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Influenced by the Pattern and Decoration Movement of the mid-1970s and Jean Dubuffet’s Art Brut aesthetic, Obsession showcases art which is at once universal, organic, and reflects the tangible comfort inherent in the human tendency towards repetition and pattern. The exhibition features six contemporary artists: Alexander Gorlizki, Dennis Koch, Michelle Segre, James Siena, Robert Walker, and Daniel Zeller whose meticulous works immerse the viewer in optical excess.

Alexander Gorlizki’s intricate paintings on paper reference the traditions of Indian miniature painting and manuscript illustrations while expressing a contemporary pop art feel with an opulent mix of dense pattern and vibrant color.

Dennis Koch’s artworks strive at being disarming. His forms initially suggest animated anatomical shapes and three-dimensional sculptures, but these artworks also become dynamic planar investigations as sections of color overlap, abut, and fold. The ability to create visual shifts in depth, results in a large part from the mark-making, which, though repetitive, dogged, even tedious, produces an unexpectedly rich and saturated palette.

Michelle Segre creates crowded linear drawings that are highly detailed and finely realized studies of entropic growth and disintegration. Using ink or gouache, the work reflects a meditative, stream-of-conscious characteristic.

James Siena’s paintings are hand-rendered procedural abstractions, methodically executed, covering a wide range of methods and producing multiple visual and psychological effects. Visually and intellectually stimulating, Siena’s work reflects his self-imposed predetermined sets of rules which result in intensely concentrated, vibrantly-colored, freehand geometric patterns.

Robert Walker’s process-oriented art deals with the unconscious and intuitive center of creativity. The repetition of marks or lines in different values or colors creates a meditative and atmospheric perception, translating into abstract work that has only the faintest hint of the subject’s actual form.

Daniel Zeller’s practice involves scrupulous pattern making creating forms that resemble maps, arteries, and isolated body parts. The artist is motivated by the labor intensive repetition, its lingering between sci-fi staging and topographical landscape, using a spontaneous approach to his work.

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Alexander Gorlizki Touching Base

Gold and pigment on paper7 3/4 x 12 3/4 in.

20083846

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Alexander Gorlizki Miracle Mile

Gold and pigment on paper13 x 5 1/2 in.

20073847

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Alexander GorlizkiLoop the Loop

Gold and pigment on paper12 3/4 x 10 in.

20073848

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Alexander GorlizkiDesign for LivingPigment on paper

11 1/2 x 8 3/4 in.2008

3849

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Alexander GorlizkiKonchok

Gold and pigment on paper12 1/4 x 7 3/4 in.

20083850

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Alexander GorlizkiOverlay

Pigment on paper10 3/4 x 8 1/2 in.

20093851

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Dennis KochUntitled (Blue/Green)

Colored pencil on paper49 x 51 in.

20093867

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Michelle SegreUntitled

Ink on paper14 x 17 in.

19983853

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Michelle SegreUntitled

Ink on paper14 x 17 in.

19973854

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Michelle SegreUntitled

Ink on paper23 x 29 in.

19983855

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Michelle SegreGrowth 224Ink on paper

22 1/4 x 29 3/4 in.2002

3856

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Michelle SegreNew Skin

Ink on paper22 x 29 3/4 in.

20063857

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Michelle Segre Untitled

Ink on paper14 x 17 in.

19983858

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James SienaS-Connections

Graphite on paper8 x 6 1/2 in.

20063860

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James Siena Two Forks

Graphite and colored pencil on paper8 x 6 1/2 in.

20053861

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James SienaTwo Perforated Combs

Graphite and colored pencil on paper8 x 6 1/2 in.

20053862

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James SienaTwo Combs, Red and Black

Enamel on aluminum19 1/4 x 15 1/4 in.

20003907

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Robert WalkerLavender Radealingon Black Rubber

Ink, resin, and rubber on wood12 x 10 in.

20093869

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Robert WalkerBlack, White, and Grey Dots on Plaster

Ink, rubber, and plaster on wood12 x 10 in.

20093870

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Robert WalkerWhite Dots on Grey

Ink on paper on wood12 x 10 in.

20093871

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Robert WalkerH.D., Black Dots on Yellow Strips

Ink, acrylic and resin on wood12 x 10 in.

20093872

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Robert WalkerH.D., Red, Orange and Yellow on Green

Ink, resin and sponge on wood12 x 10 in.

20093873

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Robert WalkerGood Radar

Carved acrylic on wood52 x 46 in.

20073896

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Robert WalkerSecret Ceremony #1

Ink on paper8 1/2 x 11 in.

20063897

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Robert WalkerSecret Ceremony #6

Ink on paper8 1/2 x 11 in.

20063898

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Robert WalkerSecret Ceremony #2

Ink on paper8 1/2 x 11 in.

20063899

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Robert WalkerSecret Ceremony #11

Ink on paper8 1/2 x 11 in.

20093900

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Robert WalkerSecret Ceremony #17

Ink on paper8 1/2 x 11 in.

20103901

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Robert WalkerSecret Ceremony #16

Ink on paper8 1/2 x 11 in.

20093902

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Robert WalkerSecret Ceremony #3

Ink on paper8 1/2 x 11 in.

20063903

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Daniel ZellerMorphic ExtrapolationInk and acrylic on paper

13 1/2 x 11 in.2008

3842

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Daniel ZellerEmbedded Profile

Ink and acrylic on paper13 1/2 x 11 in.

20093843

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Daniel ZellerExternal Resolution

Ink and acrylic on paper13 1/2 x 11 in.

