hitman blood money prima official guide

PRIMA®

OFFICIAL GAME GUIDE

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PRIMA Official Game Guide

Michael Knight

Prima GamesA Division of Random House, Inc.

3000 Lava Ridge Court, Ste. 100Roseville, CA 95661

1-800-733-3000www.primagames.com

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PRIMAOFFICIALGAMEGUIDE

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The Prima Games logo is a registered trademark of Random House, Inc., registered in theUnited States and other countries. Primagames.com is a registered trademark ofRandom House, Inc., registered in the United States.

© 2005 by Prima Games. All rights reserved. No part of this book may be reproduced or transmitted inany form or by any means, electronic or mechanical, including photocopying, recording, or by anyinformation storage or retrieval system without written permission from Prima Games. Prima Games is adivision of Random House, Inc.

Product Manager: Todd ManningEditor: Rebecca ChastainDesign: José de Jesus RamírezLayout: Keating Design

© 2006 IO Interactive A/S. Developed by IO Interactive.Published by Eidos, Inc. Hitman, Hitman Blood Money, Eidosand the Eidos logo are trademarks of SCi EntertainmentGroup. IO and the IO logo are trademarks of IO Interactive A/S.All rights reserved. The ratings icon is a registered trademarkof the Entertainment Software Association.

All products and characters mentioned in this book aretrademarks of their respective companies.

Please be advised that the ESRB Ratings icons, "EC," "E,"“E10+,” "T," "M," "AO," and "RP" are trademarks owned by theEntertainment Software Association, and may only be usedwith their permission and authority. For informationregarding whether a product has been rated by the ESRB,please visit www.esrb.org. For permission to use the Ratingsicons, please contact the ESA at esrblicenseinfo.com.

Important:Prima Games has made every effort to determine that theinformation contained in this book is accurate. However, thepublisher makes no warranty, either expressed or implied, asto the accuracy, effectiveness, or completeness of thematerial in this book; nor does the publisher assume liabilityfor damages, either incidental or consequential, that mayresult from using the information in this book. The publishercannot provide information regarding game play, hints andstrategies, or problems with hardware or software. Questionsshould be directed to the support numbers provided by thegame and device manufacturers in their documentation.Some game tricks require precise timing and may requirerepeated attempts before the desired result is achieved.

ISBN: 0-7615-5327-4Library of Congress Catalog Card Number: 2006900314

MICHAEL KNIGHT has workedin the computer/video gameindustry since 1994 and hasbeen an author with PrimaGames for 10 years, writingover 60 guides during thistime. Michael has used bothhis degree in Military Historyand experience as a highschool teacher to formulateand devise effectivestrategies and tactics for hittitles such as the Tom Clancy's Rainbow Six and Hitmanseries. He has also authored several titles in the Star Warsuniverse including Star Wars Republic Commando, Star WarsEpisode III: Revenge of the Sith, Star Wars Battlefront II, andStar Wars: Empire at War. Michael has also developedscenarios/missions and written game manuals for SSI, RedStorm Entertainment, and Novalogic.

When he is not busy at work on an upcoming strategyguide, Michael likes to spend time with his wife and four childrenat their home in Northern California. It was with their help thatMichael used his abilities and experience to write threetravel/strategy guides on Disneyland and Southern California, inwhich he developed tips and hints to help vacationing familiessave time and money while maximizing their fun.

We want to hear from you! E-mail comments and feedbackto [email protected].

AcknowledgementsThe author would like to thank Rebecca Chastain and Todd Manningfor helping make this book a reality.

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Introduction _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 4My Memoirs _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 4

Assassination 101 _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 5Required Skills and Abilities_ _ _ _ _ _ _ _ _ _ 6Completing the Assignment _ _ _ _ _ _ _ _ _ 10Reflections After the Mission _ _ _ _ _ _ _ _ 12

Tools of the Trade _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 13Custom Weapons _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 14Standard Equipment_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 16Standard Weapons _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 17

Mission 01: Death of a Showman_ _ 22The Training Mission_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 23Making the Hit _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 23

Mission 02: A Vintage Year_ _ _ _ _ _ _ _ 26Mission Briefing _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 27Making the Hit _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 28Alternatives _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 32

Mission 03: Curtains Down _ _ _ _ _ _ _ 34Mission Briefing _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 35Making the Hit _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 37Alternatives _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 41

Mission 04: Flatline _ _ _ _ _ _ _ _ _ _ _ _ _ 43Mission Briefing _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 44Making the Hit _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 46Alternatives _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 51

Mission 05: A New Life _ _ _ _ _ _ _ _ _ _ _ 52Mission Briefing _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 53Making the Hit _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 54Alternatives _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 58

Mission 06: The Murder of Crows_ _ 60Mission Briefing_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 61Making the Hit _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 63Alternatives _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 67

Mission 07: You Better Watch Out . . . _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 69

Mission Briefing _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 70Making the Hit _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 72Alternatives _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 76

Mission 08: Death on the Mississippi _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 77

Missing Briefing _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 78Making the Hit _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 79Alternatives _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 84

Mission 09: . . .Till Death Do Us Part _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 86

Mission Briefing _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 87Making the Hit _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 88Alternatives _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 91

Mission 10: A House of Cards _ _ _ _ _ 94Mission Briefing _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 95Making the Hit _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 97Alternatives _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 101

Mission 11: A Dance with the Devil _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 103

Mission Briefing _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 104Making the Hit_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 106Alternatives _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 111

Mission 12: XXV Amendment_ _ _ _ _ 113Mission Briefing _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 114Making the Hit _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 116Alternatives _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 120

Mission 13: Requiem (Spoiler) _ _ _ 123

Contents

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My name is not important. I am often referred to by mycodename—47. Over the years, I have gained a reputation asthe world’s deadliest assassin. Some people consider me thebest, but I don't really care. I am not after glory orrecognition. In fact, I would rather have neither. The bestassassin, in my opinion, is the one who doesn'tappear to exist—or at least one considered onlyan urban legend. I was created to be anassassin. I was trained to be an assassin.That is why I do it. I also like a challenge. Themoney is a nice bonus. However, spendingmoney attracts attention I can't afford.

An assassin is the ultimate hunter.He hunts the ultimate game—otherhumans. As a result, the hunter oftenbecomes the hunted.

MY MEMOIRSI have organized these writings into sections so they aremore easily referenced by those desiring to understandassassins or follow in my footsteps. The first section,"Assassination 101," covers the basic skills and tactics Iused during my career. They worked well for me and will forothers as well. The "Tools of the Trade" section providesinformation on the weapons and items I used for myassignments.

The following section contains the stories of 13 of myfavorite or most-challenging assignments. Each containsinformation on the targets, a list of my objectives, maps ofthe area, and a narrative of how I completed the hit. Inaddition, I have included some alternate ways I might havecompleted each mission to illustrate that there is rarely asingle way to assassinate a person.

INTRODUCTION


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Walking is the most common way to move about an area.While you don't get anywhere quickly, you also don'tattract a lot of attention. This is particularly importantwhen using a disguise.

The human eye is attracted to motion.It is a survival instinct. The faster themotion, the greater the chance that itwill be detected. As a result, runningabout an area often gets you noticed.Even if people aren't looking in yourdirection to begin with, theextra noise created byrunning turns their heads.However, if subtlety is notas important as speed, oryou are in a deserted area,running can quickly get youwhere you are going—oraway from something.

When I am in a disguise, Ifind it best to walk. While it is adanger for people to get a long,close look at me in a disguise, itis usually worse if they becomesuspicious by me running pastthem—a suspicion that couldcause them to open fire.

I have included the following so that the individual skills andabilities can be better appreciated in the overall scheme ofassassination.

Before I continue with the art of killing, I feel it is importantto discuss the nuances of movement. There is more to thisthan just walking or running, and it is important to knowwhen to use each type of movement.

Walking around does not arouse suspicion like running does.

MOVING LIKE A PROFESSIONAL

ASSASSINATION 101

WALKING VS. RUNNING

People often think of an assassin as a person with a gun who kills people. To me, that isjust a thug. An assassin is much more. An assassin is like an artist, with each hit a

work of art. Just as a master painting is made up of individual brush strokes or aclassic concerto comes to life as single notes are placed together in sequence, a

masterful assassination is a result of many individual skills and abilities workingin harmony, leading to the most final crescendo of all—death. While killing

someone is not all that difficult, a talented assassin not only escapesfrom the scene, he or she is not even noticed. And for the reallyspectacular hits, no one may even know an assassination has takenplace—it is made to look like an accident.

REQUIRED SKILLS AND ABILITIES


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Depending on the difficulty level of the game, the map canalso show the locations of people, such as targets, threats,and civilians. It helps to know what is on the other side ofa door before opening it.

Much of my trade relies on getting right next to a target orthreat to attack. Some methods are completely silent whileothers generate some sound.

Fiber wire is one of my favorites.

I pride myself on using my fiber wire. It is the tool of a goodassassin. Fiber wire is completely silent—the target dieswithout being able to shoot at you or even sound an alert.The key is to approach your target from behind.

You can walk around with the fiber wire in your hand, andno one will be suspicious.

Syringes can alsobe used to spikefood or drinks witheither poison orsedative.

Crouching can come in handy when hiding or during a gunfightwhen you need cover.

At times, I need to hide to avoid being seen by a guard or otherthreat. While a tall wall or dark area works great, these are oftennot available, and all I have is a short object. In such cases, Icrouch behind said object to avoid being seen. Crouching is alsoa good way to take cover if someone is firing at me.

While crouched, I can also move slowly about. However,this crouched movement, which I like to call sneaking, isquieter than walking. It's great for creeping up behindtargets to attack, or for silently moving past them in thedark or while their backs are turned.

I like to check my map frequently so I don't get lost and can keeptrack of other people in the area.

It is important during a mission that I know where I amgoing. Before I hit the pavement, I study the area where I'llbe operating. I also take a map with me, which I can refer toin the course of the mission. Nothing is worse than gettinglost during a mission—it's also unprofessional.

UP CLOSE AND PERSONAL

CROUCHING AND SNEAKING

USE A MAP

FIBER WIRE

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Sometimes a push is all it takes to kill a target or get rid of a guard.

At times, using my hands can be just as effective as aweapon. My attacks vary from punching people until theyare unconscious, to pushing them into walls to knock themout, to shoving them over railings so they fall to their deathbelow. I have also found it useful when an enemy pulls aweapon on me to approach and attack, disarming the enemyand allowing me to then use the weapon against him or her.However, if I want to keep it quiet, I holster the weapon andjust punch out my foe.

Sniping takes some patience and a good spot from which to shoot.

Another skill that I believe is vital as an assassin is sniping.A sniper rifle can eliminate a target at long range. Becauseof this, I may not have to infiltrate a heavily defended area

I always carry a couple syringes with me during a mission.One is filled with a sedative that knocks out a victimimmediately, while the other is filled with poison. In order touse a syringe, I always approach a victim from behind andinject the syringe in the neck for faster effect. I have foundthat carrying syringes around in your hand, where peoplecan see them, arouses suspicion. I keep them in my pocketuntil I need them.

Bladed weapons, such as this cleaver, are useful but messy.

Knives can be used to attack a target from all directionsinstead of only from behind like the fiber wire or syringes.However, using a knife allows targets to fight back since itmay take several slashes or stabs until they are dead. Thebest way to use a knife is to sneak up behind a target andslit the throat for a silent kill.

I have also found knives to be useful when thrown. It takesthe same skill and action as tossing a coin.

There are other types of weapons and items that youcan also use for attacking up close. These include swords,baseball bats, fire extinguishers, shovels, and much more.They all require more than one hit to take someone down,however.

BLADES AND OTHER WEAPONS

UNARMED COMBAT

DEATH FROM AFAR


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and can more easily escape. When looking through a sniperscope, I keep the magnification low until I find my target—then I zoom in.

You may notice that the crosshairs of the scope moveup and down, especially right after putting the scope to youreye or moving the rifle. The motion decreases a bit over timeand even more when crouched. I try to center the crosshairsso that, at its highest point, it is on the target's head. Then ifI fire a bit early or late, I get the body even if I miss theheadshot.

To determine whether a spot is a good sniper site, I makesure that no one can see me fire the rifle from thatposition. After taking a shot, I can ditch the rifle or put itback in my case if I have time, then escape. If I am indisguise, I can move right past guards, since they do notknow who to look for.

Sometimes I have to shoot it out—and the more firepower I havethe better. If possible, I grab someone to use as a human shield.It's great when taking on several enemies at once. They won'tshoot me, but I can shoot them.

In order to move about without being shot at, I always keepmy pistols holstered—but ready to draw when needed. If Ifeel I might need my pistol, I select it from my inventory,then holster it. Then I can quickly pull out that weapon whenI am in trouble. I can also quick draw some submachineguns if they are concealable. However, I prefer mysilverballers with a silencer. Though they do not pack thepunch of a submachine gun, I can fire at the head for asingle-shot kill. Or if I don't have time to aim during a fight, Ijust point at the body and fire several times. I havepracticed enough so that I can draw my pistol and take outan armed guard before he can get off a shot or yell for help.

THE QUICK DRAW

>> TIP <<I rarely, if ever, start a mission with a shotgun or rifle—with the exception of my sniper rifle in its case—sincethese weapons can't be concealed. Besides, if I need them Ican always take them from an enemy. Such weapons arebest used while making an escape when my cover has beenblown, since I care more about surviving than making noise.

Knocking out people is a good way to take their clothes for adisguise.

I have found that if I have to shoot my way through amission, I have already lost—even if I take out the targetand escape. Since in most missions I am outnumberedand outgunned, I try to avoid gun fights and instead usedisguises to get where I want to go. In order to obtain adisguise, I usually have to knock out or kill people andtake their clothes, unless I can find a suit lying around. Itis important that I hide the bodies of the people fromwhom I take disguises. Otherwise, if they are found, theenemy knows what type of clothing to look for. Even whilein a disguise, I try to be careful not to get too close toothers or spend too much time around them. After a while,people can usually see through a disguise—then theystart shooting.

I can pick up a disguise from almost any male characterduring a mission. The only exceptions, usually, are thetargets of a hit, since these are distinct individuals andothers will immediately recognize an imposter.

DISGUISES


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When I am on a mission, I like to try to use my surroundingsas much as possible. They can often offer opportunities forcompleting my objectives. For example, a railing next to along drop can be ideal for pushing someone over. On theother hand, a chandelier can come crashing down on atarget—with a little help from a remote bomb. Some items,such as propane tanks or barbeques, can be sabotaged. Ofcourse, I always like to spike drinks with poison, sedative, orother additives. In addition, I find things like drainpipes canget me past guarded staircases to different levels, closetsare great for hiding in, balconies can be jumped, andcontainers can hide bodies.

In order to determine how I can use the environment to mybenefit, I watch what the people in the area do—what theydrink, where they walk, and what items they use.

Drainpipes and trellises allow me to get up or down and avoidguards or locked doors.

USING THE SURROUNDINGS

Bartenders can often tell me things that are useful during amission.

Whenever I start a mission, I take some time to walk aroundand observe. I see where the guards are located and whatareas they patrol. I notice what types of disguises can getme into various areas. I also look for things that I can use,such as items or even the environment. I also try to talk topeople to see if I can learn anything. Bartenders and peopleat reception or registration desks can be very helpful whenI approach them politely—meaning without threatening tokill them.

No matter what the assignment, there are always five stepsI follow to complete my objectives successfully.

Notes on the targets give me ideas on how to make the hit.

Almost all missions begin with a briefing. Here, Diana at theAgency provides with me a list of the objectives I mustcomplete to get paid. By reading the briefings carefully,especially the information on the targets, I often find cluesabout how to make the hit.

COMPLETING THE ASSIGNMENT

BRIEFING

RECON


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The actual hit is not always as exciting as setting it up. I also tryto clean up afterward.

The main part of the mission is the hit. There is often morethan one way I can take out a target. Since I have areputation to keep, and I like to mix things up to make itharder for investigators to determine a modus operandi forme, I look for creative ways to kill the target. Whether I use asilenced pistol, sniper rifle, poisoned food, or falling piano,the result is always the same. The target dies.

Some means ofescape are betterthan others.

After I make ahit, the guardsare often verysuspicious andcan be hostile ifmy cover is blownduring the killing. No matter whether I have a disguise ornot, I always try to get away from the scene as quickly aspossible. Each mission has a specific exit point, where Ihave some means of escape waiting. I make it a point toknow where the exit is and how I will get there after the hit.

Planning my escape is just as important as planning theinfiltration and the hit. A dead hitman does not get rich.

Binoculars are great for scouting out a situation from adistance. I use them when I can't get into an area andwant to check it out first.

In order to get into a location, I have used some disguises that Iwould rather forget—but they worked.

If the Agency contacts me with a mission, it is because thetarget is hard to kill. I am not cheap, and if someone can doit cheaper, they don't ask for me. The main reason a target isdifficult to take out is usually because he or she is heavilyguarded. Therefore, I have to infiltrate the target's locationby either sneaking past guards or using disguises.

