Sale 404 | Saturday 29th March 2014 | Affordable, Stylish & Unique

Buyer’s GuideEverything you need to know

Sale 404

Paintings, Furniture,Rugs & Works of Art

Saturday, 29th March, 2014 at 10amat 33 Broughton Place, Edinburgh EH1 3RR

Viewing TimesThursday, 27th March 10am - 7pm

Friday, 28th March 10am - 5pmSaturday, 29th March from 9am

© Lyon and Turnbull Ltd.2014. All rights reserved. Nopart of this publication maybe reproduced, stored in aretrieval system ortransmitted by any form or byany means without the priorwritten permission of Lyonand Turnbull Ltd.

Viewing

In personTo view all of the lots in thissale please note the publicviewing times listed above. Allviewable at 33 BroughtonPlace, Edinburgh.

OnlineAll lots are available to viewonline and each image can beenlarged for closerinspection. If you requireadditional images or wouldlike a report on the conditionof your lot(s) please contactus atinfo@lyonandturnbull.com

EstimatesAll lots carry an estimatedprice band, listed in thecatalogue, which indicatesour opinion of value. The finalprice may be higher or lowerthan this band depending ondemand. If there is a reserveon the lot then it cannot besold below that price.Reserves do not exceed thelower estimated price andmay be lower.

Bidding

There are four easy ways tobid at this sale, and all bidsare (of course) confidential:

By absentee bidIf you are unable to attend theauction we can bid on yourbehalf. Simply complete anabsentee bid form and eitherhand it to amember of staffor fax to 0131 557 8668, nolater than 1 hour before thesale. Please note that ourbid departmentmay contactyou for further details.

The amount you enter on theform should be yourmaximum limit. We will bidup to that limit for you, andremember you may end uppaying less than your limit,depending on other biddingon the day.

In person at the saleSimply register at receptiontoday, or when you arrive atthe saleroom. You may needto provide identification. Onceyou have registered you willbe handed a numberedpaddle to use in thesaleroom. When the biddingbegins on your lot raise yourpaddle to bid. When thebidding stops the auctioneerwill bring down the gavel andread out your number if youhave won the lot.

By telephoneIf you would like to bid bytelephone, our clerk will callyou from the saleroom on thesale day, just before your lot(s)come up, and bid on yourbehalf live at the sale. You canregister to bid on thetelephone at reception today,or contact us no later than1 hour before the sale on0131 5578844 or viainfo@lyonandturnbull.com

Please note that for telephonebidding it is assumed thebidder will be prepared to paywithin the estimate or higher.This service is entirely at ourdiscretion and at thebidder’s risk.

Online atlyonandturnbull.comMany clients prefer biddinglive online at our auctions. It’seasy to register with us onlineand you can watch the sale asit happens and place bids atyour computer. These liveauctions are run by Invaluableon our website, and they willcharge you an additional 3%plus VAT for this service.

You can register to bid at anytime before the sale; howeverwe suggest you allow plenty oftime to register to secure yourbids.

Payment

You can pay by a number ofmethods - cash, credit ordebit card or bank transfer.You will be charged thehammer price plus a buyer’spremium of 25% up to£25,000 and 20% thereafter(premium subject to VAT). Ifthere is a dagger (†),asterisk (*) or section mark(§) next to your lot numberin the catalogue, your lot willbe subject to VAT or Droit deSuite charges on thehammer price in addition toour standard buyer’scharges. See our StandardTerms & Conditions on theinside back cover for furtherdetails.

If you are not able to come inand see us to pay by credit ordebit card please use ourOnline Payment service. Youwill find a link to this servicein any email invoice we sendyou or you can visit thepayments section of ourwebsite.

Please note that if you arepaying by credit card weaccept Mastercard and Visaonly and there will be a 2%surcharge.

For further informationon buying at Lyon &Turnbull please see ourStandard Terms &Conditions of Sale andCollecting Your Purchasesat the back of thecatalogue.

Enquiries

Theo Burrell

theo.burrell@lyonandturnbull.comCharlotte Riordan

charlotte.riordan@lyonandturnbull.com

Welcome to our spring Interiors sale! This month we bring you a varied selection of items, from achest of drawers painted with Marilyn Monroe, to a collection of 20th century model cars!

We also have various private collections on sale this March, from Richardsons in Yorkshire(page 18), as well as the property of Francis Menotti, previous resident of Yester House, in EastLothian (page 33). Highlights of these collections include an extended ebonised and gilt dining tablefrom Richardsons, and an antique marble fireplace once housed at Yester.

Included in our paintings section of the sale are an interesting private collection of Irish oilsand watercolours too. Pictures comprise of landscape and coastal scenes by prolific painterssuch as Belfast born artists William Conor and Maurice Canning Wilks, as well as Fergus O’Ryanand Norman McCaig.

Turn to pages 46 and 47 for our ‘Showcase’ review of Royal Worcester Porcelain, which detailsthe history and production of this famous English factory, illustrated by the selection of pieces wehave available for sale this March.

This month our sale commences with our paintings section, before moving to our works of art,furniture and rugs and carpets. Unlike our last two Interiors auctions, this will be a single day sale,

on Saturday 29th March, commencing at 10am. We willbe on view during Thursday 27th and Friday 28th March,with free tea or coffee for anyone who registers. See thefront of our catalogue for more information regarding ouropening days and times.

We look forward to seeing you then!

Welcome to

If you cannot attend the sale you can watch or bid online from your desk, bid on the phone, or leave an absenteebid with one of our staff members – ring us for details on 0131 557 8844.

Theodora BurrellHead of Interiors

Charlotte RiordanPicture Specialist

4

Private Collection of Irish Paintings

This month our sale features a variety of 19th-20th centuryIrish oil and watercolour paintings, including the works ofwell-known exhibiting artists such as Fergus O’Ryan,Norman McCaig, Desmond Carrick and Clare Cryan.Pictures comprise of landscapes, seascapes, and cityscenes, where the influence of home and abroad is clearlyvisible in many of these impressionist-inspired works.Highlights of the collection include an oil depicting bathersat the sea by James Le Jeune, Charles Joseph MCaughley’sfishermen, and a female portrait by William Conor.

Page 10

Highlights from the Sale

Philadelphia-born Francis Menotti was both an actor andfigure skater, having studied at the Goodman Theatre inChicago and appearing in operas as a mime during the1960s. He was also the president and artistic director ofFestival dei Due Mondi, founded by his father Gian CarloMenotti in 1958. In 1985, following his marriage to MalindaFitler Murphy, the daughter of Mrs Nelson Rockefella,Francis was gifted Yester House in Gifford, as a celebratorypresent, where he lived until last year. It is with greatpleasure, therefore, that Lyon & Turnbull present variouspieces from this private collection, including an impressivemarble fireplace and a continental giltwood and gessomirror, both previously housed at Yester.

Page 33

Private Property of Francis Menotti

Property removed from Richardsons, Yorkshire

Richardsons, a red brick house in an idyllic English country village, wasfor a number of years the home of Rupert Forbes Adam, grandson

of Sir Oswald and Cynthia Mosley (nee Curzon). He was maninterested in the arts and tended to be the ‘depository’ forfamily items from past relatives. This March we are proud topresent various pieces from the Yorkshire property,including pictures, ceramics, European and Asian works ofart and furniture. Highlights include an Anglo-Indianwatercolour of an owl and a large aesthetic style eboniseddining table.

Page 18

Easter is coming up and this lot will be the perfectaddition for your Easter Sunday table! They arecolourful, but also functional, and therefore theperfect way in which to serve your vegetables and todecorate your home in an original manner. In this way,they demonstrate how antique pieces still have a popularplace in the modern household too. As Staffordshire pieces, these tureens represent a long historyof ceramic production, which began life in this prolific centre as early as the 17th century, reachingthe peak of manufacture in the 19th century, when these examples were made. Hen tureens werepopular in the Victorian period and these examples have survived in good condition. The hensmodelled on their baskets with their eggs symbolises the upcoming Easter period, with links to bothChristianity and the joys of spring. I therefore can’t imagine a better way to serve and enjoy thebountiful Easter Sunday meal than with these characterful tureens!

5

Longing for summer

My favourite painting in the sale is Desmond Carrick’s ‘HeatShimmer on Burriana Beach, Nerja’, which depicts figuresbathing and relaxing on the beach of the famous Costa del Sol,Spain. The artist is a most interesting figure, with an unusualand inspiring career, having worked in the Guinness breweryfor many years while attending evening classes at the NationalCollege of Art before becoming a well-known and activemember of the Royal Hiberian Academy. I love Carrick’s stylein conveying the glimmering effect of the heat withbrushstrokes in different shades of blue and red. I think thiseffect is most evident in the sea that shines in the summer sun. The bathers wear light and colourfulrobes and their white hats stand out against their tanned skin and slim figures. This seems to methe quintessential representation of summer, and is reminiscent of many past summers I have spentat home in the warm Italian sun.

This month Sara Pierdominici from our Asian and Fine Antiques department chooses her favouritethings from our March Interiors sale.

Specialist’s Choice

Lot51

Staffordshire Hen Tureens

Carved elm tables by Ian Hunter, Linthill Studio

One of my favourite pieces of furniture in the March Interiors sale is this uniquely carved woodentable. Ian Hunter, of Linthill Studio in the Scottish Borders, produces these works of art fromtraditional Scottish woods including sycamore, ash, elm and yew. I like the warm yet rugged look histables have, and their unusual, natural shapes. The flower shaped tilt-top table (lot 341) is a greatcreative take on the traditional and antique model, and I think the additional frog shaped sections to

the top surface of this dining table aregreat fun too. Indeed, animal carvings,sculptures, and paintings are aspeciality of Ian’s, which he has arguablymastered with great skill. These areunique, individual pieces and I can justpicture these tables in a country house,covered in delicious food andsurrounded by friends and family.

Lot 207

Lot 419

7§ FG700/1IAN FLEMING R.S.A., R.S.W.(SCOTTISH 1906-1994)PORTRAIT OF THE ARTISTWILLY WILSONSigned and dated ‘46, oil oncanvas60cm x 49cm (23.5in x 19.25in)£1,000-1,500

8 FG702/1WALLER HUGH PATON R.S.A.,R.S.W. (SCOTTISH 1828-1895)NORTH BERWICK, 15TH JULY1876Signed and inscribed,watercolour and bodycolour19.5cm x 35.5cm (7.75in x 14in)£400-600

9§ FG914/1JAMES MCINTOSH PATRICKR.S.A., R.O.I., A.R.E., L.L.D.(SCOTTISH 1907-1998)THE MELON MARKET, CAPUAWatercolour19cm x 40cm (7.5in x 15.75in)Exhibited:Robertson & Bruce Ltd., Dundee

£300-500

10 FG919/1DAVID FARQUHARSON A.R.A.,A.R.S.A., R.S.W.(SCOTTISH 1840-1907)GLEN STRAESigned and dated 1881, oil onboard20cm x 30cm (8in x 12in)Exhibited:Bourne Fine Art, Edinburgh

£400-600

11§ FG919/2DAVID MACBETHSUTHERLAND R.S.A.(SCOTTISH 1883-1973)PLOCKTON - DUNCRAIG ONLOCH CARRONSigned and inscribed‘Duncraig’, signed and inscribedverso, oil on board24cm x 29.5cm (9.5in x 11.5in)£400-600

12§ FG920/3EMILY PAYTON REID A.R.S.A.(SCOTTISH 1859-1945)FORTH ROAD BRIDGE FROMNORTH QUEENSFERRYSigned and inscribed with title,signed and inscribed labelverso, watercolour27cm x 38cm (10.5in x 15in)£300-500

1§ FF569/3DAVID MCCLURE R.S.A., R.S.W.(SCOTTISH 1926-1998)THE WHITE HOUSE, DERVAIG,MULLSigned, pen, ink andwatercolour16cm x 24cm (6.25in x 9.5in)Exhibited:Fraser and Son, Dundee, Feb. 1989

£300-500

2 FF654/14ARCHIBALD DAVID REIDA.R.S.A, R.S.W., R.O.I(SCOTTISH 1844-1908)STILL LIFE OF PINK ROSES INA VASESigned and dated 1886, oil oncanvas50cm x 32cm (19.75in x 12.5in)£500-700

3§ FF976/5ATTRIBUTED TO CHARLESBONE P.P.R.I., A.R.C.A.(BRITISH CONTEMPORARY)SNOW LANDSCAPEOil on board39cm x 130cm (15in x 51in)£300-500

4§ FG665/1ROWLAND HILDER O.B.E.(BRITISH 1905–1993)SUSSEX LANE IN WINTERSigned, watercolour and ink ontextured paper25cm x 34.5cm (9.75in x 13.5in)£600-900

5§ FG690/2THOMAS BONAR LYON(SCOTTISH 1873-1955)PONT THE CHEVAL, BRUGESSigned with initials, oil on board25cm x 35cm (10in x 15in)Provenance:The Glasgow Art Club

£800-1,200

6§ FG692/2GEORG WOLF(GERMAN 1882-1962)GARDEN VIEW, POSSIBLY'SCHLOSS ARRANCY IN DERPICARDIE'Signed and indistinctlyinscribed, oil on canvas53cm x 70cm (20.75in x 27.5in)£700-900

6

1 4

125

13 FG926/1MACNEIL MCLEAY A.R.S.A.(SCOTTISH 1802-1878)FARM HOUSE AT COLINTONSigned and inscribed on labelverso, oil on panel16cm x 20cm (6in x 8in)£200-300

14 FG979/5MANNER OF JOHN ‘JOCK’WILSON R.S.A.(SCOTTISH 1774-1855)LANDSCAPE WITH TEMPLERUINS AND FISHERMAN INTHE FOREGROUNDOil on canvas29cm x 49cm (11.5in x 19.25in)£200-300

15§ FG988/3SIR MUIRHEAD BONE H.R.S.A.,R.E. (SCOTTISH 1876-1953)WATERLOO PLACE 1916Signed in pencil to margin,etching24cm x 29cm (9.5in x 11.5in)(plate size)£500-700

22 FF225/1HARRY MACGREGOR(SCOTTISH fl. 1894-1935)ROADSIDE CAMPSigned and dated 1910, oil oncanvas56cm x 74cm (22.5in x 29.5in)£400-600

23 FF685/8JOHN BURR R.B.A., A.R.W.S.(SCOTTISH 1831-1893)THE GHOSTSigned, signed and inscribedwith title stretcher verso, oil oncanvas23cm x 28.5cm (9in x 11.75in)£400-600

24 FF718/1ALEXANDER RUNCIMAN(SCOTTISH 1736-1785)A GENTLEMAN SEATEDPen and ink17.5cm x 11cm (7in x 4.5in)£400-600

19 FH97/1ALFRED WILLIAM PARSONSR.A. (BRITISH 1847-1920)THE MOUNTAIN PATHWatercolour25cm x 17cm (10in x 6.5in)£300-500

20 LT2013/38CHARLES ROWBOTHAM(BRITISH 1856-1921)ITALIAN COASTAL SCENESigned, watercolour andbodycolour22.5cm x 48cm (9in x 19in)£200-300

21 FE269/2ROBERT ANNING BELL R.A.,R.W.S., N.E.A.C.(SCOTTISH 1863-1933)WOMEN BY A FOUNTAINSigned and dated ‘05, oil onpanel15cm x 18cm (6in x 7in)Provenance:Andrew McIntosh PatrickExhibited:The Fine Art Society 2007, TheAndrew McIntosh Patrick Collectionno.16

£600-800

16 FH10/119TH CENTURY EUROPEANSCHOOLPORTRAIT OF A BOY WITH DOGOil on panel, oval31cm x 25cm (12.25in x 9.75in)£300-500

17§ FH70/1FRANK WATSON WOOD(SCOTTISH 1862-1953)BATTLESHIP AT SUNSETSigned and dated 1918,watercolour and bodycolour25cm x 73cm (9.75in x 28.75in)£400-600

18§ FH70/2FRANK WATSON WOOD(SCOTTISH 1862-1953)MOONLIGHT - ‘THE “LEON”AND THE “TIGER”Signed and dated 1918,inscribed with title verso,watercolour and bodycolour26cm x 70cm (10.25in x 27.5in)£400-600

7

17

18

31§ FF871/14SCOTTISH CONTEMPORARYAPPROCHING RAIN, PAGHAMFLATSSigned ‘Barlow’ and inscribedwith title verso, oil on canvas50cm x 90cm (19.5in x 35.5in)£300-500

32§ FF871/15ALEX CAMPBELL R.S.A.,R.S.W., S.S.A., S.W.L.A.(SCOTTISH b. 1932)BARGES TIED UPSigned, watercolour andcharacoal29cm x 36cm (11.5in x 14.25in)£300-500

33§ FF984/5P. STANDER (SCOTTISHCONTEMPORARY)VIEW FROM CALTON HILLArtist’s proof, signed and dated‘92 in pencil to margin,inscribed with title, etching45cm x 28cm (17.5in x 11in) (platesize)£150-250

34§ FF984/8MOIRA SCOTT(BRITISH B. 1959)UNTITLEDMixed media51cm x 51cm (20in x 20in)£200-300

35§ FF653/5JANET MCEWAN(SCOTTISH CONTEMPORARY)PINK KISSGranite on a bronze base44cm x 44cm x 11cm(17in x 17in x 4.5in) (includingbase)£200-300

36§ FF569/2ROBERT KELSEY(SCOTTISH b. 1949)SMALL CROFT, IONASigned, oil on canvas29cm x 29cm (11.5in x 11.5in)Provenance:Thompson’s Gallery, London

£300-500

25 FF72/87FOLLOWER OF JACOBUSHENRICUS MARISWOODED LANDSCAPE WITHWINDMILLOil on canvas40cm x 50cm (16in x19.5in)Provenance:The Estate of Dr Renate DavisDeceased

£500-800

26 FF72/60MANNER OF ADRIAEN VANOSTADEPORTRAIT STUDY OF A LADY INA WHITE CAPOil on panel24.5cm x 19.5cm (9.75in x 7.75in)Provenance:The Estate of Dr Renate DavisDeceased

£600-800

27 FF616/419TH CENTURY EUROPEANSCHOOLTREES BY THE RIVERIndistinctly signed, oil on canvas24.5cm x 39.5cm (9.75in x 15.5in)£400-600

28 FF32/1ROBERT HOPE R.S.A(SCOTTISH 1869-1936)THE VILLAGE GREENSigned, oil on canvas51cm x 61cm (20in x 24in)£600-800

29 FF828/2FOLLOWER OF JOHNHOUSTONHARVEST LANDSCAPEBears signature, oil on board35.5cm x 51cm (14in x 20in)£300-500

30 FF867/1ALEXANDER ROCHE R.S.A.,R.P. (SCOTTISH 1861-1921)POLPERRO, CORNWALLSigned, oil on board35.5cm x 43.5cm (14in x 17.25in)Exhibited:The Fine Art Society, Glasgow andEdinburgh, May-June 1982,‘Thoughts of Spring’

£300-500

8

32 35

4745

37§ FF569/1JAMES MCINTOSH PATRICKR.S.A., R.O.I., R.G.I.(SCOTTISH 1907-1998)AT WESTERLEYSSigned, signed and inscribedwith title and dated 1990 labelverso, watercolour36cm x 53cm (14in x 21in)Exhibited:The Fine Art Society, Glasgow “TheGuthrie Award”, June 1990

£600-800

38 FF807/1ATTRIBUTED TO JOHNWILLIAM WATERHOUSE(BRITISH 1979-1917)STUDY FOR A PORTRAITSanguine29cm x 22cm (11.5in x 8.5in)£800-1,200

39§ FF72/81ANDRE DERAIN(FRENCH 1880-1954)PRONE NUDEStamped with the studio stamp,pencil22cm x 28cm (8.5in zx 11in)Provenance:Sothebys, 9 December 1971, lot 44;The Estate of Dr Renate DavisDeceased

£300-500

47 FG637/1J** WADDEL (18TH/19THCENTURY SCOTTISH)THE ROYAL BOUNTY OF LEITHSigned and dated 1797,watercolour and pencil34cm x 46cm (13.5in x 18in)£800-1,200

48 FG673/2ALEX BURKE(19TH/20TH CENTURYSCOTTISH SCHOOL)WATER OF LEITHSigned and dated 1905, oil oncanvas44.5cm x 65cm (17.5in x 25.5in)£400-600

48A§ FF34/1JAMES CUMMINGS R.S.A.,R.S.W. (SCOTTISH 1922-1991)SCOTTISH FIGURES, 1960Signed and dated 1960, acrylicon paper74cm x 49cm (29in x 19.25in)£800-1,200

43§ FG604/1HERMAN VEGER(DUTCH 1910-1983)AN EVENING AT VIERHOUTENSigned, oil on canvas59cm x 89cm (23.25in x 35.5in)£300-500

44 FG507/33ATTRIBUTED TO JOHN GLOVER(BRITISH 1767-1849)PASTORALWatercolour75cm x 114cm (29.5in x 45in)£600-800

45 FG445/3R. PERCY (19TH CENTURYBRITISH SCHOOL)HARVESTSigned, oil on canvas35cm x 45cm (13.75in x 17.75in)£400-600

46 FG473/20ARNOLD PRIESTMAN(BRITISH 1854-1925)SEA VIEWSigned and dated 87, oil oncanvas45.5cm x 86cm (18in x 34in)£400-600

40 FF72/92ATTRIBUTED TO CESAREGENNARIPORTRAIT OF A GIRLSanguine16cm x 12.8cm (6.5in x 5in)Provenance:The Estate of Dr Renate DavisDeceasedSotheby’s. 9 July 1958, lot1 53

£400-600

41 FF72/98ATTRIBUTED TO ADRIANBROUWERTHE HURDY GURDY PLAYERSanguine13.5cm x 8cm (5.25in x 3.25in)Provenance:The Estate of Dr Renate DavisDeceased

£300-500

42 FF814/1MANNER OF ANTOINEBLANCHARD(FRENCH 1910-1988)VIEW OF NOTRE DAME, PARISOil on canvas50cm x 61cm (19.5in x 24in)Provenance:Purchased from Harrods

£2,000-3,000

9

26 38 48A

4248

51§ SV60/25DESMOND CARRICK R.H.A. (IRISH 1928-2012)HEAT SHIMMER ON BURRIANA BEACH, NERJASigned, signed and inscribed with title verso, oil on canvasboard40cm x 50cm (15.5in x 19.5in)Note:Born in Dublin, for nearly thirty years Desmond Carrick worked in thelaboratory of the Guinness brewery following his father’s footsteps. Despitethis career he was able to pursue his passion for art through evening classesat the National College of Art. In 1951 he was commissioned to paint a muralin the Guinness visitors’ centre in St. James’ Gate and in the same yeargathered recognition as a painter when he exhibited at the Royal HibernianAcademy for the first time. In 1968 he was elected full member of the RHAand became one of its most eminent and active members, serving asSecretary until 1982. A trip to Spain in the 1950s ignited a lifelong passion forlight and colour which he reversed in his Irish and Spanish country scenes.He worked with a wide varierty of media, including litography and stainedglass, although he is best known for his oils and watercolours characterisedby a strong impressionist style. His work is represented in private collectionsin the USA, Europe, Australia and New Zealand.

