jessica donoghue undergraduate architectural portfolio

ENTRY LEVEL ARCHITECTURAL

DESIGNER

SEEKING FULL TIME EMPLOYMENT SUMMER/FALL 2014

JESSICA DONOGHUE BACHELOR of ARCHITECTURE PENN STATE UNIVERSITY

DONOGHUE

FOR YOUR CONSIDERATION Jessica Donoghue24 Wesickamen Drive

Shamong, NJ 08088(609) 668-8709

[email protected]://issuu.com/jessicadonoghue/docs/portfolio_web

TO WHOM IT MAY CONCERN:I am very interested in acquiring an entry level architectural design position at your firm. Having completed extensive research on your work provided by your website, I feel confident that working for your firm would be a fantastic opportunity as I begin my career in architecture. I am particularly interested in the range and depth of your portfolio, as I am interested in the possibility of evolving and expanding as I grow as a designer. Using my education and experience, I know I would be a valuable asset to your firm.

I am a recent graduate of the Bachelors of Architecture program at the Pennsylvania StateUniversity. Our design projects throughout the years have ranged in terms of scale and program, allowing for a great amount of growth throughout my education. Throughout those projects, I have excelled in various computer programs, my most proficient being Revit, AutoCad, the Adobe Creative Suite, and Rhino, as well as intricate model making skills. During my recently completed final year, I worked on developing my own individual thesis project, which played off of many of my core interests as a student of architecture. I had chosen to focus on how to implement adaptive reuse to create socio-economic stimulation within the City of Detroit. Ultimately, worked from the macro of urban/community development schemes down to the micro of detailing/repurposing reclaimed materials and vacant buildings.

Aside from my design interests, education, and qualifications, I am a hard, dedicated worker. I always expend substantial thought behind my design decisions, and am always extremely professional in my execution and presentation of those designs. I appreciate your time and consideration, and would also appreciate the opportunity for an interview. I can attempt to make myself available at any time that cooperates best with your schedule, or alternative arrangements such as Skype or phone interviews can be arranged to meet any of your needs.Sincerely,

Jessica Donoghue

Thank You for Your Time & Consideration01

Just JessWHAT YOU SHOULD KNOW ABOUT ME Jessica Donoghue

JESSICA DONOGHUE AGE: 23. HOMETOWN: Shamong, NJ. HELLO: On every page youre going to see my name. Each time you see it, it will read: Jessica Donoghue. If you ever call, or write back, you can just call me Jess. ARCHITECTURAL INTERESTS: Adaptive reuse is a particular interest of mine, as a sustainable practice that I believe will be imperative in the future of architecture. Other elements of architecture that I enjoy include the play and complementation of materiality and textures, phenomenal space, engaging with nature, engaging with the surrounding fabric [in whatever form it may take], and the practicality or flexibility of spaces. Nonetheless, I am open and eager to explore any direction practicing within the field of architecture may lead. OTHER INTERESTS & INFORMATION: To ensure happiness, I can rely on a good book, an outdoor pursuit, spending time with family and friends, travel, or a stimulating work environment. I am easy going personally and driven professionally, a combination that I think would mesh well within any office culture.

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QUALIFICATIONS Jessica Donoghue

EDUCATION

EXPERIENCE

ACTIVITIES / HONORS

SKILLS

THE PENNSYLVANIA STATE UNIVERSITY 2009-PresentCollege of Arts & Architecture: Bachelor Current Cumulative GPA: 3.52 Deans List: Spring 2010, Spring 2011, Fall 2011, Fall 2012, Spring 2013, Fall 2013 Expected Graduation Date: May 10, 2014Academic Reference: James Wines, Thesis Professor - [email protected]

ALLIANCE ARCHITECTURE Summer 2013As a summer intern, completed work ranging from site analysis, schematic design and design development, to construction documents. Attended client and design meetings with the expectation of taking notes as well as participating in dialogue. Primarily used AutoCad and Revit, while also using the Adobe Creative Suite for marketing tasks and images for clients.Professional Reference: Tim Kearney, Principal - [email protected]

FREEDOM BY DESIGN - MEMBER 2010-2012A branch of AIAS that focuses on providing community service through design.

