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Joel Raymond Burke Fall 2003 - Spring 2010 Selected Studio Work The Ohio State University - Yale School of Architecture

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Selected Work 2003-2010

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  • Joel Raymond BurkeFall 2003 - Spring 2010

    Selected Studio Work The Ohio State University - Yale School of Architecture

  • New Orleans Project Spring 2005Andrew Kudless

    New Orleans Housing looks to provide one solution for the displaced population in and around the coast of Louisiana. Locating a project within the area of New Orleans demands knowledge of local vernacular as well as a building technique that is both a ordable and easily adopted within the area. The ideas of mass customization and variability allow this project to fi t tightly within the context of an existing urban site. It provides a level of variation that allows the project to be implemented on a variety of sites. Our team designed a residential complex based on a structural system that allowed our indi-vidual projects to integrate into a larger whole. Adopting common vernacular systems such as louver-ing allows the two individual projects to be read as a coherent system. e design of the units relies on a secondary structural grid system that accepts a library of panels based on environmental, aesthetic, budgetary and achitectural limitations. ese superstructures could be quickly shipped to the site via trailer and the various panels quickly assembled.

  • Night View

  • Unit Constructuion

  • Interiors

  • High Density Urbanism Spring 2007Gabriel Esquivel

    A critique of the strong indexicality present into todays urban context lead to the negotiation of these ideas into a physical structure. Reproducing the atmosphere of ice architecturally, suspended yet fl uid space, necessitated the incorporation of color, density, transaparency and layering as techniques. The spaces within the building begin to allow new types of circulation and experience resembling those interpreted from early frozen analogue studies. Common spaces begin to loose defi nite boundaries and create hyper-densities within the building that begin to register their color on the exterior. e buildings structure is brought into questions and its apparent mass is manipulated with the design of the ground plane as well as the overall aesthetic layering of the faade. e project is tested against more literal building techniques and wall sections that begin to give ideas at how such spaces could eventually be realized. ese sections act as guides for a fi nal iteration of the overall structure and architecture of the building.

  • Conceptual A ect/ E ect

  • Structural Section

  • Interior Experience

  • Plan Organization

  • Building Section

  • Studio Fall 2007

    SmartCar Dealership

    Sunil Bald

    Williamsburg Brooklyn New York The Distribution Center allows visitors to interact with the product of the SMART Car on varying degrees of adjacency while at the same time enticing them to further explore the products and information provided by the dealership. The project fronts on a large street facade that allows glimpses of the products behind and allows entry into the showroom. This large showroom-circulation wall negotiates circulation between the three levels of the project. The main entry level is a public gallery with open circulation and dealership offi ces. The central level functions as more privatized showrooms and houses specialized programs. The upper most level is outdoor storage that is visible from the rear of the site (the Williamsburg Bridge and off-ramp) The three levels are punctured by more in-dividualized showrooms where visitors can learn about specifi c features of the SMART Car as well as interact more directly with the products. Since these showroom pods occupy all three levels, as well as penetrate the facade, the visitor is able to experience the product from a variety of orientations as they consider their purchase.

  • Occupiable Roof Plan

    Second Floor Plan

    Entry Level Plan

  • Program Organization

    Product Display

    Model Studies

  • Final Model Street Facade

    Interior Views

    Front Facade : Section

  • Cross Section

    Final Model Rear Facade

  • Studio Spring 2008

    Replication : Multi-Family Housing

    Turner Brooks

    New Haven Connecticut

    This project attempts to heighten the duality inherent in a two family residence. The two units are con-stantly in teracting with one another though their materiality and spatial organizations. The horizontal stria-tions allow for an interweaving of structure and a continuity of interior space. Each unit is reliant on the other for circulation and the creation of exterior public space. The multiplicity is easily experienced from the street and the massing of the buildings give an ambiguity to the actual limits of each unit.

