321© The Editor(s) (if applicable) and The Author(s) 2018 G. Cammaer et al. (eds.), Critical Distance in Documentary Media, https://doi.org/10.1007/978-3-319-96767-7

Index

0–91947 Partition Archive, 173, 17457, The, 214, 226798 art district (Beijing), 72

Aacoustic design, 265, 270acoustic ecology, 259, 265, 270, 275actor-network theory (ANT), 7, 17,

303–306, 309, 314, 315, 317Adelaide, Australia, 154Adler, Dan, 143, 146aerial photography, 132, 133, 138aerial surveillance, 131, 133, 140Afghanistan, 94, 138After Finitude, 18Aftermath, 60agency, 12, 13, 30, 32, 34, 79, 82,

110, 140, 141, 144, 145, 176, 179, 186, 206, 222, 233, 238, 248, 285, 287, 302, 304, 306, 308, 309, 311, 312, 314, 316, 317

Ai Weiwei, 16, 93, 99, 102–105algorithm, 34

algorithmic culture, 33, 36, 37Allepo, 95, 96All the Meat Here is Clean, 84, 85Alternative Document, The

(exhibition), 113, 115, 121, 125Alternative Law Forum (Bangalore),

177Althusser, Louis, 10Amad, Paula, 130Amarillo, Texas, 136American Civil War, 132American Sign Language (ASL), 242, 253American Southwest, the, 138Andrejevic, Mark, 26, 34Andrisani, Vincent, 272A Night in London, 53Animal Internet, 244animal photobomb, 233, 250animal studies, 3, 17, 251Anthropocene, 10, 11, 13anthropocentrism, 9, 13, 241anti-slavery movement in the United

States, 62Aragon, Louis, 53archives, 34, 60, 172, 174, 188, 209,

211, 226

322 INDEx

Arendt, Hannah, 98ArtReview, 93Ascott, Roy, 205A Sheep in Wolf’s Clothing, 236assemblage theory, 9astrophotography, 138Astruc, Alexandre, 214A Summer Afternoon, 273Atlantic Ocean, 136At Work in the Fields of the Bomb, 131,

132augmented reality, 1, 4, 8, 153, 185,

189Auslander, Phillip, 111Australia, 150, 154, 155, 162, 220,

221, 225, 308Australian Outback, 154, 156auteur theory, 2authenticity, 9, 24, 37, 38, 78, 83, 87,

120, 232, 282autobiography, 6, 170, 209, 211automation, 31, 33

BBachelard, Gaston, 124Bajac, Quentin, 53Banff National Park, 232, 244Bangalore, 177Bangladesh, 173Barad, Karen, 304, 315Barthes, Roland, 10, 204Batty, Craig, 212Bay area (San Francisco), 295Bazin, André, 13, 204BBC Natural History Unit, 245Bear 71, 244Beijing, 56, 58, 69, 72, 76, 78, 79,

82, 88, 93Beijing Film Academy, 84Beijing Times, 82Beijing zazhong (Beijing Bastards), 76Benjamin, Walter, 53, 95, 120, 207

Bennett, Jane, 12, 251Bennett, Tony, 210Benning, James, 143Berelowitz, Lance, 265Bergen, Norway, 155Berger, John, 100Bergson, Henri, 124Berkeley, Leo, 210, 214, 226Berlin, 95Berry, Chris, 79Berry, Marsha, 210, 213, 217, 226Beuys, Joseph, 103, 106, 253Bialobrzeski, Peter, 64Bideford Black: The New Generation,

113, 115–117, 119, 120, 124Big Data, 28, 29, 35, 36, 183Bijsterveld, Karin, 264Blogging, 99, 178, 242, 291Blomley, Nicholas, 260Blumenberg, Hans, 47Boehr, Niels, 304Bogost, Ian, 304Boje, David, 93Bollywood, 180Boltanski, Christian, 5Bookchin, Natalie, 280, 283, 284,

297, 298Boston Marathon bombing, 36Bouldercam, 245Bourriaud, Nicolas, 91Bousé, Derek, 235, 251Braester, Yomi, 78Braidotti, Rosi, 290Brandt, Bill, 52Brandts, Jackson, 231, 232Brandts, Melissa, 231Brassaï, 52, 53, 64Brassier, Ray, 18Brecht, Bertolt, 14Brewster, Kendra, 185British Broadcasting Corporation

(BBC), 154, 165, 183, 243, 245, 247

INDEx 323

Brod, Max, 95Brown, Reggie, 188Brown, William, 223Bruzzi, Stella, 258, 294Buddha, the, 84Bumming in Beijing, 79Burdon, Mark, 26Burrard Bridge (Vancouver), 257, 268Business Insider, 199Butalia, Urvashi, 173By Design, 266, 274, 275

CCahill, James Leo, 241Caillet, Aline, 2, 4Camera Roll (iOS), 188, 213, 222,

226Camera-Stylo (Astruc), 214CameraV apps, 38CAMP (Mumbai studio), 177Campany, David, 60Canadian Broadcasting Corporation