£400-600

52§ SV60/26JAMES LE JEUNE R.H.A. (CANADIAN/IRISH 1910-1983)BATHERSSigned, oil on canvasboard35cm x 45cm (13.5in x 17.5in)Note:Le Jeune was born in Canada to a French/English father, a musician, and anIrish mother. His great uncle was the English Victorian painter Henry LeJeune. He grew up in Dinard, Brittany and later in Northampton in England.During his artistic training he attended art schools in Paris, New York andLondon, mainly focusing on Architecture. When World War II broke out, heserved in the British Army in Tunisia and Italy where he worked as anengineer with Bailey bridges and also did a lot of sketching andwatercolours. Despite becoming an architect after the war, he never lost hispassion for painting and in 1948 exhibited at the Royal Insititue of OilPainters. From 1950 he settled in Ireland with his wife in County Wicklow firstand then in Dublin where he stayed until his death. Deciding to paintfull-time, in 1951 Le Jeune began exhibiting at the Royal Hibernian Academywhere he became a regular exhibitor for the next 31 years and a full RHAmember in 1973. During the 1960s, he opened another studio in New Yorkand spent some years travelling between the two cities. He is best known forhis portrait, landscapes and seascapes.

£800-1,200

49§ SV60/23FERGUS O’RYAN R.H.A. (IRISH 1911-1989)PARISIAN STREET SCENESigned, oil on canvasboard34cm x 45cm (13.5in x 17.5in)Note:Born in Limerick, Fergus O’Ryan was one of the major Irish artists of the20th century. After studying at the Limerick School of Art he moved to Dublinwhere he attended the Dublin Metropolitan School of Art. In 1938 he firstexhibited at the Royal Hibernian Academy and kept exhibiting there nearlyevery year until 1984, becaming a full RHA member in 1960. O’Ryan’s work isfirmly rooted in Ireland, depicting its wild landscapes as well as its busyurban scenes and industrial settings. His style varies from impressionisticstrokes to highly-finished details. Particularly noteworthy is his ability toevoke the transparency and reflective qualities of water using it as a featureof the foreground. The many holidays spent in France and Germany beforethe Second World War left a European taste to his work which could be seenin his market scenes.

£200-300

50§ SV60/24NORMAN J. MCCAIG (IRISH 1929-2001)HARVEST TIMESigned, signed and inscribed on stretcher, oil on canvas46cm x 36cm (18in x 14in)Note:Born in Bangor, county Down, he came from an artistic background and wasinterested in painting from his school days. After studying at Belfast Collageof Art, he travelled to Paris to Academy of Art Vavin where he became goodfriends and exhibited in 1948 with fellow Irish Joseph Sefton, set designer forEdith Piaf. He is mostly known for his landscapes, seascapes and harbourscenes where he uses rich colours applied liberally to achieve anatmospheric and dramatic effect. He was also a very accomplished pianistand played in many of Belfast nightspots.

£300-500

10

49 50

5251

53§ SV60/29FERGUS O’RYAN R.H.A. (IRISH 1911-1989)WATERS EDGE, TORC MOUNTAIN, KILLARNEYSigned, signed and inscribed with title verso, oil on canvasboard40cm x 56cm (16in x 22in)£400-600

54§ SV60/33ANDA PATERSON R.S.W., R.G.I. (SCOTTISH B.1935)WAITING FOR GODMixed media16cm x 56cm (6.5in x 22in)£200-300

56§ SV60/36CLARE CRYAN (IRISH b. 1936)WORKING IN THE FIELDSSigned, oil on canvas42cm x 60cm (16.5in x 24in)Note:Born in Dublin, Clare Cryan studied painting at the National College of Artand the Belfast College of Art. Known as a visual artist, she is also one of thecountry’s most noted art teachers and many of her students have madesignificant contribution to Irish painting. In 1971, after 4 years as Master ofthe Preliminary School of the NCA she founded the Blue Door Studio inBallsbridge. Inspired by the wild landscapes of Connemara, Cryan’s work ischaracterised by a brilliance of colour and a poetic sensibility which haveresulted in many successful exhibitions in Ireland and abroad. Her paintingshave been shown regularly in the Royal Hibernian Academy, the NationalWatercolour Society London and the Royal Institute of Painters inWatercolour as well as in galleries in Brussels, Paris, Antwerp andLuxembourg. In 1990 the then President of Ireland Patrick Hillery presentedone of her pictures as a state gift to Queen Beatrix of the Netherlands.

£500-700

55§ SV60/35LIAM TREACY (IRISH 1934-2004)WINTER LANDSCAPE, 1982Signed, oil on canvasboard30cm x 40cm (12in x 16in)Note:Liam Treacy was born in Avoca, County Wicklow where he lived all his life. itwas not until the 1950s that he started painting while confined to bedrecovering from tubercolosis. During this time at the hospital he wasintroduced to the sculptor Yann Renard Goulet who taught him everything heknew about painting and drawing and about Claude Monet in particular, whowas to influence Treacy’s work more than any other artist. By 1956 Treacywas painting en plen air around his beloved Wicklow county and starteddeveloping a distinctive impressionist style. His luminous work reflected themoods and colours of the constantly changing familiar Irish countryside. Heexhibited for the first time in 1956 and soon many other shows followed ingalleries across Ireland and abroad. Despite his success as a painter henever focused on a professional artistic career until 1978 when he decided tobecome a full time artist. Thoroughtout his life Treacy taught art innight-time classes in Arklow Community College, Abbey Community College,Wicklow and at Shelton Open Detention Centre where he held art classes forthe prisoners until 1995.

£250-400

11

54

5655

53

57

60 SV60/49ROBERT NOBLE R.A., R.S.A.(SCOTTISH 1857-1917)MENDING THE NETSSigned and dated 1880, oil oncanvas34cm x 24cm (13.5in x 9.5in)£300-500

61 SV60/50GEORGE MANSON(SCOTTISH 1850-1876)GYPSY GIRL 1875Signed with monogram anddated 75, watercolour andbodycolour30cm x 23cm (12in x 9in)£250-400

62 SV60/52MIKHAIL SERGEEVICH AGEEV(RUSSIAN b. 1918)SNOW SCENESigned and dated 85, oil oncanvas39cm x 49cm (15.5in x 19in)£250-400

63§ SV60/55LIAM TREACY(IRISH 1934-2004)HARBOUR SCENESigned, oil on canvas35cm x 45cm (13.5in x 15.5in)£300-500

64§ SV60/56CHARLES J. MCAULEY(IRISH 1910-1999)MAN WITH COWSSigned, oil on canvas34.5cm x 45cm (13.5in x 17.5in)£400-600

65 SV60/4119TH CENTURY IRISH SCHOOLYOUNG GIRL WITH RED CAPEOil on board54cm x 39cm (21in x 15.5in)£300-500

57§ SV60/57NORMAN J. MCCAIG (IRISH 1929-2001)TRAWLERS AT DINGLE, KERRYSigned, oil on canvasboard29cm x 40cm (11.5in x 16in)£300-500

59 SV60/47HENRY WRIGHT KERR R.S.A., R.S.W. (SCOTTISH 1857-1936)SWEET PEAS, 1891Signed and dated ‘91, watercolour60cm x 40cm (23.5in x 16in)Exhibited:Aitken Dott & Son (The Scottish Gallery), Edinburgh, H. W. Kerr , R.S.A. -Memorial Exhibition

£2,000-3,000

12

58

58§ SV60/42CHARLES JOSEPH MCAULEY (IRISH 1910-1999)A GOOD DAY FOR FISHINGSigned, Signed and inscribed with title and dated ‘79 verso, oil oncanvas36cm x 47.5cm (14in x 18.5in)Note:One of Ultster’s best known artists, for over 70 years Charles McAuleycaptured the lights, the colours and the people of his beloved Glens ofAntrim, in Northern Ireland. Born in a rural village where farming was themain source of income, he nurtured a deep love for painting ever since hewas a child. In 1919 at a local Feis he met the painter James Humbert Craigwho recognised his talent and encouraged his artistic career. Despite a briefperiod of study at Belfast Art College and Glasgow College of Art, he waslargely self-taught, his interests spanning from art to poetry, writing,classical and opera music. An exeptionally prolific artist, McAuley neversought public recognition. His life was conducted in the rather seclutedpastoral environment of the Glens, where he painted the nature around him.Rivers, glens, mountains and seascapes feature his oils and watercolours ina richness of tones and movements that became McAuley’s trademark. Inthese idyllic scenes people are depicted in their daily rural lives with humorand tenderness in an attempt at expressing the slow-paced life of thecountryside. His work became known thorugh word of mouth rather thanself-promotion. The fact that several of his paintings are now both in privateand public collections is significative of how extraordinary and admired hisart has become.

£500-800

59

66§ SV60/58CHARLES J. MCAULEY(IRISH 1910-1999)OLD COUPLE PASSING TIMESigned, oil on canvas34cm x 53cm (13.5in x 21in)£400-600

67 SV60/6718TH CENTURY BRITISHSCHOOLA MINIATURE PORTRAIT OFFATHER GRAME, A CAPUCHINFRIAR AT BOULOGNEIndistinctly inscribed verso ‘Thispicture of Father Grame, aCapuchin Fryare of a convent atBoulogne in France was paintedby a Miss Seton....the Earl ofWinton’s family who resided....’,oval7cm x 5.5cm (2.75in x 2.25in)a further miniatureaccompanies this lot (2)£250-350

68§ SV60/74NORMAN J. MCCAIG(IRISH 1929-2001)COUNTRY PATH IN AUTUMNSigned, oil on panel40cm x 60cm (15.5in x 23.5in)£300-500

69 SV60/81JOHN ROBERTSON REIDR.B.A., R.O.I., R.I.(SCOTTISH 1851-1926)FISHING BOATS OFFPOLPERRO, CORNWALLSigned and dated 1910, signedand inscribed with title labelverso, watercolour35cm x 52cm (14in x 20.5in)£300-500

70 SV60/8219TH CENTURY BRITISHSCHOOLMINIATURE OF A SEATED LADYIN A SUMMER DRESSIndistinctly signed and dated1834, oil on ivory11.5cm x 10cm (4.5in x 4in)£200-300

13

74

71

71§ SV60/83MAURICE CANNING WILKS A.R.H.A., R.U.A.(IRISH 1911-1984)ROUNDSTONE VILLAGE, CONNEMARASigned, inscribed verso ‘Wishing you a very happyChirstmas, Maurice’, watercolour and pencil12.5cm x 18cm (5in x 7in)Note:A native of Belfast, Maurice Canning Wilks was one of Ireland’s mostprolific landscape painters. His most flourishing period was between1933 and 1940 when he held many exhibitions at the Royal HibernianAcademy in Dublin, as well as in Belfast, London, Boston, Montrealand Toronto. When only 19 he won the Dunville Scholarship whichallowed him to study full time at the Belfast College of Art. Aftercollege, he moved to Cushenden, a village on the Antrim coast andbecame a professional fine artist. His paintings and watercolourstypically feature the landscapes of the northern and western countiesof Ireland, although he always had a special connection with themountains, valleys and bog islands of Donegal and Connemara. Thiswatercolour is a fine example of Wilks’ style and subject matter.Loose fluid brushstrokes perfectly capture the romantic spirit of abright sunny day in a rural village of Connemara.

£200-300

72 SV60/87ROBERT NOBLE R.A., R.S.A. (SCOTTISH 1857-1917)ROAD BY THE SHORESigned and dated, oil on board22cm x 13cm (8.5in x 5in)£250-400

73 SV60/88JAMES ELDER CHRISTIE N.E.A.C. (SCOTTISH 1847-1914)CHILDREN AT THE WATER PUMPSigned, oil on canvas24cm x 34.5cm (9.5in x 13.5in)£300-500

74 SV60/91MILDRED ANNE BUTLER R.A., R.W.S. (IRISH 1858-1941)TWO HORSES HAY MAKINGSigned, watercolour27cm x 22cm (10.5in x 8.5in)Note:Born in Kilmurry, County Kilkenny, Mildred Anne Butler studied art inLondon at Westminster School of Art under Frank Calderon. Atalented painter, she worked in oil and watercolour and becameknown for her landscapes, genre and animal subjects. After herstudies she spent a period in Newlyn, Cornwall, where she came intouch with the artists from the Newlyn School. She was stronglyinfluenced by their realist approach to paint, reminiscent of theBarbizon School in France. Her success came when she startedexhibiting at the Royal Academy from 1889 to 1902. After this prolificperiod, she went back to her family home in Kilkenny where shespent the rest of her life painting the gardens, farmyards, plants,birds and animals of her beloved county. Her work now hangs inmajor galleries in Ireland and England.

£500-700

72

73

75§ SV60/92WILLIAM CONOR O.B.E., R.H.A., R.U.A., R.O.I. (IRISH 1881-1968)THE RED HATSigned, pastel and pencil20.5cm x 17.5cm (8in x 7in)Note:William Conor was born in Belfast, the son of a sheet metal worker. Hisorigins strongly influenced his artistic life and inspired him many portraits ofthe working-class life in Ulster for which he is stil highly celebrated today.When he was ten, his music teacher recognised his talent and helped himentering the Belfast College of Art. Immediately after school he worked as acommercial artist but was soon enlisted by the British government as anofficial war artist during the First World War. In 1920 Conor moved to Londonand there a flourishing period of his artistic career began. He met andbecame good friends with Sir John Lavery and Augustus John and startedexhibiting at the Royal Academy. He was also the first Irish artist to gainmembership to the Royal Institute of Oil Painters. He remained faithful to hisfavourite subject: the people and street life of the industrial Belfast, which healways depicted with a warm and sympathetic approach. Between 1918 and1967 he exhibited nearly 200 works at the Royal Hibernian Academy of whichhe became full member in 1946. Further honours followed: the Order of theBritish Empire in 1952 and President of the Royal Ulster Academy in 1957.More than 50 watercolours are held now in the permament collections of theUlster Museum.

£1,500-2,500

14

75 76

77

76 FF499/74THOMAS ALEXANDER FERGUSON GRAHAM H.R.S.A.(SCOTTISH 1840-1906)THE SHORESigned, signed and inscribed label verso, oil on canvas72cm x 134cm (28.25in x 52.75in)Note:Inscribed label verso ‘Surely, surely, slumber is more sweet than toil, theshore Than labour in the deep mid-ocean, wind and wave and oar; O, rest ye,brother mariners’, a line from Lord Alfred Tennyson’s poem ‘TheLotos-Eaters’

£600-800

77§ FF575/1JESSIE M. MCGEEHAN (SCOTTISH 1872-c. 1962)SAILING THE BOATSigned, pastel49cm x 64cm (19in x 25in)£600-800

78 FF922/5CHARLES HODGE MACKIER.S.A., R.S.W.(SCOTTISH 1862-1920)THE RETURN OF THE FLOCKSigned and inscribed in plate,woodblock print305cm x 35.5cm (12in x 14in)£300-500

79 FF988/4KATE WYLIE(SCOTTISH 1877-1941)ANEMONESSigned, oil on canvas35cm x 24cm (13.75in x 9.5in)Exhibited:T & R Annan & Sons Ltd., Glasgow,November 1959

£400-600

80 FF993/1B. HAYES (19TH CENTURYBRITISH SCHOOL)ROUGH SEASIndistinctly signed and dated‘96, oil on canvas44cm x 80cm (17.5in x 31.5in)£300-500

81 FF998/1THOMAS BROMLEYBLACKLOCK(SCOTTISH 1863-1903)A WATER STREAM IN THEWOODSOil on canvas39.5cm x 60cm (15.5in x 23.5in)£700-900

82§ FG604/2MARGARET HISLOP R.S.A.,R.B.A. (SCOTTISH 1894-1972)SQUARE DE VERT GALENT,PARISSigned, oil on canvasboard75.5cm x 54.5cm (29.5in x 21.5in)Exhibited:Royal Scottish Academy, 1970

£300-500

83 FG665/2HARRY MACGREGOR(SCOTTISH fl. 1894-1935)A STREAM IN SPRINGTIMESigned and dated 1908, oil oncanvas50cm x 61cm (19.75in x 24in)£600-900

84 FG680/118TH CENTURY CONTINENTALSCHOOLICON WITH FLORAL STILLLIVESOil on Copper35cm x 24cm (13.75in x 9.5in)£500-700

85§ FF871/12EDMUND BLAMPIED R.B.A.,R.E. (BRITISH 1886-1966)THE BUTTERFLYSigned and numbered 15/100 inpencil to margin, signed anddated October 1928 in plate,etching24cm x 20cm (9.5in x 8in)£700-900

86 FG684/1THOMAS MARJORIBANKS HAYR.S.W. (SCOTTISH 1862-1921)THE COMING STORMSigned, watercolour22.5cm x 34cm (9in x 13.5in)£500-700

87 FG687/3ROBERT HOPE R.S.A.(SCOTTISH 1869-1936)THE DALESMANOil on canvas60cm x 49cm (23.5in x 19.25in)Exhibited:The Royal Scottish Academy, 1929,no. 158

£500-800

88§ FG690/1ROBERT RUSSELL MCNEE(SCOTTISH 1880-1952)CHICKENS IN A FARMYARDSigned and dated ‘14, oil oncanvas35cm x 45cm (13.75in x 17.75in)£800-1,200

93 FG683/118TH CENTURY BRITISHSCHOOLPORTRAIT OF DR. THOMASGRAHAM PHYSICIAN OFGEORGE IIOil on canvas, oval63cm x 46cm (25in x 18in)and another portrait by thesame hand (2)£1,200-1,800

94 FG779/1518TH CENTURY DUTCHSCHOOLA WOODED LANDSCAPE WITHOLD WOMAN RETURNINGHOMEOil on panel25.5cm x 28cm (10in x 11in)£300-500

95 FG766/4HARRY SPENCE(SCOTTISH 1860-1928)RIVER THROUGH THE TREESSigned, oil on canvas71cm x 90.5cm (28in x 35.5in)£800-1,200

92 FG724/5FRANZ GAUL(AUSTRIAN 1837-1906)L’AIGLON EN 1832Signed and inscribed,watercolour and bodycolour13.5cm x 8.5cm (5in x 7in)Note:L’Aiglon (the Eaglet, a young eagle)was the posthumous nickname thatwas given to Napoleon’s son,Napoleon II of France, Franz Duke ofReichstadt. It was later madepopular by a play in six acts basedon his life, L’Aiglon, written byEdmond Rostand in 1900 andperformed by Sarah Bernhardt.Dying of tubercolosis at thepremature age of 21, Franz led arather unfortunate life. The son ofNapoleon I and his second wife,Archiduchess Marie Louise ofAustria, he inherited by birth thetitles of Prince Imperial, King ofRome and Prince of Parma.However he never got the chance toactually rule France as the coalitionpartners that deafeated Napoleonrefused to acknowledge hissuccession rights. Soon after hisfather abdicated in 1815, thefour-year-old Franz was forced toabdicate himself and spent the restof his short life in Austria with hismother. The Austrian artist FranzGaul, known for political caricaturesand humorous pictures of theatreactors, captured the young Emperorthe year of his death.