If I have to go through a metal detector or weapons search toenter a location, I always hide my pistol somewhere I canretrieve it later.

INFILTRATION

THE HIT

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Whenever possible, I like to changeback into my designer suit beforeleaving. It is expensive to replace.

I try to avoid leaving bodies lying around—especially if I havetaken their clothes.

Once a mission is complete, I take some time to reflect onmy performance. Did I make any unnecessary kills? CouldI have knocked out a guard instead of killing him? Wereinnocents killed? My best jobs are those where the onlypeople who die are the targets.

The second thing I like to avoid: witnesses.Therefore, when entering a secure area or changinginto a disguise, I make sure the area is clear first. Inaddition, I like to clean up after myself. I hide bodiesof the people I've killed or knocked out, since theirdiscovery before I escape can lead to problems.Along with cleaning up, I also look out for cameras,and if one has captured my image, I try to find thetape recorder and steal the tape to remove anyevidence of my presence.

The reason I try to keep my missions clean isnotoriety. Not only does an assassin like myself findbeing in the news unprofessional, it also makes futureassignments more difficult, since guards will be on thelookout for me.

REFLECTIONS AFTER THE MISSION

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STATS

UPGRADES


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MAGNUM AMMODESCRIPTION: Penetrates doors, more recoil;

excludes: silencers and other ammoCOST: $75,000

LARGE CLIPDESCRIPTION: More bullets, double capacityCOST: $100,000

RED DOT SIGHTDESCRIPTION: Small zoom, high precision,

requires rail mount; excludes: scopeCOST: $100,000

FULL AUTODESCRIPTION: High rate of fire, requires large

clip, more recoilCOST: $150,000

SILENCER TYPE 2DESCRIPTION: Max silenced; excludes: silencer

type 1, magnum ammo, long slideCOST: $150,000

SCOPE TYPE 1DESCRIPTION: Medium zoom, extreme precision,

requires rail mount; excludes: red dot sightCOST: $150,000

This automatic combat shotgun can bevery useful—especially with all of itscustomizations. The only downside isthat it can't be concealed. However,when I take on a mission, I leave it inone of the Agency containers, where Ican pick it up as needed. The SP12 iseffective only at short range, but it canquickly clear a room. I sometimes referto this weapon as my "room broom,"since it can quickly sweep a roomclean of enemies.

This is my trademark pistol, and I takeit on nearly every assignment. Thesilverballer is a deluxe version of aservice pistol and packs a punch. Iusually use low-velocity ammo, as wellas a silencer, with this pistol so I havea weapon I can use without alertingeveryone in the area.

AMMO: .45 caliberCAPACITY: 18 roundsLENGTH: 216 mmWEIGHT: 1,076 gCONCEALABLE: YesTWO-HANDED: No

LOW-VELOCITY AMMODESCRIPTION: More silent, less recoil; excludes:

other ammoCOST: $25,000

SILENCER TYPE 1DESCRIPTION: Medium silenced; excludes: silencer

type 2, magnum ammo, and long slideCOST: $25,000

LASER SIGHTDESCRIPTION: Laser aim, medium precisionCOST: $50,000

RAIL MOUNTDESCRIPTION: For scopesCOST: $50,000

DUAL ACTIONDESCRIPTION: Two guns, twice the fun, more recoilCOST: $75,000

LONG SLIDEDESCRIPTION: Better precision, less recoil;

excludes: silencerCOST: $75,000

TOOLS OF THE TRADE

AMMO: 12 gaugeCAPACITY: 6 shellsLENGTH: 1,014 mmWEIGHT: 4,400 gCONCEALABLE: NoTWO-HANDED: Yes

BUTT STOCKDESCRIPTION: More precise, less recoilCOST: $25,000

FLECHETTE AMMODESCRIPTION: 18 dart slugs, less damage, high

precision; excludes: other ammoCOST: $25,000

12-GAUGE SLUGSDESCRIPTION: Max damage; excludes: silencer

and other ammoCOST: $50,000

EXTRA AMMODESCRIPTION: Two extra roundsCOST: $50,000

RELOAD BOOSTDESCRIPTION: Mounted shells, fast reload timeCOST: $50,000

RAIL MOUNTDESCRIPTION: For red dot sightCOST: $75,000

SHORT BARRELDESCRIPTION: More damage, less precise;

excludes: silencerCOST: $75,000

LASER SIGHTDESCRIPTION: Laser aim, medium precision;

excludes: red dot sightCOST: $100,000

MAGAZINEDESCRIPTION: Four extra slugs, high rate of fireCOST: $100,000

RED DOT SIGHTDESCRIPTION: Max precision, requires rail mountCOST: $150,000

SILENCER TYPE 1DESCRIPTION: Medium silenced; excludes: short

barrel, custom ammo, flechetteCOST: $150,000

CUSTOM WEAPONS

As an assassin, I deal in death. Like any professional, I equip myself with special tools to help me complete my assignments.

SILVERBALLER

STATS

UPGRADES

SP12 SHOTGUN


STATS

STATS

UPGRADES

UPGRADES

STATS

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RAIL MOUNTDESCRIPTION: Required to mount scopesCOST: $50,000

PISTOL GRIPDESCRIPTION: Extra support, more steady,

requires handguardCOST: $75,000

SILENCER TYPE 1DESCRIPTION: Medium silenced; excludes: AP

ammo, silencer type 2COST: $75,000

DOUBLE CLIPDESCRIPTION: Two clips, less reload time;

excludes: drum magazineCOST: $100,000


requires rail mount; excludes: scopeCOST: $100,000

DRUM MAGAZINEDESCRIPTION: 100 rounds, large recoil;

excludes: double clipCOST: $150,000

SILENCER TYPE 2DESCRIPTION: Max silenced; excludes: silencer

type 1, AP ammo, long slideCOST: $150,000

This is one of the best sniper rifles I havefound, and I have had this one custombuilt to my standards. As a result, thehandgrip and even the trigger pull arecustomized to my hands and style ofshooting. When taking this on a mission,I always carry it disassembled in a caseso I can move about without causingsuspicion. The standard case will not getthe rifle through a security checkpoint.However, I can purchase a foil-lined casefor such needs. The upgrades availablefor this sniper rifle allow me to focus onaccuracy, stealth, or even a fast rate offire as the mission may require.

AMMO: .300 caliber rifle ammoCAPACITY: 6LENGTH: 905 mmWEIGHT: 6,950 gCONCEALABLE: NoTWO-HANDED: Yes

This is a great weapon when I need alittle extra firepower. As with mysilverballers, I often take along the low-velocity ammo and a silencer forstealthy use. However, if I feel I mighthave to shoot my way out of trouble, Igo for the extra ammo, double clip, andthe ACP ammo. Since the SMG tacticalis also concealable, it is great as abackup weapon as long as I don't haveto get through a metal detector.

AMMO: 9 mm SMG ammoCAPACITY: 25 roundsLENGTH: 550 mmWEIGHT: 2,880 gCONCEALABLE: YesTWO-HANDED: Yes

BUTT STOCK 1DESCRIPTION: Less recoil, more preciseCOST: $25,000

LOW-VELOCITY AMMODESCRIPTION: Less sound, less recoil; excludes:


45 ACP AMMODESCRIPTION: Penetrates doors, more recoil;

excludes: other ammo, silencerCOST: $50,000

EXTRA AMMODESCRIPTION: One extra clipCOST: $50,000

RAIL MOUNTDESCRIPTION: For red dot sightCOST: $50,000

RAPID FIREDESCRIPTION: Extreme rate of fire, more recoilCOST: $75,000

SHORT BARRELDESCRIPTION: More damage, less preciseCOST: $75,000

SILENCER TYPE 1DESCRIPTION: Medium silent, less damage;

excludes: silencer type 2, ACP ammoCOST: $75,000

DOUBLE CLIPDESCRIPTION: Fast reloadCOST: $100,000

LASER SIGHTDESCRIPTION: Laser aim, medium precisionCOST: $100,000


requires rail mountCOST: $150,000

SILENCER TYPE 2DESCRIPTION: Max silenced, less damage;

excludes: ACP ammo, silencer type 1COST: $150,000

I rarely take along the M4 assault rifle.Since it can't be concealed, I usuallyhave it placed in an Agency containerprior to my mission for pickup laterwhen I need it. With several of theupgrades, the M4 can be a veryformidable weapon if I want to take outall opposition during a mission.

AMMO: 5.56 mm rifle ammoCAPACITY: 30LENGTH: 838 mmWEIGHT: 3,000 gCONCEALABLE: NoTWO-HANDED: Yes

BUTT STOCKDESCRIPTION: Lightweight butt stock, less recoil,

more preciseCOST: $25,000

LOW-VELOCITY AMMODESCRIPTION: Less recoil, more silent; excludes:


R.I.S. HANDGUARDDESCRIPTION: Special handguard, required

to upgradeCOST: $25,000

ARMOR PIERCING AMMODESCRIPTION: Penetrates doors, more damage;

excludes: silencer, other ammoCOST: $50,000


LASER SIGHTDESCRIPTION: Laser aim, medium preciseCOST: $50,000

SMG TACTICAL

M4

W2000 SNIPER


UPGRADES


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ARMOR PIERCING AMMODESCRIPTION: Penetrates doors, more recoil;

excludes: other ammoCOST: $75,000

LIGHTWEIGHT FRAMEDESCRIPTION: Lightweight parts; excludes: clipCOST: $75,000

SILENCER TYPE 1DESCRIPTION: Medium silenced, less damage;

excludes: silencer type 2COST: $75,000

BOLT ACTIONDESCRIPTION: High precision, requires light

frame; excludes: clipCOST: $100,000

DOUBLE CAPACITY CLIPDESCRIPTION: High rate of fire; excludes: bolt

action, lightweight frameCOST: $25,000

LOW-VELOCITY AMMODESCRIPTION: More silent, less recoil; excludes:



SCOPE TYPE 1DESCRIPTION: Medium zoom, high precision;

excludes: other scopesCOST: $50,000

CARBON-FIBER BARRELDESCRIPTION: Less recoil, high precisionCOST: $100,000

SILENCER TYPE 2DESCRIPTION: Max silenced, less damage;

excludes: silencer type 1COST: $100,000

SCOPE TYPE 2DESCRIPTION: Max zoom, extremely precise;

excludes: other scopesCOST: $150,000

STANDARD EQUIPMENTtriggered using a remotedetonator. I can carry thedetonator in my hand withoutarousing suspicion though ithas a fairly short range,requiring me to be nearby. Ilike to experiment with remotebombs since I can use themfor hits, and nobody getssuspicious of me when Idetonate them.

I carry two syringes with mefor all my missions. One isfilled with fast-acting poisonand the other contains asedative. While I must becareful to keep the syringeshidden, I can use them justlike the fiber wire andapproach a victim frombehind. In addition, eitherpoison or sedative may beinjected into drinks or foodfor the same effect asinjecting the victim. The

In addition to the variousfirearms I may take with meduring a mission, I alwayscarry along the followingitems. None of them can bedetected during a weaponssearch or while passingthrough a metal detector.

This is one of the trademarkweapons of an assassin andis used to efficiently andsilently strangle a victim. Theonly requirement for thisweapon is that I must sneakup on the unsuspectingtarget from behind. Not onlyis this weapon silent, it alsoleaves no blood—and thevictim, once in my grasp,can't make any noise or fightback. Furthermore, the fiberwire is easy to conceal andcan even be carried in theopen without arousingsuspicion.

advantage of using asedative for guards and othernontargets is that I do nothave to kill unnecessarypeople. In addition, victimscan be roused back toconsciousness so that othersthink they passed out orfainted and don't suspectfoul play. Each syringe onlycontains two doses, so I haveto be careful and use themwisely during a mission.

Binoculars come in handywhen doing reconnaissancefor a mission. They are greatfor observing targets,guards, and security devices(such as cameras) from adistance. I also use them tocheck out perches forsniping so that I can checkfields of fire without havingto get out a sniper rifle andpossibly arouse suspicion.

FIBER WIRE

SYRINGES

BINOCULARS

Remote bombs are great fortaking out targets. They canbe placed in a variety of spots,such as on desks or even inobjects. The blast radius isfairly small, so the target mustbe nearby if you want a kill.However, these bombs canalso be placed on winchesand, once detonated, causewhatever the winch is holdingup to come crashing down.Bombs can also be used as adiversion by placing them inareas where detonating themlures guards away from theirposts or patrol areas. Onceplaced, remote bombs can be

REMOTE BOMB ANDDETONATOR


7X50 ZOOM BINOCULARSDESCRIPTION: Incremental zoom, better vision, distance counter COST: $25,000

PAIN KILLERSDESCRIPTION: Small health boost COST: $25,000

IMPROVED LOCK PICKDESCRIPTION: 25 percent faster lock picking COST: $50,000

KEVLAR VESTDESCRIPTION: Soaks 15 percent hit pipnts, lost at new outfit COST: $50,000

ADRENALINEDESCRIPTION: A health boost COST: $75,000

ENHANCED BOMB REMOTEDESCRIPTION: Long range bomb remote COST: $75,000

FLAK VESTDESCRIPTION: Soaks 35 percent hit points, lost at new outfit COST: $75,000

CRATT SCHULTZ LOCK PICKDESCRIPTION: 50 percent faster lock picking COST: $100,000

EXTRA BOMBDESCRIPTION: An extra bomb COST: $100,000

FOIL PADDED SAFE SUITCASEDESCRIPTION: Non-detectable, for custom sniper rifle COST: $100,000

FLEXIBLE KEVLAR VESTDESCRIPTION: Soaks 35 percent hit points, fits all outfits COST: $150,000

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I always keep some change inmy pocket. It is not for payphones or tolls, but fordistractions. I often find that acarefully thrown coin can turn a guard's head or even causehim to leave his post to see whatcaused the noise. That can giveme a chance to get past theguard or even to pick a lock andmove through a doorwaywithout being caught.

COIN UPGRADES TO THE STANDARD EQUIPMENT

STANDARD WEAPONSIn addition to my custom weapons andstandard equipment, I like to collectdifferent weapons I find during amission. Some of these are just lyingaround, while others I take from guardsor people I kill or incapacitate. Most of these weapons have limitedammunition—though I can usually pickup more from guard posts or otherguards I neutralize.

In each mission, there are usually lotsof pistols around since this is the mostcommon weapon carried by securityguards or police. Pistols have a shortrange but are easily concealed. Thefollowing are the pistols I havecollected during my assignments.

AMMO: Bull ammoLENGTH: 356 mmWEIGHT: 1,959 g

This pistol has some stopping power,but it can be tough to find ammo for itduring a mission.

AMMO: magnum ammoLENGTH: 216 mmWEIGHT: 1,080 g

This pistol is similar to my silverballer,and I picked it up off of anotherassassin.

AMMO: magnum ammoLENGTH: 260 mmWEIGHT: 1,715 g

Whenever I find a desert eagle during amission, I always pick it up, along withany ammo I can find. It is a verypowerful pistol and causes a lot ofdamage to a target.

PISTOLS

BULL .480

CUSTOM 1911

DESERT EAGLE

SIX SHOOTER



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handy if things go wrong and I have toshoot my way out. All submachineguns are concealable, which allows meto carry firepower without arousingsuspicion.

AMMO: SMG ammoLENGTH: 680 mmWEIGHT: 2,540 g

This submachine gun is commonlycarried by special forces units and isone of the better submachine guns interms of firepower and accuracy.


This submachine gun is not muchlarger than a pistol, and I dislike itsaccuracy. However, at short range, itcan quickly take down a threat.

AMMO: pistol ammoLENGTH: 230 mmWEIGHT: 1,200 g

Single-action pistols are not really mything. However, guards in the southtend to carry these more as a symbolthan a weapon.

AMMO: .45 caliber ACP ammoLENGTH: 194 mmWEIGHT: 720 g

I have found the SLP .40 to be one ofthe most commonly used pistols bypolice and security guards during myassignments. While it's not a greatpistol, there is usually a lot of ammoavailable for it during a mission. I alsopicked up a silenced version of one ofthese pistols during a hit.

AMMO: pistol ammoLENGTH: 175 mmWEIGHT: 700 g

The snub nose's short barrel makes thispistol inaccurate at all but close range.Some people like it for its small size, butI prefer something more useful.

AMMO: Mauser ammoLENGTH: 312 mmWEIGHT: 1,250 g

I picked up this pistol during anassignment. While it is a decentweapon, I don't use it during missions.

AMMO: nailsLENGTH: 150 mmWEIGHT: 545 g

While this is not really a pistol, I'veincluded the nail gun since it can befound during missions and acts like apistol. It is also fairly quiet and doesn'tbring guards running when it is fired.

Submachine guns are often carried bybodyguards and government agents.They are a lot more dangerous thanpistols due to their rapid rate of fire. Assuch, I always pick these up, alongwith ammo, when I find them during amission. After all, they can come in

SLP .40

WWI PISTOL

SNUB NOSE

NAIL GUN

SUBMACHINE GUNS

MP5

MP7

MP9


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AMMO: rifle ammoLENGTH: 694 mmWEIGHT: 3,600 g

This is one of the more modern assaultrifles and combines accuracy with ahigh rate of fire.

