount of foformo ms The Winds wind her leaather bag Letters Found flfloating betweenene The vvarllet abandoned wagons Meercury static appearllatticedd machine Thaaat tttt tRetaard the resonance of his Myyriad attic apparatus of dreeams As the Myopic menopause monstters, Some Stretch the yolkk in vain Somme Like the Omahas cattle stock, Or even the autumnn mans graaze Upon Oberon, Titania and Puck, Theyre all cloakedd inlacce Porcelain Puppet Prancinng Round the Maypoles gazeDrrenched in the Prude palace Of Helios Hydrogen rays TThat Twinkle St. Cecilias Vaccant azure glaze The Celestiial
Pi tt l tAtl th lib t i il b kPirouette plotAtlas, the cePi tt l tAtl th libate sirens silence broke lib t i il b kScrawnally sheveledd, objectifying their Note Ann
old an gasp boound the cripplers joke While Almaa gests most hysterical-
historicaal Somn am bu lists wokeeeee Do rhyyme phon