in praise of nothing (slatko od ništa) · in praise of nothing (slatko od ništa) documentary •...
TRANSCRIPT
InPraiseofNothing(SlatkoodNišta)Documentary•Serbia/Croatia/France•dir.BorisMitić•78min•1,85:1•DCP
LOGLINE
AwhistleblowingdocumentaryparableaboutNothing,narrated- insimplechildishverse -byIggyPop.
SYNOPSIS
Oneday,Nothingrunsawayfromhome,tiredofbeingmisunderstood.
FollowsanepicadventureinwhichNothingroamstheworldlikeafallenprophet,denouncingourdelusionsandadmittingitsown,allthewhiletryingtopersuadeusofitsnatural,necessaryandultimatelyconstructiverole.
Eachshot,sound,cutorlineinthefilmrepresentsaconnotation,manifestationorquirkypointofviewofNothing;eachtwistintheplot-amirroredsliceofourownlives.
Suspensionofdisbeliefguaranteed.
PRODUCEDBY
BorisMiticforDribblingPictures(Serbia)&Anti-Absurd(Croatia)andFabrizioPolpettiniforLaBête(France),withsupportfromFilmCenterSerbia,CroatianAudiovisualCenter,Centre national de l'image animee, Procirep-L'Angoa, CreativeEuropeTVProgramming,IDFABerthaFund, theGenevaCenterforContemporaryArt and Faena Art,inassociationwithARTEFrance,RTS-SSR,SVT,YLE,TVC,RTVS,MKTV,RTRS,RTV
WRITTEN&DIRECTEDBYBorisMitić
NARRATEDBYIggyPop
MUSICBYPascalComelade&TheTigerLillies
CINEMATOGRAPHERS
Sebastian Alfie, David Batty, Nedzad Begovic, Attila Boa, Roman Bondarchuk, Dusan Brkovic, Alicia Cano, Rodolfo Castillo-Morales, Sorin Dragoi, Amlan Dutta, Aleksandr Elkan, Eleftherios Fylaktos, Eduard Georgadze, Michael Glawogger, Sinisa Glogoski, Ed Godsell, Marino Grgurev, Mohammed Hashem, Milos Jacimovic, Olivier Jourdain, Goran Jovic, Jessica Kingdon, Justin Kramer, Niklas Kullstrom, Edmond Laccon, Branko Lazic, Petr Lom, Vitaly Mansky, Zoran Marinovic, Jovana Milanko, Boris Mitic, Lucian Muntean, Chingiz Narynov, Boris Poljak, Maja Rasic, Ranajit Ray, Francesco Scarel, Rui Silveira, Aleksey Solodunov, Andrijana Stojkovic, Dmitriy Stoykov, Katia Suvorova, Oleksandr Techinski, Riho Vastrik, Ana Maria Vijdea, Anna Zaboeva, Teco Wong
FILMINGLOCATION
Albania, Argentina, Australia, Azerbaijan, Bangladesh, Belgium, Bosnia, Brazil, Bulgaria, Chile, China, Colombia, Congo, Croatia, Cuba, Czech Republic, Denmark, Ecuador, England, Estonia, Ethiopia, Finland, France, Greece, Guyana, Hungary, Iceland, India, Indonesia, Iraq, Ireland, Israel, Italy, Japan, Kazakhstan, Kenya, Kirghizstan, Lebanon, Macedonia, Madagascar, Mauritania, Mexico, Mongolia, Montenegro, Myanmar, Namibia, Nepal, Netherlands, Norway, Palestine, Poland, Portugal, Qatar, Romania, Russia, Rwanda, Scotland, Serbia, Senegal, Spain, Switzerland, Syria, Tanzania, Thailand, Tunisia, Turkey, UAE, Ukraine, Uruguay, USA
SCRENEERhttps://vimeo.com/227525487
(ask for password)
EXTRAINFO
how-to-film-nothingnothing-scriptnothing-1pnothing-info
NEWSLETTER:http://us10.campaign-archive2.com/home/?u=1f8bc740942a946b9f149cba9&id=f4db2f9bdf
BorisMitic–director/writer/producer
Bornin1977insouthernSerbia.