AMMO: rifle ammoLENGTH: 1,120 mmWEIGHT: 5,100 g

This US military rifle has a semiautomaticrate of fire and is comparable to the MarkIII. However, I don't find this type ofweapon very useful during a missionunless I need a rifle that I can carry whilein the appropriate disguise.

AMMO: rifle ammoLENGTH: 730 mmWEIGHT: 3,000 g

This assault rifle is often used bycommandos and, as such, I like to pickone of these up when I find it. It isgreat for clearing a path to my escaperoute when my cover has been blown.


This is another small submachine gun, but with a bit more accuracy thanthe MP7.


I consider the SAF a weapon thatbridges the gap between submachineguns and assault rifles. However, sinceit is concealable, I classify it with thesubmachine guns.


The TMP is the smallest of thesubmachine guns and is, in myopinion, merely a pistol that fires fast.It is best used at close range.

I rarely use shotguns. They are oftennoisy and are only effective at closerange. Furthermore, unlike submachineguns, shotguns can't be concealed andoften don't have much available ammo.However, if I have to take one from aguard coming at me, I will use it andthen quickly get rid of it.

AMMO: shotgun ammoLENGTH: 1,130 mmWEIGHT: 3,500 g

This shotgun is carried by lower-levelguards. I especially dislike it because itcan only have two rounds in the choke,requiring a lot of reloading during afirefight.

Rifles pack a lot of firepower and aregreat during a firefight. However, theycan't be concealed, so they wouldbring all guards and police toward mewith weapons drawn if I were to evercarry them out in the open. I take noteof where I can find rifles during amission just in case I need them tomake my escape. When collectingrifles during a mission, I place them inAgency containers to be picked uplater so that I don't have to walkaround with them.

AMMO: tranquilizer dartsLENGTH: 1,066 mmWEIGHT: 2,721 g

I found this weapon in a child's treehouse. While it can’t kill someone, it isgreat for shooting a tranquilizer dart toknock out a guard or dog.

SAF

STEYR TMP

SHOTGUNS

12-GAUGE SHOTGUN

RIFLES

AIR RIFLE

FN-2000

M14

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Emergency use only—it can also beused to knock down people.

This carbon steel hammer has a rubbergrip for perfect handling when thingsget messy.

Primarily used for shaping the hedges,the scissor-like blades are extremelysharp and can be deadly.

This high-quality stainless steelkitchen knife is excellent for deep cuts.

Sniper rifles are great for taking outtargets at long range. While mycustom W2000 is my preferred sniperrifle, at times I have picked anothertype up during a mission and found ause for it. All sniper rifles comeequipped with a scope.

AMMO: sniper rifle ammoLENGTH: 1,225 mmWEIGHT: 4,310 g

This was the standard Eastern Blocsniper rifle during the Cold War and isstill used around the world today.


If a gun is designed to kill an elephant,I know that it will have no trouble witha human target.


This was another sniper rifle I pickedup during a mission. It was carried byone of my targets.

At times, I have found it useful to attacka guard or target up close for a quiettakedown. Close-combat weaponsinclude bladed weapons and commonitems that can be used as weapons.

A Slugger baseball bat—it's theperfect hit.

This smooth-looking cane hides a sharpsword, which turns the wielder into avicious attacker in the blink of an eye.

SNIPER RIFLES

DRAGUNOV SVD

ELEPHANT RIFLE

FIRE EXTINGUISHERKAZO TRG

CLOSE-COMBAT WEAPONS

BASEBALL BAT

HAMMER

HEDGE CUTTER

KITCHEN KNIFECANE SWORD


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Use this to dig a hole or smack a bad guy.

The Solingen 420 has a stainless steelblade with stag horn grip.

This is useful for cutting all types of meat.

Primarily used for screws, it can alsobe used as a stabbing weapon.

MEAT CLEAVER SHOVEL

SCREWDRIVER STILETTO

When you press the stun gun against anattacker and hold the trigger, electricityis dumped into the nervous system. Thisresults in a temporary knockout.

STUN GUN


MISSION 01: DEATH OF A SHOWMAN

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>> NOTE <<

k Kill Joseph Clarence

k Escape

OBJECTIVES THE LOCATION

Outside

One of my earlier missions can serve as training forprospective assassins. The mission was very straightforwardand provides a glimpse to the various parts of a mission. Italso illustrates many of the skills and tools I used during thecourse of a mission.

This first mission was a tutorial. Unlike other missions, thisone was very linear, and I had step-by-step instructions.Even if you are a pro, be sure to pay close attention to theobjectives and read the instructions provided. There arenew features and types of actions, which are illustratedwithin this mission.

Inside

After climbing onto the pier, I made my way toward theabandoned amusement park.

Start

Gate

GiftShop

z

DrugRoom

Exit

Bomb

Poison

Crate

Winch

THE TRAINING MISSION

MISSION 01: DEATH OF A SHOWMAN

LEGENDOrange text: Places of Interest

Red text: “Making the Hit” Items

Yellow text: “Alternatives” Items

Target

Guns

Melee Weapons

z

MAKING THE HIT


>> TIP <<



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Not wantingto leave bodiesaround to bediscovered, I hidthe twogangsters in thecontainers insidethe room.

There was a knife stuckinto the door of the closetwhere I killed the twothugs. I pulled it out, thenwas able to use it on thechemist. I could have alsoused the fiber wire.

I have found that hiding a weapon in a container such asthe crate of baking soda is a great way to get past aweapons search.

While standingon top of theelevator car, Ireached downand used thefiber wire tostrangle the thugbelow. I thenpulled his bodyup and out of the car.

Since the gate was locked, I waited until a guardapproached. He was not very polite, so I left him lying on theground as I entered the park.

The fiber wire was one of my most useful weapons. Iapproached the target from behind in order to use it.

Looking through keyholes was a good way to see whatwas in the room on the other side of a door.

>> TIP <<


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After poisoningthe secretary'sdrink, I hid in thecloset behind thedesk to watchwhat happenedwhen she tooka sip.

Once the Swing King was on the floor, groveling for hislife, I had a choice in how I could kill him. I could use thepoison syringe or other items in the room, such as thebaseball bat on the wall or the hammer on the side desk.

After placing the bomb on the winch, I was careful to moveaway from the winch before detonating the bomb. Eventhough the chandelier did the killing, anyone who was nearthe bomb was also killed or severely injured from the blast.

After the chandelier fell on the enemies below, I took outmy TMP submachine gun and was ready to finish off anythreats who might have survived. They often came runningup the stairs to get me.

To take a human shield, I pulled out a pistol andapproached the thug from behind. I then used him to keephis friends from shooting at me while I gunned them down.After knocking out my shield, I returned to the restroom topick up the TMP submachine gun and add it to my collection.

The key to sniping was lining up the target with thecenter of the sights. A good sniper limits the motion of thegun to only up and down, which at high zoom can seem likea lot of movement. Therefore, once the target waspinpointed, I waited until the center of the scope was rightover the target's head or chest, then fired.

In order to save time, I pushed the enemy over the railingrather than killing them with the fiber wire. The fall killed himand I was rid of a body, all in one quick movement.

MISSION 02: A VINTAGE YEAR

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THE LOCATION

Hacienda, 2nd floor

Hacienda, 1st floor

Hanger



Target

Melee Weaponsz

Stairs toCellar

VIP GuardUniform

Kitchen

Cello Room

OpenWindow

k Kill Don Fernando Delgado

k Kill Manuel Delgado

k Escape the vineyard by sea plane

OBJECTIVES TARGET INFORMATION

DON F. DELGADO

This retired colonel working for Chile's feared intelligence serviceis considered a well-respected and highly successful wineproducer, even though this is just a cover for his true business ofdrug trafficking. To promote this year's fine line of Chilean redwine, he has persuaded the American movie actor Rex Stanton toendorse it. His agent is one of Delgado's main customers and iswell-connected in Tinsel Town, where the drug trade is booming.

HEIGHT: 5'10" WEIGHT: 150 lbs HAIR: GRAYING AGE: 68

MISSION BRIEFING

MISSION 02: A VINTAGE YEAR

MANUEL DELGADO

The eldest son of Fernando Xalvador Delgado, he tries to live up tohis father's reputation and aspirations. He wishes nothing morethan to walk in the footsteps of his beloved papa. But he hasalready broken the number one rule—never use the stuff yourself.He has no formal education and spends most of his time waterskiing, playing tennis, or downloading porn from the Internet. Thedaily cocaine high makes him unpredictable and dangerous. "Coverboxes are for sissy cowards!"

HEIGHT: 6'0" WEIGHT: 186 lbs HAIR: BLACK AGE: 37

Exit

z



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Outside

Winery Cellar

I took only my standard equipment for this mission. It required stealth, so Ididn't need any additional weapons. However, in case of trouble, it's alwaysgood to have something to fall back on. Therefore, the silverballer was a goodchoice—especially with a silencer and low-velocity ammo. This gave me apistol that didn't alert anyone when used.

k Standard equipment

k Silverballer with silencer and low-velocity ammo

I followed the guests right into the Delgado compound. Therewere a lot of people at the party waiting for a tour of the winery.

I arrived at Delgado's winery along with some other partyguests to celebrate the winery's new vintage. Deciding toact as one of the guests, I followed a couple right throughthe front entrance. The guard next to the door didn't evengive me a second look. Inside the compound, a coupledozen guests mingled around, talking to one another andsampling the hors d'oeuvres and wine located near theentrance to the winery building. To the left as I entered, Inoticed a camera crew standing next to the building thatcontained the guard's post.

SUGGESTED WEAPONS AND EQUIPMENT

Guard House Hanger

AlternateEntrances

GuardPost

Hacienda

WineryCellar

Trail toHangar

Crates

Drain Pipe

Drain Pipe

Winch

Drug Lab

SecretEntrance

Stairs toHacienda

Elevatorto Hangar



Targetz

z

MAKING THE HIT

ENTERING THE WINERY


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>> TIP <<The tour of the winery provided an opportunity to scout outthis part of the map without needing a disguise. I alwaystried to stay at the back of the group to see things I wasnot supposed to—such as someone opening a hidden doorin a large wine barrel.

A quick climb up the drainpipe put me on the second floor of thehacienda.

Cautiously moving through the garden toward the hacienda, Inoticed a guard to my left, asleep along the wall. Since thefirst floor was probably well guarded, I entered through thebalcony on the second floor. After waiting to ensure no otherguards were patrolling this area, and checking my satellitemap to make sure it was clear, I moved to the drainpipelocated to the right of the balcony. At the top, I made my wayonto the balcony and then through the door into thehacienda. I quickly closed the door before someone belowcould spot me. Looking through the keyhole of the door to theright, I saw guards patrolling the hallway. The door on the leftled to a stairway. After descending the stairs to the first floor,I came upon a locked door. Using my lock pick, I got throughthe door and found a guard asleep on a cot. Next to him wasa suit for a VIP guard. I quickly changed into the suit andlooked around the room. I picked up an SAF submachine gun

and some ammosince I couldeasily concealthem, but I leftthe shotgun.

I headed down theflight of stairs tothe locked door atthe bottom.

This doorway was my ticket into the more secure part of thecompound.

As I watched, a winery worker gathered a group ofguests together and led them into the winery building for atour. However, the tour probably wasn't going to take mewhere I wanted to go right then. I noticed a guard gothrough a door to the right side of the winery building aspart of his patrol around the inside grounds. Lookingthrough the opened door, I saw a stack of crates along oneof the walls. That was my way into more secure areas.Waiting until the guard left this area and making sure noone else was looking, I quickly walked through thedoorway and closed the door behind me. I immediatelyclimbed up the crates to the top of the wall and jumpedinto the garden on the other side. Directly ahead was thehacienda where Don Delgado resided.

I climbed some crates to get over the wall into this garden area.

GUARDSThe guards were armed with 12-gauge shotguns and patroledoutside the walls of the winerycompound, as well as inside. Witha guard's suit, I could movearound everywhere except for themanor house or the drug lab.

The men with the blue apronswere the drug lab workers. Whiledisguised as one of the workers, Icould move about within the druglab; however, there was no way Icould use that outfit for inside themanor house.

WORKERS

DEATH IN THE MANOR HOUSE



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Hiding in the closest, I watched and waited for Don Fernando.

Don Fernando was so focused on his cello that I snuck up behindhim without any trouble.

Before long, the target entered the room. Peering througha crack, I watched Don Delgado look around, then take a seatand begin playing the cello. I slipped quietly from the closetand crept up behind the drug lord. Though the poison syringewould work, I used the fiber wire to complete my firstobjective. Then I picked up his snub-nosed pistol for mycollection. Finally, I dragged the body onto the balcony andthrew it over the rail to get rid of it. One down and one moreto go.

I threw the bodyover the rail of thebalcony soanyone enteringhis room wouldn'tfind him dead.

I found a VIP guard uniform—and didn’t even have to killanyone to get it.

After I climbed up another drainpipe, this open window allowedme to scramble into Don Fernando's rooms.

With my all-access disguise on, I exited the room andwalked down the hall to the opposite end, all the way to thekitchen. There was a knife on the table, so I picked it up—not that I really needed it, but I like to keep my optionsopen. I left the kitchen and the hacienda through the otherdoor in the room and found myself next to a drainpipe. Aftera quick glance around to see if anyone was looking, Iclimbed the pipe to the second floor again and moved ontoa section of the roof. An open window on the side of thehacienda led into a room on the second floor. No one was inthe other room. However, a cello rested near a chair. Ifigured that since Don Delgado enjoyed playing the cello,he'd probably be returning to the room. Since the chairfaced out the doorway onto a balcony, I hid in the closetalong the opposite wall and waited.

VIP guards wore a military styleuniform and carried submachineguns. They were the only guardsallowed in the manor house and thedrug lab. With one of those disguises,I could go anywhere without causingsuspicion.

VIP GUARDS


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drug lab. However, as I advanced through the lab, all I foundwere workers and VIP guards. Continuing through the secretentrance to the lab, I headed through the winery and tookthe stairs up to the door leading into the courtyard. A singleguard was standing near the door. Though not worried abouthim, I noticed a winch anchoring a suspended load ofbarrels. Considering what an impact I could make, I planteda remote bomb on the winch before opening the door to exitthe winery.

When Manuel moved under the load of barrels, I detonated thebomb. He was definitely dead.

As luck would have it, Manueland his bodyguard were justentering the winery. I followedthem at a discreet distance tosee where they went. Theystopped under a load ofbarrels. However, since thetour group was walkingpast, I waited ondetonating the remotebomb for the moment.Manuel continued into aside room, where he stoppedat a table to do somelines of cocaine. Hisbodyguard stayedright beside him, so I hadno opportunity to kill himwithout being seen.Eventually, they headedback toward the stairs.Manuel stopped once againunder the load of barrels. Iquickly pulled out thecontroller and detonated theremote bomb on the winch.The bomb blew out the winch,taking out the nearby guardas well. While the bodyguardmoved out of the way, Manuelwas not so lucky.

I could go straight from the hacienda to the drug lab via thestairs near the kitchen.

In order to remain unseen, I left through the open windowand shimmied down the drainpipe, returning to the kitchenin the hacienda. Moving into the next room, I went throughthe door on the right and descended several flights of stairsto the drug lab. The elevator leading down to the sea planewas located along the left wall. I'd be returning here to makemy escape once the second objective was complete.

I made my way through the drug lab and on to the winery.

Winches beg for a remote bomb to be planted on them.

Manuel Delgado oversees the day-to-day operations of thebusiness, so I expected to find him somewhere around the

LIKE FATHER, LIKE SON



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the call button and entered the elevator when the doorsopened. Another button press and I was on my way down tothe sea plane. After exiting the elevator, I turned left andheaded along the dock to the opposite side, where the seaplane was parked. Within a matter of seconds, I was aboardthe plane and taking off to safety.

The sea plane was my ticket away from the Delgado assignment.

The workers often used the elevator to get down to the dock for a break.

With both targets successfully terminated, it was time tomake my escape. So far, no one had suspected me ofanything, so I headed back to the drug lab, still wearing myVIP guard uniform. After passing through the lab, I pressed

FLY AWAY

ALTERNATIVES

During themission, I noticedthe guard housenext to thecourtyard wherethe party wasbeing held. I couldhave slippedinside to take aquick look around.

A few guardswere in one roomrelaxing. Seeing autility box justinside thebuilding, I couldbreak it just tosee what wouldhappened.

A closet at the end of the hallway would make a great placeto hide. After a few seconds, a guard from another room in theguard house would come to take a look at the utility box. While hewas busy, I could have left the closet and quietly slipped past theguards occupied in the first room. Upon entering the second roomwith a couple tables, I would have found a guard's uniform.

With the guard'suniform, I couldmove about theyard as well asinside the winery.This would be greatfor scouting outthe area.

