~. ,""us '\"yO(..Q\j Question Booklet No. (Ult'O.

lOP/260/2 (To be filled lip by tire candidate by bille/black /lall-point pen)

Roll No.IL._-'-_-'-_-'-_-'-_-'-_..L._..L._-'

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the University may determine and impose on him/her.

Total No. of Printed Pages :32 [~ R&r 1FiI ;r ~ iJ1TiKUT 'f'3 'R fi;iT "" I!'O

Time: 2 Hours

fT1'W: 2 WIt

lOP/260/2 Noo of Questions: 100

-w-if <it ~ : 100

Full Marks: 300

'iv /1M. : 300

Note: (1) Attempt as many questions as you C8.11. Each question carries 3 (Three) marks. One mark will be deducted for each incorrect

answer. Zero mark will be awarded for each unattempted

question.

31f-rr",," m 'liT"" ~ 'liT >I'l<'! '-li'tl lWron m'l 3 (<fR) .W!; 'liT %1 Jlri)", 7JMff 3TI{ it; fr;ro: f!!6 3icn <f>ICT odljj'lll ~ 31j~R(j m'l '"1

QI'<1i'h ~~I

(2) If more than one alternative answers seem to be approximate to

the correct answer, choose the closest one.

01. This Raga has same name and same swara-s in both North Indian and South Indian Music -

(1) Karnod (2) Natbharavi

(3) Hansdhvani (4) Todi

~ 'lffiiP:! aih: <;f~ 'lffiiP:! Wffil <iRi ij ~ WT 'liT 'lT1'l aih: B'R 1l!f' W1H

i-( 1 ) 'liTIi'R (2) 'lGm (3) ~UfR (4) ~

02. This Raga does not have R -P Sangati -

(1) Miya Malhar (2)Karnod 3) Gaud Malhar (4) Poorvi

10P/260/2

~ U'T i'l ~ - 'pr'rfu ~ ~ t -(1) fil'.!i ~ (2) ~ (3) ~~ (4) ~

03. This Raga has Audav Arah - Avaroh -

(1) Hindol (2) Desh

(3) Chhayanat (4) Shyamkalyan

~ U'T '!i1 3ll1"ro - ~ ~ t (1) 1%iIc1 (2) ~ (3) tllQI'1c

04. Raga Chandrakauns has this as Agantuka Swara -

(1) S (2) M (3) R (4) P

(1) UT (2) 11 (3) ~ (4) '1

05. Bhupali, Deshkar and Shuddhakalyan have this Aroh -. . .

(1) SRGPNS (2) SRGPDhS (3) SRGPDhS (4) SRGPDhS

~, ~~I,*,I\ aiR '!lO&,*,~luI '!i1 'lj( 3ll1"ro t -(1) UT ~ 1] '1 f.nrt (2) <ld 1] '1 "l -m

06. Which one is a morning Raga -

(1) Vibhas (2) Asavari (3) Mand (4) Jaijaiwanti

~ U'T qi')-;nn t -(1) m"!m (2) 3mlli1\1 (3) l1lS

4

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07. Which pair of Raga-s is different from oth~rs -

(1) Patdeep - Bhimpalasi (2) Chandrakauns - Malkauns

(3) Rageshri - Bageshri (4) Hindol - Hansdhvani

qi]onjj WI - ~ 31"! ~ fl f'fl % -(1) ~ - $r q("llm

(3) Wlm - "ilT'lm

(2)

08. M Dh N S R S is used in this Raga -

(1) Pilu (2) Paraj P) Sohini

11 '1 f'nrr ~ <Ii q;] m ~ WI i! f<f;<n "IT<!l ~ -

(1) 1fut (2) "CfGil (3) \1'if~;j)

09. Raga Darbari Kanada ends with these notes -

(1) q- MRS (2) M G R S (3) M G R S

WI < (ii\l\l ~ .., Bffi fl WlT'<! lIT<n % -(1) Tj - 11 hn (2) 1111 ~ tIT (3) 1111 ~ tIT

10. This Raga is not suitable for Karun Rasa -

(1) PUu (2) Adana

(3) Gurjari Todi (4) Vageshri

7TI( WI ~ m if; aqg'ffi ~ % -(1) 1fut (2) ~ (3):pffi ~

11. Which one is a seasonal Raga -

(l) Gaud Malhar

(3) Chhayanat

5

(2) Pahadi

(4) Deshkar

(4) Lalit

(4) C'ffu<!

