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I WANT YOU KNOW TO KNOW: DJ ZEDD FT. SELENA GOMEZ KEY CODES AND CONVENTIONS

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Page 1: I want you to know

I WANT YOU KNOW TO KNOW: DJ ZEDD FT.

SELENA GOMEZKEY CODES AND CONVENTIONS

Page 2: I want you to know

DANCING.• In this music video, the main code and convention in the sub-genre Dance-Pop which is dancing was

implemented very well which made it a good deconstruction. Here are some screenshots from the video showing this. Here you can see screenshots from the music video showing my main artists dancing in a club.

Page 3: I want you to know

COLOUR. • The second most important code and convention in my sub genre is colour, in my deconstruction video,

there are many scenes where colour is implemented which made it a good video to deconstruct. Here are some screenshot to quantify my findings. In these screenshots, you can see that this video used light and effects to create a bright and eye catching colour scheme. (dancing and colour effectively make up the mis en scene for dance-pop)

Page 4: I want you to know

MAKEUP AND SEXUALISATION • Another key component of dance-pop music videos is how they sexualize women and but a lot of work

into the hair and make-up to make the artist ’picture perfect’. Here are some representations in from of screenshots of how this was implemented in the video I deconstructed. The first two screenshots show her full face of makeup to make her have the ‘picture perfect’ look and the second show her wearing a very low cut top when aligns to the sexualisation part of the codes and conventions.

Page 5: I want you to know

SHOT TYPES• Last but not not the least, one of the main codes and conventions I would like to talk about is the shot

types using in Dance-Pop. The main form is direct address because there is usually lip sync implemented which mean the artist looks directly at the audience and sings. They also tend to use a range a mid-shots, wide shots and close ups. Here are examples from my deconstruction video. In these screenshots below, you can see a medium close up, a mid shot and a low angled mid shot. In the first one you can see the direct address as she’s lip-syncing.