images of vietnam · contact email: [email protected] also available: images of india images of...
TRANSCRIPT
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Images of Vietnam
H S Toshack
© H S Toshack 2002 ISBN 0-9756709-0-5
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This book is published by WordSmith at PoemsandPlaces.com
Contact email: [email protected]
Also available:
Images of India
Images of Peru
Images of Portugal
Images of Thailand
Images of Africa
Writing Travel Poetry
The Sweeper 1
A Mans’ Work is Never Done 2
Temple Gateway 3
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A Sleeping Mat 4
Under and Out and Over 5
This Is Where I Will Come 6
Footwork 7
Coffee Mug 8
Confucius He Say 9
Water Buffalo 10
Tracery 11
The Pillar 12
Fish Traps 13
Food for a Giant 14
Honoured in Red and Gold 15
My Bananas and My Dreams 16
Oracle 17
Soon Time to Go 18
There’s Always One 19
The Smoke Rises into the Forest 20
The Good Luck Shop 21
At the Hairdresser’s 22
The Scatter of Things 23
The Doorway or the Staircase? 24
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1
The Sweeper
Stealing an hour’s sleep
In the middle of the day
Under a concealing hat
Within peeling walls.
Life flakes like that
And its bits drift to the ground
To be swept away
By the evening wind.
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2
A Mans’ Work is Never Done
A place to rest
When all seems done,
Not in the cooler shade,
But in the sun,
He has made his last home in the strong sunlight
Of the paddy field where for so long
He bent his back.
(And he is not alone:
Those low mounds behind
Have headstones too.)
Dead is not loss and no gain, though.
Alive, he gave once,
Now he gives twice.
For still he reaches out to work,
The goodness in his bones leaches out
To enrich the loam
Increase the yield
And plump the grains of rice
To come.
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3
Temple Gateway
A gateway that smiles at you,
Flanked by green shrubs
With three arched entrances
Built squat on the ground,
An open door,
A curve and a lift to the bank of roofs
(The higher the more)
And a consequent tilt to the tiles.
Most gates are made to keep most people out.
This is a gate which says,
However,
To the spiritually thin and parched,
‘Come in.’
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4
A Sleeping Mat
By tomorrow
This one will be ready for sleeping on.
Tonight however
When she ends her work
She will make her bed
On the one she wove
Yesterday,
And feel
Through her thin sarong
The painful shapes of her long working hours.
But she will see in her dreams,
Woven into her plain working life,
The strong colours of her hopes.
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5
Under and Out and Over
Your way is blocked by stone
Which will not yield
And you must go under
To get out.
Out is over the edge
Into a fresh green world of rice fields
And calm waters.
Have no fear,
You will take no harm:
The roof will not fall
While you are passing through.
And the rice will never fail
In waters as calm and full as those
In the new green world beyond this rock.
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6
This Is Where I Will Come
This is where I will come
When the world burns
And the sky fills with ash.
Here no poison will fall
No army get past the wall of rock
And the earth’s foison will last
Will last.
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7
Footwork
I can leave my feet to do the work:
They know the way;
So one hand can rest on top of my knee,
The other at my side,
And my eyes on the rice flats
Through which I smoothly glide.
And here we push instead of pull the oars.
We also read up instead of down
Drive on both sides of the road
(We have our reasons)
Eat supper at breakfast-time
Follow our own rice-driven clock
Round the seasons
And wage war from tunnels
Hollowed out of the ground.
You came to this wide waterway
Through riven rock
And on this side of things
All is different.
We push instead of pull
But get there just the same.
And America is largely forgiven:
We are also slow to blame.
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8
Coffee Mug
I bought a mug like these;
And I will always taste the turpentine
As I drink,
And see nearly
The serpentine whorls of her fine brushwork
Beneath the shine of the glaze;
But I will recall more clearly
The line of the girl’s poised hand,
The porcelain of her face.
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9
Confucius He Say
Man with hole in pocket………..
No wonder he’s derided
As an old poetaster.
Garbed in gold-leaf regalia
Throned behind the hoarded paraphernalia of belief
He intones worn thoughts,
A be-frocked and mortar-boarded schoolmaster,
Mocked by turbulent youths.
He’s screened in to keep out the dust
But it still settles on his hat;
And in the darkness
(Which I have just scattered high above
With my flash)
He mutters
Inter alia
A mish-mash of half-truths
Which no longer apply.
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10
Water Buffalo
This is their reward at the end of the day,
A wallow in the water to wash off the bothering flies
And the dust of the fields –
A kind of thank you, one might say;
But they must be tethered to each other
And the bank
In case they try to swim away.
