Dali Atomicus, 1948, gelatin silver print, Philippe Halsman Archive.

Dali with Rhinoceros (in CBS Studio), 1956, gelatin silver print, Philippe Halsman Archive.

Girl’s Back, 1926, oil on panel, Salvador Dalí Museum, St. Petersburg, FL.

Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone, 1938, oil on canvas, Museum of Modern Art, New York, NY.

Transparent Simulacrum of the Feigned Image, 1938, oil on canvas, Albright Knox Gallery, Buffalo, NY.

Madonna of Port Lligat, 1950, oil on canvas, Fukuoka City Art Gallery, Fukuoka, Japan.

Madonna of Port Lligat (First Version), 1949, oil on canvas, Haggerty Museum of Art, Marquette University, Milwaukee, WI.

Ruby Lips, 1949, 18K yellow gold, rubies, and pearls, Primavera Gallery, New York, NY.

Starfish Brooch, 1950, jewelry, private collection, Wayzata, MN.

Christ of St. John of the Cross, 1951, oil on canvas, Kelvingrove Art Gallery and Museum, Glasgow, Scotland, UK.

Portrait of Jack Warner, 1951, oil on canvas, Syracuse University Art Galleries, Syracuse, NY.

Assumpta Corpuscularia Lapislazulina, 1952, oil on canvas, Coleccion Masaveu, Oviedo, Spain.

The Maximum Speed of Raphael’s Madonna, 1954, oil on canvas, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.

Equestrian Fantasy: Lady Dunn-Beaverbrook, 1954, oil on canvas, Beaverbrook Art Gallery, New Brunswick, Canada.

The Lacemaker, 1954-1955, oil on canvas, Metropolitan Museum of Art, New York, NY.

Paranoiac-Critical Study of Vermeer’s “Lacemaker,” 1955, oil on canvas, Solomon R. Guggenheim Museum, New York, NY.

Galatée, 1954-1956, oil on canvas, private collection, Brussels, Belgium.

The Skull of Zurbarán, 1956, oil on canvas, Hirshhorn Museum and Sculpture Garden, Washington, DC.

Santiago El Grande, 1957, oil on canvas, Beaverbrook Art Gallery, New Brunswick, Canada.

Don Quixote (A): The Atomic Era, 1957, lithograph, High Museum of Art, Atlanta, GA.

Don Quixote (C): Don Quixote Overwhelmed, 1957, lithograph, High Museum of Art, Atlanta, GA.

Don Quixote (H): Don Quichotte, 1957, lithgraph, High Museum of Art, Atlanta, GA.

Portrait of My Dead Brother, 1963, oil on canvas, Salvador Dalí Museum, St. Petersburg, FL.

Fifty Abstract Paintings which as seen from two yards change into three Lenins masquerading as Chinese and as seen from six yards appear as the head of a royal Bengal tiger, 1963, oil on canvas, Fundació Gala-Salvador Dalí, Figueres, Spain.

Portrait of Gala (Gala Against the Light), 1965, oil on panel, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.

Marlyn/Mao, 1967, gelatin silver print, Philippe Halsman Archive.

Marilyn/Mao Variant (Mao with Marilyn’s mouth for eyes), 1968, Philippe Halsman Archive.