  • Exterior ViewsExterior Views

    Foor Plans

    Massing Studies

  • Site Plan

    Section Perspective

  • Building Project Studio Spring 2008

    Two Family ResidenceNew Haven Connecticut

    Joel Burke, AnnMarie Armstrong, Andrew Ashey, Jason Bond, Cory Collman, Stephanie Carlisle, Elijah PorterAlan Organschi

    Our proposal is rooted in an exploration in the relationship between a building, its inhabitants, and time. Designed for change, one of the second fl oor bedrooms can be swapped from the owners unit to the tenants through the relocation of a door opening. This capacity for reconfi guration allows the house to function as a three bedroom and one bedroom, or as a pair of two bedroom units. Both units have important visual and programmatic links to the outside. The central common space of the owners unit is designed to expand. Both the semi-enclosed porch space and the rear patio behave as outdoor rooms, providing additional living and dining space in warmer months. The openings to these spaces encourage natural cross ventilation of the interior. During cooler months these connec-tions still provide the interior with a feeling of spaciousness, and a variety of views to the yards and street. The owners unit is arranged around a central double-height space that allows for visual and auditory links between the second fl oor bedrooms and the ground fl oor.

  • Site Plan

    Final Model

  • Front Elevation

    First Floor Plan

    Second Floor Plan

  • Long Section

    Rear Elevation

    Model Elevations

  • Cross Sections

    Side Elevation

  • Section Prespective : Owners Unit

    Model Details

  • Tennant Entrance

    Model Details

  • Studio Fall 2008

    Yale Center for Computing and the Arts

    Mario Gooden

    New Haven, CT The integration of the Computer Science Department and the Arts School inherently leads to a dissonance between the needs of each program. The project negotiates these by designating specifi c program areas to the more unique tasks while at the same time creating a coherent whole where the public, students and faculty can interact. The project allows access across the site (front to back) and operates primarily along two grains, that of the continuous circulation that weaves the longitudinal programs together along programmed ramps, as well as along the cross grain that cuts across separate programs giving then a more direct interaction with one another, either visually or physically. The separate programs transition into one another, at moments holding autonomy while at other times combining with adjacent programs to create larger social areas of varying programs. These often ad-dress the exterior of the building allowing the school to have a presence within the greater context of the University. The physical spaces within the Center respond directly to the various functions necessitated by the individual programs.

