& Other Lonely Places

March 15 - April 1, 2012The Off-Broad Street Theater

By: Genne MurphyDirected by: Kevin Glaccum

Kevin Glaccum Annie & Ken Goldenberg Producing Artistic Director Honorary Producers

AZUKA THEATREpresents

by GENNE MURPHY

FeaturingMARY LEE BEDNAREK KIMBERLY S. FAIRBANKS*

LESLIE NEVON HOLDEN DELANTÉ G. KEYS* JOE O’BRIEN*

Scenic & Lighting Design Costume DesignTHOM WEAVER JULIA POIESZ

Sound Design Video Design ROBERT KAPLOWITZ JANELLE KAUFFMAN

Photography Assistant DirectorCHRISTOPHER COLUCCI ADAM DARROW

Dramaturg Production ManagerMICHELE VOLANSKY TERRY SMITH

Production Stage ManagerLAUREN TRACY

Directed byKEVIN GLACCUM

World Premiere!

March 15 – April 1, 2012Azuka Theatre is a 501(c)(3) Not for profit organization

& Other Lonely Places

CASTFrankie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mary Lee Bednarek

Jeanette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Kimberly S. Fairbanks*

Megg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Leslie Nevon Holden

Jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Joe O’Brien*

Sam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Delanté G. Keys*

*Member of Actors’ Equity Association

Time & Place: Present, Philadelphia, PA.

There will be one 15 minute intermission.

Please turn OFF all electronic devices prior to the performance.Photography or recording of this production,including cellular phones, is strictly prohibited

THEATER

Azuka Theatre is a member of the Greater Philadelphia Cultural Alliance (GPCA).

Proud member of Off-Broad Street. Celebrating PhiladelphiaIndependent Theater!

Azuka Theatre is a member of the Theatre Alliance of GreaterPhiladelphia (TAGP).

Azuka Theatre proudly participates in the Barrymore Awardsfor Excellence in Theatre.

The noted Actors in this production are members of Actors’Equity Association, the union of professional Actors andStage Managers in the United States.

Yo! Yeah, I’m a Philly boy, born and reared (I like to think my accent is gone, but I’m surethere are some who would disagree!). Growing up in Philadelphia is probably not as uniquean experience as I may think it is; unique or not I do know that it has shaped me in waysI’m still discovering. It also informs the kind of theater I’m interested in making. For mostof my life it seems Philadelphia has struggled to define itself. Are we a working class cityor a big college town? Are the residents Phanatical sports fans or cutting edge medical professionals? Of course, we’re all of the above…and more. However, the desireto be a ‘world class city’ (a phrase that seems to permeate the political dialogue here)seems to reveal a city trying to find its place in the world—a situation common to the characters portrayed in the plays Azuka produces, and Hope Street and Other Lonely Placesis no exception. That’s the kind of theater that intrigues me: the search for a place, a home,a person to connect to that helps us make sense of the world and our place in it.

Producing new plays has become a hallmark of Azuka Theatre and the development ofthose works a vital part of what we do. Hope Street and Other Lonely Places began as a series of one-act plays set in very specific Philadelphia locations: Wawa, the Penrose Diner,etc. I asked Genne to incorporate those one-acts into a single full-length play, hoping shecould maintain the specificity of those singular Philadelphia locations. Wawa and the Penrose didn’t make the final cut, but the distinctive sense of place she created did. That’sone of the things I love about working on new plays, having the chance to have an impacton the final work. As a director, I’ll listen to anyone’s ‘two cents’ when working on a play(you never know where the next great idea is going to come from) so actors, designersand almost anyone that works on the production is encouraged to provide input into theprocess. Not that the play is hijacked from the playwright, but rather we gather a group oftalented, impassioned people knowing they will try and create a great piece of theater. Itcan be challenging for a playwright to turn over their work to others and have them puttheir own stamp on it, it’s scary to give up your ‘baby’, but since this is Azuka’s tenth worldpremier I like to think playwrights trust how Azuka is going to bring up their ‘kids’!

