THE LIBRARY OF THEUNIVERSITY OF

NORTH CAROLINA

i^m

ENDOWED BY THEDIALECTIC AND PHILANTHROPIC

SOCIETIES

M782.8L522LX

MUSIC LIB.

'H#a"'6'llWG -

I5Apr'66F

Digitized by the Internet Archive

in 2011 with funding from

University of North Carolina at Chapel Hil

http://www.archive.org/details/merrywidownewmusOOIehr

THE MERRY WIDOW.mew riDusical lp>la\!.

ADAPTED FROM THE GERMAN OF

VICTOR LEON and LEO STEIN.

LYRICS BY

ADRIAN ROSS.

MUSIC BY

FRANZ LEHAR.ARRANQED KOR THE I^IANO

BV

H. M. HIGGS.

VOCAL SCORE 5/- NET CASH.

Do. do. (Bound)... 7/6 do. do.

CHAPPELL & CO, Ltd.,

go, NEW BOND STREET, LONDON, W.NEW YORK: MELBOURNE;

37, \Yest Seventeenth Street. u & 12, The Rialto, Collins Street.

All rights reserved under the International Copyriolit Act. Public Pcrfornmnce of all or any part of the work strictly

forbidden. Applications for the right 0/ performance must be made to " Mr. GeORCE EDW.A.RDES, Daly's Theatre,

Leicester Square, London." The right of reproduction andperforjnance on any 7nechanical instrument is strictly jcscrved.

COPVRIGHT, MCMVll., BY CHAPPELL &. 00.

Produced by Mr. GEORGE EDWARDES.

THE MERRY WIDOW.

gramatis ||n-sona;.

VicoMTE Camille de Jolidon

Marquis de Cascada

M. DE St. Brioche

General Novikovich (^Military Attache^

M. KhADJA {Counsellor of Legatioii) ...

NiSCH {Messenger to the Legation)

Waiter at Maxim's

Prin'CE Danilo {Secretary of Legatioti)

B.vron Popoff {2Iarsovian Ambassador in Paris)

Natalie {Wife of Popoff)

Q)1.Q\ {Wife of Novikovich)

Sylvaine (IF?/t'<?/A7M<^'a) ...

Praskovia

LoLo \

Dodo

and

AND

Jou-Jou

Frou-Frou

Clo-Clo

Margot

Zozo

Fin

) {Girls at Maxim's)

ANDSONIA {the Merry Widow)

••\

Mr. Robert Evett.

Mr. Lennox Pawle.

Mr. Gordon Cleather.

Mr. Fred Kaye.

Mr. V. O'Connor.

Mr. W. H. Berry.

Mr. R. Roberts.

Mk. Joseph Coyne.

Mr. George Graves.

Miss Elizabeth P"irth.

Miss Nina Skvening.

Miss Irene Desmond.

Miss Kate Welch.

/ Miss Amy Webster.

Miss Dorothy Dunbar.

Miss Dolly Dombey.

Miss Daisy Irving.

Miss Phyllis Le Grand.

Miss Margot Erskixe.

Miss Gertrude Lister.

\ Miss IMabel Russell.

Miss Lily Elsie.

^nnopsi.5 of .Sftiurn.

ACT I. The Marsovian Embassy in Paris.

ACT II. Grounds of Sonia's House, near Paris.

ACT III. Maxim's Restaurant, Paris.

Stage Director ..

Musical Director

.Mr. J. A. E. Malone.

JIr. Barter Johns.

THE MERRY WIDOW.

CONTENTS.

1. Opening Chorus

lA. BALL-Musrc ...

2. Duet {Natalie and CainilU) ...

3 Entrance Song (Soiiia) and Chorus

3A. Ball-Music

4. Song (Danilo)

5. Song {Camille)

6. Finale...

Slct \,

'A Dutiful Wife'

' In Marsovia "

' Maxim's

'

'Home"

(Now, ladies and gentlemen)

(We are alone, there's no one here)

(Gentlemen, I pray ! We cannot

tear ourselves away) ...

(My Fatherland, it is for thee)

(If I could go with yOQ beyond the

distant blue) ...

(Ladies, choice ! that's the universal

voice) ...

8

9

17

29

30

3S

44

art 15.

7. Opening Chorus and

Song (Sonia)

8. Duet {Sonia and Danilo) ...

9. March-Septet

10. Duet {Sonia and Danilo)

11. Duet {Natalie and Camille\ and

R0M.\NCE {Camille)

12. Finale...

" The Cavalier

'

"Women"

" Love in my heart

'

(I bid you wait here for a minute)...

(There was once a Vilia, a witch of

the wood)

(Hallo, maiden ! see him ride)

(Oh, the women ! Oh, the women !)

(Oh, say no more!)

(Love in my heart awaking)

(Ha ! ha ! ha ! Well, gentlemen,

what is your wjll)

75

82

89

96

112

119

122

13. Opening Scene

14. Song {Zozo), Six Girls and Chorus

15. Dance {Fifi) and Chorus

16. Song {Nisch) and Chorus ...

17. Yalse Duet {Sonia and Danilo) ...

iS. Finale

13A. Cake WalkVocal Score.

act Mi,

" The Girls at Maxim's'

"Butterflies"

"Quite Parisian"

"I love you so"

ADDENDUM.

(We are little Paris ladies)

(We are dear little butterflies)

(I was born, by cruel fate, in a little

Balkan State)

(Though I say not what I may not

let you hear) . .

168

169

1S4

1 89

197

(You may study her ways as you can) 202

208

LIBRARY UNIV. Of"OR'^H CAROLTNi

THE MERRY WIDOW.N91. Act I.

OPENING CHORUS.Words by

ADRIAN ROSS.

Piano.i

Prestissimo.

Music byFRANZ LEHAR.

Arranged for the Piano by H M. HIGGS

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N9 2. DUET- iNatalie and Camille.)

"A DUIIFL'I WIFE,"

Natalie.

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That, dear . est friend, is what I havedread.ed.

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long to saythem,and I will,— 1 will!

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Its time thiswas end . ed— Its time you were wed . ded!^5^^ o 11 4^Was end . ed? A wife for me?

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iPlay not with fire then, friend Be . ware!

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N9 3. ENTRANCE. SONG- 'Sonia.) and CHORUS.

"IN marsovia;

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How po.lite you are!

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^What things you say! Stop it, pray!

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star!

19

SON.

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iAGen . tie . men

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Now, don't re . peat it, pray!

Our heart . telt hom . age let us pay!m m +

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But ask Pa . pa and dear Mam. ma. That's how we mar. ry in Mar. so . vi

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SONIA.rit. ^^5hMffiSON.

With us a marriage

h P mmar . ried Tell us what then?

i mm uCAS.

mar . riorf Tell us what then?

I ^? i ^nh

wo . men and men'.

CHO.

^1

When thev are

^^mar - ried, Well, wh.a th-iV

U^=r^ wo , men and men! When they are mar . ried, Well, what then?

=F=^ ^-J:

jt^-j-i/. #^n7.

^^=^

-*4Mazurka. i^^s :^=t^ pi^SON. P^

IiIS for lile We dont ud.min- di . vorce. If some . one courts an

^^

Real iv? Tru ly?

^P=P ^c.^s.

Real

|ily' Tru

CHO.Real

N Real

iv'' Tru Iv?

pig

Tru Iv?

^PP

i^ ^1 ^23260 M.w.

6ea. *

25

SON.

S* B.

CAS.

P^^3^ ^E ^oth. ers wife, He will be shot, of course. And if a wifi' to

m J ij Jf

If wife is un Iv?

d* ^a wife is un - ru ly?

/

:Mz ^CHO

If wife IS un ly'

^ ^\

M:^ ana wife is

=^

un . ru ly?

^»f

^>¥ J "p i^ *

i

I

i*»j '^

f F i r,SON.

oth . er men Shouldgive a look or two Her hus.band takes a

4^

Then her hus band.-

husThen her band.-

^fl ji

I Ss:hus

CHO.Then her band.-

") ij^ y-

\ Then her hus band.—

M^^m ^s^m i=fmf

m » £=3 p

i^ -ifia.

232S0 M\v.

26

P^ fr=F=F ^^^i*

cud. gul then. And beats her black and blue! Men are all the same, I

St B.

CAS.4A

Thrash . es her black

iV

Ji

J

and blue!

Thrash . es her black and blue

y:i i

Cllti.Thrash _ es her black

^and blue! Oil

y^^Thrash . es her black and blue! Oh

i4i=m

h } ^ J.» • ar-^ mSON.

St B.

CAS.

w ^

M can see

!

I r I -'i' J' J' M

You could beat your wives, I fan . cy! ^^^s

:tf

If you mar.ried me,- On . ly try and

pr> i^^TT ^^ '^

h ^

iIf you mar. ried me,- On . ly try and

VClio.

s 4^Ma

:fe

dame,

•

oh

li: ^Ma . dame, oh no!

23260 M.w.

27

IM ir'

F r^' i'

"^^SON.

S'. B.

CAS.

?=tl

Ha, hii, ha, ha h;i

m*tJust as in Mar . so . vi .

fAh

ii4I don't do so!

Ah

r J J

I don't do so!

fg'

THO. Real . 1)-, know!

^That is not

• P

P\

Real . Iv

m«ife

you know! That is no so!

f?^ »/•

-^-^h^ 'J J J

r

^J* rfj!.-

SON.

yt B.

CAS.

f

ii«fe

As we do

^riV;

F F ^ ^

^life

A wo . man I would nev . er strike!

f

mfCHO.

^^\

23260 M

w

28

Mz /r\

4^Mar . so Ha!

/C\^Si B.

CAS. T T h p ^ sWere not in Mar . so _ vi

/^ _rT\

J ^r

i r^w *

't. *

111 let you beat me if )'0u like. We're not in Mar . so . vi

tCHO.

We r not In M;\x . so _ vi

^ #E^\

Wi;'r not in Mar . so . vi

SON.

St B.

C.'VS.

^ iE ^mI. HO.

% ^^\

Allegro ^ pp ^ EJ

^^V j^gj ^ m m ;^ ^ i^

23260 M.w.

29

m 3^ BALL -MUSIC.

Walzer.

Piano.

m m ^-gi

"if

"^'hli i

y

^m fi-•

g=F ^m # ts^

#

/>

''-'ll J f f p^ i^ ^^

f f '^ mm f#^

y^ i ^ 's^'^ » f»^

^ «=^ li^=^rP^^^

.f

f p#- #-

ii# #-

1^19- #-

;/

^EEI iP55i^!p # t

^^ E I ^5E

^S^ # «.

i=r n liT'-f f I f j

fij» 3

2326 Om.w.

30

N9 4. SONG-(Danilo.)

"MAXIMS':

Piano.

Allegretto.

^ ^411

# # #

/^^^^i:

> #

r^r=t

Q"

i^^t^^r il 1

r:s-.mi P

^7*

$/T\ lUMLO,

^^=^ ^S^ ^ !;> h ^

ir» m .n ^ ^^My FiL.tht-r.land, it is for

^n n=44

/

^ CJi^ LJ ^ /^yv'

:3t

/ IV

DAN.

31

PAN * h ^ ^1 hF=l^ ^f^SSSf

vs'ovk . ing so hx . h;\ust^ a man

.

And I t.ike

4 h rrn nall the

PP

s S"

^==^ * ^7 g MDAN.

•/ '

t^ b b

can; I nt-fd a sli-rp to put me rigW. And thats wliy

m^ I'll =P' M Jt

5S=S_?< i i.

'"f

J^-^-^ iP t=*^ Sf^

^^ 9=?^W' p g * ^=&1 sit up all night

m -^ Si1^Im ve . i-s' bu - s^- at mv club:

>>* # ?

We have a

^mf-'-^,1

^ f»/-^^

i 1 r]

i% liff- J

i>ji ji ji J'

/' i^*«f^t:

fhun . drt-d on the rub; I lose a thou. sand of thf bi-st. Thim

M^ d *

=tai

I

"/

IM-fHI -r-n1^7 •j^ ^*j^ ^

23260 Mw

32

DAN. $h k t ^^F^^^^JrJ-^ii-^' J^ w\i J

ff »^^ ^get the girls to take the rest. 1 go off to Max im's, Where

ih^ ^fp rif. p a tempo^ m"Br ^

4W '

J' #=F#E 1fun and fro lie beams, With all the girls I chat . ter, I

*I^m ^ ^^m^ ^^W J' ^ J'

I^ i' M

fff p iii' I

r-^DAN.

laugh and kiss and flat . ter! Lo _ lo, Du . do. Joii . jou. Clo

9 m i

^ d^^ tJ

f^p M pi

^- ^ Jp i F P F^'" ^D.\N. E

- f /(). .A(<(i- . ga/ Frou . froitl For sur. names do not mat - ter. I take the first to

^m ~^m g . jZI 5 3 m^P5 a m^ 1^ P23260 M\v

33

Animate

-"'' fT^ 4

$ ^ P m >sit

stop. The La . dies smile so sweet , ly, 1 catcti and Iciss tllem

iif m i a^^ ^ U w si ^ gN*^EEl ^^

neat . ly! Lo _ lo. Do . rfo. Jou _ 707/, C/o - do, Mar _ ^0/, Frow -

rif f f. ^^ ^^^ ^^

:-j t^i ^3Se^. *

DAN.

23260 MW

34

=^F=^ ^ r^^ Ir^—

:

1 sp^fczzt :#=*JE^im's. a. Then ! if . fre^h my ja ded brain With lit _ tiea

pj>

^ *—•

—

p-

DAN.

m i'I

j i i h i i' J ^DAN

eyes Till thev and I are close al . lies! So

^^m, P^«=^fi—

r

S ^iSa. *j£a. »

^'' J J^ ji J^ ii^DAN.

in a sjlass of gold - en An fin . leate^m n ^^i^

^123260 M vv

DAN.

t '»F

P ^cor - di . ale I

tj-f.-^ } J' ]> j^

sign; For I can do thiit sort of

14^M i

P3"^/^

11^ ^ ^< f y «=f^^

i ^m ^ ^ ^DAN ^>F=g^

thing;, As well as an . y oth . er king! Then

^ ^g^ 1 4i: J.^^f

^ i 4e^^^

"i i Ji'i'i' gCFlV C^r-^h^ ^ ^ '' 7 =P P^

I al.iow the love . ly sex

i

Towear ray arms a. round their necks, And

^^ M if^I

*' n ^^J-w"^ i/«/"w*i r^«^

LUU-jLlJuJ ^ J'I ^

,ii ^^

give the wai.ter at the door An or . der for a doz . en more! I'm

fwJf rit-

PE^i^ 7 til U J!^^ ^

^23260 M

w

36

m wm ^ ^^^-=BE ^hap - py at Max . im's. Whfrt fun and fro . lie buams! With

m i=i=t m %a tempo

^S ^jt fUJ c^ ' U^

^ ^=^all the gills chat ter. I laugh anri kiss and flat ter! l^o

*=* H ^^^

^^

^^m ^

sur. names do iiot mat ter I take the first to hand And, then the corks go

S -;::::::

jtllj S'ffj^^'fcl:

i^^ ^^i^=r

Si ^ ^^23260 M.v/.

37

DAN. ^ ^^^ U^J-' : J' I J .^1pop. We dance ami rev . er stop The la . dies smile so sweet _ ly, 1

|i.\N. 1-^ >* ^J' J' J ; u ?= ^

catch and kiss them neat - ly lo _ lo. Do . do. Juu jou, CYu^ ^^ ^iF=im^ ^ ^

i:-j t:^^, *

P |iP F F

t^^-^?Tp-^ rr^^DAN. i^i iE

. c/o, Mar. got, Froti . frou Till I for . get com - plete , ly My dear old Fa . ther-

r' LF ^ i m.} ^\U'U*=r

P38 ^ ^ ^ei^

23206 Mw

38

N9 5. SONG. Camille.)

"HOME"

Allegretto.

Camille.

Piano,

f.\M.

if I could iio with you, Be _ yond— the dis . tant blu

km^^ m ^^

^*^ 13=

C.AM,

To some faii_ land un . known,Where we were— all a . lone,

CAM,

' 23260 M.w

39

CAM.

$Ur •, K m ^

To Willi - der thiouahtli;it ma . gic hinrl. That is the

\

m ip^m vp

^C-J

CAM.

CAM.

C.VM,

CAM.

232G0 M.w.

40

Piu lento.^ I' i JiJ iJ' ^ fs^CAM.v==^y-

Ah, th^it is all to live for tru . ly. Can hap . pi . ness lie

^r*1 - --„ ^ , M m

^^ 9 s ^

^ 1=^CAM

F g P;t

found else . where? On . ly the sun and sky a . bove

^'« .^ ^ Xn

|f=T^^^i ^ ^ te==^CAM.

F P M' ^ ^!Smil . inir on me and her 1- love! Ah, when the world is^^ ^i^

CAM

¥^:\

^rs r\ r\

^ M ^ nn ^ M l^^

it is the home, It Is our home and hap - pi , ness is there, ves there.

