how to find 'pieces you wili 1jke · how to find 'pieces you wili 1jke lid /dill...
TRANSCRIPT
How to Find 'Pieces You WilI 1Jkeli d /d il l Simi!'11 . lfil'"t! (" IJilrt ( "" mpi!,.,1 / '11 .- l mpi,o 0 ;;''111 ' "
W H EK you hear one of the new Oct ober recordings that especially ap pealsto you, check it on this page and ask your dealer to play for you th e
pieces, the numbers of which are given . You will find that they have inthem the same qualities which you like in the new recordings selected.
Prelu des, Op. 28, No.2!. . .51675HPreludes, Op. 28 , Nos . 7·20.S9154FCapriccio-Brahm s . .590S4HPapillons . .. ,6 l 0 1l G
PRELUDES, Op . 28, Nos. 22-23-24
ARABESQUE, No.2
FANTASIE, Op. 40, F Millor,Parts I a nd 2
LENTO, "Pierret" P ieces, No. I
PIZZ ICATO Aii D GAVOTTE
DANSE VIENNOISE
SIX VARIATIONSWHISPERS OF LOVE
SONGS MY MOTHER TAUGHT ME
MARCHETA
Similar I'Plw"J as
Similar al'l~ ':l \ : ! ~ Ballade, G M inor ..Sonata, B Minor .
~il11ibr a1'1,,"':,1 ,,~ Love Poem .Chant d'Amour .Romance .
:>i111ilar apl'o-al _ l ~ Gavotte .Gavotte .
;-;in;ibr " ]>1)0',11 as Valse .watteau PayaageViennese Melody .Valse Viennoise .
:>imii:<ra pi', '" l as Pastorale Variee . .Simi 1;,r <l l' pl'" l as Valse Nanette .
Vals e NouvelleSphinx Waltz . .
Simila r nppca! ns Psyche .I Hear You Calling Me
~irl1i1a r : ;1'1 11' : 1 ~ a~ 0 Sole M io ,Macushl a ...
. . . 50047Ht'l 1843H62663FS220SFS6743F
.6292 1H
.02981H,Ol OSl G.0080I H5999 lH
.00911G. .. 57867H
58204F.S979 1G628S1F574 l2F
1261F1151F381F
,.fe. otC
.\m l' k o .\rt isl~ as caricatured by :'Ilyrla Ep, t,'i:') <1 .. ('hr:tl")wi"i in the.\""1(' }'ork World .l1aJ:a ~ illc-C"l1 y' ,11 nan w t lwm?
BEETJ[O\"E:'\ 1'J. .\Yl:,\( j FUR :'IUZ.\RT
B" l'l h~,n'l1, a~ a y<).~th pbyin,: fur Il l<' ,,1,1 ,,1' an.] '11n'ad~- ,listin;.: uisla',} ,"1l11~)S<'rand IllS frl<'wk 1Ill' \n,ma!' a t the- oxtrt-mc Il'ft is l ui;,' {; lIh" 'ardi , pupil ofBeethoven to wlyml , lit' 0I,, 1i<".11 ''<! Th" ;"l' ~ Jn 1ight :",n".la . :\l u7.arl standsa t t he p Hll HI. H IS Wlf,' l"an~ \Ilth h..r hand oil tl w l-ack of the chair ill whichis s('a(,~1 t1:" Ib run,'S,; \'<-11 Erdmmlllsd" rf.
:J\(jw 'U'1mpico 'R.f..cordingsOctober, 1924
/'l"yf,t hy :\ 11~;("l\·SI..\1I' ;"li.':-;/
6J61l H Preludes, Op. 18, x., 11. (;;"linnr, x., l.i , F ;"lai',r, .'\0.H , J) :\ l;nnr. ..C/wpi" 1 .HO
N O. 22. In" Prd11<lc x-, 12" t here ist he br ui t of co ntlict , a shor t but t rimn
pham strug~lc prcsenring a momen t ofviolen t ;I;,-ltatinn with a swift ly arrivi ngSil isfal'tury conclusion.
In pnk'Ct ~,<,ntra.<;t is th e suc c..'~~1i n}!;
" Prelude Xo. 23," which fur .lclic utc gra"iol\s ness and airy ch arm is hardly to 1/1' m, Lt<,h<'1in all music Exquisite ha ppiness <'010n; t bisbeautiful wor k. A touch of vagueness ;In '!elusiveness is brought to it in the concludingbar , which "floats off as t o infinity;" leavinga sense of SUSIX'11~(, and anticipation.
Huneker dl':;''l'i!X'S the "Prelude " as"like a sun-shot spider web oscillating in
Ilw hf('f.~L" of summe r , its hu..", ellalliillJ{ a levery puff..'
