holyland adventure park

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    holylandadventurepark

    bycolehayley

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    “holyland adventure park”

    a short play by cole hayley

    draft 5.1

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    parishioners:

    e l i z a

    s e a r c h i n g …

     w o m a n

    u s e d u p .

    t h e w o m a n

    f o r g o t t e n

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    the following events occur somewhere innewfoundland, canada, during the 1990s.

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    (1)

    “father, son”

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    (1)

    Complete darkness. A whisper.

    VOICE OVER:

    What is your name?

    My name is Eliza.

    No.

    No?

    No. Your name is Woman. Where do you come from?

     A small town. A hundred kilometers back. It's by -

    No.

    What’s wrong?

    You were just born. You died in the Valley. You've been

    saved, you just woke up. You have no name. No titles. No

    possessions. You are blank.

    What is his name?

    MAN. He created this place for us. The world was shrinking

    and we flew to the receding edge, headed towards the ocean

    like lemmings - he scooped us up - he planted us and we

    grew. The only thing you need to know about this land is

    that Heaven is at arm's reach.

    A spotlight on downstage center. Eliza brought to

    life. She begins to speak - to recite - her poem

    ELIZA

    There is a weed that cannot be plucked

    Other weeds surround it,

    The kind common to you and I,

    The kind that are susceptible to the grasp and jolt

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    Of a Gardener's hand, or to the wrath of a whacker

    But there is one pesky weed that cannot be plucked,

    Whacked, cut, or removed at all, no matter how

    Vigorous the method

     And I see it growing

    Straight

    Crooked

    Sideways

    Twisted

    The other weeds, the other forms of vegetation

    They get vibrant, their faces get dull, they go from

    Small to big to small again

    Seeds to dust

    But this one pesky weed

    Does not change height

    Does not change color

    Black and towering

    Shaped like a Vulture's neck in prayer

    Centered in a field that is living and dying

    Without ever accomplishing one of those

    States itself

    Well, where do I fit into this vision?

    The way I see it there are two variations

    One where I am the only one in the whole world who can

    Remove the weed; with it gone the field stays a single

    Color, a constant height; it has a consistent level of

    Life

     Another where I sit cross-legged in the field, the

     weed

    Growing through my thigh, the skin that broke around

    it

    Turning dark, no blood, instead century old ash flakes

    Off

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    During Eliza's recital a second spotlight forms,

    WOMAN is standing by a counter. She is filling a

    kettle. As Eliza is finishing her spotlight

    begins to lessen and marries the spotlight that

    was on the Woman. The whole stage is now in view.

    An old kitchen table - a small counter - two

    chairs - a lamp - a old window frame.

     WOMAN

     Are you going to read that tonight?

    ELIZA  

    I don't know. It's a bit old, but I don't have

    anything else to perform. I've never been one to

    properly write under pressure. To be honest, I'venever been one to properly write at all.

     WOMAN

    Tonight is very important, you understand that?

    ELIZA

    Yes. Some of the other women told me horror stories.

     WOMAN

    Who have you been talking to?

    ELIZA

    The ones who knit all day. I've been amazed by them.

    They're machines. You all have so much clothing -

    socks, hats, even scarfs for the winter. Do they ever

    stop?

     WOMAN

    Through laughter

    Listen, they're far too cynical. Then again, if my

    greatest offering was my dexterity, I too would be a

    bit sour.

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    The kettle cries. Woman walks towards it. Picks

    it up. She pours two cups of tea.

    I'll tell you what; the worse thing that will happen

    to you if you disappoint him tonight is that you will

    become one of the women who knit. No one has been

    turned away for a lack of talent.

    The Woman walks to the table, laying the two cups

    down.

    Sit with me, have some. It will help. Everyone is

    nervous their first night.

    ELIZA

    Thank you.

     WOMAN

    I take it that you are not a strong singer.

    ELIZA

    What makes you think that?

     WOMAN

    You're reciting poetry for him. Poetry is hardly the

     most seductive thing you can do with your mouth.