23260 M.w.

41

Allegretto

CAM.

i^"' LJ- u m 1=^=*: ^3E

CAM. tM: ^5 S i^^H-*

iYet all_ th

^lovr . ly dream Is but_ ,1 I'ub _ ble's slcai

g ^ j'^ n^#^«^ i ^13 ^tJ

M•f 1 h F ^ *^ ^ PiSi?CAM.

M:A rain _ bow's inai; . i'' ray That breaks and_ fades a . wav.

fl-F^ ^ ^&^# # ^^^^t-j C-J

CAM.*

5l ^ *W—

»

^The home 1 thought so fairm \A e find_ not a - nv . where

,

*F m m ^=^p ^ [^ CJ

CAM. i41 ^ !h } h

* >• kz^lis but a ("as . tie in the air.

M:m mThat is the

^^^e^ _?>?>

e rrt-23260 M w

42

CAM. 9£=P ^-,} I

J' ii J: =idi» ^ion of hap , pi . ness at homi-. But in the

M== *.• j;^ ^ 1^P^## I=© =13 SC-J

^=^C \M :*

search it vain _ ly w„' ma^- roam

4J^^^1 ^- ^ 1

5^ ^ ^ /^

=e =Bu tJ u:M:

r^-r"FCAM,:i:

cold that We hi^e to wan drr through. Thouffh you're the

PM:

P55F1= #=& e S^eCJ r-j

i:Mz £i^ n J r

CAM

,

Xsworld to me ar,d 1 to

M:m *s

ga^ ^ Bi:j tJ U- 't

23260 M w.

43

CAM.

* '^, * '&^.

HAM,

m^ ^CAM.

Allegro.

i44l4 mm ^1inf unimnto^ _??

! J-' n J J J J

-^pf

23260 ji.u-

44

N9 6. FINALE.-ACT I.

BALL-MUSIC.Tempo di Valse.

Piano.

fcpJ

mf

^^m

iid

m %

m?

fffMi

t^i

•^^-rf

ft^t

I ^ ^^' p-

1^

^ MttW^K i m ^ ^ • T P

I i± 1^ ¥Tempo di Marcia.

J ^ MALE CHORUS.

P^Pf i I' J' i)Ji^^ PPPfSBE^CHO.

La.dies' choice! That's the u _ ni vcr. sal voice: So, Madame, may I demand The

toyij |t f r ^^IHH^ ^ g#feg H-H' La.dies' choice! That's the u . ni _ ver. sal voice! So.Madame, may I demand The

Tempo di Marcia. =>

Smf

# i# ^^Htf-J^^-

flP F

I

?f! p fi; '' F i

t'^'^

f F fI

''-^'"^

CHO.high . est hon_our of your hand? One dance -just one a -lone To call my ve . ry own!

g=gi^[r^ i^ 4 fei k ^^m £1 7 t' 1 ^ P^

^high _ est hon_our of your hand? One dance-just one a. lone To call my ve.ryown!

'^ E e * » »-«•14 * ff: :-

^1 ^\ 1s±^:gg* Lrjiirj

y^

Ip^23260 M.w.

45

spEf^ ^m P ^^m4pCHO.

Su.preme-Iy hap.py I should be If you had cho - sen me!

W ^ f ri r7 P ff mF £ feP±i:

Su-preme.ly hap-py I should be If you had cho . sen me!

^ ''' ^ ^ ^ i•/ a. -?

'/

m^^ ^^ ^ i P^Jili-t.^ fe^

SONIA

j^ F p r h "M P n''ff^F p ^^ i

r|'^~^t^P¥^

Gen. tic. men, Tho' of course I like to dance with an _ y, What am I to

^ ^njiTt s y q^pi^r;^p fei mfi/

1

;»

pPp^y:-

.o».^^^^

Tljr~Jfr^'

f!i' l

iJ' J-j^^tJnri^^tr'^^^^^SON.

out the dance. Give the o.ther girls a chance. There are partners here

i J-:-^, !^ i .m^ i ^=^^^J , - p p f

^^:

^ ^^ 1"/^^ a w^ f

232«0 M.w'.* "a?.

46

SON. i' M'plenty!

St.BKIOCHE. (a.iidc)pin

animato

I

Not with millions, sweet and twen-ty! They're get.ting ve . ry pressing now, I must

MALE CHORUS.

^ imm i, ^ T3L

CHO.

^Just a dance!

^On_ly one!

4

Just a sin.gle dance!

m ^Just a dance! On.ly one! Just a sin.gle dance!

«7 => :=. => > ^m*s.^m^

Eff/ 'E/f / 4% Pi^J" antmato

^ ^s

^ JM) ff ^jL ^

I

r Mp IM M^ I r ^St.B,

put them off some . how- Yes, 111 put them off some. how.

r^ .^ i j^ r^ ^i ^^^ i

Allegro.

i P

m^^^f

^^^ J^ p#

f -''^•[r U^

Piii lento.

St.B. P P^^^

^^They're like flies a . round the hon . ey,

Piu lento. ^—-_ ^ ^

^^ -m-^ ^P

^P^g^ mw^ ^'i==^

232(50 M.v,'.

$

47Tempo di Marcia moderate.

CASCADA.

J^ ) I j) j^ ^^gg iJI

i (^W^^5They shall not get the widow's

f^,-^inHfT=iri',\ I ii J' J'

I p p pJ'

p- ^ I p•? •? _ ^

say, don't you know this is wrong of you. Its con.duct that grieves us and pains. If

PP

m'>hIj. Ij WB ^m mm

^ ST. BRIOCHE.

HI d^ J

You

p^ i' i)ir^-j) ;i I 1 ii J^ mr^ J^:r^iIJm jCAS

you do not dance, what are we to do But go off and blow out our brains?

pm t t m *i=*m n 11% jrr^f^ f pp

^s ^ ^m^

^^V^ ji JiJij^ Jijii I JiJ' Jmi;

p ^J'

p^ IfST. B. -^^—

^

wo -men go in for the vote, they say, And want to be e . qual with man; And

^ ^ Li i ^LJ iC^ ^g^?32«(> M w

48

ST. B. ^\K J' J) J^ i' J) > I J\ }\ J^- n P ^ii ;. Ji ^J^f^^

now that to-night is e . lec- tionday, You won't give a vote when you can!

CASCADA.

h\ i ^.^i ii ii I }, ji ii .Hr^i I j, ,h Ji^ST. B.

CAS.

Then do not spurn me! E- lector! May I ask your vote and

"^'h J^ J^ \ t ^ J^"X>i I ii >, Ji J'

E - lec_tor! May I ask your vote and

ifefe^ I. i ii J) JiI

i i J) F . ff ji iST. B.

CAS.

voice? Give your vote to Saint Brio- che! I am the

m J J! iU)Iiiij[y-^ ^^

voice? Mind and plump for Cas.ca.da! I am the

2S260 M.w.

49

ST. B.

CAS.

^''|>l. j^ > > J- i^IJ i

4f4f^par . ty de _ serv_ ing your choice! Give your vote to

^ h\ ;, ji > J' #^1 J ii jt=Mi1-JnH^par . ty de . serv.ing your choice! Mind and plump for Cas -ca _ da!

pm #^^CHO. MALE CHORUS.

Sfe ppg^iDon't you vote for

Dorit you plump for Cas - ca _ da!

$dste

SONIA.^^ -•?l^f

I'm

|-#rii Ji ^ r-pp p

IJ' ii Ji f p

JM r ^ST. B.

CAS.

Saint Brio.che! I am the par . ty de.serv- ing your choice!

f*N^ J^i i) f e^i^r ^?

I am the par - ty de , serv - ing your choice!

'

I^''

1,^ J! ii ^-Tf^ ^^?=JF#1TSsp^P ^^»^

CHO.Saint Brio.che! I am the par - ty de.serv. ing your choice!

4ee^ f^-j-f i^^ £^ <^ w

I am the par . ty de.serv. ing your choice!

23360 M.w.

50

^^ -^f^) \^ J] }\I r^ j)

^ U ^^SON.

not a po . lit . i . cal la . dy, I hate giv - ing votes, and all

^ ^^^^^^ ¥^^B, 9^ m ^^m^

^m h J'l J' ir-rrj» J' rr ^SON. •? •?

that! It makes a man do what is sha . dy, And

fe^F4= •? •? -y i ^» f * »

yi

§'t^^^ U' C^- ^ ^A>L ff ii }] JT::3z4^JH^ i^

J) iF=^=^^SON. •? •?

al

' *

ru _ ins a wo . man's best hat! But now as you're all of you

^ n ;^ \) 7 ^ mf pp

hh u ^WM ^^:^s M ^: M '

^ ^SON.

stand - ing. And say that you won't leave me still 111

^^ ^^23260 M.w,

51

SON. m > J^ J^ J-' ^m T~T^rl^do what you all are de . mand . ing: You ask me to vote - and I

^m j itA

^m m ^m^fe

i ^iijijrj )>j)ii J^^SON.

will! I have to think be.fore I give my

ST. BRIOCHE.

f^ *^i^i)|

jS M^Then do not spurn me!

teCASCADA.

^-1.^^ ^ qP ^ P

I

J^ JMThen pray re.turn me!

5-:

^^ JT iI^ P ^SON. w^^ f^

voice! Now in what di . rec _ tion Shall I make se . lee _ tion? Who is the

^ m r . ;^/s :/8 ;*

*^'%'-i>t [J c^f ^ ^

S.-JSRO M IV

5Z

fe1'^ J' ivii ^ J^h^i J) I

;. -ir^^^^^=i^SON.

^ par _ ty .de.scrv, ing my choice? Now, in what di . rec . tion Shall I make sc -

•ST. BRIOCHE.ST. BRIOCHE. 1. I. , .

I }^ .^ Ji ^

P^CASCADA.

Look in my di

I i) J i J^ ii I J' P i

I'm up for e _ lee . tion!

kkMALE CHORUS. A

i ii }^ J\ J

CHO.

W^ fLook in my di

> P P p nfei^^

I'm up for e _ lee . tion!

m m m^^ ^m^x^

_ lec- tion? Who is the par - ty de.serv _ ing my

ggSON.

ST. B.

CAS.

_ lec- tion? Who is the par - ty de.serv _ ing my choice?

#r^) P ^fl p ^

I

JW) i) ^ Epil W. rec _ tion!

fe

I am the par . ty de.serv. ing your choice!

mi i|

(7 ^ J' Jl il ? B^ tetf»P

|#P^I am the par . ty de.serv. ing your choice!

^t==^\^t^ ferfn;^ J' p ^

i.m theCHO.

. rec . tion! I am the par . ty de.serv. ing your choice!

2S2G0 M.w.

53

AllegrettoSOiVIA.

i^'^

F M M r ^ I M M F M^~TTfWell, then, gen. tie . men. You have heen nom-in .a - ted for e

pp

jfgj» r p

@# ^ ' ^ ^ ^ k^%).

SON. I ffS fti ^ F M p ? r ^lee - tion: Then 111 vote- The die is

u.m '-U ^-T ^Ei^©=tfiitf n ^ y-

^ -? ^^ ^M:

animato DANILO. (brings in LADIES) ^fc^

r-H-f^ I p [^n^tt" r ^SON.

cast!

** ^^Help has come to me at last!

m^) Ladies' choice! La.dies' choice!

m w \^ rf\

%^m^J animato Jf

^g ^ # #/i ^

fiiSS ^Tempo di Valse.

^;Y. rt tempo

1^ >I

r 7V^^g ^^ -^ p F M^DAN. ip=P^

Oh, come a . way, a _ way! Mu is call . ing, With its

i -^

r r r ^^ ^m I H "^

/» r;7.a tempo

W^ ^ mr=t r=?f=p

23260 M.w.

54

DAN. i^M -W-rV

tf,

Pijjp rs^ ^^

ma _ gic charm en . thrall . ing! To its ring, ing and sing, ing You

*=s mpp^m^t=t ^

»'f^ n n ^ ^ iiMI'

»=»f ?

^isig zqa rtr it^- ^MiNDAN.

lift your feet, Fol . low the chime of the time Of the waltz . 's beat!

i jj^jl

«Y"r FI

T"^^ '^'

1

"^^^ ^tt«o *

"/^ » ^ PP ^i=tf^ =f

r«7. a tempo

[J [T

^iH^ p I f-JTTr "r-^Th^

DAN.

Oh, come a.way, a . way! Mu . sic is play . ing, Lin.ger not, vain.

^^:^ #

^ I*- Pi*

I- i^ eSi=»

^ ^'>u

m:sinV. ''i/'« tempo

l=^t n^^/.

jj^j tJ JIr rTr "p' ?^^DAN.

ly de . lay

i

ing, Take your part ners, choice is free!

-^i ^? ^?~fi^^ i-

^ pg

^ ^ ^**?'

^# #23260 M.w.

ft* *

55

1 LADY (to a MAN)

^ii^^ir ^^'r'^' ^

(both dance off)

I uuWill you please, Sir, dance with me?

ttrf.tf fe i^ p r PJlfm ft

*=H|

^ iy/

f^3Ei^

SONIA.

F^^^pFor the

^'-«

rf M

r^ ^

£ fe^ h^=--^F r I r ? r+^ S=5SON.

i

night of the ball will go by,. And the dawn will be cold in the

i A. r ^ 1S:- ^ fr^i mmw a^ f ^Jf t ^

i

i hjiip Jig ^SON. E^

sky.. Let us cap . ture our joys as they fly,.

^ P^*t m^i^^ If rr P^ ^^B -5^

^ ^ m M33260 M.w.

56

SON. $ W fc i^ ^ &Soon will they fade- and die!-

iS=3 *M

There's a charm in the

*. &•

^¥

fi

m m %\EEX »N^¥ r^hJ' i J J)l;i ;PPSON.

thrill of the strings,.

fei ^

Like the beat of the Doves with their wings

.

^

s i*^ i j=t^

i fe5 S s^5 ^PiM ^ it^SON.

&J #

Then a . way! No de . la)1 Let us dance while we rnay, For our pleas . ure will

^ ««=£

im f-

^^

^F-p—^^ ^ rit.

i i i ^I

rt tempo

^SON. ^end with dav!_

\f

LADIES.

^5 tt J JI

tj ^^ ^^r r "

Fpi? MP

Take your part . ners don't dc . lay!

'A i t:-

M ^=^ ^^/' a kmpc

I14^

^ ***23260 M. w.

11 »"-SOMA.

5=3?=^^ j>\^ i tfp 1^^57

6h, come a _ way, a . way! MusDANILO.

ic is call - ing, With its

^ jir I r ^ rM M^- ^6h, come a _ way, a . way! Mus

ST. BRIOCHE.ic is call . ini:. With its^ S

Oh, come a .

$Jh, come a - way, a . way! Mus

CASCADA.ic is call . ing,- With its

fefe tipI r *i J J IJ . J J

Oh, come a _ w

:^^=^=

h, come a _ way, a _ way!^ Mus ic is call With its

Oh, come a

^^=r=^

^==h, come a . way, a _

^way! Mus 10 is call . ing,. With its

^ itJ ^Oh, come a , wai

§E^ UTHO.

h, come a , way, a

(i:>:jt . ^ r [^ ^ way! Mus IC IS

^MMcall

_(2

With its

^mm m^ #*^:> kit

p=^ »«-p^

*1=^

/ #

F h f f I j f F 1

1 f fS5EE f

i*=^ If2Z

f i r iif r i *r r- ^SON.

DAN.

ST.B.

CAS.

^ •<*

'

i^mag charm en

> .. 1.

ithrall . in^;!. To its ring, ing and sing, ing You^ =f=FF t

P l i P^magj2

charm en . thrall _ ing! To itsw^ ring . ing and sing _ ing You

Mr iir r l ^r r W ^mag . 10

.charm en _ thrall _ ing! To its ring, ing and sing, ing You

^rlr /• y I r r Ir *r i#

II

*

P#=^'-Hh^

mag charm en

^^^^^thrall . ing! To its ring, ing and sing . ing You

^mmp^^^

i^mag charm en

I

thrall . inglU - To its ring, ing and sing . ing You

r ^r r£t *

mag . ic

.

charm en . thrall . ing!

^^ i=t i iTo it: ring .ing and sing . ing You

m^ m^m«*=i

1 i I #!f g M t rli^i^

^ =f=* ^ ^ ^^ i

»*^ ^w23280 M.w.

SOX.

DAN.

ST.B.

CAS.

58

i* J JI

J . :y=Ht; ^^ ^ isir ;f pi-

:^lift your feet, Fol-lowthe chime of the time of the waltz Js beat. Oh, come a.way, a^m^ ^^

iliftyour feet, Fol-lowthe chime of the time of the waltzJs beat. Oh, come a. way, a

^*f=^ e^f^ ZJt * ^^lift your feet, Fol. low the chimeof the time of the waltz.'s beat. Oh, come a -way, a .

<ir f Mru^^ ^^^* J- W' -ta * * =5

iliftyour feet, Fol- low the chimeof the time of the waltz.'s beat. Oh,come a. way, a

S ^ ^ ^^^ r [^ M'lift your feet, Fol . low the chime of the time of the waltz.'s beat.

ife

Oh,come a_wa)', a^iCHO. » » ^^liftyour feet, Fol - low the

Wt^chime of the

i

time of the waltz-'s beat. Oh, come a -way, a

It r (f«M

j'tff i rf f ,^!0; f . f tf^^-^ #y jg f t^

Ie fe^ i?^

^ w i p ^ st^tw w f-^

iSON.