20093844

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Daniel ZellerInvasive Continuum

Ink and acrylic on paper13 1/2 x 11 in.

20093845

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Alexander GorlizkiBorn: 1967, London, EnglandLives and works in New York, NY

EDUCATIONMFA in Sculpture, Slade School, London B.A. Hons Fine Art, Bristol Polytechnic

SELECTED SOLO EXHIBITIONS2009 Appointments & Disappointments, Kudlek van der Grinten Galerie, Cologne Soft Succulent Sublime, Daniel Weinberg Gallery, Los Angeles2008 Alexander Gorlizki & Indian Spells: Drawings from the 19th Century, Ingleby Gallery, Edinburgh Alexander Gorlizki, Daniel Weinberg Gallery, Los Angeles, CA 2006 Works On Paper, Kudlek van der Grinten, Cologne, Germany Pipedreams, in Collaboration with Riyaz Uddin. Joost van den Bergh Gallery, London, UK2004 Plastic Mystic, Huddersfield City Art Gallery , UK Genuine Fake, Martin Kudlek Gallery, Cologne, Germany Out of This World, in Collaboration with Riyaz Uddin. Ben Jannsen Gallery, London, UK2003 Classroom, PS122 Project Space, New York, USA Breathless, in Collaboration with Riyaz Uddin. Ben Jannsen Gallery, London, UK North Sea Circle - Viewer’s Cut, in collaboration with Richard Coldman, Globe Gallery, North Shields, UK 2000 Introspektive, Martin Kudlek Gallery, Cologne, Germany Import/ Export, Vilma Gold Gallery, London1999 Seven (Unknown) Famous Belgians, De Chiara/ Stewart Gallery, New York, USA 1997 Alexander Gorlizki Collection, RAU, London1995 24 Crucifix Lane, Bermondsey, London

SELECTED GROUP EXHIBITIONS2010 Obsession, Heather James Fine Art, Palm Desert, CA2009 on paper, Galerie Karsten Greve , Cologne 2008 Wir für Euch, Kudlek van der Grinten Galerie, Cologne Walking the Line, Kudlek van der Grinten Galerie, Cologne It‘s Gouache and Gouache only, Jeff Bailey Gallery, New York 2007 Block Party II: An Exhibition of Drawings,Daniel Weinberg Gallery, Los Angeles, CA The Gouache Show, Geoffrey Young Gallery, Great Barrington, MA, USA Paper Baglady and Other Stories, Timothy Taylor, London, UK Works On Paper, Daniel Weinberg Gallery, Los Angeles, USA Drawn To The Edge, Adam Baumgold Gallery, New York, USA2006 The Next Doing, Geoffrey Young Gallery, Great Barrington, MA, USA Tabletop, Josee Bienvenue Gallery New York, USA Fine Line, Adam Baumgold Gallery, New York, USA 2004 Project Artists, PS122 Studios, New York, USA2001 Drawings, Curated by Shirley Morales, De Chiara Gallery, New York, USA The Globe, Kunstlerhaus Palais Thurn und Taxis, Bregenz, Austria DarkLight, Martin Kudlek Gallery, Cologne, Germany

2000 Where Have All The People Gone? De Chiara/ Stewart Gallery, New York, USA Drawings, Martin Kudlek Gallery, Cologne, Germany1999 RWA Sculpture Triennial, Royal West of England Academy, Bristol, UK Father Apollinaris Said, Curated by Adrian George. Vilma Gold Gallery, London, UK 1998 Absolut Cobblers, The Concourse Gallery, Barbican Centre, London,UK1996 Thaw: Exhibition of Six British Artists, Art In General, New York, USA Fixture:Waiting For The Barbarians, Ashton Court, Bristol, UK Ad Hoc, Curated by Phylidda Barlow. London Artforms, London, UK Clandestine, Limehouse, London, UK1993 MA Degree Show, Slade School, London, UK

CURATED EXHIBITIONS2002 Restless Spirits, Martin Kudlek Gallery, Cologne, Germany 2001 DarkLight, Martin Kudlek Gallery, Cologne, Germany

AWARDS AND RESIDENCIESPS122 Studio Residency, New York 2003/4 The Classroom. PS122 New York, 2003Duveen Travel Award for research in Pakistan, China & Tibet Research funding for publication from U.W.E. Bristol European Design Annual 5, 2000 – Certificate of Excellence

BIBLIOGRAPHYEG 2006 Conference Catalogue Ed: 1000 (2006) “I Love You If You Love Me” Ed: 175 (2000) “Seven (Unknown) Famous Belgians,” in collaboration with Nick Eagleton (1999) “Yori,” Ed : 100 (1996) “And Other Drawings,” Ed : 100 (1995)

REVIEWS AND PUBLICATIONSThe Globe Catalogue, Roland Bart p.43 Kölner Stadt-Anzeiger 26.11.2000 The European Design Annual,2000 p.127 Megacult.net , Steffan MattesArtist Newsletter, May 2000, p.10

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Dennis KochBorn: 1978, Cedar Falls, IALives and works in Los Angeles, CA

EDUCATIONBFA, University of Iowa

SELECTED SOLO EXHIBITIONS2008 Dennis Koch, High Energy Constructs, Los Angeles, CA

SELECTED GROUP EXHIBITIONS2010 Obsession, Heather James Fine Art, Palm Desert, CA

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Michelle SegreBorn: 1974, Tuscon, AZLives and works in Los Angeles, CA

EDUCATIONBFA, Cooper Union School of Art, New YorkTyler School of Art, RomeNew York University Adjunct Faculty, New York, 2000-present

