1

JEFFREY M. HURWITPHILIP H. KNIGHT PROFESSOR

of ART HISTORY and CLASSICSUniversity of Oregon

Office: (541) 346-3652Home: (541) 505-8231

E-mail: jhurwit@uoregon.edu

EDUCATION

Ph.D., Yale University, Classical Art and Archaeology, 1975M.A., Yale University, Classical Art and Archaeology, 1972American School of Classical Studies, Athens, 1973-74A.B.-M.A. (magna cum laude), Brown University, Classical Languages and Literatures,

1971American School of Classical Studies, Athens, Summer Session, 1970

ACADEMIC EXPERIENCE

Professor Emeritus, History of Art and Architecture, University of Oregon, 2015-Philip H. Knight Professor of the History of Art and Architecture, and Classics, 2008-

2015Professor of the History of Art and Architecture, University of Oregon, 1990-2015Associate Professor of Art History, University of Oregon, 1984-1990 (Co-appointment

in Classics, 1987-)Assistant Professor of Art History, University of Oregon, 1980-84Assistant Professor of Classics, Yale University, 1975-80

Professor of Art History, AHA/UO Study Abroad,Siena, Italy, Spring 2014

Professor of Art and Archaeology, Northwest Council on Study Abroad,Athens, Greece, Spring 2011

Professor of Art and Archaeology, Northwest Council on Study Abroad,Athens, Greece, Spring 2009

Professor of Art and Archaeology, Northwest Council on Study Abroad, Siena, Italy, Spring 2001

Professor of Art and Archaeology, Northwest Council on Study Abroad, Siena, Italy, Spring 1995

Field Excavator, Old Corinth, Greece, Spring-Summer, 1974

ACADEMIC SERVICE (University of Oregon)

Promotion Committee, History of Art and Architecture, Fall, 2016

2Search Committee, Department of Classics, 2014-2015Academic Affairs Committee, AAA, 2014-2015Faculty Personnel Committee, AAA, Fall, 2013Academic Affairs Committee, AAA, 2013-1014Promotion and Tenure Committees, Classics, 2013-2014Chair, Marion D. Ross Chair Search Committee, 2012-2013Fund for Faculty Excellence Review Committee, 2012-2013Acting Head, Department of Art History, Winter 2011Faculty Advisory Council, 2009-2010University Senate and Senate Executive Committee, 2009-2010Knight Professor Review Committee, School of Music and Dance, 2009-2010ACLS New Faculty Fellows Committee, 2009-2010University Senate and Senate Executive Committee, 2008-2009Provost’s Advisory Council on Academic Excellence, 2007-2009AAA Faculty Advisory Committee, 2007-2009Research Committee, School of Architecture and Allied Arts, 2006-2008University Faculty Advisory Committee, 2006-2007President, University Senate, Fall, 2006Director of Graduate Studies, Department of Art History, 2006-2007Senate Executive Committee, 2006-2007University Senate, 2006-2007Chair, Senate Ad Hoc Committee on Diversity, 2005-2006Charles Johnson Memorial Award Committee, 2005-2006Director of Graduate Studies, Department of Art History, 2004-2006University Senate, 2003-2006Charles Johnson Memorial Award Committee, 2004-2005Faculty Advisory Council, 2003-2004Committee on Distinguished Service Awards and Honorary Degrees, 2002-2004Senate Committee on Academic Excellence, 2002-2003International Coordinating Council, 2002-2003Faculty Personnel Committee (School of Architecture and Allied Arts), 2002-2003Oregon Humanities Center Advisory Board, 1999-2002Senate Ad Hoc Committee on Licensing and Workers’ Rights Consortium, 2000 Library Task Force (School of Architecture and Allied Arts), 2000-2001Scholarship Committee, School of Architecture and Allied Arts, 1999-2000President, University Senate, 1998-99Faculty Advisory Council (Senate representative), 1998-99Member, University of Oregon Alumni Association Board of Directors, 1998-99Distinguished Service Awards and Honorary Degrees Committee, 1998-99 (ex officio)Member, Intercollegiate Athletic Committee, 1998-2000Faculty Advisory Council, 1996-1998Vice-President, University Senate, 1997-1998Senate Executive Committee, 1997-98Member, “Process for Change” issues and solution teams, 1997-98University Senate, 1996, 1996-1998Research Liaison Committee (School of Architecture and Allied Arts). 1996-97Faculty Personnel Committee (School of Architecture and Allied Arts), 1995-96