GETTING A GUARD'S UNIFORM


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I could have waited behind the barrels while he did thedrugs, then sneak up behind as he opened the door and injecthim with poison using a syringe. The body could be quicklyhidden in the nearby container and I could have been longgone before anyone realized Manuel was dead. Sometimes, itwas only a matter of patience.

The elevator was not the only wayto get down to the sea plane dock.There was also a trail leading fromthe area southeast of thehacienda down to the docks.I could have taken outManuel first, jump downfrom the roof afterclimbing out thewindow of his father'sroom, and take the traildown to the sea plane.

In addition to the main entrance, there were a few moreways to get into the compound. One was a door in thewestern wall at the south end near the cliff side. A guardpatrolled outside there and came after any guests he sawenter through that door. To the east of the main entrance, Icould have climbed up a crate and over the wall. However,this accessed an area with several guards, where guestswere not allowed. Finally, along the eastern wall, I couldhave climbed up on a truck and then dropped into a shed. Acouple guards stood at the entrance. However, a throwncoin would distract one while the other was silently takenout and the body hidden inside the shed. This entrance alsowould have provided a disguise, but it was riskier.

There was a way to take out Manuel without an explosion and the death of the guard at the top of the stairs. Occasionally,Manuel and his bodyguard would continue into the drug lab. Whilethe bodyguard stayed to watch the operation, Manuel returned todo some cocaine and then headed back upstairs to the party.

OTHER WAYS INTO THE COMPOUND

SILENTLY KILL MANUEL

THE CLIFFSIDE TRAIL


MISSION 03: CURTAINS DOWN

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k Kill Alvardo D'Alvade

k Kill Richard Delahunt

k Escape opera



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Opera House, Basement

SUGGESTED WEAPONSAND EQUIPMENT

As before, I completed this mission usingonly the standard equipment. However, Itook along my silverballer with silencer as abackup weapon in case I got into a tightspot. I also took along my W2000 sniperrifle in case I chose an alternate way ofmaking the hit.



k W2000 sniper rifle

Orange text: Places of Interest

Guns

Stairs toLobby

Stairs toBackstage

MISSION BRIEFING

MISSION 03: CURTAINS DOWN

THE LOCATION

ALVARDO D'ALVADE

The Italian singer lives and breathes opera, and he has areputation of never being satisfied with his fellow actors. Alvardostrives for perfection in all things, but his single-mindeddedication to his art has left him with serious flaws. His temperoften gets the best of him, and he has developed an addiction tosex with juveniles of both genders. He has an avid fan in the USAmbassador, Richard Delahunt, and lately the two have becomealmost inseparable.


RICHARD DELAHUNT

Richard Delahunt is a man living on borrowed time. He isconstantly surrounded by U.S. bodyguards in tuxes equipped withguns and earpieces. Allegedly involved in child prostitution, he hascreated a lot of enemies, and he knows it. Presently, he spendsmost of his time watching his only trusted friend, Alvardo D'Alvade,rehearse as the lead tenor role in Puccini's Tosca, soon to premiereat the Paris Opera. The ambassador spends every spare moment

attending these rehearsals, watching Alvardo D'Alvade's every move from his lodge with asordid fascination bordering on obsession.

HEIGHT: 6'1" WEIGHT: 155 lbs HAIR: BROWN AGE: 57

LEGEND



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Opera House, 3rd Floor

Opera House, 2nd Floor

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Opera House, 1st Floor LEGENDOrange text: Places of Interest


Targetz

Delahunt’s Box

Stairs to 1st Floor

Keycard

Winch

Guard Post

Light ControlRoom

Lighting Bar

Stairs toLighting

Stairs toBasementStairs to

2nd Floor Coat Check

Stage TheaterExit

Stairs toBasement

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Prop Pistol

Executioner’sRoom

D’Alvade’sRoom


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The agency left something for me at the coat check. I coulddefinitely make use of this.

Since my agency provided me with a claim ticket, I headedover to the coat check to see what I could learn. I talked to thesecurity guard, giving him my ticket. He handed me a coat. Iquickly checked the pockets and pulled out a pistol from WorldWar I. Placing it inside my suit, I handed the coat back to theguard. Since the opera had a military theme, and an execution,I was sure the pistol would come in handy.

I followed this worker down the stairs to the basement.

Since I could notsneak up on theworker while hewas hammering, Iwaited until hetook a seat.

The opera house was filled with lots of people.

For this hit, both of my targets were in the same building.However, there were a lot of people—and a lot of eyes—seemingly watching everything. It was tough to completethe assignment without anyone suspecting me of beingthe assassin. After walking into the opera house throughthe front doors, I quickly looked around. There weresecurity guards in blue uniforms, the ambassador'sbodyguards in black suits, workers in coveralls, and eventourists. The opera house was divided into four levels. Ientered on the first floor, which also contained thetheater, stage, and backstage areas. In addition to abasement, where a lot of the stage construction tookplace, there was also a second and third floor thatsurrounded the theater and consisted of balconiesoverlooking the stage, along with the connecting halls.

Security guards were all over theopera house. They patrolled all levels,including the basement, andfrequently checked the balcony boxesand theater. The bodyguards weredressed in black suits and mainlystayed on the second floor, either inthe box with the ambassador orpatrolling the halls. The only placeeither of these uniforms couldn't gowas on the stage itself. Only actorswere allowed onstage.

SECURITY GUARDS AND BODYGUARDS

Since the opera house was beingrefurbished, there were lots ofworkers around. Most were in thebasement or backstage areas.However, a few moved about thelobby and halls. Items could beplaced in their toolboxes and laterretrieved. Like security guards,workers could go anywhere except the stage.

WORKERS

MAKING THE HIT

THE PARIS OPERA



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>> TIP <<

This door led to the third floor and the offices for the operahouse, where I found the key card.

I turned left and walked down the hall until I came toanother door with an exit sign. Anxious to see where it led, Iascended some stairs to the second floor and came across asecurity guard and a worker. Walking past them, I followed thehallway to the end and passed through some double doors toenter an office. On one of the desks, I found a key card to thelight control room. Since that might come in handy, I picked itup and exited the office. The keycard didn't open the lockeddoor in the hallway, so I continued back to the stairway andreturned to the first floor backstage area.

Workers used these stairs to get up to the lights.

The catwalks allowed workers to access the lights over the stage.

Once I had the pistol, I noticed a worker in whitecoveralls heading through a doorway to the left of the coatcheck. Sensing an opportunity for a disguise, I waited a fewseconds, looked around to make sure no security guardswere looking in my direction, then headed through thedoorway. I descended the stairs, careful to stop beforegetting all the way to the bottom so I could look around thecorner for the worker. He was hammering some props, so Iwaited until he took a seat on a crate with his back towardme. I quietly snuck up behind him, pulled out my syringefilled with sedative, and injected the worker. Once he wasunconscious, I changed into his outfit and hid the body inthe nearby container. I had my disguise.

If I couldn't successfully sneak up behind the worker, andhe saw me, I would head butt him and take the hammer.Then I would use the hammer to kill him or just use myfists to knock him out.

This door led to the backstage area on the first floor.

Deciding to explore the basement, I walked through thedouble doors and then moved across the next room to thedoor on the opposite side. It was locked, so I waited until thetwo workers in the room weren't looking in my direction,then quickly picked the lock and went through. Continuingdown a flight of stairs, I walked through another doorwayand found a door on the right with a sign reading "Stage."That was where I wanted to go. I opened the door andheaded up some more stairs to the first floor again.However, I was now in the backstage area. A security guardwas posted at the entrance to the stage and was onlyletting actors pass.

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I tried climbing down through this hole. It led to a scaffoldingplatform on the third floor. While it might have made a nicesniper perch, several people could see me there.

This was the dressing room of the executioner actor.

I hid in the closet while he practiced in his dressing room, thenswitched the real pistol for the prop when he left.

After exiting the double doors, I saw a bodyguard sittingacross from one of the star dressing rooms. It must havebeen Alvardo D'Alvade's room. The actors were still on thestage, so the bodyguard took a break to visit the nearbyrestroom. I grabbed the opportunity to quickly enter theother star dressing room and hid in the closet. Soon, I could

hear the rehearsal reach its climax with the execution,then the actors began coming off stage to

walk to their dressing rooms. Theexecutioner actor entered the roomwhere I was hiding and did somepracticing with his prop pistol. Heeventually set down the pistol and left

the room. He turned right in the hallwayand headed to the restroom. This was my

chance. I exited the closet and walked overto the table, where I placed the real WWI pistol

This door openedup into an areadirectly over thetheater rotunda.

A bomb on this winch would make a crash in the theater.

Turning left as I exited the stairwell, I followed thehallway around to the right until I came across some moredouble doors on the right. I walked into the room on theother side and found a stairway leading to catwalks over thestage. Taking the stairs to the top, I found a solitary workeradjusting the lights. Down below, I could see the actorsrehearsing on the stage. The bar of lights was directly overAlvardo D'Alvade's position on the stage, and a remote bombwould have brought it crashing right down on his head.However, before planting the bomb, Idecided to check out the wooden door.After opening it and walking through, Ifound myself in an attic locateddirectly above the theater. A winch inthe center held aloft a largechandelier. I planted a remotebomb on the winch, careful thatthe worker didn't see me, thenreturned to the first floorbackstage area.


>> TIP <<



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D'Alvade was really executed.

Delahunt noticed something was wrong and headed for the stage.

The actors went through the scene as normal. Theexecutioner actor fired the real pistol at Alvardo D'Alvadeand killed him. However, since everyone assumed he wasacting, no one realized he had really been shot. It was ashort while before people realized something must bewrong, and Ambassador Richard Delahunt ran out from hisprivate box and down through the theater to get to thestage. Unfortunately for him, he tripped and fell directlybelow the chandelier. I pressed on the remote detonator,and the chandelier came crashing down—completing mysecond objective. I quickly put the remote control awayand left the light control room.

and picked up the prop pistol. I returned to hide in the closet.The actor returned, picked up the real pistol this time, thenheaded off to the stage. I watched my satellite map until thebodyguard made another trip to the restroom, then exitedthe dressing room.

I made sure the executioner actor went to the right whenhe left the room. Sometimes, he went to the left andquickly returned.

I made my way back through the basement and changed backinto my suit.

The light control room provided a secure spot to watch the action.The guards did not enter this area during their routine patrols.

All of the pieces for the double hit were now in place. Iretraced my route back to the basement and changed backinto my designer suit where I left it when I put on theworker's clothes. I then headed back to the first floor lobbyand continued up the main staircase to the second floor hall.Stairways on both sides of the hall led to the third floor hall,where I found the light control room. Waiting for a securityguard to walk past, I used the key card to gain entry andthen hid in the shadows, overlooking the stage and thetheater below. Now it was just a matter of waiting.


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With most of the attention focused in the theater andthe balconies, looking for a possible sniper, I casuallywalked back to the first floorlobby and exited the operahouse without anyonesuspecting me.Another assignmentwas completedperfectly.

The escape was one of the easiest parts of this mission.

When I first entered the opera house, I noticed a group oftourists assembled in the lobby. A security guardapproached them and then led them on a tour through theopera house. They were allowed to go through the first floorof the theater, then through the second and third floor halls.

ALTERNATIVES

TAKE THE TOUR—SECURITY GUARD UNIFORM

On the third floor, the guide excused himself to take abreak in the guard's room. I could have sneaked behind himand used the sedative syringe to knock him out and take hisuniform. No one else came into this room, but I would haveturned off the lights as a precaution. This room alsocontained pistols and MP5 submachine guns, which werealways a great addition to my collection.

>> TIP <<

take him out. It would be important to quickly drop the rifleand get out of the room before anyone came to investigate.

Since the remote detonator did not have the range for thesignal to reach from the light control room to the light bar, Iwould have to move closer. The balcony next to the guard postwas close enough. Once Delahunt was on the stage, the bombwould bring the light bar down on him, killing him instantly.

With the bomb blast distracting everyone, I could thenreturn to get my sniper rifle and put it back in the case. Onetrip to the guard post to change back into my designer suit,and I was ready to leave.

There were several variations an assassin could use. Forexample, I could have detonated the light bar to killD'Alvade, then sniped the ambassador from the light controlroom; or I could have sniped the ambassador afterD'Alvade was shot by the other actor.

>> TIP <<



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If I chose to take the W2000 sniper rifle with me, I couldhave carried it in a rifle case. If I didn't want to carry it allthe time, leaving an unattended case would cause a securityguard to pick it up and take it to the guard post on the thirdfloor. I could have then picked up a security guard's uniformafter taking the tour.

After gettingthe key card, Icould have thenplaced theremote bomb onthe light bar overthe stage insteadof on thechandelier winch.

Before sniping, I could have picked the lock to the balconydoor next to the guard post when no one was looking. Itwould have saved time later.

Returning to the guard post, I would have retrieved therifle case, entered the light control room, and assembled mysniper rifle. I then could line up my shot on D'Alvade and

THE SNIPER


MISSION 04: FLATLINE

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k Find CIA agent

k Identify target

k Smuggle out agent

k Kill Rudy Menzana

k Kill Carmine DeSalvo

k Kill Lorenzo Lombardo

OBJECTIVES SAFEGUARD

MISSION BRIEFING

MISSION 04: FLATLINE

AGENT SMITH

Inject Smith with the experimental serum. This drastically slowshis heartbeat, making him appear dead. Once he has beentransferred to the morgue located near the entrance, revive himwith the antidote.

RUDY MENZANA

A longtime organizer of the illegal traffic across the Mexicanborder to the US, Rudy is just about a household name on bothsides of the border when it comes to delivering drugs, weapons,or one-dollar-per-hour manpower. But with dwindling goodwillfrom his associates and a huge price on his head, his days arenumbered, and he knows it. Undergoing treatment in the clinic ismore or less a last-ditch attempt at hiding from the growing

number of bounty hunters. Ironically, in here he's developed a dependency on alcoholto escape the horror in is head.

HEIGHT: 6'1" WEIGHT: 160 lbs AGE: 60

CARMINE DESALVO

DeSalvo is a notorious smuggler of illegal arms from CentralAmerica. Being under constant scrutiny by different domesticintelligence services as a prime suspect in several ongoinginvestigations, he has been somewhat hampered in his efforts tocontact other prospective clients. As a result, he has become alittle jittery and has developed a substance abuse and drinkingproblem, which is why he has been admitted to the remoteRehabilitation Center for treatment.


LORENZO LOMBARDO

Ultimately he is known as "the Brains and Bankroll" in the circuit.Lombardo is strategic master planner and a multimillionairegambler. He's been accused, but never convicted, of such crimesas hijacking, mayhem, bootlegging, white slavery, narcoticstrafficking, rape, burglary, bookmaking and fixing sporting events,numbers racket, extortion, and numerous murders. Lombardoknows his time is limited—soon, some sort of forensic evidence

will connect him with one of these crimes. He has planned his departure from the US, butfirst, he has to undergo some preliminary tests at the Rehabilitation Center.

HEIGHT: 6'0" WEIGHT: 150 lbs HAIR: GRAY AGE: 64

UPDATED TARGET INFORMATION

HAIR: BLACK

Outside

Main Building, 1st Floor

z

Main Building, 2nd Floor

Main Building, Basement Medical Wing

Medical Wing, Tunnel



In order to get into the Rehabilitation Center, I had to gothrough a weapon search. Therefore, I didn't take anythingexcept the standard equipment since you had to leave itoutside anyway. However, there are several weapons Icould pick up on the inside.



Targetz

UtilityBox

Admission Slip

Exit

Propane Tank

Room A

Winch

Therapist Suit

z

WorkoutRoom

Stairs toBasement

GuardPost

Entrance

Globe

Keycard

Stairs toBasement

z

Keycard

BreakRoom

Stairs to 1st Floor


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THE LOCATION

z


I walked right upto the front doorsand then made my way to theright to theadmission desk.

This nurse admitted me into the center.

While the robe was not very flattering, it did get me inside—although it was a good thing I wasn't packing heat or the metaldetector would have gone off.

Security was tight here; however, these security guards didn'tbother me as I entered the grounds.

This admission paper was carelessly left on a bench.

The first thing I had to do for this mission was to get intothe Rehabilitation Center. Security was very tight. Right atthe entrance gate, there was a guard post with one guardinside, one outside, and another patrolling the immediatearea. However, they didn't offer any trouble upon myentering. I just acted like a prospective client of the center.I followed the pathway as it meandered through thelandscaping and stopped as I approach a couple ofbenches off to one side. I noticed a piece of paper on oneof the benches near a man stopped for a smoke. While hewas looking away, I picked it up. Upon closer inspection, Idiscovered that it was an admission paper for theRehabilitation Center. This made getting in a lot easier! Noclimbing over a wall or sneaking around this time—I wasgoing right in through the front door.P

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ADMISSION TO THE CENTER SECURITY GUARDS AND BODYGUARDS

Both security guards in the blue uniforms and bodyguards in the creamcolored suits were all over the Rehabilitation Center. All were armed andon the watch for suspicious behavior. They were allowed to go anywhereexcept for the western medical facility.

MAKING THE HIT

This security office had weapons, as well as the tape for thesecurity cameras.