(CBC), 273Canetti, Elias, 294Cao Kai, 77Castaing-Taylor, Lucien, 146CBUT Film Unit, 273CCD sensor, 26Celebes Crested Macaque selfies, 242Celtx, 212Central Academy of Fine Arts, 77Central Intelligence Agency (CIA),

138, 140Centre for Investigative Journalism,

313Certified Universal, 180CGNET-Swara, 183Challenge for Change (NFB), 287Changzhou, 78Chantek (orangutan), 243Chantilly, Virginia, 140Charleston, South Carolina, 136

Chawla, Rohit, 102, 105Chen Danqing, 74Chhattisgarh, 182, 183, 189Chicago, 55Chimpcam Project, The, 243China, 16, 47, 56–60, 69, 72, 73,

75–79, 84, 86, 88, 93, 97, 99, 104

China by Night, 56Chinese Academy of Social Sciences,

69Chinese migrant workers, 58Chinese Nationalist Party, 73Chinese New Documentary Film, 72Chongqing, 56, 58, 59Choudhary, Shubhranshu, 183Choules, Luce, 113, 115, 116Cíes Islands, 238, 239Circles, 142, 143, 146Citizenfour, 142citizen journalism, 183city, the, 52–55, 57, 59, 77, 78, 135,

180, 214, 257, 260, 261, 265, 267–270, 273–275

Clinton, Bill, 198Clinton, Hillary, 196, 198CMOS sensor, 26Coal Harbour (Vancouver), 274Cohn, Ronald, 243Colburn, Alvin Langdon, 52Communist era in China, 84contemporary art, 3, 5, 7, 72, 76, 78,

82, 83, 86, 144, 177continental philosophy, 3, 12, 13, 18,

304Cooperage, 271, 272Cooper’s Park (Vancouver), 271Copenhagen, 94, 98correlationism, 18, 303Corrigan, Timothy, 150Cosgrove, Denis, 252Court, Maria, 189, 280, 286, 287Cousins, 272, 275

324 INDEx

Cowie, Elizabeth, 290Cowlard, David, 212Crasher Squirrel meme, 232Creative Time Report, 139, 140Crimmin, Michaela, 92critical distance (concept), 15, 34,

110, 130critical reflexivity, 123, 126critical relationality, 14, 17, 72, 122,

301, 303, 309critical theory, 9, 12, 49, 304Crittercams, 234–239, 243, 249Crooks, Daniel, 150, 156, 158, 162,

165crowdsourcing, 173, 177, 183, 184Cruz, Edgar Gómez, 224Cryptography, 142Cuckoo’s Secret, The, 237Cuevas, Efrén, 211Cui Jian, 76Cultural Revolution, 74, 87cultural studies, 3, 97Cumiskey, Kathleen M., 185curation, 33, 34, 72, 179

DDalen, Zale, 269Dalton, Philip, 246Dance with Farm Workers, 71, 79Darwin, Australia, 154data, 26–30, 32, 34–39, 141, 142,

144, 176, 184, 186, 207, 210, 244, 295, 310

database, 28, 177, 219, 222, 223, 271, 318

database cinema, 222database narrative, 209, 313, 318datafication, 29data fundamentalism, 29data visualization, 2Da Vinci’s Inquest, 257, 258, 260,

262, 275

Davis, Bruce, 268Day, Alexander, 73de Certeau, Michel, 263Decombres, 213, 219, 226DeGeneres, Ellen, 198Degot, Ekaterina, 104DeLanda, Manuel, 13Deleuze, Gilles, 64, 150, 151, 159,

162“black screen”, 64Crystal image, 153Fold/Folding, 156, 158, 159, 162Time image, 153, 155

De l’existence à l’existant [Existence and Existents], 50

Del Tredici, Robert, 130, 131, 137, 139, 140, 145, 146

De Michiel, Helen, 174Demir, Nilüfer, 102Demos, T.J., 7Deng xiaoping, 75Deriu, David, 134Derrida, Jacques, 48, 105Devineni, Ram, 185Didi-Huberman, Georges, 14, 94digital cameras, 26, 177, 232digital media arts, 3digital social-media photography, 195,

204Disenchanted Night, 46Disenchantment of the world (Weber),

46Displacing the Haptic: Performance

Art, the Photographic Document, and the 1970’s, 111

Distance, 3, 9, 14–18, 23, 34, 35, 45–48, 50, 52–55, 59, 61, 63, 64, 72, 73, 83, 85, 86, 92, 93, 99–101, 104, 110, 112–114, 117–119, 121–126, 130–132, 134, 139, 144, 150, 151, 153, 154, 156, 162, 163, 174, 175, 179, 186, 195, 196, 201,

INDEx 325

203, 210, 211, 213, 216, 217, 219, 222–224, 227, 233, 234, 236–241, 244–250, 259–261, 263, 264, 267, 270, 274, 275, 280, 286, 290, 292, 308, 309, 315

distanciation, 15, 160, 163, 259, 263distribution, 2, 3, 38, 175, 186, 187,

212, 281, 288, 317diurnal photography, 16, 52DocLab (IDFA), 313Documenta 12, 96Documenta educational program, 97Documentary across Disciplines, 2documentary impulse, 78Documentary Now! Contemporary