3NEH Summer Stipend Nominations Panel (1995-96)Faculty Advisory Council (School of Architecture and Allied Arts), 1993-94Advisory Committee, International College, 1993-94Member, Learning Communities Productivity Group, 1993-94Committee on Distinguished Service Awards and Honorary Degrees, 1993-94Head, Department of Art History, 1990-93Humanities Center Research Fellowship Review Panel, 1992-93Member, Measure 5 Action Group and Provost's Subcommittee, 1990-91University Faculty Advisory Council, 1989-91Search Committee, Department of Classics, 1990-91Acting Chair, Department of Classics, Spring 1990University Senate, 1989-90 (member, executive committee)Chair, Search Committee, Department of Classics, 1989-90Faculty Research Committee, 1988-89, 1983-84, 1982-83Member, Italian Search Committee, Romance Languages and Literature, 1988-89Semester Conversion and Curriculum Committee, School of Architecture and

Allied Arts, 1988-89Advisor, Art History Association, 1988-89Committee on Greek and Roman Studies, 1985-86Chair, Committee on the Arts and Humanities, 1985-86Member, Search Committee, Department of Classics, 1985-86Head, Spring Symposium Committee, School of Architecture and Allied Arts, 1984-85Advisory Committee, School of Architecture and Allied Arts, 1983-84, 1984-85Advisory Committee, Center for the Humanities, 1983-84, 1984-85Committee on the Arts and Humanities, 1982-83Library Committee, School of Architecture and Allied Arts, 1980-83National Endowment for the Humanities Nomination Committee, 1981, 1984, 1985

OTHER ACADEMIC SERVICE

Reviewer, Promotion Case, Dartmouth College, Fall, 2009Committee on Personnel, American School of Classical Studies, Athens, 2004-2009Reviewer, J. Paul Getty Postdoctoral Fellowships in the History of Art and the Humanities, 2007-2008Publications Committee, Getty Research Institute, 2002-2008Editorial Board, Art Bulletin (College Art Association), 1999-2005Editorial Board, Classical Antiquity, 1997-2000Committee on Admissions and Fellowships, American School of Classical Studies

at Athens,1994-98Advisory Committee, "From Pasture to Polis: Art in the Age of Homer," an exhibition

organized by the Museum of Art and Archaeology, University of Missouri-Columbia, Fall, 1993

Committee on Committees, American School of Classical Studies, Athens, 1991-93President, Eugene Chapter, Archaeological Institute of America, 1981-84, 1989-90, Nominating Committee, Classical Association of the Pacific Northwest, 1988-89Secretary, Eugene Chapter, Archaeological Institute of America, 1984-86

4Executive Committee, Classical Association of the Pacific Northwest, 1983-84President, New Haven Chapter, Archaeological Institute of America, 1978-80Governing Board of the Special Programs in the Humanities, Yale College, 1979-80Director of Undergraduate Studies, Archaeology Program, Yale College, 1977-78,

1979-80

Continuing:

Member, Advisory Council to the School of Classical Studies, American Academy in Rome, 1991-

Member, Managing Committee, American School of Classical Studies, Athens, 1989-

ACADEMIC HONORS and AWARDS

Rippey Innovative Teaching Award (with Leah Middlebrook), 2012-2013 Rippey Innovative Teaching Award (with Leah Middlebrook), 2011-2012Rippey Innovative Teaching Award (with Leah Middlebrook), 2010-2011NCSA Visiting Faculty of the Year Award for 2010Philip H. Knight Professor of Art History, 2008-2015Faculty Excellence Award, University of Oregon, 2007-2011Rippey Innovative Teaching Award (with Kenneth Calhoon), 2009Wayne T. Westling Award for University Leadership and Service, 2006Faculty Research Award, University of Oregon, Summer, 2006Inaugural Dorothy Burr Thompson Memorial Lecturer, University of British Columbia,

February, 2003Martha S. Joukowsky Lecturer, Archaeological Institute of America, 2000-2001Albert H. Clayburgh Memorial Lecturer, Princeton Society of the Archaeological

Institute of America, April, 2000Oregon Humanities Center Research Award, Spring term, 2000Visiting Scholar, American Academy in Rome, July, 1999Faculty Research Award, University of Oregon, Summer, 1999M. Victor Leventritt Lecturer, Harvard University Art Museums, April, 1994Oregon Humanities Center Research Award, Spring, 1993Faculty Research Award, University of Oregon, Summer, 1992John Simon Guggenheim Foundation Fellow, 1987-88Member, National Endowment for the Humanities Summer Institute,