(4) M G R S

(4) 1111~tIT

(4) "ilT'lm

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(2) ~ (3) \91~I'R

12. Which Raga has both Gandhar and both Nishad -

(I) Rageshri (2) Miya Malhar (3) Jijaiwanti

(I) -wtm

13. Addha and Tilwada are similar because of -

(I) Vilambit Khyal

(3) Matra, division

(2) Theka

(4) To:ppa

~ aih: [;1"11<> I $1 'Ii) (1~ Hdl Of>! <;;RUT t -(1) f'l<'1f"'d =<'I (2) i><l>T

(3) 1Jffi, R'IT'T (4) C1:qJ

14. Which Raga is not an Ashray Raga -

(I) Miya Ki Todi

(3) Purvi

'Iit.r Ul UTI 3TIW1 UTI "f@ t -( I) fl:rii 'Ii) ~ (2) l1'f(O!T

(2) Marwa

(4) Paraj

(3) 't'if

(4) ~~Iihl(

(4) Bahar

(4) ~

(4) ~

1ft This Raga is originated from a different thata than rest of the Raga-s-

(I) Basant (2) Paraj (3) Kamod (4) Poorvi

6

3f"l wiT <!IT WAf it <rpm f'fi! >Trdt ~ E:m i -(1) 'R'Rf (2) 'R"r (3) ,",-,fu;

16. This Raga has prominent Rand Dh -

(1) Marwa

(3) Pahadi

(2) Shyamkalyan

(4) Deshker

(1) lJRCIT (2) ~'lI~ifi",,",lol (3) ~

17. Which Tala has 10 Ta1i-s and 4 Khali-s

(1) Pancham savari

(3) Panjabi

~ (ff('f 10 aif<.1'l1 ail<: 4 «uf<.1'l1 i -

(2) Rudra

(4) Brahma

(1) cjil~<1ql{l (2) ~ (3) -q-,;n;ft

18. Which Tala a division of three matra-s

(1) Addha

(3) Pancham savari

(1) 3W;J (2) ifi~{ql

(2) Kaharava

(4) Aclachautal

19. Raga Lalit questions the Thata system because of -

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(4) ~

(4) ~

(I) Dh of Marva Thata (2) Dh ofPoorvi Thata

(3) Prominent use of both M (4) Omitted P

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WI ~ "" 0ffiUT '-llG 0!f<WlT it 1lf<l m'! ~ q;@ -t -(1) = '-llG 'f>T '1 (2) ~ '-llG 'f>T '1

(3) <iRr 11v:ril 'f>T Q"l'sl(\( it m (4) qf;,fu'1

20. S G M Dh N are not used in Aroh of this Raga -

(1) Bageshri

(3) Deshi

(2) Chandrakauns

(4) Rageshri

"" WI it ~ i\ "ffi Tf 11 '1 R 'f>T m 'lit ~lin -(1) <Wtm (2) ",,,,,'li\\j (3) ~ (4) Wtm

21. Three elements of Indian Music are -

22.

(1) Sattva, Raja, Tama

(3) Swara, Tala, Pada

'lffiil'< Wilo it <iR (!"fCf ~ -

(1) ~, 0if, (fll

( 3 ) «11:, <IT('[, 'l<;

(2) Shuddha, Kamal, Teevra

(4) Udatta, Anudatta, Swarita

(2) 'i[&,~, ~

(4) ~,~,~

Which pair is not related to Swara -

(1) Chal, Achal (2) SaIDvadi, anuvadi

(3) shuddha, Vikrit (4) Sthayee, Antara

-'liFnlt ~ 'f>T «11: it ~ 'lit i -(1) 'qi'I, ~ (2) ~, 31jql~l

(3) ~,~ (4) ~,3R!U

8

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23. Shruti - interaval for shadja Grama is -

~ ~ "I ~ I q <liT '8Yr "1 '\1(1 (1 t -(I) 4-3-2-4-4-3-2

(3) 3 - 4 - 3 - 2 - 4 - 4 - 2

(2) 4 - 4 - 3 - 3 - 4 - 2 - 2

(4) 2-3-2-4-3-4-4

24. Praman Shruti is the difference between -

(I) Shadja Grama Sand shadja Gram N

(2) Shadja Gram M and Madhyam Gram M

(3) Shadja Gram P and Madhyam Gram P

(4) Shadja Gram G and Shadja Gram M

..,. <it ~ <liT 3R'R WlT"T'8Yr t -(1) ~ "llflnrr afu: ~ Jllll R

(3) ~ Jllll 'l afu: 11= Jllll 'l

(2) ~ Jllll 11 afu: 11= Jllll 11

(4) ~ Jllll 11 afu: ~ Jllll 11

25. Sangeeta Ratnakara deals with -

(I) 15 Gamaka

(3) 2010 Swar prastara

( 1 ) 15 l"fI1"I;

(3) 2010 «j{Q@{

(2) 25 Murchana

(4) 11 Kaku

(2) 25 't;oJ'11

(4) 11 ~

26. Sangeeta Ratnakara is also known as ;

(I) Ashtadhyayi

(3) Gitadhyayi

9

(2) Rasapanchadhyayi

(4) Saptadhyayi

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Wfu! ,M I if; { ~ 'lIT! it .n ;;n:;rr "fffiT t -(1) il1l!1uw:il (2) {lflcj>jluw:il