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11
Tracery
Fingertips touch
Nerve-ends feel
For what once was there,
Tracing line and curve
In fine marks on thin cloth,
Racing to capture
Curve and line
Before
Like a large slow moth
The whole design
Drifts off into the dark.
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12
The Pillar
Think of me as I was,
Think of me when I was like the one you see behind
Lacquered in red and gold.
Think of me with my shaped foot
Locked tight into joists
And the roof’s load held
By a strength that could not bend.
A wooden pillar grows weak in the end
And lost might must be replaced.
So now I measure my length
On the floor where I stood upright.
I am neither lacquered nor locked
But deposed, decked and dulled,
No longer tall but felled.
My roots lie exposed:
I am an old tooth that has been pulled.
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13
Fish Traps
If every trap takes a fish
By the end of the day
They will have done well.
But who can tell where the fish may be
In so murky a stream,
This opaque stream like milky tea
Or silky, watery clay?
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14
Food for a Giant
You could boil this incredibly large broccoli
To make it edible
But you might break your teeth on the rockoli.
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15
Honoured in Red and Gold
Very young to be an emperor
But honoured here
In red and gold
Among those who were much older
When they ruled.
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16
My Bananas and My Dreams
Hey diddle diddle
I’m not over the moon at what I’ve sold so far.
My bananas are going brown at the ends
My day at the edges
And my dreams in the middle.
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17
Oracle
If this were Brighton Pier
And I put a few pence in the slot
At least I’d get a printed card
With a garbled account of my life ahead.
Or if what I am smelling here
Were more than incense
I might get high for a while
And see some funkey things to come.
As it is
All I do
Is smile and walk on.
That’s better than knocking a chunk
Off the marble slab,
Which some fortune cookie
Some luck junkey,
Seems to have done
When he realised it’s all a con.
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18
Soon Time to Go
At least it’s not a cage;
But it’s not much of a shelter either:
The tin roof leaks
And I find myself wincing
When the rain runs in
And drips on my neck.
The wood’s not strong,
Nor the stone convincing.
Some week ere long
It seems
The whole thing
Might come right down
In a welter of pillars and beams.
As soon as this palm’s a bit taller
And I’m out of sight
I’m gone.
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19
There’s Always One
There’s always one
Who goes the other way,
Takes a different tack,
Wades at right angles to the flow,
Cuts cross grain
And runs the risk of being mangled
When the blade kicks back.
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20
The Smoke Rises into the Forest
The smoke rises into the autumn forest
Of incense trees
Floating free above.
They,
In turn,
Burn in slow supplication
For happiness to come.
The two smokes mingle
In a single prayer
Which drifts off
Who knows where.
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21
The Good Luck Shop
I’d buy the lot,
Lock, stock and plastic pot,
If I thought I could cash the plants in.
But when did anyone last look in the vaults
To see how much luck is stashed there?
We might find it thin on the ground.
There’s not enough collateral to go round,
And it looks to me like
Somebody’s taking a cut.
And as for making a profit…
Come off it.
God’s fiddling the books.
One dark day
We’ll find
On waking
That the market has crashed.
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22
At the Hairdresser’s
The wraiths in the window
Promote the faith
That everyone can look like them.
But I must confess a disbelief.
I learnt something new last week.
A strand of African hair is oval (cut across)
And therefore curls.
An Asian hair is round and so hangs straight.
A Western hair’s a blend of the two, and naturally waves.
So, Asian girls,
Save your money.
No-one’s hair is as sleek as yours,
And you should bless its straightness:
It pours smoothly from your head
With the weight and glint of black gold.
I hate to see you crave the unattainable,
And bend, bleach and tint your tresses
To suit the image of the time.
That’s a crime;
And your hair will end up a mess.
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23
The Scatter of Things
Praise be for the scatter of things,
For room to let them tumble where they will.
It matters not if you stumble when you step:
The fault is yours for lack of care.
The floor belongs to the jumble
Of what has spilled there.
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24
The Doorway or the Staircase?
We all face choices now and then.
Here’s one – forward or up?
The choice is plain
(Because going back is not allowed
And there is nothing to gain if we merely pause:
The world will roll on under our feet
And we will only seem to stand still).
But what’s through the door?
Some brighter place, it appears, from the light beneath.
And the rich carving of the lintel and beams
Promises a better life in the years to come.
But a level walk on the easy floor
Through the old wood
May not lead us to what we seek.
A bold man will lean into the steep stair
And go up into the dark,
A man who dares
May come at the end of a dim passage
To a sunlit balcony from where he can look down
On where he might have been.