  • Continuity of Surface

    Massing Studies

    Adaptability of Program Volumes

  • SPECIALTY STUDIOS

    STUDIOCOMPUTING

    MEDIA LABS

    EXHIBIT

    THEATER

    LIBRARY

    SPECIALTY STUDIOS STUDIOCOMPUTING

    BLACK BOX

    ADMINISTRATION

    CLASSROOMS

    MEDIA LOUNGE

    D

    Formal Screening

    Cross Sections

    Dynamic Edge

  • Daylighting Studies Conceptual Site Approach

  • PROGRAM

    VENTILATION

    HEAT DISSIPATION

    CLIMATE EXCHANGE

    CLIMATE EXCHANGE

    HEAT DISSIPATION

    DEDICATED RESEARCH LAB

    GRAPHICS/VIDEO LAB

    SOUND PERFORMANCE LABCOMPUTING CLASSROOM

    UNDERGRAD RESEARCH LAB

    THEATERCOMMONS

    LIBRARY

    EXHIBITION AREA CAFE

    EXHIBITION HALL

    EQUIPMENT WORKSHOPFABRICATION LAB

    MEDIA LOUNGE

    BLACK BOX

    THERMAL MASS

    THERMAL MASS

    SHADE

    SOLAR GAIN

    CLIMATE EXCHANGEATE EXCHANGECLSOLAR GAINSOLARAOLAR

    RRHE RRRTHH

    LA BOLA BO

    COMPUTING CLASSROOM

    UNDERGRADNDEND RESEARCH LAB CLASSRESEARCH LABR

    MEDIA LOUNGEOUNGLIBRARY EXHIBITIONHALL

    COMMONSCC MM

    EXHIBITION AREA CAFE

    EQUIPMENT WORKSHOPFABRICATION LABABRICATION LAF

    DEDICATEDRESEARCH LAB

    GRAPHICS/VIDEO LAB

    SOUND PERFORMANCE LABLABANCFORND PSORESEARCH LAB

    MMOCC

    LHALIBRARY

    SHADE SHADE

    PROGRAM

    DEDICATED

    RESEARCH LAB

    GRAPHICS/VIDEO LAB

    SOUND PERFORMANCE LAB

    COMPUTING

    CLASSROOM

    UNDERGRAD

    RESEARCH LAB

    THEATER

    COMMONS

    LIBRARYEXHIBITION AREA CAFEEXHIBITION

    HALL

    EQUIPMENT WORKSHOPFABRICATION LAB

    MEDIA LOUNGE BLACK BOX

    SSSSSS

    SOLAR HEATATTEHHH TTTTAT

    HEAT SOURCEOU CEURCROOURSOSOSOSOATATATAHH

    HEAT SOURCHEAT REAT SOUOEEAT SE RCECHEAT SOURCAT S ROUOEAEAT S RCECCCURUROOOTTTEAAEAH

    COLD SINKININOLD SINKC KNKNNK

    COLD SINKCCCCCCOOOOOOOOOOOOOOOOLLLLLLLLLLDDD KKKKKKKKKKNKNNNNNNNNNIIIISSSSSSSSSSDDDDDDDDDDDDDDLLLLLLLLLLOOOOOOOOOOOCCCCCCCCCCCC KCO