Strategies in Photography, Film and the Visual Arts, 2

documentary photography, 4, 77Documentary poetics, 96documentary realism (“jishizhuyi”), 80documentary studies, 2–14, 18, 301documentary theater, 5documentary theory, 3, 9–11, 18, 23,

64Documentary: Witness and Self-

Revelation, 170document vs. documentation,

110–112, 119do-it-yourself (DIY), 183Dongchun de rizi (The Days), 76Douglass, Jim, 137, 146Douglass, Shelly, 137, 146Downer, John, 245, 253Dream City, 265Dreher, Tanja, 292Druick, Zoë, 295Duhem, Sebastien, 212Dumont, Guillaume, 225, 226duration, 69, 112, 124, 125, 127,

150, 151, 155, 156, 162Dutch Colonization, 291, 293

EEastern Townships, Québec, 60Easterson, Sam, 235Eastman, George, 25Eco, Umberto, 174Ellis, John, 170Emily Carr College of Art and Design,

275Empire: The Unintended Consequences

of Dutch Colonialism, 280, 291, 292

Encyclopedia Britannica, 97Enlightenment, The, 17, 24, 25, 45ephemeral artwork, 109, 110, 113,

127Eritrea, 94Esquire, 198Ess, Charles, 182ethnographic documentary, 118Europe, 14, 54–56, 93, 94, 102European Jews, 98evidential, the, 25, 129, 130exhibition, 3, 6, 69–72, 78, 82–86,

91, 99, 102, 104, 105, 113–116, 121, 123, 125–127, 177, 212

ExIF 2.3, 37experimental narratives, 210Expo 86, 266Eye of History: When Images Take

Positions, The, 14

FFacebook, 34, 35, 164, 187, 189,

199, 202, 203, 210, 213Fairytale, 96, 97, 99, 103, 104Fallujah, 95False Creek (Vancouver), 17, 257,

266, 273, 274Farocki, Harun, 5, 139, 143Feminist Media Studies, 189Feminist theory, 9

326 INDEx

film studies, 2–5, 7, 9, 258Final Draft, 212Fiumara, Gemma, 286Flaherty, Robert, 49flâneur, 53Flickr, 26, 198floating population (liudong renkou),

58F Lotus, 95–96, 99, 103Fogo Projects, The, 287formalism, 2Fort Meade, Maryland, 140Fortunoff Archive for Holocaust

Testimonies, 172Forum Theatre (Melbourne), 222Foucault, Michel, 10, 17found footage, 170, 223Fox, William L., 252framing, 29, 100, 151, 153, 281, 284,

290, 295, 297Free Press Kashmir, 184Freire, Paulo, 103French New Wave, 212French Realism, 74Freud, Sigmund, 2, 9From Gulf to Gulf to Gulf/Kutchi

Vahan Pani Wala, 179Frosh, Paul, 171, 172, 177Fujimori, Alberto, 286

Ggallery installation, 7, 122, 142gallery, the, 1, 16, 115–120, 123, 124,

126, 159, 236, 284Ganzhou Province, 74Gaudenzi, Sandra, 314gender studies, 2German fascism, 91Germany, 14, 96Gershon, Ilana, 7Ghan: Australia’s Greatest Train

Journey, The, 150, 151, 154, 156

Ghan train, 154, 156Gimpel, Léon, 52Girard, Greg, 64Global Positioning System (GPS), 27Gloucestershire, 142Godmilow, Jill, 296Goldman, Dan, 184Gombe chimpanzees, 246Gondwana region of India, 189Goodall, Jane, 246Google, 34, 35, 141Google Photos, 34, 205GoPro, 252Government Communication

Headquarters (GCHQ), 142–144, 146

grafting, 92, 93, 97, 98, 103, 105Graham, Dan, 91, 92, 105Graham, Janna, 103Grant, Ian Hamilton, 18Granville Island (Vancouver), 266,

267, 271, 273, 274Great Salt Lake, 114Greece, 95, 100Green Cliff, North Devon, 115Ground Zero Center for Nonviolent

Action, 146Guangxi Province, 96Guangzhou, 56–58Guardian Project, 38Guardian, The, 289Guerin, Frances, 170Guattari, Félix, 113Gunning, Tom, 153

HHand, Martin, 26Haraway, Donna, 13, 234, 249Harding, Michael Oliver, 177Harman, Graham, 13, 18Hart, James G., 47Hartley, John, 172

INDEx 327

Harvard Sensory Ethnography Lab, 146Hawkins, Tim Travers, 189Hayles, N. Katherine, 13, 206hearing, 53, 261, 264, 275, 285, 297,

316Heidegger, Martin, 48, 92, 101Hell Roaring Creek, 146Herrelko, Betsy, 243Hine, Lewis, 49Hiroshima, 130, 132Hiroshima Bomb photograph (Del