In Xu. 24 WI' an' phlllg{'f. ! int o t11<) nJO<)Olor t he g-r<,,,t "j{"v'llu ti" na r v Etur!{'"(Ch " l' i ll'S l-.'Taphk ~l'tti ng for th "of t he fanof War>:.:Lw to the RI1s.~ian s in 18,H) , towhich it must I,,' fl.'g"anl loJ " s t he companionpicture. Ashton Jonson uives the followin ga,hn ir;lh l" '!''Sl'ri p lioJ\ "f "Prdurl,' No. 24" :"It is t he pr ot est awl stfllJ{glc of a nationugninst oppression: the St'l lst' of conflict isin till' wi,le-~l fl' t l'hi ng ligure in the bass , wllil ,'the pa~~i"nale m.-l,~I)" continually \Irg"s IIIrenewed st ri f..-. j\lst 1,,1"orc the final OUlhurs t, in a phrase of unmatche dand cl0< II1t'1l1beauty, we feel the for d lOd ing of ultimaterlcfen t and the pa thos ,)f fr uitless stm ggl<"whils t all t h rough , un d in the three con'eluding su11,'Tl single nutes, we seem to hear' the loud rli;lpason of t he cannonade." "
Tbio Bulle tin wit b th e January 1\)23 Cata log ~Upp\i"5. CO MP LETE LIST of mil Ampico Recording. to dote.
Pl"yfff b.v E. R')IIY.RT &'II ~IITZ
63503H Arab esque , ;';0. 2 . . . . .Dtbussy 2 .00
L O' "ELv m usiczll pbras..s delicately shaded,W<W('1l into an in triguing pattern. glo\\ing
linn glistt'ninJ,! like a j" vely j~wel whichflashes, ca tch ing tlle ligh t as it is turned inthe hand. SU<:h is all ",\ral>t.>sque" inmusic, nnd t his work. ont' of nebussy'searly L~'mr~\<lti"l\<. i< jll,t tha t.
I t is ch-arlv tlu- (' >r" n m l1<'I" " f his laterpasu-ls. [ I ';'111'1"y < till' "am,' pnlct te ofde licate c.. l"n; wilh ,l"tail. oj great h.-alit)',hut nf :L k< s ll\ira~,·-lik .. an d <himm~'rillg
lovclinc...< than th,,;, - "", 'n in 1h, ' .. kdll'I,ti, .nsin til" Wal" r," .. \1 .."n1ig"ht," .. Th,' Aftcrn'~l11 "f " Fan n, " an d "th,-r fl" IH 'ril1g S ofhis rnnturc l:<,nl\1<.
It is SlIll<Thly ,,1:<,','<1 hy ~[ r. ~dl1nitz . ;1great intorprvu-r ,,f Il , ' lm~sy',; m usic , andwill I", w"h"m,,1 h v all lovers lOf I ll<' gn'mF relleh illlpn'ss ; "n i ~i,
Pf~.w,f h," STE\\ IIII' \\· II.n:
603641 G Lento, " I'i,'rn ,: " )'i "," '';, :'\0. 1Smll 1 _75
H I~RE wc lind l' ierrlOt in n p''11,::i\'cm,)<~I----:U1 ;' '" .rt " f T",',' rV- l!1 wlndl t her e IS
much ,,f y,'am in:.: and ':II\" ti"l1al .." ntl'llll' la ticn of t h ings 111" 1 'In' and t hi:1J.:~ <If hishearts ,k s;ro', Cvril S<.~,ll has wriu"l1 11<>l,,\"('lier n1l1~k 111:;1\ this , I t has some "ftlu- ~:lnh' \":11'11<' hr.mtv ,,( "1 ...>l l,S l.a n,l·'Inll has ri"h..r " ,1,,1' anoi tilt' lovely pktnrl.' itsugJ!,'Sts is 11I0 1', ' ,ld£l1it,' ly .Icfiur-L
PI'/)"'d hy Il k .I \1 v.cx I>~;~ Ill':"';
(jo3(j() IG Dense v rennorse ."'/II ,,~,/ li~r? I. i5
EC lTl )1';:-; "f "hi Vienna with t ill.' iUt'xpres,~ibk I"n:.:ing with whkh so' 1II11ch of h<:r
musk is ling" l, "a l,. ,kin>: ha "kll":Ir<1 wit h asmile thr" l'J.:h rcnrs. " as " nc wrikr 'io hcnutifully ,k,,';I,,·,; 1111' lmuming pa thos "jt h.'S(' " Id 1II,-l,uti,'s, thai cvuke a 11•••1 ,,(lTWI1 I',ri "s r<~'a lling a happier hour hu tdimlv disccrnc- I a<"'J~~ t he vcars nn.t never-t o IX: rc.:aptl1r<'d . .
Played "-" Iht HI' EI. I,
(jJ6703 G Six Varia tions, "n the duct., Sd (,' r pill '/"11 mi sent»."H,...,tho n ·n, Fn.m " p'TI "La~[olinaT:ll1". . . , , , . , . , , . I . : :-
A LorE!.Y littlc air fro m an nhi ItalianOpera bv l',d~idl" . TIl(' subjec-t Eng
lisbed is. "11,,1'" T"l,1 1I FbttcrinJ.: T:lk,"B~th"\' (,l1 J.:i\' ,,~ it first ill ;IS simple hc uut yanu then ler v it run tIll' gamut of m,~~1s ins-ix deliglllf" l variati"n ~. -"ow it is pen sive.al!"ill ",,,I wi:h indi nl1i"ns that H0I''''Sflattering t ale is n"t t" l,1 wit h ,,< ,m ph'h'convic tion . hut in the l1101 a ll , ,','ms to II<.>n ...~y. f"r it is lw"n l in :'IS nWIT\' a 11\ ," ,,1 as" 1\<:co nhl wish. •
P['l .l't'<f h.l' .\ I II.TO:-; SVSKlsn
603653G No.1 Pizzi ca to, "RaymondaHallet ..No, 2 Ga votte, Op . -!-'), :"0. 3
GI<J:/l/lnow t .;.'i
A CIL-\R.\ IT:\ G- ,-,pi"O<le in a ballet su iT<'is th e page "f li lting " Pixxicato" t ha t
(;b7." \m,,w gin"", us in this music. T h,',la m·,'r m us t he " n h.". !lX'S throughont, f"rit :' ,!"lkatc touch a 'lIl tripl,inJ.: J.::li" ty ,'a nlit n" other than 111<' lig l1It·~ t footfall.