SELECTED SOLO EXHIBITIONS2008 Derek Eller Gallery, New York, NY2006 Daniel Weinberg Gallery, Los Angeles, CA2004 Derek Eller Gallery, New York, NY2002 Murray Guy, New York, NY2000 Daniel Weinberg Gallery, Los Angeles, CA1999 Murray Guy, New York, NY (with Graham Fagen) Susan Inglett, New York, NY1996 Lauren Wittels Gallery, New York, NY (with Ragna Berlin)1993 Project Room, Elizabeth Koury Gallery, New York, NY

SELECTED GROUP EXHIBITIONS2010 Obsession, Heather James Fine Art, Palm Desert, CA2008 another damned DRAWING SHOW, Daniel Weinberg Gallery, Los Angeles, CA It’s Gouache and Gouache Only, Jeff Bailey Gallery, New York, NY2007 NeoIntegrity, curated by Keith Mayerson, Derek Eller Gallery, New York, NY2006 Twice Drawn, The Tang Teaching Museum and Art Gallery, Saratoga Springs, NY Block Party: An Exhibition of Drawings, Daniel Weinberg Gallery, Los Angeles, CA Summer Group Exhibition, Derek Eller Gallery, New York, NY Drawing III, g-module, Paris, France Exquisite Corpse, Mitchell Algus Gallery, New York, NY Drawing on the Wrong Side of the Brain, curated by Lyle Rexer, Haim Chanin Gallery, New York, NY Inaugural Group Exhibition, Derek Eller Gallery, New York, NY2005 Decelerate, Kemper Museum of Contemporary Art, Kansas City, MO Greater New York 2005, P.S.1 Contemporary Art Center, Long Island City, NY The Hills Have Eyes, Ingalls & Associates, Miami, FL On Paper: Drawings from the 1960’s to the Present, Daniel Weinberg Gallery, Los Angeles, CA2004 A/C, Elizabeth Dee Gallery, New York, NY Curious Crystals of Unusual Purity, curated by Bob Nickas, P.S. 1 Contemporary Art Center, Long Island City, NY Earthly Delights, curated by Lisa Tung, Sandra and David Bakalar Gallery, Massachusetts College of Art, Boston, MA Metamorphosis, Kohler Arts Center, Sheboygan, WI Natural Histories: Realism Revisited, Scottsdale Museum of Art, Scottsdale, AZ2003 Drawings, Derek Eller Gallery, New York, NY

The New Topography, Geoffrey Young Gallery, Great Barrington, MA A River Half Empty, Aldrich Museum of Contemporary Art, Ridgefield,CT Melvins, curated by Bob Nickas, Anton Kern Gallery, New York, NY Ballpoint Inklings, K.S. Art, New York, NY Manic, curated by Nancy Doll, D.U.M.B.O. Art Center, Brooklyn, NY UnNaturally, curated by Mark-Kay Lombino, University of Southern Florida Contemporary Art Museum, Tampa, FL (traveling exhibition)2002 Road Trip, Murray Guy, New York, NY On Paper, Daniel Weinberg Gallery, Los Angeles, CA Officina America, Galleria d’Arte Moderna, Bologna; Palazzo D’Aregno, Rimini, Italy2001 By Hand: Pattern, Precision, and Repetition in Contemporary Drawing, University Art Museum, California State University, Long Beach, CA Luck of the Drawn, Geoffrey Young Gallery, Great Barrington, MA Drawings By Three Artists, Gallery Joe, Philadelphia, PA Definition, Murray Guy, New York, NY Almost Warm and Fuzzy: Childhood and Contemporary Art, P.S. 1 Contemporary Art Center, New York, traveled to Fundacio “la Caixa,” Barcelona, Spain Fresh- The Altoids Curiously Strong Collection, The New Museum, New York, NY Obsessive Drawing, Delaware Center for the Contemporary Arts, Wilmington, DE2000 Drawings and Photographs, Matthew Marks Gallery, New York, NY Art on Paper 2000, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC The Living End, curated by Ingrid Schaffner, Boulder Museum of Contemporary Art, Boulder, CO Threeness, Museum Dhondt-Dhaenens, Deurle, Belgium 00, Barbara Gladstone Gallery, New York, NY1999 Loaf, Baumgartner Gallery, New York, NY The Altoids Curiously Strong Collection, (traveling exhibition) Trippy World, Baron-Boisante Editions, New York, NY Almost Warm and Fuzzy: Childhood and Contemporary Art, Des Moines Art Center, IA Matter of Time, curated by Andrew Perchuk, Dorsky Gallery, New York Another Country: The Constructed Landscape, Brent Sikkema, New York, NY Behind Outside, Salon 300, Brooklyn, NY 1999 Benefit Auction, White Columns, New York, NY Sliding Scale, Southeastern Center for Contemporary Art (SECCA),

Winston-Salem, NC1998 Here: Artists’ Interventions at the Aldrich Museum, Aldrich Museum of Contemporary Art, Ridgefield, CT The Jewel Box Project, Benefit for Bang On a Can, GAGA Gallery, New York, NY1996 Supastore de Luxe, UP & CO, New York, NY Ninety-six Drawings, Geoffrey Young Gallery, Great Barrington, MA1995 Summer Fling, Basilico Fine Arts, New York, NY Group Show, Mitchell Algus Gallery, New York, NY The Ideal, Mitchell Algus Gallery, New York, NY