    COLD SINKC

    VENTILATIONONNTILAT

    OOOOOOOOOOOO

    SOSTER TER TTTTERRRRRRR

    LIBON A CAFEFCCO

    A

    TTT

    SOLAR GAINGARRROSSSSSOLAR GAINSOLAR GAINGRR GAINRARSOLAR GAINAAGGGAR GR

    PROGRAM

    RESTROOMSSTORAGE EQUIPMENT WORKSHOP

    FABRICATION LABCOMMONSFACULTYVISITING FACULTY

    LIBRARYDEDICATED RESEARCH LAB

    GRAPHICS/VIDEO LAB

    SOUND PERFORMANCE LAB

    COMPUTING CLASSROOM

    UNDERGRAD RESEARCH LABOPERATIONS LOCKERS

    RESTROOMS

    LOADINGTRASH EXHIBITION

    AREA

    CAFE

    MEDIA LOUNGETHEATER

    EXHIBITION HALL

    BLACK BOXREGISTRARS OFFICEBUSINESS OFFICE

    HEAT PRODUCTION

    RESTROOMSSTORAGE

    EQUIPMENT WORKSHOPFABRICATION LAB COMMONS

    FACULTYVISITING FACULTY

    LIBRARY

    DEDICATED RESEARCH LAB

    GRAPHICS/VIDEO LAB

    SOUND PERFORMANCE LAB

    COMPUTING CLASSROOM

    UNDERGRAD RESEARCH LAB

    OPERATIONS

    LOCKERS

    RESTROOMS

    LOADINGTRASH

    EXHIBITION AREA

    CAFE

    MEDIA LOUNGE

    THEATEREXHIBITION HALL

    BLACK BOXREGISTRARS OFFICE

    BUSINESS OFFICE

    VOLUME

    RESTROOMSSTORAGE

    EQUIPMENT WORKSHOPFABRICATION LAB

    COMMONSFACULTYVISITING FACULTY

    LIBRARYDEDICATED RESEARCH LAB

    GRAPHICS/VIDEO LAB

    SOUND PERFORMANCE LAB

    COMPUTING CLASSROOM

    UNDERGRAD RESEARCH LAB

    LOCKERS

    RESTROOMS

    LOADINGTRASH

    EXHIBITION AREA

    CAFEMEDIA LOUNGE

    THEATER

    EXHIBITION HALL

    BLACK BOX

    REGISTRARS OFFICE

    BUSINESS OFFICE

    ACTIVITY LEVEL

    Scale Model

    Scale Model

    Programmatic Layering

    Programmatic Organization

  • BLACK BOX

    MEDIA LOUNGE

    CAFE

    OPEN EXHIBIT

    THEATER

    BACK OF HUOSE

    LOADING

    DEDICATED LABS / STUDIOS

    DEDICATED LABS / STUDIOS

    SPECIALTY STUDIOS

    DISPLAYS

    FACULTY OFFICES

    CLASSROOMS

    ADMINISTRATION

    MEDIA LOUNGEENTRANCE

    THEATER

    BLACK BOX

    Selected Floor Plans

    Longitudinal Section

  • REHEARSAL ROOM

    MEDIA LABS

    ADMINISTRATION

    PRIVATE OFFICES

    FACULTY OFFICES

    FACULTY LIBRARY

    CONTROL ROOM

    PUBLIC GATHERING

    EXHIBIT

    LIBRARY

    EXHIBIT THEATER

    DISPLAYS

    FACULTY OFFICES

    LIBRARY

    ENTRANCE

    ENTRANCE

    Interior Renderings

    Longitudinal Section

  • Systems Integration Spring 2009

    YCCA Construction Documentation

    Advisors : Sarrah Khan, Steven Baumgartner, and Anne Gilbert

    New Haven , CTJoel Burke , Kate Thatcher and Yu Wang

    In articulating a previous semesters studio project with adequate structure, environmental and mechani-cal systems certain criteria had to be established. Although particular portions of the design had to be jettisoned, the overall design concept had to be somehow latent in each of the decisions made. The use of a scissoring truss structure gave the project the continuity of circula-tion, visual connectivity and formal articulation that were important in the original design. The project structured itself around this central atrium which was naturally ventilated and acted as occupiable vertical circulation through the building. The louvers echoed the formal maneuvers of the original project in a more environmentally sensitive way.

  • Facade Adaptation

    Facade Articulation

  • Interior Adaptaion

    Conceptual Construction Sequence

    Structural Truss Section

  • Conceptual Structural Diagram

  • Wall SectionSelected Floor Plans : Structural/ Architectural

  • Urbanism Studio Spring 2009

    Infrastructural Lamination: Multi-Use Edge

    Peggy Deamer

    Boston Massachusetts

    Joel Burke and Kate Thatcher

    Responding to such strong formal and functional limitations as a highway interchange the project addresses the initial condition and creates an infrastructural lamination that organizes the various speeds of traffi c on the site. Its organization facilitates vehicular, mass-transit and pedestrian circulations along a densifi ed spine that allows safe interaction and unique experiences for each user. The two unique cites within the master plan are treated uniquely while simultaneously using the same architectural language to provide a cohesion within the scheme. A continuous elevated commercial plinth provides for pedestrian access to the architecture as well as ad-dresses both the infrastructural lamination and the public open space which is maximized due to the dense organi-zation and citing of the program. The architecture takes full advantage of the open space created by the lamination and begins to defi ne more localized conditions within the open public park. The addition of a light rail system to and from Harvard and the design of a train station makes the site a new destination for commuters.

  • Program Massing Studies

    Roof Plan

    Massing Studies

  • Lower Level Plan

    Conceptual Lamination

  • Section Infrastructure Organization

    Model Studies

  • Site Section : Infrastructural Layering

    Section : Architectural Organization

  • Section : Train Station

    Final Model : Plinth

  • Section : Public Access

    Final Model : Retail Layer

  • Final Model : Public Open Space

    Site Section : River Plinth

  • Final Model : Site Plan

  • Advanced Studio Fall 2009

    Urban Periphery Stadium Complex

    Greg Pasquerelli and Brian Price

    Rio De Janiero Brasil

    Joel Burke and Harvey Chung

    This project challenges the consumptive nature of sports arenas, and hypothesizes a solution that could alleviate, or rather rethink, the waste produced in these venues. By utilizing technology of waste collection and reuse that facilitates the production of energy the Futbol Stadium could begin to generate power and become self suffi cient in terms of its energy use. Remaining power could be utilized in the creation of public amenities, pools, beaches, etc that entices more sustained visitors that could further enhance the productive qualities of the com-plex. A secondary program, an Urban Wall, organizes a series of public and private programs that support the stadium complex as well as provide nautical access from a variety of shuttle services that alleviate traffi c con-gestion with the city of RIo de Janeiro. The two constituent program elements create a 24 hour cycle of use that continuously generates energy from its occupants while simultaneously creating a new urban center on the highly utilized coastal region of the city.

  • String Model : Connectivity

    Initial Site Organization

  • Collage : Staium/City/Coast

  • Longitudinal Section

    Waste Reuse Concept

    Experiencial Sequence

  • Conceptual Diagrams

    Experiencial Sequence

  • Waste Reuse

    Visitor Map

  • Advanced Studio Spring 2009

    (Socially) Sustainable Eco-Resort

    Patrick Bellew, Andy Bow and Timothy Newton

    Marrakech, Morocco Eco-tourism is the newest solution to the long acknowledged problems of consumptive tourism. It is not enough however to expect that newer more sustainable technologies can begin to offset tourisms grasp on devel-oping countries like Morocco. Social sustainability is perhaps more important, citing that the effects of tourism do not simply deplete the environment but cultures and populations as well. This project takes on that debate as an architectural challenge. Tourism can bring vital resources to developing communities and this type of tourism can only be enhanced by a responsible architectural solution. Through local interaction with the community, careful phasing, and the creation of a fi nancial alliance the project can act as a prototype to future developments of its kind. Architectural set pieces bring fi nancial stabil-ity to the project while local technologies and typologies allow for an infi ll within the existing urban fabric. Finally unifi cation is accomplished through sustainable technologies that enhance he lives of both the local community and the visitor.