PSU HAJJAR DESIGN COMPETITION - FINALIST 2012FOREMAN DESIGN COMPETITION - FINALIST 2012JOHN STEWARDSON DESIGN COMPETITION 2014

Selected as one of six Penn State entries to move on to compete amongst selectothers from a pool of Pennsylvania Architecture programs.

FIFTH YEAR DESIGN EXCELLENCE AWARD WINNER 2014

REVIT GRAPHITE ON VELLUMAUTOCAD INK ON MYLARADOBE CREATIVE SUITE SKETCHINGRHINOCEROS HAND MODELINGSKETCHUP WOOD & METAL SHOPVECTORWORKSLASER CUTTINGCNC ROUTING3D PRINTING

EXTREMELY METICULOUS WITHPROFESSIONAL STANDARDS

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Just Jess

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TABLE of CONTENTS Jessica Donoghue

DRAWING COURSE 5-6Visual communications & hand drafting techniques.

DESIGN BUILD 7Group project to design-build a community garden shed, practicing collaboration between outside parties (the community members) and reuse of reclaimed materials (their existing shed).

STUDIO PROJECTS 8-13Sample of three studio projects, each projects duration ranging from 4 to 8 weeks.Projects were taken from concept through schematic phases, with some delevopments for construction methods.

STUDIO PROJECTS 14-21Sample of two studio projects, each lasting a full semester.Projects were taken from concept through design development.

STUDIO PROJECT 22-25A group project that focused on the comprehensive design of a new media art center. The focus of the semester was developing strong collaboration skills, to emmulate a working design studio.

SEMESTER ABROAD 26-29I was extremely fortunate to have the opportunity to spend a semester abroad in Rome, during which I took advantage of seeing as much of Europe as possible.

COMPETITION WORK 30-31THESIS WORK 32-47

Recently completed, for which I earned the Penn State Department of Architectures Design Excellence Award. It is given by the Penn State Department of Architecture faculty and department head, to one project of their choosing from the pool of all fifth year thesis projects.

COVER LETTER 1 ABOUT MYSELF 2RESUME 3

YEAR

ONE

YEAR

TWO

YEAR

FOUR

YEAR

THRE

EYE

AR FI

VE

year oneHAND DRAFTING SKILLS Jessica Donoghue

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HAND DRAFTING SKILLS Jessica Donoghue

Villa Stein [above]: Drafted and rendered by hand with graphite.Palazzo Vecchio [previous page]: Drafted perspective.Montecello [below]: Drafted plan and elevations.

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DESIGN BUILD EXPERIENCE Jessica Donoghue

A group studio effort to design and build a community garden shed. The project included meeting with community members to define their wishes for their new garden shed, and reusing the reclaimed materials from their former, lack luster shed. We wanted to make the shed more accessible than their

original shed, which opened on the narrow side into a long, dark shed, by having sliding barn doors on the wide side. We also wanted make the shed slightly more narrow, to allow for an overhand, and

an extended porch that provides a place to grill and relax within the connecting back patio area.The project was completed in the spring of 2010, and is still in use and beloved by the community.

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year twoPROJECT: RESIDENCE Jessica Donoghue

PRIVATE YARD SKY

PUBLIC STREET FOUNDATION

PLAN DIAGRAM SECTION DIAGRAM

LIVING

BEDROOM

KITCHEN

BATHROOM

LOFT

PROJECT DURATION: 4 WEEKSDESIGN CONCEPT: Dense, clear geometires contrast thin, wandering lines which are based on the users interaction between the public and private.

SOFTWARE USED: REVIT, ADOBE ILLUSTRATOR, ADOBE PHOTOSHOP

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PROJECT: BOATHOUSE Jessica Donoghue

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year two

PROJECT: BOATHOUSE Jessica Donoghue

PROJECT DURATION: 4 WEEKSDESIGN CONCEPT: By gently peeling up the ground plane in the form of an extensive green roof and mimicking the sloping site, the boathouse is able to give back usable river-front space, where space was taken to accomodate the program. The chosen materials of rough, natural looking wood and copper paneling that has a patina finish compliment the beautiful, natural site within a state park on a river. The boathouse has five main programs: a seperated lockerroom, dock launching spaces with an extended pier, the boat storage room, a lounge space above for the crew teams, and a usable green roof that acts as a viewing platform for the crew events and races.

