iml 140 - the art of the storytelling business

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The ART of telling your story

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How do storytelling and persuasion work together?

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Page 1: IML 140 - The Art of the Storytelling Business

The ART of telling your story

Page 2: IML 140 - The Art of the Storytelling Business

The Story

Audience AnalysisWIFFYThe Opening Gambit + Point BThe Story > Flow structureThe Ask > point B

Page 3: IML 140 - The Art of the Storytelling Business

The Audience

: The Audience. Analyze what your intended audience knows and what it needs to know to understand, believe or act on what you are asking. 1. First ask yourself who will be in the audience. 2. Then define the level of their knowledge of your

topic.

Page 4: IML 140 - The Art of the Storytelling Business

WIIFYTo focus on benefits rather than features, is to constantly ask the key question:

What's in it for you?

The WIIFY is the benefit to the specific audience in your persuasive situation

Page 5: IML 140 - The Art of the Storytelling Business

WIIFY TRIGGERS"This is important to you because . . . .”

"What does this mean to you?”

"Why am I telling you this?”

"Who cares? You should care, because . . . .”

"So what?” Here's what . . . “.

Page 6: IML 140 - The Art of the Storytelling Business

Point B

Point A is the inert place where your audience starts. They are uninformed, knowing little about you or your business, dubious, skeptical and ready to question your claims. They may even be resistant and men- tally committed to a position contrary to what you’re asking them to do.

Point B is what you want them to do. To reach Point B, you must move the uninformed audience to understand, the dubious audience to believe and the resistant audience to act. Point B is the endgame of every presentation.

Page 7: IML 140 - The Art of the Storytelling Business

The Opening Gambit

Rhetorical Question: Q&AFactoid: statistic / little known factRetrospctive/perspective: look to past or futureAnecdote: a brief human interest storyQuotation: endorsement or contextual/relevantAphorism: a familiar sayingAnalogy: comparison to illuminate complex topic

Page 8: IML 140 - The Art of the Storytelling Business

The Opening Gambit

Use the word imagine

Page 9: IML 140 - The Art of the Storytelling Business

Flow Structure

Page 10: IML 140 - The Art of the Storytelling Business

Flow Structure - Modular

This method presents a sequence of similar parts, units or components in which the order of the units is interchangeable.

This option is difficult to follow and should be used sparingly, as in financial presentations.

Page 11: IML 140 - The Art of the Storytelling Business

Flow Structure - Issues/Actions

Issues/Actions. This structure organizes the presentation around one or more issues and the actions you propose to address them.

Focus on actions. This is often used by companies in turnaround mode. They identify the issues they are facing and the actions they are planning to take to overcome them. .

Page 12: IML 140 - The Art of the Storytelling Business

Flow Structure - Opportunity/Leverage

Opportunity/Leverage. This format organizes the presentation around business opportunities and the leverage you or your company will implement to take advantage of them.

It appeals to the investor audience’s essential interest in growth. It identifies an opportunity and immediately shows how your company can take advantage of it.

.

Page 13: IML 140 - The Art of the Storytelling Business

Flow Structure – Form/Function

Form/Function. This structure organizes the presentation around a single central business concept, method or technology with multiple applications or functions emanating from that central core. .

Page 14: IML 140 - The Art of the Storytelling Business

Flow Structure – Features/Benefits

Features/Benefits. This method organizes your presentation around your product or service features and the concrete benefits provided by those features.

Page 15: IML 140 - The Art of the Storytelling Business

Flow Structure – Case Study

Case Study. This technique presents a narrative recounting of how you or a company solved a particular problem or met the needs of a particular customer.

As you tell someones story story, you also tell your personal or company’s story and help the audience see the human side to your business. .

Page 16: IML 140 - The Art of the Storytelling Business

Flow Structure – Argument/Fallacy

Argument/Fallacy. This method raises arguments against your own case and then rebuts them by pointing out the fallacies that underlie them.

This is a good approach to use with a skeptical or even hostile audience. The idea is to pre-empt audience objections. .

Page 17: IML 140 - The Art of the Storytelling Business

Flow Structure – Compare & Contrast

Compare/Contrast. This option organizes the presentation around a series of comparisons that illustrate the differences between you or your company and others.

Focus on what makes your company special. .

Page 18: IML 140 - The Art of the Storytelling Business

Flow Structure – Rhetorical Questions

Rhetorical Questions. This technique asks, then answers, questions that are likely to be foremost in the minds of your audience. .

Page 19: IML 140 - The Art of the Storytelling Business

Flow Structure – Numberical

Numerical. This method uses enumeration a series of connected ideas, facts or arguments.

Page 20: IML 140 - The Art of the Storytelling Business

Point B

Part 1: The USP is the basic premise that describes what your company does, makes or offers.

Part 2: The Proof pint to support USP

Page 21: IML 140 - The Art of the Storytelling Business

Flow Structure - Chronological

Chronological. This option organizes ideas along a time line.

This format is ideal when your presentation consists of a story that deals with change.

Page 22: IML 140 - The Art of the Storytelling Business

Flow Structure - Chronological

Chronological. This option organizes ideas along a time line.

This format is ideal when your presentation consists of a story that deals with change.

Page 23: IML 140 - The Art of the Storytelling Business

Flow Structure - Physical

Physical. This flow structure organizes ideas according to their physical or geographic location.

Page 24: IML 140 - The Art of the Storytelling Business

Flow Structure - Spatial

Spatial. This method organizes ideas conceptually using space and images

Page 25: IML 140 - The Art of the Storytelling Business

Flow Structure – Problem Solution

Problem/Solution. This technique organizes the presentation around a problem and a solution

spend as little time as necessary on the problem and as much time as possible on your solution.

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Point B

Point A is the inert place where your audience starts. They are uninformed, knowing little about you or your business, dubious, skeptical and ready to question your claims. They may even be resistant and men- tally committed to a position contrary to what you’re asking them to do.

Point B is what you want them to do. To reach Point B, you must move the uninformed audience to understand, the dubious audience to believe and the resistant audience to act. Point B is the endgame of every presentation.

Page 27: IML 140 - The Art of the Storytelling Business

Five Cardinal Sins: 1. No clear point. The audience leaves the presentation

wondering what it was all about. 2. No audience benefit. The presentation fails to show

how the audience can benefit from the information. 3. No clear flow. The sequence of ideas is so confusing

that the audience is unable to follow. 4. Too detailed. The main point is obscured by

irrelevant information. 5. Too long. The audience loses focus and gets bored.