Livedonafewcontinents,workedforafewyearsforthemostprestigiousglobalmedia,understoodafewthingsanddedicatedtherestofhislifetocreativeparenting,creativefootballandcreativedocumentaries:aGypsyMadMaxrecyclingsaga,aclaustrophobictragicomedyoftheabsurd,asatiricaldocumentaryfairytale,afeelgoodparableaboutNothing.
3mid-lengthdocs,150+festivals(IDFA,Edinburgh,AbuDhabi,TIDF,Silverdocs,MardelPlata,Jerusalem...),20broadcasters(ARTE,MDR,SVT,YLE,RAI,AlJazeera...),18awards(Sarajevo,Madrid,Rome,Mexico,Montevideo,Novosibirsk...),‘mostpirateddocmakerintheBalkans',‘inverted-véritéspecialist’.
Playsblitz-chess,writessatiricalcolumnsforPlayboyandlecturesworldwideaboutatypicaldocumentary filmmaking (Edinburgh, Beirut, Doha, Kolkata, Copenhagen, Moscow,Geneva,Sofia,Sarajevo,Florence, Zagreb, St.Louis, Dhaka...)
Filmography:PrettyDyana(2003),UnmikTitanik(2004),Goodbye,HowAreYou?(2009)
www.dribblingpictures.com|www.dribblingpictures.com/academia
DirectorStatement
Contemporarydocumentarieshavebecometrappedinthewebofgoodintentions,reducedtoeitherhyperbolizedandoftenmanipulatedlifebites,ortopatronizingmoralizationinthenameofsomehigheroridealvaluesthatdon’treallyexist,oratleastnotinsustainablequantities.
Therearenoappropriatediscourseseither,betheyconservative,liberal,catastrophicoridealistic,whichcouldprovidemuchneededepistemologicalcomfort.HencethisquestintoNothing,majestuousandscary,imminentanddistant,everybody’sorphan.
Nothingasapermanentpossibilityofnewbeginnings,Nothingaspost-ideologicaldeflation,Nothingasacinematicresponsetotheeverythingandtheanythingthatwearesoconfusinglyrunningafter.
Ipersonallydon’tfeelanyemptinessinlife,quitethecontrary.IremembermybestfootballmoveswaybacktotheearlyEighties;I’vepaidduerespecttomyparents,tomycountry,tomostfriendsandtomypersonalreligion;Ihaveadorablekids,aresilientbodyandaplayfulmind.
Yet,itistheveryconscienceofNothingnessthatmakesourlivesevenmorefulfilled,andprovidesthemosthonestgroundforassessingourattitudesandachievements,bothpersonalandprofessional–andonereallydoesn’tneedtobeaguru,aphysicistoraphilosophertogetthat.
ThegoalofthisfilmistomakeeachviewerexperiencethispositivepotentialofNothinginhisorherownindividualway,throughpurecinematicpleasure.Ifthislittlesmileonthecornerofyourmouthremainsuntiltheendofthescreening,themissionwillbemorethanaccomplished.
Iwouldbemosthappytodevelopthisfilmforanother30yearsandcompleteitatthefineageof69,butIstilldon’tthinkthattheoverallideawouldchange.
WhatIwantistodoistomakeavisualequivalenttothebestsatiricalbookever,Erasmus’s1513classic“InPraiseofFolly”,inwhichFollygoesaroundtheworldconvincingpeoplethatitistosmartertobemadthantobesmart.Iwanttodothesame,500yearslater,inthesenewDarkAges,withNothinginthemainrole.
ProductionNotes
ThePremise
ThisisadocumentaryaboutNothing.Notaboutnothingatallornothinginparticular,butaboutaveryparticularsubject,whichis-Nothing.