DAN.

ST.B.

^

$way! Mus

^^ ic is play . ing^ Dontyou hear what it is

^^way! Mus

w^mic is play . ing Dontyou hear what it is

wI

m ^*

iway! Mus ic is play _ infr Dontyou hear what it is

^ ^I

^S •I

«

m^way! Mus

4* r iif

ic is play - ing Dontyou hear what it is

ja^ P •

way! Mus play . ing. Dont you hear what

1 ECHO. ^way! Mus

^IC IS

fe^i N^=rplay

_(2

Mg. Dont you hear what it is

i ^m%^^ "^r 9- U-

I %r It? r Ifc^M ^^^ ^ ^*=t i=t r=r r=tf?

232(U) M.\v.

SON.

DAN.

ST. B.

CAS.

CHO.

SOX.

DAN.

ST. B.

-f-^-^^ > y- ^Till the night shall be gone Our.^ dance goes on

(asirl,)

? r M ^ ±:

Till the nig-ht shall be gone^ dance goes on Not

y l

> Y'=^^^Till the night shall be gone^ Our_ dance goes on

^L-; rr p tfJ ^^*

Till the night shall be gone dance goes

r 7 ? mi*=

Till the night shall be^ gone dance goes

^^ y H^CHO. w ^=r^Till the night shall be gone Our. lance sroes^ NMg ^ -f-li gi^=^=F

^ ^-M ^«;^ ^*: 1^*:

^i=^=^

« ^^ jf f Ijf ^E^

23260 M w

60

DAN.

DAN.

DAN.

ST. BRIOCHE.

DAN.

23260 M.w.

61

ST. B. $SONIA.

word as tokm i i Ar m

Yes, now the time has

*=^=ff ^m jsi^r< rtr

i^ ii i ^m ^f ^

$D.WILO. (aside)^^ kf U^SON.

=n

come to choose. Ill have to try some cle . ver

^^^ ^ iP^^I crcsc. '

^* dim in.

wm m m'^w^m w^m1 1<ttr

SOMA.

DAN.

May I pre _ sent you a dan cer? DAXILO.

^e£fSOh, con . found! An

Horn.

23260 M.w

62

NAT.

DAN.

Marcia moderato.

h \> N hm ^I ff

.-. .S^5 ^NAT. m ^see him dance the pol . ka, Ive tried hiin_ and I know; He

^^P^^ ^ ^^NAT. I^^f J' ^' i' =^p^^#^ ^ M

f^^^^

al . so knows the ma . zur . ka. Ive tried him, and its_

« I *

^m

m J- I. Ji Jl I "h ^NAT.

Hes ev . en stu _ died the cake walk I've

^m » —1 ~* i J ~i; ;

s^^)>p

^^m2:{2(!<> M «

63

NAT.

NAT. ^^'^ F ^J'

j>^^^^^^^^^^^^^So pray re _ turn him, And do not

NAT.

spurn him! But kind_ly let him have your vote and voice! Won't you plump for

^ ^

NAT. |=^fl=^^^^F^^^^

Jo. 11. don! Give your vote to Jo. U. don! He is the part _ ner des.erv ing your

23260 M

w

64

NAT.

m SOMA.

w ^ P M^ An-Oth. er

choice!MM

iST. BRIOCHE.

He is the

"i i< Ji ii Ij)^

I am theCASCADA.

If ^ ii i< > i) I

i.i ii [^ / ;

Give your vote to Saint Brio.che! I am t

m MMWont you plump for Cas.ca.da? I am the

,i^ ii ji JH-J*^M

^ F PMEX.

wljfT' Pi:? g iDon't you vote for Jo . Ii _ don! I am the

^ifepsDon't you vote for jo . Ii . don I am the

SON.

NAT.

can . di . date wait . ing my''

W > ,hi) ^=F=F

choice!

par . ty de . serv . ing yourrrs

choice!CAMILLE.

- T ^p V P^Pray say, Ma . dame, your choice I

ST.B.

CAS.

MEN.

23260 M w.S'br. :

65

(.sees DANILOJ

SON.

CAM,

SON.

SON.

(to DANILO.)

SOX,

23260 M,w

66

^mAllegro moderato. SONIA.

^^^^m mDA.V. 1 T

dance! In fact, you dont care for the

mfc^g ' ^ JH ^

^;(///

^Sa ^1^DANILO.

fc ^ :^'' O' J »SON.

chance? Don't care? Oh, no!

7>

T?inMy dance, you told me

^ -^m'^h U Ls mi^ ^^ ^^^^ SOMA. ^

I did! What then?

f ^ I t^^ P ff

I

P? ^ [^DAN.

The dance is mine then, gen _ tie

.

DA.V.

23260 M.w.

67

SONIA.

Of course!

NATALIA.

J^ J^ J)

mWhat does he mean?

CAMILLE.

il }] J] }^ ]^What does he mean?

i h ^ Wi[?

•/I

j J^I J^ j^ ^DA.N. =*t

fit! That's so?ST. BRIOCHE.

This dance, for which

$ :? iUl i) J' S

mWhat does he mean?

CASCADA.

q J) j^ ii ,h ^i

mWhat does he mean?

MEN.

tj J) i, il ^What does he mean?

« ff=#^^^mWhat does he mean?

» il J^ ^P M F '

''^^ 1^ P '

'DAN.

now ex_press my thanks, Is worth at least two thou . sand francs!

f^j-fi H^»5^'^ ^^ i^ ^^

23260 M.w.

68

..K. ^Jl Ji Jl J'J r'iJ:rpJ i

Yours the dancemay be, If you'll give two thousand francs to me For char_i - ty!

*FPCAMILLE.

-d}-d mTwo thousand francs?

^mIt's go.ing,— go - ing No ad-vance?

ST. BRIOCHE.

f'ti r iijijTwo thousand francs?

CASCADA.(to ST. BRIOCHE.)

'.}\i< Ji J' ^

^ ^

j^ TT i I'

Two thousand francs? But for a dance?

MEN.

Jil l J J.^ J, J

Two thousand francs?

Two thousand francs?

23260 M.w.

6y

DAK.

ST.B.

CAS.

(H4lri(

' ^-p

i

^•'^'

P i'P^ i r «^

It on - ly needs a lit-tle tact!

(tu CASCADA.)

^ j^ J)J)^'' I ^F ^ P P ^

fet^Two thousand francs! He must be cracked!

I *l l J' Jl Ji^^' ' ¥

Two thousand francs!

I^i l J^ J) Ji J'^ ^

kmMEN. Two thousand francs!

WTf^ g^^Two thousand francs!

* ^ ^ # L-=^:^P ^

r I jre i

i

^5 ^ w^' rz7.

tt.S . s ^Vi

d' ^ - ^^ gp ^

Uo SOMA.)^^ J) J' ir H 1

^'F

HAN.ii^' ^p r

7 ^y ft ^^r^^=^

Now you see, gracious la . dy, what I say! Your a - dor - ers

^Ji J'.''

I FIt's Sim. ply sil _ ly!

' ^' J> f)^Two thousand francs!

^F F ? ^ J) J) .s

W' J'j

:

J' J' .^^

.MEN. ^Two thou.sand francs!

M^^It's sira - ply sil . ly!

^' P i

It s Sim. plyTwo thou.sand francs! It's Sim. ply sil . ly!

fi^fl^^ ^m r^r pr r

w ,&SP J U JU J k^=^-^23260 M.w.

TO

DAN. if s=

J) h' ;m i^' r U ^

all grow chil . ly, When you call on them to pay.

^^ff (T—

f

They love you

yu u ^mf=^ L:m-3^/>

* ^m^ ^ ^1^ T-= 1::='

^ ^ ^^ T^5*-: #•

and a _ dore, But love their mon . ey more. And that's the

I m m m m e • » •—•• ^mf «\f'^ ^ # # ^^ 1:^

(SONIA. turns away.)

I.'' >. t h it E m =fe

CAMILLE.

Uo NATALIE.)

^^DAN.

sort of man they raise In no . ble mod . ern days.

I F^^^ ^ ? J ^ ^ 1

gj'i.'' r_r r'-i:

nY 11^

Allegro.^ F B i ii' ^ iir f f r p-LJ r * ^r

CAM ^can - not let him put me off su. Its two thou.sand francs — that I will

^h jgj 7 #ig W^mi pp. m g;^^

23160 M.w.

71

NATALIE (Si'CzfS /lis arm.)

CAM.

NAT.

CAM.

felm mThe last is gone, And you are free, And now.

sW *-

* i i ^ i^

I ^ fe*SOMA.

^^ ^J J E ^ ^ ^1DAN.

mad _ ame, per -haps

i^ 4 p

You 11 have the dance with me Now

^^ e -^ 4^r I tt

^^

(g^--t»

I f ^ g^fH^ ^ A JL^m23260 M.w.

12

DANILO.

^iON.

I must de - cline! The dance is mine, As you will al . low.

*^f=f^ i sfem m^

g-»r F F * "i/*^ U^ ^=M^

p

t=l

W^~~^

SD.MA.

W=H'^Thank you, 1 do not dance At least not now!

^

(:>^i^

I j ^ ^ ^ ^t=t

IDANILO.

:Mi

Hark to the mu

,2. •

there at the balll

^ '

?S *1^^

Will you not fol . low its

t= l t= i

PPmf

'^^-ff^ ^^ m$)A.V.

call?Valse^moderato.

8-

-P- fti. ^^^ rr^

^ i ^ ^^23260 M.w.

73

$

^ W sU'

^SOMA.

I J ^^ J i

No, I will not

Tempo di Valse.

m rfr^^fp^ ^*

^^ a tempo P—=

T=^^. *

(He dances round her.)

J ¥7f^f^f ^=^ ^#=4-^1 s^s tt

mf con tenerezsa

^^oco a ^oco cresc.^m m -t—t- ^p •

^SONIA.

^^^^^^^^^^^ ^^You're a ve . ry bad man, But

^1^^^

^ 1^*-^-^ tj. S li'f f f

»/

i»« J ^ ^4=t » ^ ^^)• »

^ -1 ^-

isiao u.w.

74

(She tiikes his arm.) . DAiMLO.

T i ir I

r r ^ ISON.

dance like an an _ gell I do what- I can!

^^ *^M^-^ &^^ i^ jt j- *. 1^

nf f

l^'-'j f f«=:* %^ =i=* ii^

te— s ^f

:

(The Curtain falls slowly.)

|2.

(Both dance off.)

y/

«^ ^ ^ =f=f

sernpre fiii

l=t^^

rf TOtf f , # ? ¥ t^t I«^i

forte et molto animato

fe:tfI

tt

'^W i^^ ^^M3^

*=i te^iJ£Presto.

1 i =£= i^i M=" ^^^—«H

yj(/"

-(^^#J }

^^ i :*=t= ^ i* af >

'Jto.

23260 M.w

END OF ACT I.

75

N9 7.

Act_II.

OPENING CHORUS and SONG.-(Sonia.)

"VILIA':

Polonaise.

Piano.

mMmm^"f-f+ -^- ^; r f—rprp7_.——^n

hW1

—«

—

1-

p

y—^lj ^-tJ^ J^

1 J

3^-ii^^^-

23260 M.w.®J>- * ^. * Seb. *

76

Allegretto nioderato.

wait here -for a min . ute, And. you ^^^ll see Our own Mar .so . vian dance, when

SON.

they he.gin it, Just as it would be, you un.der. stand, In our owi na . tive land.

23260 M

w

77

Vivace

.

/

I

S-'Mjij i jjjj ' ijji i jjji '

jj jj^^tF=^^^ a

/•

P m ^ if

sa.

:.^^ J i •

|>

»

^ y^^^/«^^ ^ ^ ^-^ •# #

^ ^^ i * rEEi^ ^^#

P -- .ff Jff' P

^m•—i— ^ ^ f-

hfSs

23260 M.w

78Allegretto

CHO.

Allegretto

f^TT; t „^f ^ f^ f rr .^ff rr ^E ^E^ »— «— •

^ ^ i ^ ^C^

«Z- a ^ ^^s ^s;* » <^ ^^¥Ah!

i 5#={s feCHO. P a «fAh! .

sAh! .

^ 1» ^ r . # ,¥ ^^^E f t . r ¥ ^ i» ^^

^ ^ l*Jf « » -*^-^

XJ V-Z ^ ^^TT M F M ? ^^!'^ ftahS

^Ah!.

1S-^f^_r ^rCHO. W

Ah!

S\ Ah! .

23260 M w.

CHO.

CHO.

CHO.

23260 M.w

80

l^

CHO.

Vivace.

/t *^ V ff F f

lF=f^

Hei . a . ho!

Do-wn in dear Mar

= ' rIr r f - I

^- ft ff=ff^^ II

1^ b p ^I p b P^^

that's the way -^ go. In the good old

In the good old

mIS

iF=p

ei - a - ho! ^CHO. :E t

s?F*pfash

Mion, danc . ing to and fro; Gai - ly sing . ing and

i:g=^±fash - ion, danc . ing to and fro, Gai . ly sing . ing and

i

5: J ^^^

^^^ J jj ' jj jilj^

s*

CHO.

23260 M.w.

J t Ij

81

I h i I I i 1

Hei! Hei!

^CHO.tz

ring . ing!

s eI

Gai - ly iny and light

^ly spring . ing,

i:Eing and light

n^^=^

Hei! Down in

^^^^^CHO.

Maid , ens danc . ing and cym . bals ring . ing! Down in

^ ^ rif r i

f

Maid . ens danc . ing and cym . bals ring - ing! Down in

^ ^^dear Mar . so _ via. So we Hei

^^CHO.

dear Mar . so . via, So we go! Hei

^ ^ ^=F ^dear Mar . so . via, So we go! Hei

23260 MW

82

Allegretto moderato. so^Ia.

jr mI ± 4w-

^^^^ r * J 7 =g=^A- =1^=;^

Now sing our dear Mar - so.vianrhyme. A bal . lad made in

n

^rm ^f- 'P 7 i

I= ss * /r\

F=F= ^I* • (SON.

P P P^'^^

?=

I

old . en time, The sto _ ry all our chil .dren know, A . bout a Vil . ia long a .

n\*=^=4# 3± mi

7~=~/^L

Fs-^ S"-^

^

SONG.-(Sonia.)"viLiAV

Allegretto r\

-a-

^

^SON.? 7 K l|:#

go!

mt J^tmf f ^ rirfjia:^1. There once

:^ wood

was a

maid -en

it—P3-

5EtE

=/^ P

W^f^'

:»:»(*«^

tJ^ CJ uJ t^

rJ Jr|

J ^sp J J'.lj ^SON.ti

\'\\ . ia, A witch of the wood, A hunt . er be . held her a _

smiled, and no an _ swer she gave, But beck . ondhim in - • to the

j^=^=^ ^m%rj\r

ffifl T-

W t—^^ f—-r23260 M w.

83

m m.lone

shade

as she stood,

of the cave;

The

He

spell

nev

of her heau

er had known

ty up

such a

ztz

w m mms fHLIf*?.< « ' -

^ m rHi^^^^ ^-^^w-^

r

E*Ei fe^ •——1— P r IfSUN.

. on

rap

him was laid-,

tur . ous hliss,

He look'd and he loni;'d for the

No maid _ en of mort . als so

^* r r^''

^ T^'^-.^'F- i r ir-—X l Jo^Ji^f tpSON.

mag . ic . al maid!

sweet . ly can kiss!

For a sud-dentrem. or

As he.fore her feet he

^ tm thR-lay

Fl.

Ritcht thro' the love-he.wild . er'd

She vanishd in the wood a .

i i ii IJ*^ f^¥^

_/^ u lempn

f12?

irit:

^SON. ^And

And

he

he

sighd

call'd

as a hap. less lov . er

vain.ly till his dy . ing

can.

dayl

23260 M.w.

84

^pm^ r r- c i

J

U Lj-LJ Lj U Ij 'U ij'U Lj

SON.

LJ UJ fL-J W tJ l-J

I ^ J' J'I

Jff-

JiSON.

love and my bride!' Soft . ly and sad . ly he sigh'd.-

$P . #

r 1hi ^ "-^J-Ti

^^# ^t^ #^^ 'V ^y A u ^ g^ ?=F-»

—

\'ii^^ ia, O Vil ia! the witch of the wood!^ ^iz

P3ia, \ ;i ia! the witch of the wood!

^m ^\ Vil ia, O Vil ia!

3r» i ^ ^EE

witch of the wood!

:L_&

B^ P1^23260 M.w.

^-J

85

J ^ ^nf m 9^ "^Would

i^^

I not die for you, dear, I could!

PI J i' J

CHO. '^^

^Would I not di

M

for you, dear, if I could!

i ^ ^^^for you, dear, if I could!

\ Would I not die

^^ ** =6EZ=

^n ^m^

Lj c^ Lj C^^'

i~-j

i^i>pp ^ /O

^E ^SON.

'Vil ia, Vil

^ia, my love

rand my bride

!"

ih

it'

[^ ^I

/7N

£SON.

Soft ly and sad

m :- *Iv he sighd.