Tredici), 132Hirsch, Marianne, 175Hjorth, Larissa, 185, 211, 220Hoelzl, Ingrid, 27, 28Holocaust, 172, 173Holocaust Survivors Film Project. See

Fortunoff Archive for Holocaust Testimonies

holography, 121–123home movies/videos, 169, 170,

173, 176, 179, 185, 188, 189, 209–211, 216, 217, 220, 221, 224–226, 236–243, 245, 247–249, 251, 252, 283–285, 289, 293–295, 311

Hot Docs Canadian International Documentary Festival, 3

Houganxing (Post-Sense Sensibility) exhibition series, 83, 84

household registration system, 87humanism, 9–12humanitarianism, 11, 62, 102Huneault, Michel, 47, 60Husserl, Edmund, 100Hybrid realism, 258Hyderabad, 178hypertext, 301, 310–312

IIceland Contrast, 212Idaho, 135

i-docs, 3, 8, 14i-Docs conference, 3, 8, 14Idomeni refugee camp, 95Ihde, Don, 234Images documentaires, 3image sensors, 26Immediations: The Humanitarian

Impulse in Documentary, 11immigration detention centers, 189Incas, 288incomplete knowledge, 163, 289, 293indexicality, 15, 23–25, 28, 32, 34,

35, 38, 39India, 104, 174, 176, 177, 180–182,

184–186, 188, 189India Art Fair, 102, 105India in a Day, 176Indiancine.ma, 179Indian Memory Project, 188Indian Ocean, 179India Today, 102, 105indigenous histories, 17industrialization, 46, 54, 56Ingold, Tim, 304, 315Instagram Live, 220, 221Instagram Stories, 222, 225, 226installation art, 2, 4, 156intentionality, 45, 48interactive documentary, 2, 4, 7, 8, 13,

17, 286, 289, 301–306, 308–318Intercept, The, 146intermedial historiography, 261, 262intermediality, 261–263, 270International Documentary Film

Festival Amsterdam (IDFA), 3, 313

International Organization of Migration, 93

Internet, the, 1, 2, 4, 7, 100, 103, 165, 172, 189, 212, 245, 287, 288

Intersubjectivity, 289Intuition of the Instant, 124

328 INDEx

investigative journalism, 35invisibility, 46, 63, 64, 121, 125, 129,

131, 134, 136, 137, 139, 140Invisible: Covert Operations and

Classified Landscapes, 139Invisible Picture, The, 189Iowa, 135iPad, 243iPhone, 27, 211Iraq, 94–96Islands, Constellations and Galapagos:

the Yokohama Triennale 2017, 104

JJaafari, Bachar, 95Japan, 54–56, 104Jasoosni: Look Who’s Watching You, 181Jerusalem, 215, 217, 223Jiang Hu: Life on the Road, 79Jiangsu Province, 78John Downer Productions, 247, 253Jones, Amelia, 110Jones, Susie, 154Jongsma, Eline, 280, 291, 292JPEG format, 28Jutra, Claude, 274

KKafka, Franz, 95Kahana, Jonathan, 139, 143Kahneman, Daniel, 207Kant, Immanuel, 17Kanzi (bonobo), 243Kaprow, Allan, 127Kapur, Anandana, 182Kashmir valley (India), 184Kassel, Germany, 96, 104Kay, Adam, 154Keenan, Thomas, 138Keep, Dean, 210–212, 215, 226

Kentucky, 135Kertész, André, 52Keywords: A Vocabulary of Culture and

Society, 14Kinney, Barbara, 197, 198, 201, 202,

207Kirkenes, Norway, 155Kishore, Avijit Mukul, 180Kitchin, Rob, 26, 29–31Koko (gorilla), 242, 243Konzerthaus, 95Korsakow, 311Krull, Germaine, 52Kuleshov effect, 219Kunsthal Charlottenborg, 94, 95, 98,

103, 104Kurdi, Alan, 101, 104Kurdi, Galip, 102Kurdi, Rehan, 102

LLacan, Jacques, 2, 10Lacey, Kate, 284Lac-Mégantic, 55, 60, 61Lake Minnewanka, 232landscapes, 12, 154, 156, 157, 159,

160, 162, 163, 248, 282, 289, 293

Latour, Bruno, 13, 251Laub, Dori, 172Laundromat, 95, 99, 103Law of the Journey, 95, 99, 103Leary, Charles, 81Leimbacher, Irina, 281Lerner, Rosemarie, 280, 286, 287Lesbos, 94, 95, 98, 101Lessard, Bruno, 47Levinas, Emmanuel, 16, 50Life in a Day, 176light, 3, 4, 7, 12, 16, 24, 26, 27, 33,

38, 45–57, 62–64, 109, 114, 120–124, 252, 257, 266, 267, 269

INDEx 329

light pollution, 47, 54–56Lincoln, Siân, 113, 210, 213, 221linearity, 7, 150, 162, 290, 302, 303,