    Eliza, surprised, a bit bashful, quickly drinks

    her tea. She burns her mouth.

    Eliza

     Ah -

     WOMAN

    It's too hot to drink yet!

    Pause

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    You weren't expecting me to say that, were you? The

    other women got you spoiled.

    Pause

    You should listen to me. He doesn't care for

    intellectuals. He's the smartest person to ever

    breathe Newfie air - the most holy too - so don't get

    him doubting that. It's best if you just sing a song,

     maybe bat those eyes. Bewitchment is no sin if you are

    not a witch.

    ELIZA

    I can't sing.

     WOMAN

    Then good luck with your poem.

    The Woman moves towards center stage.

    I remember the look he gave me after I finished my

    song.

    The Woman starts to sing "The Man I Love". She

    Breaks

    What is the meaning of your poem?

    Eliza starts to muse. She becomes poetic in her

    delivery. Woman stares with a silent comedic

    expression.

    ELIZA

    I wrote it a long time ago when I was scared. If I

    could sing I would of sung it - I would of sung it

    every blessed day I was in the Valley. Before I was

    born again, before I was here - when dark took jagged

    shapes, like the Rockeys, and snow fell even indoors.When I was stuck there, in that terrible place, and

    all I could do was fantasize and write. Write and

    daydream. Centuries toppled every time I put my pen to

    paper, I avoided the present, I snuck out of time, I

    skipped right to the end and then back right to the

    start. Then, as everything began right in front of me,

    I saw a woman take form, beaming of ardor I thought

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    impossible. Her spirit was visible and quivering, but

    not from fright, it pulsated of grace. There was fire

    above her head, and soon, as she got nearer to me, in

    the dark... in that dark terrible place, I saw the

    harden face of the mountains become papered. I saw

    them slowly start to burn, generating daylight. Then

    the sun, squeaky as it was, began to be cranked. We

    stood there basking in Day and she told me about this

    land, about him. After that I had no more need for

    poetry, or fantasy, or my name.

     WOMAN

    The Valley seems awful. Snowstorms indoors. Volcanic

    activity and the like. Not to mention fields littered

     with black weeds.

    ELIZA

    There was nothing in that valley. Blank.

     WOMAN

    Jeeringly

    You are from the Bay right? I heard there’s some pesky

     weeds out that way.

    ELIZA

    Decisive

    I was born here.

     WOMAN

    Of course, of course... your tea should be fine now.

    Eliza takes a sip

    How is it?

    ELIZA

    It's fine. What kind is it exactly?

     WOMAN

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    Blueberry.

    ELIZA

    Well, it's tasty. You haven't had any of yours yet?

     WOMAN

    I miss coffee. Tea is good, but it's not coffee. What

    kind of Holyland is dry? No wine, no coffee.

    ELIZA

    How long have you been here?

     WOMAN

    Four years. Almost five. I'm the oldest and the least

     wise.

    ELIZA

    I think you're very wise.

     WOMAN

    You haven't been around long enough to know. When you

    have spent some time here, some time more than a

    couple of days, you'll see how dumb you are capable of

    being. You start thinking things that don't make any

    sense, and then you'll start doing things that don't

     make any sense. And soon enough you'll end up being as

    clever as the women who knit all day.

    ELIZA

    You work with the cows, right?

     WOMAN

    I do.

    ELIZA

    That's admirable. It takes patience and skill to work

     with animals. I used -

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     WOMAN

    I used to look after him. I didn't spend all day

    hauling at cow tits.

    ELIZA

    Without you there will be no milk for the morning. I

    am sure he appreciates that, I am sure he knows your

     worth.

     WOMAN

    Knows my worth?

    Woman laughs

    You haven't met him yet, have you?

    ELIZA

    I haven't laid my eyes on him.