"'J If-5^

tf^t-J

Allegretto.

SON.

23260 M w

SON.

CHO.

* Sa. * 'M. * ^.

J r^ it

./^

iy SiVivace.

^ ^ y'I p- f F r(HO

^Down iiidear Mar . so . via, thats the

gN

Down iridtar-Mar _ so _ via, that's the

? jj J" J 'i jlj '

i iii* tsa.

23260 M w.

87

J ^ iife i

Hei - a - ho! f?:.,.: ho!

s^i ^i SCHO.;t ;t

way we go, In thegoodold fash _ ion dan _ cing; to and fro,

->^p F \ Vi

p- PF P ir r i f! feg

way we go, In thegoodold fash . ion dan . cing to and fro,

2

^ m3 3 1 3

^ i"; 'j« JV ^ V -r # V -# V V

/

Hci!

i=^a^ W^CHO.

Gai . ly sing^ ing and light - ly spring _ mg!

r ir f Mf r|

f g

Maid . ens

* •—

\ Gai - Iv sing ing and light . ly spring - ing! Maid . ens

ii

H.-i! ^* 1

.'-

^' r

dan

5E=4:Pcing and rvni bals^ ring

m

cing and lyin

23260 M.w.

^

Hei! Down iu

'' J rCHO. tdan cing and cym . bals ring - ing Down in

a ^ £\

dan cing and cym . bals ring - ing, Down in

t—T I—J Lj~l—

r

y

r= I fI n^

dear Mar - so . via, So we

igo I Hci!

^—rf-T-1CH'

'

dear Mar . so . via. So we Hei!« ^ ^ ^\ dear Mar . so . via. So we Hei!

23260 M

w

89

N9 8. DUET.—iSonia and Danilo.)

"THE CAVALIER.

Sonia.

Piano.

mII AllRg;retto.

.ff ^^ hj i:jl3 |.i-j rj^sa. *

M.M -^ M ' ^ -I ' ^ ^^SON. i SHal . lo, maid . en' See him ride, See the horse. man pranc . ing!

:M:

-^ =»^m \

r\ J. ^m Wr^^ir=^

i»»

^: it/.tj SEE

' J '-^3 ^ s^ m* J

"Sa. * 'Sa. * ^. * "Sa. *

i-^

SON. ^^ ^=^ d *±:

Has he come to choose a bride From the maid . ens dan . cing?

'J ;~3e p^ * «

.^^1=1=^ ir ^:t W

23260 M.w.

90

i¥ P ft 7 » ff ^5 J ^ d^ ^ J

- Sr=#Look up, maid . en, mark him well! Leave the dan . cers lone . I}'

r'' r^ n r ^ n_^

-^Lzr r^*=i se ^-j tf^ ^ s^ ^^

'i&S. * '2e~i5. * 'Sa. « '2a. *

ziJi; p" ft r ^ jv :

^^—ftSON. ^=* fe^^ ' * ?

He may like you, who can tell. If he sees you on . ly!

ga ^^I ^ i

./> ^^li^DANILn. ^ fl J ji J^ i^^^ " ^' P P tt

So she glan.ces shy and sly, And she meets the horse. man's eye!^ J J J Jr'J

t.?^^ ^E ^^^ ^m ^ J ^ ^

ii*

SONIA.rit: /^ /T\

r=? ±1

FI r M' p- ^'

F^'

pNot a word she says, but still, He can take her if he will!

MM fi ^m ^:^

f"f rit:

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t^^g^f o"

23260 M.w.

Piii lento91

^"HdnrTH ^^SON.

Sil . ly, sil . ly cav . a lier!

Ji ffT^fp«c£i

He can nei-ther see nor hear,

r^^?^^. :^ ^ ^

^ ^?^

i #^

a femfo

i^e¥ 13 ^B

"j^a.

*feriY.-^ t=^ !p=i M M ^' r

SON.

P P P P h—1^Sil . ly, sil . ly horse -man! Ride up . on j'our course, man, Sil . ly, sil . ly cav

M.^ ^S w^^

p^ (L rih a tftnpo

"Sa. * ^. ^.

When he wills it shall have nay, p—

^

^^^^_^^ Sil , ly, sil _ ly horse, man!

t^

SON.

23260 M.w.

92

iM Animato.

wm m^p m m ^^ et-3

itf

Allegretto.

^*i=

ifi : • Jtf—ff

jT-->=¥^j ^n >^j ^-Hj ^i S^EEt .^j ij^

rf *

SONIA.

*^ ^^ t^^=^^^^ * S* « ~ir

Hal - lo! HiTe he comes a . gain! See his charg.er wheel . ing!

«t^Sm ^m m^i",

-^a

^^ ^ ^* * ^ ^^

^. * 'Sa. * 'Sa. *

M .• ffSON.I

(jk It r ^=^ h ^ 1 ^ i'tt=^Now he seems a love - lorn swain. Beg. ging: and ap . peal . ing!

M: m ^i^tt,.» f f r

1-F ^e

23260 M-w

93

SON. i*t p g rf^^^

But the maid . en, calm and cool.m

Sings anddoes. nt care now!

n\* 'ia. * -ScJ.. * '2a.

T %• n ^ ^ ^SON. ^'—

»

P=F

'

1 am not,— so there now!"

4i-^Cav/0\

a - lier, if you're a fool

P Iff ,.J ^ ^^ > 1.?^^-

/^

!)!=*#a I 1fP ^ ^

u. d n.-kNILO. ^ i) jj ii i^ w^~T^=2

i:^ .^So the horse.man laujfhsJXU ri.aht!" If you won't,why, then good . night!

^J •' J ' LJ

#

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a*^^ ^^^ j'ljf ' LfEJ&£:

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—

3^Take an.oth . er, so will

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soNiA. Piu lento.^• a U SONIA. P

r r UiJ'f F p J' |J I^^fSil . ly, sil . ly cav . a

Piu lento.

lier! You can neither see nor hear!

t^= T^ ^ ^-f ; a^f:l^^±H^i \, 7 WT^/^TT}

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HAN.

Mzm rii:

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r —p

—

?—

f—

f—Tp—

r—

p—p

—

•

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44"

? r F g J J^r? ; p i ,J' i' i

r r•

r r IClev: t>r clev. cr horse - man' That'sthe pro. per course, man! Ck-v. er, c'., \-. er cav . a

it » f p * i s,• * »-*- y ' f

I'

i

Pi^*:^^

/77; I a tempi I

^. * '2a. * '2a, *

SON.

D.\N.

SON.

When he wills it, shall have nay!

IV

J;-^ MP "-^

Sil . ly, sil - ly horse - man.

F r p F5=;

I shalUove and ride

7

Clev.er, olev. er horse - man.

iS ipp rii:

a tempo*

^ t=^SON.

D.\ N.

=F=^

tfRide up . on your course, man, Sil _ ly, sil . ly cav Uer!

-I—^^ -f-^F=^

4 ^ r M' r

I^Thats the pro. per course, man, Clev. er, clev. er cav lier!

imf

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i^j-j^ ^Tyn=T^^

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(SONIA mM^rs aftfr him.)

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^^(she ^t.ips.)

4

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iMSONIA.

—fUr-rsAllegro.

prp

J' J' !p FH'i^' ^'' r M P

#'S \i V 'y ^

Sil - Iv. sil. lyhorbe-man! Ride up _ on your couise.man'. Sil . ly, sil _ ly cav . a

Allesrro.

lier!

ir\ ^ =i• * ^ 7 > 7M I I-

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^a^ N^ ^ ^

^23260 M

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*

96

N9 9. MARCH- SEPTET.

"WOMEN."

Danilo.

Piano.

Tempo di Marcia.

mh I y

DANILO.

Oh, the

^It N J ^ \ i^ I J^ ^^ ^ ^DAN.

#

WO - men!

POPOFF.

How to win them-

^ gI

J^ JMThat's an

P^Oh, the

ST. BRIOCHE. ^^Tell us, pray!

^ ^ P3Oh, the wo _ men!

CASCADA.^ 11I

J'- J' )

Tell us, pray!

Oh, the wo _ men!

NISCH.

p IJOm

Tell us, pray!

^Oh, the wo . men!

KHADJA.^ ^^BTell us, pray!

P^Oh, the

NOVIKOVICH.

wo . men!

* 11 INUVIROVIL'H.

Tell us, pray!

wmOh, the wo. men! Tell us, pray!

J J \ u^ L-i ' ll-^^23260 M.w.

97

DAN. M' ^'p P T1^ ^^ '^

ff it i)p #

^ '

[^

art I'm ra . ther dim in. For there is no pa . tent -way!

tPOPOFF.

J ^ il Jl

Winning

cresc.

^ ^^r

•> us^

Sa*r/

m sg^^ 1 ^^ ^%i). * 'Jto. * ^-

^ M im ^ i^ ^T^^ ^ prrrriDAN.

POP.

ST.B.

CAS.

NIS.

KHAD.

NOV.

Winning wo-men- How's it done? That's what no . bo . dy dis

^J' ^'1 \i ^ J^iiHi> ^' ^ U p M ^'

'^U^'^'

wo -men Fortheir lov.ers- That's what no _ bo - dy dis

^^^^Winning wo. men—

^'I i' ;> j

Hows it done?

^^#¥FWinning wo _ men-

P ;> ^' U' J' j

How's it done?

^^Winning wo- men- How's it done?

P^^M' I J^ ji i

Winning wo_men- How's it done?

E*S1JLJ '

I Jl J. ' ^Winning wo.men-

#^*^"'*

C-^ ^ ^^

How's it done?

232G0 M.w

98

DAN.

FOP.

ST.B.

4fi: ^ g [) Jm

r^^-jvf^—^fe^^^jsi^'^=a">^

. cov . ers, Not ev- en an Ed . i - son!

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With one you have to flirt and flat_tcr-

. cov . ers, Not ev . en an Ed _ i . son!

'1 1 i ^ J'

I

p p^^Not ev . en an Ed . i . son!^ ^TT^ ^-^y=^f

T:Not ev . en an Ed . i _ son!

^I t ^ 7 }> ^ p M'NIS.

KH.\D.#Not ev . en an Ed . i . son!^ M P

^-^ Not ev . en an Ed _ i _ son!

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POP.

So and so and so and so! So and so and

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fe:^_JU^4^^^ ;E^ ^^So and so and so and so!

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^R-TSo and so and so and so!

^kEESE^So and so and

g^=^^~rn^ ^ mNIS.

So and so and so and so! So and so and

NOV.

23260 M.w.

99

^ U_^-^ IP P^DAN.

POP.

ST.B.

CAS.

NIS.

KHAD,

NOV.

^so and so! So and so and so and so!

&=.^=^M^ M=H-HL-Fgso and so! So and so and so and so!

%-> j^ jiju_;L^=fi4'^^^t~i^ I ^ p rM P p p-'

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^^P ^P p p ;r-MH^

so and so! So and so and so and so! And

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jp^f M MP M

so and so! So and so and so and so!

*=£: a gtt^tf^^

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J'JJiJJIJJ^r=^=&

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POP.

ST.B.

CAS.

NIS.

KHAD.

NOV.

So and so and so and so! One

M-iL-ug=Mm So and so and so and so!

^=^ (i—H-^^i=

So and so and so and so!

^m ^ ^^mm ^ 3?^^^f-

while you beat her you can trust her- So and so and so and so!

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i^W^ PP J^^=So and so and so and so!

23260JO M.W. U"-*^

10

DAN.

POP.

rd-\ P p p-ffe^ p-^ P I

J' j^ J^^I

^' ;^ Jrzi

Pasks for ten. der . ness un. flag, ging- So and so and so and so!

i' ^1 N 1^I

J'^So and so and so and so! An

j^ J^ N J^I

i'-^^^So and so and so and so!

J' J^ N j-^I

i)^^CAS.

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KHAIl.

NOV.

So and so and so and so!

h ]) j) J^ I J) j) h -!

So and so and so and so!

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So and so and so and so!

"^ J^-P[L^

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^'^' Jni^-M^^

o - ther's al . ways rag . gmg, nag _ ging— So and so and so and so!

J^ i' j^ ;>I

^^mST. B.

CAS.

NIS.

KHAD.

NOV.

So and so and so and so!

23260 M.w.

101

Auimato. rit. mm rail.

jnTJ'"T^=is^pDAN.

POP.

ST. B.

CAS.

NIS.

KHAD.

^So and so and so and so! And o.ther things they

f7\

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p p pfl N'' ^' -^' JrH^^^g^^

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I

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^' ^^ J-' ^'I J^ ;: I

# iSo and so and so and so!

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rtt.a tempo^^DAN.

POP.

ST. B

.

CAS.

NIS.

ask for af . ter- So and so and so and You may

^) J^ ^' > T JU' ^ J.L

sk for af . ter- So and so and

^^i

so and You may

ff ;> J^ J^ i' I J^ ^^so!_ask for af _ ter— So and so and

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so and

iask for af . ter- So and so and so and so!_

J^ J) jN JL

(^So and so and so and

J' i' Ji Ji PSo and so and so and

:- ;> jsjrNOV.

so~nSo and so and so and

-i—TM^rtt. f

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^h W ^ r-2 r^J? « tempo

m^^ '&S. f:

23860 u.w.

102TRIO.Tempo I.

m^DAN.

POP.

^ g ^ ^^stu - dy her ways as you can;. But a wo _ man's too^ ^^ ^^stu _ dy her ways as you can;. But a wo . man's too

Oh, the women! Bless the women!

CAS.

NIS.

KHAD.

NOV.

Oh, the women! Bless the women!

Oh, the women! Bless the women!

Oh, the women! Bless the women!

Tempo I.

Oh, the women! Bless the women!

^=^

¥^ LJ -U ^"Stj.

mt i^-t-tjbb' ^mDAN.

POP.

ST.B.

CAS.

NIS.

KHAD.

NOV.

much for a man!- It deep . er than div . ing for^ E ^r-jnr s ^fe

much for a man!_ It is deep _ er than div . ing for

Oh, the women! Hang the women!

Oh, the women! Hang the women!

Oh, the women! Hang the women!

Oh, the women! Hang the women!

Oh, the women! Hang the women!

^ •g 4^\SI^^

m^^^ m s23260 M.w. 'S^.

l^

103

DAN.

POP.

ST. B.

CAS.

NIS.

ipearls

WS ^Court. ing girls, girls, girls, girls, girls!_

Sfc"With her

^ r=^pearls Court_ing girls, girls, girls, girls, girls! With her

^ F^^

iGirls, girls, girls, girls

i iJ N gGirls, girls, girls, girls!_

mmi

Girls, girls, girls, girls!_

r

mGirls, girls, girls, girls!.

NOV.

Girls, girls, girl'., girls!.

'to.w V..^ ""^"u '^ i) \k'

MJ Jil' JfJVi pp^^=^^DAN.

POP.

^^3fair flax. en hair, eyes of blue. She's a long way too know _ ing for

fair flax.en hair, eyes of blue,. She's a long way too know . ing for

Oh, the women! Darling women!

CAS.

NIS.

KHAD.

NOV.

Oh, the women! Darling women!

Oh, the women! Darling women!

Oh, the women! Darling women!

Oh, the women! Darling women!

i 'm m^ J=^n I J .s]

^ ^w^^~xtb.

\^J J h <p »pw ^S3260 MM.W. U*^ Z^^*

.4*S'-.J;'

104

UAX.

POP.

ST.B.

CAS.

NIS.

KHAD.

NOV.

4=#J' I

^^ J^' ;> I r I'M-you. She is dark, or she's fair, She may smile or may^ ^you. She is dark, or she's fair, She may smile or may

Oh, the women! Blow the women!

#Oh, the women! Blow the women!

Oh, the women! Blow the women!

Oh, the women! Blow the women!

Oh, the women! Blow the women!

DAN.

FOP.

ST.B.

CAS.

NIS.

frown- Ncv . er mind, you will get done brown!

1=^^^ P^frown- Nov _ er mind, you will get done brown!_

NOV.

23860 M.w.

105

DAN.

POP.

ST.B.

CAS.

NIS.

KHAD.

NOV.

Wo. men, wo. men, wo . men, wo. men, wo . men, wo. men, ah!

^ I J^ l|J^ i>^Wo - men, wo. men, wo . men, wo . men, wo . men, wo . men.

Wo . men, wo. men, wo . men, wo '.

Wo . men, wo. men, wo. men, wo. men, wo . men, wo . men

DAN.

POP

ST.B.

CAS.

NIS.

KHAD.

NOV.

«3260 M.w.

106

DAN.

POP.

ST. B.

CAS.

NIS.

NOV.

$ m s Emstu . dj' hCT "ways as you can But a wo _ man'ri too

DAN.

FOP.

ST. B.

CAS.

NIS.

KHAD

NOV.

83260 m7w

lOT

Dj4N.

POP.

CAS.

NOV.

:i A N

.

POP.

ST.B.

CAS.

NIS.

KHAD.

NOV.

23260 M.w.

108

DAX.

POP.

ST.B.

CAS.

NIS.

KHAD.

NOV.

^-J ' J^ i) r ;. jsI J~^^^^M ^—^

know . ing for you'..

-^ i ; )

I p

She is dark, or she's fair, She may^ j, JiI J -^^ *=*

iknow - ing for you!.