SOFTWARE USED: REVIT, AUTOCAD, ADOBE ILLUSTRATOR, ADOBE PHOTOSHOP

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PROJECT: SPA Jessica Donoghue

PROJECT DURATION: 8 WEEKSDESIGN CONCEPT: Require to use CMU block

with a custom prefab block element. The CMU is then finished with either white subway tiling or

black painted brick to evoke a clean, modern, chic feel to this NYC spa.

SOFTWARE USED: REVIT, AUTOCAD, ADOBE ILLUSTRATOR, ADOBE PHOTOSHOP

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year threePROJECT: SUSTAINABILITY CENTER Jessica Donoghue

Various exhibits, cooperative work spaces, community func-tions, and educational hubs will be provided to promote the spread of knowledge and awareness of sustainable living techniques. Creating better relations, interactive experiences, and awareness betweens ourselves, our peers, and our shared world is the key to sustainability. The building itself represents the diversity of the site, the eroding and accretion at water and lands edge, and how we can experience the transition together in progressive harmony.

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PROJECT: SUSTAINABILITY CENTER Jessica Donoghue

KITCHEN

LIBRARY

RESEARCH

CAFE

PERM.EXHIB.

BOOKSHARE/

READINGAREA

COMMUNITYSPACE

FIRST AID/RENTALS/

INFO

SHOP

PERM.EXHIB.

COLLAB.OFFICE

LOBBY

LOCKERS

AUDITORIUM

CHILDRENSEXHIB.

TEMP.EXHIB.

WORKSHOPPERM.EXHIB.

OUTDOORSPACE

OUTDOORSPACE

PIER

VIEWINGMEZZANINE

OUTDOORSPACE

VIEWINGMEZZANINE

USABLEINTENSIVE

GREEN ROOF

USABLEINTENSIVE

GREEN ROOF

EXPERIMENTAL/LEARNINGGARDEN

CLASS

CLASS

CLASS

COLLAB.CLASSSPACE

TEMP.EXHIB.

MECH.

USABLEINTENSIVE

GREEN ROOF

COMMUNITY GARDEN VIEWING

MEZZANINE

KITCHEN

LIBRARY

RESEARCH

CAFE

PERM.EXHIB.

BOOKSHARE/

READINGAREA

COMMUNITYSPACE

FIRST AID/RENTALS/

INFO

SHOP

PERM.EXHIB.

COLLAB.OFFICE

LOBBY

LOCKERS

AUDITORIUM

CHILDRENSEXHIB.

TEMP.EXHIB.

WORKSHOPPERM.EXHIB.

OUTDOORSPACE

OUTDOORSPACE

PIER

VIEWINGMEZZANINE

OUTDOORSPACE

VIEWINGMEZZANINE

USABLEINTENSIVE

GREEN ROOF

USABLEINTENSIVE

GREEN ROOF


CLASS

CLASS

CLASS

COLLAB.CLASSSPACE

TEMP.EXHIB.

MECH.

USABLEINTENSIVE

GREEN ROOF


MEZZANINE

KITCHEN

LIBRARY

RESEARCH

CAFE

PERM.EXHIB.

BOOKSHARE/

READINGAREA

COMMUNITYSPACE

FIRST AID/RENTALS/

INFO

SHOP

PERM.EXHIB.

COLLAB.OFFICE

LOBBY

LOCKERS

AUDITORIUM

CHILDRENSEXHIB.

TEMP.EXHIB.

WORKSHOPPERM.EXHIB.

OUTDOORSPACE

OUTDOORSPACE

PIER

VIEWINGMEZZANINE

OUTDOORSPACE

VIEWINGMEZZANINE

USABLEINTENSIVE

GREEN ROOF

USABLEINTENSIVE

GREEN ROOF


CLASS

CLASS

CLASS

COLLAB.CLASSSPACE

TEMP.EXHIB.

MECH.