  • Financial Development Diagram Street Restoration Sequence

    Intervention Diagram

  • Conceptual Approach

    Site Phasing

  • S N S N S N

    Night Rendering

    Water Infrastructure Street

    Spa Section

  • NS NS

    Craft Center Section

    Cultural Amenity Street

  • Riad and Spa Plaza

    Community Center

  • Water Infrastructure Street

  • Villa Units Plan

    Villa Interiors

    Villa Cross Section

  • Villa Cross Section

    Villa Rendering

  • S NS N S NS N

    Riad Cross Section

    Riad

  • Community Center Cross Section

    Community Center

  • Joel Raymond Burke

    Fall 2003 - Spring 2010

    Drawings, Built Work, Fabrications

  • Dimensional Variability: Casting Fall 2005Beth Blostein

    This fabrictrion began as an investigation of interstitial space, in this case between human fi gures, and began to develop techniques to model fi gural voids. A jig was created that allowed the manipulation of fi gural voids. Finally various materials were used to create physical artifacts of the interstitial space. A reinvestigation of the aggregated materials gave a better understanding of the connection of units within the framework of the jig.

  • Transparent Aggregation Fall 2005

    Preliminary investigations allowed for an understanding of a given material, in this case acrylic sheets, and its material limitations. The design of an accurate jig became a necessity for the later assembly of the indepen-dent elements. The transformed material was designed into a system, both for structural stability as well as aesthetic manipulaitons. Aggregation was used as a building technique in the creation of a screening device. A fi xed dimension was set and a grid established to allow for changeability and variability. A library of three units was created and a jig designed that allowed for the creation of each piece individually. Once a complete series was fabricated a structure was built that began to challenge depth and transparency.

    Andrew Kudless

  • REVIT Rethought Spring 2007

    This investigation began to use REVIT to investigate parametric design outside the boundaries of the given software. A preliminary study of the cameleon lizard gave parameters to explore the possibilites of scripting a manipulative surface that mimiced animalistic behavior. The program produced a mechanical surface that altered its thickness based its deviation from the normal. The challenge was to create an analogue model that represented the results of the program.

    Beth Blostein

  • Geometry Drawing and Visual Inquiry Fall 2007Kent Bloomer and John Blood

    The class is an opportunity to push the limits of physical representation, hand drawing, while simultane-ously exploring its limitations by working with physical models as well as the computer. These techniques are combined in order to expand the understanding of the objects being investigated. The drawings and models allow for a more complete understanding of physical space, both visual and interpreted. Drawings became investigations between adjacencies of objects, as organized into super structural grids that provided for particular organizations. The space unseen within objects became important and its representation became paramount as simple formal organizations and representations of surface qualities fell short of accurately describing the objects. These explorations expanded on the conceptionof physical space, both actual and virtual. This virtual space was explored through the materiality of physical models as well as unique drawing techniques.

  • 3D Formal Investigations through Drawing

  • Adjacency of Objects in Space

  • Figure Studies

  • Extended Aggregation of Unit

  • Fabrication Jig

  • Transparency and Connectivity

    Physical Model

  • Survey of Digital Media Summer 2008

    Digital Design and Fabrication

    John Eberhardt

    This project begins with a case study of an architectural work, Offi ce dAs Toledo Residence, exploring the interrelation of form, surface and technologies through various representational techniques. The computer is uti-lized to turn Offi ce dAs original hand renderings into digitally representations that can be manipulated on a series of variables. These variables are then transformed into the creation of an object that applies the understandings derived from the previous studies. The computer plays an important role allowing the application of variation before the physical model is created. A Final component to the project is a collaborative project challenging the rigidity of mass pro-duces furniture. Digital technology is utilized to create an insert that increases the depth of the surface, allowing an otherwise fl at table to function as a display piece. The lamination of materiality allows the undulations of the form to remain legible as well as provide a level of translucency to the entire piece.