(3) "1ftaTuw:il (4) ~uw:il

27. Bharata describes Chatussarana under this name -

(1) Swaradarshana

(3) Nadanirupana

(2) Shrutinidarshana

(4) Sarananiru pana

28. Which Raga is not found in folk songs -

(1) Virindavani Sarang

(3) Mand

qi\-;f "fIT WT ct\if;'nffi il ~ ~ -

(1) ~;;ICi;fl mt>T

(3) 'lis

(2) Pahadi

(4) Chhayanat

(2) ~

(4) <WUTT f.H" qUI

29. Which folk instrument is also popular in classical music -

(1) Dholak

(3) Flute

(2) Nagara

(4) Ravanhanttha

qi\-;f "fIT ,,11 if; Ci I iQ ~II <'ll ~ Wila il .n ct\ if; flI ~ t -(1) _ (2) ~ (3) ~

10

30. Who is 'Vaggeyakar'?

(1) the composer

(2) the lyricist

(3) the singer

(4) the lyricist - composer - performer

~I'~~"'R 'h'l'l % -(1) ~'i1<I"'1{

(2) q;fcr

( 3 ) l]fl['fi"

(4) q;fcr - ~'ild"'l{ am: tioqQ*ljRt"'df

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31. 'Toory - Tritaya - Chaturyam' means expert in this art -

(1) Singing

(3) Dancing

(2) Playing the instrument

(4) All three

'~ - fur'l "11\14« a:roffit ~ ~ i! Q"luldl -

(1) 'IT'R (2) CI1G'! (3) '1<R (4) <iR\

32. Merit of Vocalist is -

(1) Kmpita

(3) Bheeta

l]fl['fi" "" TT % -

(2) Ayattakantha

(4) Laya - tala - kala - gyana

(1) ",rAJd (2) a:ri~'d",ua

(3) >fu! (4) <'I'l - (IT('! - ~ - OIR

11 P.T.O.

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33. 'Vitala' is -

34.

35.

36.

(1) demerit of vocalist

(3) demerit of poet

,~,t-

(I) ~'IiT ~

(3) fuq 'liT ~

'Natya Kutapa' means -

( I) a group of students

(3) a group of stage performers

''1I81'fdY' 31'lfu -

( I) fcm!f$i\'liTW!"

(3) <i OJ 'h (11 iW]' 'liT W!"

Bharata describes this -

( I) 6 Kaku (2) 2 Kaku

'1B "'t ~ quf.j M t -( I) 6 'Iil'f (2) 2 'Iil'f 'Kshetra Kaku' is -

(I) field

(2) demerit of student

(4) merit of instrument

(2) a group of dancers

(4) a group of singers

(2) ~'liTW!"

(4) ~ 'liT W!"

(3) 12 Kaku (4) 4 Kaku

(3) 12 'Iil'f (4) 4 'Iil'f

(2) sound related with performer's body

(3) composition about farmer

(4) sound of musical instrument used bf farmers

12

'0' ' ... ,"*!iI~ " -

(I) ~

(2) '1iC'11'li1( il; 'ITfu: it ~'fi! '''If.! (3) r'hBI'I it ~'fi! D'flT

(4) r'hB 111 mu m f't;it "IR ~ 'll'!l ott "lR

37. This is a kind of Rupakalapti -

(I) Sthayee

(3) Pratigrahanika

<lO '" q 'Ii I ("I fi<I 'liT 1l:'Ii >f<'m % -(I) ~ (2) ~

(2) Sthaya

(4) Anagat

38. Simple quadruple of Western Music is similar to -

(I) Jhaptal (2) Ektal (3) Dhamar

'IT~ Wfto 'liT r{l"1("1 'H1§q("l ~ WIR t -(I) ~q(ll("l (2) '!!h(ll("l (3) =

39. Seven Tala system is in -

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(4) 31'1I'I(I~

(4) Trital

(4) ~

(I) Odissy Sangeet (2) Western Music

(3) North Indian Music (4) South Indian music

=(ffiq~~% -(I) ~ Wfto (2) 'IT 1.m'< Wfto

(3) = 'lffiltq Wfto (4) <;f'&JUT 'lffiltq Wfto

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40. Mayamalav gaund mela is similar to .

(1) Marava Thata

(3) Bhairv Thata

~1<i1~I<ilq,nS i\"<;1 ~ "WlR t -( 1 ) -.:mqj 'IR

(3) *'" 'IR

(2) Gaudmalhar Raga

(4) Mand Raga

(2) ,nS~'''\;1( <T'1

(4) 11ts <T'1

41. Bhairavi is similar to -

(1) Hanumat Todi

(3) Pantuvarali

~-wit~~i-(1) ~ ~ (2) 'fl ~

(2) Nat Bhairvi

(4) Gurjan Todi

42. Ramamatya's Swaramelakalanidhi deals with -

(1) 15 Mela -s (2) 12 Mela -s (3) 72 Mela -5 (4) 20 Mela-s

M ~ I("! ~ ;<1, it <iI<I> <ill f.t f'l il ~ 'R flr.m: f.<><i I '!<IT i -(1) 15 i\"<;1 (2) 12 i\"<;1 (3) 7~ i\"<;1 (4) 20 i\"<;1

43. Who wrote Sadragachandrodaya -

(1 ) Kumbhakarna (2) Sharngadeva

(3) Vidyaranya (4 ) Pundarika Vitthala

\l~I'IT.I'1i)~<i ~ ~ om 't -( 1) !j>'I<I>uf (2) ~IIW~q

(3) fqtlRoq (4) ~,~{j<l> ~

14

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44. Matanga used this word for first time -