"Modern Approaches to Ancient History," University of Washington, Seattle, June 30-August 8, 1987

Faculty Research Award, University of Oregon, Summer, 1985Lecturer, Archaeological Institute of America Traveling Lecturer Program, 1983-84Andrew W. Mellon Fellow, Aspen Institute for Humanistic Studies, 1982-83National Endowment for the Humanities, Summer Stipend, 1981Morse Fellowship, Yale College, 1978-79A. Whitney Griswold Award, Yale College, 1979John Williams White Fellowship in Classical Archaeology, American School of Classical Studies, Athens, 1973-74

5Yale Classics Departmental Grants for Study Abroad, 1972, 1973Yale University Fellowships, 1971-75Wilmarth Lewis Fellow, Yale University, 1972-73Powers Scholarship, American School of Classical Studies, Athens, Summer Session, 1970Phi Beta Kappa, Junior Year, Brown University, 1970

LECTURES, PAPERS, CONFERENCE SESSIONS

“Helios Rising: The Sun and the Sea in the East Pediment of the Parthenon,”Classical Association of the Pacific Northwest

Portland, OregonMarch 24-25, 2017

“Helios Rising: The Sun, the Moon, and the Sea in the Sculptures of the Parthenon,” 11th McKibben Lecture in Classical Studies Grinnell College, Grinnell, Iowa April 21, 2016

“Inscriptions of Identity: Artists and Signatures in Ancient Greece,”Oregon State University Life Long Learning ProgramCorvallis, Oregon, September 24, 2015

“Who Signed What? Artists and Signatures in Ancient Greece,”The Institute of Fine Arts, New York UniversityNew York City, September 23, 2014

“Who Signed What? Artists and Signatures in Ancient Greece,”The Athens Centre, Athens, GreeceJuly 23, 2013

“Euthykartides’ Feet: Reflections on Signatures, Status, and Originality in Greek Art,”Keynote Address, 44th Annual Meeting of the Classical Association of the Pacific Northwest (Eugene, Oregon). March 15, 2013

“Nudes and Nudities in Greek Art,”University of Oregon in PortlandWhite Stag Building, October 28, 2012

“Elements of Nature in Archaic Greek Art: The Sea,”Deuxième table ronde internationale, La Représentation de la nature dans l’art grec de l’époque archaique à ‘l’époque hellénistiqueINHA (L’Institut National de l’Histoire d’Art ), Paris, France), May 18, 2012

“The Body Beautiful: Nudes and Nudities in Greek Art,”

6Portland Art Museum, May 3, 2012

“The Hero and the Goddess: Nudes and Nudities in Greek Art,”European and American Art Council, Portland Art Museum, April 19, 2012

“The Shipwreck of Odysseus: Problems of Imagery in Late Geometric Art,”22nd Annual Phyllis Williams Lehmann Memorial Lecture, Smith College, April 5, 2012

“The Shipwreck of Odysseus: Problems in the Imagery of Geometric Greek Art,” Laszlo Lecture, Emory University, March 21, 2012

“The Swastika in Attic Geometric Art,” Annual Meeting of the Archaeological Institute of America, Philadelphia, January 7, 2012.

“The Shipwreck of Odysseus: Strong and Weak Imagery in Late Geometric Art,”Skidmore College, March 7, 2011

Study Leader, Smithsonian Institution’s “Journey of Aeneas” tour of Troy, Greece, Tunisia, and Italy, August 31-September 10, 2010.

Lectures: “Aeneas, Apollo, and Delos” “The Power of Art in the Aeneid” “Aeneas, Augustus, and the Ara Pacis”

“Boularchos’ ‘Battle of the Magnetes,’ the Chigi Painter, and the Interdependence of Vase- and Wall-Painting in the Seventh-Century BC,” University of Salerno (Italy), June 3-4, 2010

“The Nature of Art History,” College Scholars Humanities Colloquium, University of Oregon, February 9, 2010

“The Uses of the Past on the Athenian Acropolis,” Brunilde S. Ridgway Lecture, Archaeological institute of America (Seattle Chapter), November 6, 2009

“The Shipwreck of Odysseus: Strong and Weak Imagery in Late Geometric Art,”University of Washington, November 5, 2009

