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<ul><li><p>Front MatterSource: The Burlington Magazine, Vol. 149, No. 1256, Italian Art (Nov., 2007)Published by: The Burlington Magazine Publications Ltd.Stable URL: http://www.jstor.org/stable/20075043 .Accessed: 05/12/2014 22:41</p><p>Your use of the JSTOR archive indicates your acceptance of the Terms &amp; Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp</p><p> .JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact support@jstor.org.</p><p> .</p><p>The Burlington Magazine Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend accessto The Burlington Magazine.</p><p>http://www.jstor.org </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/action/showPublisher?publisherCode=bmplhttp://www.jstor.org/stable/20075043?origin=JSTOR-pdfhttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>THE BVRLINGTON </p><p>MAGAZINE </p><p>I? ?r-:;r?. *&amp;%. </p><p>l$mt </p><p>'? </p><p>M </p><p>**?' </p><p>Wm </p><p>Wm&amp;w*1 </p><p>Italian art </p><p>Alessandro Turchi's works in Spain The history of the Oratory of the Decollato, Valletta </p><p>A new drawing by Raphael Studies by Pesellino Ribera's 'Drunken Silenus' </p><p>Batoni's 'Sacred Heart of Jesus' Italian art in the Royal Collection </p><p>Latin American art Balthus Surrealism in Jerusalem Estes Messager </p><p>NOVEMBER 2007 X'14.80/621.60 </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>RB?RT SIMON FINE ART </p><p>.% '^' </p><p>??** </p><p>Salvator Rosa (1615-1673) </p><p>Latona and the Lycian Shepherds </p><p>Signed with 'SR' monogram, lower left </p><p>Oil on canvas, 48'A x 387A inches </p><p>(122.6 x 98.7 cm) .%* </p><p>Satis House Tower Hill Road </p><p>Tuxedo Park New York 10987 Tel: (845) 351-2339 Fax: (845) 351-433^ </p><p>208A East 78th Street New York NY 10075 </p><p>Tel: (212) 288-9712 Fax: (212) 202-4786 </p><p>Web: www.robertsimon.com </p><p>E-mail: rbs@robertsimon.com </p><p>This unpublished painting was first recorded in the </p><p>1675 inventory of Cardinal Decio Azzolino in Rome. , </p><p>In British collections during the eighteenth arid' nineteenth centuries; later owned by Major Tjr.'..., ;J </p><p>Sharpe Smith in India; subsequendy in the collection of Rudolf Metzger of Cologne, who </p><p>'ated.to the United States in 1938 and from ?dents the painting was acquired. </p><p>r$f*i </p><p>'s?**...' </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>Galerie Canesso </p><p>Tableaux anciens </p><p>Giuseppe Recco Naples, 1634 </p><p>- Alicante, 1695 </p><p>Slices of Watermelon on a Pewter Tray, with Mushrooms and Fruit </p><p>Oil on canvas, 74 x 99 cm (29 Vs x 39 in) </p><p>signed "gios. r." ("g" and "1" attached) on rock surface at lower right </p><p>CATALOGUE AVAILABLE </p><p>Galerie Canesso www.canesso.com </p><p>By appointment only 26, rue Laffitte 75009 Paris Tel. + 33 1 40 22 61 71 Fax + 33 1 40 22 61 81 e-mail : contact@canesso.com </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>Opening Programme: </p><p>The ipth Century in the Prado </p><p>31 October 2007 - 20 April 2008 </p><p>?