(1) Prabandha (2) Raga (3) Gandharva (4) Swara

1l<M '1 OO'll1 ~ ~ 'lOT m M -

( 1 ) >f'I'>l (2) 'l'T (3) '1i"fCI

45. Bhav Bhatt was in the court of -

(1) Raja Anup Sing of Bikaner

(2) Maharaja Mansing of Gwalior

(3) Maharaja Savai Jaisingh of Jaipur

(4) Raja Bhavsingh of Bhavnagar

(4) ""(

'IlCf ~ ~ (1"1<;("1< ii i\ -

(1) «!Iif>I~d" = 31'rlPi" (3) ~ ~ ~"I(I"II ~ "I~rB"

(2) Tqf<'l~( ~ ~"I(I"II ~HniG

(4) 'l<R'T( ~ = ~ 46. Rasik priya - the commentary of Geet Govind, is written by -

(1) Jaidev (2) Rana Kumbha

(3) Acharya Brihaspati (4) Rasik bihari

'I[(l'nf'l'<; qij ~ ~ fSr:rr ~ &1" f<or&' 1l{ i -(1) ~ (2) 1]TTji ¥'TI

(3) 31JTW! "l,,,xlf<l (4) ~ ~

47. Teentala and Chautala has follO\ving ratio -

([10111[(1 am: ~ ii f-i"if<'lf@d 31:['m! i -(1) 1:2 (2) 2:3 (3) 3:4 (4) 4::,

15 P.T.O.

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48. Rupakam Tala of Karnataka system has -

(1) 5 Matra (2) 8 Matra (3) 6 Matra (4) 7Matra

q;4i~q; ~ if; "qq;,\ <lR'! it t -(1) 5 = (2) 8 = (3) 6 = (4) 7=

49. Which one is the name of a Tala as well as composition -

(1) Brahma

(3) Adachautala

(1) -.r;;!

(2) Tilwada

(4) Dadara

(4) Gl<:U

50. Which one is not similar with Tritala

(1) Dhamar (2) Tilwada (3) Punjabi (4) Jata

( 1 ) 'fl'!l<: (3) ~ (4) '""

51. Dedhgun (3 in 2 matra) sets naturally with this pair -

(1) Dadara, Ektala (2) Trital, Jhaptala

(3) Rupak, Kaharawa

( 1 ) Gl<:U , ,<q; <11 i!I

(3) """", q;~{ql

16

(4) Jhaptala, Pancham savari

(2) f;raR'[ , 'it q <11 i!I

(4) 'itqdli!l, 4i1Wlq1U

52. Which relates with Karnataka Tala Panddhati -

(1) Sankeerna (2) Sampoorna (3) Sanyukta

ifi'1!?:ifi <IT<'! ~ it f<hflifil ""'"'Of t -(1) wttut (2) ~ (3) ~

53. Khandajati Laghu, in Karnataka Tala, has -

(1) 3 Matra (2) 4 Matra (3) 5 Matra

ifi'1kifi <IT<'! if @os"llfd ~ 'I>T liR t -(1) 3 lWIT (2) 4 lWIT (3) 5 lWIT

54. N S P Dh - P is the phrase for this Raga -

(1) Deshi (2) Deshkar (3) Desh

R -m'ir 'Of - '< ~ UlJ 'I>T ~ t -(I) ~ (2) ~~Iifil( (3) ~

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(4) Shadav

(4) 'lTG'f

(4) 6 Matra

(4) 6 lWIT

(4) Mand

(4) = 55. This phrase is used in Chhayanat, Kamod, Gaud sarang -

" ~ ,.,.", (I) P - P - S - S - S S S S S R S-, . . (2) M - G - M- Dh - N S N S - S-

1 - 1-:;- -,. "'. (3) !VI - G - !VI - Dh M Dh N S - N R S -

(4) G-M-P-N-SSSSNNSS

01~HG, ~, ,fi1>fll{'1 i\ ~ ~ 'I>T m m t -(1) '< - '< - -m - -m - -m-m-m-m -m't-m-(2) 'I - :'! -'I - '1 - R - -m R -m - -m -(3) -,\ - 1] -tr -'1 'I '1 R -m - R't -m-(4) 1] - 'I - '< -R -m -m -m -m R R -m -m

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56. Which one is a common name for an instrument and a Tala -

(I) Narad (2) Durga (3) Rudra (4) Saraswati

qm 3ih (lWf iii fui\ "3"'1 qf, I'd 1lll m w t -(I) ~ (2) ~ (3) ~m:qffi (4) ""

57. Which God is not related to music -

(1) Indra (2) Vishnu (3) Krishna (4) Shankara

(1) R (2) ~ (3) ¥"1 (4) ~

58. Which Tala has T. irki! Dhi 1 Na Dhi 1 Dhi Na y • (1) Jhumara (2) Matta (3) Adachautal (4) Jhaptal

RHfilic 11\ 111 11\ 1 11\ 11 f'I>B (lWf il t -~ i4. (1) 1IfR1 (2) 1N (3) (4) ;;I4dld