“The Uses of the Past on the Athenian Acropolis,” George E. Mylonas Memorial Lecture, Washington University in St. Louis/Archaeological institute of America,January 25, 2009

“The Nature of Art History,” College Scholars Humanities Colloquium, University of Oregon, November 13, 2008

“The Uses of the Past on the Athenian Acropolis,” Reed College, October 27, 2008

7Study Leader, Smithsonian Institution’s “Journey of Odysseus” tour of Greece and Italy,

June 19-June 30, 2008. Lectures: “Odysseus, Apollo, and Delos,” “Nestor and his Palace at Pylos,” and “Blinding Polyphemos: Odysseus, Homer and Art”

“What’s Wrong with this Picture: The Dexileos Stele and the Problem of Heroic Nudity,” Archaeological Institute of America, Portland Chapter, December 16, 2006.

“The Uses of the Past on the Athenian Acropolis,” Art Institute of Chicago (Boshell Foundation Lecture), October 15, 2005

Study Leader, Smithsonian Institution and Archaeological Institute of America “Apollo and Prophecy” tour of Greece and Italy, May 23-June 5, 2005:

“The Riace Bronzes, Apollo, and the Greek Ideal”“Oracles and the Sanctuaries of Apollo”“Apollo, Artemis, and the Sanctuaries of East Greece”

“What’s Wrong with this Picture: The Dexileos Stele and the Problem of Heroic Nudity,” University of Southern California, September 8, 2004.

"In the Palm of Her Hand: Athena, Victory, and the Acropolis," Pomona College, April 19, 2004.

Chair, "The Athenian Acropolis," Session 1H, Annual Meeting of the Archaeological Institute of America, San Francisco, January 3, 2004

Panel Member, “Teaching the Acropolis,” Session 6E, Annual Meeting of the Archaeological Institute of America, San Francisco, January 5, 2004

"In the Realm of the Uncanny: Lizards, Lions, and Mischwesen," Princeton University, November 22, 2003.

“The Uses of the Past on the Athenian Acropolis,” The Vancouver Institute, Vancouver, B.C., February 8, 2003.

“AGON: The Parthenon and the Temple of Zeus at Olympia,” The University of British Columbia, February 7, 2003 (Inaugural Dorothy Burr Thompson Memorial lecture).

Smithsonian Weekend Seminar, “The Acropolis of Athens: Visiting the Past” (three lectures on the Acropolis co-sponsored with the American School of Classical Studies, Athens), Washington. D.C., March 9, 2002.

The Joukowsky Lectureship (2000-2001) entailed giving the lectures “The Uses of the Past on the Athenian Acropolis” and "Paradigms of Greekness: Men, Myth, and the Chigi Vase" at thirteen local chapters of the Archaeological Institute of America across the United States and Canada (including Albany, Atlanta, Austin, Greensboro,

8Ithaca, Knoxville, Niagara Falls, Ottawa, Toronto, Montreal, Oklahoma City, and College Park) "Paradigms of Greekness: Men, Myth, and the Chigi Vase," University of California at Berkeley, April 4, 2000; Bryn Mawr College, April 11, 2000.

“Everyday Life on the Acropolis of Athens,” Wilson College, April 10, 2000; Princeton University, April 12, 2000; Loyola University (Baltimore, April 13, 2000); Willamette University, October 25, 1999

“The Uses of the Past on the Athenian Acropolis,” Willamette University, April 7, 1999

"In the Palm of Her Hand: Athena, Victory, and the Acropolis," University of Calgary, November 5, 1998.

“Re-Reading the Chigi Vase,” University of Calgary, November 6, 1998

“Three Ways of Looking at the Chigi Vase,” Annual Meeting of the Classical Association of the Pacific Northwest, Portland, Or., April 4, 1998

“Athena, Victory, and the Acropolis,” lecture tour for the Archaeological Institute of America, April 30-May 1, 1998 (Santa Barbara, San Diego)

“ Acropolis Nike,” Yale University, January 29, 1998

“Three Ways of Looking at the Chigi Vase,” Yale University, January 30, 1998

“The Acropolis in Everyday Life” and “Athena, Victory, and the Acropolis,” lecture tour for Archaeological Institute of America, May, 1997 (Los Angeles, Orange County, and Honolulu)

"In the Palm of Her Hand: Athena, Victory, and the Acropolis," J. Paul Getty Museum, Malibu, California, April 9, 1996.