#'; </p><p>&amp;v-'"'"?.4 </p><p># </p><p>1 </p><p>Velazquez s Fables 20 November 2007 </p><p>- 24 February 2008 </p><p>The Prado Grecos </p><p>4 December 2007 -10 February 2008 </p><p>Advance booking: www.museodelprado.es or +34 90210 70 jj </p><p>GOBIERNO MINISTERIO DE ESPA?A DE CULTURA </p><p>MUSEO NACIONAL DEL PRADO </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>TOMASSO BROTHERS FINE ART </p><p>Gian Francesco Susini </p><p>Europa and the Bull </p><p>Height 33 cms </p><p>?fife, </p><p>-7T-. </p><p>Bardon Hall Weetwood Lane Leeds LS16 8HJ UK Tel: +44 (0)113 275 5545 </p><p>?nfo@tomassobrothers.co.uk </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>The Dormeuil </p><p>Collection: </p><p>Medieval Ivories </p><p>and Enamels </p><p>fjfit*. AUCTION PARIS 19 November 2007 at 4pm </p><p>Sotheby's Galerie Charpentier 76, rue du Faubourg Sa?nt-Honor? </p><p>75008 Paris </p><p>ENQUIRIES LONDON +44 (0)20 7293 5860 sculpture@sothebys.com </p><p>PARIS Ulrike Goetz </p><p>+33(0)1 53 05 53 64 ulrike.goetz@sothebys.com </p><p>www.sothebys.com </p><p>An important Ivory group of the Virgin and child </p><p>French, Paris, circa 1250 Haut. 30,5 cm </p><p>Provenance: Collection Emile Molinier, Paris Sold to M. Georges Dormeuil in 1906 </p><p>by the Duveen Brothers, London </p><p>Exhibition: </p><p>Exposition d'Objets d'Art du Moyen Age et de la Renaissance organised by the </p><p>marquise de Ganay at Jacques Seligman, H?tel de Sagan, Paris, 1913, n? 111. </p><p>Estimate: 200,000 - </p><p>300,000 </p><p>CATALOGUES &amp; SUBSCRIPTIONS UK+44 (0)20 7293 6444 WORLDWIDE+1 541 322 4151 </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>G. SARTI 137 rue du Faubourg Saint-Honor? </p><p>- 75008 Paris - France Tel : (33-1) 42 89 33 66 </p><p>- Fax : (33-1) 42 89 33- 77 </p><p>giovanni.sarti@wanadoo.fr - </p><p>www.sarti-gallery.com </p><p>Mariotto ALBERTINELLI (Florence, 1474-1515) The Adoration of the Infant C. 1505. </p><p>Oil and tempera on panel - </p><p>diameter 86 cm. </p><p>Recently acquired from G. Sarti Gallery </p><p>by the Mus?e des Beaux-Arts, Montreal (Canada). </p><p>The monumental quality of the figures, cleverly adapted to the circular format, the landscape inspired both by Perugino and by Flemish works and the great vividness of the colours are perfectly in line with the innovations of the High Renaissance. In this masterpiece, Mariotto Albertinelli notably stands apart from his associate Fra'Bartolomeo in the simplification of the figure drawing, the slowing down of the rhythms and overall the search for a classicism inspired by Raphael </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>&amp;.Jk </p><p>rfr&amp;? </p><p>.? .Jilt'* </p><p>* * .*%* </p><p>^JNSfi </p><p>ear </p><p>3K?* i; 7? &lt; </p><p>? *#**: </p><p>is?? </p><p>-.?. : "* " ' "' -' ? .. </p><p>" ^ JSTSfre? ?+^SSSr**^"^5^^^^ </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>* P </p><p>Wiv "*.?3k </p><p># </p><p>:^?-*:?S^ m^^ </p><p>^^?^^-? </p><p>K^l&gt;R?^::Gt?V?'QN-fe?YN? </p><p>&gt;. i .* i ~_ '*-*j*?yu 2 * .V' . . </p><p>...?*&gt;.* U.t* _,??, * " </p><p>s, *.k * '*? </p><p>.vV4-.'^ ^.. </p><p>' ?-v.': ^ </p><p>*V:-.?*it*f,&gt; </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>CHARLES RATTON &amp; GUY LADRIERE ANTIQUE - MOYEN AGE - ARTS PRIMITIFS TABLEAUX - SCULPTURES - OBJETS D'ART </p><p>LUCA LONGHI (1507 </p><p>? Ravenna ?1580) </p><p>The Crucifixion </p><p>Bodycolour on vellum, 28.4 x 21 cm. </p><p>14, rue de Marignan, 75008 Paris. T?l. (0) 1 43.59.58.21 </p><p>11, quai Voltaire, 75007 Paris. Tel (0) 1 42.61.29.79 e-mail: galerie.ratton.ladriere@wanadoo.fr </p><p>VIII NOVEMBER 2007 * CXLIX THE BURLINGTON MAGAZINE </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>Winter exhibition of </p><p>17th CENTURY DUTCH AND FLEMISH OlBk MASTER PAINTINGS </p><p>2nd-xist December 2007 </p><p>WILLEM VAN HERP the ELDER </p><p>(1613/14 - Antwerp -1677) </p><p>28.2 x 44 cm </p><p>THE EXHIBITION INCLUDES WORKS BY: </p><p>P. Brueghel, P. Wouwermans, S. van Ruysdael </p><p>D. Teniers, A. Delorme, W. van de Velde, etc </p><p>Catalogue on Application </p><p>- London &lt; </p><p>Johnny Van Haeften </p><p>13 Duke Street, St. James s, Lon?mi SWiY 6DB </p><p>Tel: +44 (0)20-7930 3062 Fax: +44 (0)207839 6303 </p><p>e-mail: paintings@johnnyvanhaeften.com www.johnnyvanhaeften.com </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>1793 </p><p>Bonhams </p><p>The Egyptian Revival Sale </p><p>Wednesday 23 January 2008 New Bond Street Invitation to consign </p><p>m </p><p>'&gt;*' </p><p>We are currently accepting entries for The Egyptian Revival Sale, which will showcase pieces inspired by Ancient Egypt. </p><p>The lasting appeal of Egypt has influenced works of art from the Grand Tour period of the 19th century, through to the discovery of Tutankhamun's tomb in the 1920s and the subsequent Egyptian Revival. </p><p>With the opening of the Tutankhamun exhibition in London, the allure of Egypt and its artistic heritage endures into the 21st century. </p><p>The closing date is Friday 16 November 2007. </p><p>Enquiries Madeleine Perridge +44 (0) 20 7468 8332 +44 (0) 20 7468 8283 fax madeleine.perridge@bonhams.com </p><p>Catalogue +44(0) 1666 502 200 subscriptions@bonhams.com </p><p>Illustrated: An Egyptian Revival carved stone head of Nefertiti circa 1880-1900, 133Ain (34.9cm) high. Estimate: ?3,000 - 4,000 </p><p>Bonhams 101 New Bond Street London W1S 1SR +44 (0) 20 7447 7447 +44 (0) 20 7447 7400 fax www.bonhams.com </p><p>*"* </p><p>83 London New York Paris San Francisco Los Angeles Hong Kong. Melbourne Dubai </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>RAFAEL VALLS LIMITED </p><p>Angelica Kauffman in British Collections An exhibition to commemorate the 200th anniversary of her death </p><p>19th November to 14th December 2007 </p><p>Diana preparing for the Hunt </p><p>Oil on Copper, 7'A x 6/4 inches </p><p>Private Collection </p><p>Old Master Paintings 11 Duke Street, St. James's, London SW1Y 6BN </p><p>Tel: 020-7930 1144 Fax: 020-7976 1596 </p><p>info@rafaelvalls.co.uk www.rafaelvalls.co.uk </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>NATIONAL GALLERIES OF SCOTLAND </p><p>SENIOR CURATOR EARLY NETHERLANDISH, DUTCH &amp; FLEMISH ART Salary: ?29,699 </p><p>- ?36,784 </p><p>Following the appointment of Dr Emilie Gordenker to the </p><p>Directorship of the Mauritshuis, The Hague, a vacancy has arisen </p><p>for a Senior Curator based at the National Gallery in Edinburgh. </p><p>The postholder will compile the catalogue of the Dutch, Flemish </p><p>and Early Netherlandish works in the collection. The role will also </p><p>involve contributing to publications, curating exhibitions and </p><p>lecturing on the collection. </p><p>With a relevant degree or post-graduate qualification in the </p><p>history of art, the postholder will have an in depth knowledge of the relevant specialism and a broad knowledge of the history of </p><p>European art. In addition to English, a working knowledge of at </p><p>least two modern European languages (one of which should be </p><p>Dutch) is highly desirable. </p><p>Closing date for applications is 14th December 2007 </p><p>Application packs are available from www.nationalgalleries.org. </p><p>Alternatively, you can telephone 0131 624 6282 (answerphone) or e-mail </p><p>apply@nationalgalleries.org stating your name, address, and the job title. </p><p>AN EQUAL OPPORTUNITIES EMPLOYER </p><p>Making art available to the widest possible public </p><p>www.nationalgalleries.org </p><p>Two important books in Italian for academics and connoisseurs </p><p>A great 18th/ </p><p>century woman artist </p><p>Maestro to a generation of Florentine painters </p><p>ROSA LB A GARRIERA </p><p>From the moment Rosalba Camera (born