J ^ h

She is dark, or she's fair, She may

*' d J ) J' I ^ E ^ ^^know . ing for you!.

* J J' MrShe is dark, or she's fair, She may^ W^^ ^

know . ing for you!.

^" J JW'I f

^

She is dark, or she's fair, She may

^^^^^^:i^know . ing for you!_

A-J ^4>She is dark, or she's fair, She may

h i>I

U -fe^^know - ing for you' She is dark, or she's fair, She may

DAN.

POP.

ST.B.

CAS.

NIS.

KHAD.

NOV.

4smile or may frown- Nev _ er mind, you will get done brown!

t-H-^—P^fc£=j(^=^J2.

You may

m4

smile or may frown- Nev_er mind, you will get done

Mr, "c i'+r

brown!,P— m

You may

±^^

smile or may frown- Nev_ er mind, you will get done brown!

rn^ P^f^ 'M' ' r r ^ f^smile or may frown- Nev.er mind, you will get done brown!

fe#j_Tr p r-^^-^F ;> i

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smile or may frown- Nev.er mind, you will get done brown

M ir 'ip'jn^ ^1

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smile or may frown- Nev.er mind, you will get done brown!.

SH 1^ .^ -^ ir ''p jM^ ^^ ^^smile or may frown- Nev.er mind, you will get done brown

Jit fe

23260 M.w. *%

109

DAN.

POP.

ST.B.

GAS.

NIS.

KHAD.

NOV.

m J)ii

I r 1—^^

$stu . dy her ways as you can, But a wo . man's too

^1 =^=?;^ W'I J j,^-^^J^^g^J

stu _ dy her ways as you can,_ But a wo - man's too

^^mWo . men

!

Women!

i :g^:spa;Wo. men!

Women!

i ^Women!

lM^-T ^^Ttseinpre leggiero

i^^' J J\J J^J J \J -J^ ^:^

;>"~K7 ;>I

J J)^ ^^^DAN.

POP.

ST.B.

GAS.

NIS.

KHAD

NOV.

much for a man!_

iIt is deep _ er than div _ ing; for

E^ ^^^^ i^ ii j) " *^ii

much for a man! It is deep . er than div - ing for

iWorn . en!

mWomen!

^^Women!

^5^

tWomen!

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t

^Women!

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m^^ W ^=^ ^^ i> e^ iJ ^=^23260 M w

110^ ^^ }) .M^pp

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.

Country girls, girls, girls, girls, girls.

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GAS.

fc^

pearls,- Country girls, girls, girls, girls, girls With her

^^ I r ir ?^^ l—^^^^^h-jv

Women

!

Girls, girls, girls, girls

^ Tj ^mWith her

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/-Girls, girls, girls, girls . With her

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.

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Girls, girls, girls, girls, girls With her

DAN

PUP.

ST.B

GAS.

NIS

KHAD.

NOV

232BO M.w

Ill

DAN

POP.

ST. B.

GAS.

NIS.

[CHAD

NOV.

^ ^ m }> I J }> J) I

^^ J^'

know . ing for you! Shu dark, or she's fair, She may

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1-^ J^^i

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7 ^-j^tt 1^ I J .^f=^n'^^ *^'^rknow _ ing for you!

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She is dark, or she's fair, She may

h j^I

J T^^ ^^know _ ing for you!. She is dark, or she's fair, She may

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know . ing for you! She is dark, or she's fair. She may

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She is dark, or she's fair. She may-

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DAN.

POP

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KHAD,

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ismile or may frown— Nev - er mind, You will get done brown!

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23260 M.w.

3t

112

N9 10. DUET. (Sonia and Danilo.)

Piano.

rnnj

23260 M.w.

113

/'

$ i^ msto. *

ji^^inn^ f tM't^=^pf)

M^ Iff^ ^ ^«to. *

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rf^^fTTT

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114

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13260 si.w.

115

%S.

DANiLo. Allegretto. ^^ ^ M ^ ^

g^

He'll take you to Max

J; I ^*^ IB

W

i^ S;IAN.

mwhere fun and frol - ic beams!

^=i ^ »fl;E

/^

^ ^m JS^ i ^^i^ =^

^ ^5 P 1g=^^

^ ^ F-1-

i« ^i: •

^^ =^'Jto

* t^

^^^ iW P^^

P^ SE3

^at«f=f4^ ^4 ? t m2:5260 M.w

fe.#

'Jto.

116

Moderate.

frr-^ ^Tempo di Valse moderato.

1 IZS3fW ff fT3 i

PP

^—^ —

r

r(ii)

jlir

adi^^E^r-r T

C0«*Su5. f

i?=fr in^ wrr n F' J

>*e£ i^^^fe iF? rn^

iiT=r T « r- T

$ f f =3Sf Wf Tfmn ^ r -^

I I

m ^ ^'•tt fj

r

23260 M.w.

inValse leute.

J J •^ *'^

^ ^ ^P'&>.

T?

—

^. * ci«• «fe.

i •? g •?I r r> r

1^I^ ^ IE^J

^ ^^

//;>

^=^ ^ g3?^

^W^^m -iSM- 3e^

fi^

f ist^^ '^'

Tempo di Valse

ON.

BAN.

iON.

DAN.

83260 M.w.

118

SON.

DAN.

SZ

i^=F

#

*=^# ? #

5L; ^ f:

w-tf Jj» ^ ibz* *^* 1t-^

J=t ^^%i.

^^iSON.

DAN.

^

^ ^

i» f2

§E *Wl J HF r

*=f ^ ^ i^ % w*

SON.

DAN.

23260 M.w.

N9 11. DUET. (Natalie and Camille.) and ROMANCE. (Camille.)

"LOVE IN MY HEART."

119

Natalie.

Camille.

Piano.

Allegro.

^J'- g r ^

Oh, say no more!

rit.

V^ r r I

iAUfgro.

Will you not let

^^ y,

nV.

r^'^^3'^0^r ^ fftijT

*'lJ>- .^) J' J' *-^1^ ff

*' *' ^' 4

Its time to mar. ry and for _ get me! Thisve.ry night your of . fer must be

CAM.

NAT.

CAM.

spo - ken!

^T ^TIt shall be done, al . tho' my heart is bro . ken.

SP

r ^i iw^232«() M w.

120

NATALIE.''' Moderato

F^' }Vi i hJi^Ji

tr-

$

ibi~m jTj ,nn j^ Oh, do not doubt I feel it

jI— rr

ril. PP

- i^''-

=#^ ^-r ^TI^i •/ j) ;>

^'^ ^too! With, out your love life will tic hoi . low; But

Q r ' ^ fi

^¥=^ ^^^ i^

iJ tJ -^F .1' J- J- j i J j)

I;-

.'sNAT. ^ ^hon _ our tells me what to do, And when it calls me I

i

must

PP

^%).

* 'Jto.

J \NAT.

fol . low.

CAMILLE.'=^=^ ^EE^^^

Ah!

t=^Then may I nev . er hope to meet you?

^a"y;

U:-^ LL' b&-

1'Sib.

232(iO M.w.

*

121

ayiimatu

^ i' P n? f?F

NaT.

CAM.

FF=F mdo not tor_ture me, I en _ treat you!

i a J' i' >N J ^ '^ ^' *'

.^_i*^

No more 1 say-

Utl

i £

I will o .

g g^s *p * P-M ^^^

^3 3 3

bf * * * *,tfnfi|fi .«^fr^.f?.L^

/> animato

J J

•sa. * '&a.

-VAT.

my love, that I fear!

^ ?i ^^* ' *EfeXAT.

CAM.

^^ You should not have ask'd me!^ ^E^^ ^^ ff

I

t^f ^r=r^=Z=4 S* I *let me kiss you!

/7\

For - give, for. give me, dear!

23260 M.w.

u«

$mRomance. <CAMILLE)"Love m my heart'.'

Allegretto. CAMILLE.

I J'. J' J^ .^ ]E

Love in ray heart a

^S ^^Ii ^ ^J i J '^« ^ S ^^ ii<i I j'

?^ .TTIJ

/-{/.

^ <J^ W J- Mpp

^1^ ^

i r M^ F^ ^CAM.

Awak ing, rose _ bud in the May,

I ^ ^ iiUi i t iti 9- * t i J i^

^F^i i ^ ^^^^ r p m(.AM. ?^ g=f

ing, Be . came a rose toIn . to full beau _ ty break

jt^ ULff ^^ ?1^1 » j « i;^

^} 8 i ! i ^

^1 14^ i :^

282«0 ^l^\.

%J. *^.

123

CAM.

CAJI.

pas "°i^. It can . not but be told The

CAM.

232(:0 .M.w.

124

animato

lAM.

CAM.

i ^^^ T u r PlA.M. wing The day of love is won! Oh

l-AM.

2:}2t;o M.w.

125

Allegretto. NATALIE.

CAM.

$animaio

^ \-^ m ^'

^P P ' ^^=FXAT.

Ah! leave me, pray:

.VAT.

M ^'(^ F

"^

'

^ i P \

' P ^ f> If

T^Good _ bye, then, my dar . l'"g— Give me one last

iiXJlr^^5

?•»?<;(> -I M

126

>ATAr.IK

rii.

Piu lento

there's a lit _ tie ar . bour

I 1 \|.

3:??c.() u

127

CAM.

CAM.

m=£ ^^^E^ ^^.v.vr.

ouijht not Yt-'t I can. not re . sist you!

f^FT^9J

^ =@:

222<?0 M.^^-.

128

NATALIE.

mmCAMILLE. No one will hear us?

rTTyyr » ff if ^m^Come to the lit . tie ar.bour here. Not a soul will know I

NAT.

CAM.

NAT.

CAM.

2:?2i:(> -! "-

129

NAT.

CAM.

NAT.

CAM.

23260 M.w

130

N9 12. FINALE.-ACT II.

Piano.

Allegro.

S

^Allegro.

SOXIA.

H'^ F FWell, gen - tie

DANILO.

|34 r^E^j'^^jfe^t S 1 >i

^i*DAMLO.

J. r i>^ IF ^ j^^-> I- tfe£so.v. pmen, what is your will? Ha! Son.ia and Ca.mille!

POPOFF.Ha!

Thenwas I blind? I saw her here!

ir.i.. WtgmM'^l ^f

-I f •: I ;

1»-»1»^^WJJ ^

^-V^^ £^^

^ £ ^DAN.f

J'F ft ff^^

Son . ia and Ca . mille! My ve . ry

^heart stands still! The case is

^ f ^ ^^ ^^ y 1 y 1 ^ ^ ^:t

;»

* ^ :^^3= =tW8S260 M.AV.

131

\ATALIE.

DAN. w^mIm here, dear!

ve . ry much too clear!POPOFF.

l'I' I' I

I''

Then where can be my wife?

POPOFF.What's go. ing on? I'd like to know

DAXILO.There's

Well, Im sim.plyblowed!

' ii fT i''M" !' f=nHa! Son.ia and Camille!

^^^f^h ^

'^' ^*^^^^^

^^^^a:£^ ^^^^^^^===^:

mf

^ U-

CAM. ^h ^jy

\,y-=^^EEE^

no_ thing wronglBc still!

POPOFF.

wjy^I saw a la . dy in there just be.fore- Yes, through the

23260 M.w.

nz

tSOMA.

t=»= '(JFFMF n ^'^^You are a sly Aii)-bas_sa. dor!

DANILO.

tm^ ^That is what he's for!

1^ FF ^i'J-t Fj,j i J J ^i^POP.

key.hole of the door. I hard-ly could be . lieve my

j'Lu, n^ ^^ fc^^ 'y j •? ±izi

^ ^ ^g *£

innp pii ^POP.

ve _ ry ears, When love un _ end ing that fel . low

^b 1 ^^^ :

«//'

i» i» ^ ^

$SOXIA.

^Ek¥=^ ^m jz*:

The la _ dy— thp.t was I!

DANILO.

^m#You, Son.ia!

POPOFF.

S55t^mswore! Iwould have

i ^ ,^t^^Pffft^rr r

#/'

=^% LLCJ ^^ tt^T^- T»- 1»- 1»-

23260 M.w.

133

SONIA.S mMy dear . est Ca.mille, con

^^ F F F FPOP.

p^sworn it was my wife, you

^know!

^ y<iVi ^mt^t 'f

*»

^ r f F r i

SOXIA.^SON.

i

_ fess it was so!

NATALIE. m s"Well,

^==: e^CAMILLE.

Al.thoug-hit saves me, it fills me with woe!

^TTJTU t^= ^t

DANILO.

Al-thoughit saves her, I speak it in woe!

(;

i' jm J' i' J' F r^i=^=^

With rage and jeal.ous . y my heart is a . glow!^ *^ WM J

iNISOH.

I cant be . lieve it! Oh, no! Oh,

J'i'i ' ii Jii'iJ iJ'I man. aged ev . 'ry-thing,and got up the show!

p rrrrttnr^ m rrjijj: ^:

»/

«tj>i f r r f i'^ PI^i;

23260 M.w.

134

Piii lento.

i^ r Vf- [? J i;;j.iJ J'J'iiJ J' J'lr r^^SON.

since the Am.bas . sa . dor suesfit To lis _ ten and spy at the ar.bour door_

S W -$

9

^ i

i is«n'i.

^^PPSON. •?I' I'' ^

Pray tellthem all the whole truth of it, Re. peat.ing whatyousaid in

p ^ h•

=r^^i,J6 f_g ^;» n7.

iiPP

^

^J i' J' r ^ i

CAMILLE.

kE^^^SON.

there, just be _ fore! Must I de. Glare it?

DANILO.

i ilf,if'M rF F

And I have to bear it?

CAMILLE.

p-^r^-nr^' f itft ^ H^ .^.^4#^^5*=^Your Ex _ cellencj^as I have to o.bey. All that I told her a_i,'ain I will

23260 M.w.

135

Allegretto

CAM.

CAW.

CAM.

CAM.

CAM.

23260 M.w.

186

SONIA.

-^ ) •> ) ^ *His face is qnite a sight to

$NATALIE.

> I V '): #

It al _ most breaks my heart to

CAM. ^ ^^ t

mnow I know

NISCH.

my pas sion, It can _ not but be

J' J J'3^:^ E ^'Ibis is a sud . den pas

$KHADJA. #=#

She does - nt seem to scorn his

SOX.

XAT.

CAM

NIS

KHAD

23260 M.w *^i).

137

rit.

SOX.

NAT.

CAM.

i\IS

KHAU

SON.

N.vr.

CA.M.

MS.

KHAD.

no . ble Prince, I think I have won;_

song^, whose e . oho hard . ly is done,. He sings it now_

4t_

N r p r gring - ing Like birds that greet the sun

.

I know as I am

H?Rff-/

^%5.

232BO M.w *'Jto. *'Sts ^'to.'

t

138

' £=g^ I II ^^ iP^SOi\.

NAT.

CAM.

NIS.

You II have to speak be . fore you've done!

JTr . J J. l

i^as if he loved an _ oth _ er oneL

^r F [_J

sing ing The day of love is won. Oh,

1. F-"~'--J'i ' r F r

sp;it, And we are sim _ ply doneL^fe^E^5 N^^ t

If I should catch him sing- . ing I soon would spoil hi^ fun

SOX.

.NAT.

CAM.

NIS.

Has love an end so soon be . fore 'tis well /-, be

23260 M.w* %!.

189

SOX.

NAT.

CAM.

NIS.

KHAD.

%). *Allegro. '^•

SOMA. (SpokenJ Now, ladies and gentlemen, you shall know what was arranged in the arbour(tisitle.) It s neck or nothing! Now I play my trump card!

' J'F F F

Al _ low me to

$^m^

23260 -M.w.

140

(looks at DANILO.)

SON.

^rt^

tell you, if it won't bore you_ A pair en

AI ^ \ ]^ ^m

^Oh,

^no! Oh, no!

I 1 ) "Ji' P^CHO.

@#

Oh,

Xno! Oh, no!

^> 1 i p

*!=P r

Oh, no! Oh, no!

l~Tlf ^^^ ^^

@^-^^w I i ^^

iu

J. I

'

SON. P^ ^gaged you see_ he . fore you! This gen -tie

4^

man-

NATALIE.

\•? ^ %

Oh,

*.*:PCA.MILLE.

fWhat I?

23260 M.v.

141

SON.

NAT.

CAM.

DAN.

POP.

^mw r r r n' f rand my most hum - ble self.'

f»fa»^ ^^Heaven!

iU

Un.true!

r r ^i i r I'lr ^—

I? XJn . true!

Pf !>> . np nNot that!

,j¥- ^ Mr >

-

Un -true!

What now? Un -

iM: z^

^ -i i j)| f ^^ <?

my=Ah! what a piece of

} -i I j) ^ =F=^CHO. ^^fAh! what a piece of

^gl / £:1^i 1 i f ^Ah! what a piece of news!

SOMA.

hkAllegro.

^ip ; - ij^^^-f^y-im-i j^ j' j, j' jejPOP.

true! thought that bit of news would do!

23260 M.w.

142

DAN.

POP.

ife T M I FF ^ ^Hetakesher for her cur.sed mon . ey!