Thanks for coming and I hope that Hope Street and Other Lonely Places resonates with youas much as it did with those of us who brought it to life.

A NOTE FROM THE DIRECTOR

WHO’S WHOMary Lee Bednarek (Frankie) is thrilled to be making her Azuka debut. She was last seenin EgoPo’s The Diary of Anne Frank. She has worked with many Philly companies.Favorite previous roles include Aimee in EgoPo’s Hell, Mistress Quickly and Lady Mortimer in Lantern’s Henry IV, Part I, Joan in Flashpoint’s Far Away, and Sharla in TheatreExile’s Killer Joe which won a Barrymore for Best Ensemble. Thanks to Kevin and this incredibly talented group of artists and crew.

Kimberly S. Fairbanks (Jeanette) is delighted to be returning to work with Azuka!Recent credits include Plays & Players Theater (Claire &Miriam/The Eros Trilogy); VillanovaTheatre (Lady Bountiful/The Beaux Stratagem, Bud & Pan/Bat Boy & Medea/Medea); TheMint Theatre-Off Broadway (Hagar/10 Imaginings of Sarah & Hagar); and InterAct TheatreCompany (Denise Reeves/The Rant). In addition to her theater credits Kimberly can beseen and heard in numerous commercials, voice-overs, and independent films. Mostnotable on camera credits include the role of Gail in It’s a Miracle (PAX TV); Dr. Housemanin The Fall Before Paradise (Eden Productions) and the feature film What Happens Next(starring Wendie Malick & John Lindstrom). Kimberly is the 2011 KCACTF Irene Ryan National Finalist and the recipient of the National Partners Theatre Classical Acting Award.Kimberly earned her Master’s Degree in Theater from Villanova University.

Leslie Nevon Holden (Megg) is very happy to be making her Azuka debut. Many thanksto the cast & crew, especially Kevin. Quintessence Theatre Group’s repertory of The Venetian Twins (Columbina) and The Merchant of Venice (Nerissa). Walnut Street Theatre:The Musical Adventures of Flat Stanley (Mrs. Cartero/Others) and A Christmas Carol (Ghostof Christmas Past/Others). 2010-2011 Acting Apprentice and Touring Outreach Companymember with the Walnut St. Theater. The Philadelphia Shakespeare Theatre: HamletSchool Tour (Gertrude & Ophelia). Upcoming production: The Walworth Farce (Hayley)with Inis Nua Theatre Company. Much love always to Ava Diane, Malcolm Nelson andLola Falana. www.leslienevon.com

Delanté G. Keys (Sam) is a graduate of Arcadia University. He has been working as bothan actor and teaching artist. He has taught for People’s Light and Theatre Company, Arcadia University’s Camp Shakespeare, and Philadelphia Young Playwrights. He has appeared in The Nutcracker, What The Butler Saw, Road (Curio Theatre); The 8: ReindeerMonologues (BCKSEET); Six Degrees of Separation (Allen’s Lane Theater); Black Gold(InterAct Theatre Company); Kid Simple (Azuka Theatre); Fatebook (New Paradise Laboratories); Living News (National Constitution Center); One Flew Over The Cuckoo’s Nest(People’s Light and Theatre Company); and The Borrowers (Arden Theatre Company).

Joe O’Brien (Jack) is honored to be making his Azuka Theatre debut. Some past favoritecredits:  Fallow (Danny, People’s Light), Pardon My Invasion (Sarge, Plays and Players),Taming of the Shrew (Lucentio, Teatro delle Due), Reefer Madness (Jack/Jesus, 11th Hour).Much love and thanks to the cast and crew.  For Dennis and Matt. Don’t. Lose. Hope.