£250-350

89§ FG692/1FREDERICK HALL(BRITISH 1860-1948)AN AUTUMN LANDSCAPESigned ‘Fred Hall’, oil oncanvasboard24.5cm x 34.5cm (9.5in x 14.5in)£1,000-1,500

90 FG692/319TH CENTURY FRENCHSCHOOLPORTRAIT OF A YOUNG CHILDIndistinctly inscribed and dated1859 (?), pastel, oval54cm x 42cm (21in x 16.5in)£300-500

91§ FG720/1FELIKS TOPOLSKI(POLISH 1907-1989)DAY AIR RAID, QUEEN ANNE’SGATESigned and inscribed with titleand dated 1941, pen and ink onpaper laid on card, unframed42cm x 53cm (16.in x 20.75in)£600-800

15

84 85 93

8881

106§ FH75/1SIR WILLIAM MACTAGGARTP.P.R.S.A., R.A., F.R.S.E., R.S.W.(SCOTTISH 1903-1981)WOODED LANDSCAPE WITHDISTANT CHURCHblack crayon20.5cm x 25.5cm (8in x 10in)and another by the same hand,a near pair (2)£400-600

107§ FF26/1JOAN GILLESPIE(SCOTTISH b. 1954)THE PINK TOPSigned, oil on board52cm x 57cm (20.5in x 22.5in)£500-700

108§ FE77/7NAEL HANNA(IRAQI/SCOTTISH b. 1959)EAST HAVENSigned, oil on canvas76cm x 121cm (30in x 47.5in)Exhibited:Eduardo Alessandro Studios,Dundee, No.19

£2,000-3,000

109 SV123/23HUGH MACKAY(SCOTTISH fl. 1902-1906)THE JETTYSigned, oil on canvas46cm x 56cm (18in x 22in)£300-400

110 SV123/29HUGH MACKAY(SCOTTISH fl. 1902-1906)ROAD TO THE COASTSigned, oil on canvas46cm x 56cm (18in x 22in)£300-500

111 SV57/115PETER GRAHAM R.A., A.R.S.A.(SCOTTISH 1836-1921)HIGHLAND PASTURESSigned and dated 1898, oil oncanvas60cm x 90cm (24in x 35.5in)£300-500

112 SV112/7WILLEM ROELOFS(DUTCH 1822-1897)THE FISHERMANSigned, watercolour31cm x 48cm (12in x 19in)Provenance:Forbes Collection, 1914

£300-500

113§ FH154/1SIR ROBIN PHILIPSON R.A.,R.S.A., R.S.W. R.G.I.(SCOTTISH 1916-1992)FIGHTING COCKSSigned and numbered 12/50 inpencil to margin, embossedwith blind stamp, colourlithograph50.5cm x 75.5cm(19.75in x 29.75in)£250-350

114 FG681/1WILLIAM HENRY HAMILTONTROOD (BRITISH 1848-1899)PORTRAIT OF PAMPA,ARGENTINASigned and dated 1890, oil oncanvas46cm x 61cm (18in x 24in)Note:Pampa belonged to Robert BontineCunninghame Graham, the Scottishpolitician, writer, journalist andadventurer. He lived with Gauchos inArgentina for a time, where heremains something of a folk herothere to this day. This paintingcomes directly from Graham’sdescendants.

£800-1,200

96§ FG766/7D. G. WOMACK(CONTEMPORARY SCOTTISH)STILL LIFE ‘CLABBY DUBHS’Signed with initials, oil oncanvasboard48cm x 61cm (19in x 24in)£400-600

97§ FG776/2DONALD FORBES(SCOTTISH CONTEMPORARY)STILL LIFE WITH LEMONSSigned, oil on canvas54cm x 61cm (21in x 24.25in)£300-500

98§ SV57/39OLIVER TROWELLS(BRITISH 20TH CENTURY)THE BEACH AT ST. ANDREWSWITH ST RULES TOWER ANDCASTLE IN THE REARSigned and dated ‘90, oil onboard125cm x 100cm (49in x 39.5in)and two further works by thesame hand (3)£600-900

99 FG908/1V. DE SALLES (20TH CENTURYCONTINENTAL SCHOOL)DECORATIVE STILL LIFE WITHPARROT AND MONKEYSigned, oil on canvas95cm x 128cm (37.5in x 50.5in)£600-800

100 FG941/4DONALD MANSON(SCOTTISH CONTEMPORARY)STILL LIFE WITH HEARTSHAPED CROUTONSSigned, oil on board58cm x 44cm (23in x 17in)£300-500

101 FG941/1DONALD MANSON(SCOTTISH CONTEMPORARY)VIOLIN, ORCHID ANDORIENTAL POPPIESSigned, oil on canvas101cm x 81cm (39.5in x 32in)£600-800

102§ FG943/2FRED BOTTOMLEY(BRITISH 1883-1960)THE SLOOP INNSigned, oil on panel33cm x 41cm (13in x 16in)£400-600

103§ FG965/7LENA ALEXANDER(SCOTTISH 1899-1983)A STILL LIFE OF PINK ANDYELLOW ROSESSigned, pastel on paper51cm x 68.5cm (20in x 27in)£500-700

104 FG965/9LOUISE PERMAN(SCOTTISH 1854-1921)A STILL LIFE OF YELLOW ANDRED ROSESSigned, oil on canvas46cm x 76cm (18in x 30in)£700-900

105 FH14/1JOHAN OLDERT(SOUTH AFRICAN 1912-1984)TREES WITH COTTAGESigned, oil on canvasboard60cm x 90cm (23.5in x 35.5in)£500-700

16

97 104

115§ FG707/1MARJORIE BAYLIS BARNARD(BRITISH 1870-1946)ONE YEAR OLDSigned and dated 1902, pastel61cm x 51cm (24in x 20in)£300-500

116* FG701/519TH CENTURYCONTINENTAL SCHOOLTHE GALLOPIndistinctly signed and dated1845, oil on canvas33cm x 63cm (13in x 24.75in)£600-800

117§ FG716/1ANNA DICKSON R.S.W.(SCOTTISH 1873-1959)LOWTIDEOil on canvas29cm x 43.5cm (11.5in x 17in)£700-900

118 FG721/2AUGUSTO LOVATTI(ITALIAN 1852-1921)BLOSSOMS, CAPRISigned and inscribed ‘Capri’,watercolour57cm x 35cm (22.5in x 13.75in)£700-900

125§ SV112/14JOHN MURRAY THOMSONR.S.A., R.S.W., P.S.S.A.(BRITISH 1885-1974)MOTHER AND PUPPIESSigned, oil on canvas44cm x 60cm (17.5in x 23.5in)£600-800

126 SV112/12WILLIAM GRANT STEVENSONA.R.S.A. (SCOTTISH 1849-1919)THE SHEPHERDSigned, oil on canvas60cm x 90cm (23.5in x 35.5in)£300-500

127§ FG631/1JOHN HOUSTON O.B.E., R.S.A.(SCOTTISH 1930-2008)TEMPLE GARDEN WITHWATERFALL AND PAGODASigned, inscribed with title andnumbered 2/30, screenprint56.5cm x 77.5cm (22.25in x 30.5in)£400-600

122§ FG971/1CHARLES GUSTAV LOUISPHILLIPS (BRITISH 1863-1944)MORNING CONSTITUTIONALSigned and dated ‘93, oil oncanvas50cm x 74cm (19.75in x 29in)£500-700

123 FG980/118TH CENTURY SCOTTISHSCHOOLPORTRAIT MINATURE OF MRALEXANDER EDGARInscribed ‘A. Edgar’ verso, oval,possibly on ivory, mounted in anunmarked yellow metal3.75cm x 3cm (1.5in x 1.25in)£150-250

124§ FH39/1BARCLAY HENRY(SCOTTISH 1869-1946)A SPRING MORNINGSigned and dated 1894, oil oncanvas52cm x 75cm (20.5in x 29.5in)£600-800

119 FG831/25EMILY EYRES(BRITISH 19TH CENTURY)PORTRAIT OF CHARLES PETERFLEETWOOD-HESKELL, ATATVISigned and dated 1911,inscribed with title of sitter, oilon canvas163cm x 119cm (64.25in x 46.75in)£500-800

120 FG965/14ROBERT NOBLE R.S.A., P.S.S.A(SCOTTISH 1857-1917)HADDEN LOW ROADSigned and dated 1878,inscribed verso, oil on canvas35.5cm x 25.5cm (14in x 10in)£500-700

121 FG965/15HENRY GARLAND(BRITISH c.1854-1890)NEAR INVERORAN,ARGYLESHIRESigned, signed and inscribedverso, oil on canvas31cm x 25.5cm (12in x 10in)£1,000-1,500

17

120 121101

107 108

128 129 134

144 132138

134 FG327/18ITALIAN CARVED AND GILTWOOD NICHEMID 19TH CENTURYof arched form, with a shellcrested niche, supported bybaluster columns and a shapedbase, the central platform witha carved soapstone figure ofMadonna and child, with tracesof paint, possibly earlier thanthe niche38cm high overall, figure 23cm£250-400

135 FG327/24PAIR OF SMALL CHELSEATUREENS AND COVERSeach modelled as cos lettuces,the leaves forming scrolledhandles, with red anchor marksto undersides (A/F) (2)12cm high£300-400

136 FG327/48PARIS RUE THROUX PARTDINNER SERVICE19TH CENTURYeach piece decorated with awhite ground border of poppiesand small blue flowers, with agilt rim, comprising of: sevengraduated oval ashettes, elevendinner plates (A/F) qty)£150-250

137 FG327/51GROUP OF CERAMIC FIGURES19TH CENTURYto include: a pair of tall bisqueporcelain figures; a pair ofParian busts on polished slatepedestals with marble inlay,stamped ‘Morris’; and fourStaffordshire condiments,modelled as toby characters (8)37cm high (tallest)£200-400

128 FG327/3719TH CENTURY ANGLOINDIAN SCHOOLSTUDY OF AN OWLWatercolour and pencil43cm x 31cm (17in x 12.25in)£800-1,200

129 FG327/3819TH CENTURY ANGLO INDIANSCHOOLSTUDY OF A COBRA HEADWatercolour42.5cm x 31.5cm(16.75in x 12.25in)£400-700

130 FG327/167AFTER MICHAELANGELOHEAD OF THE VIRGINa moulded reproduction fromMOMA in cold cast marble withresin, 34cm high; together witha FACSIMILINE PANEL, infibreglass of P. Scipioni, 60cmx 39cm (2)£140-180

131 FG327/2PAIR OF EBONISED WALLBRACKETSCIRCA 1900the shaped shelf with gilt detailto the moulded edge andsupported by a gilt brasswinged mythical beast with out-stretched bat wings supportingthe shelf (2)shelf width 32cm£200-300

132 FG327/14BRONZE FIGURE OF A RABBIT20TH CENTURYin a seated position, wellmodelled in bronze17cm long£200-400

133 FG327/14AGROUP OF BRASS FIRE IRONSEARLY 20TH CENTURYof simple traditional turnedform, comprising of a shovel,poker and a pair of tongs (3)overall length 68cm£120-180

18

Property removed from Richardsons, Yorkshirelots 128-158

138 FG327/51ASTAFFORDSHIRE FIGURE OFBRITANNIACIRCA 1850the seated allegorical figuremodelled with a helmet andshield, flanked by a lion, seatedon a marbled rectangular plinthbase35cm high£120-180

139 FG327/78TWO PAIRS OF VICTORIANSTAFFORDSHIRE LIONS19TH CENTURYone pair moulded as recumbentlions on oval bases, the otherpair as standing lions (4)36cm long£250-400

140 FG327/73BCASED HAND PAINTED BRISEFANLATE 19TH CENTURYthe painted leaf depictingfigures within a pastoral scene,the sticks and guards decoratedin the chinoserie style18.5cm long£150-250

146 FG327/165BCOPTIC CROSS PENDANT19TH CENTURYin white metal, with mouldedand chased decoration, with along braided hair neck pieceCross 19.5cm long£120-180

147 FG327/165ARIDING BOOTS ANDSTRETCHERSEARLY 20TH CENTURYpolished black leather27cm length of foot£100-200

148 FG327/165PAIR OF IMARI SAUCERDISHES19TH CENTURYeach of circular form, decoratedwith large red, blue and giltflowers, within a gilt rim (2)36.5cm diam.£120-180

143 FG327/73DCASED PAINTED PIQUE GAUZEAND IVORY MOUNTED FANLATE 18TH CENTURYthe pique and spangled paintedleaf decorated with figures inreserves amongst foliage andborders, with silver inlaid ivorysticks and guard26cm long£150-250

144 FG327/169‘HOODED FIGURE’ CERAMICBUST, BY AUSTIN SCULPTUREraised on a splayed base, withmaker’s marks andmanufacturer’s document57cm high approx.£150-250

145 FG327/168COLLECTION OF WOODEN ANDPAINTED SPHEREScomprising of: a small burrwood example, 43cmcircumference; a spheredecorated with a blue/greenpainted marble effect, 50.5cmcircumference; and largerexample, with deep bluedecoration, 52.5cmcircumference (3)£150-250

141 FG327/73ATWO CASED PIQUE GAUZEFANSEARLY 20TH CENTURYthe first, with a repeatingdiamond pattern to the leafabove inlaid ivory sticks andguard, 19.5cm long; the second,of similar style, with a scrollingfoliage pattern to the leaf abovegilt bone sticks and guard,21cm long (2)£120-180

142 FG327/73CCASED BRUSSELS LACE ANDMOTHER-OF-PEARL MOUNTEDFANSECOND HALF OF 19THCENTURYthe decorative lace leafdepicting flowers and scrollingfoliage, with mother-of-pearlsticks and guard25cm long£200-300

19

135 140

145148

154 158 151

154 FG327/39SET OF EIGHT EBONISEDDINING CHAIRSthe turned top rail above acaned horizontal splat and seat,raised on turned legs, with giltcollars, some with stampedinitials to stretchers (8)47cm wide, 85cm high,42cm deep£600-900

155 FG327/41EBONISED AND GILTAESTHETIC STYLE DININGTABLEthe central section with apedestal base, with a singlerectangular section and flankedby demi lune ends, all raised onslender circular taperingsection legs with gilt ring detail377cm wide, 77cm high,113cm deep approx.£700-900

156 FG327/46MARBLE TOPPED GILTWOODAND EBONISED CONSOLETABLE, BY ANTHONY REDMILEthe rectangular top above anivory frieze, raised on mouldedlegs with lion masks and pawfeet198cm wide, 78cm high,48cm deep£600-1,000

157 FG327/55PAIR OF FRENCH LOUIS XVSTYLE PAINTED ARMCHAIRSthe foliate carved top rail andcushioned back above outsweptarms and a serpentinecushioned seat, raised onmoulded cabriole legs andcasters (2)65cm wide, 101cm high,52cm high£200-300

158 FG327/42BRASS AND STEEL FIREBASKETLATE 19TH CENTURYthe shaped fire back and grateflanked by scrolling brassuprights, above a pierced foliateapron72cm wide, 72cm high,37cm deep£500-800

149 FG327/27KOREAN CELADON VASEPOSSIBLY 18TH CENTURYof tapering form, stylised singleseal mark to side, slight ribbeddecoration, inventory number tothe base21cm high£250-400

150 FG327/25WHITE JADE AND GILTBRONZE BELT HOOK19TH CENTURYthe white jade carved in highrelief as a chilong, the giltbronze mount with chilonghead; together with a celadonjade belt buckle in two parts,carved in relief with phoenixamong blossoms, the hook inthe form of a chilong head; andtwo other jade carvings, twosmall jade bowls, one withcarved seal mark to underside;and a circular jade box andcover, plain slight threadedborders (5)the belt hook 9.5cm long; thebuckle 11cm long overall£400-600

151 FG327/28CHINESE CLOISONNE CRANECENSERQING DYNASTYthe figure standing on giltbronze legs with claw feet, witha bronze open beak and wiretongue, the body in blue andturquoise enamel withremovable wings cover18cm high£300-500

152 FG327/127SET OF TWELVE SILVERAPOSTLE SPOONSLATE 19TH CENTURYmarked with a crowned W tobowl, of traditional form withtapered stems and large bowlswith cast apostle terminals (12)20cm long, 26oz£250-350

153 FG327/52SILVER PLATED SOUP TUREENAND COVER19TH CENTURYof oval form with scrollingmoulded handles, and lift-offcover, raised on a short stemand an oval base36cm across handles£150-200

20

155

21

APRIL

16 Decorative Arts & Design

30 British & Continental Paintings

MAY

07 Rare Books, Maps & Manuscripts

21 Select Jewellery

22 Scottish Paintings

JUNE

04 Fine Asian Works of Art

25 Fine Antiques & Works of Art

JULY

09 Jewellery & Silver

Forthcoming Sales

Sales Calendar

Enquiries:John Mackiejohn.mackie@lyonandturnbull.comTel: 0131 557 8844

Decorative Arts: Design since 186016th April, 2014

PIERO FORNASETTI (1913-1988)‘STRUMENTI MUSICALE’Double-sided screen, 1950s£2,000-3,000

163 FG802/15LARGE OAK LIBRARYBOOKCASEthe moulded cornice aboveglazed doors enclosingadjustable shelves, overmoulded doors, raised on aplinth base260cm wide, 303cm high,54cm deep£2,000-3,000

164 FG831/4VICTORIAN MAHOGANYEXTENDING DINING TABLEthe moulded, roundedrectangular top above a plainfrieze, raised on turned legsand ceramic casters245cm wide, 74cm high,119cm deep£700-1,000

165 FG846/5GEORGIAN MAHOGANY ANDEBONY STRUNG SIDE TABLEthe cross banded roundedrectangular top above two friezedrawers, raised on turnedreeded legs113cm wide, 94cm high,39cm deep£250-350

166 FH38/13LEATHER ARMCHAIRthe arched back above outscrolling arms and a loosecushioned seat, raised onsquare tapering legs, patchedwith vintage textiles75cm wide, 83cm high,55cm deep£600-800

167 SV85/1ARTS AND CRAFTS STYLE OAKGLAZED CABINET ANDUNDERCABINETthe moulded cornice aboveastragal and lead glazed doorsenclosing adjustable shelves,flanked by square uprights, overthe base with two friezedrawers above glazed and paneldoors, raised on square padfeet122cm wide, 205cm high,45cm deep£500-800

159 FF553/49EDWARDIAN PAINTEDSATINWOOD OVALOCCASIONAL TABLEthe shaped top decorated withcherubs and portrait panels,with a floral border above afloral painted frieze, raised onsquare tapering legs and brasscaps and casters71cm wide, 50cm high,75cm deep£250-350

160 FF553/70GEORGE III MAHOGANY ANDINLAY SERPENTINESIDEBOARDof small proportion, the shapedcrossbanded top above acentral drawer, flanked by deepdrawers, raised on squaretapering legs and spade feet107cm wide, 90cm high,63cm deep£500-800

161 FF685/12EDWARDIAN ROSEWOODPARLOUR SUITEcomprising of: a sofa, thecushioned back above inlaidhorizontal splats, over a stuffover seat, raised on ring turnedlegs; an arm chair; a ladieschair; and two side chairs (5)sofa 132cm wide, 80cm high,56cm deep£300-500

162 FB58/12AFTER ANDY WARHOL, ANOVER PAINTED PINE CHESTPAINTED WITH MARYLINMONROEthe moulded top above twoshort and two graduated longdrawers, raised on bun feet,painted blue with the image tothe front88cm wide, 86cm high,41cm deep£300-500

22

160 162

170164

168 FG855/2GEORGIAN MAHOGANY DEMILUNE FOLD OVER CARD TABLEthe moulded shaped top abovea boxwood strung frieze, raisedon square tapering legs98cm wide, 73cm high,48cm deep£200-300

169 FG846/9GEORGIAN WALNUT TOILETMIRRORthe shaped mirror plate onslanted supports, above threedrawers74cm high overall£200-300

170 FG831/30LARGE ROCKING HORSEcovered with pelt to simulate areal horse, with a saddle,saddle bags and otheraccessories, raised on a turnedwooden rocking base206cm wide, 160cm high,66cm deep£200-300

177 SV57/109OAK FIRE SURROUNDthe moulded cornice abovespiral turned supports and amoulded frieze, over mouldeduprights136cm wide, 170cm high,21cm deep£100-200

178 SV112/19PAIR OF GEORGE IIIMAHOGANY CHIPPENDALEPATTERN CHAIRSthe moulded top rail above apierced vertical splat and stuffover seat, raised on squaremoulded legs, united bystretchers (2)58cm wide, 99cm high,44cm deep£300-400

179 FH38/6CHROME AND MAHOGANYANGLE POISE STANDARDLAMPMODERNraised on a tripod base45cm wide, 165cm high£400-600

174 FG842/13TWEED UPHOLSTEREDARMCHAIRthe scroll back above downswept arms and a cushionedseat, raised on turned legs andbrass caps and casters69cm wide, 80cm high,55cm deep£300-400

175 SV57/25EDWARDIAN OAK SIDEBOARDthe moulded gallery above amoulded rectangular top andthree frieze drawers, over threecupboard doors flanked bycarved pilasters, raised on bunfeet213cm wide, 136cm high,69cm deep£250-400

176 SV85/13VICTORIAN MAHOGANYEXTENDING DINING TABLEthe rounded rectangular topabove a plain frieze, raised onturned and fluted legs andceramic casters, including twoleaf extensions238cm wide, 74cm high,116cm deep£700-1,200

171 FG801/4MAHOGANY DRESSING TABLE19TH CENTURYthe three quarter galleried topabove a frieze drawer, raised onturned legs92cm wide, 89cm high,55cm deep£150-250

172 FG779/2VICTORIAN WALNUT WRITINGTABLEthe moulded rectangular topwith an inset writing surfaceabove two frieze drawers andtwo opposing dummy drawers,raised on turned fluted legs163cm wide, 75cm high,60cm deep£200-300

173 FG788/1FRENCH OVER PAINTEDARMOIREthe moulded cornice and foliatecarved pediment abovemirrored doors, enclosinghanging space, over a shapedapron, raised on mouldedcabriole legs142cm wide, 250cm high,53cm deep£600-800