USABLEINTENSIVE

GREEN ROOF


MEZZANINE

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PROJECT: LIBRARY Jessica Donoghue

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CONCEPT - The salvagable buildings will be utilized in a new woven system with four key threads. Each thread acts as an identifier for the type of program it holds through their individual

sets of rules and characteristics:

EXISTING BRICK - sets up boundaries to create fixed spaces that house the stacks and administration

METAL MESH - cantilevers out from the existing boundaries to house technological and mechanical functions

WOOD SHADES - in line with existing boundaries to house meeting and social spaces

GLASS SYSTEM - recessed back from the existing boundaries, providing circulation and movement

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5' 1

0"

EAST FACADE (1:1/8)SOUTH FACADE (1:1/8) WALL SECTION DETAIL (1:1/2)

PARAPET ROOF SYSTEM STEEL FLASHING GRAVEL MEMBRANE CONCRETE INSULATION VAPOR BARRIER METAL DECKING

STEEL FRAME STRUCTURE STEEL COLUMNS STEEL BEAM FRAMING STEEL C-CHANNELS STEEL PLATE

EXPOSED UNDER MESH MESH WRAPS UNDER METAL SHEATHING INSULATION VAPOR BARRIER STEEL FRAMING

WOOD SHADE WALL SYSTEM WOOD SUN SHADES STEEL CABLE STEEL GLASS CASEMENT DOUBLE PANE GLASS

WOOD FLOOR SYSTEM WOOD FLOORING (WITH SAME SUPPORT/STRUCTURE)

AUDITORIUM RAY DIAGRAMS (1:1/8)

MATERIALITY

PRECEDENTS (MATERIALITY)

STEEL MESH WALL SYSTEM STAINLESS STEEL SHADING MESH STEEL MESH CABLE CLIP STEEL TENSION CABLE ANCHORS INTO STEEL C-CHANNEL STEEL GLASS CASEMENT DOUBLE PANE GLASS

TILE FLOOR SYSTEM TILE SUPPORT METAL DECK STEEL FRAME

EXPOSED UNDER WOOD WOOD FINISH (OVER SAME LAYERS AS UNDER MESH)

GLASS WALL SYSTEM STEEL CASEMENT DOUBLE PANE GLAZING

FOUNDATIONS CONCRETE SLAB CONCRETESTRIP FOUNDATION FOOTER DRAINAGE

STEEL FRAME STRUCTURE

METAL MESH SYSTEM

TILE FLOOR SYSTEM

EXPOSED UNDER MESH

WOOD SHADE WALL SYSTEM

WOOD FLOOR SYSTEM

EXPOSED UNDER WOOD

GLAZING

GROUND/FOUNDATIONS

LONGITUDINAL SECTION (1:1/8)TRANSVERSE SECTION (1:1/8)

ISOMETRIC TRANSVERSE SECTION

5' 1

0"








MATERIALITY








METAL MESH SYSTEM

TILE FLOOR SYSTEM

EXPOSED UNDER MESH


WOOD FLOOR SYSTEM

EXPOSED UNDER WOOD

GLAZING

GROUND/FOUNDATIONS



5' 1

0"








MATERIALITY








METAL MESH SYSTEM

TILE FLOOR SYSTEM

EXPOSED UNDER MESH


WOOD FLOOR SYSTEM

EXPOSED UNDER WOOD

GLAZING

GROUND/FOUNDATIONS



5' 1

0"








MATERIALITY








METAL MESH SYSTEM

TILE FLOOR SYSTEM

EXPOSED UNDER MESH


WOOD FLOOR SYSTEM

EXPOSED UNDER WOOD

GLAZING

GROUND/FOUNDATIONS


ISOMETRIC TRANSVERSE SECTION20


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year fourPROJECT: NEW MEDIA ART CENTER Jessica Donoghue, Katherine English & Laura Rakiewicz

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PROJECT: NEW MEDIA ART CENTER Jessica Donoghue, Katherine English & Laura Rakiewicz

EXHIBITION SPACE

EXHIBITION SPACE

EXHIBITION SPACE

EXHIBITION SPACE

FORUM THEATERLOWER LEVEL

FORUM THEATERUPPER LEVEL

ARTISTS STUDIO

ARTISTS STUDIO

OPEN EXHIBITION SPACE

ARTISTS STUDIO

ARTISTS STUDIO

CULINARY ARTS / CAFE



STAFF OFFICE

MEZZANINE

MEZZANINE

LOBBY

STAFF

COATCHECK

TICKETS

67

67

67

67

67

67

113

113

113

113

113

113

75

60

75

70

70

70

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70

55

7070

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45

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80

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year four


2 3/4 NANOGEL (AEROGEL) PANELSTEEL PANEL CONNECTION JOINT

8 STEEL FRAMING

EXPOSED AIR SUPPLY DUCTWORK

FLEXIBLE SPOT LIGHTING

2 3/4 NANOGEL PANELR-VALUE = 20LIGHT TRANSMISSION = 12% - 20%SOLAR HEAT GAIN COEFF. = 0.12 - 0.22ACOUSTIC INSULATION = 35 STC