Genne Murphy (Playwright) is a Philadelphia native and playwright. Hope Street and Other Lonely Places, her firstfull-length play, was a 2011 Eugene O’Neill national conference finalist. Hope Street was first developed by AzukaTheatre in its 2009 Spotlight Series. Genne’s short plays and monologues have been featured by Azuka Theatre,Flashpoint Theatre Company, MERGE at the Annenberg, Madhouse Cabaret, the Philly Fringe Festival, and LIVE at Kelly Writers House (WXPN). Genne is co-producer of Queer Memoir, a New York City-based storytelling series, which partnered locally with First Person Arts in 2010 and the Free Library of Philadelphia in2011. She is also a recipient of a 2011 Leeway Foundation Art and Change grant. Genne earned her BFA from NYU’s

Tisch School of the Arts before returning to Philadelphia where she joined the staff of Philadelphia Young Playwrights as General and Program Manager; the organization also produced her first student play in 1999. Shecurrently resides in San Francisco. Genne thanks her parents, siblings, family and friends for their love and support.

Kevin Glaccum (Director) is Producing Artistic Director of Azuka Theatre, where he been a member since heappeared in Azuka’s first production La Rue des Faux. For Azuka he has directed productions of Act A Lady,Neighborhood 3: Requisition of Doom, Nerve, Whisky Neat, Greek Active, Kid Simple, Hedwig and the Angry Inch(Barrymore Nomination; Best Director of a Musical, Philadelphia Weekly), Azuka One-Acts, Four, The Boys and Sincerity Forever. Other credits include Say Goodnight, Gracie (Act II Playhouse) The Rocky Horror Show, Club California (Arcadia University) Iron Kisses (Philadelphia Gay and Lesbian Theater Festival) and The Shoes (Philadelphia Fringe Festival). Before turning to directing he appeared in Azuka’s productions of Metamorphosis, Friends and An Artist’s Workshop. Kevin is a member of The Lincoln Center Directors Lab. Thanksto HP.

Thom Weaver (Scenic & Lighting Designer). Previously for Azuka: Neighborhood 3: Requisition of Doom. In thearea: Wilma, People’s Light, Lantern, Walnut, Delaware Theatre Company, InterAct, Curtis Opera, New ParadiseLaboratories, Theatre Exile, 1812, Pennsylvania Shakespeare Festival, and Flashpoint Theatre Company, wherehe is Artistic Director. Other credits include: Theatre J, Two River Theatre, Cal Shakes, Children’s Theatre Company, Virginia Stage, Roundhouse, CENTERSTAGE, Folger Theater, Cincinnati Playhouse, Hangar, ClevelandPlayhouse, Syracuse Stage, Berkshire Theatre Festival, Williamstown Theatre Festival, Signature Theater Company, Lincoln Center Festival, Spoleto, Pittsburgh Public Theatre, and Yale Rep, among others. 2011 Barrymore for In the Next Room, 9-time Barrymore Award nominee, Helen Hayes nominee, and winner of the2007 AUDELCO Award. Education: Carnegie Mellon and Yale.

Julia Poiesz (Costume Designer) is thrilled for the opportunity to work with Azuka! Design credits include:Aliens (Theatre Exile), Red, White and Tuna, Speaking in Tongues (Walnut St. Theatre), 24hr The Bald Soprano (BRATProductions), Dear Edwina (Mazeppa Productions), Voices of Christmas (Theatre Horizon). Julia also designs reg-ularly for St. Joseph’s University and Upper Darby Performing Arts Center. She has a B.A. in Theater from DeSalesUniversity. Love to Mike.

Robert Kaplowitz (Sound Designer) has been lucky enough to spend the last 20 years sound designing andcomposing, and has been honored with an OBIE award for Sustained Excellence in Sound Design and a TonyAward for Fela! He’s been a Philly resident for 2 years, and has enjoyed creating designs for PlayPenn, the Arden,Interact, The Wilma, PLTC, Elastic Theatre and Act II; further flung credits include Lincoln Center, The NationalTheatre of England, The Joseph Papp Public Theatre, MTC, and Sundance. He’s also married to a former JohnDeere Catalog Model whom he loves, along with his son Niall, more than any work he’s ever done.