The door next to the security office offered access to thebasement via a staircase.

At the western end of the building, I found four doors.The two on the left were just offices. However, one on theright led to a stairway down to the basement while the otheropened into a security office with a guard watching amonitor near a gate leading to the west. Since the guard wasfocused on the monitor, I looked in a box near the door to theoutside. Inside were pistols, submachine guns, and a stungun. I picked up the stun gun and holstered it inside mycoat. I really didn't plan on needing any heavier weapons.After exiting the security office, I walked through the door tothe stairway and descended to the basement.

I continued along the pathway and up some steps tothe front door. After entering, I headed to the admissionsdesk, where a nurse was waiting. Placing the admissionpaper on the counter, I waited and was eventually admitted.The nurse opened the door to a changing room and askedme to change and leave any personal effects. Since I hadn'tbrought a pistol or other detectable weapons, I kept all mystandard equipment with me as I changed into a patient'srobe. I exited the changing room and turned to enter themain part of the building. A security guard stopped me andused a metal detector wand to search for weapons. Nonewere detected, so he let me continue.

I headed up the stairs to see what I could find in the offices.

As a therapist, Ihad more accessthan a patient.

Determining thatI needed morethan a patient'srobe to movefreely about thecenter, I headed up the stairway to the second floor. While checking the doors in the eastern wing, I found oneoffice door opened. After checking to see if anyone waslooking, I entered and found a therapist's suit on a chestof drawers. That was more like it. I changed and was now Dr. 47.

Now I had to find the CIA agent and learn what he haduncovered. The maps I had of the center showed a medicalfacility to the west. Therefore, I headed downstairs to thefirst floor and then on to the west wing.

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FINDING THE AGENT

Orderlies were in the basement, aswell as in the western medical wing.They were armed only with a stungun, and they attacked suspiciouspersons and alerted security. Theywere allowed all over the center—soan orderly uniform was like an all-access pass.

ORDERLIES



It was lights out for Agent Smith.

Now disguised as an orderly, I headed to the easternside of the basement and ascended some stairs to themedical wing of the center. There were two doors. The one onthe right led into an office while the other opened into a cellarea. Both doors were locked, but I now had the key.Entering the office, I found a key card on the desk andpicked it up. I then headed down the stairs to the cell areaand opened the center cell on the western side. There I foundthe agent. His name was Smith, and told me the name of mytarget. Since I needed to fake Smith's death to get him out, Iused the serum to sedate him. At that moment, the agencycontacted me and provided two optional contracts—eachworth $50,000. Both targets were in the RehabilitationCenter. While I was there, I thought I might as well make alittle extra money.

Breaking the utility box lured out the guard and allowed me tosteal the surveillance tape.

I exited the cell and headed up the stairs. Since I had akeycard, I headed west through the security gates ratherthan backtrack through the basement. When I arrived at theguard post, I decided to steal the videotape from thesurveillance cameras just in case I was seen somewhere. Ionly had to get the guard to leave his post for a moment.Therefore, I went through the door by the weapons box and,

I stunned an orderly, took his clothes, then hid his body.

After a quick look around, I observed two orderlies in thearea, as well as a security guard. A therapist also came downoccasionally. It looked like I needed an orderly disguise to goany farther. The orderly in the washing area posed a problemsince the guard was often in his area. However, the otherorderly moved through the break room regularly to have acup of coffee. While I could have sedated or poisoned thecoffee, I couldn't time how long it would take to knock himout. Since the security guard made frequent patrols down thehallway, he would see a body through the window in the door.Therefore, I waited until the therapist visited again and left,then I stood in the hallway while the orderly walked around.As he turned toward the laundry container—and the guardand other orderly were in the eastern part of the basement—Izapped him with the stun gun. I quickly changed into theorderly's uniform and grabbed his keys. Then I hid the body inthe laundrycontainer andclosed the lid.

I needed the keysfrom the orderly toget through thedoors into themedical wing.

This key card would come in handy.PRIMAOFFICIALGAMEGUIDE

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I added a little something to Menzana's drink.

When he took a drink, it was his last.

Back in thehallway, I headeddownstairs andwalked to theeastern wing ofthe center. Inoticed Menzana entered thelibrary on a regular basis andsneaked a drink from a bottlehidden inside a globe. This wasa great opportunity foranother hit. I waited untilMenzana left the library, then Ientered. I noticed abodyguard across the hallcould see me. Afterwaiting for a bit, thebodyguard movedacross the halltoward me andthen stoppedand turnedaround with hisback to me. Taking aquick look to make sure noone else was walking downthe hallway, not evenpatients, I quickly opened theglobe and used the poison syringeon the bottle. After closing the globe,I left the library and continued westtoward the workout room.

once outside, located a utility box near a window. Afterbreaking the box, I returned to the guard post and waited forthe guard to head outside to fix the box. While he wasoccupied, I stole the tape, careful to not be seen by theguard through the window.

Lombardo's room was protected by a bodyguard.

Sabotaging the propane tank made the hit look like an accident.

Lorenzo Lombardo's room was on the second floor inthe western wing. I figured I'd start with one of the bonustargets. Once I was upstairs, I saw a bodyguard positionedoutside Lombardo's room. He was not going to let meinside. Therefore, I walked into room "A" next door. Passingthrough the room, I exited onto a balcony shared byLombardo's room. Peeking in through the keyhole to makesure it was empty, I entered the room prepared to hideinside until my target returned. However, I noticed apropane cooking stove along one wall. I could make thislook like an accident. I'd be nowhere near there whenLombardo met his fiery demise. After sabotaging the tank,I left the room the same way I entered.

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Wake up, Smith.

Now all that remained was to revive Agent Smith. Themorgue was located near the entrance gate, across from theguard post. My disguise as an orderly would get me into themorgue without a problem, so I headed out the mainentrance and along the path to the morgue. Once there, Iwaited until another orderly left, then I approached Smithand gave him the antidote. He woke up, and anotherobjective was completed.

I returned to the morgue to make my escape.

Now I had to make my escape. However, I was not aboutto leave my designer suit. Therefore, I headed back to thechanging room where I had left it and put it back on. I thenreturned to the morgue, careful to sneak in when the guardswere not looking. Thinking of the money I had just earned, Iexited from the center.

I took a spotter's position near DeSalvo—then gave him akiller workout.

The workout room was empty, so I passed through thedouble doors to the outside courtyard. Carmine DeSalvo wastaking a walk. There was no opportunity to take him outsince a bodyguard was following him. I tagged along from adistance and watched as he returned to the workout room.While his bodyguard left the room, DeSalvo began benchpressing. I decided to spot for him and took a position nearhis head. Watching the open doorways, where bodyguardsoccasionally passed by to check on DeSalvo, I waited until itwas clear and my target had racked his weights. I then pickedthem up and dropped them on his neck. Another deadlyaccident had occurred at the Rehabilitation Center. I quicklyleft the workout room before anyone saw me near the body.

I exited through the front doors and made my way to the morgue.


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ANTIDOTES AND EXITS

There were other ways to make the hits. One way was tohide in Lombardo's bathroom and use the fiber wire on himwhile he was cooking. Instead of poisoning the drink forMenzana, I could have planted a remote bomb on thechandelier cable attached to the wall on the second floorlanding overlooking the library. Then when Menzana went fora drink, I could have detonated the bomb with crashingresults.A security guard's suit allowed me to get past the metal

detector with weapons. One way to get this disguise was atthe dumpsters along the pathway to the main building. Icould have knocked out a patient and hid his body first, thentaken out a security guard who came to this spot.

Another opportunity for a guard's uniform was after Iwas already inside. I could have lured the guard in thesecurity room outside by breaking the utility box, thensedated him. After taking the uniform, a nearby dumpstercould hide the body.

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GETTING A SECURITY GUARD DISGUISE KILLING THE TARGETS

ALTERNATIVES


™

MISSION 05: A NEW LIFE

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Target

Guns

Melee Weapons

z

VINNIE SINISTRA

A former Cuban crime lord, Vinnie has admitted his involvementin several high-profile killings on US turf. He has agreed to a pleabargain that ironically got him into the federal witness protectionprogram. Vinnie, who was once a carefree gangster thinking hewas untouchable, is now eaten up by paranoia and boredom as aresult of being locked up in a cage.


Neighborhood, Outside

2nd Floor1st Floor

ComputerRoomBaby’s

Room

MasterBedroom

TeenDaughter’s

Roomz

Kitchen

GuardPost

TVRoom

Wine Bottle

Wine Bottle

Sauna

Cell Phone

FBI Suit

Study

Dog

BBQ

UtilityBox

Exit

Manhole

Clown Van

Garbage Truck

LighterFluid

Drain Pipe

Cater Van

Secrity Truck

TreeHouse

k Kill Vinnie Sinistra

k Retrieve the microfilm concealed in a piece of jewelry

k Escape the suburb


MISSION BRIEFING

MISSION 05: A NEW LIFE

LEGEND

THE LOCATION


an open manhole surrounded by barricades. While I couldn'tuse the manhole as an underground access, it could be aplace to hide a body.

There were threevehicles parked infront of thetarget's house—the caterer's van,the clown's van,and the sur-veillance truck.

The place where I entered the neighborhood was the same spot Iused to make my escape.

I entered the target's neighborhood near the gate at the endof the street and took a look at my surroundings. It was aresidential street typical of any American suburb. Ahead Isaw a jogger taking a break. In the middle of the street was


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Basement


k Enhanced bomb remote


For this mission, all I needed was the standard equipment I always carrywith me. However, a few more items could come in handy. As usual, thesilverballer with a silencer and low-velocity ammo provided a quick, silentmeans of taking out an unexpected threat. Also, the enhanced bombremote gave me the option of being near the exit for a quick getaway if Idecided to use a bomb for the hit.

WHO ARE THE PEOPLE IN THE NEIGHBORHOOD?

This guy ran back and forth throughthe neighborhood, stopping at thewestern end of the street for a rest. Ikept an eye out for him, as hereported anything suspicious he sawto the FBI guards.

THE JOGGER


Melee Weapons LighterFluid

MAKING THE HIT

LEGEND


I noticed that the garage door of the house across thestreet was open. A female neighbor was out trimming ahedge and told me to leave as I walked up the driveway.Therefore, I continued east down the street and aroundanother corner. Ahead to the north was a home with a treehouse in the backyard. A lady was out working in the yard.There was also a garbage truck parked along the curb with aworker loading trash. A second garbage man was walkingback and forth between the truck and the target's house,taking away bags of trash.

Returning to the target's house, I observed two FBI guardsat the front door. Occasionally, another walked out from a dooron the left side of house. It was not going to be easy to get intothe target's house. I needed a disguise. I looked along the rightside of the house and found a gate to the backyard. However, asign on the fence informed me of a dog on the other side. Asurveillance camera also covered this side of the house. Theleft side did not have a dog but did have another camera.

I added a sedative to the doughnuts while no one was looking.

After following the street around the corner to the left, Isaw the target's house on the left side. It looked likesomeone was getting ready for a party. In the driveway wasa yellow caterer's van. I noticed that the caterer wascarrying metal containers of food into the house. A quickglance in the back of the van also revealed a box ofdoughnuts. If I placed an item such as a pistol in theremaining metal container, the caterer would carry it into thekitchen of the home, where I could retrieve it later.

Parked along the curb in front of the house was anothervan. This colorful vehicle belonged to a clown who wasproviding the entertainment for the party. Across the street,I saw a white panel truck with no windows in the back. It wasdefinitely there for surveillance and was probably tied intosecurity cameras.

This neighbor ladydid not like meanywhere nearher house.

I could hide a bodyin the back of thegarbage truck.

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The caterer walked back and forthbetween his van and the kitchen ofthe target's house. The FBI guards didnot search him for weapons as heentered carrying containers of food.He also delivered a carton ofdoughnuts to the FBI agents in thesurveillance van.

THE CATERER

The clown moved back and forthbetween his van and the inside of thehouse. He was searched as heentered the house by the FBI guardsusing a metal detector wand.

THE CLOWN

One of these guys stayed by thetruck while the other walked to theside of the target's house to pick uptrash bags. The opening at the back ofthe truck could be used to hide abody. It seemed like the garbage mancould move through theneighborhood, even into backyards,without arousing suspicion.

THE GARBAGE MEN

The FBI guards could go anywherethey wanted. They were neverstopped or searched for weapons.One of their suits made the ultimatedisguise for this mission.

FBI GUARDS

DOUGHNUTS AND WINE


By lacing this bottle with sedative, I knocked out Mrs. Sinistra.

I grabbed the necklace before Mrs. Sinistra was revived.

Next, I headed for the front door of the target's house.The FBI agents waved me right in without a search. Icontinued into the kitchen, where the caterer was deliveringthe food. After the caterer left, I walked over to the bottle onthe kitchen counter and added a little sedative from thesyringe while no one was looking. While waiting for Mrs.Sinistra to take a sip, I wandered into the guard post locatedoff the hallway behind the kitchen. No FBI agents wereinside, so I helped myself to an MP7 submachine gun. I wentback to the kitchen just as Mrs. Sinistra took a drink. She setthe bottle down, took a few steps, and collapsed. I quicklyapproached and grabbed the necklace before an FBI agentcould revive her. Thinking it was just a combination of thehot day and the alcohol, Mrs. Sinistra went back to her partypreparations. Meanwhile, I had the microfilm.

The FBI suit was great for going anywhere.

I realized that the surveillance cameras would spot me if Itried to enter through either side of the house. Then Iremembered the doughnuts in the caterer's van. Checking tomake sure no one was looking my way, I took out the sedativesyringe and injected it into the doughnuts. I couldhave used the poison syringe, but there was noneed to kill the FBI agents. Before long, thecaterer returned and picked up the box ofdoughnuts. He delivered it to thesurveillance truck across the street. In lessthan a minute, the two FBI agents in thetruck were unconscious. While thecameras were still on, no one waswatching. I opened the door to thetruck to make sure they were out. Notonly had I eliminated the threat of thecameras, I'd also found a greatdisguise. I changed into one of the FBIsuits and left the truck. I made a mentalnote to be sure to stop by the truck on myway out to retrieve the videotape so therewould be no record of my visit.


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Vinnie Sinistra's wife made her wayaround the pool area, then headedin for a dip in the indoor pool. Fromthere, she walked past the saunaroom to a restroom near the study.After checking her makeup, shecontinued into the kitchen, whereshe took a sip from the bottle onthe counter before returning to the outdoor pool and starting herrounds all over again. Around her neck was a nice necklace—itcontained the microfilm.

MRS. SINISTRA


Vinnie and give him a little poison via a syringe. I thenquickly dragged his body into the closet behind his chairand hid it. I didn't have a lot of time since the bodyguardreturned just as I was shutting the door.

I stole the video-tape in case oneof the camerascaught me.

Having completedmy objectives, Inonchalantlywalked out thefront door of thehouse andcontinued to the surveillance truck. Upon entering, I changedinto my designer suit and stole the videotape—just in case.Exiting the truck, I walked to the gate where I entered theneighborhood. It would take the FBI some time to realize thatVinnie was deadand the microfilmwas missing. Bythat time, I'd belong gone.

It was time toleave the scene.

Vinnie spent a lot of time watching TV in the front room.

Breaking the box by the garage shut down the TV.

With thebodyguard away,Vinnie was mine.

Now all I had todo was take outVinnie Sinistra. Inoticed that hespent most of thetime watchingtelevision in the front room, accompanied by an FBIguard. Occasionally, he headed upstairs to his office tocheck his computer, then returned to lounge in front ofhis big screen. I needed to find a way to get Vinnie byhimself. I headed out through the front doors andstopped by the garage door in the driveway. There was autility box there. Waiting for the caterer and jogger tomove on so I wouldn't be seen, I then broke the box.

I walked back into the house, heading toward the frontroom. The FBI bodyguard came out to see why the TV hadshut off. This gave me an opportunity to sneak in behind

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THE DANGERS OF WATCHING TELEVISION

GOOD-BYE, NEIGHBORS

I could also go for something a little more humorous—theclown. I noticed the clown routinely returned to his van for aquick drink. I'd just have to follow him to his van and watchto make sure the jogger and other garbage man weren'tlooking. After knocking him out with the sedative syringe, Icould change into his outfit, then hide the body in the box inthe back of his van. I could hide the pistol in a caterercontainer so it would be delivered inside for me.

The FBI agents would search me with a metal detectoras I entered the house. However, I would have already

stashed the pistol. Once in the house, I needed to turnleft and head into the dining room, then through the

door on the far side of the roominto a study. If I used thesedative on the bottle on thetable, someone drinking from it

would pass out.

Staying hidden in the study, I could wait untilMrs. Sinistra went for a powder. Since she had athing for clowns, it was just a matter of walking intothe restroom and waiting for her to invite me to thestudy for a drink. For the rest of the mission, I could

pick up an FBI disguise lying in the sauna room.

This neighborhood was full of opportunity for an assassinlike myself. While my method was the cleanest, there wereother ways to complete the mission.