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Gramercy Park Hotel Art Fair, Mitchell Algus Gallery, New York, NY Now Is The Time, Tony Shafrazi Gallery, New York, NY The Joy of Painting, Here Center for Art, New York, NY Critical Mass, curated by Charles Long, Art and Architecture Gallery, Yale University School of Art, New Haven, CT, traveled to McKinney Avenue Contemporary, Dallas, TX.1994 Lethal Inspection (works on paper), Geoffrey Young Gallery, Great Barrington, MA Living Room, organized by Sante Scardillo, 268 Elizabeth Street, New York, NY Who Chooses Who - 1994 Benefit Gala & Auction, The New Museum of Contemporary Art, New York, NY1992 Obsessions, Galerie Anne de Villepoix, Paris, France Art Workers, A.C. Project Room, New York, NY1988 Small Works, curated by Lisa Phillips, BACA Downtown, Brooklyn, NY

AWARDS2001 Louis Comfort Tiffany Biennial Award

BIBLIOGRAPHY2006 Thorson, Alice. “Deliberate Deceleration,” Kansas City Star, January 8, p. H1-3 (illust.) Barker, Ray T. “Tick, Tick,” The Pitch, January 26-February 1, p. 33. Smith, Roberta. “Exquisite Corpse - Cadavre Exquis,” The New York Times, March 10. Pagel, David. “Around the Galleries: A Pop trip away from the big city,” Los Angeles Times, June 9, p. E232005 Saltz, Jerry. “Lesser New York,” The Village Voice, March 28 (illust. on artnet)2004 Nickas, Bob. “Michelle Segre’ s Land of Wonder,” Vice Magazine, January, Volume 10, No. 11, p. 48 (reproduction) Pagel, David. “Art Review: Reality and Irony Collide,” Los Angeles Times, Friday, January 2nd, pg E1 (reproduction) Reed, John. “Michelle Segre”, Time Out New York, June 24 - July 1 “Decelerate and Foldoverfold: Marcie Miller Gross,” Universal, December 11. Thorson, Alice. “Take It Slow at the Kemper,” Kansas City Star, December (illust.) Fischer, Annie. “Slow! Team,” The Pitch, December 15-21, Vol. 25, No. 23, p. 16.2003 Glueck, Grace. “Across Connecticut, A Summer Picnic’ s Worth of Exhibitions on View,” The New York Times, Friday, July 25th, pg. E35 (reproduction) Rexer, Lyle. “The Pen: Mightier Than You Thought,” The New York Times, Sunday, April 13, pg. 31, Arts and Leisure Section. Scott, Andrea. “Ballpoint Inklings,” Time Out New York, May 1-8, p. 612002 Levin, Kim. “Voice Choices- Michelle Segre,” The Village Voice, May 22-29, p. 11. “Goings On About Town- Michelle Segre,” The New Yorker, June 17 & 24, p. 30.2001 Cheng, Scarlet. “Look Ma, No Computers,” Los Angeles Times, August 26, p. 52 (illust.). DeLong, Talbott, Arenas, et al. Retorn Al Pais de les Meravelles: L’art

contemporani i la infancia, Fondacio “la Caixa,” (exhibition catalogue) Mahoney, Robert. “Fuzzy Logic,” artnet.com Magazine, Feb. 12 (illust.)2000 Daigle, Claire. “Trippy World,” New Art Examiner, March Blair, Dike. “00,” Time Out New York, August 10-17, p. 60 Blair, Dike. “Threeness,” Museum Dhondt - Dhaenens, Deurle, Belgium (exhibition catalogue), Forgacs, Eva. “Michelle Segre at Daniel Weinberg,” Art Issues, Nov./Dec., p. 49 (illust.) Karlins, N.F. “Drawing Notebook,” Artnet.com Magazine, July 28 (illust.) Kertess, Klaus. “00 Drawings 2000,” Barbara Gladstone Gallery, New York, NY (exhibition catalogue)1999 Cotter, Holland. “Matter of Time,” The New York Times, Sept. 10, p. E35. Johnson, Ken. “Michelle Segre,” The New York Times, May 7, p. E36. Johnson, Ken. “Loaf,” The New York Times, Nov. 26. Perchuk, Andrew. “Matter of Time,” Dorsky Gallery, NY (exhibition catalog) Scott, Andrea. “Michelle Segre,” Time Out New York, April 29, pg. 65 (illust.).1998 Blair, Dike. “Here: Artists’ Interventions at the Aldrich Museum,” The Thing @ www.thing.net, Nov. 7 (illust.). Cooney, Beth. “Artists’ Interventions,” The Advocate & Greenwich Time, Sunday, September 13 (illust.). Ramp, Stefanie. “It’ s All Here,” Fairfield County Weekly, Sept. 24-30 Zimmer, William. “A Dozen Artists at Work Within a Challenging Space,” The New York Times (Connecticut), Sunday, November 22, (illust.).1997 Perchuk, Andrew. “Ragna Berlin and Michelle Segre,” Artforum, January, p. 85 (illust.). Schwabsky, Barry. “Intercepts,” Lacanian Ink, Journal no. 11 (bi-annual), The Wooster Press, New York, p. 102 (reproduction)1996 Humphrey, David. “New York Fax: Michelle Segre and Ragna Berlin,”Art Issues, September, p. 32-33 (illust.). Mahoney, Robert. “Michelle Segre and Ragna Berlin,” Time Out New York, June 19, p. 27 (illust.). Moody, Tom. “Group Show,” at Mitchell Algus Gallery, Art Papers, Atlanta, January, pg. 54. Smith, Roberta. “Ragna Berlin and Michelle Segre,” The New York Times, June 7, p. C26.1995 Clarkson, David. “Now Is The Time,” Flash Art, October, p. 491994 Long, Charles. Critical Mass (exhibition catalogue), Yale University and Dallas Artists Research & Exhibition1992 Jouannais, Jean-Yves. “Obsessions,” Art Press, Nov. p.95 (illust.).