Janelle Kauffman (Video Designer) is a graduating senior at Drexel University. She has designed for DrexelUniversity and around the city. Credits include: 12th Nite (Drexel), Kimberly Akimbo (Theatre Horizon), Rent (11thHour/Drexel), Our Town (Drexel), Que[e]ry (Temple), and Revolution and a Sandwich (The Shakedown Project).Janelle also finds herself stage managing from time to time for shows like The Poet Laureate of Capitalism(Drexel/Riot Group), A Midsummer Night’s Dream (Drexel) and Jonathan (Shakedown Project). She looks for-ward to graduating and beginning a mess of grad school applications.

Christopher Colucci (Photography) makes sound, music, and now pictures – as a theater artist, composer andguitarist. In 2011, he received the Barrymore award for Outstanding Original Music and Sound Design for In theNext Room, or the vibrator play (Wilma Theater); and in 2010, the Outstanding Sound Design award for Azuka’sproduction of The Long Christmas Ride Home.  Upcoming projects include:  Angels in America at the Wilma; HowI Learned to Drive with Theatre Horizon, and Mr. Hart & Mr. Brown at Peoples Light. Thanks to Kevin Glaccum andthe entire Azuka organization for so many wonderful opportunities, old and new.

Avista Custom Theatrical Services, LLC (Properties). Avista was founded in 2007 as a properties design andconstruction firm. Avista specializes in custom construction, upholstery, soft goods construction, and also ownsa lighting and prop rental house in Norristown. Avista’s work has been seen at Azuka Theatre, Flashpoint The-atre, Theatre Horizon, and Drexel University. Avista is in its fifth season as resident prop team at Act II Playhouse, its third season at InterAct Theatre, and will be joining the design teams at Theatre Exile, 1812 Productions and Bristol Riverside for the 2011-12 season. Please visit avistacustom.com.

2010-11**Neighborhood 3: Requisition of Doom

by Jennifer Haley*the terrible girls

by Jacqueline Goldfinger

2009-10**Nerve by Adam Szymkowicz**The Long Christmas Ride Home

by Paula Vogel

2008-09**Kid Simple by Jordan Harrison*Whiskey Neat by Bruce Walsh

2007-08*Sweetie Pie by Madi DistefanoHedwig and the Angry Inchby John Cameron Mitchellmusic & lyrics by Stephen Trask

2006-07*Azuka One-Acts by various‘Twas the Night by Veronica GriegoTwo Rooms by Lee BlessingCo-Produced with Blue Ridge Theatre Festival

2005-06*‘Twas the Night by Veronica Griego*The Boys by Kris Elgstrand

2004-05**Laura’s Bush by Jane Martin**Four by Christopher Shinn

2003-04*An Artist’s Workshop

conceived and created by Alden Moorewritten by Raelle Myrick-Hodges

2001-02**Sincerity Forever by Mac Wellman**Friends by Kobo Abe

2000-01**Polaroid Stories by Naomi Iizuka

1999-2000*Trouble With Bohemia

by Raelle Myrick-HodgesMetamorphosis by Franz Kafkaadapted by Steven Berkoff

1999*La Rue des Faux by Raelle Myrick-Hodges

adapted from James Baldwin’s Giovanni’s Room

*World Premiere **Philadelphia Premiere

PAST SEASONS

the terrible girls (2011) Nerve (2010) Kid Simple (2008)

Hedwig and the Angry Inch (2008) The Long Christmas Ride Home (2009) Four (2005)

