imaging and spectral information with time-domain...
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OCT4ART – July 2008 Gaël Latour
Imaging and spectral information withtime-domain OCT
Application to works of art
Gaël LatourInstitut des Nanosciences de Paris (INSP)
OCT4ART – Torun, Poland – 3-5 July 2008
Latour et al., Applied Optics, in submission
OCT4ART – July 2008 Gaël Latour
Optical techniques to study works of art
Purpose: obtaining information from the studied work of art
Pigment
Dye
Varnish
Surface state
Number of layers
Thickness of a layer…
Interest of the optical techniques:non destructive and without any contact analysis
OCT4ART – July 2008 Gaël Latour
Overview
Setup
Acquisition and processing
Imaging: painting
Imaging: music instruments
Spectral information
Time-domain OCT: imaging and spectral information
OCT4ART – July 2008 Gaël Latour
Michelson interferometerSetup
Detector
Light source
IBeamsplitter
I1I2
Mirror
Mirror
Equal optical paths
Interference pattern
OCT4ART – July 2008 Gaël Latour
PC
Piezoelctrictransducer
Mirauobjective
Halogenlamp
CCD
Lens
beam splitter
mirror
Mirau objective
interferometric objective
Sensitive in the visible range
Stability of the device
Setup at the INSPSetup
OCT4ART – July 2008 Gaël Latour
Overview
Setup
Acquisition and processing
Imaging: painting
Imaging: music instruments
Spectral information
Time-domain OCT: imaging and spectral information
OCT4ART – July 2008 Gaël Latour
For each position of the objective, one image is recorded
300 µm
200 µm
Lateral resolution~ 2 µm
xy
z
Δz ~ 30 nm
AcquisitionAcquisition and processing
OCT4ART – July 2008 Gaël Latour
x
y
z
Interferogram
0,4
0,6
0,8
1
-3 -2 -1 0 1 2 3Différence de chemin optique (µm)
Inte
nsité
(u.a
.)
0
0,2
0,4
0,6
0,8
1
-3 -2 -1 0 1 2 3Différence de chemin optique (µm)
Inte
nsité
(u.a
.)
Envelop
I(z)
Axial resolution ~ 1,5 µm
Imaging
x
z
Image x-z Stratigraphy of the sample
Acquisition and processing
OCT4ART – July 2008 Gaël Latour
Overview
Setup
Acquisition and processing
Imaging: painting
Imaging: music instruments
Spectral information
Time-domain OCT: imaging and spectral information
OCT4ART – July 2008 Gaël Latour
30 µm
300 µm200 µm
Air
Painting
Microscope slab
Pigments30 µm
300 µm
False colors images
From axial slices, reconstruction of 3D imaging
Interface air/paint
Pigments
Interface paint/glass
Ultramarine blueon glass
Imaging: one pictorial layerImaging: painting
OCT4ART – July 2008 Gaël Latour
Viridian green
Chrome yellow
20 µm
300 µm3D Image
Chrome yellow
Viridian green20 µm
20 µm
Imaging of stratified layers
Viridian green on chrome yellow
Imaging: stratified layers
Latour et al., Proceeding SPIE Congress, Münich, vol. 6618-5 (2007)
Imaging: painting
OCT4ART – July 2008 Gaël Latour
300 µm
Imaging: varnished paint layer
Interface air/varnish
Varnish
PaintingInterface varnish/paint30 µm
Viridian greenVarnish
3D Images
Imaging: painting
OCT4ART – July 2008 Gaël Latour
Overview
Setup
Acquisition and processing
Imaging: painting
Imaging: music instruments
Spectral information
Time-domain OCT: imaging and spectral information
OCT4ART – July 2008 Gaël Latour
Imaging: music intruments
x
z Interface air / varnish
Pigments? Wood?
Stratified layers?
Presence of pigments?
Interface varnish / wood?
Precious and delicate objects
Wood instruments: violin, cello…
OCT4ART – July 2008 Gaël Latour
OCT: device for the study of music intruments?Imaging: Music instruments
Music Museum LaboratoryJean-Philippe EchardStéphane Vaiedelich
(Cité de la Musique, Paris)
Conservator and violin makerBalthazar Soulier
(Staatliche Akademie der BildendenKünste, Stuttgart)
Interest of OCT?
School samples
wood wood + under layer
varnish pigments
Instruments
Collaborations
OCT4ART – July 2008 Gaël Latour
Wood
Among the wood species: choice of maple
Back, headpiece and rib
Landolfi, Milan, XVIIIth (private collection)
Imaging: Music instruments
OCT4ART – July 2008 Gaël Latour
Wood: maple
80 µm
300 µm
200 µm
80 µm
300 µm
200 µm
x
yz
xy
300 µm
200 µm
yz
200 µm
80 µm
xz
300 µm
80 µm
1 cm
Imaging: Music instruments
OCT4ART – July 2008 Gaël Latour
Wood + under layer + varnish
varnish
under layer
wood
interface between varnish and under layer
wood
under layersandarac varnish
Imaging: Music instruments
OCT4ART – July 2008 Gaël Latour
OCT: imaging
Painting
Number of layers
Thicknesses
Surface state
Presence of fillers
Informations about the wood
Music instruments
and …
OCT4ART – July 2008 Gaël Latour
Overview
Setup
Acquisition and processing
Imaging: painting
Imaging: music instruments
Spectral information
I(λ)Time-domain OCT: imaging and spectral information
OCT4ART – July 2008 Gaël Latour
0,4
0,6
0,8
1
-3 -2 -1 0 1 2 3Différence de chemin optique (µm)
Inte
nsité
(u.a
.)
Interferogram Fourier Transform
I(λ)
Central wavelength ~ 620 nm
Spectral width ~ 150 nm
Spectral resolution: 2 to 5 nm
Glass
Spectral information
Spectral transfer function of the device
Spectral information from OCT
0
0,5
1
450 550 650 750Wavelength (nm)
Inte
nsity
(u.a
.)
I(λ)
OCT4ART – July 2008 Gaël Latour
Air
Red dye
Glass200 µm
30 µm
x
z
Raw data
Spectra
OCT spectrum = transmittance spectrum
Red dye on glass
Spectral information: dye
Absorbing and non difffusing medium
0
0,5
1
450 550 650 750Longueur d'onde (nm)
Inte
nsité
Interface colorant-verre
Interface air-verre
Spectral information from OCTI(λ)
Reproducible spectra
OCT4ART – July 2008 Gaël Latour
Chrome yellowpainting
0
0,5
1
450 550 650 750Longueur d'onde (nm)
Inte
nsité
rela
tive
spectre1spectre2spectre3spectre4spectre5spectre6
Spectra of several pigments
Spectra from several pigments are different
Spectral information: pictorial layer
Diffusing medium
Spectra obtained after FT
Outlook: Obtaining reproducible spectra
Identification of pigments by comparison with a database of spectra
Spectral information from OCTI(λ)
OCT4ART – July 2008 Gaël Latour
OCT applied to works of art
? Thicknesses of layers
Time-domain OCT
3D Imaging
?Thickness of a varnish
Presence of fillers
Spectral informationValidation on dyes
OutlookSpectral information on pigments
Axial resolution: 1,5 µm
Sensitive in the visible range
…
OCT4ART – July 2008 Gaël Latour
Thank you for your attention …Gaël Latour - [email protected]
Aknowledgements:Isabelle Emond (INSP), Jean-Philippe Echard and Stéphane Vaiedelich (Cité de la Musique, Paris) Balthazar Soulier (SABK, Stuttgart)