PUBLIC COLLECTIONSThe Museum of Modern Art, NY

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James SienaBorn: 1957, Oceanside, CALives and works in New York, NY

EDUCATION1979 BFA, Cornell University, New York

SELECTED SOLO EXHIBITIONS2008 Pace Wildenstein, New York, NY2006 James Siena, Recent Work, Pace Wildenstein, New York, NY2003 San Francisco Art Institute, San Francisco, CA Gorney Bravin + Lee, New York, NY2002 Daniel Weinberg Gallery, Los Angeles, CA2001 Gorney Bravin + Lee, New York, NY2000 Gorney Bravin + Lee, New York, NY1998 Daniel Weinberg Gallery San Francisco, CA1997 Cristinerose Gallery New York, NY1996 Pierogi 2000 Brooklyn, NY1986 J. Noblett Gallery Sonoma, CA

SELECTED GROUP EXHIBITIONS2010 Obsession, Heather James Fine Art, Palm Desert, CA2004 New Editions, Pace Editions, New York, NY Whitney Biennial, Whitney Museum of Art, New York, NY 2003 Summer Group Show, Pace Editions, New York, NY The Fall Line, OSP Gallery, Boston, MA 2002 New Editions: Monoprints, Pace Prints, New York, NY 177th Annual, National Academy of Design Museum, New New Editions, Senior + Shopmaker Gallery, New York, NY The Tipping Point, Locks Gallery, Philadelphia, PA 2001 Accumulations, Kent State University, Kent, OH By Hand: Pattern, Precision, and Repetition in Contemporary Drawing, University Art Museum, California State University, Long Beach, CA Art on Paper, Weatherspoon Art Gallery, Greensboro, NC 2000 Mapping, Territory, Connexions, Galerie Anne de Villepoix, Paris, France Invitational Exhibition, American Academy of Arts and Letters, New York, NY 1999 New Work: Painting Today, Recent Aquisitions, San Francisco Museum of Modern Art San Francisco, CA Cyber Cypher Either Or, Mario Diacono Gallery Boston, MA Rage for Art (Pierogi Reborn), Brooklyn, NY 1998 The Risk of Existence, Phyllis Kind Gallery Wall Paper, Nicolas Davies Gallery 1997 Current Undercurrent, Brooklyn Museum of Art Brooklyn, NY Tracery, Betsy Senior Gallery New York, NY All Things You Are, Geophery Young Gallery Great Barrington, MA 1996 96 Works on Paper, Geoffrey Young Gallery, Great Barrington, MA 1995 Other Rooms, Ronald Feldman Gallery, New York, NY Selections, Adam Baumgold Gallery, New York, NY Wheel of Fortune, Lombard/Fried Fine Arts New York, NY1994 Lipton Owens Company New York, NY

Job Overseas, Kunstverein Munich, Munich, Germany Sworn Statements, Geoffrey Young Gallery, Great Barrington. MA 1993 Exquisite Corpse, Drawing Center, New York, NY Group Grope, Geoffrey Young Gallery, Great Barrington, MA 1989 Drawings, Wolff Gallery, New York, NY The Art of the Computer and Xerox Machine, Minor Injury Gallery, Brooklyn, NY Atelier Conversations, John Good Gallery, New York, NY 1981 By Other Means, Just Above Midtown/Downtown, New York, NY

AWARDS2009 Cornell University Eissner Artist of the Year2000 American Academy of Arts and Letters, New York1999 Louis Comfort Tiffany Foundation Biennial Competition Award1994 The New York Foundation for the Arts Fellowship in Painting1997 Edward Durrell Stone Award1979 Charles Goodwin Sands Medal

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Robert WalkerBorn: Los Angeles, CALives and works in Los Angeles, CA

EDUCATION1971 MFA, University of California, Irvine

SELECTED SOLO EXHIBITIONS2007 Appropriate Technologies, Gallery Gen, Tokyo Appropriate Technologies, SolwayJones, Los Angeles (catalogue)2005 Jean Albano Gallery, Chicago2004 Gallery Gen, Tokyo, Japan2001 Double Vision Gallery, Los Angeles1996 Jean Albano Gallery, Chicago1994 Jean Albano Gallery, Chicago1991 Jean Albano Gallery, Chicago1990 Jean Albano Gallery, Chicago1987 Saxon-Lee Gallery, Los Angeles1984 Kirk deGooyer Gallery, Los Angeles1983 Kirk deGooyer Gallery, Los Angeles Riverside Museum, Riverside, CA1982 Tom Luttrell Gallery, San Francisco1981 Kirk deGooyer Gallery, Los Angeles Quint Gallery, La Jolla, CA1980 Kirk deGooyer Gallery, Los Angeles1977 Newspace Gallery, Los Angeles