Ikmtifu lly ,,,ntr; L.- t <:<! i~ the l,'t'l tlisi tc" (; a \,<lt t"." <I gavotte that is more ;1 minuetwith t he amiqm- )..'Tal'" and sta,,'1~' 111<>\"('
nu-nts of 111.'11. fa m<>tls "Id ,lan"l' . Silk~ andla.-~", . l",riwig~. powder a1l,1 l' a lchC'li, an,!~1I1iliOJ.: ,1:1 mcs nn. 1"'lv,.,li,,!">:. ,-IT,' all ('nvi~i, '1"~1here.
It was a dcliohtful I,ka combinirur t h<,~,'
tll"', ,1:<1\"" numbers un "lh' I"l,,.'t ,nling. Tlw\':IT<' 1wrfl'<'lly ~!1i te,l 10 such a luvr ri r n- . B'lli,ar,' ,,~, t,li~i{l'1y pby,'tl by .\Ir, :-;nskin ,l.
I'I"F" h_,' H E"N I Lr·:nh'NI·:
63681G Whispers of t cve. . ... , I ', j ' I!<1S 1 . i.'
A T R L· r.y rnmilnt ic little number, livelvpleasant m urmurings of two {or whO,jl
th.. I,,,'" g,~1 bides all l1\1 t the ~l1n~hin,' Olflife . Lik, ' .\11'. \':Irga ~' "<;'1T< !l11 Dnnco" ilf"\'ml~ hi~ J.:ift f" r writing a lx-antiful nw!, . ly,m,1 ,·"ri,.hing it ,\;th luvelv hafm<>n i l'~ , andhis lltH' ';"l1sillg " j l'ff''l,tin' ;..,1ltra,, [<.
I'I,r)"Nf hy Ol"Nl:-; ~; llE IlENT
1441F Songs M y M other TaughtM e, Balla' ], ('p, 55, \"". -I. Kcy"f I l, .. • .fl,'",rik 1 . ,, 0
NTO .'Ill )RE beautiful "" ng than this exis ts .It is a mn~krpb.~,· ..f heartfelt pa th""
with its wurds Iinding ~"nlt'thing sn pcrfectlybd itt inJ.: th em in Dvnr.tk ' ~ II1Il~ic tha t it isimr.""ihl,· t tl im,lgi tH' any "ther a ttl'lIl l"tn <<'I them. The "hoaking s<,h and brcat ,,':Itching hear tbeat are p,'rf".-ll y simulat..... ! intllt' '~ ' n l1ict ing rhyt hrus of the melody and t 11<',H·'...rupaniment . The po" m presents a pielUI""(' f,f exquisite tenderness
"S"'II!~ m)' milt/fa 1'lIlght lilt in Ihr days:<lug1'<Jllis!l'J
S,Umll from Ir" '.I',lids were Ihe IM,drnpsbanish'd,
.Yaw I IrflrJ/ my (hil /frnl rach meiodionsm~(/ Srlr..;
nfllh.. tears ar' -,'",/'inl!, [ rom m,\' IIItn"ry' s1"·I,.fll rf . "
Its lw;llItifu l lint'S are weddcdtn tbe 1I1n~i<
with ~111,,'rh aft. l<nll on " rnn easily agn,."wit h a J.: T,'at enl i., W)l" "a i,1 10 tIlt' Writ'T-
Ix-rh:li lS n"t f" r l' ul ,li"al i"n ·" it is thl' m nS!" ';ull iful so'nJ.: in all till' lI""r1.1,"
PhJ,)'ed by xtrsc n.c LF.nTZKI63623H Fantasle, Op. 49, F M inor,
1',l1"1 l. " Chopin 2 .00
6303lH Fan ta sie, Op. 49, F )'Iinor .P,lrt IT. . . Chopin 2.00
T HIS " Fantas ic" is th e unquestionedgreatest work from the pen of its corn
poser and l'rol~lhly the g-rc':l.tcst work for t hepiano in existence. It was com posed atGeorge Sand's chateau at Xohunt a t a timewhen Chopin's friendship with t he eccentricauthoress was at its happiest: a t t he time.too, whe n his geni us was a t t he perfec t "t.3g-eof its developmen t and radiating with allt he in ten sit y of which it was capable.