311, 314linear narrative, 150, 313Lingshikongjian (Temporary Space), 71Lions—Spy In the Den, 245, 253listening, 17, 188, 260, 261, 264,

275, 279–286, 288–298, 316listening in documentary, 17, 260,

280–282, 285, 286, 289, 297, 298

listserv, 183Liu xiaodong, 76Lloyd, Justine, 294locative media, 1London, 52, 251–253Long March Space Gallery, 72Long Night of Mégantic, The, 60Long Story Short, 280, 295, 296Lotringer, Sylvère, 130Louisiana, 62, 63Luhmann, Niklas, 92Lung, 212Luo Zhongli, 74, 75Lux, 55Luxemburg, Rut Blees, 63Lu xinyu, 7Lygon Street, 214

MMac, Taylor, 222machine learning, 29, 34machine-readability, 28, 38MacNevin, Robert, 268, 272Madrid, Spain, 236, 253Magagnoli, Paolo, 7Majlis Culture, 177Malabou, Catherine, 12Malhotra, Aanchal, 173Malik, Om, 196

Malitsky, Joshua, 7Mallick, Samip, 188Manifesto for an Independent

Revolutionary Art, 91, 105Männistö, Annsi, 36Manovich, Lev, 30, 198, 218, 222,

223Mao Zedong, 73, 74, 84, 87Marie, Rémi, 27, 28Martin, Paul, 52Marxism, 2, 73Marxism/Leninism, 73materialist philosophy, 303, 304, 306materiality, 32, 52, 96, 115, 233, 235,

236, 240, 241, 244, 246, 249, 310, 311

media archaeology, 8media studies, 3, 310media theory, 171medium specificity, 4, 5Mehta, Richie, 176Meillassoux, Quentin, 18Meishu journal, 75Melbourne, 156, 214, 216, 217, 219,

221, 222, 224, 310Melbourne Festival, 222Memorials, 156, 173Merewether, Charles, 132, 138Merleau-Ponty, Maurice, 48metadata, 15, 27, 28, 32–35, 37–39Meyerowitz, Joel, 60Michael (gorilla), 243Michna-Bales, Jeanine, 47, 62Microsoft, 35Miles, Adrian, 6, 17, 219, 301militarization, 144Minneapolis Sculpture Garden, 91Minnesota, 3, 135Mint Pictures, 154Mirzoeff, Nicholas, 141Missouri, 135Mitman, Gregg, 248

330 INDEx

mobile media, 3, 15, 16, 170–172, 174–177, 179–188, 212, 222, 226, 227

mobilementaries, 17Modernism, 52, 140, 262modernization, 73, 78montage, 15, 151, 153, 162, 163,

165, 257Montréal, 60Morgan, David, 46Morton, Timothy, 13, 304, 315movement, 27, 33, 62, 86, 122, 124,

143, 149–153, 155–157, 160, 163, 165, 218, 271, 298

Mu hou (Behind Stage) series, 78Multi-linearity, 289, 310, 312, 314multi-platform approach, 290multiple-screen installation, 283Mumbai, 177, 180Murphy, Bobby, 188Murray, Susan, 26Museum of Modern Art (MoMA), 53music, 79, 95, 164, 165, 170, 257,

274, 281Musqueam First Nations, 266My Camera and Tsunami, 186Mysore, 178MySpace, 202

NNagasaki, 130Nail Houses or The Destruction of

Lower Shanghai, 64Nan dajie (The South Main Street), 78narrative, 14, 16, 24, 39, 46, 48, 80,

93, 94, 96, 101, 112, 149–151, 156, 162, 164, 173, 180, 195–197, 202, 204, 205, 210, 217, 223, 258, 261, 270, 290, 296, 303, 305, 310, 312–314, 318

narratology, 2Naruto (macaque), 242, 243

National Film Board of Canada (NFB), 287

National Gallery (Prague), 95National Geographic, 183, 231, 234,

242, 243, 250National Geospatial Intelligence, 140National Reconnaissance Office, 140National Security Agency (NSA), 140, 141Naxals, 189Nazi concentration camps, 98Nebraska, 135Nevada Test Site, 135New Chimpanzees, The, 246New Documentary Ecologies: Emerging

Platforms, Practices, and Discourses, 2

New Zealand Centre for Human-Animal Studies (NZCHAS), 251

Nichols, Bill, 258, 281Nietzsche, Friedrich, 10Nigeria, 94night photography, 16, 46, 47, 49, 52,

54, 55, 63night studies, 46, 49, 56, 64nonhuman, 12–14, 50, 53, 253, 304,

308, 317Nonhuman Photography, 12non-linear video editing systems, 301North, 210, 214Norwegian Broadcasting Corporation, 155noumenon (Kant), 18Now he’s out in public and everyone can

see, 280, 284nuclear culture, 131, 134nuclear weapons, 131, 132, 134, 136,

146Nuit Blanche, 54

OObama, Barack, 285Object-Oriented Ontology (OOO),

9, 315

INDEx 331

object-specific spatial artwork, 122ObscuraCam app, 38Oculus Rift, 8O’Dell, Kathy, 111Oil21 (Berlin), 177Oliver, Kelly, 171, 179Omar, Yusuf, 178O’Neill, Kel, 280, 291, 292ontology, 13, 316

flat ontology, 13, 14Order of Things, The, 10Orlando, Florida, 197, 198Ortsbestimmungen. Das

