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A.a. MOVEMENT COLLECTIVE
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JENNIE C. JONES:\'
"THE MASS ORNAMENT"
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housing, they recall theinhabitants of domestic
settings in pichlres byDiane Arbus, Bill Brandt,
Bill Owens, and, especially,\Valker Evans, whose
images of sharecroppers intheir shacks feature similarlymeagre belongings and wallspapered with newspapers,magazine pages, and flyers.Some of Mthethwa's sittersare uncomfortable with
his camera-one pregnantwoman looks especiallywary-but most arewelcoming, leaving us fi'ee
to PlY into their bedroom
or inventory the contentsof their kitchen cupboard.Even when the occupantsare absent, as in a series of
poignantly empty beds,the care that informs each
decorative detail suggests
a quiet, tenacious presence.But it's Mthcthwa's
presence, implicit yet keenlyfelt, that turns what could
have been dry ethnographicdocuments into images nlllof warmth and wit.
-VinceAletti
CI\ITIC'S NOTEBOOK.ON THE INSIDE
\Ve don't know much about
the subjects ofZwelethu
Mthethwa's big calorphotographs at the StudioMuseum except that theyare South Mrican migrantworkers living outsideJohannesburg. Posedinformally in temporal}'