Venice, 1675) presented </p><p>a miniature on ivory as her admission piece to the Academy of San Luca in Rome, in 1705, she was considered the inventor of this genre. Her most famous works, howeves, are her pastels, influenced by French portraiture of the period, which she had studied, particularly during her trip to Paris in 1720^1721. Here she visited the great collections and worked for the aristocracy in a crescendo of professional success that would lead her to the height of fame. For example, in 1730, she was called to Vienna to paint the portraits of the imperial family, and became a much sought-after artist at the most sophisticated courts of eighteentlvcentury Europe. Art histO' rians have regarded her work highly, especially Roberto Longhi, who con' sidered her worthy of figuring alongside the great artists of French painting. This volume is the result of years of research and includes the catalogue raisonn? of more than 400 works. It is a new, expanded edition of the monograph published in 1988. </p><p>AS n important figure in Florentine painting of the second half of </p><p>Lthe 15th century, Cosimo Rosselli (1439^1507?) painted over sixty works, including altarpieces, frescos, panels, miniatures and decorative pieces. His masterpiece is in the Cappella Sistina where, in 1481^1482, he worked alongside Sandro Botticelli, Pietro Perugino and Domenico Ghirlandaio. This book is the result of over 10 years' research in museums and collections across the world, and it is the first systematic study of the life and work of Cosimo Rosselli, with over 200 illustrations. The two introductory essays bring into focus his biography, jour' neys, figurative sources and evolution of style. Equal attention is given to the relationships with his religious and secular patrons, his ties with fellow colleagues, in particular Chimenti, Francesco and Bernardo di Stefano, the work in the studio and his teaching of a </p><p>new and important generation of Florentine painters that included, amongst others, Piero di Cosimo, Fra' Bartolomeo and Mariotto Albertinelli. The well documented appendix includes, for the first time, transcripts of all the known documents referning to the painter. </p><p>ROSALBA CarRIERA </p><p>Catalogue Raisonn? Bernardina Sani </p><p>344 pp., 21 x 30.5 cm 32 col., 335 b/w Italian edition Hardback, 75.00 ISBN 978'88'422'I292'8 </p><p>UMBERTO ALLEMANDI &amp; C. TURIN~LONDON~VENICE~NEW YORK </p><p>Cosimo Rosselli Edith Gabrielli </p><p>344 pp. 21 x 30.5 cm 18 col. Ills 253 b/w Italian edition Hardback, 45.00 ISBN 88'422'i4ii'6 </p><p>For orders please contact </p><p>Antique Collectors' Club: UK Office Tel: +44 (o) 1394 389950 Fax: +44(0) 1394 389999 E-mail: sales@antique'acc.com </p><p>Antique Collectors'Club: US Office Tel: +1 (413) 5290861 or (800) 252 5231 Fax: +1 (413) 5290862 E-mail: sales@antiquecc.com Tel. +39 on 8199133 Fax. +39 on 8193090 E-mail: intemational.orders@allemandi.com </p><p>All prices exclusive of postage and packing </p><p>www.allemandi.com </p><p>XII NOVEMBER 2007 CXLIX THE BURLINGTON MAGAZINE </p><p>This content downloaded from 128.235.251.160 on Fri, 5 Dec 2014 22:41:58 PMAll use subject to JSTOR Terms and Conditions</p><p>http://www.jstor.org/page/info/about/policies/terms.jsp</p></li><li><p>^ ^^?^i^ </p><p>^?Sfete?^ </p><p>:ws </p><p>,?~ </p><p>0 m </p><p>mWi?Myr wm </p><p>/#!?? iftfr </p><p>* *#. </p><p>^^ :&gt;fe - </p><p>^l^?-'^1 </p><p>H?r #?/#: </p><p>nmAmr?t tivWMt. </p><p>m. m </p><p>wh m </p><p>mm </p><p>7m </p><p>iwmmtm. !m~ </p><p>% '?hfK </p><p>wm </p><p>\m </p><p>.:% 4, </p><p>Catalogues ;|^ :;- v...</p></li></ul>