One can hut feci that in this " Fanmsie. "which is distinctlv in the narrative st vlc.Chopin is rcveelin gtc us moving" and <lrnmaticincidents ill llis own life. It is believed torepresent a quarrel an d rcccncilintiun betweenGeorge Snnd and t he composer. T hc opening" bars arc explained ,L" indkating t heau thoress knocking at th e <I ..or of the roomin which tlie pian i,;t II:!'! ,;('<"1 l1,k·<I himself ,
Candidates c!:/hown,As UrUtsic (r;vers
M l; SIC predilections are prevalent among the candidatesstanding: for election in the
coming" presiden ti al campaign, ns arecent studv of their careen; hasbrought cui. Calvin Coolidge haseivcn pract ical evidence of his faithin music th rough his acceptance of t hehonorary chairmanship of th e XtnionalXlusic \\ ·cek Commit tee nud , prcvi ously, th rough his public tribute tomusic on the occasion of the ChickeringCentenary. His ticket-mate, Genera lCharles G. Dawes, appears in the listof American composers with his.. Xlelody in ..:\ Xla jor" for violinwhich was chosen for performanceseveral years ago by Fritz Krei slerwithout his knowing the name of thecomposer. General Dawes has alsoaided music in the directorate of theChicag-o Ch-ic Opera Company.
'When .1 01111 W. Davis was a studentat \rashington and Lee Universit y
and t he succeed ing ones nrc the invitationto en ter. T hen follow scenes of in tercession,reproaches, piteous app ea ls and finallyrcccncilintion.
The 1'1.'rS(Jns present at t his historic interview besides GCfl~e San<l an '\ Chopin wereLiszt, Xlme. Camille Plcycl and ot herfriends. Lisat is responsible for t he statemcnt t ha t this episode inspired th e composition of t he " Pentas ic." and it i.~ q uiteposliible that Chopin had it in mind whenwriting it; but each listener will rend int oit a meaning of his own , for it is m usic thatrequires no st ory to en hance its enjo ymen t,
Pl<I)'ed by EDG.\K F MKC Ill J.1l
1451F March eta, Bnllnd, Key of FSdtUI:;,IIW 1.50
" j' I ARCn{; TA" has already been issued,I V plaYl~1 in fox-trot t empe. but its
lowly melody is mu ch t ,~) be llllliful to 1)('heard only as a donee nmubcr, and !'O hen'it is played with feeling aw l sen timent a,;hl....comes so delightful a love son;.:, and witht he words printed on t he ron.
he sang in the baritone section of thecollege glee club. In the Da vis reside nce at Clarksburg, \r . Va. , is nneof the first player-pianos tog-eth erwith a great collection of rolls of" classical" compositions. A musicalatmosphere has surrounded Mr.Davis's family life, for his siste r ,E mma K. Davis. served for sixteenveers as organist of the CentralP resbyterian Chu rch at Cla rksburg.his dnuah tcr took specia l music coursesat Smith College. an d his sister , xlrs .Preston, gathered an unusual collect ion of folk songs of munv lands whichis preserved in Xlr. Davis 's library.T his nominee' s fellow candidate.Charles "W. Hrva n , is also a choralveteran , httdIl~ sung bass on g-Ieeclubs an d quartets as well as inchurch. Xlr. Bryan's daughter , MaryLouise. is a pianist t rained both byprivate teachers in Lincoln , Xeb ..and at the Conscrvatorv of :-'I usie ofthe L nivcrsitv of Xcbraska. "\rc missMarv Louise··s music at the Governor'sMansion;" says Xlr. Bryan. "She wasbut recently married, you kno w."
This Bulletin Wilh the J anuu '" 192J Catalog au pplie. a COMP LETE LIST of all Amp;co Recordin gs to date.
" :-" I Y I ; .\ X ( ; " S.\ YS lIEXRY J.A:\'fiE
Ampio urfist , Iormerlv- piani4 wit h 1':\,,1 \ \'h it <,Ttw nlms his own-s- the "f.:m;.:c':\kKay »rchcstrn'
:J..0!,w Popular o...Jr(usic
nOlW
l'lll.wd by A lUM C.\ll ll oll.l.20520lE Th e Little Old Clock on the
Mantel, Fox·Trnt, E FlatFior ito 1 . 25
T EDF ltHHTO, Ampico popular a rtist ,appears as thc C')1TIjK"lN.'T of this novelty
fux-tror, a verv orijrinal a rrnmn-mcnt , ""1tin~forth a channing hka including chime andclock effects,
205211E Sing a Little Son g, ltox -Trot,K ,' \' of F
• 1·:rdlll" ,,·C/Hm· ll'eslpll'l/ I . 2.'i
A Bl l U X [) I X ( ; g, ~ ~1 nat \lrcand happinessis writn-n int<. cvvr y lin .. of thi s dciight
ful tun c. It s ritk-, its music, it s words, allcomhilw in impart ing 10 it an Un \l ~lw.l appeal.
205221E Bagdad , Fux· Tm t , E 1'1;1\..1I:er 1 15
A s rrn: li t le implir-s. I.his " i.'Cl' is full (,f"ri,-mal ~'"l<Jr and tln- s1I b tl, ' charrn "f
oricmnl rhythm. An 111l1lsually auradiv,'dance nm nl,,·r.
I' I" y"d by \' P,,'ES T LOl'E l , Assisted
6J69JF Aida , Fox-Trot, E F la lLopezArr. 1,50
Ax ARR :\ :\GE:-"IEXT of the f:worilenirs from this popular opcra in fox- trot
tempo done' wit h the consummate skill whichViIK...-nt I,,'pl'z; brings tu truuscriptions ofth is dlar:a·t,·r, played b)' himself withilTlo,;isti lrk' effect.