     WOMAN

    Well love, he got bored of me. I was his favourite. I

    slept with him in his room, I ate his food, my neck

    bore the imprint of his breath. I guess he saw my ass

    too much because now he’s got a new favorite. But his

    eye is starting to skitter, soon enough he'll take to

    a new girl. Maybe it'll be you.

    Silence

    Where are you from?

    ELIZA

    I was born he-

     WOMAN

    You don't need to pull that with me. Who are you

    running from?

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    ELIZA

    No one.

     WOMAN

    Okay. What are you running from?

    Pause

    Nobody finds this place by choice, that's all I'm

    saying. Something happened to you or something was

     missing. God knows I didn't choose this.

    Pause

    More tea?

    ELIZA

    You still haven't touched yours.

     WOMAN

    I didn't ask if I wanted more tea

    The Woman walks over to the kettle, she turns the

    burner on

    Was the kind you had before any good?

    ELIZA

    Yes.

     WOMAN

    Did it taste like blueberries?

    ELIZA

     A lot like blueberries. Is there a patch around?

    The Woman walks towards the window frame

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     WOMAN

    There's some just out that way, over by the side of

    the shed. You can't see it well from here but they're

    there.

    Eliza joins the Woman at the window

    That's where he'll take you tonight, the shed. Funny,

    it's about the same size as this house and a hell of a

    lot nicer. When I think, "shed" I think something

    stained with Moose guts and covered in sawdust,

    somewhere the wind can sneak on through - cold, damp,

    brutal. That ain't a shed. It's built sturdy, it's on

    solid ground. A couple pews inside and a nice mural he

    painted, the floor carpeted and all.

    The Woman faces Eliza

    You know the other women will be watching you tonight,

     watching you with your poem. They all want the same

    thing as you, be weary of that.

    The kettle starts going off. The Woman turns back

    and looks out the window. Eliza goes to take it

    off the burner

    Did you want to go see the blueberries? I'll take you,

    but only if you really want to. Only if it causes you

    to die of joy.

    ELIZA

    It's getting dark. Tomorrow perhaps?

     WOMAN

    Yes, it is almost dark. The days are so short now.

    Silence

    Your tea!

    The Woman goes to the kettle. She pours up tea

    for Eliza.

    ELIZA

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    Thank you

     WOMAN

    Do you like playing cards?

    ELIZA

    I wasn't sure that type of thing was allowed around

    here.

     WOMAN

    If there is no money involved then it's no business of

    the Devil, is it?

    ELIZA

    I suppose not.

     WOMAN

    Do you know how to play Eights?

    ELIZA

    Yes.

     WOMAN

    Is it popular where your from? Did you play with with

    your Mom and Dad?

    Silence

    Well

    Both women sit at the table. Woman begins

    shuffling the cards.

    This is all we ever done when I was growing up. Friday

    and Saturday nights; I'd play cards with Mom, Dad and

     my sisters.

    She deals, one by one, until they both have

    eight.

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    Sometimes after school I'd play with a few boys who

    lived near my house. They weren't too crazy about

    eights, at least that's what they told me. They liked

    their cards though, they liked playing poker -

    sometimes they'd play strip poker.

    Pause

    They'd say to me, "Mary, if you play with us, and you

     win, we'll give you two dollars each". Now, I was

    eleven at the time, they were sixteen. I kept telling

    them no. And for eleven, I had a lot of resolve.

    But...

    Pauses to remember

    Persistence, boredom, naiveté, curiosity... mix that

     with a good ol' game of cards and before I even turnedtwelve I was getting naked with older boys.

    Playing the game.

    I got my first boyfriend not long after that. He was

    nineteen, I was twelve. Everyone thought it was all

    alright, normal even. Maybe it was.

    Silence

    Pick up two.

    ELIZA

    No one said a word?

    Awkward silence

    Change it to spades.

     WOMAN

    Son of a -

    ELIZA

    Were you nervous?

     WOMAN

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    I wasn't. I knew what I was getting into. I knew what

    he wanted, what he was looking for.

    ELIZA

    Who told you about this place?