"The Acropolis in the Age of Homer," Harvard University Art Museums, April 26, 1994,(M. Victor Leventritt Lecture).

Discussant, Sessions on "The Emergence of the Polis" and "Art: Influences and Interpretation," at the symposium From Pasture to Polis: Art in the Age of Homer, Museum of Art and Archaeology, University of Missouri-Columbia, October 23, 1993

"Beautiful Evil: Pandora and the Sculptures of the Parthenon," Duke University, February 8, 1993; University of Oregon Humanities Center Work-in-Progress Series, May 13, 1994; Portland State University, November 16, 1994

9Chair, Open Session on Ancient Art, College Art Association, Annual Meeting, Chicago, February 12-15,1992

"The Ornamentality of Nature in Early Greek Art," Archaeological Institute of America, Annual Meeting, San Francisco, December 27-30, 1990

"The Doryphoros: Looking Backward," University of Wisconsin, Madison, October 26, 1989

"Words in Images in Early Greek Art," Art Institute of Chicago, March 4, 1989; University of Washington, April 28, 1989

Chair, Session "The Representation of Nature in Ancient Art," College Art Association, Annual Meeting, San Francisco, February 18, 1989

"The Kouros and the Kritios Boy," The Nelson-Atkins Museum of Art, Kansas City, Missouri, September 17, 1988; University of Southern California, November 18, 1988

"The Absent Landscape: The Representation of Nature in Early Greek Art," National Gallery of Art, Washington, D.C., May 27, 1988; Reed College, Portland, Oregon, October 26, 1988; University of Chicago, April 10, 1989

"Athens and Olympia: Text and Image in Early Classical Art," Albright-Knox Art Gallery,Buffalo, New York, March 25, 1988

Discussant, Session on "Narrative and Event in Greek and Roman Art," College Art Association, Annual Meeting, Houston, Texas, February 11-13, 1988

"An Old Photograph and the Discovery of the Kritios Boy," Archaeological Institute of America, Annual Meeting, New York City, December 27-30, 1987

"Texts and Images: The Independence of the Artist in Archaic Greece," Whitman College, Walla Walla, Washington, September 30, 1987

"The Discovery of the Kritios Boy," Classical Association of the Pacific Northwest, Annual Meeting, Seattle, Washington, April 3, 1987

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"Text and Image: Pindar, Pherekydes, and the East Pediment of the Temple of Zeus at Olympia," Brown University, Providence, Rhode Island, November 8, 1986

"The Idea of Nature in Greek Art," Forum Lecture Series, Eugene, Oregon, April 15, 1986

Discussant, Session on Archaic Greek Iconography, Archaeological Institute of America, Annual Meeting, December 27-30, 1985, Washington, D.C.

"The Dipylon Shield in Art and Life," Classical Association of the Pacific Northwest, Annual Meeting, Reed College, March 16, 1984

Lecture Series, sponsored by Archaeological Institute of America, October 23-26, 1983 (Lubbock, Santa Fe, Tucson, Boulder): "Lions, Shields, and Heroes: The

Origins of Narrative"

"The Image of Man in Antiquity," Grace Graham Vacation College, University of Oregon, August 22, 1983

"Herakles and the Lion? Thoughts on the Origins of Narrative," Classical Association of the Pacific Northwest, Annual Meeting, Victoria, B.C., April 8-9, 1983

Lecturer, University of Oregon Alumni Tour of the Aegean, Summer, 1982

"From Classical to Hellenistic: The Art of Philip's Tomb in its Context," Oregon State University, April 6, 1982

"Observations on Nature in Archaic Art," Classical Association of the Pacific Northwest, Annual Meeting, Calgary, Alberta, April 2-3, 1982

"Style and History: The Destruction of the Acropolis and the Beginning of Classical Art," Faculty Lecture Series, School of Architecture and Allied Arts, University of Oregon, October 22, 1980

"Atlantis Found? The Discovery of Bronze Age Thera," and "Greek, Roman, and Byzantine Ideas of Space," Warren Wilson College, Swannanoa, North Carolina, December 10-11, 1979

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Lecturer, American Museum of Natural History Tour of the Aegean, March/April, 1979

"Things that Stick Out: The Violated Frame in Greek Art," Brown University, September 29, 1976; Dartmouth College, February 23, 1978

PUBLICATIONS

Books

Artists and Signatures in Ancient Greece. Cambridge University Press (2015).