59. Which Tala is used in a style other than Khyal -

(1) Tilwada (2) Rupak

(3) Ektala (4) Deepchandi

(1) fdZ1ql$1 (2) ~ (3) Q!l'dlZ1 (4) ~14.-j<l

60. Which classical vocalist did not sing for films -

(1) D. V. Paluskar

(3) Balwant Rai Bhatt

(2) Bade Gulam Ali Khan

(4) Parveen Sultana

18

f'l;B ~ II ~ ~ 'lflIij; "'I f iI ~ q c iI; fWi "'IW TJrIl1 -

( 1 ) it 0 cit 0 q 1+4 ( (2 ) ~ 'Jffi'l ~ 1Sii (4) ~CiR {!(1(1HI

61. What is common in Darburi and Pooriya -

(1) Raganga

(2) Thata

(3) Swar - Samvad

(4) Peaceful Alap in Mandra Spatak

< ( iml am: 'lft'rr ii 1l.'f' W1R 'FIT t -(1) <rWf (2) 'lR

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(3) B'R -~ (4) ~ ~ 'liT ~ 3lTC1T'l

62. S - M sangati is not used in -

(1) Kedar

(3) Malkauns

<TI - 1] <Mfu ~ ~ ~ iffil -

(2) Bahar

(4) Ramkali

(1) ~ (2) '1Qn:

(3) AI(1ohh"l (4) (IAOhcll

63. The author of Sangeet Chintamani is -

(1) Acharya Brihaspati (2) Chintamani Mishra

(3) Lalmani Mishra (4) Nayak Baiju

Wfur fil'iiIAfUl iI; ~ t -(1) ~ ~Hqf[l

(3) (11(1AfUl fi:r"'lT

19

(2) fil'iiIAfUl fi:r'>!

(4) 'IfIlCf> ~

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64. Thakur cJaidev Singh learnt music from -

(1) Vishnu Narayan Bhatkhande (2) Shrikrishna Hari Hirlekar

(3) alauddin Khan (4) Kri shmrao Shankar Pandit

01¥ "I'I<Cl fuj; "t ...m -wfu! fu8:lT "lIT'<! 'lit -

(1) ~ '11{I~OI "Ild@og (2) ~ ffi f%<%{

(3) 3F'Ildi]'1 -ciI (4) 1''''I{ICl ~ <ift;o

65. Karnatak musicians perform this -

(1 ) Kriti (2) Dhrupad

(3) Tappa (4) Rajakhani Gat

'h'1k'h fi'nd'hl{ -,it ~ ~ i' -( 1) -q;f(r (2) ';\'R

(3) c:un (4) {"II@oil T[(f

66. Gandharva Mahavidyalaya was founded by -

(1 ) Savai Gandharva (2) Kumar Gandharya

(3) V. D. Paluskar (4) V. N. Bhatkhande

1JP1Cf 'l~lfcml(,]'1 ~ &m f\'11~d ~3lT -

(1 ) ~1JP1Cf (2) FR~ (3) mo f<;o q<j(4i{ (4) fcro. 110 "llct@OG

67. Bharat Ratna is not awarded to -

(1 ) Kishan Maharaj (2) Bhimsen Joshi

(3) M. S. Subbulakshmi (4) Bismillah Khan

20

'Iffil "" ~ >IGR Wn 1J'1T i -(1) ~ ~~I{I,"

(3) "Q!lo ~o ~~

(2) ~m~

(4) fq\1fq&lI~-@

68. This composition is not the base of a film song -

(1) Mana tu Kaha na dhir dharat ab - Ye.man

(2) Bol re papihara - Miya Malhar

(3) Prem Ki mar katar - sohini

(4) Banat banau bana nahi ave - Paorvi

<r;; ~f';~~1 ~ >im '1i1 3lT'TR '!lIT i -( 1 ) lR1 It 'Iil% 'I >fu: 1'ffiI 31'1 - "f'R

(2) <it<'! t qqj~(I - iWii ~ (3) W=r 'I>11lR ~ - flif,,;fi (4) 'l'l<! 0l'lRli OR '!lIT ~ - 'l:'if

69. Which Thumari is also famous as a film song -

(1) Bansuriya kaune guman bhari

(2) Babul mera naihar chuto jay

(3) Bajuband KhulKhul jaye

(4) Ndiya dhira baho na

m m S'ffi ~ >im if; ~ if >!fu;& i -

10P/260/2

(1) o:rtifl:~1 q;f.) :p:rR .ro (2) 'lT~ >1m ~ Wi "IT'l

(3) ~I"[~'j~ WI ~ (4) 1Wn.w ~ 'I

70. Jeevaswar is a kind of -

(1) Sthayee (2) Jati (3) Raga (4) Gamak

21 P.T.O.

lOPj260j2

'.i\1C18F ~ >riW -t -(1) ~ (2) "Ilfu (3) ,TTl (4) T[1iif;