SELECTED GROUP EXHIBITIONS2010 Obsession, Heather James Fine Art, Palm Desert, CA2007 Group Show, Gallery Kingya, Tokyo, Japan Themes and Variations – New Abstraction in Los Angeles, Torrance Art Museum, Torrance, CA Cross current – The 1st International Exchange Exhibition: US-Japan Tokyo Metropolitan Art Museum, Tokyo, Japan Cross current – The 1st International Exchange Exhibition: US-Japan L. A. Artcore, Los Angeles Modernism Today. Los Angeles International Airport, Tom Bradley Building. Grand Gestures: the Gordon Hampton Collection, University Art Museum, Calif. State Univ., Long Beach Relationships, Jean Albano Gallery, Chicago2006 Interspace, SolwayJones, Los Angeles Good to Go, Newspace Gallery, Los Angeles Scapes, Jean Albano Gallery, Chicago 2005 Group Show, Srinakharinvirot University, Bangkok, Thailand Group Show, Eastern Center of Art & Culture, Burapha Univ., Conburi, Thailand Eye Tattoos, Quint Contemporary Art, San Diego2004 International Art Exhibit: Thailand-U.S.A., Bangkok, Thailand International Art Exhibit: Thailand-U.S.A., Buraphar University, Thailand Artcard, Sharjah Art Museum, United Arab Emirates The Red Pen, Santa Ana College at the Santora Building, Santa Ana, CA

Holiday Group Show, Ruth Bachofner, Los Angeles Painting the Town Red, Jean Albano, Chicago Simmer, Summer, Shimmer, Domestic Setting, Los Angeles 2003 Crosscurrents International Exchange Exhibition, L.A. Artcore, Los Angeles Robert Walker and Gary Szymanski, TransAmerica Bldg., Los Angeles Zone, Cerro Coso Community College, Ridgecrest, CA Robert Walker, Coleen Sterritt, & Kristan Marvel, LA Artcore, Los Angeles Over Tone, Kanagawa Prefectral Gallery, Yokahama, Japan 2001 Crosscurrents International Exchange Exhibition, Fukuoka Museum, Kyushu, Japan Secret Formula, Santa Ana College, Santa Ana, CA Lessons, College of the Canyons, Santa Clarita, CA1999 Group Show, Fresh Paint, Los Angeles 1998 The Bean Show, Dirt, Hollywood, CA 1997 Two of a Kind, Jean Albano Gallery, Chicago Against the Wall, College of the Canyons Art Gallery, Santa Clarita, CA

TEACHING 1990 – present, Professor of Art History, College of the Canyons, Santa Clarita CA

AWARDS1989 Angeles Cultural Affairs Department Grant for AIDS project 1984 Los Angeles County Museum of Art, Art Rental Gallery Commission1978 Market Street Program, Venice, CA 1969-71 Fellowship, University of California, Irvine

BIBLIOGRAPHY2007 Mallinson, Constance, Art in America, December pp. 167-168 Chattopadhyay, Collette, Appropriate Technologies, catalog essay 2005 Artner, Alan, Chicago Tribune, July 292004 “Art for All,” Samila Suttisiltum. Bangkok Post, Jan 15 “Bridging the Cultural Divide,” Andrew F. West. Bangkok Post, Jan 15 “Art Bridge to America,” Nation, January 12 “Art Column,” Tha/Rath, January 9 “Art & Culture,” Daily News, January 112002 Bullis, Douglas. West Coast Artists Nishimura, Tomohiro. “Overtone-The Fourth Dimension in Art,” catalog essay Takeshita, Lydia. “Overtone,” Catalog essay1987 McKenna, Kristine. “Galleries,” Los Angeles Times1983 Pincus, Robert L. “Galleries,” Los Angeles Times, January 7, 19831982 Muchnic, Suzanne. “Galleries,” Los Angeles Times, February 19, 1982 Menzies, Neal. “Joyous Dichotomies,” Artweek, May 22, 1982 Seymour, Ann. “Robert Walker at Tom Luttrell,” Centervoice, June Stofflet, Mary. “Robert Walker at Tom Luttrell,” Images & Issues Magazine, Sept1981 Wilson, William. “The Wall: Not Just To Hang Pictures”, Los Angeles Times, February 27, 1981 Muchnic, Suzanne. “Galleries”, Los Angeles Times, March 6, 1981

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Daniel ZellerBorn: 1965, San Rafael, CALives and works in Brooklyn, NY

EDUCATIONMFA, University of Massachusetts, Amherst, MABFA, University of Connecticut, Storrs, CT

SELECTED SOLO EXHIBITIONS2008 Geomorphical Fluxitosis, Pierogi, Brooklyn, NY2006 Michel Soskine Gallery, Marseille, France2005 Cyclical Redundance, Pierogi, Brooklyn, NY2004 Dan Weinberg Gallery, Los Angeles, CA Biodegradable, G-Module, Paris, France 2003 Empirical Cryptosis, Pierogi, Brooklyn, NY Daniel Weinberg Gallery, Los Angeles, CA2001 Drawing, Pierogi, Brooklyn, NY1999 Lost, a+a company, New York, NY1993 Systematic Interconnection, Hampden Gallery, UMass, Amherst. MFA Thesis