Periklean Athens and its Legacy: Problems and Perspectives, co-edited with Judith Barringer. University of Texas Press (2005).

The Acropolis in the Age of Pericles. Cambridge University Press (2004).

Ancient Etruscan and Greek Vases in the Elvehjem Museum of Art, with P. Powell. Madison, Wisconsin (2000)

The Athenian Acropolis: History, Mythology, and Archaeology from the Neolithic Era to the Present. Cambridge University Press (1999)

The Art and Culture of Early Greece, 1100-480 B.C. Cornell University Press (1985)

In progress

Anamorphism and the Archaic Smile

The Representation of the Sea in Early Greek Art

The Hands and Horses of Pech Merle

Articles/Chapters

“Helios Rising: The Sun, the Moon, and the Sea in the Sculptures of the Parthenon,” American Journal of Archaeology 121 (2017) (forthcoming)

“Response: Reflections on Identity, Personality, and Originality,” in K. Seaman and P. Schultz, eds., Artists and Artistic Production in Ancient Greece. (Cambridge University Press, 2017), Chapter 11, 177-205.

12“The Lost Art: Early Greek Wall and Panel-Painting, 760-480 BC.” In J. J. Pollitt, ed., The Cambridge History of Painting in the Classical World. Cambridge University Press (2015). 66-93.

“Marker of Death: A Note on the Swastika in Attic Geometric Art,” BABesch (Bulletin Antieke Beschaving) 88 (2013), 1-12.

“Boularchos, the Chigi Painter, and the Interdependence of Free-Painting and Vase- Painting in the Seventh Century B.C.,” in E. Mugione, ed., L’Olpe Chigi: Storia di un Agalma. Università di Salerno/Pandemos (2012), 103-110.

“The Acropolis of Athens,” in R. Bagnall et al., The Encyclopedia of Ancient History. Wiley-Blackwell (forthcoming 2012).

“The Topography of Athens,” for Oxford Bibliographies Online (launched June, 2011)

“The Shipwreck of Odysseus: Strong and Weak Imagery in Late Geometric Art,” American Journal of Archaeology 115 (2011), 1-18.

“Acropolis, Athenian,” in M. Gagarin and E. Fantham, eds., Oxford Encyclopedia of Ancient Greece and Rome (vol 1). Oxford University Press (2010), 6-8.

“The Human Figure in Early Greek Sculpture and Vase-Painting,” in H. A. Shapiro, ed., The Cambridge Companion to Archaic Greece. (Cambridge University Press, 2007), 265-286.

“The Problem with Dexileos: Heroic and Other Nudities in Greek Art,” American Journal of Archaeology 111 (2007), 35-60.

“Lizards, Lions, and the Uncanny in Early Greek Art,” Hesperia 75 (2006), 121-136

"Space and Theme: The Setting of the Parthenon," in J. Neils, ed., The Parthenon: From Antiquity to the Present (Cambridge University Press, 2005), 9-33.

“The Parthenon and the Temple of Zeus at Olympia” in J. Barringer and J. M. Hurwit, eds., Periklean Athens and its Legacy: Problems and Perspectives (University of Texas Press, 2005), 135-145.

“Reading the Chigi Vase,” Hesperia 71 (2002), 1-22.

“Greek Art and Architecture,” in Microsoft Encarta 2000 Encyclopedia

Entries in The Dictionary of Art (MacMillan, 1996):

"Archermos of Chios," Vol. 2, 308"Dark Age and Geometric [Greek Sculpture]", Vol. 13, 441-444, with Jane B. Carter.

13"Archaic [Greek Sculpture], c. 700-c.500/480," Vol. 13, 444-450"Kore," Vol. 18, 243-245"Kouros," Vol. 18, 409-410

"The Doryphoros: Looking Backward," in Warren G. Moon, ed., Polykleitos, the Doryphoros, and Tradition (Madison and London, 1995), 3-18.

"Beautiful Evil: Pandora and the Athena Parthenos," American Journal of Archaeology 99 (1995), 171-86.

"Art, Poetry, and the Polis in the Age of Homer," in Susan Langdon, ed., From Pasture to Polis: Art in the Age of Homer (Columbia, Missouri and London 1993), 14-42.

"A Note on Ornament, Nature, and Boundary in Early Greek Art," Bulletin Antieke Beschaving 67 (1992), 63-72

"The Representation of Landscape in Early Greek Art," in D. Buitron-Oliver, ed., New Perspectives in Early Greek Art. Studies in the History of Art, vol. 32 (National Gallery of Art, Washington, D.C., 1991), 33-62.