71. Names for composition are -

(1) sthayee, Antara, Sanchari

(3) Prabandh, Vatu, Rupak

(2) Shuddha, Kamal, Teevra

(4) Drut, Mdhya, Vilambit

~ it 'IT'l -t -(1) ~,3R(ffi, ~

(3) ]:[CI""'[,~, ~

(2) 'il'l', ~, ~ (4) l';i!, 'lUI, fq <'if", d

72. Sangeet Research Academi is situated in -

(1) Mumbai (2) Delhi (3) Kolkata (4) Chennai

Wiru fu:Fl 3Ff>l ~41 <® Wl<T -t -(1) ~ (2) ~ (3) 'f1(,I"hldl (4) ~

73. Maulabaksh founded his music school at -(1) Baroda (2) Lucknow (3) Gwalior (4) Reeva

>lI01'l'f'i1 'I <® Wiru f'l'1I0'l '!i\ ~ '!i\

(1) ~ (2) W,-Hdi (3) rqfu-m o ~

(4) UClT

74. Rajasthan Sangeet Sansthan is in this city -

(1) Jodhpur (2) Ajmer (3) Udaipur (4) Jaipur

~ Wiru m>1R ~ "'M i! -t -(1);oj)11'p: (2) ~ (3) 3~~:l' (4) ~

22

lOP/260/2

75. Vaggeyakar of Hindi Geet Ramayan is -

(1 ) Arun Kumar Sen (2) Kumar Gandharva

(3) Jasraj (4) D. V. Paluskar

fiRi\ 'flct{IAI~OI 'if; i'il'~~'lil{ t -(1 ) ~"'1 'Pffi fA (2) 'Pffi ~

(3) "I,HI"I (4) "it 0 eft 0 q ij'?"M

76. 'Vande Mataram' was composed in Raga Desh by -

(1) Ravindranath Thakur

(2) Bankimchandra Chattopadhyaya

(3) K. C. Dey

(4) Omkarnath Thakur

(1) (oft""'1I"! 01¥ (3) 'if;o"BIo ~

77. The sign of Dhruv Tal in Karnatak Music is :

<1i1k'li Wltct it ~ q;r q<1f ~ t : (1) 10 (2) 1011 (3) 100

78. A Music University is not in this city -

(1) Khairagarh

(3) Lucknow

23

(2) Gwalior

(4) Rampur

(4) 1100

P.T.O.

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(3) ,'H,i'1 di (4) <TlT':1'

79. Omkarnath Thakur is the author of -

(1) Rag Vigyan

(3) Sangeetanjali

ai'1~'liIH2! or:p: ~ W'i'lil( t -(1) wr~

(3) fi'ndi"lfc1

(2) Kramik Pustak Mlika

(4) Sangeet Visharad

(2) ~ ~ ~1fc1'1i

(4) Wful f'PII(~

80. Which one is a performer of both styles i.e. North Indian and South

Indian Music -

81.

(1) M.S. Gopalkrishnan

(3) M.S. Subbulakshmi

(1 ) 11:'10 llJIo ,j)QIM'l'W1i

(3)11:'10 llJI 0 ~a:<ft

(2) N. Rajam

(4) M. R. Gautam

(2) '<'fo ~

(4) 'VI 0 3W 0 ..ftcrq

Characteristic property of a sound is -

( 1) Intensity (2) Vibration (3) Scale (4)

'lr<; qi\ 'i1IRf:1'1i fq:il4dl t -(1 ) <furdT (2) 31 i <iI M '1 (3) fq(QI~ (4 )

24

Octave

~

lOP/260/2

82. Resonace means -

( 1 ) echo (2) singing tc!gether

(3) drum (4) wind insti-ument

fl: en ~ '(1 q;] 31>1 ~ -

(1 ) ~ (2) "ill'! "ill'! TJT'lT

(3) (1\McH~ (4 ) WR"Rl

83. Melody is

(1 ) single note progression (2) triple note progression

(3) notes arranged with rythm (4) rythmic arrangement

, "~ = -(1 ) ~ """h8 q;] m (2)

fu • • ~ "" Uh 8 q;] wwr

(3) Bf( - i'1'1 q;] ~ m (4) Z1"-'lkt=lCf) ~

84. Harmony IS related to

(1 ) timbre (2) major scale

(3) chord (4) medium or sound

~q;]~"~ -

( 1) 'lR~ (2) ir"R m (3) Bf(~ (4) 'lR q;] mum

85. Who belongs to Gwalior Gharana -

( 1 ) Ajay Chakravary (2) Laxman Krishnarao Pandit

(3) Rashid Khan (4) Dinkar Kwkini

25 P.T.O.

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m 'qlr<1~( mR B ~ % -( 1 ) il1"f'! '1 iii q <if (2) C'l8:'JU) ~ UJ I (I q ~