Phlye o! "y \ -I S CF.S T LOPEz , .\ ,;sis: ,'.1
2052JIE Any Way the Wind Blows,Fux-Trot. B Flat. .. Il,w lf }' 1.25
A POPl"L\ R snnJ.:: in to whic h Vin'~'1lt1" ,p,·7. h:;s "iay,~l many of the "rdK,>,tral
<'IT\-"t~ f...r which his famous band i~
celebrated.
P/.!yed by ll exav L., ,< ,;E20524 1E Why Live a Lie ? Fox-Trul ,
E Flat . . _ Koehler 1.2.'
EVE HY \\' H E RE one ~(It"S 011" hears t h isnew h:l1Jvl fox- trot which hils t;lkel\
the countl'y lJy stoml.
205251£ M orning (Won' t You EverCome 'Round ?) Fox-T ro t ,E Fbt. . Turk -Si/ur 1.25
BOT H in the recording .llltl the musicthi~ l\ulllher will kl~'p your fee t b usy.
;\1\ i,lm.1 dante number,
P{a.l't'd bJ F F.I!Dl Y. t;~Oft , Assisu..J20520lE Follow the Swallo w, Fox-
'Trot, E Flat Henderson 1. 25
LE.\ l)t " G orclicstrus nnd vaudeville perforlllt'fs everywhere arc making a hit
with this number,
205271E C,ha rley" M y BOYI Fox-:~~t . _Key of C Kahn -Fiorito l.b
A :\OTJl ER composition by Fiorito whichis fast becoming a national hi t.
This Bull etin lWilb th" Jan uary t923 Ca t>ot" s $upptie$ a COMPLETE LI ST ol .ll Ampicn Recordl ~ss 10 d ~te .
ufCCOJJlpal/ jment'I<!.ronlj1JJ.!S
<Jf!itIJ <Jf!ords1'1'1_~ by C.\RI 1..\\1"'"
JOO71G The Old Refrain 1\'" m'lol_'pubr ",-,"!! ;. K.'y"[ F, lkiri -l"nc " , .-1" . b, K,t';slt'l _;.~
JOO8IG The Old Refrain {\' i' ''flTH'.'J.>u!:<r,;o>Oj,(L K,'y u( ,\ F1;.1S"'I'r:m.. " " . •.!rl, 11] J.."N'iJia ;"
JOO91G DanDy Boy, E Flat :-;'l' r.,n".\'\;'1'1('<1 :"ntm:1n ..1.1 Iri sh ,\ :rhy \\\~.thnly . ;.~
JO IOIG Danny Boy, K .,\· ,,1' c It: r iIt,"." .\oIapl,'d· ("'Ill "n ,,1 1Irish ,\ir hy \\"'·"Ih..rly .;.~
G I , ,, ' 7.' I".I0UI/Ol S )f{/ I/S
G 0 L! :\"() J) will a lwa ys [ u,' l,,'stk now n as till' eornposc-r «f.. Fal l':t.· · Bu t with all till'
beauty am i popularity "I' that workit was not well rw....ivc l nt first.l "hnppcll So: l'omllHI1Y, the I" ln.!,111puhlisln-rs. I " ,u~h l IIll' ri;.:ht of Eng-lishpcrfnrtnnncc from { ~')lIn, ..1 for $. (( )().
II lav on t lu-ir ,:hl'ln'': for ""I1ll' lim,',un t il"o ne tillY Colom-l ~ 1;lpk'S<ll1, husband of the zreat prima donna.Titiens. and impresario of 1I"r:\ lajl."Sly·s Opera llou-e. Ill'in :.: ;It hiswits' end fllr sOJnL'th ing: new anduttmctivc t,) produce. turned f"russismncc to his fri end , Tom Chnppcll.head. of the linn of Chappell So: Cornpally, T his gentleman handed theColonel th e manuscript of .. Fnust ;'rcmarkiuu th at it s merits. if it hadauv, rL'111:l;nl'< 1 to he d; ':l'< l\"('f"l.,<I.C,ilo11l'1 ~ ln Jlks<)n carv{l1l1y removedth e cobwebs and du st fr. nn ti ll' work,mute witm-sses " f Hritish rnusiealperspicnci ty. I n a Jcw weeks t ill'public were wild with <Id i:.:h t andOounod's name as a composer of thehig"hl.'St order was widely proclaimed.
- .J necdotes of Grelll .II IlX;d ,",s .
t·:. Rohert Schmita . :r" 'l' u r....· nt I" rrruit
E: '!0f'ert eSchmit:
A Y E K Y J..:n'a t nrtist j,: int n)cItI' 'l'< 1to .\ Illpil'< ' owners this m.mt h int ill' first fI.'mnlinJ..: hy E. Rolwrt
~'llInil7.. Il l' is French. anti one of theg-n.'a tC'o't pianists hi- country has eversen t to .\ merica .