Dokumentarische zwischen Kino und Kunst, 2

Oslo, 155Otherwise Than Being, 50Oxford Dictionaries, 203

PPacific Oceans, 136Pad.Ma, 177, 178Paglen, Trevor, 130, 131, 138, 139,

141, 142, 145, 146Pakistan, 94, 174, 188Pantex Nuclear Weapons Final

Assembly Plant, 136, 137Paris, 52, 53, 212Paris la nuit, 52participatory documentary, 11Partition of India, 173Parvati (Hindu goddess), 184Pasquinelli, Matteo, 187Penguins: Spy in the Huddle, 246Penjing (Bonsai), 72People for the Ethical Treatment of

Animals (PETA), 242, 243, 252Pepper, Andrew, 113, 121, 122performance, 16, 29, 69, 70, 76,

77, 82–87, 109, 115, 120, 144, 169–171, 176, 187

performance art, 16, 83, 111

performative documentary, 81, 258Peru, 189Peters, John Durham, 169Phantom Ride installation, 150, 151,

156phantom rides, 16, 149–153, 155–

157, 160, 162–164Phantom Shanghai, 64Phelan, Peggy, 120phenomenology, 48Philipsen, Lotte, 99Phillip Borsos, 271PhotoDNA, 35photographic data, 28, 39photographic evidence, 23, 24, 26,

35, 39photojournalism, 60photology (Derrida), 49, 51

dark photology, 49, 51Pickering, Andrew, 309, 314Pictorialism, 52Piketon, Ohio, 133Pinchevski, Amit, 171, 172, 177place in documentary, 10, 34, 259,

260, 265Point of View (Mumbai), 177Polynczuk-Alenius, Kinga, 175Polyvocality, 297Popular Mobilization Unit (PMU), 95Port Phillip Bay, 219Portsmouth Gaseous Diffusion Plant,

133Portugal, 104post-evidential, the, 130, 139post-humanism, 303posthumous invisibility, 121post-Lacanian thought, 9post-Marxism, 2post-memory, 175Post-Sense Sensibility exhibitions, 84postsocialism, 72poststructuralism, 12, 304Pouillaude, Frédéric, 2, 4

332 INDEx

POV (PBS), 252, 313Private Life of the Gannets, The, 237Priya’s Shakti, 184, 185programming, 28, 30, 31, 39, 143,

282Project Space Plus, 113ProofMode app, 38propaganda, 75, 83, 185Pschera, Alexander, 244Public Broadcasting Service (PBS),

313public spaces, 77, 289Puget Sound, 136

QQing Dynasty, 73, 96Qiu Zhijie, 83Québec, 47Quechua language, 286Quipu Project, The, 189, 286–289,

297Quo Grab #01, 210, 219Quo Grab #02, 210, 214–219, 223,

224, 226, 227

RRaad, Walid, 5Rainer, Yvonne, 5Rajchman, John, 151, 154Ramani, R.V., 186Rangan, Pooja, 11Raychaudhri, Anindya, 173Reconsidering Digital Surrogates:

Toward a Viewer-Orientated Model of the Gallery Experience, 112

Reel Nature, 248re-enchantment, 46, 47, 53, 54reflexivity, 25, 123, 227, 258, 259,

276relational documentary, 306

relationality, 290, 303–306, 309, 310, 312

relational media, 17, 303, 316Remembering Hiroshima, 215remix, 175, 218Renov, Michael, 9, 283Rettberg, Jill Walker, 178Richards, Craig, 196Riis, Jacob, 49Rivera, Diego, 91, 105Robards, Brady, 213Robinson, Luke, 80Rony, Fatimah Tobing, 11Rose, Deborah Bird, 282Rosler, Martha, 5RR, 143Rubinstein, Daniel, 23, 25, 28, 32, 33Russia, 91

SSandbye, Mette, 195, 206San Francisco, 238, 240, 252, 295Sarnia, Ontario, 63Scene [xianchang] Is Most Important,

The, 83Schafer, R. Murray, 259, 262, 265,

268, 286Schiller, Friedrich, 46Schivelbusch, Wolfgang, 46Schleser, Max, 212Schumacher, Joel, 272Science and Technology Studies (STS), 306Scott, Liberty, 157Scott, Ridley, 176Sea Village (Granville Island), 274Sedan Crater, 135Seely, Christina, 47, 55Sein und Zeit, 48Sekula, Allan, 5, 132Selbstwehr [Self-Defense], 95Selfie, 16, 195–207, 214, 217, 223,