23

166 163 174

173 179167

184 FF72/66SET OF SIX QUEEN ANNESTYLE WALNUT DININGCHAIRSthe shaped top rail and verticalvase shaped splat, above a dropin pad seat, raised on mouldedcabriole legs, united bystretchers (6)51cm wide, 105cm high,41cm deepProvenance:The Estate of Dr. Renate Davis,Deceased

£400-600

185 FB81/10CHINESE STYLE RED LACQUERLOW TABLEthe rectangular top above arecessed frieze and serpentineapron raised on cabriole legsdecorated with ho ho birds andprunus100cm wide, 38cm high,49cm deepProvenance:The Douglas Franks Collection

£120-180

186 FC357/1VICTORIAN RATTAN ARMCHAIRthe foliate shaped openworkback and arms, on a canedseat, raised on tapering legs£120-180

187 FF553/50EDWARDIAN FIVE PIECEPARLOUR SUITEthe oval wheel back above aserpentine stuff over seat,raised on moulded turned legs,comprising of: four side chairsand an arm chair (5)45cm wide, 95cm high,40cm deep£300-500

188 FF553/53EDWARDIAN SATINWOODDISPLAY CABINETof inverted breakfront form, themoulded cornice above anastragal glazed door enclosingshelves, flanked by bowed,glazed panels, raised on squaretapering legs123cm wide, 175cm high,43cm deep£500-800

180 FG846/2VICTORIAN WALNUT TWODOOR WARDROBEthe moulded cornice abovepanel doors enclosing drawersand hanging space, flanked byacanthus mouldings, raised onbun feet156cm wide, 212cm high,69cm deep£400-600

181 FG755/2PAIR OF WALNUT TORCHERES,AND ANOTHER SIMILAR19TH CENTURYthe circular top above a turnedand foliate moulded upright,raised on a circular foot (3)32cm wide, 120cm high£300-400

182 FG479/3WILLIAM IV MAHOGANY EIGHTDAY LONGCASE CLOCK, BYJ.HOOD, CUPAR, FIFEthe painted arched dial withsubsidiary second and datedials within the hood with abroken swan neck pedimentand three brass finials, flankedby turned columns, over ashaped door, flanked bypilasters, raised on bracket feet47cm wide, 224cm high,25cm deep£200-300

183 FF969/2SMALL GEORGE I STYLEWALNUT BUREAUEARLY 20TH CENTURYthe cross banded fall flapenclosing a fitted interior abovea frieze drawer, raised onmoulded cabriole legs andscrolling feet55cm wide, 93cm high,45cm deep£300-500

24

187 185

189194 190

189 FH38/5ENGLISH IRON WINE RACKto hold 104 bottles160cm wide, 131cm high,25cm deep£500-700

190 SV123/4MAHOGANY EIGHT DAYQUARTER CHIMING LONGCASECLOCK19TH CENTURYthe arched painted dial withsubsidiary second and datedials, within a dentil mouldedhood with spiral columns, abovea rectangular door flanked bymoulded pilasters, raised onbracket feet60cm wide, 215cm high,31cm deep£300-500

191 SV60/66EDWARDIAN MAHOGANY SIDETABLEthe scalloped top above threefrieze drawers, raised onslender octagonal legs andbrass caps and casters, unitedby cross stretchers88cm wide, 83cm high,46cm deep£200-300

197 FG330/21GEORGE II STYLE SERVINGTABLEthe serpentine gadrooned topabove two frieze drawers,raised on square tapering legsand paw feet130cm wide, 93cm high,64cm deep£300-500

198 FG330/21AGEORGE II STYLE SERVINGTABLEthe serpentine gadrooned topabove two frieze drawers,raised on square tapering legsand paw feet130cm wide, 93cm high,64cm deep£300-500

199 FF701/1VICTORIAN STYLE EXTENDINGDINING TABLEthe moulded rectangular topabove a plain frieze, raised onturned fluted legs and ceramiccasters, including two leafextensions306cm wide extended, 75cm high,123cm deep£500-700

195 FG723/1EARLY GEORGIAN WALNUTCHEST ON CHESTthe moulded cornice above fourgraduated long drawers, overthe base with three graduatedlong drawers, raised on a laterplinth base111cm wide, 173cm high,52cm deep£300-500

196 FG600/42LOUIS XV STYLE KINGWOODAND MARQUETRY SIDE TABLELATE 19TH CENTURYthe squared top with fourshaped drop down sides bandedin brass and with floralmarquetry throughout, raisedon squared cabriole legs withgilt metal mounts and ending insabots88cm wide, 68cm high, 88cm wide£250-350

192 FG856/3VICTORIAN HOWARD & SONSTYLE OPEN ARMCHAIR19TH CENTURYthe arched back above outsweptarms and a cushioned seat,raised on turned legs andceramic casters70cm wide, 83cm high,55cm deep£300-500

193 FG842/10MARBLE TOP PEDESTALTABLEthe circular top above a turnedsupport and triform base with agadrooned gilt collar, raised onbun feet49cm wide, 57cm high£500-700

194 FG802/7MAHOGANY BOW FRONTCHESTthe shaped top above two shortand three graduated longdrawers, flanked by carvedpilasters, raised on mouldedturned legs112cm wide, 116cm high,57cm deep£500-800

25

180 181 188

195 192193

205 FG590/4VICTORIAN MAHOGANYEXTENDED DINING TABLEthe moulded oval top above aplain frieze, raised on mouldedbaluster turned legs andceramic casters, including twoleaf extensions244cm wide extended, 76cm high,123cm deep£500-700

206 FG599/19EIGHT PANEL LACQUER ANDPOLYCHROME FLOOR SCREENdepicting figures in courtyardsand palace terraces against agilt ground368cm wide, 240cm high£400-600

207 FG785/1SCOTTISH NATURALISTIC TWOTIER BURR ELM DININGTABLE, BY IAN FLEMINGHUNTERMODERNthe shaped top with lift outpanels for fitted carvings offrogs, above three supports,over a lower tier, raised ontrestle legs202cm wide, 67cm high,99cm deep£800-1,200

208 FH38/8LEATHER BUTTONEDARMCHAIRthe scrolling back and armsabove a cushioned seat raisedon turned fluted legs, withbrass casters stamped ‘Hindley’82cm wide, 98cm high,63cm deep£1,000-1,500

209 SV123/37SET OF EIGHT QUEEN ANNESTYLE CHAIRS20TH CENTURYthe shaped top rail above avertical splat and drop in padseat, raised on cabriole legs,including two open arm chairs(8)55cm wide, 100cm high,43cm deep£200-300

200 FF858/1TITO AGNOLI (B. 1931) FORMATTEO GRASSISET OF SIX LEATHERUPHOLSTERED METAL DININGCHAIRS, LATE 20TH CENTURYeach with loose cushions (6)62.5cm wide, 88.5cm high,46cm deep£400-600

201 FG755/3VERNACULAR OAK COFFERthe hinged rectangular topenclosing a void interior, abovea plain front with a metal hasp,raised on trestle legs80cm wide, 50cm high,34cm deep£250-350

202 FG848/1GEORGIAN STYLE OAK TWINPEDESTAL DESKthe moulded rectangular topwith a tooled leather writingsurface, above a central drawer,flanked on either side by fourgraduated short drawers, raisedon ogee bracket feet153cm wide, 75cm high,90cm deep£250-350

203 FG477/55MAHOGANY EIGHT DAYLONGCASE CLOCKEARLY 19TH CENTURYthe painted arched dial withsubsidiary second and datedials, within a hood with agadrooned broken swan neckpediment above spiral turnedcolumns, over an arched door,flanked by foliate mouldedcolumns, raised on fluted feet54cm wide, 223cm high,23cm deep£500-800

204 FG478/4OAK DRESSER AND PLATERACK17TH CENTURY STYLEthe moulded pierced galleryabove a cupboard doorenclosing shelves, flanked byopen shelves, over the basewith a moulded rectangular topand three drawers, raised oncabriole legs189cm wide, 192cm high,45cm deep£400-600

26

200 206

208207

210 FC357/2PINE CARVED PENNY STOOLwith gilt metal mounts and aplaque inscribed ‘Wee Mary’sno a fool she puts her pennys inthe stool 1899’, 12cm high,20cm wide; together with aWOODEN SPOOL HOLDER,papered with a picture of SirWalter Scott on a tartan ground,10cm diameter; aMAUCHLINEWARE BOX,showing Burns’ Monument,8.5cm wide; and two VICTORIANPHOTO ALBUMS, one with aburr wood binding, the otherwith a plush fabric binding (5)£100-200

211 FG653/2TWO ETCHING PLATESthe first, a silvered metalexample, depicting Diana andActaeon, 38.5 x 47cm; thesecond, made of copper,showing a bearded gentlemanand the profile of a female, 20.5x 28cm (2)£200-300

216 FF553/63ROYAL CROWN DERBY PARTCOFFEE SERVICEeach piece painted in the imaripalette, variously marked,comprising of: a twin-handledvase and cover; a set of sixcoffee cans and six saucers; afurther set of seven coffee cansand seven saucers; a miniatureloving cup; nine side plates; anda lobed dish; together with TWOMINIATURE STONE CHINAASHETS, each painted in theimari palette, marked toundersides (qty)£200-300

217 SV36/73COLLECTION OF CASEDMOUNTED SPECIMENScomprising of 13 boxes, ofvarious size, mounted withbutterflies, insects, shells andflora specimens (13)£120-180

213 FG653/3CARVED WOODBLOCK OFGEORGE AND THE DRAGONthe ebonised wood depictingthe knight upon horseback, withtwo carved holes/handles to thereverse18.5cm high, 5cm deep approx.£100-150

214 FG482/3COPELAND & GARRETTCERAMIC FOOTBATHof lobed oval form with twinhandles, decorated with pinkand red bands, with impressedand printed maker’s marks andthe number ‘7081’50cm wide (including handles)£200-300

215 FH38/15CAST IRON ROYAL COAT OFARMSof typical form, modelled withthe lion and unicornsurrounding a central armorialabove the motto ‘Dieu et mondroit’, with gilt and polychromedecoration45cm wide£300-400

212 FD627A/1W. WATSON & SONSMAHOGANY AND BRASS HALFPLATE CAMERALATE 19TH/ EARLY 20THCENTURYof typical form, with ivorymaker’s plaque, with variouslenses some signed ‘Ross’, in aleather case with paper maker’slabel to interior, with variousdouble dark slides; togetherwith a MARION & CO. LTD.REFLEX CAMERA, with maker’splaque, with various relatedequipment (qty)Note:This half plate camera belonged tothe photographer Walter PriceJenkinson, who owned and workedin the Britannia Studios, where heinherited this piece, after purchasingthe studio, in around 1948. As both acommercial and professionalphotographer, Jenkinson regularlyused this camera until the late1970s. He had previously exhibited inthe British Photography Gallery inLondon in the 1950s.

£150-250

27

212 211

215214

223 FG930/1TWO ROYAL VIENNA PLATESeach hand painted piece with adecorative gilt rim, onedepicting Paris, Venus andHelen, the other showing thethe adoration of Venus, withmaker’s marks and inscriptionsto the undersides (2)24.5cm diam.£200-300

224 FC357/3TWO WOODEN CHESS BOARDSthe first of fold-out squareform, 34cm squared; thesecond of square form, 28cmsquared; together with aTUNBRIDGE EASEL FRAME,inlaid with dragons and foliateborders, 15.5cm high; a LIDDEDTREEN BOX, inlaid with themap of South America invarious veneers, interior void,10cm wide; a CIRCULARTREEN BOX, claimed to bemade from part of the House ofCommons, interior void, 8cmdiameter; and TWO GILTWOODFRAMES, of various size anddesign, 46.5 x 37cm, and 78 x61cm (7)£150-250

225 FF553/60MINIATURE WOODEN BUREAUwith a slant front enclosing afitted interior, above threedrawers, raised on cabriolelegs, 25cm high; together with aMINIATURE SERPENTINECHEST OF DRAWERS, with fourgraduated drawers flanked byreeded panels and raised onbracket feet, 19cm high (2)£200-300

226 FF553/75CASED F124 SHIP MODELthe painted body complete withlife boats, crew members andartillery, in a perspex andwooden case, 110cm longapprox. (excluding case);together with a CASED SHIPMODEL, the painted woodenbody complete with decks,rigging and life boats, in aperspex wooden case, 127cmlong approx. (excluding case) (2)£100-150

218 FG480/11GILT METAL HANGINGLANTERNthe foliate moulded frame withsix glazed panels and threesconces34cm wide, 80cm high£150-250

219 FF553/46TWO GEORGE III TEA CADDIESthe first a banded burr walnutexample, with canted corners,the interior fitted with twocovered compartments, 19cmwide; the second, an inlaidmahogany caddy, of rectangularform, the interior with twocovered compartments, 19cmwide (2)£200-300

220 FF956/6PAIR OF WHIELDON WARE‘PHEASANT’ JARDINIÈRESeach of ovoid baluster form,decorated with birds amongstpeonies, with gilt highlights,maker’s marks and patternname to undersides (2)29cm high, 38cm diam. approx£200-300

221 FF584/40PAIR OF BLUE AND WHITEASHETS19TH CENTURYeach of canted rectangularform, depicting a man onhorseback led by a groom in aclassical landscape, impressed‘16’ (2)43cm wideNote:This pattern is sometimes referredto as ‘The Sundial’, see A.W.Coyshand R.K.Henrywood, ‘The Dictionaryof Blue and White Printed Pottery1780-1880, Volume II’, 2001, p.234.

£200-300

222 FC357/8TWO WOODEN SHORTBREADMOULDSeach carved with fruit, with ahandle, 13cm and 10cm;together with TWO WOODENBUTTER PATS, 21cm long(longest); a WOODEN MALLETSHAPED MOULD, carved withfigures, initials and animals,with a handle, 14cm high; and aSMALL WOODEN SPOON,carved with initials ‘H. F’, 14cmlong (6)£80-120

28

219 220

223

221

230

227 FF553/76CASED OPEN TOP FERRARIMODELthe red plastic body with fauxleather seats, the removablebonnet revealing the fittedengine, in a mirrored perspexcase52cm long approx (excluding case)£200-300

228 FF553/76AGROUP OF BOXED MODELCARSto include: a Tri-ang electric 2.4litre Jaguar, 23cm long(excluding box); a PolistilFerrari B3 F.1, 16cm long(excluding box); and a VictoryModels Morris Minor Saloon,21cm long (excluding box) (3)£200-300

229 FF553/77CASED FERRARI TESTAROSSAMODEL, BY POCHERRIVAROSSIthe red painted metal body witha plastic interior and windows,marked ‘Pocher by Rivarossi,Made in Italy’ to underside, in aperpsex wooden case55cm long approx (excluding case)£200-300

234 FG482/5SMALL JAEGER LE COULTRECLOCKthe glazed silvered caseenclosing a silvered dial withRoman numerals and a brassand silvered movement, withmaker’s marks to case10cm high£200-300

235 FG669/1FULL MOUNT TAXIDERMYLEOPARDmodelled with glass eyes andan open mouth£500-700

236 FC357/9WOODEN PAINTED DOLLSHOUSEwith unglazed windows and sixrooms, 59cm high, 62cm wide,31cm deep; together with aCOLLECTION OF DOLLS, ofvarious age, shape and size (9)£100-200

232 FF553/80GERMAN TRACTION ENGINEMODELCIRCA 1920Sthe green, red and blue paintedbody raised on three metalwheels, with marks tounderside, 25.5cm long;together with a WILESCOHOBBY-TECHNIK D409SHOWMAN’S ENGINE, boxed,30cm long (excluding box) (2)£300-500

233 FF584/74OAK CASED BAROGRAPH,BEARING PLAQUE FORROBERT BALLANTINE,GLASGOWof typical form, the bevelledglass cover lifting off to revealbrass instruments, above achart drawer37cm wide£200-300

230 FF553/78BOXED MAJOR SEGRAVE’SGOLDEN ARROW MODELCIRCA 1930S, POSSIBLYJAPANESEthe gold and black paintedmetal body and wheels fittedwith small plaquesrepresenting the Union Jack,with a winder54cm long approx. (excluding box)£300-500

231 FF553/79ALFA ROMEO ‘P.2’ MODELRACING CAR, BY CIJCIRCA 1920Sthe repainted red metal bodyvariously decorated with thenumber ‘2’ and clover motifs,raised on four plastic wheels53cm long approx£400-600

29

225 218 234

235231

242 FF773/3COLLECTION OF GLASS JELLYMOULDScomprising of sixteen clearglass examples, of variousshape and size (16)£150-250

243 FF968/5PART COPELAND DINNERSERVICEeach piece decorated in anoriental style pattern, with redflowers, blue and green bandsand a gilt pattern on rims,handles and details, variouslymarked Copeland, Stoke onTrent, England on underside,comprising of: 24 dinner plates;four ashets of different sizes; 12saucers; 12 smaller plates; 12soup dishes; two coveredvegetables tureens; one coveredsauce tureen on stand; and onesauce boat on stand (qty)£400-600

244 FH38/26FOUR FRENCH GREEN GLASSWINE CARBOYS19TH CENTURYof typical pear shape, variouslysized, with painted labels‘Chardonnay’, ‘Chenin Blanc’,‘Cabernet Franc’, and‘Grenache’ (4)largest 39cm high£300-400

245 FH38/12HANGING TAPESTRY PANELof square form, depicting treeswithin a landscape setting, withhanging loops192cm wide, 195cm high£500-700

246 FH38/24PAIR OF GILT IRON WALLLIGHTSeach flat column with circulardecoration and an outscrollingsconce with a lobed drip tray,terminating in curved scrolls toeach end (2)55.5cm high£300-400

237 FF72/46CONTINENTAL TERRACOTTAFIGURE OF A DANCING GIRL18TH / EARLY 19TH CENTURYthe standing figure in a flowinglong gown, raised on a squarebase with paw feet18cm highProvenance:The Estate of Dr. Renate Davis,Deceased

£200-300

238 FF97/1COLLECTION OF FRAMEDEMBROIDERED SILK PANELSall in giltwood frames,comprising of: two examplesdepicting flower sprays, one ofoval form, with a paper label toreverse, the other ofrectangular form; and anoctangonal pole screen,depicting a central paintedreserve of a female, surroundedby foliage (3)largest 37.5cm high£150-250

239 FF97/2PAIR OF FRAMED PAINTEDAND EMBROIDERED SILKPANELSeach in a verre eglomise frame,one depicting a shepherd, theother a shepherdess, portrayedwith sheep in a pastoral setting(2)32cm high (excluding frames)£300-400

240 FF97/3PAIR OF FRAMEDEMBROIDERED SILK PANELSeach of oval form, depictingprofiles of female figuresholding flowers and wheatsheaths, possibly two of thefour seasons, in giltwoodframes (2)20cm high (excluding frames)£300-400

241 FC357/16GROUP OF EMBROIDEREDPANELScomprising of: a woolworkexample, depicting flowers andanimals, 69 x 54cm; a silkworkexample, of similar design, 62 x56cm; and a small needleworkspot sampler, 45 x 21.5cm (3)£80-120

30

240 244

245

250

247 FG922/3CASED SEWING KITthe oval leather case opening toreveal various white metalimplements; together with aSMALL LACQUERED BOX,painted with a gentleman andan inscription; and THREEHARDSTONE FIGURES, carvedin the Inuit style (5)£120-180

248 SV57/101ASET OF CHROMED METAL FIREIRONSeach piece modelled with ascrolled serpent-like design,comprising of: a poker, a pair oftongs, a shovel and a brush;together with a PAIR OFCHROMED METAL FIRE DOGS;and various CAST IRON FIREIRONS, including a shovel, apair of tongs, and two pokers(qty)£200-300

254 FH38/29GROUP OF THREE GERMANLAVA VASES1960Svariously marked to theundersides with ‘W. Germany’,comprising of: a large orangecylindrical example with wavedincised decoration, 53.5cmhigh; a red and black squareshaped vase with a repeatingcircular pattern, 41cm high; andan orange baluster examplewith a decorative dark band,38cm high (3)£150-250

255 FC357/11PAIR OF CAST BRONZE ‘CRISS-CROSS’ WALL LIGHTS, BYHANNAH WOODHOUSEeach with a horizontal armsupporting the vertical upright,with maker’s mark and foundrymark, wired for electricity, witha dark grey shade (2)24cm high approx. (excludingfittings and shade)£300-400

252 FC357/14SET OF MONOCHROMEPORCELAIN CUPS ANDSAUCERSvariously decorated withtransfer printed scenes ofanimals and buildings, with giltborders and handles,comprising of: three cups,5.5cm high; and three saucers,14cm diam. (6)£100-200

253 FF956/7AMETHYST GLASS EWER ANDTWO BASINSeach with moulded rippledbodies, comprising of: a ewer,20.5cm high; and two footedbowls/basins, 22cm diam. and38cm diam. (3)£200-300

249 SV77/10LEATHER CASED BRASSPOSTING HORN, BY SWAINE &CO, LONDONthe elongated tapered hornmounted with white metalmounts121.5cm long£150-250

250 FH38/19GROUP OF THREE FRENCHPOTTERY CONFIT POTSUZES, PROVENCE, CIRCA 1840of various sizes, each with atapered ovoid body and twinhandles, with ochre glaze to theupper section29.5cm, 28cm and 26cm high£300-400

251 FC357/17FOUR FRAMED ENGRAVINGSOF TOPOGRAPHICAL SCENESeach of rectangular form, 23cmx 30cm; together with with aFRAMED ENGRAVING OF THESOUTHSIDE OF THE CASTLEOF EDINBURGH, 32cm x 47cm(5)£150-250

31

237 238 246

253254

259 FH38/20GILT METAL ‘SUN BURST’HANGING LIGHTthe incised central roundelsupporting various graduatedwaved spokes, wired forelectricity61cm wide£400-600

260 FH38/28FRENCH ART DECO PAINTEDPLASTER BUST, BY LUBÉ,PARISmodelled as a nude female,with maker’s marks to thechest60cm high£120-180

257 FF593/4PAIR OF FRAMED PORTRAITMINIATURESeach painted on ivory, the firstdepicting a female in dress,with a paper label to thereverse ‘Wife of Captain CharlesGuthrie’ etc., the second,depicting a uniformedgentleman, in carved gilt woodframes (2)£150-250

258 FG653/4CARVED GRANITE SCULPTUREPOSSIBLY RUSSIANcarved in the Cycladic style as ahead and neck, with an incisedmark to the underside17cm high£300-500

32

259

257

256 FF965/1SEYMCHANpart slice94gProvenance:Lucy Cullen CollectionNote:Seymchan (Magadanskaya obalst’, Russia) Pallasite (stony-iron) - found 1967A beautiful pallasite originating from deep within an asteroid. The original mass of this meteorite wasfound in the bed of a stream flowing into the River Hekandue, a tributary of the Jasachnaja. Furtherexpeditions to the area yielded more finds; some discoveries being true pallasites with their roughly50:50 mix of olivine and iron, while others were comprised entirely of iron.The Seymchan slice offered here is the pallasite type, revealing olivine (peridot) crystals surrounded bya web of iron. This exquisite specimen has been cut extremely thinly, maximising the surface area toweight ration. When backlit, this stunning meteorite gives the appearance of an extra-terrestrialstained glass window.Approximate dimensions: 212 x 113mm

£800-1,200

260

258

261 FG768/8IRISH MIRROR19TH CENTURYthe oval mirror plate within amoulded gilt and ebonisedframe mounted with glassbeads (distressed)72cm wide, 57cm high£300-500

262 FG768/9COLLECTION OF GLASS ANDPOTTERY WAREScomprising of: a Copelandcream glazed curd pail, withprinted and impressed marks,57.5cm wide; a large taperedglass vase, 42cm high; a greenglazed pottery bowl, 38cmdiam.; and two blue and whitepottery dishes, 41.5cm and36cm diam. (5)£200-300

267 FG768/3PAIR OF GREEN WICKERWORKTUB CHAIRSthe woven back and down sweptarms above a woven seat,raised on out swept legs unitedby stretchers (2)58cm wide, 80cm high,47cm deep£150-250

268 FG768/10FOUR FOLD SCRAP WORKSCREENthe four arched foliate andfigural panels, with chinesestyle panels to the back252cm wide, 183cm high£100-200

265 FG760/2PLASTER BUST OFSHAKESPEARE, SIGNEDANTHONY O’NEIL,EDINBURGH, 1846typically modelled, raised on asocle base, with signature toreverse55cm highNote:Anthony O’Neil (c.1767/9-1849) wasa figure maker, statuary andfirework maker. The O’Neil familyhad operated in these lines of workfor two or three generations. Censusrecords show that Anthony lived inthe Canongate area of Edinburgh,and worked until his death.