SELECTED GROUP EXHIBITIONS2010 Obsession, Heather James Fine Art, Palm Desert, CA2008 Lora Reynolds Gallery, Austin, TX Drawn to Detail, DeCordova Museum and Sculpture Park. Lincoln, MA 2007 Block Party II: An Exhibition of Drawings, Daniel Weinberg Gallery, Los Angeles, CA (Un)Natural Selection, Pierogi, Brooklyn, NY (June 1–July 30) Flatfiling, Pierogi / Artnews Projects, Berlin, Germany (May 18–June 23) Adam Baumgold Gallery, Drawn to the Edge, New York, NY (March 23–April 28)2006 PIEROGI Leipzig, Germany (April 29–July 1) NYCAMS, Paramnesiac Landscape, New York, NY (March 18–April 23). Curated by Robin Reisenfeld2005 PS1, Greater New York 2005, Long Island City, NY (March 13–September 26) Michele Soskine Inc., De Balthus a Zeller, Madrid, Spain (April 7–May 28) SAFN Museum, SAFN In Collaboration with Pierogi, Reykjavik, Iceland Daniel Weinberg Gallery, On Paper, Los Angeles, CA (February 26–March 19) G-Module, Happy Birthday to Me, Paris, France (January 8–February 19)2004 New Museum of Contemporary Art, Sixth Annual Altoids Collection, New York, NY Geoffrey Young Gallery, Pencil Me In, Great Barrington, MA Unit B Gallery, Phantom Limb, Chicago, IL (September 10–October 3) Geoffrey Young Gallery, Pickup Lines, Great Barrington, MA (July 24–August 14) Pierogi, Vacation Nation, Brooklyn, NY (July 2–28) Pavel Zoubek, Inc. Mindscape, New York, NY (June 24–August 13) Catherine Clark Gallery, Finesse, San Francisco, CA (July 1–31) Gregory Lind Gallery, Radial Gradient, San Francisco, CA (April 1–May 22) Julie Saul Gallery, Uncharted Territory: Subjective Mapping by Artists and Cartographers, New York, NY (March 5–April 10) The Andy Warhol Museum, AMP, Pittsburgh, PA (February 6–March 15)

2003 Smack Mellon, Big Cry Baby, Brooklyn, NY (November 8–December 14) Artists and Maps: Cartography as a Means of Knowing, Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland, OR (Sept. 4–Oct. 19) Geoffrey Young Gallery, Great Barrington, MA: The New Topography Feigen Contemporary, New York, NY: Online May 29–Aug. 9 Marlborough Chelsea, New York, NY: High & Inside May 1–June 7 Pavel Zoubok, Inc., New York, NY: “Obsessive Pleasures” Apr. 24–May 24 Bernard Toale Gallery, Boston, MA: “Pierogi Presents” Apr. 2–May 10 Black & White Gallery, Brooklyn, NY: “The Incredible Lightness Of Being” 2002 Rotunda Gallery, Brooklyn, NY: “Locations” Sept. 5–Oct. 19 Geoffrey Young Gallery, Great Barrington, MA: “Need to Know Basis” Pierogi, Brooklyn, NY: “Boiled or Fried” July 5–29 G-Module, Paris, France: “Déjà Vu” July 4–Aug. 3 Daniel Weinberg Gallery, Los Angeles, CA: “On Paper” Feb. 16–Mar. 16 Wythe Studio, Brooklyn, NY: “Selection 1, Made in Brooklyn” Feb. 9–Mar. 4 James Graham & Sons, New York, NY: “Cascade of Scales” Jan. 24–Feb. 232001 Gary Tatintsian Gallery, New York, NY: “Lost In Space” Nov. 15–Jan. 5 Student Union Gallery, UMass, Amherst, MA: “7 UMass Alumni” Oct. 30–Nov. 16 G-Module, Paris, France: “Drawing (Selected)” May 31–July 21 Arkansas Arts Center, Little Rock, AR: “National Drawing Invitational” 2000 John Michael Kohler Arts Center, Sheboygan, WI: “Blurry Lines” Oct. 8–Jan. 14, 2001 123 Watts Gallery, New York, NY: “Microwave II” Sept. 16–Nov. 11 Rotunda Gallery, Brooklyn, NY: “Wunderkammer: Wonderworks” Sept. 6–Oct. 21 Derek Eller Gallery, New York, NY: “Back to Nature” July 7–Aug. 4 d.u.m.b.o. Arts Center, Brooklyn, NY: “Bridges” May 5–June 3 Exit Art/The First World, New York, NY: “The End” Jan. 29–Apr.11999 Exit Art/The First World, New York, NY: “Monumental Drawings” Sept. 18–Oct. 30 Gale Gates et al., Brooklyn, NY: “Size Matters” Sept. 15–Dec. 11 Galapagos, Brooklyn, NY: “Familiar Strangers” Aug. 23–Sept. 1 Cornell University, Weill Medical College, New York, NY: “Environments” Jorgensen Gallery, New York, NY: “2nd Annual Portrait Show” Jun 30–Aug 251998 Perrelli Fine Art & Design, Baltimore, MD: “The Wide Open Show” Oct. 1–Nov. 28 Mandeville Gallery, Nott Memorial, Schenectady, NY: “Into Focus/ Art on Science” Jenn Joy Gallery, San Francisco, CA: “intro” July 7–31 Exit Art/The First World, New York, NY: “Wild” Jan. 17–Apr. 21997 Two Sculptors, Inc., New York, NY: “First Annual” June 5–21 a+a company, New York, NY: “Spring Collection” Apr. 11–May 21995 450 Gallery, New York, NY: “30 Pieces” Oct. 68 Jay, Brooklyn, NY: “Art From the Other Side” May1994 Wexner Center for the Arts, Columbus, OH: “Fever” May 13–July 311992 Exit Art/The First World, New York, NY: “Fever” Dec. 11–Jan. 23, 1993