^h M-^lF F F-^'^^

He's got a . way with all our mon _ ey!

'mryiny^w

Con.grat . u - la . tir

p\h . J' ;rJ^CHO. ^Con-grat_ u - la . tions!

W% 7 ^ ff (I g

Con-grat . u - la . tions!

'^\h 1 ff"T'f"^fT^ i-4'^" i -r^^^

&% .^^^ ^ ss1*

i»SONIA (,to CAMILLE.)

^ P^fBe - ware, or she is the

-ACAMILLE {tu SOMA.)

¥i-^ V > p \ ^^p ^pf^ rr^

That goes too far! I real.ly am sur.prised—

m^_ ¥^w ) 1 u 1 h-t^^ ^ m=^- ¥ f^

^^a^ h ., jJ. . ^^ =^=^ ^E=^^t ^if

232BO M.w.

14S

SON.

NAT.

POP.

SON.

DAN.

POP.

Real . ly, do you mean-

4 ¥« - , J'

You real.ly mean it?

Oh no! why should I raise ob

I won't al . low it, nor the Prince!

m^^, f r

'^ pj^collii voce

j=^^

l^^^^molto rit.

DAN.

83260 M.w.

144

Andaute.

SON.

DAN.

Love when you may, Pro . pose but

Audaute.

DAN.

\0^-^ i

Mazurka moderate.CAMILLE.

rr~nT4=^sel-dom, Mar. ry not at all! Tho' marriage in the old .en way

con %S.

CAM. HJ' 1» 11 1 h ^ 3i' »J-'J' M

CAM

Quite un . dip . lo _ mat . ic,

23360 M.w.

14 5

CAM. 1 j, [T f-f-fU^ ^^t—t- ^^=3^

A mod.ern wed.ding it will be, I prom . ise, I prom - isc

i ^^w^ 3^=

m ^^

^^ ^ ) Iv [?

P 1'^ ^p J'I

J'-^

CAM ^ * • ;^=g

In a style en . phat . ic! We make a lit _ tie change of name,

!^ rJ J J

M'•

I

ff<p ^p

§^ /*

i L^.iF^#

J' I »• Ji P I ii Ji i) ii A ii^-M-^CAM.

In-ftead of two, we have the same. Just like a sis _ ter and a

»3i

^-^j—^(!!])••

f

^ • ii $Pf!7.

^EE=E=E=^5rzY.

CAM.

23260 M.w,%).^ »

146

Allegretto moderato

CAM.

*fc.P ^f-f-1^7CAM. *

0th . er! In fact, you'll find it safe to state, Wc are a

**:J' r ff I

^'- Jl )Ite

Vivace.

CAM ,

f^

^fet

pair en.tire . ly up - to -date!

m ^m^. f-#

/Jf

(^-h^ n^^ 1 i

/7\ 1^ ^? *^ * ^

SONIA.

28260 M.w.

147

Tempo di Marcia

SON.

mar . riagc will be one ar . ranged,mm

Quite in the mod . ern

SON. ]

SON.

\iS ^'r I g

That's in the mod _ ern style-r c ^' "'T

And as I shan't be

SON.

83260 M.w.

1#«

SON. A^ mrit. /TN

^,11. '•^

-SI.- VVivace. J

go a. head and please my-self, Quite in the mod. ern style!

i» If ^ l+tff i*

I am

SON.

SON.

* ^. * '&).

SON. S Ef^ ^^g^ Ewill not break my heart, oh,

4no! Oh, no, no, no, no, no, no, no, no,

g^^ l^^ LidV^f

jh

~-f

^^^^^

149

SOX. I > ^y^^nri (^ ^ ^ m TJrwr^no! La, la, la, la, la, la, la, la, la, la!_

NATALIE.

la, la, la, la,

^'p f l " fM"!^SYLVAINE.

La, la, la, la, la, la, la, la, la, la!_

PPPShe is free, so tra - la-la- la - la- la,

OLQA.Still she'll

m^She

PRASKOVIA

.

is free, so tra - la-la -la - la - la. Still she'll

m^$

SheGAMILLE.

is free, so tra - la-la-Ia - la - la. Still she'll

P^ mShe is free, so tra - la-la- la- la- la;

POPOFF.Still shell^ m

SheKHADJA.:a.

is free, so tra- la-la-la- la- la. Still she'll

^She

NOVIKOVICH.is free, so tra- la-la- la - la - la

H J

Still shell

^mPPPShe is free, so tra- la-la-la- la - la. Still she'll

^She free, so tra - la-la-la - la la,

'It J ^Still she'll

CHO. PPfShe free, so tra- la-la-la - la

&« fete

la. Still she'll

PShe is free, so tra- la-la-la- la- la,

wmfStill she'll

w^mm^

? f •>?

j^ll

l j,1 i> s m t^ If 'ff

z±z

23260 M.w.

150

.>-. [i^ ii c pM^^ fe

la, la, la, la, la, laL

Ji ffM I P MP^^NAT.

SYL.

OLGA.

FRAS,

CAiM.

FOP.

KHAD.

NOV.

Izi, la, la, la, la, la, la, la, la, la!

m ^^ J- J>li' J' r g^ ?^be, so tra - la -la- la - la - la And men may come and men may^ J. J' I i' J' f(=^^ ^ Pbe, so tra - la- la- la - la - la And men may come and men may

$ ^^ M i' J'it f^

be, so tra - la- la -la- la - la And men may come and men may

$ Hf^ M J' J'ff V^ P

be, so tra - la- la- la - la - la And men may come and men may

$ ^^ J- JH J' J' B ^i>

I r ^ p fE=

be, so tra - la -la- la - la - la And men may come and men may

fefe^ J. h I J. J' i' ^^be. SO tra - la - la -la- la - la And men may come and men may^ Mi' i^ -^' i'^be, so tra - la -la- la - la - la And men may come and men maym j^ ii ji

J- ii ^^r ^ f

B^SE?be, SO tra - la- la -la- la la And men may come and men may^ S^^CHO.

f^be, so tra - la- la- la - la

(£})'4^ p p^la And men may come and men may

^ MM^ ^ Ebe, so tra - la -la- la -la - la And men may come and men may^ ^^ r (!

f 'f ere - .JCt'W

^^ ^ ¥E± U OJ ^%). » '&i).

28260 M.w.

151

SON.

NAT.

SYL.

OLGA.

PRAS.

CAM.

FOP.

KHAD.

NOV.

fe E FTTTir ir ^mGo They will not break my heart. No!.^ R~T if

I

T:^ 1E*=SGo They will not break her heart.. No!.

ti p- i\J'\

^(T p M J r I

r ff

And

go, They will not break her heart, Oh no, oh, no!

P i

p(T p P-^

go. They will not break her heart, Oh no, oh, no!

n i p n M

f

: 1go, They will not break her heart. No!.

P' I f M ^^ ^go. They will not break her heart. Oh no, oh, no!

4* 11 f- i i.Mfl rr~^^^

go. They will not break her heart, Oh no, oh, no!_

1*1 1 ||J. J-If p ^ .

* P^go, They will not break her heart, Oh no, oh, no!

SEeT M F * • tr

go. They will not break her heart, Oh no, oh, no!

I ^^r- w^

ap M ^

go, They will not break her heart, Oh no, oh.

If

r- i i

^^ ^CHO. ^go, They will not break her heart. Oh no

,

oh,

<s!i-h Y '

fF f F F £ £

go. They will not break her heart, Oh no, oh, no!_

23260 M.w.

152Tempo di Marcia

NATALIE.

J i'lJ J.^SOMA.

•^ H\l f^'

NATALIK.

J i)|j ^Bwhen you mar . ry you will live Quite in the mod . em style; And

^^ i ^ i^f^E^

Ir 7 7 7 "7

P

^g ^^I^^ ^^ ^S =¥=^^ ^^ 1 I

•?-?-^

f !^

SOMA.

1^ J i'l J > "^^ ^ jifi"

i^p r Mf ^NATALIE.

NAT.

free - dom you will take and give- That is the mod . ern style!

iT2And

^ SONIA^ ^gt NATALIE.

M J- I pNAT.

r M ^t

if your bus . band goes a. stray, Then I shall on . ly smile!

* "Sto

SOMA. rit.

£ MM r a |

3^^^PNAT.

turn his lead when you've to play— Quite in the mod . ern style!

iS^^ P/TV

1^^=^E^^^F=^ •y ? [J 7=^: Ty"i~

;»

^ ^ rjY.

il iszz

'Jfe.

23260 M.w.

# %5 * 'jeii. **fe)*

153

SON.

NAT.

That's the la . test- tra - la-Ia-la - la - la! Up to

M^' ^' J'lr"1

That's the la . test- tra - la-la -la - la - la!

Vivace.

Up to

SON.p ij I

' ^NAT.^da - test— tra -la -la -la - la - 1

M^liH- jilj. iJjJ' -"liiJ- J,

I

E^^Do what you like, but don't be slow, And

3^da- test- tra -la-la -la -la - la. Do what you like, but don't be slow, And

SON.

NAT.

m^no . bo - dy will mind, oh no! Oh no, no, no, no, no, no, no, no,

no . bo . dy will mind, oh no! Oh no, no, no, no, no, no, no, no,

154

SON.

NAT.

^'g ff I ff (Itimn i nf •> JlQ [?

no. La, la, la, la, la, la, la, la, la, laL la, la, la, la.

f*ll in t > Jl-'lp Pif ppffiLa, la, la, la, la, la, la, la, la, laL

mmSYLVAINE. ^

That's the la _ teft tra -la-la-la - la -la!

OLGA.Up to

WWThat's the la

PRASKOVIA.=. -^ -.test tra - la-la-la - la - la!

mUp to

^^That's the la . test tra - la-la-la - la - la!

CAMILLE.Up to^

That's the la . test tra - la-la-la - la - la!

POPOFF.

^mUp to^

That's the la . test tra - la-la-la - la - la!

KHADJA.

J J N PPP ^mUp to

That's the la . test— tra - la-la-la - la - la!

N0VIKOVICH.~> ^ =- -^

s^sUp to

^That's the la _ test tra - la-la-la - la - la!

I

Up to

PPfTh.at's the la _ test tra- la-la-la- la- la!

P=^Up to

P^CHO. 5^^That's the la . test_ tra - la-la-la - la-

^ N^^^lal

kUp to

^That's the la . test tra - la-la-la - la - la!

^^^ ^m i

up to

wgg^/•'? 'f f '? p

i^ ^ ^ ##^ f 'f

s^13

23260 M.w.

155

SON.

NAT.

SYL.

OLGA

PRAS.

CAM.

POP.

KHAD

NOV.

CHO.

la, la, la, la, la, la!

F |7 r?M I

rla, la, la, la, la, la, la, la, la, la.

da . test— tra - la -la -la- la - la! Do what you like, but don't be

da . test- tra - la -la -la- la - la! Do what you like, but don't be

da . test- tra - la -la -la -la - la! Do what you like, but don't be

^N• JH:'J'fDo what you like, but don't be

da . test- tra - la -la- la - la - la!

^< I'' •'

F FDo what you like, but don't be

da . test- tra- la -la -la- la - la! Do what you like, but don't be

da . test- tra - la -la -la- la - la! Do what you like, but don't be

like, but don't be

da . test- tra - la - la - la - la - la! Do what you like, but don't be

'f ^f P cresc.

TT} 1*

28260 si.w.

156

SON.

NAT.

SYL.

OLGA.

PRAS

CAM

DAN.

POP

No And no. bo. dy will mind, NoL

m ^-M-^ I

rI

TjpNo And no.bo-dy will mind, No!

ii f Ili'U M3 p

slow, And no - bo-dy will mind, oh no! Oh no!.

II r- 1 1 ^'' If (Tf n-^ r Ir i

slow, And no. bo. dy will mind, oh no! Oh no!.

m g=ITf i

ri

rslow. And no. bo. dy will mind,. No!

DAXILO. Spoken.

i f> f; i^ii^nr-rOh! the wo. mans cool as

jh ^- tlTfW mslow, And no.bo.dy will mind, oh no! Oh no!.

't ^' ijJMf ^f=M

slow, And no.bo.dy will mind, oh no! Oh no!.

KHAD.||J. J'

If p^ Pslow, And no.bo.dy will mind, oh no! Oh no!.

EK mE W^NOV

slow. And no.bo.dy will mind, oh no! Oh no!.

CHO.

%5.23260 M.w.

157

DAN. w r f f t r r r ^^ ^ \^

_ sur.ance Vex. es me be . yond en dur . ance! I will speak!

P ^ iW^Ui

V ^P FF *J> J I

^J^-i^' U-i J J'J' I F^UAi\.

=t

for it must out! But I can. not speak the whole Of the an.ger in my

.A.llegro moderato.

L_ULif_J' JJiiJ J ll'i Ji H ^,^ M^DAN.

trol!soul- Let me keep my self - con To grace the

DAN.

282B0 M.w.

158

$SONIA. (coldly)

j^ j^ J-' I j). ii r cj^ j

^ Oh, do! Ill lis . ten till the end! As you

DAN.

sto . ry?

tf f

;. J' >DAXILO.

m^w^5SON. * S )-^—see, I will

ip^I ea . ger . ly at. tend. Won't you tell us?

m i- l~i-

«i [^ •/ j

r//. Tempo di Valse lente

DAN.

I J. J'e-^ Vi^r^ r rDAN.

loved when the world was so young:,

23260 M.w.

*c^>

159

DAN.

DAN.

'fo . * 'fe.

i ! > JJ J I

!' mDAN. * 1

rea . son, no doubt; And so the Prin . cess was un

^^^ 1:

* 'fe

rit.

PiJ M M ^ Pi ^f^:^DAN.

hap - py Be. cause he would nev.er speak out! And

T^')i8.

28260 M.w.

* *'&D.* «&.

*

160

DAN. ^ 1 S=H?S3E^ m^ ^then the Prin - cess was so cru.el.

fen m hdkWhen he would not ask for her

••- F-m^m ^/^p

$ ^ r*^ ^%). » %).

^ ^ i^^ ^-T^ ^ ^^DAN. * I s

hand,

P^^She prora.ised to mar.ry a . noth_cr- 'Twas

if ^ ^ ^mmf

fS

/^ #•

# 'Jte. * %s.

^t J j iJl 'V ii^ 3s^ ^DAN.

more than the Prince could stand!

a tempo

^V '% -.

^^^=f^^ Jfe* M"Most gracious and beau.ti _ ful

^ -mppp

^mf PP

^^%).

^^ ^3E^ ^ipDAN. ^la . dy, It was not a good thing to do! All

i^ ii 4^ i^ i 4:1» g

<i»i. f r-f l^# M^^ ^^^ ^fe^

23260 M.w.

161

DAN.^^worn, en are faith -loss and fie - kle And on - ly a worn . an arc

^^E^

Valse.

DAN.

you! But do you sup . pose I am sor - ry ? Ha,

* %).

DAN.

ha! I don't mean to cry! I shall not go dream . ing

* 'Jto.

- bout you," That's what the Prince said, and not I

!

And

2S260 M.w.

162

DAN. ) n } ? \ f n-There, mar_ry, I've

# f } } \ i l-^Tj ^5DAN.

fin. ish"d with you!" With that the Prince cool . ly de

DAN.

Allegro.

piSOMA. Audaiite.

W ^Where are you go _ ing, then?

1DAN.

dieu!

^ ^m poco pin animato^s 1^f PP

^a ^ ^'JCa\ «

23260 M.w.

1B3DANILO.

!?? ^'^r F i r ^Where I won't see you a . gain!

Allegretto.

^*ii:.' I -^ff ip ^J' Jii J. p I

Ji^^' J'.

1,1 J J'I

J'^j^^DAN.

I'll go off to Max.ira's I've done with lovers' dreams. The girls will laugh and

& ^'ii+14^m m * ^ rt^ T-JP

gyfeul ^ # CJ^ cJ

^'ii J ;, ,j,i .U)i' ,hN J'f I p fci i J'ir- F

iF ^^DAA\

greet mc,Thcy will not trick and che^at me! to _ lo, Do.do. Juu . jnu, Clo - do, Mar-got,Frou.

^^m i=i ^j^hM ^aw^

^^ * ^'Jfe.^

iSOXIAN^ ^tr^Tf

He loves me Im sure of it

^^ '- i i ffp p ? i r j'c i M r P I rDAX.

/tou; I'm go-ing off to Max . im's And you may go to

P^^^^ i^^e^=^

*&\ r ^//r/C^

^ '^^23260 M.w.

*; ^ ^_^

164Molto Allegro. Vivace.

SON.

# f^SON.

me, so tra - la - la - la - la - lal We shall

wsee, so

m w^f ^f ;'

•/! P f ' f ' f

SON.

* %). * ^&J.

^' j^ Jm ^ f^ F J' J' l

^'^''^SON.

^ ^won't es. cape from me, oh, nof Oh, no, no, no, no, no, no, no, no.

P^ it-^ ±=^=^ ^ t^

/:

U J=

f^^

23260 M.w.

*

165

no!La,la,la, la, la,Ia,la,la, la, la!

^ff MPftgg (^PSON.

NAT.

SYL.