II ~ is in the 1"'':1 sense of rhc worda modernist tIl'v oting" himself partieulnrlv to the C'<.mpo:o:itioll:O: of presentdnv composers. T his t1lll'>' not meanth:!t he is obfivioos I" the charms ofthe older music. Q uitl' the contrary,it t akes a mf,,!l'nl;st to understandt he ancients. for historirnl in,:ig-ht isonlv a backward l'l«('tl r,:ion of the r-n-«rive ima uinntiun . T h;s llnl1l'r,:la ml in gSchmitz pos,:es"'t.'s to a ll I111C'lml1l<J11
dl',l.'Tce und his keenly uuulytic mi u.lllisc(l \'crs t he mo.lcmit v in Bacha ,: \\"(,11 a s the 1,1I (·nt (:la ssil"i"m int he cxt ruvn guucics o f thc fu t uri stcompose r.
In him one finds the ra re combinal ion o f the poet's dc1il',lte pe rceptionof beauty and the scientist's exactitude
1'hi. Bulleti n "';Ih th e J U tl& l']" 19H Ca ta lu. au , p(i,.. . CO MPLETE LIST 01 a n A... pko Reco<di" p ,,, "'a te.
"The ..\ m"rica n composer made 0. dee-pimpr<'l'~i'm ..
- .U II"im l C"lf rin.
Uf 'Distribution of .'Jilmors
DR . ARNE was once placed in asomewhat similar situation tothat of Solomon when the two
women each claimed th e child, Hisdisposit ion of the case was as fair asthat of the kina, only the dis tributionwas more even. <11> cveu as Solomonthreatened to make the division of thechild in question.
Dr. Arne was a vcrv prominentEnglish composer who lived in thefirst half of the last ccnturv. llc badbeen called upon to lkddc Oil themerits of two si l1~l'rs , Their merits,by the way, were based lnr.ccly ontheir own appreciation of their powers,ruther than on that of other people.After hearin~ them, Dr. Arne criedout to one of them:
"You an' the worst sing-er r eyerheard in mv life!"
"Then," exclaimed the other, " Iwin, .,
" Xn, " answered the just judge."You can't sing- a t all!"
- . l l/ fYdol es ,~r (;,r<11 .If ll s j,"i a l/ .\',
in analysis. Especially is he renowncd as an interpreter of the worksof Dehussv. lI e COIlYCyS, perhapsmore than any other pianist. thepoe tic spirit, dreaminess of thoughtand suggestion, and atmosphere ofthis impressionist.
Additional recordings to be issued111 future bulletins will he lookedforward to with unusual interest bythe larv;e following which this vcr;'zrcat artist has already obtained inAmerica . .
"~;;to/J Imitating"Gomposers Urged
··;\:\ IERIC.-\ 'S composers of mus icn can not hope to rea ch a placein the sun through an imitation
or European styles, " remarks one ofthe most prominent of their number,Charles Wnkcfickl Cadman. " T heAmerican must shake orr the shacklesor a too npparont Con t inental influence and I,'xpn'''s him -elf hold ly andsinocrclv;" :-;<1\"" Xlr. Cadman. Xoteven l;xpl~rillil' Jll ati()n with Indianilu'mcs, of whic-h Cad man is a mas ter.is rcnl American n1U~iL'.';o he confesses ..\ composer who uses eit her Indian or~<'l:::r'l themes merely rouc-lu-s theouter slll'l1 of .\merkan lifl'.
This c'ornpoea-r laments t1K fact thatexperts have failed to consider a:-;"ccnsciouslv American " such worksof his own :1'; his " Piano Sona ta in .\~[ajor," hnscd upon verse of JoaquinXlillcr. the California poet, Ill' abomentions Deems Tnvlors "Through aLooking- (;Ia,;s" as l; 'pically American.and :.;:in·" the followinl::: partial list <J[others ut.tcmptinz to write music thatdOL'S express America: John Powell.l Icnrv F. Gillort . John Alden Carpcntcr, Rubin Goldmnrk. .... , \\'a1t(' rKramer (L\· some of his later works),Leo Sowcrby (vwhen he g-cts awa yfrom the French stvlc") . .-\ rthurFarwt 'll, David (iui'lll :lIld, in lighll ' rmusic, Z('.] Confrcy.
,,~,_.
Thi~ Bullel in with Ihe Jan ua ry lQH Catalug supplies a CO MPLETE LIST ",f all An,ploQ RecQrding~ 10 dale,
'Bayreuth uf/ ter Ten Years
AI' E R FOID 1.\ .\' C E of "[)j,>\ki"l l'n:il1J!l'r " nn July 2211<1la s1 marked 11K' n~)p•.:JlillJ! of
the Fest iva l T hea t re n t. Itavrcu thuftcr 1,'11 yours of silen ce Th i ~ playhouse ill the litt le Bavrrrinn 1"1\'1I i,;,:1'; cvervou c k llllln '. d,'\""Il'l lexclusively to Festival pcrform.inccs o f the wo rksof Richard \\·a~Jle r. It\\"a s built for t hat purpose arnl t hat l'wpo-e nlonc.nnd c.u-hsummer since I I'! i 6t here han: ]),','11
;.riven a number ofc-umplct c I H ' f
f'lf maT1 l' (' s of" T lw Ring of the~i hl' l u ll gl' n'"
"Pnrsifnl' nud' ll b ef,;! lfhis( l\Wra"<11111 musir-drnrna __ .