Both a dog and a camera posed threats on the house'sright side. While using the sedative on the doughnutstakes care of the guards watching the video feed of thecamera, there was a way to knock out the dog as well.Once in an FBI or garbage man suit, I could walk to thehouse across the street from the target house and goaround to the backyard. There was an open window I couldcrawl through into a veterinarian's office. Inside was abottle of ether and some tranquilizer darts.

After picking them up, I could exit andhead to the tree house overlooking thetarget's backyard. With the darts and theair gun in the tree house, I could thenshoot the dog and knock it unconscious.


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SILENCING THE DOG

SEND IN THE CLOWN

ALTERNATIVES


>> TIP <<

>> TIP <<


When Vinnie checked his computer upstairs, he went intothe room alone. I could hide in the alcove until he entered. I'dthen have to move fast to take him out with either the fiberwire or poison syringe before he turned around. The silencedsilverballer would also work. After hiding the body aroundthe corner, I could sneak out the door and take the backstairs down to the first floor for my escape.

While Vinnie is upstairs, it would be easy to place a remotebomb in the TV room on the table by the front window, wherehis cell phone was sitting. When he returned to watch TV, Icould call Vinnie using the phone in the surveillance truck,then detonate the explosive when he answered.

If I went in as the clown, I would not need to sedate thedoughnuts, so I'd save my two doses for the clown and Mrs. Sinistra.

I learned that Mrs. Sinistra had a thing for the pool boy. Since heoften went to the shed, it would be a simple matter of knockinghim out, taking his outfit, and then letting Mrs. Sinistra lead meup to the bedroom, where I could knock her out, take themicrofilm, and hide her body in the adjacent bathroom.

While I could climb up tothe second floor from thebackyard using thedrainpipe, there was asqueaky toy on the floorunder the window, whichwould alert the FBI agenton this floor. Quickly hiding in the adjacent bathroombefore he entered the room would keep me safe.

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MISSION 13 SPOILERa

THE POOL BOY AFFAIR

UPSTAIRS HIT

BOMBING VINNIE

MISSION 06: THE MURDER OF CROWS

™


MISSION BRIEFING

MISSION 06: THE MURDER OF CROWS


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MARK PURAYAH, JR.

Purayah is an albino clone—hypersensitive, adaptive,determined, focused, and better equipped (both physically andmentally) than normal humans. Should something or somebodytry to interfere with the operations he's in charge of, heretaliates in full force with total disregard for the consequences.He's detached from human suffering, but while not devoid offeelings, he never lets these feelings stand in the way of aperfectly executed hit.

HEIGHT: 6'0" WEIGHT: 172 lbs HAIR: WHITE AGE: UNKNOWNk Kill Mark Purayah, Jr.

k Kill Raymond Kulinsky

k Kill Angelina Mason

k Protect the politician, Jimmy Cilley

k Escape via the road south of the city


RAYMOND KULINSKY

Raymond Kulinsky is closely connected with Angelina Mason. Theirhits are coordinated by a leader positioned in a central placeoverlooking the area where the hit is to be performed. The leadercommunicates through an intercom, feeding them info on theactions and whereabouts of the target. Kulinsky and Masonconstantly feed each other information over the intercom during theoperations, often including sexual teasers. They have never failed a

job. Preventing them from carrying out their orders can only be done by eliminating them.They are very unstable during operations, meaning the survivor could turn into a volatileand self-destructive killing machine in the event his or her partner is killed.


ANGELINA MASON

Angelina Mason grew up in a traveling circus as a trapeze artist.She was also trained as a sharpshooter and knife thrower. Hermother was killed in a freak accident, and she developed self-hatred and slowly drifted into narcotics and prostitution. Rumorhas it she killed a John trying to rape her, nailing him to the wall ofa motel with a crossbow—and this is how she found out the skillsshe learned during the circus years could be turned into a more

profitable business. She met Raymond, and together they developed a strategy forcomplicated kills they called the "grassy knoll scheme."


JIMMY CILLEY

Jimmy Cilley is from Dallas, Texas. His father ran a gas station andgeneral store, and little Jimmy got his first job polishing andsorting eggs for his dad. After graduating from Harvard BusinessSchool, he worked his way up in the oil business and soon learnedthat the only way to take it further was through politics. He's acivil rights advocate, pro-choice spokesperson, and he's stronglyin favor of biotech's many advantages, such as genetically

modified foods and cloning. The congressional candidate is rubbing elbows, kissingbabies, and keeping it clean for the press in New Orleans, his new constituency.

SAFEGUARD



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Streets and Back Alleys

z

Shops and Restaurants, Basement

Shops and Restaurants, 1st Floor




Targetz

BookStore

RockClub

Hotel

BluesClub

SalsaClub

Access toSniper Perches

BirdClub

RockClub

Hotel

BluesClub

SalsaClub

Exit

SniperPerch

Winch

LEGEND

THE LOCATION

I waited for the red bird to talk to the bartender, then I left the hotel.


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MISSION 13 SPOILERa

I had to stay closeor I'd lose thecourier in thecrowd.

When I arrived in New Orleans,my only leadwas a man witha suitcase filledwith diamonds. I followed him to a hotel bar, where Iwatched him meet with a guy dressed in a red birdcostume. (It was Mardi Gras, after all.) I learned a longtime ago to always follow the money, so the bird guy wasmy new person to tail. As he left the hotel, I followed. With all of the people on the streets for the celebration, I had to stay close or I'd lose him. He eventually turnedinto an alley.

Shops and Restaurants, 2nd Floor

Shops and Restaurants, 3rd Floor

THE RED BIRD




k Enhanced bomb remote

I took the silenced silverballer for thismission since I never know when thingsdeviate from my plans in the Big Easy. Ialso decided to take along an enhancedbomb remote for detonating bombs at amuch greater distance than the standardremote.

SniperPerch

Possible Locationfor Raymond

Possible Locationfor Raymond

z

Sniper Perch

MAKING THE HIT

>> TIP <<

>> TIP <<


There was my first target.

Because of the bird costume, I figured the courier musthave come from a club with this theme. I rememberedseeing such a place in the northeast corner of the area, sothat was where I headed. As I approached, I saw a yellowbird standing guard by the door. He told me to go in andhead upstairs. I followed his instructions and climbed up awinding staircase to the second floor, then followed thewalkway to a door. Upon entering the next room, I foundmyself face-to-face with Purayah. Since he was obviouslyexpecting payment for a hit on the politician, I placed thesuitcase of diamonds on the desk. He turned and walkedtoward the balcony, where he began talking to the othertwo assassins via his walkie-talkie.

It is important to understand how this mission worked.The diamonds were the payment for the hit on Cilley, thepolitician. Once Purayah received them, he told Raymondand Amanda to begin their assignments—sniping andrecon, respectively. Seizing the diamonds and killingPurayah bought time. Raymond and Amanda both had tobe taken out within a short amount of time. If one didnot report in, it could cause the other to rush out andkill the politician right away instead of waiting for theplanned time, thus ending my mission in failure.Therefore, before killing one, it was important to have aplan for the other's execution immediately upon the firstone's death.

I didn't want to kill the courier, so I sedated him. And I sure didn'twant to forget the diamonds.

As the courier approached a dumpster, I pulled out thesyringe of sedative and injected him with it. As soon as hehit the ground, I put on the bird costume, dragged the bodyto the dumpster, and hid it. I then quickly picked up thesuitcase full of diamonds, since the safety-conscious policewere taking any unclaimed luggage or containers to theirpost in the center of the area.

The guy in the red bird suit could take one of threedifferent paths to his meeting. Therefore, it was importantto follow him rather than lie in wait somewhere.

This looked like the right spot.PRIMAOFFICIALGAMEGUIDE

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The police were everywhere in NewOrleans during Mardi Gras. Theycould not only be found on most ofthe street corners, but alsopatrolling the streets and alleys.They were armed with pistols, andthey reacted quickly to visibleweapons or gunshots.

POLICE

BIRD HUNT

Protected by copyright. Unauthorized or unlawful copying or downloading

Here were the three clubs.

I started with the leader.

I waited for the guard in the yellow bird suit to leave theroom, then I came up behind Purayah and used the fiberwire to kill him. I quickly took his desert eagle and draggedhis body over to a container and hid it. Not wanting to beseen in the room alone without Purayah, I hid in the closetbefore the yellow bird returned. Once he left again, I pickedup the walkie-talkie by the balcony, as well as the suitcase,and headed out the door and down the stairs.

By using crates, ledges, and fire escapes, I reached the winchanchoring the piano and placed a bomb.

Once outside, I crossed the street and entered analley area. As I waited and listened to the chatter onthe walkie-talkie, I saw Angelina walk into the alley.She stopped along a wall and reported that she was atthe alley. That must have been one of her positionswhere she called in. As she left, I noticed a pianohanging directly above her spot. Her path willbring her back here, making this is too good tobe true. I climbed up a wire cage and droppedthe suitcase for now—since it was up high, thepolice wouldn't grab it. I then climbed up on abox as I continued around the buildings' sides,even jumping from one fire escape toanother, until I was at the winch supportingthe piano. I placed a remote bomb on thewinch and then backtracked to the suitcase.Picking it up, I hopped to the ground andheaded back into the crowded streets.

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During Mardi Gras, each club had its own theme. I couldn't enter anyunless appropriately attired. Patrons occasionally left the club andheaded into a back alley in order to relieve themselves. This providedan opportunity to grab a disguise. Waiters also left clubs for breaks,and their suits could also be used to enter any club.

WAITERS AND PARTIERS

>> TIP <<


As a waiter, I had no trouble walking in the back doorof the club, right past the chef. I checked my map to seewhere the stairway was located, then headed upstairs.Not wanting to alert Raymond to my presence, I checkedthe map once I reach the floor he was on to see where hewas located and which direction he was facing. When hewas turned away from the door, I entered, set down thesuitcase, and quietly made my way toward him. I took outmy silenced silverballer and aimed it at him as Iapproached, just in case he turned around. He was armed,and I didn't want him to be able to get off a shot.Raymond still had no idea I was there, so once I wasdirectly behind him, I pulled out the fiber wire andstrangled him.

Each club had a fire escape exit leading from Raymond'sfloor. This allowed me to quickly get away in case shotswere fired and the police arrived. The fire escapes wereone-way access—down only—so I didn't have to worryabout police coming up that way.

Angelina wandered around the streets, keeping track of thingsfor Raymond.

I returned to get the suitcase, then pulled out thewalkie-talkie and ran back down to the street. I also checkedthe street-level map to see if Angelina was approaching thereporting location where the piano was positioned. I movedtoward that location to make sure I was in range for theenhanced bomb remote. As soon as she reported in, Idetonated the remote bomb, and the piano came crashingdown on her.

Raymond, the other assassin, said he was upstairs inone of the clubs. There were three clubs in the area—a bluesclub in the south, a salsa club in the east, and a rock club inthe north. I listened to the music and headed toward theappropriate club. Since I was still in the red bird costume, Iwas not allowed in the front door. Therefore, I walked aroundthe side to the back of the club. I found a waiter outsidehaving a smoke. After making sure there was no one elsearound and setting down the suitcase of diamonds, I cameup behind the waiter and sedated him using the syringe.Quickly changing into the waiter's suit, I then dragged thebody to the nearby dumpster and hid it. Of course, I pickedup the suitcase again.

I couldn't get a waiter, a partier's suit would do just fine.Raymond didn't even know I was there.

As a waiter, I could move through the kitchen without arousingsuspicion. I headed up the stairs to find Raymond.

Raymond didn'teven know I was there.


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>> TIP <<


I was finally safefrom the police, aswell as all thosewomen trying toearn beads.

With all ofthe objectivescompleted, Ireturned to thedumpster where I sedated the courier in the red bird suitand changed back into my designer suit. I then headedsouth to the barricades along the street, where I made my escape.

If the piano didn't work, orif Angelina was nowherenear the spot after I killedRaymond, I could just followher until she was alone,then silently take her outbefore she had a chance togo after the politician.

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If I wanted a less hands-on approach to this assignment, Icould take my W2000 sniper rifle, along with a silencer andlow-velocity ammo. Since none of my targets were wearingbody armor, that would be sufficient.

Purayah was my first target. By climbing a drainpipenear the hanging piano, I found an excellent spot from whichto snipe at the leader. All I had to do was wait until heappeared in the open door by the balcony, then fire.

THE SNIPER METHOD

ALTERNATIVES

Once I determined where Raymond was located, I wouldaccess a building across the street. Each of the three clubshad such a spot. Some required climbing drainpipes andjumping across balconies.

>> TIP <<


Getting the diamonds was much more difficult using thesniper method since I couldn't carry both at the sametime. However, it was important that the courier wasstopped, since if he delivered the diamonds to the birdclub, it would make their retrieval much more difficultwithout a bird disguise.

There was a book store next door to the bird club. If Ididn't have a bird suit, I could have entered the bookstoreand, while the owner was busy, headed up the stairs inthe back to the second floor. There was a room adjacent tothe room where Purayah was located. From a boarded updoorway, I could have heard his plans and even killed himby carefully aiming a sniper rifle through the slats in thedoorway.

Others had a back door in an alley that led up to anapartment. In most cases, I would have to sedate theoccupant of the location first.

Then I would wait until Raymond came into view andtake him out with a clean shot to the head or body. No onewould hear the shot with the silencer, and no one would findthe body until I was out of the area. I would then deal withAngelina in the normal fashion.


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THE BOOK STORE


MISSION 07: YOU BETTER WATCH OUT. . .

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k Kill Lorne de Havilland

k Kill Chad Bingham, Jr.

k Retrieve the video tape of Chad's incident

k Escape the mountainresidence


LORNE DE HAVILLAND

This self-professed playboy, porn aficionado, and Americancultural icon is also a strip club operator, magazine magnate, andborn-again Christian. Lorne spends most of his time in the masterbedroom. Here he peruses the many videotapes surreptitiouslyrecorded through one-way mirrors installed in all of the backroomcabins in his strip joints. Blackmailing politicians, clergymen, andmovie stars now provides the bulk of his income. He occasionally

throws a big party, where he mingles briefly with the guests before retiring to his den ofiniquity, looking for famous people caught in the act.


THE LOCATION

Pier, Outside

Start

Elevator

CHAD BINGHAM, JR.

Chad is the youngest son of Senator Bingham, who had highhopes that his son would follow in his footsteps. Instead, Chad Jr.often hangs out in local bars or sleazy strip joints. During one ofhis usual benders, he wound up in the back of one of Lorne deHavilland's clubs with a lap dancer. One thing led to another, andto make a long story short, the girl wound up bound, gagged, anddead. As usual, Lorne de Havilland had a camera secretly

recording every sordid detail. Chad has a reputation for remorselessly slapping upstrippers, sometimes beyond recognition.



k Silverballer with silencer and low-velocity ammo (optional)


Infiltrating de Havilland's mountainresidence was tough. There were severalsecurity checks, and I wanted to makethe hit as clean as possible. Therefore, Ionly took my standard equipment. If Itook the silverballer or other weapons, I'dhave to be careful about security andstore them in agency containers aboutthe premises before going throughsecurity checks.

MISSION BRIEFING

MISSION 07: YOU BETTER WATCH OUT. . .


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Main House, Balcony

Helipad

Studio Floor

Main House, 2nd Floor

Main House, 1st Floor

Staff Floor

Pier, Inside



Yellow text: "Alternatives" Items

Target

Melee Weaponsz

Jacuzzi

Kitchen

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Elevator

Grotto

Waterfall

Chad’sBedroom

Bar

Assassin’sRoom

Aphrodisiac

Balcony

Photographer

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de Havilland’sBalcony

Tape

Elevator

Lightbar andCatwalk

SecurityTape

Accessto Roof

Waiter’sSuit

Utility Box

Elevatorto Pier

Elevatorto Staff Floor

Laser GridControl



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The living room was filled with guests and staff.

The bartender gave me a little something for the party.

When the elevator reached the top, another guardwelcomed me. I turned around to the left and entered thehome, continuing to the living room, where most of theparty guests were congregating. I saw some guests goinginto an area called the grotto. However, as I approached,the guards let me know I was not welcome. I needed adisguise to get in there. Seeing a bar, I walked over andchatted with the bartender. His type often had usefulinformation. This bartender not only gave me info, butalso a bottle of aphrodisiac to improve my trip to thegrotto. Though I didn't have time for such diversions, Igraciously accepted the gift and headed back outside. Iwas sure I could come up with a use for the ingredients inthe little bottle.

This looked like a big party, complete with a lot of security.

Built into the side of a mountain, de Havilland's home isaccessible only by boat or helicopter. However, I secured aninvitation to the party and stepped off the boat onto the dock.Several guests were milling about before heading up to theparty. I strolled to the elevator on the left side, where two guardswere watching. To avoid being caught on tape, I was careful tostay to the side and enter the elevator car while the surveillancecamera above the door was scanning away from me.

There were guards all over deHavilland's residence. They werearmed with pistols and on thelookout for suspicious behavior, aswell as people who were where theywere not supposed to be. There werea couple different types of guards.The black-suited guards could goanywhere. The Christmas guards, in white or red suits and possiblywearing Santa hats, could go everywhere but the studio or helipadlevels. Therefore, the black-suited guard disguise was the best choice.