OLG.i

la,la,la, la, la,la,la,la, la, la!-

She is free, so tra-la-Ia-la-la- la!^ Still she'll be, so tra-Ia-la-la-la-

JJ

N'^'^li'j.1^She is free, so tra-Ia-Ia-la-la - la! Still she'll be, so tra4a-la4a-la-

^ ^fe^ 3^^^CAM.

POP

CAS.

nf yisMShe is free, so tra-la-la-la-la- la! Still she'll be, so tra-la-la-la-la-

S^ sShe is free, so tra-la-la-la-la- la! Still shell be, so tra-la-la-la-la-

S ^jp^^ wShe is free, so tra^la-la-la-la- la!

ra-la-la-la-la-

Still she'll be, so tra-la-la-la-la-

Mi^^5o tra-la-la-la-la-She is free, s la!

^ J IF^H^

Still she'll be, so tra-la-la-la-la-

§NOV. 3L- ;?.#•_.

)

She is free, so tra-la-la-la-la -la! Still she'll be, so tra-la-la-la-la-

^ ^i^PPf

She free, so tra-la-ia-la-la- la! Still she'll be, so tra-la4a-la- la-

^tem»CHO.

^She is free, so tra-la^la-la-la la! Still she'll be, so tra^la4a4a- la-

r r I'^^'Pr^ ^^She free, so tra-la-la-la-la- la! Still she'll be, so tra4a4a-la-la-

t7 -4i»-' '

Xpa^i^^ ^^

^?^? 'f "^^;>

^'•^i^ > S ^ ^EE^/'f ^f ;.

'

p ;'

g^ ^y r m^^ ^23260 M.w.

16«

so\.

NAT.

SYL.

OLGA.

m

IrfE r ff ir r I" M^^No they will notbreak my heart,.

la, let, la, la, la, la!

S"" r •

F^

No they will not break her heart, oh no. Oh

P

0\r 1

1^'I

(t ^

^' Uf M^h

-la! And men may come and men may go. They willnotbreakher heart,oh no. Oh

E^ J'f p ip- li^' i r r " " I I

'

-la! And men may come andmen may go,

f) J' . Hf ll

^'l^p

They willnotbreakher heart, oh no. Oh

r ' ;^ 1

^

i

r^F^-la! And men may comeandmenmav go, They will notbreakher heart, oh no. Oh

mf UH MrCAM.

POP.

CAS.

KHAD

NOV.

m*f

-la! And men may comeandmenmay go. They will not breakher heart, oh no Oh

^i

J- jHi^^ i r-\\^'

\

^ F n-la! And men may comeandmenmay go.

[J'i'^liiJ. J'UPPg

They will notbreakher heart, oh no, Oh

^ » • =3t

-la! And men may comeandmenmay go. They willnotbreakher heart,oh no. Oh

^J'J'i'l J. h \ nn mJ JiJ- J'

i-la! And men may comeandmenmay go. They willnotbreakher heart.oh no. Oh

^^JU^. J)lf ff M l ^ ^

-la! Ajid men may comeandmenmay go. They willnotbreakher heart,oh no. Oh

w^m ^^-la! And men may come and men may go. They willnotbreakher heart, oh

E* ^no. Oh

rtr^CHO. m-la! And

^^^men may come andmen may

*=

go, They will not break her heart,oh^ H J^no, Oh

i i

I•< I' t^-^^-t^

-la! And men may comeandmenmay go, They will notbreakher heart oh no. Oh

-t^-iSS^ f

crcsc.^ ^=f W #?y/

p^ ?23260 M.w.

'&). ^ c&fi. * 'Jto. *

161

SON.

NAT.

SYL.

0L(3A.

PBAS.

CAM.

POP.

^^

m r:\

h cTr:\

$^ /TN

KHAD.

NOV. mno!.

rr\

^T\

CHO.

^^^ g

i iM

38260 M.^r.

•^ 5: ^ :ifr=^

END OF ACT II.

168

NO VA.

Act III.

OPENING SCENE.

Allegretto.

Piano.

cJ ' ^ cJ

mk=i m^^^f amr^xia i ^

15^Jto.

p

^-j^ ^ ^ rr\

^#-^ fel »^^F=*

^^P#f/ ;?

^?P=^%j * '&. #

^t r

» mm^mjr JT ^ 3»t ^ ^^ i^13 13 =B

^ ^ ^^s

^gr^

- ;'

^ m^ i:^ ^P^ m m^ m o

^ggan f^

i ^ /r

S*'iij.

*

N9 14.

169

SONG. (Zozo) Six Girls and CHORUS.

"THE GIRLS AT MAXIMS'.'

Tempo di Marcia

Piano.i^^

zozo.

LOLO.

DODO

JOU-JOU,

FROU-FROU

CLO-CLO

MARGOT.

We are lit . tie Pa _ ris la.dies, Ev.'ry one a Maxim maid is. Lo .

Weare lit . tie Pa.ris la.dies, EvJr>- one a Maxim maid is.

Weare lit. tie Pa. ris la.dies, Ev.'ry one a Maxim maid is.

^F?^;?=^=f^^^^j^^^^^^^Weare lit . tie Pa. ris la.dies, EvJ-y one a Ma.xim maid is.

^^^^^^jUiUUJJA^Weare lit . tie Pa. ris la.dies, Ev.'ry one a Maxim maid is.

4^

Weare lit . tie Pa. ris la.dies, Ev.'ry one a Maxim maid is.

^i^-y^Weare lit . tie Pa _ ris la.dies, Ev.'ry one a Maxim maid is.

23260 M.w.

no

^^ ^ I [)ji J' i'

(Spoken.) And I!

ZO.

got, lo! Do - do! Jou . jou! Frou.frou! Clo . clo! Mar

1^^ £j^#^ ^^ ^/^>»« Lf FJ ^^m f

^=^=.1

-* -*

^1 J, J. j, J> I ]>

ii J' i'I ji Ji J J' I ;, J' J' •>ZO.

When a fit of blues at.tacks him. What should an . y fel . low do?

J * - :* i ^*• ^ ;il ^

^^p i^^ ^^J^^

ttf * t) hJ^ I J-- J) ^ S^^

Come and look for us chr^ Max - im, We are here to com. fort you.

m s ^Br ^ * T

(^•tt]f !^ i

^5 ^fe E5P^^W^J>J

J'J I J'

ZO.) * *

Tripping, tripping

6. GIRLS.

as we pass, Sipping, sipping in your glass, Tripping, sipping,

^fe h J^ Jm Iff J ' J ' i^^ ^ ^ E3=5"•r— j^

Tripping, tripping as we pass, Sipping, sipping in your glass, Tripping, sipping,

^m ni i-nni*

—

Z:

PP

WH ^ ^^E^tE±E^ 3^Et=±

232B0 M.w.

ni

zo.

«.G.

h J^ J) J^^M^ ^^ !) J ^ J) J'I J).^^^

sim_ply rip-ping, Come with us and take your lass. We can sing and tell you stories,

(j'l ; Ji J' J' I } Ji J' J' I J) J)

V—

^

_^ --» ^ —, V ^sim.ply rip. ping, Come with us and take your lass.

^ ^^m ^m ^f i»mT ^^

rp V

^^J id j|— I m - SS3E

I I J) J'Jii'l«> p p ^I P

F p JmI^ Ji J'J'

I ^ J', i;^zo.

Pret.ty, wit - ty, of . ten true; We are Maxim's great, est glories, And we're here to

m « t* mw p f=^rt« fe=ii i^^

H?

^i J' } J) J) i) lb J' 1, i' >I

-^' t^li i'I > ]) J' > I

^^^^welcome you.We re the lit _ tie Pa.ris la.dies, Thatsthe way a Max_im maid is. Lo

6. GIRLS.'^

^ \ ]' ^ ]) i' I^J' Ji J' J'

I

J' J^ - i) i'^I

;> ;, J' ^'^^We'rethe lit _ tie Pa.ris la. dies, Thatsthe way a J^ax.im maid is.

^ # #- ^^

1^cJ ' C-^ ^~:—z:—

»

^23260 M.w.

172

zo.

-^ ^^,6 GIRLS.

Ri - tan-tou, ri - tan - ti

I r' ^yr H=tf^FF p^^^La, la, la, la, la, la, la, la, la, la, la, la, la, la!

$ w I^/

;^ ^=££ ^^ g=£^ M ;» ./.* t *^

=^ CJ tJ cJ

i^^ f 1^relic f^/i, voi _ li'i quf je suis belle! Ri - tan-

i ^ * ^3=

V(!!>:# g

f JT #"/' ^

i # £ fg g

^^^ a ^ '^ ^ 'uJ CJ

^EEte

- tou, ri - tan - ti in. plus bille de Pa

^ ri <g »*fm-?= i^^=^^3 ^

^^"/

# # ^^—

^

/ 1^*m

4ig=e^ =^ T^332<!0 M.w.

17 3

zo.

zo.

23260 M.w.

174Marcia.

zo. 1 ;h.i J^ i'

I ^^ ^ fc ^—#^—~—*"

Dance with us, if you are a _ blc, Sing _ ing, spring.ing to the tunes,

^mS •i 1 ^

.^=^=^

f^P^ iij^ j^

I irjrj j'I ;, J)

iEzo.-*—*-

In and out a _ mong the spoons.Or well dance up . on the ta . ble

mm f^ m m* «« i i? 3 3

'

^ ^

M' 1I

J,J> K j> I

,1 J' J-*zo.

—r ~ •^Sing _ ing, spring.ing

6 GIRLS.

to the band! Swing, ing, cling, ing to your hand!

ipyt ^•J' I I'

J' J'E?: ^ ESing, ing, spring.ing to the band! Swing. ing, cling. ing to your hand!

m# * i * 5/'/'^ f N ^ 1 » =v^^

I'll F J'^T^J. J> J J. I J, J, J' J I J^ J,

zo.

Spring.ing, fling, ing glass.es ring, ing, Just as long as we can stand!

m ^j^

I j> \) j^ J-' I l> J' J)E£ -*

iiH

Spring.ing, fling. ing glass.es ring . ing, Just as long as we can stand!

mw^=i ^^ ^ t=^

m i' ^ tr :^ ^m 7 p

* * i

^^=232)50 M.w.

*" »" ? 5

17 5

zo. Ih ji J' J. J'I

tj.. ^ p|T i J. J' J. J'

\ «j'm^Here is mu . sic, here is dancing, Play, ing, sway _ ing, all night through!^ ^# p«/^ i S^^ ^

^ fe^^ J'I )ii'- Ji J' J-

1 ttJ' J- ji J! i^zo. ^We are Maxim's girls entranc . ing, And we're here to

Pwel . come youIWe're the

6 GIRLS. ^We're the

il i,J,J,

J,i'

I

i' ji , J, Jl1^

I J' j^^^ ^^ZO.

e G.

lit _ tie Pa . ris la . dies, Each of us a Max. im maid is! Lo

^h !,; ;, ; i'I

^' J' ^ J. JiI J) ;, j. J'

I

^s^la . dies, Each of us a Max . im maid is!

£^-^-^CSpnkcn) And I!

ZO.

^! t L' f^ ^^ ^^s^

232H0 M.w.

nr,

Pill Allegro. /=^^=ff

./

Ri . tan . tou, ri - tan - ti

I^r- f p i r p pip p PF f! P i n^ F' ? i^ f m« o.

La, la, la, la, la, la, la, la, la, la, la, la, la, la! Ri _ tan _ tou, ri - tan . ti

Piu Allegro. 1^* *#r

—

p—^ r-M^r~F 3^

&ti=^ 1^^ f f fC^f F-/ ^ /7

tf^^

20. ^ :S^W W^

_ relle £A, vo/ - /fl q^/e je sui^ belle!- Ki . tan .

mm ^ S:^si5f^ rr^^

relic £/i, yo«' - /« que /e SKiS billel. Ri . tan ,

fc-= ^ #^^PRi f="/

^^ #'/ ^ ~T f

jr-pp-

t=t J^iJdpJ J

ij J i r »zo.

6 G.

tou ri _ tan . ti . ri La jilus telle de Pa

J J 13 ^JTJ I ||J

. tou ri - tan . ti . ri La plus belle de Pa

232HO M.w,

177

zo.

6 G.

^ l} ^ l}

,J >> 'h1_ la que je suis hclle'.. Ki - tan - tou. ri - tan - ti

^6 c.

,J «J'. •>' '*f:(a gfff jV suis bcllel- Ri - tan -tou, ri - tan - ti

i ii.¥s^ WB fru ^*L-y—

^

^^=1^=1 P* ^ ^ 1-t=t

v>ti ^ V ^ 'U

zo.

6 G.

23260 M.w.

178

i

Tempo di Galop.J zozo. ^

Ri - t^i

^^W=

iLOLO. ^

Ri - ttin-tou, ri - tan - ti

*w

$DODO. ^Ri - t^n-tou, ri - tan - ti

^JOU-JOU.

Ri - tan-tou, ri - tan - ti

^^

FROU-FROU.Ri - tan-tou, ri - tan - ti^ ^^

CLO-CLO. ^Ri - tan-tou, ri - tan - ti

^MARGOT. ^

Ri - tan-tou, ri - tan - ti

1^NATALIE. ^Ri - tan-tou, ri - tan - ti^SYLVAINE. :^

Ri - tan-tou, ri - tan - ti

^^Pi

OLGA. :^Ri - tan-tou, ri - tan - ti

p \^ r t^^wi

CASCADA.Ri - tan-tou, ri - tan - ti^

r ^

iSt. BRIOCHE.

.£Ri - tan-tou, ri - tan - ti

i^S^w=

Ri - tiin-tou, ri - tan - ti

^ ^^1 - t'an-t^Ri - tan-tou, ri tan - ti

^

^Ri - tkn tou, ri tan - ti

^g# E^

Tempo di Galop

Ri - tan-tou, ri - tan - ti

?'\2(U) M.W

zo.

LO.

DO.

JOU.

FROU.

CLO.

MAR.

NAT.

SYL.

OLGA.

CAS.

St.B.

i- relle,. Eh, voi _ la que io suis bcUc!

W-

pp^

179

wm.Ri - tan-

V 1relle,. Eh, voi . /a jkc suis belle: Ri - tan-

5^5^m-1

i

- relle. Eh, voi _ /fl que je suis belle!.

J'- Jii J ^

Ri - tan-

W ^"WTbellerelle, Eh, voi _ la que JL

J'- M J J

Ri - tan-

WWf.belle!. Ri - tan-- relle,. Eh, voi _ la que je suis

i'- Jil J J ^W- ni

relle,. £?!, voi - Zfl n((f ?V suis belle! _

! Ji l JJ

Ri - tan-

IE

J tti- ^'=it 1

- relle, £?!, roi _ ?a g^fc je suis belle:.

1—i Ml—^Ri - tan-

^-^j^^^ :^r-trelle,. £?;, ))0t . /a quelle est si bell^ Ri - tan-

relle,. Eh, ?'o; _ ?a quelle est si belle!

M^-^-iRi - tan-^S^ ^^

relle,. £?!, cot _ la quelle est si belle

M4-f^Ri - tan-

^W§^relle,.

CHO.

£A, ro! _ lt< quelle est si belle Ri - tan-

28260 M

180

LO.

DO.

JOU.

FROU.

CLO.

MAR,

NAT.

OLGA

CAS.

St.B.

23260 M w

181

zo.

LO.

DO.

JOU.

FROU.

CLO.

MAR.

NAT.

SYL.

OLGA.

^ ^^ i=i ^O,relle..Ri-tan-tou, ri - tan - ti

D: Jr.,

Eh, voi

.

JJ^^M^ «l^:;

i

Ri - tan-tou, ri - tan - ti - relle.. Eh^ voi .

ii-jH^^^

Ri - tan-tou, ri - tan - ti - relle..

^m i=^Eh, voi .

t^ai

^Ri - ran-tou, ri - tan - ti

i^rclle.. Eh, voi

.

^mRi - t'an-tou, ri - tan - ti - relle. £/(, fOi.

^1Ri-tan-tou, ri - tan - ti - relle.

_

£71, rot^^Ri-tan-tou, ri - tan - ti relle..

m ^=^Eh, voi^^ iRi - tan-tou, ri - tan - ti rclle. Eh, voi

^mfaiRi - tan-tou, ri - tan - ti relle.. Eh, voi-

mm^Ri - tan-tou, ri - tan - ti - relle.. Eh, voi

.

^m^St. B.

Ri - t'an - tou, ri - tan - ti relle..

mEh, voi^

CHO.

Ri-tan-tou, ri - tan - ti relle. Eh, voi .

23260 M.w P i^ cJ *

182

zo.

LO.

DO.

JOU.

FROU.

CLO.

MAR.

NAT.

SYL.

OLOA.

CAS.

St. B.

uis belle: Ri - tan - toi

$-la que je s Ri - tan - tou, ri - tan - ti

^:sg;

hiUe!..i Itj'- ^

la que je Ri - tan - tou, ri - tan - ti

^^ESEg;

i^Pf^la que Je snis belle:^

* »—Ri - tan - tou, ri - tan - ti

i=^J tii

'

- Jnila que je suis beUe\_ Ri - tan - tou, ri - tan - ti^1

ila que je suis bitld- Ri - tan - tou, ri - tan - ti^

.J tfi'- i^hw ^ -*nf*

—

Bi - tan - tou, rila que je suis btllel tan - tim^^T#=*¥

la que je suis belle Ri - tan - tou, ri - tan - ti^m ^IEbelle:.