£200-300

266 FG760/3ONYX AND QUARTZ OBELISKthe tapered columnsurmounted by a ball finial, allraised on a naturalistic plinthand stepped base59.5cm high£120-180

263 FG768/45SCRUBBED PINE TOPPEDKITCHEN TABLE19TH CENTURYthe rectangular cleated topabove a plain frieze, raised onsquare tapering legs305cm wide, 78cm high,92cm deep£800-1,200

264 FG768/55FRENCH SINGING BIRDAUTOMATONLATE 19TH CENTURYthe domed wirework cagecontaining a songbird withmovement to the beak and tail,on a circular metal plinth basewith gilt highlights, raised onthree feet27.5cm high£150-250

33

266 264 265

262263

Private Property of Francis Menottilots 261-303

271 FG760/1ACHINESE PORCELAIN PARTDINNER SERVICEeach piece decorated with pinkflowers and green leavessurrounded by blue and goldswags and a gold rim, variouslymarked ‘Hong Kong’ tounderside, comprising of: 15large ashets and five smallerones; 25 dinner plates; 8 bowlsof different sizes; 39 fish plates;and 23 soup dishes (qty)£200-300

272 FG760/1BCHINESE PORCELAIN PARTDINNER SERVICEeach piece decorated withswags of leaves and small redflowers within blue and goldswags, variously marked ‘HongKong’ to underside, comprisingof: two large bowls; four largeashets; 27 dinner plates; 24 fishplates; six soup dishes (qty)£200-300

273 FG760/7CONTINENTAL GILTWOOD ANDGESSO MIRROR18TH CENTURYthe arched divided mirror platewithin a mirrored border in afoliate scroll and flower carvedframe surmounted by carvedflowering basket cresting124cm wide, 189cm high£800-1,200

274 FG768/49PAIR OF OAK AND IRONBOUND DEED CHESTS18TH CENTURYthe rectangular top above aheavily hinged door opening toreveal drawers, with ironhandles to the front and back(2)77cm wide, 68cm high,49cm deep£200-300

269 FG768/6GEORGIAN LIBRARY CHAIRFRAMEthe scrolling back andcushioned seat flanked by downswept arms, raised on reededsabre legs65cm wide, 90cm high,52cm deep£120-180

270 FG760/1CHINESE PORCELAIN PARTDINNER SERVICEeach piece decorated with pinkand green motifs with flowers,variously marked ‘Hong Kong’to underside, comprising of: 41dinner plates; 15 soup dishes;15 fish plates; 14 ashets; and 11bowls of different sizes (qty)£200-300

34

270 276

280 281284

279

275 FG768/50THREE OAK AND IRON BOUNDDEED CHESTS18TH CENTURYthe rectangular top above aheavily hinged door enclosingdrawers, with handles to thefront and back (3)77cm wide, 48cm high,49cm deep£300-400

276 FG760/4PAIR OF CANTGALLI CACHEPOTSeach of tapering from,decorated with wingedcreatures in yellows, ochresand blues, with painted marksto undersides, 13.5cm high;together with a pair of PAINTEDPOTTERY BIRD FIGURES, eachperched on a naturalistic styledpottery base, 27cm high (4)£100-200

283 FG768/51PAIR OF TOLE LAMP BASESeach of slender baluster formwith twin swan handles, allraised on a square plinth base,decorated with figures on amustard ground, gas lampsconverted for electricity (2)61cm high (excluding most recentfitting)£100-200

284 FG768/56ITALIAN GEODE AND METALMOUNTED SCULPTUREmodelled as a cat fish withinset cabochon eyes, the geodeforming an open mouth, withwhite metal tail and fins, withretailer’s mark to underside‘Gioielleria A. Trizio, Bari’30cm long approx.£150-250

280 FG760/15GILTWOOD PRIE DIEUthe padded back rail abovemoulded supports and acushioned seat, raised onmoulded legs44cm wide, 61cm high,42cm deep£100-200

281 FG760/16OVER PAINTED CHILDS HIGHCHAIR19TH CENTURYthe shaped back and outsweptarms above spindle supportsand a solid seat, raised onturned legs, united bystretchers40cm wide, 74cm high,28cm deep£100-200

282 FG768/2JAPANNED FLOUR BINthe hinged wooden top above ametal rectangular body54cm wide, 75cm high,45cm deep£150-250

277 FG760/5REGENCY CUT GLASSCANDELABRAthe central tapering columnabove four outscrolling armswith drip trays hung with cutglass prisms and droplets,raised on a stepped base61cm high£150-250

278 FG768/1PAIR OF GEORGIAN SIDECHAIRSthe arched cushioned back andstuff over seat, raised onsquare tapering legs united bystretchers (2)55cm wide, 88cm high,46cm deep£200-300

279 FG768/44WHITE MARBLE FIREPLACE19TH CENTURYthe shaped rectangular mantlepiece above a central plaquedepicting classical figures,flanked on either side by flutedpanels, raised on fluteduprights193cm wide, 147cm high£800-1,200

35

282 273

269

290 FG768/4FOUR MAHOGANYBIEDERMEIR CHAIRSthe arched back and vaseshaped vertical splat above aserpentine drop in pad seat,raised on sabre legs (4)55cm wide, 87cm high,45cm deep£300-400

291 FG768/5ROCOCCO STYLE GILT PINEBALLOON BACK CHAIRthe moulded back withcushioned pad above a stuffover seat, raised on mouldedcabriole legs43cm wide, 89cm high,38cm deep£150-250

292 FG760/6CARTIER TIMEPIECEof octangonal form, the signedwhite enamel dial with Romannumerals, within a speckledblue border, signed to reverse,7.5cm high; together with TWOTIFFANY & CO. SCARABBEETLE BOXES, one glazedgreen, the other yellow, maker’smarks, 9cm long (3)£120-180

293 FG760/20‘YESTER’ BLOTTER, INK STANDAND LETTER RACKthe leather bound blotter withgilt inscription ‘YESTER’ to thefront, with a mahogany andebonised ink stand with cutglass vials, and a paintedcanvas covered letter rack;together with a DRINKINGGLASS, enamelled with anarmorial (4)£120-180

294 FG768/7COLLECTION OF LARGEHARDWOOD STANDScomprising of four examples, ofvarying designs, the openframes with scrolled legs (4)30cm high approx.£150-250

285 FG768/41WILLIAM IV MAHOGANYCOMPACTUMthe peaked pediment abovethree panel doors and fivegraduated long drawers,flanked by tall panel doorsenclosing hanging space, raisedon a plinth base250cm wide, 196cm high,63cm deepNote:This compactum was previously theproperty of Lord Haddington andincluded in the sale of contents ofTyninghame House

£1,000-1,200

286 FG760/18FLORAL UPHOLSTEREDDUCHESSE BRISEthe loose cushioned back andseat, flanked by out scrollingarms, raised on square taperinglegs, with matching ottoman67cm wide, 82cm high,63cm deep£100-200

287 FG768/37COLLECTION OF TIN PLATETOYScomprising of: a J. Chenin &Co. ‘Rollercoaster’; a JosephWagner ferris wheel; a LouisMarx ‘Honeymoon Express’; andvarious other American andEuropean toys (qty)£120-180

288 FG768/40BRASS CASED RELIQUARYof demi lune shape, the twindoors opening to revealreligious inscriptions and twoout-folding candle sconces,37cm high; together with anassociated PAINTED WOODENFIGURE, modelled as a boy inclothing, raised on a woodenbase, 26.5cm high overall (2)£150-250

289 FG768/43PINE BUTCHERS TABLEthe three plank rectangular topraised on square legs209cm wide, 75cm high,91cm deep£100-200

36

285 287

290289

295 FG768/64COLLECTION OF CHINESECERAMICScomprising of: a blue and whitebaluster vase and cover, withmarks to underside, 37.5cmhigh; a pair of blue and whitebaluster vases (covers lacking),marks to undersides, 22cmhigh; a celadon bottle vase,23cm high; and a celadon bowl,15cm diam. (5)£200-300

296 FG768/62CHINESE SILVER PLATEDPHOTO FRAMEthe frame of square form,decorated with dragonsamongst bamboo in relief19.5cm squared£120-180

301 FG760/12NEEDLEWORK RUNNEREARLY 20TH CENTURYthe lemon yellow field with tulipsprays, within spiral twistborder448cm x 152cm£200-300

302 FG760/12ANEEDLEWORK CARPETEARLY 20TH CENTURYthe cream field with alloverrectangular floral latticepattern, within plain yellowborder400cm x 253cm£200-300

303 FG760/14ANATOLIAN KELIM RUGLATE 19TH/ EARLY 20THCENTURYthe purple field with threehooked polychrome motifs,within burgundy hooked lozengeborder between bands158cm x 130cm£120-180

299 FG768/57GROUP OF SMALL BOXEScomprising of: a gilt metal andgreen enamelled example; asilver and gilt enamelledtoothpick box; a blue and whitecane glass box, shaped as aheart; a porcelain mountedwhite metal box; a lacqueredwooden box and miniature ivoryspoon; together with aPORCELAIN DALMATIANSHAPED SEAL; and a PAINTEDPORCELAIN CANE HANDLE (7)£200-300

300 FG768/59COLLECTION OF MARYGREGORY STYLE GLASS WAREcomprising of: a decanter andstopper, a bottle and stopper,and a jug, all with whitedecoration depicting children;and a tumbler and jug, paintedwith white and polychromechildren; together with FOURGLASS PERFUME BOTTLES, ofvarious size and shape,including a Steuben example (9)£150-250

297 FG768/61SILVER LIMITED EDITIONWINSTON CHURCHILL PLATEBirmingham 1974, of simplecircular outline with an enamelportrait of Churchill to centre,number to reverse 520, 25.5cmdiam, 13.2oz; together with aCASED SILVER SET OF SUGARAND CREAM, Birmingham1939; and a SILVER DRUMMUSTARD POT (4)£200-300

298 FG768/35TWO CONTINENTAL WHITEMETAL HERALDIC PLAQUESunmarked, the central heart-shaped shield with appliedinitials, surmounted by aflaming crest, each with openwork, foliate and featherborders, one on velvet backing(2)49cm and 46cm high£100-200

37

291 295

301

299

304 FG779/3QASHQAI KELIMSOUTH PERSIA, 20THCENTURYthe field with alloverpolychrome horizontal bandswith hooked lozenge pattern,within polychrome steppedborder between bands236cm x 153cm£150-250

305 FG852/4TABRIZ CARPETNORTHWEST PERSIA, MID20TH CENTURYthe red field with alloverpalmette and scrolling vinepattern, within similar creamborder between bands470cm x 300cm£1,400-1,800

306 FG852/5TABRIZ CARPETNORTHWEST PERSIA, EARLY20TH CENTURYthe madder red field withallover palmette and vinepattern, within similar creamborder between bands430cm x 330cm£1,200-1,800

307 FG813/3TURKISH CARPETWEST ANATOLIA, LATE19TH/EARLY 20TH CENTURYthe red field with columns ofpalmettes and cruciformmotifs, within grey rosette andbranch border between bands408cm x 366cm£300-500

308 FG831/10TURKISH CARPETWEST ANATOLIA, LATE19TH/EARLY 20TH CENTURYthe red field with columns ofpalmettes and cruciformmotifs, within indigo rosette andbranch border between bands403cm x 280cm£200-300

309 FG831/31TURKISH CARPETWEST ANATOLIA, LATE19TH/EARLY 20TH CENTURYthe red field with columns ofpalmettes and cruciformmotifs, within indigo rosette andbranch border between bands565cm x 366cm£500-800

38

312305

306

310 FG802/2KASHAN RUGCENTRAL PERSIA, LATE19TH/EARLY 20TH CENTURYthe brown field with red andivory medallion, similarspandrels, within red palmetteand cartouche border betweenbands214cm x 140cm£300-500

311 FG802/4HERIZ STYLE CARPETLATE 20TH CENTURYthe cream field with blakc andpink medallion suspendingpendants, pink and bluespandrels, within blakc turtlepalmette, rosette and vineborder between bands340cm x 278cm£200-300

316 FG852/1TEKKE CARPETTURKMENISTAN, EARLY 20THCENTURYthe brown field with fivecolumns of twelve guls, withinbrown starburst borderbetween bands285cm x 207cm£200-300

317 FG852/2INDIAN CARPETEARLY 20TH CENTURYthe cream field with centralcream medallion surrounded bystylised foliate motifs, withinsimilar light green borderbetween bands482cm x 308cm£300-500

318 FG813/4MILITARY INTEREST: QUEENSOWN CAMERONHIGHLANDERS RUGPROBABLY NORTHWESTPERSIA, EARLY 20TH CENTURYthe plain red field withCameronian insignia186cm x 95cm£150-250

314 YE2014/1SOUTH CAUCASIAN RUNNERLATE 19TH/EARLY 20THCENTURYthe dark brown field with sixpolychrome octagonalmedallions and two cruciformmotifs, other minor medallions,within light brown stylised vineborder between bands260cm x 128cm£200-300

315 FG837/1TABRIZ CARPETNORTHWEST PERSIA, MID20TH CENTURYthe field with alloverpolychrome rectangular latticewith animals, birds and trees,within red cartouche borderbetween bands408cm x 303cm£300-500

312 FG852/3BAKHTIARI CARPETWEST PERSIA, EARLY 20THCENTURYthe dark indigo field with alloverpolychrome lozenge latticepattern, within ivory palmetteand vine border between bands518cm x 353cm£1,500-2,500

313 FG855/4BAKHTIARI CARPETWEST PERSIA, 20TH CENTURYthe rust field with ivorymedallion, indigo spandrels,within ivory palmette and vineborder between bands379cm x 322cm£400-600

39

Enquiries:Lee Younglee.young@lyonandturnbull.comTel: 0131 557 8844

Sara Pierdominicisara@lyonandturnbull.comTel: 0131 557 8844

Fine Asian Works of Art4th June, 2014

PAIR OF CHINESE CANTONFAMILLE ROSE COVEREDBALUSTER URNS19TH CENTURY£1,500-2,500

323 FF584/55VICTORIAN WALNUTDAVENPORTthe lidded stationery box topabove a leather lined hingedwriting slope, with four drawersto one side, with a scrolled basewith ceramic castors55cm wide, 78cm high,54cm deep£200-300

324 FF970/1GEORGIAN OAK EIGHT DAYLONGCASE CLOCK, BY JOSEPHTAYLOR, PERTHthe arched metal dial withsubsidiary second dial and dateaperture and applied spandrels,within the hood with a brokenswan neck pediment abovefluted columns, over a shapeddoor, flanked by fluted quarterpilasters, raised on a plinthbase46cm wide, 213cm high,25cm deep£800-1,200

325 FG821/2SET OF EIGHT MAHOGANYDINING CHAIRSSEVEN 20TH CENTURY ANDONE 18TH CENTURYof Scottish ribbon-back style inthe manner of WilliamHamilton, the shaped top railand pierced horizontal splatsabove a stuff over seat, raisedon square tapering legs, unitedby stretchers (8)54cm wide, 95cm high,43cm deepNote:A set of dining chairs of this patternwere supplied to Penicuik House byWilliam Hamilton in 1772.

£300-500

326 FG590/11VICTORIAN MAHOGANYEXTENDING DINING TABLEthe moulded rectangular topabove a plain frieze, raised onfluted baluster turned legs andbrass caps and ceramic casters297cm wide, extended, 72cm high,135cm deep£600-800

327 FH38/10LEATHER AND BRASSMOUNTED TRUNK SIDE TABLEof rectangular form with abrass lock and handles to eitherside46cm wide, 57cm high,40cm deep£500-700

328 SV57/110AVICTORIAN WALNUT WORKTABLEthe circular inlaid top openingto reveal a fitted interior abovea tapering octagonal support,raised on a moulded tripodbase46cm wide, 74cm high£150-200

329 SV123/26GEORGIAN MAHOGANY ANDEBONY STRUNG TAMBOURBUREAUthe tambour front lifting toreveal a fitted interior above twofrieze drawers, raised onsquare tapering legs and spadefeet99cm wide, 102cm high,59cm deep£400-600

319 FB81/11CHINESE LACQUER FOURFOLD SCREENLATE 19TH CENTURYdepicting ladies and boys inpavillions and gardens, thereverse with birds in treeswithin a border of floweringplants and scholar’s objects200cm high, 164cm wideProvenance:The Douglas Franks Collection

£400-600

320 FC357/12PAIR OF SMALL LIBERTYSTYLE SIDE TABLESthe square inlaid top withmother-of-pearl motifs, above ashaped apron and eight legs (2)45.5cm high£150-250

321 FE237/10PAIR OF ROCOCO STYLE GILTUPHOLSTERED ARMCHAIRSthe pierced foliate moulded toprail above a cushioned back andserpentine loose cushionedseat, flanked by outscrollingarms, over a pierced apron,raised on moulded legs (2)86cm wide, 108cm high,57cm deep£300-500

322 FF773/2PINE KITCHEN CUPBOARDAND UNDERCABINETthe moulded cornice aboveopen shelves and four cupboarddoors178cm wide, 210cm high,63cm deep£300-500

40

321 337

332

330 FG856/4GEORGIAN STYLE MAHOGANYAND BOX STRUNG BOWFRONTSIDEBOARDthe shaped top above a centraldrawer flanked by cupboards,raised on square tapering legsand spade feet122cm wide, 93cm high,54cm deep£300-500

331 FG832/1GEORGIAN STYLE MAHOGANYBOWFRONT CHESTthe moulded rectangular topabove three graduated longdrawers, raised on out sweptbracket feet91cm wide, 89cm high,53cm deep£300-500

338 FG275/16CHINESE RED STAINED ANDGILT DISPLAY CABINETLATE QING / EARLY REPUBLICin two pieces, the pierced andcarved cresting over a glazedpanel door opening to shelves;the lower part with drawersover tiered shelves, raised onstile feet93cm wide, 186cm high,34cm deep£250-350

339 FF976/14VICTORIAN MAHOGANYWELLINGTON CHEST,STAMPED CHALMERS ANDSCOTT, EDINBURGHthe moulded rectangular topabove seven graduated drawers,raised on a plinth base66cm wide, 78cm high,52cm deep£300-500

335 FF704/1OAK DRESSER AND PLATERACK18TH CENTURY STYLEthe moulded cornice above twoshelves, over the base withthree frieze drawers, raised oncabriole legs and pad feet165cm wide, 181cm high,53cm deep£300-500