GUARDS

THE CHRISTMAS PARTY

MAKING THE HIT


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As they turned to enter another part of the building,presumably with beds, I sneaked into a waterfall thatcontained a small passageway leading to the grotto. Therewas a man sitting with his back to the other side of thewaterfall, and by the look of him, he was one of deHavilland's photographers. Checking the map and the areato make sure no one was looking, I sedated him with thesyringe and then pulled the body back into the waterfallarea, where I relieved him of his suit.

Chad headed down to a lower level.

This was a perfect setup for a hit.

With a disguise, I could continue to follow Chad andhis friend. As I walked past one of the working girls in thehallway, she gave me a strange look, as if she recognizedme. I continued down the hall and caught up with Chad ashe left a bedroom. Instead of returning to the outside hottub, he walked through a door at the end of the hall.Staying a discreet distance behind, I followed him to asmall balcony overlooking the water below. Seeing anopportunity, I quietly walked behind him and gave him ashove—over the short wall he went. One objective wascompleted.

Chad was surrounded by people as he sat in the hot tub.

As I exited the living room, stepping out into the chillyevening air, I located one of my targets—Chad Bingham, Jr.Chad was sitting in a hot tub with several scantily cladwomen, enjoying the company. I noticed a white-suitedwaiter pick up a glass next to Chad and take it back to thebar. I began to formulate a plan. There were too many peoplearound to take out Chad where he was—and it didn't seemlike he was going anywhere soon. Therefore, I had to givehim a reason to get out of the hot tub. Returning to the bar, Istood next to Chad's glass, took out the aphrodisiac, andadded some to his drink. Shortly thereafter, the waiterreturned for the glass and took it to Chad. Soon after, Chadgot up and followed one of the women inside. I pursued at adistance as theywalked through adoorway nearanother hot tub.

I followed Chad as he left.

This photographer's clothes got me around the place.



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This door led to an elevator.

With my new suit, I entered the staff area and headedto the staircase, ascending to the first floor. Exiting outinto the kitchen, I looked around and saw a sausage lyingon the counter. You never know when a snack will come inhandy, so I pocketed it and left the kitchen, heading for thegrotto. With a guard's black suit, I could go anywhere—infact, the other guards waved me right in. Continuingthrough the grotto and on to the door with the two guardsposted on either side, I eventually arrived in a hallwayleading to an elevator.

Here was the videotape I needed to get.

After the doors opened, I entered the elevator andselected the studio floor. Once I arrived, I exited the elevatorand took a look around. This floor contained the studio, amedia room, and de Havilland's bedroom. I noticed deHavilland and his little dog walk past me into the bedroom. Aguard stood by the door. I wanted to avoid being seen near deHavilland alone, so I decided to go for the videotape first.Plus, that dog could have been a problem, since it yipped as

The ledge was narrow, but it worked.

I hid behind thiswall, waiting for aguard to come outto fix the box.

From thebalcony, I couldsee anotherbalcony. A ledgeran along the sideof the mountain between the two. I hopped over the balconywall and carefully headed to the opposite balcony. This wasthe staff floor, and after looking around a corner, I could seeseveral guards walking around inside. I also noticed a utilitybox. I broke it and quickly hid behind one of the walls to wait.A guard in a black suit came out to fix the box. I sneaked upbehind him with the fiber wire and took him down. Afterdragging the body over by a container, I took his pistol and hissuit before hiding the body in the container.

No one can resist a sausage.

Protected by copyright. Unauthorized or unlawfulcopying or downloading expressly prohibited.

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I was searched before I could go onto the helipad.

It was time to leave. I returned to the elevator andpressed the button that took me to the helipad. After a short

walk through a break room, I was stoppedby a guard near the door leading out ontothe helipad. He wanted to search me. Iwas still carrying the pistol that belongedto the guard whose suit I was wearing;however, a guard was supposed to have apistol. The guard with the metal detector

said he couldn’t let me pass with aweapon, so I surrendered the

pistol to him. I had one justlike it back at the hideout.Once he had the gun, Iwalked out to the waitinghelicopter and flew away to safety.

This was the way to end anassignment.

it came near me. A few guards walked in and out of the mediaroom while one stayed behind. I found the videotape I waslooking for on a desk and waited until the guard was lookingaway before stealing it.

The sausage was too much for the dog.

Another push resulted in another kill.

By this time, de Havilland and his dog were headedfor the studio. I noticed the guard by the door had gonefor a bit, so I sneaked into the bedroom unnoticed. I pulledout the sausage, placed it near the door to the restroom,and laced it with sedative. That took care of the dog. I thenhid in the restroom, waiting for de Havilland's return.Keeping track on my map, I saw the target enter thebedroom with his dog in tow. He continued out onto thebalcony while his dog ate the sausage, ran a bit, thenkeeled over, unconscious. I exited the bathroom andsneaked up behind de Havilland. A quick push and he wasover the ledge, falling to his death—another unfortunateaccident. Before leaving the bedroom, I waited by the doorfor the guard outside to leave, then made my exit.



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The videotape for the surveillance cameras was in an office onthe second floor with two guards watching it. By planting aremote bomb on the table in the adjacent room, I could create adiversion. Standing next to the tape player, I could then detonatethe bomb. While the guards rushed out to see what hadhappened, I could then grab the tape before they came back.

There were two ways to kill de Havilland with a bomb. First,after entering his bedroom, I could plant a remote bomb onthe light post at the corner of his balcony. While he was outon the balcony, detonating the bomb would take him out.

The other way would be to climb onto the catwalk abovethe photo shoot in the studio and place a bomb on the lightbar. Then when de Havilland came to watch, I could detonatethe bomb, and the bar would fall and kill him.

Instead of heading up the main elevator to the party, I couldhave used the staff entrance. After waiting for the patrollingguard to walk away, I could approach the security booth.When the guard came out to stop me, I could head-butt him,take his pistol, holster it, then beat him to death. Afterthrowing his body into the water and turning off the lasersensor, I could then take the elevator to the staff level.

On the staff level,there was aguard in the wineroom sitting withhis back to thedoor. It would beeasy to come upbehind him,sedate him witha syringe, thenhide his bodybehind the wall of wine before taking his suit and pistol.

From the balconyon the staff level,I could take apistol and shootat the see-through bottomof the hot tub.Everyone insidewould washdown to theirdeaths below.Quickly holstering the pistol would prevent the guardsrushing out onto the balcony from suspecting me.

STEALING THE SURVEILLANCE VIDEO

THE GLASS-BOTTOMED HOT TUB

BOMBING DE HAVILLANDA BLACK SUIT

THE SECURE ENTRANCE

ALTERNATIVES

MISSION 08: DEATH ON THE MISSISSIPPI

™



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k Kill Skip Muldoon

k Kill the Gator Gang

k Retrieve pictures

k Escape via the rescue boat


SKIP MULDOON

Skip is a portly and surly bastard from a small Tennessee townwith 100,000 people—and only 12 last names. He is running atourist attraction on the Mississippi, the old paddle steamerEmily, which works as a nice cover for the boat gang's drugsmuggling operations. He's a proud captain of this old steamerand makes sure that it's in tip-top shape and polished up. He hasa relationship with all the VIP waiters. He also has a very sweet

tooth and a passion for cakes with a lot of whipped cream.


MISSION BRIEFING

MISSION 08: DEATH ON THE MISSISSIPPI

THE GATOR GANG

Muldoon's gang makes the Emily its base of operation. It has sixmembers, and all are targets for this hit—Everett Jefferson,Junior O'Daniel, William S. Corfitz, Adam Hendrickson, JoeNetberg, and Elijah Krup. Most of the gang act as Muldoon'spersonal bodyguards and stay with him on the top deck while twoof them keep track of other operations on lower decks.

THE LOCATION




Target

Gunsz

1st Deck, Engine Room 2nd Deck, Staff Quarters

z

EngineRoom

UtilityBox

Key toEngineRoom

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deck, where the cabins were located. My first task was toacquire a disguise to let me roam around the boat. I decidedthat a sailor was my best option.

I had to act quickly, since a woman was headed toward the outerwalkway to hang around for a while, ruining my chance untilmuch later.

The stairs at the bow of the boat led to the third deck.

After boarding the Emily, I watched the crew get underway.The sailors on the first deck took patrols going around thedeck. It was going to be tough to take out a sailor and stealhis uniform without being seen by another sailor on the firstdeck or one along the railings on the upper decks. Therefore,I headed up the stairs at the front of the boat to the third


3rd Deck, Cabin Deck 4th Deck, Restaurant Deck

5th Deck, Gators Private Deck

zz

Stairs to VIP Area

z

1st ClassUniform

Cake

Safe

z

zz

Restroom

Muldoon’sCabin

z




Stealth was important on this assignment. Since I hadto get past a guard with a metal detector on the topdeck of the boat, it was best to travel light. As usual, Ionly took my silverballer and the standard equipment.There were weapons available on the boat, including ahigh-powered rifle that I wanted to add to my collection.

ASSASSIN ON DECK

MAKING THE HIT

The sailors were the main class ofguard on the steamboat andpatrolled all of the decks with theexception of the top deck. They werearmed with pistols.

SAILORS

>> TIP <<


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I headed back inside through the door by the woman andcaught sight of one of the Gator Gang members heading outthe door on the port (left) side of the boat. Thinking I mightas well take care of this now, I followed him. He stopped andleaned over the railing, looking at the river below. With apush, he was in the river. That was one Gator gone.

Sailors were welcome in the VIP section.

Rooms for staff usually have uniforms I can use for a disguise.

When throwing bodies or pushing people overboard, I madesure that I was next to a railing at the edge of the boat sothat the body did not fall onto a lower deck, where it mighthave been discovered.

I noticed that sailors patrolled up and down thewalkways on the outside of the boat, right along the railings.I waited at the corner along the starboard (right) side of theboat in front of the paddle wheel. One of the sailors stoppedthere for a break. I quickly took him out with my fiber wire,changed into his outfit, and threw his body over the railinginto the water. It was a good thing I'd acted quickly, since awoman came onto the deck just as I completed my task.

There went the Gator on the third deck.

Pushing the Gator overboard not only killed him, but also got ridof the body.


Pursers were the ones who took careof the guests on board the boat.Standard pursers could be foundmostly on the third and fourthdecks, but they were not allowed inthe VIP section. Only first-classpursers, identified by their cap andshorts, were allowed in the VIP partof the fourth deck, as well as on the top deck to personally attend toCaptain Muldoon.

PURSERS

VIP (VERY IMPORTANT PURSER)

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By putting my weapons in this container, I knew that no onewould take them while I was gone.

Having noticed a cake in the galley (kitchen), Ireturned to the "private" room. The purser now told me tohurry and take the cake up to the boss. I picked up thecake and headed out the door leading to the outsidewalkway. I noticed another Gator Gang member here. Whenhe was standing next to the railing, I put the cake downand gave him a shove, sending him overboard. Beforepicking up the cake, I poisoned it with the syringe. I alsoplaced my silverballer and the pistol I took from the sailorin the container between the two staircases. I knewsecurity wastight on the top deck.

I was checked forweapons by aGator.

I sat the cake down on the desk so Muldoon could have some. Idon't think it agreed with him.

With the cake back in hand, I headed up the stairs to thetop deck. A Gator Gang member stood guard by a door,armed with a 12-gauge shotgun. As I approached, he let meknow he was going to search me and took out a metaldetector. Glad I had left the pistols behind, I walked throughthe door and headed to the captain's cabin at the oppositeend of the boat. As I placed the cake on the desk, Muldoon

This first-class purser's uniform was my ticket to the top deck.

There was nothing else for me to do on the third deck, so Iheaded toward the stern (back) of the ship. There, a largestaircase led to the VIP section of the fourth deck. A first-class purser and a sailor waved me in without any trouble,so I walked through a side door into the central hall. Afterlooking in a door labeled "private" and being shooed awayby a purser, I entered the "staff only" room. There wasanother sailor in the room with his back to the door. As Ilooked around, I found a first-class purser uniform by thecloset. I waited for the sailor to leave, then changed mydisguise.

This cake wouldbe the death ofsomeone.

Another gator is about to go overboard.



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Next, I headed into the side room, where I found the safe. Itwas not locked, so I opened it and took out the pictures I'dbeen hired to retrieve. After checking my map, I noticed aGator in the next room. I couldn't be caught here, so I pickedthe locked door and headed out onto the walkway. Now I hadto get rid of the three Gators on this deck. A purser stayedaround the area where I exited from the side room. When theGator came out as well, he took a position along the railing. Iwaited for the purser to start to walk away, so he was notlooking, and with a push, I was rid of another Gator.

I followed this Gator into the john and then took him out.

I headed back into the side room and continued throughthe captain's cabin to the dining area. A purser was in theretaking care of the food. At the opposite end, a Gator took adrink, then headed for the restroom near the entrance. Ifollowed him in and used the fiber wire to take him down whilehe was occupied.

This guard was the last Gator on the top deck.

The only Gator left on this deck was the guard at thedoor. I walked out and turned right, waiting until the Gatorturned his back toward me. That gave me the opportunity touse the fiber wire once again. I quickly pulled the body intothe restroom with the other Gator and turned off the lights.

walked in and took a taste. Within seconds, he was dead onthe floor. Since the Gators patrolled this area, I quicklydragged the body into the bathroom. A purser was taking ashower, but I figured he'd be in there for a while and notnotice a body. Ialso picked upand holsteredMuldoon's deserteagle pistol.

I needed to hideMuldoon's bodysince the gatorspatrolled throughhis cabin.

Here were the pictures.

Another Gator went in the river.


GATOR HUNTING

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the rooms, so I decided to take a look. A single sailor stoodguard inside next to a high-powered rifle. I waited for thesailor to move away from the rifle, then I sneaked upbehind him and sedated him with a syringe. I hid the bodyin the container inside the room and picked up the rifle. Iwas sure to be caught walking around the boat with thisthing, so I picked up the rifle case and placed it inside. Ialso grabbed some rifle ammo while I was there.

The engine room was a dangerous place. A lot of accidentshappened there—like this one.

Now there was only one more Gator left, and he wasdown in the engine room. I took one of the staircases nearthe stern down to the first deck and continued into theengine room. There were a couple of engine workers andthe last Gator. I waited for him to stop next to a railingoverlooking one of the giant pistons, and I placed the riflecase on the deck. When no one else was looking, I camefrom behind and pushed him over the railing and into theworkings.

It was time to leave.

After retrieving the rifle case, I exited the engine room.Since most of the bodies had been thrown overboard, andthe rest hidden, no one suspected anything was wrong. Istrolled to the little boat at the stern of the steamboat andmade my escape.

After changing back into the sailor disguise, I headed to thelower decks.

After eliminating the guard, I hid the rifle in the case.

I headed back down to the fourth deck and retrievedmy pistols. Continuing through the galley, I stopped in thestaff room to change back into a sailor disguise. I thenheaded back down the large staircase from the VIP sectionto the third deck. I proceed down another staircase to thesecond deck. This was where the crew quarters werelocated. My map showed something of interest in one of



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STARTING ON THE FIRST DECK

ALTERNATIVESWith the key, I could quickly get into the engine room,

where I could slowly proceed aft (to the rear), watching forthe machinists and the Gator, and using the boilers andother machinery to hide behind.

Once in the hall past the engineroom, I could hide in the

closet and wait for a sailorto show up. As he left, Icould follow and take himout with the fiber wire onthe outer walkway. This

would provide a disguiseand leave my designer

suit near the escapeboat, so I could pickit up on my way out.

While it would be a bit tougher, I could do more on thefirst deck at the start of the mission. By breaking theutility box, I could lure a sailor down from the centralwalkway and then enter the office to find a key to theengine room.


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The two patrolling Gators on the top deck liked to stopin for a bite during their rounds. By poisoning both

the bottle by the door and the cakes a purserbrings up, I could get each of these Gators.


POISONED GATORS

Rather than poisoning the cake, I could plant a remotebomb in it. After leaving the captain's cabin, I could watchthe map to see when Muldoon walks over for a taste—thendetonate the bomb and kill him.

EXPLOSIVE CAKE


MISSION 09: . . .TILL DEATH DO US PART

™


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k Kill the groom (Buddy Muldoon)

k Kill the father of the bride (John LeBlanc)

k Ensure the safety of the bride, Margaux LeBlanc

k Escape


BUDDY MULDOON

Hank "Buddy" Leitch Muldoon is the rather dimwitted son of arecently deceased bayou smuggling lord. Rumor has it that he hastaken over his father's business. He adores his new wife andlooks forward to the wedding cake and to bedding someoneoutside his own family.


MISSION BRIEFING

MISSION 09: . . .TILL DEATH DO US PART

JOHN LEBLANC

John LeBlanc's long-term involvement in organized crime has lefthim paranoid to the point where he can hardly function. Whileunhappy with his daughter's choice in a husband, he is gratefulfor her handling of the day-to-day business. He now spends mostof his time watching TV and wandering the premises mumbling to himself.