     WOMAN

     A woman. She passed through town. She talked a lot

    about salvation. A lot about a pretty man outside of

    the city who used a lot of pretty words and was

    looking for pretty girls. She was what we call a

    herder.

    ELIZA

    I called her Lady Fire.

     WOMAN

    Red hair.

    ELIZA

    No one in town had anything close to that color.

     WOMAN

    You mean the Valley?

    Pause

    I'm getting there. Mine's getting darker.

    Silence

    ELIZA

    Why do all the girls have red hair?

     WOMAN

    He likes it. He gets dye brought in from the city

    every once in a while, for the new ones. If you're

    here your hair is red.

    ELIZA

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    I don't think it will look any good on me

    WOMAN

    You're stunning. Don't get on with that foolishness.

    If only I was as pretty as you, maybe -

    Silence

    ELIZA

    What is he like?

     WOMAN

    He's everything she said. Beautiful. Smart, not as

    smart as you, but smart. Holy - in his own way - he's

    holier than the whole island.

    ELIZA

    I'm terrified of boring him.

     WOMAN

    It's strange.

    Eliza

    What is?

     WOMAN

    It's strange how much of a myth he is to you. You've

    never seen him - you only can go by what the other

     women say.

    Eliza

    So what do you say?

     Woman

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    He's a god... some of the time. But that lessens the

     more you're around him. Don't worry about being

    boring, worry about being a burden. You'll feel like a

    burden in ways you never thought possible.

    ELIZA

    Focus back on the game

    Skip.

     WOMAN

    Why did she talk to you?

    ELIZA

    What?

    The Woman knocks on the table

     WOMAN

    One card. Why did she talk to you? The herder. The

    lady with fire above her head. Lady Fire.

    ELIZA

    I don't know.

     WOMAN

    She's been told to only talk to those who are looking

    for something. The girls with a reputation. The one's

     whose names are on the tip of everyone's tongue...

    Eliza. What did you do?

    ELIZA

    I did nothing and I don't know that name.

     WOMAN

    You did something, you little shit. What was it?

    ELIZA

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    Nothing.

     WOMAN

    With a half-smile

    Did you hang the family cat?

    Silence.

    Did you drown a dog?

    Silence.

    Have you killed someone?

    Silence.

    Did you fuck the priest?

    Silence.

    Did you masturbate with the crucifix? Did you -

    Eliza slams her hand on the table

    ELIZA

    Half-ashamed

    One card! One time! I chose passion over sense, that's

    it!

     WOMAN

    Vague.

    Pause

    So you fucked a man who had a wife?

    Eliza doesn’t respond.

    What was his name?

    ELIZA

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     Andrew.

     WOMAN 

    You heathen.

    Silence

    I fold.

    The Woman lays her cards down. She grabs her tea

    and walks towards the window. After a prolonged

     period of silence, she speaks.

    He asked me to leave.

    ELIZA

    Composing herself

    Why?

     WOMAN

    To be a herder. To be a herder and to no longer be a

    pastoralist. Nor a lamb. I'll bring more girls to him,

    other girls.

    ELIZA

    Isn't that an honor?

     WOMAN

    It's not a promotion. I'm being relieved. My holy duty

    done. I fucking loved him.

    ELIZA

    What if you pleaded?

     WOMAN

    He does not change his mind.

    ELIZA

    Well do they ever come back?

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     WOMAN

    No... well, one did, one time, but he turned her away.

    Said she spent too much time off of the land. Poison.

    He said she was poison.

    The Woman finally takes a sip of her tea, now

    cold.

    The night I sung for him some of the others sung too,

    one girl even made a couple of our rabbits disappear,

    a real life magician. But that night he came to me,

    not to them, but to me. He brought me back to his room

    and we ate. We ate each other. Nothing was spared, if

    the Lord is up there he pulled the blinds down on us

    that night. That night we were ravenous. The things we

    didn't do to each other.

    The Woman turns to Eliza

    What is the weed? The giant weed? Black and towering?