For vc.u-s Buvrcu th 1;a,; been thcI1W('(';1 for lovers " f,ra g n c r's 1l111"ic .There t he w, rrks elf themast er rl'cl~ i n.'d SI1Pp'l ,;cflly ideal performances . cnhunrvd h v tluhush a nd m vsu-rv a ndntmosphoro <-1'e;l 10d 1,\'tln' sll IT'll1nd illKS an d " a ss<lciatj"l1swhic-h ha n .' accrued tn tlW 111 from t heres i,knce t here " f " ·aj..'l1l'r hilllsl'!t.aw l thc prc-cucc of the j.;T,'at one"f t he earth . k illl.,'S a nd princes and;.;~eat. fij..'l.lfl'S in th e musical world.:Irlists a nd poets who went t here t'ld" him honor.
T he Festival of u-n vvars :<t;" waslirom-ht to a sudden :nld trat;i~ elos,'.The O)>I 'ra IJ<.'ing ]lCrfomll'l l was" Pa 1'siful." :\l nw, :-;d Jt 1l1l:11lJ1 llcink 11adjust l'<llTl Ill<'1 <',1 1~ 11 l1< l r ~- ' ,; S' ,n !": f1"<)111
the tower of t he ( ; ra il Temple, de,lin'ring' the Int.',;"ag't.' uf Im'C :<n<1rcdcrnption tn the nsscrnhlc-d kni;..:hts.when the sta rt ling' lll' I\'S h , '( ':t IlW knownthat (;,'nnun ," 11;1 ,1 ,1<,, 'la re,1 war uponFrnnc-o. T he pe-rformance came sn.l.
dculv til all end, the a udiem-c.~' ill;..:ers and musk-inns Ivft
tln- thvmrc nnd galhen',11ll 1!r"tlps to discuss
t he st upc-rnl.m s 1)(,\\-'; ,
T Ill' d<)"rs oi the,ragner Fc-tivn lTheatre dpsl'l l npparl'nlh' forcvcr.
T hi; vcnr tln-vwvrc ro ,i Il'm~1:In;I"11,( '1' more I,iI.;.:TI11];);:I'S wcr ctl l:lll(l 10 ll WI"II rille t" whu-hthc 1111 I"i,'a1 I\"wl,!is w"" ,,<1 :tS t"
m.whcrvvlsv. \r;ll:uc-rs \\'i d"II" , lilt'
daugh ter of l.i -x t ,,lnd former wife "t"
von Balow, in spito ,,(her l.,'Tl'aL nzc, ag:ti ll
cvidcno-d her UlH'tStS
1l1g: devotion to thcmcm nrv of Ill'!" hushandin T11:iking t his yea r ',;
l'e rl"Oll: llH't' :l nos sibilil.y, T he d:,l1or Sil'g rrk rl "':lg"l1er , son "f tluoeuposor, 1,) Ame rica W;JS product iveor mur-h Ill' t he ncccssnrv funds.
T ilt, ponormnuc c- . which includedseveral compkt e offerings "f tlu"Rillg, ,. " Parsifal and" Di{, :\kis!l'rsinger, " main tained a high nrtistitst nndnrd. ,li sphlying sUlllrisi l1g {,I, ,·qucnr'c a nd l.rilliancy. in spitl' "fnntiqunn-d sl:tge mnnflg'I 'llwnl :11l<1iusuflk-ivut fnuds.
..\!lI'UYS impr{'"sin ' , tln-rc is h-ut I "
th ose l't,rr" rmalWt's at Buvrcuth something- qu ilt' iudcsctihnhlc. b.:i ng- g-in'TJ:1'; t lwy an- in \\'aglwr',; ,, \\' 11 thea t rein 11\1' littl« Ba n lr ill 11 : "11'11 in \\'hichrhc " nly happy ~T<1 rS of hi,; life weres pcnt . nu.l wlu-n- IIi " dream I , ) havehis work" performed unde-r ideal <'011
ditions \\':1'; realized..\ vcrv remarkable thin:.,: 'It'('I1lTl',J
oI\lri11g' thu ojJcning performance of" Dil' :\Iei';kr"ingl.'r.· · In the (~)J1
dl1<lill':':- "C<'Ill' whe-re llaus Sadl:-: cxhortsI Ill' ..itizcu« or :'\l1n'mlmrg, ';:Iying,"I':n 'll if thc h"ly Roman Empire,;holo\,] 'Tul1111le to dust (1\11' German
ru-t ",oul d "till remain," th en' was an:l1l1:l 7.int: outburst (,f pat t ioti sm awlenthusiasm. The nudicncv urosc andc-hcc-ro l and illllJ1l~liatd~' the housewas 1ll an uproar. T Ill' demonstrationwas :-:ig-nill,'allt in Jlnillting' t o the fadthat \\'a.t;l1er ':-: music. whi le the prnduct of a (;elllwn. is in no :-:l'I1" C
nn tionn l hut rises ah,,\'l' territor ialrestriction s nud takes its plucc umongstt1K wo rlds gre:lt art crea tions ofwhnt cvcr c-onnt ry.