224, 227, 242, 243, 247, 252

INDEx 333

Selfiecity Instagram audit, 198Selfie Swarm photo (Kinney), 203, 205semiotics, 2, 9September 11, 2001, 60, 131Shaanxi Province, 74Shaina Anand, 178Shanghai, 56–58, 76, 179Shao Yangde, 75Shenzhen, 56, 58Sichuan Province, 74Silverstone, Roger, 175Simon Fraser University, 259Singh Bhalla, Guneeta, 174Sino-Soviet split, 87site-specificity, 16, 72, 115Skip Tracer, 269–271, 275Sky, 16, 56, 60, 129, 138, 143, 145,

184, 232, 238Slater, David, 242, 243Sleep, 56, 252Slobdchikoff, Con, 247Sloterdijk, Peter, 129Slow media, 154–156, 162Slow TV, 154–156, 162, 164, 165Sluis, Katrina, 23, 25, 28, 32, 33Smartphones, 26, 27, 172, 184, 188,

189, 198, 203, 211, 212, 216Smith, Marquard, 29, 58Smithson, Robert, 114Smithsonian Air and Space Museum,

132Smuts, Barbara, 246Snapchat, 178, 179, 185, 188, 203,

218, 219, 221Snapshots from a Family Album, 181Snow, Michael, 252Snowden, Edward, 140, 142social documentary photography, 5,

132socialism, 72social media, 7, 14, 16, 29, 33,

36, 37, 93, 94, 99, 101, 103, 104, 106, 164, 169, 178, 185,

187, 198–200, 202–205, 207, 209–213, 216, 217, 221, 225, 226, 283, 285

social media “followers”, 196, 204, 226

social persona narrative, 196software, 7, 25–27, 30–34, 36, 38–40,

189, 222, 310, 312software culture, 26, 27, 31, 32, 35,

39Soleil Levant, 94, 95, 99, 103, 104Somalia, 94Song Dong, 69–72, 78, 82, 87, 88sonic environments, 2, 272sound and space, 260sound design, 6, 262, 264, 275Soundscape of Modernity, The, 262Soundscapes of the Urban Past, 264Soundscape Vancouver CD, 268sound studies, 260South Asian American Digital

Archives, 188South Dakota, 135South Korea, 294Soviet Socialist Realism, 73Soziale Systeme: Grundriß einer

allgemeinen Theorie, 92space, 1, 5, 16, 17, 24, 32, 35, 37,

50, 51, 54, 69–72, 78, 80–83, 85, 86, 95, 118, 123, 124, 133, 142, 144, 146, 149–151, 153, 155–159, 162–164, 175, 177, 180, 187, 188, 197, 200, 206, 239, 243, 250, 252, 257–259, 261–264, 266, 269, 272, 274, 275, 280, 283–286, 290, 294, 296, 297

Spain, 104, 251Spanish Empire, 288speaking, 6, 17, 77, 121, 185, 279–

283, 285, 286, 292, 295–298Special Broadcasting Service (SBS),

150, 154, 156, 164, 225

334 INDEx

spectatorship, 7, 12, 297Speculative Realism, 9, 13, 18, 306Spiegel, Evan, 188Spiral Jetty, 114, 115, 126Spivak, Gayatri, 103split-screen video, 165Springfield, Virginia, 140Spy in the Wild, 245, 246, 248, 249,

253Squamish First Nations, 266Squirrel Portrait, Banff photo (Melissa

and Jackson Brandts), 231St. George, Utah (“Fallout City”),

135St. Kilda, 214Stalinism, 91Stallabrass, Julian, 144Steichen, Edward, 52Sterne, Jonathan, 265Stewart, Kathleen, 304, 309, 315Steyerl, Hito, 7, 175, 183Stieglitz, Alfred, 52still life, 60Storyful, 36Storyspace, 310, 311Strategic Weapons Facility Pacific (Del

Tredici), 136street photography, 60Studies in Documentary Film, 3subjectivity, 9, 12, 81, 85, 177, 248Sudan, 94Sui Jianguo, 77Sukumaran, Ashok, 177Surrealism, 53surveillance, 33, 129–131, 133,

138–141, 144, 145, 181, 182, 184, 236, 244

Sweeney Cooperage barrel manufac-turing plant (Vancouver), 271

sync-sound, 291, 292Syria, 94, 95Syrian civil war, 171

TTalks at the Yan’an Conference on

Literature and Art, 80Tawaji, Hiba, 95Taylor, Bradley, 112, 114Techdirt, 242, 252Tel Aviv, 223Telecom Regulatory Authority of

India, 189telephotography, 138Tennessee, 135Terezín, 95Terror from the Air, 129Texas Panhandle, 136Theorizing Documentary, 9thing-in-itself [Ding- an-sich], 18Thinking, Fast and Slow, 207Thomas, Irma, 135Thompson, Emily, 262Thornham, Helen, 224Three Men United Studio, 77Three–Nine, 113, 124Through Darkness to Light, 62#throughtheviewfinder, 226time, 1, 5, 14, 24, 25, 28, 30, 32,