336 FF968/1GEORGE III OAK CHESTthe moulded top above twoshort and three graduated longdrawers, raised on bracket feet95cm wide 92cm high, 52cm deep£200-300

337 FF858/2POUL CADOVIOUS & BJØRNWIINBLAD FOR CADOCIRCULAR DINING TABLE,CIRCA 1970with painted top by SusanneFjeldsoe Mygge, on turnedaluminium pedestal base,signed on the top MYGGE, bearsmaker’s label118cm diameter, 70.5cm high£600-800

332 FE52/112DUTCH OAK GOTHIC STYLEMETAMORPHIC LIBRARYSTEPS, STAMPED HORRIX,GRAVENHAGESECOND HALF 19TH CENTURYthe pierced back and outsweptarms, above a cushioned seatand shaped apron, raised onturned legs60cm wide, 65cm high,30cm deep£250-400

333No lot

334 FF584/14DUTCH STYLE BRASSCHANDELIERthe baluster column with fivescrolled candle branches, abovea large ball and ring finial, fittedfor electricity72cm wide, 78cm high£300-500

41

319 322 324

327 338325

341

345 FF969/4FRENCH MARBLE TOP TABLEEARLY 19TH CENTURY STYLEthe circular top above a turnedsupport with further scrollingmetal supports, above a triformbase, raised on brass lion pawfeet60cm wide, 66cm high£200-300

346 FH38/2ANTLER MOUNTED MIRRORthe rectangular mirror platewithin a mahogany framemounted with various antlers77cm wide, 97cm high£1,500-2,000

347 FG856/5EARLY VICTORIAN MAHOGANYDUMBWAITERMID 19TH CENTURYthe rounded rectangular topabove two further tiers, withbaluster turned supports, overa long drawer, raised on brasscaps and casters121cm wide, 118cm high,50cm deep£300-500

348 SV57/151VICTORIAN WALNUT ANDEBONISED BRASS MOUNTEDCREDENZAthe shaped top above an inlaidfrieze and door, flanked bybowed glazed doors enclosingshelves, raised on bun feet153cm wide, 106cm high,38cm deep£800-1,200

349 SV85/34WILLIAM IV MAHOGANY EIGHTDAY LONGCASE CLOCK, BYKETTERING AND CO,EDINBURGHthe arched painted dial withsubsidiary second and datedials within the hood with abroken swan neck pedimentsurmounted by an eagle finial,above turned columns, over ashaped door flanked by halfpilasters, raised on a plinthbase48cm wide, 210cm high,24cm deep£500-700

340 FG673/1EDWARDIAN STAINEDWALNUT PARLOUR SUITEcomprising of: a sofa and twochairs, the moulded top railabove a cushioned back andseat, flanked by down sweptarms, raised on mouldedcabriole legs (3)126cm wide, 82cm high,59cm deep£300-400

341 FG785/2SCOTTISH NATURALISTICBURR ELM TILT TOP TABLE, BYIAN FLEMING HUNTERMODERNthe shaped top modelled as aflower, above a turned support,raised on a quadriform base165cm wide, 70cm high£500-800

342 FF584/36SMALL REGENCY MAHOGANYBOWFRONT SIDEBOARDthe D-shaped top above a friezedrawer and two deep drawersflanking an arch, on reededtapering legs with toupee feet122cm wide, 90cm high,61cm deep£800-1,200

343 FF584/38GEORGE III MAHOGANY DININGTABLEthe drop leaf centre sectionflanked by demi lune ends,raised on square tapering legsand spade feet, including twoleaf extensions365cm wide extended, 75cm high,115cm deep£700-1,000

344 FG472/9VICTORIAN ROSEWOOD ANDBRASS MOUNTEDBREAKFRONT CREDENZAthe moulded shaped top abovean inlaid frieze and panel door,flanked by glazed doorsenclosing shelves, raised on aplinth base179cm wide, 102cm high,34cm deep£350-550

42

340

351

357

350 SV104/3SET OF REGENCY STYLETABLET BACK DINING CHAIRSthe shaped back above ahorizontal splat and drop in padseat, raised on turned legs (8)50cm wide, 83cm high,38cm deep£400-600

351 FG850/1PAIR OF ARTS AND CRAFTSSTYLE FAUX LEATHERARMCHAIRSEARLY 20TH CENTURYthe shaped back above acushioned seat, flanked bydown swept arms, raised onbun feet (2)67cm wide, 70cm high,60cm deep£800-1,200

352 FG830/1OAK OPEN BOOKCASE ANDUNDER CABINETthe moulded cornice aboveadjustable shelves, over paneldoors, raised on a plinth base159cm wide, 231cm high,47cm deep£300-500

359 FF553/59SATINWOOD AND PAINTEDOCTAGONAL KETTLE STANDthe floral painted top above aswag inlaid frieze, raised onsquare tapering legs united bystretchers36cm wide, 70cm high£250-350

360 FF553/54EDWARDIAN SATINWOODFOLDOVER CARD TABLEthe shaped top painted withswags and portrait panelsabove a foliate decorated frieze,raised on square tapering legs91cm wide, 76cm high,46cm deep£400-600

361 FF773/1LARGE PINE KITCHENCUPBOARD ANDUNDERCABINETthe moulded cornice abovesliding doors and three friezedrawers, over three furthersliding doors, raised on a plinthbase300cm wide, 250cm high,60cm deep£600-800

356 FF771/3EDWARDIAN OAK FILINGCHESTof rectangular form, with fourbanks of seven drawers122cm wide, 115cm high,22cm deep£300-500

357 FF970/6CAVALIER COCA COLAVENDING MACHINECIRCA 1958of rectangular form with anarrow glass vending door,model number CS-72-B, serialnumber 32102763cm wide, 144cm high,45cm deep£300-400

358 FG482/2WALNUT LOWBOY18TH CENTURY STYLEthe crossbanded top above twoshort and two deep drawers,raised on moulded cabriole legs77cm wide, 74cm high,45cm deep£200-300

353 FG756/1OAK FARMHOUSE TABLE19TH CENTURYthe rounded rectangular topabove three frieze drawers,raised on square tapering legs,united by stretchers215cm wide, 86cm high,84cm deep£400-600

354 FG482/1GEORGIAN STYLE MAHOGANYTALL BOYthe moulded cornice aboveseven graduated drawers,raised on bracket feet74cm wide, 155cm high,48cm deep£500-800

355 FG300/87OAK PLATE RACKEARLY 19TH CENTURY ANDLATERthe breakfront moulded corniceabove two shelves and twodrawers, flanked by cupboarddoors157cm wide, 84cm high,24cm deep£300-500

43

342 346

361348

367 FG842/12QUEEN ANNE STYLEJAPANNED DRESSING MIRRORthe shaped mirror plate ontapered supports above a slanttop enclosing a fitted interiorand a drawer, with gilt and redlacquered decoration80.5cm high overall£700-900

368 FG831/22LARGE OAK FRAMEDBILLIARDS TABLE, BY J. ANDT. SCOTT, EDINBURGHwith five slate sections, raisedon turned legs, including scoreboards, cues and rack, balls,and framed games rules388cm wide, 94cm high, 211 deep£500-800

369 FF584/44JAPANNED AND RATTANBERGERE SUITEEARLY 20TH CENTURYcomprising of: a settee and twoarmchairs, each with loosecushions and a padded back,the frame decorated in thechinoiserie style, on gadroonedfeet with castors (3)sofa 145cm wide, 80cm high,60cm deep; chairs 67cm wide,80cm high, 60cm deep£800-1,200

370 FF553/58NEST OF PAINTED QUARTETTOTABLESeach decorated with countryscenes, the serpentine topabove ring turned supports,raised on trestle legs, united bystretchers (4)58cm wide, 72cm high,42cm deep£300-500

362 FG766/2GEORGE IV MAHOGANYCHEVAL MIRRORCIRCA 1830the rounded rectangular mirrorplate in a conforming frame,raised between reeded scrollsupports, on a trestle supportsjoined by lotus carvedstretchers and raised onoutswept legs with casters87cm wide, 162cm high£600-800

363 FG854/1MAHOGANY AND BRASSMOUNTED BONHEUR DE JOUR19TH CENTURYwith two raised marble toppedsuperstructures each withpierced brass galleries and fourdrawers flanking a centralmirror, above a slide and friezedrawers, raised on turnedfluted legs and brass feet82cm wide, 123cm high,49cm deep£500-700

364 FH38/9OPEN FAUX BAMBOO SOFAwith horizontal splats above acane seat, flanked by downswept arms, raised on outswept legs, united by stretchers160cm wide, 86cm high,54cm deep£1,500-2,000

365 FH38/7SET OF FIVE WICKER STOOLSthe circular top aboveserpentine legs, united bystretchers (5)34cm wide, 37cm high£250-350

366 FG842/8VENETIAN STYLE MIRRORthe shield shaped bevelledmirror plate within a mirroredengraved frame, surmounted bya foliate pediment72cm wide, 140cm high£600-800

44

365 364

380369

371 FF976/11GEORGE III MAHOGANYBOWFRONT CHESTthe shaped top above threeshort and three graduated longdrawers, raised on splayedbracket feet117cm wide, 99cm high,57cm deep£300-500

372 FG600/85LOUIS XV STYLE PARQUETRYAND MARQUETRY SIDE TABLE19TH CENTURYthe shaped rectangular brassbanded top centred by a floralmarquetry spray, raised onslender cabriole legs with giltmetal mounts and ending insabots, joined by a quarterveneered undertier outlined inbrass50cm wide, 74cm high,39cm deep£300-500

378 SV57/27SET OF ELEVEN OAK DININGCHAIRSthe moulded top rail above ashaped vertical splat with allover carved decoration in theFrench style with drop inserpentine seat, raised oncabriole legs and pad feet50cm wide, 105cm high,41cm deep£700-900

379 SV60/59GEORGIAN STYLE OCTAGONALDUMB WAITER20TH CENTURYthe three graduated dished tierson baluster turned fluteduprights, raised on out sweptlegs and brass lion paw feetand casters60cm wide, 110cm high£250-400

380 FH38/4LARGE WICKER BASKETof traditional oval form76cm wide, 81cm high,53cm deep£200-300

376 FG804/1GEORGIAN STYLE ‘D’ ENDDINING TABLE20TH CENTURYthe rounded rectangular topwith a gate leg centre sectionabove a plain frieze, raised onsquare tapering legs and spadefeet270cm wide extended, 74cm high,113cm deep£300-500

377 FG855/1GEORGIAN III MAHOGANYEBONY AND BOX WOODSTRUNG WORK TABLEthe hinged rectangular topopening to reveal a fittedinterior, raised on squaretapering legs58cm wide, 74cm high,44cm deep£200-300

373 FG779/7SMALL OAK LOWBOYthe moulded rectangular topabove a central drawer, flankedby short deep drawers, raisedon cabriole legs and square padfeet74cm wide, 76cm high,50cm deep£220-280

374 FG678/1PAIR OF CHINESE LACQUERTABLE CABINETSthe black and red lacquerrectangular cabinets with twodoors enclosing shelves, onscroll carved plinth bases (2)44cm wide, 47cm high,29cm deep£120-180

375 FG788/4CARVED LIMED OAK CABINETthe moulded cornice above anopen shelf and a carved paneldoor, flanked by carveduprights, raised on a plinthbase80cm wide, 180cm high,46cm deep£250-350

45

362 363 366

370 375367

46

Lots 381 to 386 in this month’s sale are all

pieces produced by the ceramics factory

Royal Worcester Porcelain. Encompassing a

range of dates and designs, these pieces

are evocative of the company’s history, style

and manufacture, and today, they continue

to symbolise one of England’s longest

running and best loved porcelain factories.

Originally founded in 1751, the Worcester

Porcelain Company was set up by Dr John

Hall, and quickly became England’s finest

porcelain producer. The factory used a

‘soaprock’ recipe which prevented cracking

under the thermal pressure of boiling water,

unlike their rival porcelain manufacturers.

This development and increased excellence

in the company’s wares did not go

unnoticed, and in 1807 the factory was

granted its royal warrant by George III and

was later named Royal Worcester Porcelain

in 1862.

The shapes and decorations used by Royal

Worcester Porcelain were influenced by

interior fashions of the period and foreign

items imported through trade, with

Japanese style and design playing a

significant role. The factory produced heavily

decorative and ornate pieces during the late

19th century, but accommodated for more

demure tastes during the early 20th century

as heavy, historical designs were abandoned

throughout fashion, in favour of a more

organic natural style.

Around 1900, the factory painters were

permitted to sign their work for the first

time. They were also encouraged to

specialise and develop individual styles

which allow us to recognise various artists’

work today. Harry Stinton, for example,

regularly painted highland cattle, while

James Stinton tended to portray game birds.

Artists took inspiration from the factory’s

large resource library and mainly painted

landscape, wildlife and still life subjects.

Today Royal Worcester is owned by

Portmeirion Pottery Group, after the brand

was purchased in 2009. The company had

been merged in 1976 with Spode, but finally

closed its doors, after 200 years of

production, in November 2008.

Showcase: Royal Worcester Porcelain

382 FG937/3ROYAL WORCESTER VASEDATED 1903of footed baluster form tapering to a flutedneck and twin handles, decorated withthistles and daisies on a pale greenground, with maker’s marks and numbersto underside, shape 183926.5cm high£150-250

383 FG937/1ROYAL WORCESTER IVORY VASEDATED 1888the footed pear body tapering to a mouldedneck and twin handles, decorated withgreen and embossed gilt ferns and reeds,with puce maker’s marks and numbers tounderside, shape 106031cm high£200-300

381 FG937/2HADLEY’S ROYAL WORCESTER VASE,SIGNED J. W. SEDGLEYDATED 1907the footed pear shaped body tapering to aslender neck, with moulded twin handles,decorated with pheasants and woodlandscenes, with maker’s marks, paintednumbers and the initial ‘H.’ to theunderside26.5cm high£300-500

387 FG937/4GRAINGER’S WORCESTER POT POURRI VASE AND COVER,SIGNED JAS STINTONof ovoid part-reticulated form, raised on three scroll feetand a triangular base, decorated with pheasants and birdsin flight, with pale blue and gilt highlights, with maker’smarks and shape number G/46524cm high£200-300

47

384 SV57/112CROYAL WORCESTER POT POURRI VASE,SIGNED H. STINTONDATED 1917the pear shaped body with a green and giltmoulded border, above a painted scenedepicting highland cattle, with marks tounderside, shape 291/H11.5cm high£300-500

385 SV57/112DNEAR PAIR OF ROYAL WORCESTER IVORYBLUSH VASESDATED 1894each piece with twin gilt handles andmoulded decoration to the pear shapedbody, decorated with various flowers,marked to undersides, shape 1553 (2)22.5cm high£200-300

386 SV57/112ANEAR PAIR OF ROYAL WORCESTER VASESDATED 1912/13each of slender baluster form, painted withpink roses, marked to the underside, shape2491, 14.5cm high; together with a ROYALDOULTON VASE, of tall baluster form,painted with a hunting scene, signed,marked to underside, 23cm high (3)£150-250

394 FH42/1COLLECTION OF HORNBY ANDTRI-ANG MODEL TRAINS ANDTRACKSall boxed, comprising of: aHornby O Gauge Tank Goods setNo. 40; a Hornby O Gauge No. 1Level Crossing; a Trin-ang OOGauge Model Railroad; a Tri-ang OO Gauge R. 155 Dieselswitcher; a Tri-ang OO GaugeR.125 observation car; a Tri-angOO Gauge R.25 Vista-DomeCoach; a quantity of Hornby OGauge tracks, unboxed; aquantity of Tri-ang OO Gaugetracks, unboxed; and variousother related items (qty)£150-250

395 FF994/1ROYAL CROWN DERBY PARTTEA SERVICEeach piece decorated in theimari palette, with maker’smarks, comprising of: 10 teacups; 12 saucers; two cakeplates; and 12 side plates (qty)£400-600

396 FF222/1CONTINENTAL PORCELAINPART TEA SETcomprising of: 13 cups, eachpainted with the crest for theColonna family, and markedwith stamp for Mansard, Paris,10cm diam; and 14 saucers,14cm diam; together with afurther PORCELAIN PART TEASET, BY RICHARD GINORI, eachpiece decorated with a giltborder, with maker’s marks,comprising of: 10 cups, 9.5cmdiam; and 13 saucers, 13.5cmdiam (qty)£150-250

397 FF869/2ALBERT GUIBARA (AMERICAN,B.1944)GILT BRONZE TREESCULPTUREwith twin trunks and spreadingroots, raised on a natural stone,with maker’s plaque37cm high approx.£200-300

388 FC357/15COLLECTION OF TREENcomprising of: a twin handledinlaid mahogany tray; a smalloak shelf; two carved woodenspoons; a carved scoop; a plainscoop; and a cased pipe;together with a PAINTEDWOODEN GERMANMELODEON, marked ‘Lyra’ (8)£120-180

389 FF937/1SMALL CHINESE WOVENBAMBOO TRUNK19TH CENTURYof domed sarcophagus form,with twin handles and metalbound fixtures32.5cm high, 56cm wide,39cm deep£150-250

390 FH38/27BRASS ‘FOX’ DOOR STOPthe weighted fox masksurmounted by a curved uprightmodelled as tail42cm high£150-250

391 FH38/27ABRASS ‘FOX’ DOOR STOPthe weighted fox masksurmounted by a curved uprightmodelled as tail39cm high£150-250

392 SV2/31MAHOGANY BANJOBAROMETER, BY ORTELLI &CO., CARLISLE19TH CENTURYof typical form with inlaidreserves to the case, with asilvered thermometer plateabove the signed barometer dial101cm high£200-400

393 FH38/14LARGE TAXIDERMIED STAG’SHEADthe mounted head and neck,with glass inset eyes and sixpoint antlers103cm wide point to point,109cm high£800-1,200

48

395 399

402400

398 FF869/3ALBERT GUIBARA (AMERICAN,B.1944)GILT BRONZE TREESCULPTUREwith a twisted trunk andspreading roots, raised on anatural stone, with maker’splaque51cm high approx.£300-500

399 FH38/17PAIR OF FRENCH GILT METALWALL SCONCES, AFTERGILBERT POILLERATeach with a sunburst wallmount supporting two taperedcolumns with petal-likesconces, wired for electricity (2)41cm high overall£700-900

400 FG823/1PAIR OF LARGE WROUGHTIRON HALL LANTERNS20TH CENTURYeach of octagonal form withglazed panes beneath the openframe (2)52cm wide, 110cm high,£300-500

404 FH22/1GROUP OF GILTWOOD FRAMEScomprising of: two gessoexamples, with decorativerectangular moulded frames, ofvarying size, 54 x 44cm, and64.5 x 54cm; and a pair of ovalshaped gilded wood frames,47cm high (4)£150-250

405 FF584/40ATWO PORCELAIN FIGURES19TH CENTURYboth modelled as femalefigures, one holding a bird, theother cradling fish in her skirts,raised on moulded bases (2)26cm and 22.5cm high£200-300

406 FF956/5PAINTED OPAQUE GLASS VASEof baluster form with an evertedrim, painted with a flower spraywithin gilt borders on a pinkopaque glass ground30cm high£200-300

403 FH78/1GROUP OF CARVED GILTWOODAND GESSO FRAMEScomprising of: a large example,with a decorative mouldedframe and stylised fleur de lislike reserves, 130 x 105cm; asmaller frame, with mouldedshell motifs to each corner,93.5 x 80.5cm; and a smallexample, with a decorativemoulded border with arepeating foliate pattern, 63 x50.5cm (3)£200-300

401 FG987/119TH CENTURY EUROPEANSCHOOLDESIGN FOR A LUNETTEMURALWatercolour on silk laid onboard, arched top27.5cm x 45cm (11in x 17.5in)£150-250

402 FH38/25BOXED CROQUET SETwith eight mallets and eightballs, as well as hoops and ahammer, the interior lid with alabel ‘Jeu de Croquet’box 103cm long£150-250

49

391 393 406

404 405398

413 FF765/12SMALL TABLE MUSIC BOX19TH CENTURYof rectangular form, theebonised case with an inlaidbrass cartouche, the movementwith a single barrel, single air,with a mirror to lid interior12cm wide, barrel 7.5cm£140-180

414 FG482/4ANGLO-INDIAN BRASS BOUNDSANDALWOOD VANITY CASEof typical form with twinhandles, the hinged lid openingto reveal fitted compartmentsand metal containers above adrawer, with a loose plaqueinscribed ‘Richard AspinallEsquire’31cm wide£300-400

415 FG842/11CARVED WOODEN ‘KIWI’CLOCKmodelled as a kiwi bird in highrelief upon a carved log raisedon four feet, housing a brassdial with Roman numerals andsigned ‘Smiths, Made in GreatBritain’31.5cm high, 26cm wide£500-700

416 FH38/31GILT BRASS HALL LIGHTof glazed hexagonal form with ahinged pane, the mouldedframe with six arms supportingthe light fitting59cm high approx.£400-600

417 FG779/8COLLECTION OF TREEN ITEMScomprising of: a miniature snaptop table, with a veneeredsurface, 22.5cm high; a carvedmahogany cheese coaster,42.5cm wide; and a cylindricalsectional spice box, 18cm high(3)£150-250

407 FF981/1PART SUITE OF CUT CRYSTALGLASSES AND DECANTERSeach piece decorated withscrolling borders, comprisingof: two decanters and stoppers;a spare stopper; three fingerbowls; three plates; and 21drinking glasses, of varioussizes (qty)£300-500