You’veallbeenthroughmomentswhenyoufeelthatthere’sjusttoomuchofeverything,inbothlifeandcinema,andthisideajumpedrightoutofoneofthosemoments.
Itstartedasjoke,aprovocation,anintellectualgame,butIquicklyrealizedthatNothingisactuallyaverymeaningful,legitimateandimportantdocumentaryfilmtopic.
Nothing is so present in every aspect of our lives; it quantifies, qualifies and modifieseverysinglethingthatwethinkanddotosuchanextentthatIthoughtitdeservestobegivenavoiceandachancetodefenditself.
Everytaxi driver and every grandmotherIhavetalkedtoeversince havepassionatelyagreedwithmeonthis;theyurgedandentitledmetodothisfilm,sohereitis.
Anonymousbrainstorming
Nothing'snarrationisillustratedby'documentaryfootageofNothing',shotbydozensofcinematographersfromaroundtheworld,bothCannes/Sundance/Venice/Berlinale/Camerimagewinners,seasonedfilmmakersandabsolutebeginners,basicallybyanyonewhofeltliketakingupthechallengeoffilmingNothinginadocumentaryway.
Theyworkedtogetheronthisinaprogressivecollaborativeeffort,whichstartedwithabasicchallenge:Sendin10documentaryshotsofNothing,period.WhateverisNothingforthem–personally,culturally,aesthetically.
This custom-made brainstormingplatformiscurrently restrictedtoparticipatingcinematographers,butwillbeopenedtothepublicafterthereleaseofthefilmintheformofan ongoing and keyword-searchableMuseumofNothings.
Sneakpreview:www.dribblingpictures.com/nothing-platformUSER:999PASS:000Participatingcinemagraphers:www.dribblingpictures.com/nothing-cinematographers.pdf
After they sent us their virgin shots, we gave them access to our online brainstorming platform, where they could see and comment on the footage of the others. But the catch is - both the clips and the comments were unsigned, so the discussion was very open, egalitarian and uninhibited. Over time, cinematographers would getting increasingly specific instructions, both collective and personal, as per the needs of the rough cut.
WORKFLOW
bibliography original footage
ideas illustrations
illustrated ideas
test editing
test narration
new instructions
WORKFLOW
CreationoutofNothing
Thedecisiontowritethescriptaboutthemostelusivesubjectinthehistoryofmankindinsimplechildishversewasutterlyunexpected.Thedirectorneverwroteanythinglyricalinhislife until facedwithascripwritingdeadline,when hespewedoutthewholetextinonebreath,bypassing(orsubliminating)5yearsofmeticulousresearchacross20.000pagesofwhat'sprobablythemosteclecticbibliographyeverusedinadocumentaryfilm.Bedtimechildrenbooksprobablybearashareoftheblame,too.
Thesame'acceleration'happenedinediting.TheteamwassocurioustoseewhethertherecordingsessionwithIggyPopworkedout,thattheyeditedtheentireroughcutinonenon-stop4-daysession,transcendingyearsofanalyzingandkeywordingthefootage.
TheFinanciersofNothing
"InPraiseofNothing"receivedthehighestgrantevergiventoadocumentaryfilminbankruptSerbia-whichwasalreadyaclearsign.
Theproductionstretchedover5years,asifitwaswaitingforthepoliticalmomentwhenthecountrywouldfinallybeallowedtoapplyforEuropeanaudiovisual funds,whichhappenedinthespringof2016.TheapplicationwassuccessfulandNothinggot bonus monies from CreativeEuropeTVProgramming,thefirsttimeafilmfromtheex-Yugoslavregiongetssuchagrant.
TheprojectisalsosupportedbytheFrench CNC, the CroatianAudiovisualCenter,theIDFABerthaFund,theGenevaCenterforContemporaryArt, Faena Artand10Europeanbroadcasters.
Adoc'n'rollpoem
When asked for impressions after narrating the script, Iggy Pop inspiringly stated: "This was like... something from the Renaissance or something. Like Dante or something... Pretty cool."