3 3/4 INTERIOR VERTICAL LOUVER WALL (ALUMINUM)

4 CONCRETE FLOORING2 CONCRETE FINISH FLOORING

#4 REBAR (8 O.C.)1/2 RADIANT FLOOR TUBING (8 O.C.)TYPE N CORRUGATED METAL DECKING8 STEEL BEAM (15 O.C.)

VENT TO ALLOW FOR AIR FLOW

3/4 THERMOTROPIC GLAZING ASSEMBLY:EXTERIOR GLASS WITH LOW-E COATING = 3/16AIR GAP = 1/4HEATING LAYER = 1/8TT-GEL = 3/16FLOAT GLASS - 1/8U-VALUE = .24R-VALUE = 4.16UV BLOCKING = 99.5 %ACOUSTIC INSULATION = 34 STC

DIRECT SUN PROTECTION WITHIN GLAZING

3/4 THERMOTROPIC GLAZING

RESPONSIVE DIMMING TO HEAT

4 STRUCTURAL STEEL TUBE

ARCHIVE SCREEN

BARRISOL STRETCH CEILING = 1/32

INDIRECT LIGHTING LUMINAIRE (REFLECTED THROUGH BARRISOL)

NANOGEL PANELS

BARRISOL FASTENER

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This prioject was a group endevour, which provided an experience of a collaborative

studio setting. As a group, we took our project from concept

phases through to the completion of a comprehensive building

design.

In creating a new media art center, we drew inspiration from

the idea of scale and balance in transitioning the user from the larger experience of the

entire museum, to the intimate interaction with individual pieces.

We created a modular grid for the structure and layout of

spaces within the building, which allow for larger grand gstures of space to break down into smaller intimate spaces. The

structural system is comprised of steel compression trusses

working together with tension members, to create a delicate

system that relies on complete balance of both systems [known

as tensegrity] throughout the building.

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PHOTOGRAPHS from EUROPE Jessica Donoghue

time abroad

I was extremely fortunate to have the opportunity to spend a semester abroad in Rome. As an architectural designer, this time was the most impactful experience of my entire architectural education. I fell in love with so many aspects ranging from the textures, the scaling to the human body, the collaging of elements that vary in ages spanning over two thousand years, to the trees that appear to have come from a childrens book. I was also able to take weekend trips and spend an extra month in europe, soaking in as much as i could from as many different countries and cities i could afford to travel to.

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COMPOSITION DRAWING from VENICE Jessica Donoghue

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time abroad


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year fiveSTEWARDSON COMPETITION Jessica Donoghue

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STEWARDSON COMPETITION Jessica Donoghue

UP

UP

UP

N

DIAGR

AM A

DIAGR

AM B

DIAGR

AM C

SECT

ION A

SECTIO

N B

1

2

3

3

2

The John Stewardson design competition is a 10 day competition

for Pennsylvania architectural

programs, such as Penn State, UPenn,

Temple, and other great schools of

Pennsylvania. Each school selects

their top entries to compete, and I was

extremely grateful to have my project

chosen amongst five others to represent

Penn State in this competition.

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year five

thesis workTHESIS WORK Jessica Donoghue

THESIS STATEMENT

SYNOPSIS

LACK OF OPPORTUNITY:

Without the vitality of its industries, Detroit has been faced with shrinking populations, derelict downtown cores, and the phenomenon of brain draining. Efforts to revitalize parts of Detroit rarely have the footing to succeed, and many ideas are reapplied in other places successfully. Detroit needs a revitalized core that is a place to collaboratively cultivate ideas, experiment, and invent drawing in a youthful, energized, working class. This revitalized core will start in Corktown, and more specifically, with transforming one of Detroits most prominent icons of its decline: Michigan Central Station.