408 FF553/47VICTORIAN ROSEWOOD LAPDESKwith decorative brass mounts,the hinged lid opening to reveala velvet slope and fittedcompartments40.5cm wide, 12.5cm high,24.5cm deep£120-180

409 FG779/6SET OF THREE GRADUATEDPAPIER MACHE TRAYSeach of oval form, decoratedwith gilt borders on a blackground, largest 75.5cm wide;together with a GROUP OFEIGHT SMALL FRAMEDPICTURES, including prints andsilhouettes (11)£200-300

410 FH38/30CARVED IVORY HANDLEDWALKING CANEmodelled as a hound with insetglass eyes, above the silvercollar and tapered wooden shaft91cm long£300-400

411 FG842/15CAST IRON STICK STAND19TH CENTURYin the form of a kilted soldier,with a thistle moulded uprightand a drip tray53cm wide, 89cm high,31cm deep£1,000-1,500

412 FF991/1LAWN CHEMISE, BY REPUTEPREVIOUSLY THE PROPERTYOF QUEEN VICTORIA19TH CENTURYedged in lace to the neck andshort sleeves, with the cipher‘VR 17’70cm wide at the chest£200-300

50

415 418

420

425

419

418 FF981/2PORCELAIN PART TEA ANDCOFFEE SERVICEeach lobed piece decorated withfloral reserves on a cobaltground with gilt borders,comprising of: twelve tea cups;eight coffee cans; twelvesaucers; a slop/sugar bowl; andtwo cake plates (qty)£300-500

419 FH94/1GROUP OF THREESTAFFORDSHIRE HENTUREENS AND COVERS19TH CENTURYof various size, each covermodelled as a recumbent henwith eggs, upon a mouldedbase modelled as a basket, withpolychrome decoration;together with a SMALLPORCELAIN HEN TUREEN ANDCOVER, and a SMALL MILKGLASS HEN TUREEN ANDCOVER, each of similar style (5)largest 29cm wide approx.£200-300

423 SV57/75MODERN MAHOGANY CASEDBAROGRAPHof typical form, the bevelledglass cover lifting off to revealbrass instruments, above achart drawer37cm wide£150-250

424 SV104/4LARGE WOOLWORK PANELof rectangular form, decoratedwith various birds and animals,within a foliate border, mountedto board136 x 100cm approx.£150-250

425 FH38/18GILT METAL ‘PINEAPPLE’CHANDELIERthe central column modelled asa pineapple surmounted byeverted leaves, above fiveoutscrolling arms and furtherleaves56cm high, 59cm wide approx.£500-700

421 FG587/22SPECIMEN MARBLE BUST OFTHE EMPEROR HADRIAN ANDPEDESTALthe chest length bust carved invarious marble on anassociated painted wood socle;on a stop fluted green marblesectional pedestal with anoctagonal baseBust: 45cm high; pedestal:110cm high£600-800

422 FH38/16PAINTED IRON SIGN, FORCURTIS’S & HARVEYSSPORTING CARTRIDGESof rectangular form, paintedwith green letters on a creamground ‘Curtis’s & Harvey’sSporting Cartridges, SmokelessDiamond, “Amberite” & “Ruby.”’46 x 30.5cm£200-300

420 FH94/2TWO AGATE WARE POTTERYHEN MONEY BANKSLATE 19TH CENTURY,POSSIBLY BY SEATONPOTTERY, ABERDEENeach modelled as recumbenthens with open slits to theirbacks, raised on basket-likebases, with streaked glaze,9.5cm high; together with aTREACLE GLAZE POTTERY HENMONEY BANK, of similardesign, 9cm high (3)Note:Seaton Pottery was founded in 1868by Thomas Gavin and James Ritchie.During its first period, the potteryproduced many redwares which theydid not mark. They were known,however, for their agate wares, withchicken-shaped money banks beingone of their most common shapes.See Kelly, Henry E., ScottishCeramics, 1999, pp.180-1.

£100-200

51

410 411 416

422 424414

431 FH38/22SET OF FOUR GLASS ANDBURNISHED METAL WALLLIGHTSeach half domed smoked glassshade supported by a scrolledmoulded frame with a foliatepediment (4)37cm wide£400-600

432 FH38/23CARVED GILT WOOD ANDGESSO ‘SUN BURST’ MIRRORthe convex mirror plate with adecorative slip framesupporting various graduated‘rays’61cm wide£300-400

433 SV57/82AMAHOGANY STICKBAROMETER19TH CENTURYof typical form, with both ivorybarometer and thermometerplates94cm high approx.£120-180

434 SV57/103COLLECTION OF MILITARYUNIFORMS AND MEMORABILIAto include: various hats, ahelmet , clothing and jackets(qty)£150-250

435 FH38/21PAIR OF CARVED OAK ANTLERMOUNTED WALL BRACKETSeach with a rectangularplatform supported by a carvedcolumn mounted with a pair ofantlers (2)49cm high approx.£250-350

436 FG855/3ITALIAN METAL JARDINIERESTAND20TH CENTURYthe circular top above a piercedhexagonal upright, raised on acircular foot28cm wide, 92cm high£200-300

426 FG932/1VICTORIAN ROSEWOOD VANITYCASEof rectangular form, inlaid withmother-of-pearl motifs, thehinged lid opening to revealfitted compartments with platedglass jars and boxes30.5cm wide£150-250

427 FG766/10RIDGWAY EARTHENWAREPART DINNER SERVICEeach piece decorated with the‘Italian flower garden’ pattern inmonochrome dark brown,variously marked ‘JWR’ to theunderside, comprising of: alarge soup tureen and cover; asmaller vegetable tureen andcover; a sauce tureen andcover; a sauce boat on stand;two ashets of different sizes; 20dinner plates; eight soupdishes; a meat drainer; and atureen cover (qty)£400-600

428 FG997/1VICTORIAN WORCESTERSQUIRREL SPILL VASEmodelled as a tree trunk withtwo vestibules, above the seatedsquirrel eating nuts or foliage,with maker’s marks, impressed‘220’, and the Victorian lozengeto the underside19cm high£200-300

429 SV2/15GREEN GLASS WINE CARBOYEARLY 19TH CENTURYof ovoid form with a taperedneck, decorated with a reserveand initials35.5cm high£150-250

430 FG779/4GLASS JARof cylindrical form, with aremovable interior of waistedform27cm high£100-200

52

432

435

444

440

437 FG788/3METAL AND GILTWOODCURTAIN POLEthe reeded columns supportedby carved fixtures withdecorative foliate bosses andshaped pediments196cm wide£300-500

438 FG566/43SMALL MIDDLE EASTERNCOPPERED PANELof rectangular form, embossedwith a sacrificial scene andmythical creatures10 x 7cm£200-300

439 FG566/7SUTRA LECTION MANUSCRIPTthe inscribed palm leavesenclosed between two paintedwooden covers60cm long£150-250

446 FG703/1TWO FRAMED INDIANPAINTINGSthe first depicting a gathering ofmen around an outdoor temple,80 x 52.5cm (excluding frame);the second showing a couplewelcoming female attendantswith offerings, 54.5 x 84cm(excluding frame) (2)£200-300

447 FG506/2LARGE INDIAN PAINTING ONSILKdepicting a female figureplaying an instrument withthree attendants/companions inan ornate garden with exoticbirds, in a glazed gilt woodframe112 x 81cm (excluding frame)£150-200

448 SV85/21JAPANESE CLOISONNETEAPOT AND COVERthe pear shaped bodysurmounted by a domed cover,decorated with reservesdepicting insects and birds on adark foliate ground15.5cm high£150-250

443 FG566/22COLLECTION OF MIDDLEEASTERN BRASS AND COPPERWARESof various shapes and sizes,with incised and embosseddecoration, comprising of: threebrass bowls; three copperbowls; a crescent shapedplaque/dish; a covered pot; alidded pot; and a small piercedvase (10)£150-250

444 FG566/32COLLECTION OF ASSORTEDPRAYER WHEELScomprising of six examples, allwith prayer rolls, withembossed and inciseddecoration, comprising of: asilver example with inset bluecabochons; a brass and silverprayer wheel with closionneroundels; a copper and whitemetal example; and threecopper and brass prayer wheels(6)£150-250

445No lot

440 FG566/10INDIAN CARVED HARDWOODTABLE CABINETthe galleried top surface overvarious doors, drawers andfitted compartments, carvedwith figures, birds and flowers60cm wide, 40cm high,24cm deep£300-500

441 FG566/16COLLECTION OF MIDDLEEASTERN BRASS AND COPPERWARESof various shapes and sizes,with incised and embosseddecoration, comprising of: threebrass, and two copper bowls (5)largest 33.5cm diam£150-250

442 FG566/21COLLECTION OF MIDDLEEASTERN COPPER AND BRASSWARESof various shapes and sizes,with embossed decorationdepicting figures and scollingfoliage, comprising of: a brassbowl with inset copper panels;a leaf-shaped copper candlesconce; and small two copperjars/vases (4)largest 9.5cm high£150-250

53

431 (set of four) 428 429

439 448436

455 SV57/87GEORGIAN STYLE MAHOGANYSERPENTINE CHEST20TH CENTURYthe shaped top above fourgraduated long drawers,flanked by blind fretted cantedcorners, raised on bracket feet89cm wide, 81cm high,51cm deep£200-300

456 FG856/1MAPLE & CO. ROSEWOODMETAMORPHIC DRINKSCABINETEARLY 20TH CENTURYthe hinged rectangular topopening to reveal a risingtantalus, raised on outsweptsquare tapering legs united byan under tier61cm wide, 77cm high,36cm deep£300-500

457 FG788/2FRENCH STYLE OVER PAINTEDUPHOLSTERED HEADBOARDthe shaped acanthus mouldedframe upholstered in floralfabric131cm wide, 146cm high£300-500

458 FG779/9VERNACULAR OAK COFFERthe hinged plank top enclosinga void interior above a plainfront, raised on trestle feet84cm wide, 54cm high,54cm deep£300-400

459 FG779/11GEORGIAN MAHOGANY SIDETABLEthe moulded rectangular topabove a frieze drawer with anopposing dummy drawer, raisedon bobbin turned legs andbrass caps and casters51cm wide, 73cm high,40cm deep£150-250

460 FG801/2OAK KITCHEN TABLE20TH CENTURYthe moulded rectangular topabove two frieze drawers withtwo opposing, raised on bobbinturned legs183cm wide, 81cm high,105cm deep£250-400

449 FC357/13LARGE FLOOR STANDING PINEABACUS19TH CENTURYwith ten metal rods and paintedcounterballs, raised on a carvedcolumn and cast iron basemarked ‘The Requisite Series,CW &Co, London’140cm high overall£120-180

450 FF553/56EDWARDIAN SATINWOOD BOWFRONT CORNER CABINETthe moulded cornice aboveglazed doors enclosing shelves,raised on square tapering outswept legs, united by an undertier75cm wide, 175cm high,47cm deep£300-500

451 FG586/7OAK GATE LEG DINING TABLE18TH CENTURYthe oval drop flap top aboveblock and turned legs, united bystretchers144cm wide, 78cm high,63cm deep£300-500

452 FF553/69SET OF EIGHT GEORGE IIISTYLE MAHOGANY SHIELDBACK DINING CHAIRSthe serpentine top rail above apierced, carved vertical splat,over a drop in pad seat, raisedon moulded square taperinglegs and spade feet (8)52cm wide, 98cm high,43cm deep£300-500

453 FH38/3IRON FRAMED MIRRORthe canted bevelled mirror platewithin a foliate and floralmounted metal frame77cm wide, 97cm high£400-600

454 SV57/47GEORGIAN STYLE CORNERCABINET AND BASEthe moulded cornice above anastragal glazed door enclosingshelves and a panel door,raised on a plinth base80cm wide, 210cm high,48cm deep£400-700

54

451 455

458460

461 FG830/2OAK ARTS AND CRAFTS STYLEBOOKCASE AND UNDERCABINET19TH CENTURYthe dentil moulded corniceabove glazed doors enclosingadjustable shelves, over twofrieze drawers and twocupboard doors, raised onbracket feet135cm wide, 233cm high,50cm deep£300-500

464 FF701/3HARLEQUIN SET OF FIFTEENTABLET BACK DINING CHAIRSthe shaped back above ahorizontal splat and pad seat,raised on turned legs, includingone open arm chair (15)47cm wide, 87cm high,40cm deep£800-1,200

465 FF771/2MAHOGANY COAT STAND19TH CENTURYwith seven coat hooks, raisedon a turned support and atripod base57cm wide, 195cm high£300-500

466 FG831/12OAK LEAF DROP TABLE17TH CENTURYthe oval top above a drawer toone end, over block and turnedlegs united by peripheralstretchers, raised on pad feet39cm wide, 72cm high, 106cm deep£250-350

463 FG801/3THREE OAK OPEN ARMCHAIRSthe shaped top rail above acomb back and out swept arms,over a solid seat, raised oncabriole legs, united bystretchers (3)53cm high, 89cm high, 46cm deep£150-250

462 FG801/1GEORGIAN STYLE MAHOGANYTRIPLE PEDESTAL DININGTABLE20TH CENTURYthe rounded rectangular reededtop above turned supports andout swept reeded legs, raisedon brass lion paw feet andcasters, including two leafextensions, and two furthershort leaves for a breakfasttable conversion468cm wide, 74cm high,121cm deep£1,500-2,500

55

450 453 456

457 461459

462

472 FG922/2SMALL MAHOGANY SIDETABLEthe square top fitted with fourmetal corner plaques depictingthistles, above a single drawerand four tapered legs, 47.5cmhigh; together with aMINIATURE GILTWOODBALLOON BACK CHAIR, with acarved open back, anupholstered seat, and cabriolelegs, 44.5cm high (2)£150-250

473 FH38/11DUTCH CHINOISERIE TABLECIRCA 1790the moulded rectangular topdepicting dancing minstrelsabove a frieze drawer, raised onout swept square tapering legs74cm wide, 69cm high,59cm deep£800-1,200

474 FF72/65EARLY GEORGE III STYLEWALNUT AND CROSSBANDEDTWIN PEDESTAL DININGTABLEthe rounded rectangular topabove turned supports, raisedon cabriole legs183cm wide, 78cm high,91cm deepProvenance:The Estate of Dr. Renate Davis,Deceased

£500-700

475 FF584/75GEORGE III MAHOGANYBOWFRONT HANGING CORNERCABINETthe mouded cornice above twodoors and a moulded base106cm high£200-300

467 FG776/1LARGE VICTORIAN OAKPARTNER’S DESKthe moulded top with an insetwriting surface above threefrieze drawers, over pedestals,each with three drawers andthree opposing, raised on plinthbases158cm wide, 80cm high,112cm deep£700-900

468 FG842/14HOLLOW TREE TRUNK STICKSTANDof natural form with a voidinterior63cm wide, 70cm high£500-700

469 FG846/6VICTORIAN MAHOGANYSWIVEL CHAIRthe shaped back and outscrolling arms above a piercedvertical splat and solid seat,raised on outswept legs andceramic casters62cm wide, 87cm high,48cm deep£120-180

470 FG846/8VICTORIAN EBONISEDEXERCISE CHAIRthe cushioned head rest andfluted supports above acushioned back and seat,flanked by cushioned arms,raised on turned fluted legs andceramic casters63cm wide, 91cm high,52cm deep£250-350

471 FG834/1VICTORIAN MAHOGANYINVERTED BREAKFRONT LOWBOOKCASEthe moulded cornice above fourglazed doors enclosingadjustable shelves, raised on aplinth base259cm wide, 137cm high,49cm deep£600-800

56

467 471

476

480

476 FF584/37OAK DRESSER18TH CENTURYthe plate rack with a mouldedcornice above four shelves, therectangular base with threefrieze drawers over ring turnedbaluster columns and anundertier, on black feet201cm wide, 240cm high,44cm deep£2,500-3,500

477 FH38/1IRON PUMP AND STONETROUGHthe pump with a serpentinehandle, downswept spout andspiral moulded upright togetherwith a roughly hewn troughpump 132cm high, trough45cm wide, 64cm long£700-900

478 FG802/11GEORGIAN MAHOGANY TOILETMIRRORthe shaped mirror plate with agitlwood slip frame, on taperedsupports above three drawers62.5cm high overall£200-300

485 FG681/2THE WALLACE OAK, A WALLHANGING CABINET19TH CENTURYmade from the wood of theEllerslie Wallace oak andpassed down through thefamily, the three quartergalleried top surmounted by aplaque, above two panel doorsenclosing shelves71cm wide, 71cm high,20cm deep£300-500

486 FG846/9AGEORGIAN MAHOGANY TOILETMIRRORthe shaped mirror plate ontapered supports, above threedrawers71.5cm high overall£200-300

482 FG600/24OVER PAINTED PINE SOFATABLEEARLY 19TH CENTURYthe rectangular top above afoliate and floral frieze, raisedon outswept legs and brasscaps and casters80cm wide, 70cm high,53cm deep£300-500

483 FF584/48GEORGE III MAHOGANYBUREAUthe fall flap enclosing a fittedinterior above four graduatedlong drawers, raised on bracketfeet99cm wide, 109cm high,50cm deep£200-300

484 FF968/3ADAM STYLE MAHOGANY SIDETABLEthe breakfront top above amoulded frieze with a centralswag, raised on fluted squaretapering legs101cm wide, 74cm high,45cm deep£200-400

479 SV123/37AMAHOGANY TWIN PEDESTALDINING TABLE20TH CENTURYthe moulded rectangular topabove turned supports, raisedon out swept legs243cm wide, 76cm high,104cm deep£200-300

480 SV2/43AMAHOGANY WINDOW SEAT19TH CENTURYthe rectangular top and turnedends above a plain frieze, raisedon turned legs112cm wide, 50cm high,29cm deep£250-400

481 FG766/1GEORGE III GILTWOOD MIRRORLATE 18TH CENTURYthe shaped bevelled mirrorplate within a moulded piercedframe76cm wide, 84cm high£400-600

57

473 468 470

481 477484

491 FG469/4VICTORIAN ROSEWOODDAVENPORTthe three quarter brass galleryand hinged writing slope withinset skiver, enclosing a fittedinterior, above four drawers andfour opposing dummy drawers,raised on moulded cabriole legsand bun feet57cm wide, 83cm high,56cm deep£300-500

492 FG478/1GEORGIAN OAK LONGCASECLOCKthe dentil moulded corniceabove an arched brass dial withmoon phase dial, Romannumerals and date aperture,over a shaped and inlaid door,raised on a plinth base54cm wide, 220cm high,25cm deep£600-800

493 FG779/12MAHOGANY CHEST19TH CENTURYthe moulded rectangular topabove two short and twograduated long drawers,flanked by reeded cantedcorners, raised on bracket feet124cm wide, 90cm high,51cm deep£140-180

494 FG821/4VICTORIAN SCOTTISH ASHCHESTthe moulded rectangular topabove two short and two longdrawers, raised on a plinth base106cm wide, 85cm high,51cm deep£200-300

495 FG831/18SMALL OAK DROP LEAF TABLE17TH CENTURYthe oval top above turned legs,united by peripheral stretchers,raised on pad feet30cm wide, 69cm high,82cm deep£200-300

487 FG856/2VICTORIAN WALNUT ANDINLAY DAVENPORTthe pierced three quartergallery and enclosed pen andpaper tray above a hingedwriting slope, over turnedpilasters and four drawers tothe side with dummy drawersopposing, raised on ceramiccasters52cm wide, 82cm high,53cm deep£300-500

488 FH69/1MAHOGANY BUREAUBOOKCASE19TH CENTURY AND LATERthe broken swan neck pedimentabove astragal glazed doorsenclosing adjustable shelves,over the fall flap enclosing afitted interior, over fourgraduated long drawers, raisedon bracket feet109cm wide, 237cm high,57cm deep£300-400

489 FF767/1ROSEWOOD AND INLAIDBUREAU DE DAME19TH CENTURY STYLEthe pierced brass gallery abovean inlaid fall flap enclosing afitted interior, over a shapedfrieze, raised on cabriole legs,ending in brass sabots66cm wide, 91cm high,45cm deep£500-800

490 FF771/1REGENCY MAHOGANYPARTNERS DESKthe moulded rectangular topwith an inset writing surfaceabove drawers to each side,raised on baluster turned legsand ceramic casters134cm wide, 87cm high,95cm deep£500-700

58

494 499

491500

496 SV70/5SMALL VICTORIAN OAKWELLINGTON CHESTthe moulded rectangular topabove nine drawers, raised on aplinth base41cm wide, 72cm high,26cm deep£200-300

497 SV57/78GEORGIAN STYLE MAHOGANYAND INLAID HANGINGCORNER CUPBOARDthe dentil moulded corniceabove an inlaid frieze, over anastragal glazed door enclosingshelves60cm wide, 77cm high,38cm deep£150-250

498 SV57/26LARGE OAK DINING TABLEthe moulded rectangular topabove a plain frieze, raised onsquare tapering legs andceramic casters, including twoleaf extensions317cm wide extended, 76cm high,135cm deep£600-900

505 FG830/3EDWARDIAN MAHOGANYEXTENDING DINING TABLEthe canted rectangular topabove a plain frieze, raised onsquare tapering legs andceramic castors, including twoleaf extensions242cm wide extended, 77cm high,120cm deep£300-500

