images are choices. (at the) top left (corner) (on the) right left centre focus bottom left (at the)...

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Images are choices

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Page 1: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Images are choices

Page 2: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

(At the) Top left (corner)

(On the) Right

Left Centre Focus

Bottom left (At the) Bottom right

(At the) Top right

Page 3: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Try to identify the tools used by film makers and photographers to fictionalize reality, and what for…

Page 4: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

A military parade under Gaddafi’s rule

Page 5: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Verbs: to pay tribute to; to show deep respect

Notions: (repression forces) (oppression) (personality cult)

Details: (cap)

Interpretation: (

Page 6: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Cinema

Page 7: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Citizen Kane, Orson Welles, 1941: Xanadu’s enormous fireplace. (a film inspired by the powerful newspaper magnate William Randolph Hearst).

Page 8: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Eyes wide shut, Stanley Kubrick,1999, Warner Bros: Tom Cruise as Dr. William Harford during the night street pursuit.

Page 9: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Eyes wide shut, Stanley Kubrick,1999, Warner Bros: Tom Cruise as Dr. William Harford during the night street pursuit.

A guiding line

Page 10: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Sans être systématique, le plan général et le plan d'ensemble ont une valeur descriptive, les plans moyen, américain et rapproché, une valeur narrative, et les gros et très gros plans, une valeur " psychologique ".

+ general shots:

Général:

paysage

D’ensemble:

Individu(s) dans environnemnt

Downward view

Upward view

Page 11: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

In cinema, juxtaposition of varied-scaled shots creates tension:

Page 12: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Modern Times, Charles Chaplin, 1936.

Charlot screwing the machine’s bolts in the mass production line.

Page 13: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Business also uses images to portray the world and to sell goods:

An ad – an advert – an advertisement

Page 14: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

A washing powder advert.

Page 15: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right
Page 16: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Tourism in China: representative images? Of what?

Page 17: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Politicians create posters and icons:

A Republican poster, US political campaign for reelection of President, late 19th c.

Page 18: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

To seduce the masses…

The construction of a public image.

Page 19: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

 

Constructing « reality »

Page 20: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Media:

Page 21: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

To inform

Sept. 2, 2005. After Hurricane Kathryna devastated New Orleans, Black poor people were still living in the streets and malls.

Page 22: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

To alert or to make audience?

Severely malnourished girl in a Doctors Without Borders feeding clinic in al-Junaynah, Western Darfur.

Page 23: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

To analyze is to describe & to interpret

Bottle top / cap

Plastic cans

Page 24: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Rupert Murdoch’s empire

http://www.acrimed.org/article3322.html

Page 25: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

To neuter: châtrer.

Neuter = neutral too…

To coddle: dorloter, choyer.

To cower: se tapir, se recroqueviller.

Page 26: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Can ideas be convincing without images?

Is reason better than emotion?

Page 27: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right
Page 28: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

How do propaganda posters work?

Page 29: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

How propaganda posters work…

Individual identification with the situationPolitical / civilian involvement experienced or targetedUse of positive emotionsUse of negative emotions

Page 30: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

Factory workers who can't keep secrets are hurting the Third Reich's war effort.

Page 31: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right
Page 32: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

The diversion of original sources…

How is it composed?What for?

Page 33: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right

The diversion of original sources…

How is it composed?What for?

If you had to draw one: - Find an original source- Name the idea / concept you want to put forward- Build a representation that fits the story…

Page 34: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right
Page 35: Images are choices. (At the) Top left (corner) (On the) Right Left Centre Focus Bottom left (At the) Bottom right (At the) Top right