"The Words in the Image: Orality, Literacy, and Early Greek Art," Word & Image 6 (1990) 180-197.

"Words in Images in Early Greek Art," in The World of Early Greek Art (Art Institute of Chicago, 1989), 39-63.

"The Kritios Boy: Discovery, Reconstruction, and Date," American Journal of Archaeology 93 (1989), 41-80.

"Narrative Resonance in the East Pediment of the Temple of Zeus at Olympia," Art Bulletin 69 (1987), 6-15.

"The Dipylon Shield Once More," Classical Antiquity 4 (1985), 121-126.

"Palm Trees and the Pathetic Fallacy in Archaic Greek Poetry and Art," The Classical Journal 77(1982) 193-199 (see also "Professor Hurwit Replies," The Classical Journal 78, 1983, 200-201).

"Thespis Aoidos: A Bronze Harper from the James Coats Collection," Yale Art Gallery Bulletin 38 (1982), 18-23.

"The Dendra Octopus Cup and the Problem of Style in the Fifteenth-Century Aegean," American Journal of Archaeology 83 (1979), 413-26.

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"Image and Frame in Greek Art," American Journal of Archaeology 81 (1977), 1-30

"Corinthian Vases," in Greek Vases at Yale, eds. S. M. Burke and J. J. Pollitt (New Haven 1975), 9-14.

Review Article

“The Death of the Sculptor?” a review of N. Spivey, Understanding Greek Sculpture: Ancient Meanings, Modern Readings (Thames and Hudson 1996); C. Mattusch, Classical Bronzes: The Art and Craft of Greek and Roman Statuary (Cornell 1996); and J. Boardman, Greek Sculpture: The Late Classical Period and Sculpture in Colonies and Overseas (Thames and Hudson 1995), American Journal of Archaeology 101 (1997), 587-591.

Reviews

Mary Ann, Eaverly. Tan Men/Pale Women. Color and Gender in Archaic Greece and Egypt: A Comparative Approach. (The University of Michigan Press, Ann Arbor 2013), in www.ajaonline.org (AJA 119.1, January 2015).

Guy Hedreen, Capturing Troy: The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (University of Michigan Press, 2001), in Bryn Mawr Classical Review 2002.12.29

S. P. Morris, Daidalos and the Origins of Greek Art (Princeton University Press, 1992), in The Art Bulletin 76 (1994) 358-364.

B. A. Sparkes, Greek Art. Greece & Rome: New Surveys in the Classics, 22 (Oxford 1991), in Classical World 86 (1992) 45-46.

E. W. Leach, The Rhetoric of Space: Literary and Artistic Representations of Landscape in Republican and Augustan Rome (Princeton, 1988), in Comparative Literature 44 (1992), 84-86.

L. B. Carter, The Quiet Athenian (Oxford University Press, 1986), in Classical World 82 (1988), 59-60.

R. Hägg, ed., The Greek Renaissance of the Eighth Century B.C.: Tradition and Innovation. Proceedings of the Second International Symposium at the Swedish Institute in Athens, 1-5 June, 1981, in American Journal of Archaeology 88 (1984), 602-604.

P. Preston, A Dictionary of Pictorial Subjects from Classical Literature: A Guide to Their Identification in Works of Art (New York 1983), in The Classical World 78 (1984), 135-136.

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J. Betts, Corpus der Minoischen und Mykenischen Siegel X: Die Schweizer Sammlungen (Berlin 1980), in American Journal of Archaeology 85 (1981), 343-44.

J. Boardman, Greek Sculpture: The Archaic Period (Oxford 1978), in Classical Outlook 59 (1981), 27.

Television Documentaries (consultant, on-screen participation)

“Secrets of the Parthenon,” NOVA/PBS, first aired January 29, 2008. (First Prize, XIXth International Festival of Archaeological Film, Rovereto, Italy; highest rated show of the year on ARTE’s series, Human Adventure; second highest rated NOVA program from 2006-2008; nominated for an Emmy Award in the Nature, Science, and Technology Category)

“Mysteries of the Parthenon,” produced by the British Broadcasting Corporation, first aired in the United States on the Discovery Channel (June 6, 2001)

“Empires of Stone: The Acropolis,” produced by October Films and aired in England and elsewhere, summer and fall 2001.