(3) ~"&1 (4) fi;'I'R Motion

86. Raja Mansing University of Music Fine Arts established in this year-

(1) 2005 at Bhopal (2) 2000 at Indore

(3) 2003 at Reva (4) 2008 at Gwa1ior

<l'iIT ~HrlA~ wmr am: 1"!fucj q;('j fil'llrq,lI('1~ 'l~ ~ ~ or! ~ 1f{ -

(1) 2005,~ il (2) 2000, ~ il

(3) 2003, U<!i il (4) 2008, 'qlr<1~( il

87. Which one is different from others

(1 ) Gundecha Brothers (2) Nom Tom Alap

(3) Rudraveena (4 ) Thumari

3FHI<.j] 'il 'lit.! f'i?! % -(1 ) ~~ (2) if" <M 3WIT'1

(3) ~ cfturr (4) 9;'!ft

88. D. D. Bharati i, for -

(1) Promoting Indian Cultural Heritage

(2) Promoting Indian Industry

(3) Promoting Ntional sports

(4) Promoting Health

26

~ (~~r" "Imif &m f'F;<n "If(fj t -(1) 'Imft'! A if'l'fd'h ~ 'hT silctM"

(2) 'Imft'! -m-rn 'hT sil iA I ""

(3) $ ~ 'hT siliAl""

89. Which book is written by Balwantri Bhatt -

(1) Bhavprakash (2) Bhavrang Lahari

(3) Sangeet Bodh (4) Sangeet Sudha

~ Ji'l if; ~ ,*?I'I'<1\I~ 'W t -(1) 'l1'l~'hI~1 (2) 'lJ'RlT ~

(3) ~ <?r>< (4) ~ \1'11

90. Frequency of Pancham is -

(1 ) 270 (2) 360 (3) 300 (4)

9l. Ratio between Sand R is -

w 3TId 'hT 3TTffil t -9 10 16

(1 ) (2) - (3) - (4) 8 9 15

92. Samvadini is the Indian marne of this -

(1) Guitar (2) Harmonium

(3) Piano (4) Synthesizer

lOP/260/2

4800

75 64

27 P.T.O.

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~ "lmft<! 1T'l ;8qlf~11 t -(1) fireR (2) ,wiff"~~ (3) fir'lRl (4) f+100f1I$"1(

93. Bhimsen Joshi has this unique quality -

(1) Melodious voice

(3) Speedy tana

~ ~ qft "11l;:d1~ fC/i)4(j1 t -( 1 ) 'l"l' 31T'lT'i!

(3) ~ -(IT.'!

(2) Long steady breath

(4) Slow Composition

(2) <#\ WR <1fu

(4) fcr('if'l<! ~

94. Who received Padmabhushan recently -

(1) Charurlal Mishra

(3) Chhedilal Mishra

f,*""l~ TIM m if 'Rl'['I"T w:n t -(1) '1<W'lli'l fli~

(3) ~ W'fli~

(2) Chamanlal Mishra

(4) Chhannulal Mishra

(2) '1~'ii'lli'l fli~

(4) "?Ji'I"'f fli ~

95. Who is the original composer of 'Hind Desh Ke Nivase Sabhi Jan Ek

Hai' -

(1) Llmani Mishra

(3) Pradeep

28

(2) Vinayachandra Maudgalya

(4) A. K. sen

lOP/260/2

'~ ~ it f1ql+i1 <l.n '-iff ~ i' ~ Tffi! it 'Ff {T1'1I"hl{ ~ i -(1) ctlct~fiil fll~ (2) f'FWI'S. ~

(3) >r(tq (4) 1(" ito *" 96. Which Raga is named after a city / place -

( 1) Multani (2) Mikauns

(3) Jhainjhoti (4 ) Mlya ki Todi

fi.R! WT 'liT 'IT'l ~ / ~ 'R BID 'T'l1 t -"

(1 ) :lctdl;jj (2) lOll C"I6f)J'R

(3) f~~l<'.l (4) fil':ii<tr~

97. This raga has only one Madhyam .

(1 ) Marubihag (2) Shyamkalyan

(3) Mand (4) Paraj

~ WT it ~ ~ 11"l11 WT<!T t -(1 ) lOOll'li=\r~61~1 (2) ~t!II1ChrlIOI

(3) ~ (4) 'R'iI

98. A. 1. R. broadcsts National Programme of Music on -

(1) Monday, Tuesday

(3) Sunday, Monday

(2) S"turday. Sunday

(4) Thursday, Fr iday

311'h1~lcliun GRT Wfu! it ~ 'R<il<! 'h14,"~ 'liT ~Bi{0l .., f<;;i\ ~ t -(1) ~"lqi{, <i'lctqi{ (2) ~1f1'1I{. {fqcll{

(3) {fqql{, BI~qi{ (4) ~i{, '?WW

29 P.T.O.

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99. Sangeet Sarita programme of Vividh Bharti is a Joining chain be­tween -

(1) Classical & Film Music

(3) Folk & Film Music

(1) ~1I<!il'l afu f"QQ2 WffiI (3) ~ afu f"QQ2 WffiI

(2) Pop & Film Music

(4) Western & Film Music

(2) -qfq afu f"QQ2 WffiI (4) 'lTm<! afu f"QQ2 WffiI

100. Who wrote our National Anthem Jana Gana Mana Adhinayaka Jaya He' -

(1) Ravindra Natha Thakur

(2) Bankimchandra Chattopadhyaya

(3) Sarojini Naidu

(4) Bharatendu Harishchandra

~ (le'IH 'iiJ'l 7JU["Il'! 31f~ "I'l %' ~ fffisn % -(1) (41'S;~I'I OI¥ (2) oif"''1ij'S; ~3ftqj=