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BIBLIOGRAPHY2006 Bailly, Bérénice “La Terre Imaginaire de Dan Zeller” Le Monde Nov. 11, 2006, pg. 28 Dubois, Jean-Marie “Daniel Zeller/Alan Wiener” Paris Capitale Nov. 2006, pg. 148 “Daniel Zeller” Arte Y Parte No. 63, Jun- Jul 2006, pg.107 “‘Dibujos’, el trazo intelligente y minucioso de Daniel Zeller” Tu Eliges 26 Jun-2 Jul ‘06 pg. 16 Cerbini, Lorenza “Dan Zeller, Paesaggi al Microscopio” Arte #393 Maggio 2006, pg. 77 Miller, Leigh Anne “Daniel Zeller at Pierogi” Art in America March, 2006, pgs. 155-1562005 Murison, Jason “Daniel Zeller” The Brooklyn Rail Dec. 2005- Jan. 2006, pg. 23 MacAdam, Barbara A. “Daniel Zeller” Vitamin D, New Perspectives in Drawing Phaidon Press Limited, 2005, pgs. 332- 335 Kantor, Jordan “Drawing from The Modern: After the Endgames” (catalog essay) Drawing from The Modern 1975-2005 The Museum of Modern Art, 2005, pgs. 47, 187 Meister, Sarah Hermanson “Daniel Zeller” (catalog essay) Greater New York P.S.1 Contemporary Art Center in collaboration with The Museum of Modern Art, 2005, pg. 364 Dailey, Meghan “Portfolio: Contemporary Drawings” Art + Auction Nov., 2005, pgs. 164- 166 Volk, Gregory “Seven Paragraphs for Daniel Zeller” (catalog essay) Daniel Zeller Pierogi Press, 2005, pgs. 4, 6, 8 “Daniel Zeller/ Lynn Talbot” (Galleries-Brooklyn) The New Yorker, Nov. 14, 2005, pg. 24 Schalhorn, Andreas“Hybridization of Figure and Ornament” (catalog essay) American Obsessive Drawing Völcker & Freunde, 2005 2005 Johnson, Ken “Lynn Talbot, Daniel Zeller” The New York Times Nov. 4, 2005, pg. E30 Baker, Kenneth “Radial Gradient” Artnews Vol.104/ #2, Feb. 2005, pg. 1422004 Cook, Xerxes “Dan’s World” Tank Vol. 3, issue 10, pgs. 100- 105 (illustrations) Mine, Molly “Dan Zeller”, Paris Capitale #97, 15 mai - 16 juin, 2004, pg.177 Gagnon, Adrienne “Linear Thinking” SF Weekly July 21-27, 2004, pg.10 Baker, Kenneth “Technology expands the notion of drawing” San Francisco Chronicle July 10, 2004, pg. E1 Yau, John “Intricate Worlds” art on paper March/April 2004 Vol. 8, #4, pgs. 40- 41 MacAdam, Barbara A. “Daniel Zeller; Pierogi” Artnews Vol. 103/ #3, March, 2004, pg. 134 2003 “Daniel Zeller” (Galleries-Brooklyn) The New Yorker, Dec. 15, 2003, pg. 26 Cotter, Holland “Daniel Zeller and Ati Maier” The New York Times (Last Chance) Dec. 19, 2003 pg. E40 Richard, Frances “Chaos Writes an Alias for Order: Daniel Zeller’s Map of the World” (catalog essay) Daniel Zeller Pierogi Press, 2003, Pgs. 36- 38 Hill, Joe “Online” (Reviews; New York: Feigen Contemporary) Contemporary no. 56, pg. 73

Johnson, Ken “Online” The New York Times June 13 pg. E37 Schmerler, Sarah “Seeing Brooklyn in the Details” art on paper Vol.7, No. 7, May-

June 2003, pgs. 48- 51 (illustration) Tully, Judd High & Inside (catalog essay w/ illustrations) Marlborough Gallery, NY, 2003 2001 Cotter, Holland “Daniel Zeller” The New York Times (Last Chance) April 13, 2001 pg. E31 MacAdam, Barbara A. “The Micro Wave” Artnews Vol. 100/ #4, April, 2001, pgs. 130-133 Wolfe, Townsend National Drawing Invitational (catalog essay w/illustrations) Arkansas Arts Center, Little Rock, AK, 2001 “Valve I” A Gathering of the Tribes, David Hammons, art editor issue 9, pg. 100 (illustration only)2000 “Parasite” Pierogi Press, ed. by Susan J. Swenson & Joe Amrhein Vol. 6, fall 2000 pg. 27 (illustration only) Cotter, Holland “Kim Kimball ‘Enthusiasm’ “ The New York Times Sept. 22, 2000 pg. E33 Frantiska and Gilman-Sevcik, Tim “Bridges; D.U.M.B.O. Arts Center, New York” Flash Art, Vol. XXXIII no. 213 Summer 2000 pg. 70 Ballengée, Brandon “Daniel Zeller: a&a company, Adam Ross: Caren Golden Fine Art,” Zing Magazine, issue 11 vol. 3 winter 2000 pg. 252 (illustration)1999 “Regulator” Pierogi Press, ed. by Susan J. Swenson & Joe Amrhein Vol. 4, fall 1999 pg. 57 (illustration only) “Monumental Drawings” NY Arts, Sept. 1999 (illustration) 1998 Klein, Adrienne “Into Focus/ Art on Science” (catalog essay w/ illustration) Union College, Schenectady, NY 1998 Turner, Grady T. “Wild,” NY Arts, March- April 1998 pgs. 36-37

AWARDS2007 Civitella Ranieri fellowship 2005 Artist Pension Trust 2001 Pollock-Krasner Foundation Grant

COLLECTIONSAltoid’s Curiously Strong Collection, New York, NY Arkansas Arts Center, Little Rock, AK JP Morgan/Chase, New York, NY Los Angeles County Museum of Art, Los Angeles, CA Museum of Modern Art, New York, NYPfizer Inc, New York, NY Vision Consulting Inc, New York, NY Whitney Museum of American Art, New York, NY

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