  • Offi ce dA Toledo Residence

    Scripted Surface

    Scripted Studies

  • Conceptual Approach : Manual to Digital

    Final Renderings

  • Formal Surface Study

  • Formal Surface Study

    Formal Surface Fabrication

  • Fabrication Process

    Final Rendering

  • Final Rendering

    Joel Burke and Jerome Haferd

    Final Object

    Surface Materiality

  • Material Techniques and Fabrication Spring 2009

    Grain: Structure : Aesthetic : Application

    Kevin Rotheroe

    This project is an intense exploration of the graining structure of wood, invest ting its aesthetic, struc-tural, and functional uses both inherent and interpreted. My purposely misinterpreting the qualities of a selected grain and completely divorcing it from its source material, wood, it can be reconceptualized along a variety of fronts. Identity and legibility play key roles in the derivation a new fabrication technique to represent the qualities form the study. The fi nal object then takes into account the earlier exploration and investigates in what ways the natural tendencies within wood can be manifest though digital fabrication; redeploying the aesthetic and structural tendencies of grain to a new material, one that is cast.

  • Identitiy as Screen

  • Grain Exploration Fabrication Studies

  • Final Model

  • Final Model

    Fabrication Process

  • Studies in Light and Materials Fall 2009

    Mirroring : Duplication : Completion

    Michelle AddigntonJoel Burke and Jang Hyung Lee

    This collaborative project stemmed from an interest in the physical qualities of light (refl ection, transmis-sion, etc) and the studio art work of Sydney Cash, a sculptor whose particular focus is on the refl ective qualities of light. After an initial study of Cashs techniques and replication of many of his early projects the focus of the work became scaling up the physical processes witnessed in the smaller studies. Materials were kept simple, employing only low tech techniques using mirrors, glass, screen and colored fi lms. There was a reliance on the additive and subtractive qualities of colored light as well as its unique ability to retain particular qualities after numerous refl ec-tions. Through refl ection and transmission a four room gallery setting could be lit from a single light source pro-viding a varying experience depending on the particular room. Four translucent/transparent/refl ective walls would organize the light around the spaces providing an increased depth onto the gallery surfaces as well as changeability depending on the organization of the colored fi lms.

  • Addition and Subtraction

    Completing the Figure

    Catalogue of Techniques

  • Translucent Colored Film Studies

    Inversion through Refl ection

  • Color Studies : Gallery

  • Light Studies : Gallery

    Gallery Space : Lighting Techniques

  • Groundless Architecture Summer 2009

    Groundless Architecture was a chance to work one on one with a client in the design and construction of a multi-use tree structure. Its function was to accommodate the clients three children aswell as provide a home o ce for the client who did a majority of her work within the home. Various levels provided climbing areas and sleeping nooks for the children and likewise functioned as desks and storage for the small o ce. is project provided an opportunity to test all facets of the design-build process from prelimi-nary design through construction and included bidding, scheduling, revisions and numerous client meetings. Formal decisions were based on the initial structure and size of the tree as well as client stipulations. Aesthetic decisions were a collaboration between the client, her children and myself. The end goal was a structure that would be entirely built without any outside assistance. A platform structure was designed and revised on site to fi t within the distinctive natural structure of the tree. Joists were cantilevered from the structure and decked to provide a stable platform from which to build the enclosure. Walls were framed and the roof structure was designed and installed around the trunk and vertical branches of the tree. A system of gutters and fl ashing pre-vent any water from infi ltrating the interior.

    Independent Design Build

  • Yale Building Project Summer 2008Yale Class of 2010

  • Yale Building Project Summer 2010Yale Class of 2012

  • Exterior Structrure

  • PORTFOLIOSTUDIONew Orleans Project Spring 2005High Density Urbanism Spring 2007Smart Car Dealership Fall 2007Replication Spring 2008Building Project Spring 2008Yale Center Computing Arts Fall 2008Systems Integration Spring 2009Urbanism Spring 2009Urban Periphery Stadium Fall 2009Sustainable Eco-Resort Spring 2009

    DRAWING:FABRICATIONSDimensional Variability: Casting Fall 2005Transparent Aggregation Fall 2005REVIT Rethought Spring 2007Geometry Drawing Fall 2007Survey Digital Media Summer 2008Material Techniques Spring 2009Studies Light Materials Fall 2009Groundless Architecture Summer 2009Yale Building project Summer 2008Yale Building Project Summer 2010