W^^la quelle est Ri - tan - tou, ri - tan - ti^

belle; Ki - tanla quelle est si Ri - tan - tou, ri - tan - t^

^m ^^^i^mRi - tan - tou

$Id quelle est si bcllel^ ri - tan - ti

S ^'It si h.^llTT- "Ri .

nRi - tan - tou, rila quelle est

^tan - timmi^^1

la

^«^i

quelle est si belle!- Ri - tan - tou, ri - tan - ti

^^f^l^- Id quelle est si lie!. Ri - tan - tou, ri tan - ti

^^ww?_CHO. wla quelle I'sf si lie!. Ri - tan - tou, ri

^ ^^^tan - ti

_ Id quelle est si belle!

.

Ri - tan - tou, ri - tan - ti

^i isempre piu prestissimo

im ujj—J- S^FTlg^\> * V

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183

LO.

DO.

JOU.

FROU.

CLO.

MAR.

NAT.

SYL.

OLGA.

i=^ im ^^La plus hcllf dr Pa

J JI J-

La. plus hcllc dr Pa^ ^^Ln plus bellplus belle Pa^ ^mLa jilits belle Pa

^S mitiCJ ' tt,

iLa ^/«s fcf^/f de Pa^ ^r

^L(rz— piu s belle de Pa _ ris!.^ eI

La ^tos belle de Pa

^^ ^rLa. j)/i;s ftcHf rfe Pa^ ^ffe^^La plus belle de Pa^ ^^1^^Lt/ plus belle de Pa

^ J IJ J)-/ ^

La plus bell

CHO.

lie de Pa

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N9 15. DANCE- (Fifi.) and CHORUS.

BUTTHRFLIES:

Moderato.

Piano. 2>

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r^ ^^ j iJiJjwm ±j-

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7 r 7 r

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l^v^ J —F==^^i—P^'^n—

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Z-tuk.CHORUS IN UNISON.

tk mw ^^1. We are the

2. P'.en . ty of

i ^dear lit . tie

men try to

^:but , ter . flies that hov

cap . ture us and net

er

us.

w« 2nd f

f=f ^n"pSIif f 5

iS m# =e t-j

^ 5F=f^ J'I

J' J ESSPE^.\11 a . round a lov

No . bo - dv can get

er,

us,

And for beau . ty

We are ve . ry

none can match us!

hard to cap _ ture!

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wpa;

1

f f. J^ ^mw ^t-J C-J

^THri. ^fe^^=S

?:

Vie

Prav

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flut - ter

trv a

tn- you up

L;ain and von

on a breeze of

will not al _ ways

laugh ter

miss us

.

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f f

?^m i3

# ^ ;^12.

^ :|| J ^€H0.

Wont you come af . ter Us and catch

If you should kiss us. Oh. what rap

us!

ture!

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^m ^^w ^

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DANCE.

LUs ^ t-S

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i ,Mli ?M

^m ' 'jiJj

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i

acre/.

7

poco poco al fine

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N9 16. SONG (Nisch.) and CHORUS."QUITE PARISIAN."

Piano.

Moderate.

f^^/

^^Con Pcd.

1^n

f=i11

@^NIS.

s t

1. I was

f^ 1^

^5^5NIS. ^

born, by cru . el fate,

na . tive land out EastIn a lit . tie Bal . kan state, Where weUp . on good black bread we feast; With a

f F^ m^

11

1

pp mgo a _ bout in the same old suits,

wood, en spoon from the pot we scoop

Sheep, skin jack . ets, and big red boots; But I'm

Curds and on . ions and cab.bage soup. But in

f^ ^ PHi j^^ f f mt=t

^^M ^ m-" ST

23260 WW.

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now a great sue

Pa - ris I can

cess

eat

In the

A la

way of mod . ern dress;

modi' pe . Utc mar _ mite,

mFrom myAnd I

^mm

f

m^ ^^NIS. ^-^

Lon - don hat to my shi . ny toe,

drink Cog.nac with that love . ly stuff

Quite Rue de Pim . li . co.

Tarle a la pomme de triiffc

i wm m:w

^

That is the cut for me-Give me su.preme dr venu,

^^EE£r^^ W-d *

m ^ ^^^^T# »

i :SA A

P^^^NIS.

Made in Pic. cad _ dil

Bocuf a la Chi _ ca

lee! For I amgo! For I am

A A '>

iw^ mirit.

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in-mo M.w.

imREFRAIN.

NIS.

NIS.

NIS.

NIS.

com _ mon mob- Ji-

for one bob- Jc

suis

suis

CHORUS. uttisOH

;:{2Ko M w

192

CHO.

quite

quite

r

Pa

Pari

ri

SI

si

an,

an.

AA

most dis . tin . guished man,most dis _ tin . guished man.

^:^^t

HeHe

^ m ^#^^ i

CHO. ^ P^)

tries to look as

dotes on sau _ sage

Eng . lish as he

a la black and

can. Yes, he's a gaytan! Yes, he's a gay

^m mPa

Pa

4=W^ ft ti^^

;

^CHO.

)

. ri

. ri

si

si

an,

an,

And far a _ bove the

He gets ten cour - ses

com _ mon mob, //

for one bob- II

if 11^^1s m ^i ir f

NLSCH. ^

- ^i }Mis^CHO.

est

est

$

tres

tres

snob!.

snob!_

m^ ^2. In my3. In my

3^^S

^mW ip

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193

NIS.

f-j rJ

r1^

Fa _ ther. land a _ far

^^ ^ d •

Ve . ry nice the la . dies are, And the

NIS.

na.tive dan . ces are no . ble sport— Done in skirts that are un pen co»r/. But the

^^ ^XIS. ^m

lit . tie girls in France Are the ones I take to dance; They

MS.

23260 M.W

194

MS.Sr F p

^Quite e - pa ^ taut; eh, what?

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M ^: ^^^ *^ #^^ •*

i ^mAAA

P^^NIS.

i

Cest jo . li.ment co _ cotte! For I am

A A

i^^ tf*^ <=> ^i

•E^:

fit.AAA^

T# -^

iRKFRAIN.

i J t j)J ^F^NIS. ^quite Pa

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ri _ SI most dis . tin . guished

m ~u

^;

NIS. ^^^tAnd an . y one can see I can can - can! Yes Im a

^^f^ W^^ :

* ^3"

23260 M.w.

195

^^ ^gay Pa ri - SI They kick my top . per

h II^^ ^? fe^^i^

CHORUS. (MH(.JOM.)

^^A A A^ ^^off my nob Je suis tres snob!_ For he is

i^ r^ f^g^M / marcato

i ^^HO. ^quite Pa ri . SI an, A most dis- tinguished man,

^ £^11 M

And

^:e

^ ^ ^ ^ if^ i^

i ^^HO.

an . y . one can see he can can . can! Yes, hes a gay Pa

f ^$^^^ p p m

i $^^5

196

CHO P ^ ^ PThey kick his top . per off his nob II

^ ^^ ^^^ I ^ J f-

i

^ ^CHO

est frfs snob!.

ffi I

Allegro.

DANCE.#• #

E if

/*

^ iM m ^E^ « M i

i 'fipfTis f J Ji4 i -a g

t^

fe^ ^WI <—"-

Jf

I^ =:5

itfaii^ ^

^^=^

m^ i^ « fi

^^

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23260 M.w.

197

N917. VALSE DUET- (Sonia and Danilo.)

"I LOVE YOU SO'.'

Valse moderato.

Piano.

w

2jp

si^ z:

*:

^ m^mi

iDANILO.

Though I say not What

J ^ \ f rri9-=-

JM» F P

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198

DAN, imay not Let you huar, .

i; ^ Yet the

I?T ^; rsa Efed^ =^=^^

^

f=r

i l5>^DAN.?^ f^sway - ing Dance is say ing, Lovt

I

dear!

.

-4-

i;r=f^ ^Tf f=f f f:

!nH"^ ±E^ ^ ^^f rr r

Ev 'ry touch of fin gers Tells

P ^I fiPTf^ y^EE^

pf

DAN.?^

what I know- Says for you, Its true. its

f^^^FT? T ^j rT=f^^ =e;

•)« i a fezidgiidi^ if2a. *

23260 MW

199SONIA.

rit:

'hl^ ^ J' ^

truL*. You U)^l And to the mu - sicb

i ^^: TT

-6-

rf-f errr7-!/-^^ '^•y

^ t^^ ^ r

* Valse lento. ^5 ^SON.

F p P

chime, My heart is heat . ing time, Ab if to give a

^;):»

J fi=

f

1SON. ^^sign. That it would say, Be mine, he

JS-r-

mine! Though our

^:j? J I =J=^ J^J*

i i

*

^^ ^^^i^P n ' 'b b p ^ ^

SON.

lijismaysay no word, Yet in the heart a voice is heard. You can.not choose but

23260 M.w.

200

SON.

$

$ZSH

^ m $* ^ m* simile

$

$¥ , f

;

3p^w i w $t=if^

, SONIA, dlargando

-Sea.

23260 M\v.

201

DAN.

SON.

Allegro

.

/r\

SON.

so! .

/r\

so!

Allegro.

a u Wji^nnu

a* m %

23260 M.w.

202

N9 IS. FINALE- ACT HI.

Tempo di Marcia.

Sonia.

Popoff.

Novikovich.

Khadja.

Chorus.

Piano.

^^ 4

mI ^/

N

SO.NIA.

i^^'ou may stu . dy her ways as you can.

/

^^'jecl^.

^^

^^But a

Oh the womenlBlow the women!

Oh the womenlBlow the viximen!

Oh the \\-omen!Blow the women!

Oh the women!Blo\v the women!

53E

m$ %

$ t^ m f—ff

st I

B=B

23260 M.w.

203

i

iNATALIE.

LOLO, DODO,.IOU-JOU.

Pj^

FROU-FROU. CLO-CLO. MARGOT

DANILO.

-^ MIt is deep er than

E^ri'P.

NIIV,

«^—

—

—0-wo - man's too much for a

iOh the women!Blow the women!

irOh the women! Blo^i- the women!

y

Oh the women! Blow the women

!

CHO.

Oh the women! Blow the i^-omen

!

S Oh the women! Blow the womi^n!

^ •If n I

J r^^^F^ ^3i ^w

^m t p mp-u t-J~TJ TJtJ23260 M w.

204

SON\

NAT.

7-0.

DO.JOII

FROU.CLO.MAR.

$/>

Girls. ?irls, girls. girls!

i

Girls girls, girls. girls!

.

Girls, girls, girls. girls!

.

I

Girls. girls, girls.

^girls!

.

i

div . ing for pe.arls. Court, ing girls, girls d:irls. girls, 'iris!.

wGirls, girls, girls. girls!.

^ *Girl girls, girls. girls!.

=^=yKHA

Girls, girls, girls.

' »FI F

tip

girls!

i

Girls jirls, girls,

^

girls!

.

CHO.

P^Girls. girls. girls ?irls!.

N

i

Girls, girls, girls,

^0"^ ^girls!

.

^ .#:e t_

s^ # w#^tiJLJ

23260 M.w.

205

SON.

W Eft^ if-V^ i^With her fair flax .en hair, eyes of blue! Shes a long way too know, ing for

m^^ Pe^With her fair flax.en hair, eyes of blue!. She's a long way too know, ing foi

DO.

JOU.

mou.CLO.

MAR.

DAN.

POP.

i= ^^^^^ Efe ^^^^i

With her fair flax.en hair, eyes of blue! . Shes a long way too know. ing for

^n H' ^ i mp=^i=iWith her fair flax-en hair, eyes of blue!. She's a long way too know- ing for

i fc5 S E53a=si t=±;tSWith her fair flax-en hair, e5'es of blue!. She's a long way too know - ing for

Jz E5 ^m it ^yf;i^

i^With her fair flax-en hair, eyes of blue!. She's a long way too know . ing for

^^^ ^tWith her fair flax-en hair, eyes of blue! . She's a long way too know- ing for

^^ ^m ssmWith her fair flax en hair, eyes of blue!

.

She's a long way too know . ing for

m ^ ^^^p T

I r^:t=±

With her fair flax.en hair, eyes of blue!. She's a long way too know- ii!g for

^k ESOHO. ^ p "P I

r^

With her fair flax.en hair, eyes of blue!. She's a long way too know, ing for

^^ ^ fe r %^ i f n^,rp^?^2=p

With her fair flax.en hair, eyes of blue!. Shes a long way too know, ing for

23260 M.w.

tJ ^ CJ

206

SON.

NAT.

LO.UO.JOU.

M.\R.

il ^t:

t=!i

She is dark, or she's fair, Shu may smile or may frown Ne .vt'r

.MM J J J'l^r J'

J'l r

"

r?=

youL She is dark, or shes fair, Shu may smilu or may frown, Ne . vui

f—trjr fr=^ ^E^^ *==¥ ^^youL She is dark, or she's fair. She may smik- or may frown. Ne.ver

P^PP ^^i^^ ^youL^ She is dark, or shus fair. She n,ay smile or may frown, Ne.ver

^:^5 ^S ^* s i=iShe is dark, or she's fair, Mie ii.ay smile or may froi\ n, Ne . ver

^ ^ ^P01>.

She is dark, or she's fair. She maj' smile or may frovin. Ne . ver

feS ^W 5^ ^;t=ti

youL Shi- is dark, or shes fair, She may smile or ma}' frown. Ne.ver

^^5 i' J^ \r itr r 1^fe5 ^*==«t ^=#vouL She is dark, or shes fair, She may smile or may frown. Ne.ver

^ ^^*=#She ma)' smile or may frown. Ne.ver

^^CHO. ^ ;t

She may smile or may frown, Ne . ver

(E,dark. or shes fair. She m.iy smile or may frown, Ne.ver

m ^i

itt «g^ £ e

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23260 M

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SON.

NAT.

LO.DO.JOU.

CLOU.CLO.M.\R.

niiild, you will get done brown!.

mind, you will get done brown

NOV.

i

mind, you will get done brown!

¥ &mind, you wiH got done brown!

4- ^

mind, you will get done brown!

mind, you will get done brown!

«"^. pmind, you will get done brown!.

M ^mind, you will get done brown!_

te :tmind, vou will get done bro-«x!

mind, you will get done brown!

207

r\

r\

r^

/7\

mind, you will get done brown!

Presto

23260 M.W.* ENP OF OPERA

208

N9 13^ CAKE-WALK.

Piano.

Tempo di Marcia.

^ =»

/It

I*" • "ff"'~ -^ ^ ^^

:=fcfE:r:r :f #: * Jt

Lj ' CJ kr^^^

Ep:- *.

^ ^^^

5z^a ad lib...

f: M.\>. ^^ a> B^SS:^ ^&^ * w *

:©^ ^ ^^ * ^§wfl flrf ^7;..

Si ttfff g ,11^

:li «. M.

=^l/^

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28260 M.w.

LATEST

.

£i9l)t Opera Successes.The Merry Widow. ^^^'^'^

^•^Xsi by franz lehar.

The Girls of Gottenberg. (oaiety Theatre.)

Music by IVAN CARYLL and LIONEL MONCKTON.

Tom Jones. (ApoHo Theatre.) Music by EDWARD GERMAN.

Miss Hook of Holland. (^At£ t^A',5t: I''ISS^ns.

The Merveilleuses. Music by huqo felix.

Nelly Neil. Music by IVAN CARYLL.

Tli£k IVTck^Ar TXi^iiAtn Music by IVAN CARYLL and LIONEL MONCKTON.I llff llLCl^ X&ldLUUIll. Additional Numbers by FRANK E. TOURS.

The Dairymaids, music by paul a. rubens and frank e. tours.

The Girl behind the Sounter._._ -^ . ^« . , Music by HOW^ARD TALBOT.The Spnng 6hicken.^

Music by IVAN CARYLL and LIONEL MONCKTON.

The Little MichUS. Music by ANDRE MESSAQER.

The Little SherUb. Music by IVAN CARYLL.

The White (Ehrysanthemum.Music by HOWARD TALBOT.

Mr. Popple. Music by PAUL A. RUBENS.

The Blue Moon.Music by HOWARD TALBOT and PAUL A. RUBENS.

Lady Madcap. Music by paul A. RUBENS.

VerOniOUe. Music by ANDRfi MESSAQER,

The ©rChid. MusIc by IVAN CARYLL and LIONEL MONCKTON.

The Cingalee. music by lionel monckton.

The Earl and the Girl. music by ivan caryll.

The Duchess of Dantzic. music by ivan caryll.

Three Little Maids. music by paul a. rubens.

The Girl from Kay's. Music by ivan caryll.

The Toreador. MusIc by ivan caryll and LIONEL MONCKTON.

H Country Girl. music by lionel monckton.

CHAPPELL & CO., LmTsoTmEW^BOND^STR LONDON, W.NEW YORK: MELBOURNE:

37, West Seventeenth Street. ii & 13, The Rlalto, ColHns Street.^

»«'TTC-i/-« c^-cr T crac

tI m.