OPPORTUNITY IN ADVERSITY:

Detroit needs to be rebranded, desperately, or continue to lose its shrinking educated population and deter others from replacing them. The rebranding should come in the form of revamping the existing urban fabric, and exploring key adaptive reuse opportunities. Michigan Central Station is the one dominating icon in the landscape of Corktown. It stands 18 stories tall in its decaying, neoclassical grandeur, as a constant reminder of how far Detroit has fallen. Detroit needs a method for revitalizing the urban blight. A method that looks to its current and traditional fabrics, rather than continuing to demolish itself piece by piece and destroy whatever character Detroit has left.

PROGRAM:

Detroit needs a medium that will draw in the young, creative, and well-educated class and allow for their innovative inclinations to not only creatively, but economically prosper, reinstating a creative industry within Detroit. The program will feature flexibility in the types of users it draws in, being students, entrepreneurs, start-ups, or established players within the creative industry. The space will be flexible to reflect the users various needs, provide them with the structure to succeed creatively and economically, and provide them with shared tools to cut the costs and risks usually expended at the hands of innovation.

By creating a forum for entrepreneurial, creative industries to succeed, architecture has the potential to reshape the sociological patterns and image of Detroit.

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THESIS WORK - RESEARCH Jessica Donoghue

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Corktown is an ideal place to establish a new entrepreneurial core: -recent small business growth, -25% vacancy-diversity in terms of race, age & education-1 mile to downtown-Michigan Central Station

The new masterplan includes converting an abandoned industiral building and hotel into lofts and apartments. As well as introducing new structural framework, similar to that of the station, to be infilled with cafes, shops, a grocery store, and more living options for the revitalized district.

CREATE A NEW LANGUAGE FOR DETROIT:Play off of deterioration to reimagine the bleak materiality of the vacant ruins.

REUSE: Structural framing & materials that can be repurposed, such as brickREDEFINE: Use of plywood, chainlink, and overgrowthRECLAIM:The citys icons and place new meaning upon them.


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THESIS WORK - PROCESS Jessica Donoghue

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Only new additions to the building will be used to break through/past the boundaries of the existing - to connect the previously unconnected, whether that be user function linkage in the form of a stair, or an inside/outside connection in the form of a facade extrusion. These new additions can be seen as the white forms that will run throughout the entire building - acting as links or definers of space.


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PROGRAM ELEMENTS

MAKERSPACES:

Various studios that will provide different tools and equipment to aid the makers produce their product or service. Within each makerspace is a fixed studio space, which is then surrounded by free studio space. The fixed space is defined by the white forms that pass through each space, and will opper-ate under specific hours to ensure safety and that no equipment is misused. The free space will have 24/7 access, and will feature a custom furniture system of tables, shelves, bins, and chairs that can be adapted into any configuration that best serves the users workplace needs.

MARKETPLACE:

A large market that links all of the different makerspaces and showcases in the heart of the building. Here the makers can set up stalls to sell their products to the visitors of the building.

SHOWCASE:

Several galleries are linked between the makerspaces and marketplace. These spaces can be used to highlight different makers, their products, or other developments that are happening within Detroit.

OFFICE SPACE:

Each tower has the flexibility to house different lease options for entrepreneurs and start-ups. A moving partition system will be used to allow a user to lease an entire block on one floor, or a smaller portion of that block.


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THESIS WORK - FINAL Jessica Donoghue

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The tower blocks on both sides of Michigan Central Station will be restored to their former appearances, and house office/studio space to be leased by entrepreneurs. The center portion of the building will be manipulated with the reinvented ideas of materiality in Detroit. The breakthroughs, chainlink, plywood, and natural growth featured each play a new, exciting role to the building, rather than being signifiers of vacant blight. The lower station will be opened up and turned into a garden, while the chainlink used on the outside of the building will allow for that garden to continue up the facade, which will reach up to a public roof garden to be used by occupants and visitors.


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Furniture systems that works with chainlink.

Furniture systems that works with other pieces.

Furniture systems that works with both.


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Wall systems using chainlink and glazing.

Wall systems using plywood and insulation.

Wall systems using chainlink and plywood.

thank youCONTACT INFORMATION Jessica Donoghue

24 Wesickamen DriveShamong, NJ 08088

(609) [email protected]

jessica donoghue undergraduate architectural portfolio

Documents

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