Michele Volansky (Dramaturg) is an Associate Professor of Drama at Washington College (MD), from which sheearned a B.A. in English. She is also an Associate Artist and Dramaturg for PlayPenn, the annual new play development conference based in Philadelphia. She has worked on over 150 new and established plays in herprofessional career. Her work on Sam Shepard’s rewrite of Buried Child (directed by Gary Sinise) and Dale Wasser-man’s One Flew Over The Cuckoo’s Nest (directed by Terry Kinney and starring Gary Sinise) earned her two Broad-way credits and participation in the Tony Award for Best Revival of Cuckoo’s Nest. She has guest dramaturged at Philadelphia’s Arden Theatre Company, Theatre Exile, Azuka Theatre and 1812 Productions aswell as at South Coast Rep, the Atlantic Theatre Company, Victory Gardens and Next Theatre, in addition to herstaff time at Actors Theatre of Louisville (1992-95), Steppenwolf Theatre Company (1995-2000) and PhiladelphiaTheatre Company (2000-2004). Dr. Volansky has served as an artistic consultant for the TCG playwright residency program, a reader for the Eugene O’Neill Center’s National Playwrights Conference, as well as a grantsreview panelist for Philadelphia-area arts organizations. She is the 1999 inaugural co-recipient of the ElliotHayes Award for Dramaturgy and was the President of LMDA, the Literary Managers and Dramaturgs of theAmericas (2002-2004). Volansky’s book on playwriting and collaboration with Bruce Graham entitled The Collaborative Playwright was published in March, 2007 by Heinemann Press. She holds an M.A. from VillanovaUniversity and a Ph.D. from the University of Hull (England); her dissertation explored the intersection of theater and politics in the work of critics Kenneth Tynan and Frank Rich.

Adam Darrow (Assistant Director) is extremely grateful for the opportunity to work here at Azuka. Adam is agraduate of Arcadia University where he studied Theatre and French and performed in The Glass Menagerie,Criminal Hearts, and The Rocky Horror Show, amongst others. Additional credits include As You Like It (TheatreHorizon), The Last Sunday in June (Quince Productions), and Twelfth Night (Magic Circle). Many thanks to Kevin,this amazing cast and crew, Amanda, David, Kara, and Mom, for all your love and support.

Lauren Tracy (Stage Manager) is thrilled to be returning for another season with Azuka! She stage managedNeighborhood 3: Requisition of Doom and the terrible girls last season as well as Act A Lady this year. Other localcredits include This Is How It Goes (Room 6 Theatre), The Winter’s Tale (Delaware Shakespeare Festival), A Christmas Carol (Walnut Street Theatre). She served as the ASM for Art (Act II Playhouse). She also serves at theProduction Manager for Plays & Players Theater. She’s a graduate of Syracuse University’s Stage Managementprogram. Thank you to Kevin and everyone else at Azuka, her parents, friends, and Andrew for all of their support.

Amy Harting (Assistant Stage Manager) is excited to be working with Azuka for a second time! After graduating with a Chemistry degree, she got her start in performing arts while working on Hidden City Philadelphia. Since then she has gone on to work with the amazing companies of Theatre Horizon, FlashpointTheatre Company, Theatre Exile, White Box Theatre, Philadelphia Theatre Company, Live Arts Festival and PhillyFringe, and the Kimmel Center. When she’s not in a theater, she likes to go to the movies and watch TV on DVDfor hours. Thank you to the Philly theater community for being so wonderful!

Michael Troncone (Technical Director) is ecstatic to be TDing his 4th consecutive show with Azuka Theatre. Herecently TDed for Theatre Exile’s Knives In Hens. He has also done work for the Walnut Street Theatre, BristolRiverside Theatre, BRAT Productions, TSunPCo, PTC, 11th Hour Theatre Co., The Philadelphia Live Arts Festivaland many other theater companies in Philadelphia.  Love to Julia for all her support.

WHO’S WHOContinued from Page 7

Azuka Theatre1636 Sansom StreetPhiladelphia, PA 19103Phone (215) 563-1100 Fax (215) 563-2100

Welcome toour new home!