506 FG479/2GEORGIAN OAK EIGHT DAYLONGCASE CLOCK, BYG. SUTHERLAND, ELGINthe painted arched dial withsubsidiary second and datedials, within a hood with abroken swan neck pediment,flanked by turned columns,above a shaped door, flanked byreeded quarter pilasters, raisedon bracket feet46cm wide, 215cm high,23cm deep£200-300

END OF SALE

502 FG821/3GEORGE III OAK CHEST OFDRAWERSthe moulded top above twoshort and three graduated longdrawers, raised on bracket feet104cm wide, 92cm high,47cm deep£200-300

503 SV81/1418TH CENTURY STYLEWALNUT LOWBOY20TH CENTURYthe cross banded moulded topabove a central drawer, flankedby deep drawers, raised onmoulded cabriole legs and padfeet65cm wide, 73cm high,42cm deep£120-150

504 SV2/33OAK REFECTORY TABLEEARLY 18TH CENTURYthe three plank top above aslight line carved frieze, raisedon slight tapering circularsection legs, united byperipheral stretchers233cm wide, 76cm high,79cm deep£800-1,200

499 SV2/5GEORGIAN MAHOGANYSERPENTINE CHESTthe shaped top above fourgraduated long drawers, raisedon bracket feet115cm wide, 101cm high,61cm deep£300-500

500 SV123/11GEORGIAN STYLE MAHOGANYTRIPTYCH MIRRORthe three rectangular mirrorplates within a gold slip and afretwork frame surmounted bya ‘hoho’ bird143cm wide, 64cm high£250-400

501 FG842/9MAHOGANY AND BRASSBOUND PEAT BUCKETof spiral reeded taperingcylindrical form with a brassliner50cm wide, 66cm high£1,000-1,500

59

489 501 496

504492

60

Board of Directors

ChairmanSir Angus Grossart

Vice ChairmanPaul Roberts

Managing DirectorNick Curnow

DirectorsCampbell ArmourRachel DoerrTrevor KyleJohn MackieMhairi McFaddenGavin StrangLee Young

Specialist Departments

Pictures, Watercolours& PrintsNick CurnowCharlotte RiordanEmily Johnston (London)

Furniture, Clocks &Works of ArtDouglas GirtonLee YoungSara Pierdominici

Asian Works of ArtLee YoungAnna Westin (consultant)Sara Pierdominici

Jewellery, Silver,Coins & MedalsColin FraserTrevor KyleRuth Davis

Rugs & CarpetsGavin Strang

Decorative Arts &DesignJohn Mackie

European & AsianCeramicsDouglas GirtonCampbell Armour

Rare Books, Maps &ManuscriptsSimon VickersCathy Marsden

Arms & ArmourJohn Batty (consultant)

InteriorsTheo BurrellCharlotte RiordanDavid Fiddes

Operations ManagerAlex Dove

Finance ManagerMhairi McFadden

AccountsFlo MarshallEileen WelshSarah Laing

AdministrationEdinburghKim AitchisonEleanor WelshJennifer Somerville

GlasgowLinda RobinsonJames McNaught

Saleroom StaffSydney DrewDavid RobertsonScott MitchellDavid FiddesValerie Kyle

Press & Public RelationsPhilip Gregory

MarketingMatt McKenzie

Administration

London and Southern England

Ian Peter MacDonaldTel: +44 (0)20 7930 9115ianpeter.macdonald@lyonandturnbull.com

Lee YoungMobile: +44 (0)7825 426555lee.young@lyonandturnbull.com

Emily JohnstonMobile: +44 (0)7741 247225emily.johnston@lyonandturnbull.com

Business Development

Ian Peter MacDonaldLindsey MichieJames McNaughtJohn SibbaldJohn ThomsonTessa ThomsonLady Middleton

www.lyonandturnbull.com

33 Broughton Place, Edinburgh

EH1 3RR

Tel +44 (0)131 557 8844

Fax +44 (0)131 557 8668

182 Bath Street, Glasgow

G2 4HG

Tel +44 (0)141 333 1992

Fax +44 (0)141 332 8240

78 Pall Mall, London

SW1Y 5ES

Tel +44 (0)20 7930 9115

Fax +44 (0)20 7930 7274

61

Index to Artists

Glossary of cataloguing termsThe following expressions withtheir accompanying explana-tions are used by Lyon & Turn-bull as standard cataloguingpractice. Our use of these ex-pressions does not take accountof the condition of the lot or theextent of any restoration.

Buyers are recommended to in-spect the property themselves.Written condition reports areusually available on request.

Name(s) or Recognised Des-ignation of an Artist with-out any QualificationIn our opinion a work by theartist

Attributed to...In our opinion probably a workby the artist in whole or in part.

Studio of .../Workshop of ...In our opinion a work executedin the studio or workshop of theartist, possible under his super-vision

Circle of ...In our opinion a work of the pe-riod of the artist and showinghis influence.

Follower of ...In our opinion a work executedin the artist’s style but not nec-essarily by a pupil.

Manner of ...In our opinion a work executedin the artist’s style but of a laterdate

After ...In our opinion a copy (of anydate) of a work of the artist.

Signed ... /Dated ... /Inscribed ... /In our opinion the work hasbeen signed/dated/inscribed bythe artist.

BearsSignature ... /Date ... /Inscription ... /In our opinion thesignature/date/inscription ap-pears to be by a hand other thanthat of the artist.

Dimensions are given height be-fore width.

Ageev, M.S., 62Alexander, L., 103Anglo-Indian School, 128, 129

Barnard, M.B., 115Bell, R.A., 21Blacklock, T.B., 81Blampied, E., 85Blanchard, A., manner of, 42Bone, C., attributed to, 3Bone, Sir M., 15Bottomley, F., 102British School, 67, 70, 93Brouwer, A., attributed to, 41Burke, A., 48Burr, J., 23Butler, M.A., 74

Campbell, A., 32Carrick, D., 51Christie, J.E., 73Conor, W., 75Continental School, 84, 116Cryan, C., 56Cummings, J., 48A

de Salles, V., 99Dertain, A., 39Dickson, A., 117Dutch School, 94

European School, 16, 27Eyres, E., 119

Farquharson, D., 10

Runciman, A., 24

Scott, M., 34Scottish Contemporary, 31Scottish School, 123Spence, H,. 95Stander, P 33Stevenson, W.G., 126

Thomson, J.M., 125Topolski, F., 91Treacy, L., 55, 63Trood, W.H.H., 114Trowells, O., 98

van Ostade, A., manner of, 26Veger, H., 43

Waddell, J., 47Waterhouse, J.W., attributed to,38

Wilks, M.C., 71Wilson, J, manner of, 14Wolfe, G., 6Womack, D.G., 96Wood, F.W., 17, 18Wylie, K., 79

Mackie, C.H., 78Mactaggart, Sir w., 106Majoribanks, T., 86Manson, D., 100, 101Manson, G., 61Maris, J.H., follower of, 25McCaig, N.J., 50, 57, 68McCauley, C.J., 58, 64, 66McClure, D., 1McEwamn, J., 35McGeehan, J.M., 77McGregor, H., 83McLeay, M., 13McNee, R.R., 88

Noble, R., 60, 72, 120

O’Ryan, F., 49, 53Oldert, J., 105

Parsons, A.W., 19Paterson, A., 54Paton, W.H., 8Patrick, J.M., 9, 37Percy, R., 45Perman, L., 104Phiipson, Sir R., 113Priestman, A., 46

Reid, A.D., 2Reid, E.P., 12Reid, J.R., 69Roche, A., 30Roelops, W., 112Rowbotham, C., 20

Fleming, I., 7Forbes, D., 97French School, 90

Garland, H., 121Gaul, F., 92Gennari, C., attributed to, 40Gillespie, J., 107Glover, J., attributed to, 44Graham, P., 111Graham, T.A.F., 76

Hall, F., 89Hanna, N., 108Hayes, B., 80Henry, B., 124Hilder, R., 4Hislop, M., 82Hope, R., 28, 87Houston, J., 127Houston, J., follower of, 29

Irish School, 65

Kelsey R., 36Kerr, H.W., 59

le Jeune, J., 52Louis, C.G., 122Lovatti, A., 118Lyon, T.B., 5

Macbeth, D., 11Macgregor, H., 22Mackey, H., 109, 110

How to find Lyon & Turnbull

PP

S

QUEEN ST

PRINCES ST

BROU

GHTON

ST

LEIT

HW

ALK

LEIT

HST

Waverley Station

ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom

St Andrew Square(bus station)

Collecting your purchasesHow to arrange collection and transport, plus everything else you might want to arrrange to make your newpossessions fit your home perfectly.

Transport & CouriersAlthough we cannot pack or ship items, the following suggested carriers will be able to arrange packing andshipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Lyon & Turnbull saleroom

Storage of sold lots

All bought items will be held free of charge at Lyon &Turnbull until the Friday following the sale.

Thereafter lots will be removed to store in Edinburghand a charge incurred.

Administration fee:£20 + VAT

Storage charges per lot per day are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

Restoration

To get your purchases home in perfect condition you maywish to employ the services of a restorer.

Restoration may not be as expensive as you think and Lyon& Turnbull are able to recommend restorers of Pictures,Frames, Ceramics, Furniture and Metalwork; Upholsterersand Framers.

Please call Theo Burrell for details on 0131 557 8844

Local Deliveries

A&S Pert RemovalsTelephone 07876 343520

Thistle RemovalsTel: +44 (0)7836 774712Email: thistleremovals@hotmail.co.uk

New Leaf RemovalsTel: +44 (0)7999 926261Email: info@newleafremovals.co.uk

Furniture and Larger Items

ConstantineTel: +44(0)1236 750055Fax: +44(0)1236 750077E-mail: enquiries@constantinemoving.com

A Van Man TransportTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 206Email: office@avmt.co.uk

Further Afield

For Smaller Items and Paintings

Mailboxes Etc.Tel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email: edinburgh@mbescotland.com

Pictures

Gallery Support GroupUnit 4, 89 Manor Farm RoadWembley, London HA0 1BATel: +44 (0)20 3053 0753Email: info@gallerysupportgroup.com

62

conditions before any such bids shall beaccepted;

(h) to apply any proceeds of sale of otherlots due or in future becoming due to youtowards the settlement of the total amountdue and to exercise a lien (that is a right toretain possession of) any of your propertyin our possession for any purpose until thedebt due is satisfied.

(2) We shall, as agent for the seller andon their behalf pursue these rights andremedies only as far as is reasonable tomake appropriate recovery in respect ofbreach of these Conditions

10. THIRD PARTY LIABILITY

All members of the public on ourpremises are there at their own risk andmust note the lay-out of theaccommodation and securityarrangements. Accordingly neither theauctioneer nor our employees or agentsshall incur liability for death or personalinjury (except as required by law by reasonof our negligence) or similarly for thesafety of the property of persons visitingprior to or at a sale.

11. COMMISSION BIDS

While prospective buyers are stronglyadvised to attend the auction and arealways responsible for any decision to bidfor a particular lot and shall be assumedto have carefully inspected and satisfiedthemselves as to its condition we shall ifso instructed clearly and in writing executebids on their behalf. Neither theauctioneer or our employees or agentsshall be responsible for any failure to doso. Where two or more commission bidsat the same level are recorded we reservethe right in our absolute discretion toprefer the first bid so made.

12. WARRANTY OF TITLE ANDAVAILABILITY

The seller warrants to the auctioneer andto you that the seller is the true owner ofthe property consigned or is properlyauthorised by the true owner to consign itfor sale and is able to transfer good andmarketable title to the property free fromany third party claims.

13. AGENCY

The auctioneer normally acts as agentonly and disclaims any responsibility fordefault by sellers or buyers.

14. TERMS OF SALE

The seller acknowledges that lots are soldsubject to the stipulations of theseConditions in their entirety and on theTerms of Consignment as notified to theconsignor at the time of the entry of thelot.

15. STANDARD VENDOR FEES ANDCHARGES(Subject to VAT)

(1) Commission: 15% of the first £3000 and10% thereafter is charged on the sellingprice of each lot (subject to a minimumcharge of £30). Loss and damagewarranty: 1.5% on value of lots sold.Photography: max £40 mono per lot, max£250 colour. Internet Marketing Service:£10 per lot.

(2) If a vendor wishes to withdraw a lotorganized for sale, a withdrawal fee willapply;

(a) If withdrawn over 28 working days priorto the sale, this will be charged at 10% ofthe mid estimate along with any ancilliaryincurred (such as photography), all subjectto VAT at the current rate.

(b) If withdrawn within 28 working days ofthe sale, this will be charged at 20% of themid estimate along with any ancilliaryincurred (such as photography), all subjectto VAT at the current rate.(3) Aftersales: We reserve the right toaccept an after-auction offer on a lot onbehalf of the vendor, at the agreed reserveprice or above, for up to 48 hours after theoriginal auction.

16. DESCRIPTIONS ANDCONDITION

(1) While we seek to describe lots

accurately, it may be impractical for us tocarry out exhaustive due diligence on eachlot. Prospective buyers are given ampleopportunities to view and inspect beforeany sale and they (and any independentexperts on their behalf) must satisfythemselves as to the accuracy of anydescription applied to a lot. Prospectivebuyers also bid on the understanding that,inevitably, representations or statementsby us as to authorship, genuineness,origin, date, age, provenance, condition orestimated selling price involve matters ofopinion. We undertake that any suchopinion shall be honestly and reasonablyheld and accept liability for opinions givennegligently or fraudulently. Subject to theforegoing neither we the auctioneer or ouremployees or agents or the seller acceptliability for the correctness of suchopinions and all conditions and warranties,whether relating to description, conditionor quality of lots, express, implied orstatutory, are hereby excluded. ThisCondition is subject to the next followingCondition concerning deliberate forgeriesand applies save as provided for inparagraph 6 “information to buyers”.

(2) Private treaty sales made under theseConditions are deemed to be sales byauction for purposes of consumerlegislation.

17. FORGERIES

Notwithstanding the preceding Condition,any Lot which proves to be a deliberateforgery (as defined) may be returned to usby you within 21 days of the auctionprovided it is in the same condition aswhen bought, and is accompanied byparticulars identifying it from the relevantcatalogue description and a writtenstatement of defects. If we are satisfiedfrom the evidence presented that the lot isa deliberate forgery we shall refund themoney paid by you for the lot including anybuyer’s premium provided that (1) if thecatalogue description reflected theaccepted view of scholars and experts asat the date of sale or (2) you personally arenot able to transfer a good and marketabletitle to us, you shall have no rights underthis condition.

The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.

GENERAL

18. We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctions byany person.

19 (1) Any right to compensation for lossesliabilities and expenses incurred in respectof and as a result of any breach of theseConditions and any exclusions provided bythem shall be available to the sellerand/or the auctioneer as appropriate.

(2). Such rights and exclusions shallextend to and be deemed to be for thebenefit of employees and agents of theseller and/or the auctioneer who maythemselves enforce them.

20. Any notice to any buyer, seller, bidderor viewer may be given by first class mailin which case it shall be deemed to havebeen received by the addressee 48 hoursafter posting.

21. Special terms may be used incatalogue descriptions of particularclasses of items (Books, Jewellery,paintings, guns, firearms etc) in whichcase the descriptions must be interpretedin accordance with any glossary orguidance notes appearing in thecatalogue. These notices and terms willalso form part of our terms and conditionsof sales.

22. Any indulgence extended to biddersbuyers or sellers by us notwithstandingthe strict terms of these Conditions or ofthe Terms of Consignment shall affect theposition at the relevant time only and inrespect of that particular concession only;in all other respects these Conditionsshall be construed as having full force andeffect.

23. Scottish law applies to theinterpretation of these Conditions.

Lyon & Turnbull carries on business withbidders, buyers and all those present inthe auction room prior to, or inconnection, with a sale on the followingGeneral Conditions and on such otherterms, conditions and notices as may bereferred to herein.

1. DEFINITIONS

In these Conditions:

(a) “Auctioneer” means the firm of Lyon &Turnbull or its authorised auctioneer, asappropriate;

(b) “deliberate forgery” means animitation made with the intention ofdeceiving as to authorship, origin, date,age, period, culture or source but which isunequivocally described in the catalogueas being the work of a particular creatorand which, at the date of the sale, had avalue materially less than it would havehad if it had been in accordance with thedescription;

(c) “hammer price” means the level ofbidding reached (at or above any reserve)when the auctioneer brings down thehammer;

(d) “terms of consignment” means thestipulated terms and rates of commissionon which Lyon & Turnbull acceptsinstructions from sellers or their agents;

(e) “total amount due” means thehammer price in respect of the lot soldtogether with any premium, Value AddedTax chargeable and any additional chargespayable by a defaulting buyer under theseConditions;

(f) “sale proceeds” means the net amountdue to the seller, being the hammer priceof the lot sold less commission at thestated rate, Value Added Tax chargeableand any other amounts due to us by theseller in whatever capacity and howeverarising;

(g) “You”, “Your”, etc. refer to the buyer asidentified in Condition 2.

(h) The singular includes the plural andvice versa as appropriate.

2. BIDDING PROCEDURES ANDTHE BUYER

(a) Bidders are required to register theirparticulars before bidding and to satisfyany security arrangements before enteringthe auction room to view or bid;

(b) the maker of the highest bid acceptedby the auctioneer conducting the saleshall be the buyer at the hammer priceand any dispute about a bid, which mustbe raised before the next lot is offered,shall be settled at the auctioneer’sabsolute discretion.

(c) Bidders shall be deemed to act asprincipals.

(d) Once made, no bid may be withdrawn.

(e) Our right to bid on behalf of the selleris expressly reserved up to the amount ofany reserve and the right to refuse any bidis also reserved.

3. INCREMENTS

Bidding increments shall be at theauctioneer’s sole discretion.

4. THE PURCHASE PRICE

The buyer shall pay the hammer pricetogether with a premium thereon.

25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at therate imposed by law.

5. VALUE ADDED TAX

Value Added Tax on the hammer price isimposed by law on all items affixed withan asterisk (*) or dagger (†). Value AddedTax is charged at the appropriate rateprevailing by law at the date of sale and ispayable by buyers of relevant lots.

6. DROIT de SUITE

This symbol § indicates works which maybe subject to the Droit de Suite or Artist'sResale Right, which took effect in theUnited Kingdom on 14th February 2006.We are required to collect a royaltypayment for all qualifying works of art.

Under new legislation which came intoeffect on 1st January 2012, this applies toliving artists and artists who have died inthe last 70 years. This royalty will becharged to the buyer on the hammer priceand in addition to the buyers premium. Itwill not apply to works where the hammerprice is less than €1,000 (euros). Thecharge for works of art sold at and above€1,000 (euros) and below €50,000 (euros)is 4%. For items selling above €50,000(euros),charges are calculated on a slidingscale. All royalty charges are paid to theDesign and Artists Copyright Society(‘DACS’) and no handling costs oradditional fees are retained by theauctioneer. Resale royalties are notsubject to VAT. Please note that the royaltypayment is calculated on the rate ofexchange at the European Central Bank onthe date of the sale. More information onDroit de Suite is available atwww.dacs.org.uk.

7. PAYMENT

(1) Immediately a lot is sold you will:

(a) pay to us the total amount due in cashor in such other way as is agreed by us.We accept cash, bank transfer (details onrequest), Switch or Debit Cards and Visaor MasterCard (please note there is asurcharge of 2% (VAT included) whenusing credit cards). We do not acceptAmerican Express.

(2) any payments by you to us may beapplied by us towards any sums owingfrom you to us on any account whateverwithout regard to any directions of you oryour agent, whether express or implied.

8. TITLE AND COLLECTION OFPURCHASES

(1) The ownership of any lots purchasedshall not pass to you until you have madepayment in full to us of the total amountdue.

(2) You shall at your own risk and expensetake away any lots that you havepurchased and paid for not later than fourworking days following the day of theauction or upon the clearance of anycheque used for payment after which youshall be responsible for any removal,storage and other associated charges.

(3) No purchase can be claimed orremoved until it has been paid for.

(4) It is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not being held atour main saleroom and the potentialstorage charges for lots not collected bythe appropriate time.

9. REMEDIES FOR NON-PAYMENTOR FAILURE TO COLLECTPURCHASES

(1) If any lot is not paid for in full and takenaway in accordance with these Conditionsor if there is any other breach of theseConditions, we, as agent for the seller andon their behalf, shall at our absolutediscretion and without prejudice to anyother rights we may have, be entitled toexercise one or more of the followingrights and remedies:

(a) to proceed against you for damages forbreach of contract;

(b) to rescind the sale of that lot and/orany other lots sold by us to you;

(c) to resell the lot (by auction or privatetreaty) in which case you shall beresponsible for any resulting deficiency inthe total amount due (after crediting anypart payment and adding any resale costs).Any surplus so arising shall belong to theseller;

(d) to remove, store and insure the lot atyour expense and, in the case of storage,either at our premises or elsewhere;

(e) to charge interest at a rate of 1.5% permonth above the current base rate on thetotal amount due, to the extent it remainsunpaid for more than four working daysafter the sale;

(f) to retain that or any other lot sold toyou until you pay the total amount due;

(g) to reject or ignore bids from you oryour agent at future auctions or to impose

Standard Terms & Conditions of Sale

63

33 Broughton Place, EdinburghEH1 3RRTel +44 (0)131 557 8844Fax +44 (0)131 557 8668

email. info@lyonandturnbull.comwww.lyonandturnbull.com

182 Bath Street, GlasgowG2 4HGTel +44 (0)141 333 1992Fax +44 (0)141 332 8240

78 Pall Mall, LondonSW1Y 5ESTel +44 (0)20 7930 9115Fax +44 (0)20 7930 7274