35–37, 39, 53, 58, 60–62, 73, 75, 76, 81, 83, 84, 86, 87, 91, 93, 95, 99, 100, 102, 104, 109, 111–120, 124, 126, 127, 130, 132–134, 136, 140, 141, 145, 146, 149–160, 162–165, 171, 173–175, 177, 179, 181, 184, 186–189, 203, 204, 210, 212–214, 217, 219, 221, 222, 233, 235, 239, 240, 251, 258, 263, 264, 266, 269–273, 276, 283, 286, 293, 294, 296, 301, 302, 307, 308, 314

Today Art Museum, 69Today Show, The, 232Tokyo, 55topography, 136, 212

INDEx 335

Totality and Infinity, 50tracking shots, 16, 149, 151, 152,

156, 157, 159, 163trains, 137, 149translation studies, 97traveling shots, 149, 151, 153, 155,

156Trinh T. Min-ha, 11Trotsky, Leon, 105Truax, Barry, 268Truth, Dare or Promise: Art and

Documentary Revisited, 2Tsing, Anna, 304, 315Tsleil-Waututh First Nations, 266Turkish-Syrian border, 100Túry, György, 171Twitter, 35, 37, 99, 101, 104, 164,

202, 213Two-way Mirror Punched Steel Hedge

Labyrinth exhibition, 91, 92

UUn art documentaire. Enjeux esthé-

tiques, politiques et éthiques, 2Underground Railroad, 47, 55, 62Understanding a Photograph, 100United Kingdom (UK), 113, 142United Nations Educational, Scientific

and Cultural Organization (UNESCO), 69

United Nations High Commissioner for Refugees (UNHCR), 94

United Nations International Refugee Day (June 20, 2017), 94

United Nations Office for the Coordination of Humanitarian Affairs, 188

United States, 47, 54–56, 131, 133, 136, 295, 313

University of Canterbury, 251Unmarked: The Politics of Performance,

120

Unsettling the City, 260, 261urban landscape photography, 52, 55,

60Uricchio, William, 8Urton, Gary, 288U.S. Department of Energy, 146Utah, 135

VVancouver, 17, 257–262, 265–268,

270, 273, 274, 276Vancouver Soundscape, The (LP), 268Van House, Nancy A., 181Vannini, Phillip, 304Verhoef, Nanna, 153verification protocols, 35, 38Vibrant Matter, 251Vienna, 96Virilio, Paul, 15, 130virtual reality, 153virtual tourism, 152, 155, 165Visible Evidence conference, 3, 50Vlock, Laurel, 172voice in documentary, 294Voice over Long Term Evolution

(VoLTE), 176, 188von Uexküll, Jakob, 250

WWadi Rum, Jordan, 217, 220Walker Art Center, 91Walkman, 211Wangfujing, 77Wang Jin, 71Wang Wei, 71Wang xiaoshuai, 76Warhol, Andy, 252War Primer [Kriegsfibel], 14Washoe (chimpanzee), 243Waterson, Roxana, 171Watkin, Christopher, 11

336 INDEx

Wavelength, 252Wayfarer’s Trail, 213, 217, 219, 226Web 2.0, 7Weber, Max, 46Wei yu tang zenggao shuiwei (To Raise

the Level of a Fishpond), 71Weltsch, Felix, 95Wen Hui, 71Westerkamp, Hildegard, 268Western Wall, 215–217, 223, 224WEvolve (World Bank initiative), 185What the Butler Saw: Selected Writings

by Stuart Morgan, 115White Train (Del Tredici; 1982), 136Wikipedia, 136, 146, 242, 252, 313Williams, Raymond, 14WITNESS, 16, 38, 88, 111, 124, 127,

134, 138, 169–174, 176–180, 182–188, 240, 281, 295

Witnessing, 92, 110, 169–172, 174, 176–179, 187, 188, 204

Wöhrer, Renate, 7Wolfe, Cary, 12Women zaiyiqi (Together with

Migrants), 69, 70Woollacott, Janet, 210World Bank, 185World Soundscape Project (WSP),

259–272, 274, 275World War I, 129World War II, 215Wu Hung, 77Wu Wenguang, 71, 78, 79, 85Wyoming, 135

Xxianchang (“site-specificity”), 16, 72,

79, 81xianshizhuyi (“socialist realism”), 80

YYadav, Anusha, 188Yaletown District (False Creek), 271Yale University, 172Yang xinyi, 69, 81Yangze Evening News, 88Yan’an Talks on Art and Literature,

73Yellowstone National Park, 237Yin xiuzhen, 71YouTube, 33, 38, 40, 164, 165, 176,

187, 238, 240, 247, 252, 253, 283, 284, 295

Yu Fan, 77Yu Hong, 76Yu mingong yiqi wudao (Dance with

Farm Workers), 71

ZZaid, Qazi, 184Zaman, Qumrul, 184Zeng Jingchu, 75Zhang Dali, 77Zhang Huan, 71Zhang Yuan, 76, 79Zhang Zhen, 80Zhan Wang, 77zhuantipian (special topics film), 78Zimmermann, Patricia, 174, 287Zuckerberg, Mark, 189Zylinska, Joanna, 12