BOARD OF DIRECTORS 2011-2012David Fedor - PresidentHeather Evans - Vice-PresidentAndrea Sheaffer - TreasurerMark Andrews - SecretaryNatalie DienerKevin GlaccumBrian MooreAdam Travia

AZUKA THEATRE STAFFGeneral ManagerNatalie DienerProducing Artistic DirectorKevin GlaccumDirector of MarketingMark H. AndrewsArtistic AssociatesAllison HeishmanMike DeesProduction ManagerTerry Smith

PRODUCTION CREWTechnical DirectorMike Troncone

Assistant Stage ManagerAmy HartingCarpentersJay Wojnarowski, Joe Wozniak, Bill ZielinskiScenic PainterKristina ChadwickMaster ElectricianLucas NguyenElectricianScott Cocchiaro

CREDITSPhoto CreditJohanna Austin/AustinArt.orgGraphic DesignMark H. Andrews & Derek CarnegieIT, Website Design & MaintenanceAndrew NelsonPrintingQuaker Printing

SPECIAL THANKSKate Tejada, Tyler Melchior & everyone at 1812 Productions, Roy Harker, Pete Wool, Joe Chapman, and Tanya Ward from First Baptist Church; Glen Knapp, Amy Hodgdon andPhiladelphia Young Playwrights; Michael V. Erwin;Kelly Dunham; Clifford Greer & Andrew Cowles

STAFF & CREDITS

WELCOME TO OUR NEW DINING PARTNER!

Present your ticketfrom this show to receive

a free soup or salad and dessertwith the purchase of an entree!

1421 SANSOM STREET | 215.568.3131

FOUNDATIONSUPPORTWilliam Penn FoundationThe Wyncote FoundationThe Lida FoundationVirginia and Harvey Kimmel ArtsEducation FundPartners for Sacred SpacesCarole Haas/LM Charitable GiftTrust

PRODUCERS CIRCLEHonorary Producer Annie & Ken GoldenbergHarnelin MediaAnonymousProducer Louis Bluver Dan & Christiane GeislerBob & Sue Ann MarburgElizabeth A. O’DonnellAssociate Producer David FedorMatthew & Marie GarfieldMichael NorrisAndrea Sheaffer

INDIVIDUAL SUPPORTDreamer($1000 - $2500)Patrick & Robin Tracy

Optimist($500 - $999)Karen & David Jones

Idealist($100 - $499)Robert & Mary Anne

AndrewsPatrick BellMartin BodtmannMarie ContiNatalie DienerHeather EvansMarie T. FeehanMichael & Jill FeighanDan GannonGreg GephartBryan & Kathy GlaccumMaureen GlaccumStephen HeishmanBetsy & Ted HershbergStephen & Jane HeumannKate & John KerriganTom Korman & Ann KirschnerNoris W. MalveyRobert MandelDan PerelsteinLee PorterWilliam F. RahillDito van ReigersbergJohn TobinLee Cooper Van de VeldePeter WoolAnonymous

Realist(up to $99)

Judy Adamson & Fred JackesRalph Andracchio &

Daniel Kelly Todd Armstrong

Gail BourguignonTony BraithwaitePearl CarpelDaniel CheeverChristopher ClineQuinn EliTony & Sue FaillaceMolly FrantzPat & Narinder GargAmber GaynorTerry GuerinElizabeth G. Hersh &

Greg H. GoldmanDavid JadicoJohn Holt & Nancy GableJoann & Michael KeanJean MarkovitzChristopher McCarrickBrian MooreAntonio MunizJudie NodlerSara PillingTom ShotkinRichard St. ClairAnonymous

(List complete as of March 6, 2012)

Azuka Theatre thanks all of our donors for their continued support of the work we do. If you have questions about supporting Azuka, please call Kevin Glaccum at215.563.1100

SUPPORT

Azuka Theatre is a proud participant in the Melissa Lynch Theater Memorial Fund for Saint Hubert’s, a Philadelphia Theater Community-wideeffort to raise funds for the drama club and theatre at Melissa’s highschool alma mater, St. Hubert Catholic High School For Girls.All proceeds directly benefit St. Hubert’s in Mel’s name and honor.

If you are interested in making an individual contribution, checks can bemade payable to “St. Hubert Catholic High School For Girls”, with“Melissa Lynch Theater Memorial Fund” noted in the memo line, and canbe sent to:

St. Hubert Catholic High School For Girls7320 Torresdale AvenuePhiladelphia, PA 19136

Thank you for your consideration of joining the effort to honor such a wonderful actor, person and friend.

ON STAGEWinter 2011 - 2012

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