    ELIZA

    Death. It rots the land so you move from the land. To

    a new field.

     WOMAN

    You're here because you're afraid of dying. Is that

    it? Not because you repent, but because you're scared

    and you want salvation.

    ELIZA

    Does it matter why I am here?

     WOMAN

    No, I suppose not.

    Pause

    He can't save you from that.

    ELIZA

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    Maybe not.

     WOMAN

    Recite it again for me? Will you?

    ELIZA

    No.

     WOMAN

    Good. Save your voice. There is a weed that cannot be

    plucked. I should do something about it.

    The Woman looks visibly shaken. She starts

    clawing at her face. Grasping at her throat. Shestumbles

    ELIZA

    What’s going on? Are you okay?

     WOMAN

    Blueberries. What a strange allergy. Salicylates.

    Blueberries and Aspirin. I was here too long. I could

    have sworn I wasn't alone.

    ELIZA

    Hold on!

    Eliza starts yelling out. No one responds. Woman

    is lifeless. Lights fade.

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    (2)

    “the holy spirit”

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    (2)

    The lights are brought up. Eliza sits at the

    table. A woman walks towards her with a cup of

    tea.

    THE WOMAN

    Tea?

    ELIZA

    No thank you.

    THE WOMAN

     Alright. How are you feeling?

    ELIZA

    I feel fine.

    THE WOMAN

    I'm sorry that this has been your introduction to us.

    This does not happen often.

    ELIZA

    Often?

    THE WOMAN

    You were great last night. Real brave of you to read

    after the day you had.

    ELIZA

    Thank you.

    THE WOMAN

    What do you think of him?

    ELIZA

    I don't know what you're getting at.

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    THE WOMAN

    Everyone knows he came to you last night.

    ELIZA

    Do they?

    THE WOMAN

    The women are curious.

    ELIZA

    Unconvincing

    I like him.

    THE WOMAN

    Like?

    ELIZA

    Sorry... I'm just a bit took back by it all.

    THE WOMAN

    It's okay. I know what it's like. Being caught up with

    it. With him. You should of saw his face after I sung

     my song. I was his favorite too.

    ELIZA  

    Really?

    THE WOMAN

    Yes. Do you write often?

    ELIZA

    I wrote something this morning.

    THE WOMAN

    When you woke up?

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    ELIZA

    Yes.

    THE WOMAN

    Remembering, fondly

    I know that feeling. The inspiration that takes you

    after your first night together... Will you read it to

     me?

    ELIZA

    I don't think so.

    THE WOMAN

    Please, I really want to hear it.

    ELIZA

    I really don’t –

    THE WOMAN

    Please.

    ELIZA

    Okay.

    Eliza moves to center stage.

    There was a weed that could not be plucked

     And I thought I had done it

    I thought the roots finally gave

    I took the hole that remained

     As reassurance

    It was over. I won.

    But out of that hole something with legs

     And arms crawled out

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    In the sun now,

    With proper air,

    Its size began to double, triplify even

    Our land was rotted regardless

    What choice did I have?

    Mom, if I had to watch you die

    Once more, this time for real,

    This time without the help

    Of Auntie's prescriptions

     And Dad's big hand,

    This time with the help of

    Proper drugs and proper needles

     And a proper man with a

    Doctorate

    I would have probably, properly died

    So I found you,

    I already found him

    But he is too far away,

     And to be quite truthful I

    Have become quite cynical

     And I doubt the universe even

    Could hold another being that has

    Managed to fail me, even if omnipotent

     And Andrew I am talking about you

    If you are man enough to fuck me you're

    Man enough to leave her too

    So here, my Messy Messiah,

    I came on a promise from

     A woman who gave me hope

    For the first time in

     A long time

    I read a poem for you

    On the advice of someone

    I barely knew I batted my eyes

     And you came to me,

    In the middle of the night

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    SILENCE

    THE WOMAN

    He asked me to leave.

    Lights out.

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