(3) <1{)f"l;fl ~ (4) ~ ~~

30 300

3l~~~M~1

(~ gm, it IT"" ammrr 'l"'" Iff "lIlT "'" - rr;r it # '{"Of Iff ;;;.m ;f/1'fI- q;wf/ 01f'f - rqrfG itr it ;fI fffi§:)

I. 1R'! 3ffi'l'li' ~ it 10 fiRe it 3R< m i;-@ #1'", 1!'R'l'! illllj[ '1'" ~ t am ~ 1R'! ~ 'Iffi ~I ~Ffi'I'lil ~~¥' Wl ~ 'R ~ 'I'l'lT ~ 'lil\l-RU'% it ~ ~ 1!'R'l'! 'liT ~ ~Ffi'I'lil = '"' <'II

2. 'l"ii~ 'I'R il IMQ;,Q;, $ TTiIvr-rr;r it 31fi1fiiHI, fi:rurr 'IT = ~ Ij[ 1SlJlT 'fiT'1'j[ WIl

il 'I ;:rrif I

3. 3nT - rr;r JmTf it fifllr 'T'lT II PI ;"iI .it#, 3fIr , ;fI f!r;pr ,!i't', '[1ffl 3nT - rr;r 'f;fI' ti;w ~ I

;;;.m 3nT - rr;r "" ;fI "Hlio;" fin'<f ~ I 4. ilN'lT 31ji1i~i'li o'lT 3iR-'1'1 'liT l8Jiq; = 3lJ'RUT-'1'" 'R iR it f-lmfu! BlR 'R fff@1

5. 3nT-rr;r it """ 'l"'" Iff itr it 3I'RT "''1 .. oio; f.mffirl PIlT'f Iff fffiff"1IIT ;flit ~ '[iii' oft ",., "" ~I "I1Jf- "I1Jf 31/4,,,,0; ;fI ""' JfR-gm, "" ~ "lIlT iIc "" """ ofiT<r pm;ff Iff fffiffl

6. 3IT0 ,<,,0 =0 rr;r Iff 31'1 .. oio; !i<ffl, """gfirl<.<rr m.w '" iIc m.w (~ oft{;fI) "lIlT j(~OI!'jfirliIJl rrr 31dthl1iqo; 3ih" 3ft" 7.p1" 31R'" ra "fi&Tr qff lIFcire~r -q' dQPtihiH qff 3TJ}Tfrr 'f;fI ~ I

7. 'W'jrnJ/ ""r;,,'ill"'~.mr if oft{ oil ofi",l. ""!i1 f.rfI/i1"Ii ;;:m "q]tvlrl ;f/:rr ~ 3P<1IIT 'Iii !("Ii ~

""'" "" rrol>r """ ~ I 8. JfR-gm, if lfiW; JfR it <11': Jo;f{iilo; 3nT ~ >Tit II lfiW; JfR it Jo;f{iilo; 3nT it Wf'I!.

3TTfT"Iit 3nT - rr;r oft ,.".,Wd rifiRr it Imf.t ~ 'Tit '[ff oft 3nT - rr;r it ,,¢r 'l"'" Iff ~ 'Tit f.$ff it 3IjmC itr it ",., ""'" 1£

9. ~ 1R'! it '3'R ii; ful!: ~ ~ m '[if it '1fi!J ,""I ~ it 3TI'l'Ji ')'if it '1fi!J ~ 'R 3Fl'l1 ~ '[if 'lit ~ m 'R a:Q 3iR 1Ti'l?: lJRT ;;rriMr I

1 0, """ if' fiF; !("Ii '"' i<lfffI ;;:m 3ifimr 3nT ""'" 'f;fI' "" mmrr II ~:;m; fiEifI JfR "" 3nT

'f;fI <f.rr ."..;t t; 1ft.wr"" rifiRr it Imf.t ~ 'Tit ;roil '[iii' oft 79T1'fI $ ~I !lit w.iI' Iff ~ 3i"Ii ~ .".;m I

11. <'l> 'liT'! ii; ful!: lR'i-~~'li1 ii; :l@~'6 it ai<;< ilTm '1'" o'lT 3iR-~~'li1 it 3ffil'l '1'" 'liT m ,""I

12, 'l"ii~ it 3'RR1 JfR-giRIo;, ~<i 3nT-rr;r 'l"ii~ 'F'R il = '"' ;;1

13. 'l"ii~ WlT'<l m;r it ~ • 'I'R it ~ ~ 'liT ~ 'Iffi MI

14. ~ ~ 3J'Rl2if 'l"ii>\iT il ~ m'l'il 'liT m qmrr ~, iii a:Q Fq ~ q Fow (1 ~ mr Rmfu! G's 'liTm, 1Wfr irTri8<il I