Variations.\ friend tells us tha t 11<' ha~ gone to li\' !'
h \lTl d n-.. l sym pll>lny '''ll<', 'rt" in 1<'n ypar,;.\ \' " know unotlu-r m'ln ' of whom w,' an'certain tha t Ill' would nut go tn ten svm phony l~ l1W''fts in fin' luiudro.l yrnrs . Whic'h"how~ how IW" ll tiful 1\' '.;" Illr,' ha'all<~";
t'Vl'rythinj{. .
-t "an' ( Iwll' haying \t'('hn i<'," ,.1i,1 ),lnn7.Rosentha l on one o, '<"""i ' >I1 ""]h'11 11<' \\"ns<,rit i<'i7.t~ l fo r it ~ 1 ,, ) ,,~,'~~i uTl : "wha t ~ha~l ]'!0 , 1'1a ~; with 11'% t" ,'1ll1i,' :"
T h" fl' arc th r.'", kinds ,.f m, ... lcm music:<'fOli, ', ne urotic, an,l tonlmy ro tic,
- .I/ l< .' ;",z[ Courier.
"Col / ' GT.'! "Cag es J 1eat ierslI'h,lf .'""IlI r (;r",rt .11'1''-;'';' /11'< /l,, ;'r -,""id
,,( ( 'ft"Pill' I "!'TFI/frin "
R ll BI:'\ST EIX rq.:anletl thorn nsthe pearls of Chopin's works.nud I-Iun ckcr said of them:
" Th e twentv-five 'Preludes ' alonewould make 'good Chopin's claim t »immortalitv. Such rang-e, such vision.such humanity! ,\11 shades of feelingarc tli\·illL"<. l. ;~11 dept hs nml Hhiuld l'"of [!ils~ion explored . If :111 Chopin .:111 music, were tn ill' de,;troyt',j Ishould 1)lea(1 {or thc "Preludes. ' "
Schumann in rcviewinu th em said:. " must ~ig-naliz(' t he :Preludes' usmost remarkable. t will confess thatI expected something quite different.carried nut in a J..'Ta nd stvlc, like his. EIUlk ,;. · It is almost t ill' contraryhere, these arc sketches. uic bev;il1ning'~ of studies, or , if vou will , ruins,eagle;;' Icarhcrs. all wilt lly, vat-icruux llvintermingled. But in evcrv piece welind , in his own relined hand. wnu enin pearls, "Fh is is Il~' Frederic ('hollin';\I'C recognize him even in his pause-s.and by hi" impetuous rcspimtiou . l it'is the holdcst and proudest poet -soulof t o-d ay . "
Kui lak savs of them: "Chopin'sg-enius nowhere reveals itsdC morecbarrninzty than within narrowlyhounded musical forms. The "Preludcs ' also are in their ap horisticbrevity masterpieces of the first ra nk .",
Xivcks speaks o{ t he "almost infinite and infinitcl v varied beautiescollected in this treasure trove. ",
Lis;.',t comments on the unassumin gna ture of t he title" Preludes;" <111<1udds.: .. Yet the ('<lmpo~itinns whichnre th us modestly named are nom- Iheless types of perfection in a modewhich he himself created and stamped,as he did all his other works, wit h thedeep im press of his poetic ,c;enius,"
Tb i$ Bulle lin witb the Jan ua ry 1<)l 3 Catolog . uppliu a CO MP LETE U ST of all Am pico Reeordi nlls to da le ,
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This Bu lleti" with t h e J Anua ry 1923 C. t.loll' su pplirs a CO MPLinE LI ST of .1I Amp ico R ecordi",. to date,
Eve ry AM PTIC O Owner
should haue these
cSELECTED 1qj;CORDINGSSome Notable Composer-Played I nterpretations
50654H NOCTURNE, Op. 15, No.2, FSharp-Chopin. Ornstein $2.00This Nocturne is full of details of ravishing beauty. A delicious warmthof color gives it almost an Oriental atmosphere. It opens with a melodyof heavenly beauty, which recurs again at the dose, the calm of which "touchesone like a benediction."
56027H L'APRES-MlDI d'on FAUNE (Afternoon of a Faun) -Debussy • . . . . Co pela n d $2.00
This incomparable work, written for th e orchestra, has been arr anged forthe piano by Mr. Copeland himself. The elusive charm and pure Arcadianloveliness of the music is faithfully set forth , and a remarkab le amou nt ofthe iridescence of th e orchestral rendering is obtained.
62231G MALAGUENA, Suite Espanola-Lecuona . • Lecuona $1.75Th e scarlet and gold of Spain, th e fas cina ting rhythm of h er national musicis seen and heard in this-one of the most notable of her na tive dances.A number of unusual brilliancy and effectiveness played by its composer.
62383G SERENADE, No . I -Drdta ... . . Schnit zer $1. 75Light hearted, carefree, delightful, the melody of this lovely littl e piece singsits wa y into the heart of every h earer. It has a secure place in the affecti onsof music lovers. Mme. Schnitzer has played it with decorative touc h esof he r own, bringing out its high ligh ts, as it were, with splashes of silverand color - a charming record ing .
1051F PALE MOON, An Indian Lnve Snng, A Flat-Logan • . . . . . . De Bert $1.50
Th e soft no te of the Ind ian flut e begi ns this eloquent utt erance which voicesth e mystery and poetic imagery of the r ed man's song of love . I t is fu ll ofima gination, and Mr . Logan has sensed its meaning an d give n il a well-nighper fect se tting in his mu sic.