MARGAUX LEBLANC

Margaux LeBlanc runs the show on the island. As the onlydaughter of John LeBlanc, she has been brought up in a criminalman's world. And while friendly, she is rumored to be as ruthlessas her father is insane. No harm must come to Miss LeBlanc.

HEIGHT: 5'5" WEIGHT: 105 lbs HAIR: RED AGE: 32

SAFEGUARD

THE LOCATION

OutsideLEGENDOrange text: Places of Interest

Targetz

z

Gators

WeddingBell

Burned Out Shack

East Boathouse



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I arrived on LeBlanc's island in the middle of the bayou. Bythe sound of it, there was already a party going on. Somelocals were taking pot shots at alligators in the water off thedock. While I did bring a silenced pistol, I could haveprobably gotten away with shooting without a silencer dueto their racket. My designer suit did not help me fit in withthe guests, so I needed to get a disguise. Before taking outone of the menby the dock forhis clothes, Idecided to lookaround.

This guest was notlooking so well.

I had never been to a bayou wedding before and was in for a treat.

Mansion, 1st Floor

Mansion, 2nd Floor Mansion, Attic



k Cratt Schultz lock pick


This mission could have turned ugly reallyquickly. Therefore, I was glad I brought alongmy silverballer. I also added the Cratt Schultzlock pick to my standard equipment. Thoughit was pricey, the time it saved in pickinglocks and avoiding being caught was worth it.




Target

Gunsz

WEDDING CRASHER

MAKING THE HIT

z

Banquet HallWashroom

Library

Kitchen

Cake

TV Room

SniperWindow

Utility Box

Winches forChandeliers


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would probably ring to announce the beginning of thewedding. I wanted to take care of business before thewedding took place. No need to make the bride a widow onher wedding day—just a sad fiancé. I continued into themansion past a couple of guards at the front door.

I followed the preacher to an empty room.

I didn't want to kill the preacher—just knock him out.

Upon entering the mansion, I saw the preacher coming out ofthe banquet hall and heading into the kitchen. I decided thebest way to prevent a wedding from starting is to keep thepreacher from having the bell rung. Making sure no one waslooking, I followed the preacher into the kitchen, thenquickly down a hallway. Before entering the hallway, Iwaited for a guard to turn around so he would not see me. Ifound the preacher in the library, having a little drink. Idecided to give him something stronger—sedative from asyringe. The preacher disguise would be even better thanjust a guest, so I took his suit and hid the body inside thecloset. Before leaving the library, I picked up the preacher'sboat keys and Bible, which I discovered was hollow. It couldbe used to hide a remote bomb if I wanted to.

I did not even have to sedate the guest before taking his suit—the alcohol had done it already.

As I headed toward the mansion, I saw a guest who hada little too much to drink—he was getting sick on the grass.It looked like I had an easy target. I watched him walk into aburned-out shack, then followed. By the time I entered, hehad already sat down and dozed off. I not only took hisclothes and six shooter, but also his party invitation, whichwould allow me to get into the wedding celebration. With mydisguise, I proceeded to the mansion.

I was in a hurry to stop the wedding, so I didn't have time topause for a dance.

Passing by guests involved in dancing or fist fights, Inoticed a guard standing next to a bell. I figured that the bell

There were lots of guards all aboutthe grounds, as well as inside themansion itself. They were eitherarmed with six shooters or twelve-gauge shotguns. Since they were allover the island, one of thesedisguises would have allowed me togo anywhere.

GUARDS

A MAN OF THE CLOTH

>> TIP <<



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I could have killed LeBlanc after he left the grave and fedthe alligators by pushing him into the water to be eaten.However,there were alot of guardsaround, and Idid not wantto get caught.

I now had to deal with John LeBlanc. He spent a lot oftime on the second floor watching television. Occasionally,he would leave his room and head out to the area behind themansion. There were three guards standing just outside thedoor to his room, so I decided to follow him during his walk.A preacher talking to the bride's father would look perfectlynormal. LeBlanc headed out toward a guard post built out ona dock. He picked up a bucket of chicken for feeding thealligators, then continued to the family graveyard. LeBlancstopped in front of an open grave belonging to his recentlydeceased brother. No one was looking, so it was easy topush him into the grave. Because of his physical condition,the fall killed him.

The preacher's boat was docked in the eastern boathouse.

I felt the cake needed an additional ingredient.

Upon exiting the library, I returned to the kitchen and sawthe groom having an early taste of the wedding cake. Thatgave me an idea. Once he left and I made sure no one elsewas around, I took out a syringe and injected poison into thecake. That would teach him not to mess with a wedding cakebefore the reception.

I waited outside for LeBlanc to take his walk.

The guards did not even give me a second look as I followedLeBlanc to his final resting place.

DOUBLE DEATHS

SKIPPING THE RECEPTION


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At the top, I could haveturned left andpicked anotherlock in the firstdoor on my left,then entered a hallwaycontaining aguard with hisback to me. Aquick injection of sedative and I would have had a guard'sdisguise. The body could have then been hidden inside thewalk-in closet in the television room.

The other closet would have made a great hiding spot,too. It would have just been a matter of waiting untilLeBlanc returned, then sneaking up behind him for aninjection of poison.

I had already knocked out a preacher—I figured I wouldn't be inmuch more trouble if I stole his boat.

With LeBlanc's body already hidden, I went back toward themansion. The groom had already sneaked into the kitchenfor some more cake and died from the poison. Therefore, Idecided to leave the wedding and the bayou altogether. Withthe preacher's boat key in hand, I headed to the boathouseeast of the mansion. The guards did not even stop me as Iclimbed onto the boat and made my escape.

While it would have been tougher, I could have killed LeBlancwhile he was watching television. I would have waited untilhe headed outside, then entered the washroom on the firstfloor of the mansion. I could have done this in either thepreacher or guest disguise. After picking the lock of the doorinside the washroom, I would have had to wait for a guard towalk by to the left, giving me an opportunity to move quicklyfor the staircase leading up to the second floor.

KILLING LEBLANC IN HIS ROOM

ALTERNATIVES



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One way to get a guard's disguise would have been to lure aguard up to the attic. By going through the washroom asmentioned earlier, it would not have been too tough to get tothe stairs that led up to the second floor and then the attic.Breaking the utility box would cause a guard to come up and fixit. The crates in the attic could have been used to hide behindwhile the guard approached the box. Then it would only havebeen a matter of taking him out and changing into his suit.

It would have been pretty easy touse bombs to take out eithertarget. If I had brought twobombs, I could have killedboth men in that manner.The winches for all thechandeliers were up inthe attic. Thesouthernmost winch heldaloft the chandelier overthe main staircase.When LeBlanc returnedfrom his walk, I couldhave detonatedthe bomb whilestandingsomewhere in the sameroom so I could see whenhe was under thechandelier.

In LeBlanc's television room hung his elephant rifle. Had Iwanted to add it to my collection, I could have taken it eitherafter killing him in that room or while he was gone. To makesure it got back to the hideout, I would have placed it in thecontainer south of the eastern boathouse. Taking care of thisbefore any bodies were found would have prevented theguards from shooting at me—and I would have onlyattempted this while in a guard's uniform with the riflecarried in my left hand so I would not appear to be a threat.

By taking the elephant rifle up to the attic and standing nearthe northeast window, I could have shot the groom duringthe wedding ceremony. Since guards would be rushing up tothe attic, it would have been a good idea to drop the rifle andget away from the scene.

THE ELEPHANT RIFLE

SNIPING THE GROOM

ATTIC AMBUSH

BOMBS GALORE

>> TIP <<

>> TIP <<


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Had I not been worried about additional casualties, Icould have placed a bomb right on the piano while everyonewas at the wedding ceremony, careful to keep my back tothe guards so they could not see me do it. Then when thegroom walked over by the piano—kaboom!

I could also have put bombs in the hollow Bible or one ofthe gifts around the area. I could have then placed theconcealed bombs wherever the targets would be positioned.

Since I really like my designer suit, I should have headedback to the burned-out shack to change back into it. While Icould not get to the preacher's boat without his suit, I couldhave just left the island on the boat I borrowed to get therein the first place.

When controlling two bombs, the remote detonates the firstbomb placed with the first push of the trigger, then thesecond bomb with the next push.

After the wedding ceremony, the groom would return tothe banquet hall and stand by the piano. A bomb placed onthe northwest winch would bring a chandelier crashing downon the groom while his bride was a safe distance away.

DON’T FORGET THE SUIT

MISSION 10: A HOUSE OF CARDS

™


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k Kill Sheikh Al-Khalifa

k Kill the scientist

k Kill Hendrick Schmutz

k Escape through the fire exit to the back alley

k Steal the blood diamonds being used as payment


SHEIKH AL-KHALIFA

Al-Khalifa is a Saudi sheikh and the CEO of ArabianPharmaceutical, a corporation suspected of manufacturing andexporting illegal biological agents. The sheikh is due to arrive atthe Shamal Hotel tonight. He intends to purchase DNA specimensfrom a private dealer.


THE LOCATION

Lobby, 1st FloorElevators

TARIQ ABDUL LATEEF

The brains behind APRIX, Lateef is an eccentric and reclusivescientist. He prefers to live and work in isolation and iscompulsive about the integrity of his work. He's on hand toconfirm the authenticity of the DNA specimens being purchasedby his employer, Sheikh Al-Khalifa.


MISSION BRIEFING

MISSION 10: A HOUSE OF CARDS

HENDRICK SCHMUTZ

A South African white supremacist, Schmutz arrived yesterday atthe Shamal Hotel. He intends to sell DNA specimens and researchpapers to Sheikh Al-Khalifa. He keeps the specimens and papersin a briefcase in his hotel suite and has arranged a meeting withthe sheikh later this evening.

HEIGHT: 6'0" WEIGHT: 205 lbs HAIR: BLOND AGE: 39

Tape


Yellow text: “Alternative” Items

RegistrationDesk


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Because this mission involved acrowded area with lots of security, Istuck with my standard equipment andsilverballer. I had arranged for theagency to leave a pickup container inmy hotel room so I could have anyweapons placed in it retrieved after themission.

Casino

Casino, 7th Floor

Casino, 8th Floor




Target

Gunsz

z

Elevators

StaffRoom

Scientist’s Room

Fire Alarms

PaymentBriefcase Open

Window

z

Exit

Restrooms

Bar

zSamantha’s

Room

47’s Room

Balcony

Elevators

Schmutz’sRoom

DNA Briefcase

>> NOTE <<

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The lounge was located off the northeastern corner of thecasino floor.

Bartenders were helpful.

Before heading to my room, I checked out the casino area.It was typical, so I continued to the lounge area, where Iknew the transfer was going to take place. The sheikh hadnot arrived, but Schmutz was already having a drink. Iwaited until he headed for the restroom, then I talked to thebartender. Pretending to be looking for a friend, I describedSchmutz to her. She told me he had just left and gave me hisroom number—707.

The bright lights of Las Vegas were a big change from themissions in the bayou.

I checked into the hotel at the reservation desk.

Upon arriving at the Shamal Hotel, I walked in through thefront entrance and proceeded to the registration counter. Thelady there welcomed me and gave me my keycard for room701. She also told me that keycards were floor specific. I couldonly access the floor for which I had a keycard. Therefore, Ineeded to acquire other keycards to get to other floors.

There was a camera near theentrance to the lounge. If I hadnot been careful to time myentrance to the lounge, itmight have caught me on tape.

There were two main types ofguards—security guards andbodyguards. The security guardsroamed throughout the hotel whilethe bodyguards stayed near thesheikh and the scientist. All guardswere armed with pistols.

GUARDS

VIVA LAS VEGAS

MAKING THE HIT




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open window.After crawlingthrough thewindow, I was onthe eighth floor.

I figured the bestplace to find auniform was in thestaff room.

I not only got a keycard for the eighth floor, but also a disguise.

I walked around to the staff room on the western side ofthe central area. After making sure there was no one in thehall who could see me, I sneaked in and found a member ofthe staff with his back to me. I quickly took out the syringeof sedative and injected it into his neck. After changing intohis suit and taking his eighth floor keycard, I hid the body inthe container and exited.

By killing Schmutz, I not only completed one of the hits, but alsoscored a disguise, a weapon, and the DNA briefcase.

The elevators were at the top of the lobby staircases.

My room keywould only allowme to go to theseventh floor.

Because itseemed likeSchmutz wouldbe in this areafor a while, I leftthe lounge and returned to the lobby. Once there, I headed upthe staircase to the elevators and took one to the seventhfloor. There was no reason to go to my room yet, so I decidedto see about getting a keycard for the eighth floor, which Iknew was where the scientist was staying. Staff membersonly carried keycards for the floor on which they worked.However, that keycard could open any door on that floor. Theonly problem was getting up to the eighth floor to get a card.

While the staff member was smoking, I headed up to the next floor.

I noticed a public balcony on the north side of the hotel.Upon exiting onto the balcony, I found one of the staff takinga break. While he was looking out over the city, I climbed upa trellis to a ledge, then sidestepped along the ledge to an

ACCESS TO THE EIGHTH FLOOR


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The agency pickup box contained additional goodies for me,including another remote bomb and a TMP submachine gun.Those would come in handy in case of trouble, but I did notcurrently need them.

I headed to my hotel room, placed a remote bomb in the DNAbriefcase, and left it in the room before I returned to theelevator. With the keycard I had obtained from the staffmember, I had no trouble passing by security on the eighthfloor. Now I had to get into the scientist's room, which waswell protected by several bodyguards. It was then that Inoticed the fire alarm on the wall. That would be the way toclear the room so I could get in. After making sure no onewas looking, I pulled the alarm.

By pulling thisalarm, I couldclear out everyroom on the floor.

I placed the SLP .40 S silenced pistol into the payment briefcasewhile in the scientist's room.

After taking the elevator to the seventh floor, I thought Iwould pay a visit to Schmutz. Because I did not have akeycard to his room, I waited in my staff disguise outsidehis door. Checking my map, I noticed that when the sheikharrived, Schmutz headed up to the seventh floor to get hisbriefcase for the trade. As soon as Schmutz arrived andopened his door, I followed him in. With a quick motion, Ipulled out a syringe of poison and injected it into the target.He instantly went down, allowing me to change into hisclothes. I also picked up his room keycard and his silencedpistol. The briefcase with the DNA was in the room as well.

I was almost ready for the trade with the sheikh, but I needed todo something on the eighth floor first.

The plan for how I would complete the assignmentwas beginning to take shape in my mind. I assumed thatSchmutz would be searched for weapons when he met thesheikh, so I had to make sure I had nothing on me.However, the sheikh would be well guarded, and I may notbe able to poison or strangle him easily. I neededsomeone to bring a weapon to me. The scientist had thebriefcase with the payment—diamonds—but he never lefthis room after he arrived. If I could get a weapon into thediamond briefcase, then plan a surprise for the scientist, Iwould be set.

A bomb in the DNAcase would be asurprise for thescientist when heopened it.

DNA HEIST

THE PLAN IN ACTION



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From the lobby, I proceeded to the casino, then to thelounge. The sheikh had reserved his own private area. As Iapproached to enter, a couple of bodyguards stopped meand used a metal detector to look for weapons. Because Iwas no longer carrying a pistol, they let me pass. I walked towhere the sheikh was seated and let him know I was readyto trade. He insisted that the DNA be verified beforepayment was made. While we waited for a courier to arrivewith the payment, we were entertained by a belly dancer.Because the sheikh was sitting with his back to the wall,with two bodyguards on either side behind blinds, he wasgoing to be a tough target to take down.

The courier arrived, dropped off the payment briefcase, and tookthe DNA briefcase.

The hit on the sheikh was a thing of beauty—reminiscent of awestern quick draw.

After a while, the courier arrived with the briefcasecontaining the payment—and the silenced pistol. The bellydancer left us alone as the courier returned to the eighthfloor with the DNA briefcase. If I had tried to leave with thediamonds before the sheikh received word from thescientist, he would have ordered his bodyguards to kill me.Because I had rigged the bomb in the DNA case to blow upwhen opened, the sheikh would never hear from thescientist. Rather than waiting for an explosion, I moved nextto the payment case and faced the sheikh. With one swift

The scientist and his bodyguards fled the room as thefire alarm sounded. I advanced to room 803. There was noone around because everyone on the floor had assemblednear the elevators. I used the key card I had taken from thestaff member and entered the room. Near the television, Ifound the payment briefcase filled with diamonds. Ratherthan steal it, I hid Schmutz's silenced pistol inside of it.Not wanting to be caught in the room when the scientistand his bodyguards returned, I exited the room andheaded to my room—701. There, I placed my silverballer inthe pickup container so I would not have to replace it whenI left it behind. I picked up the DNA briefcase and headed tothe lobby.

With the DNA case back in hand, I took the elevator down to thelobby, then went to the lounge to meet with the sheikh.

I had to undergo the obligatory weapon search.

Though entertain-ment was providedwhile we waited forthe courier, I wasn'tin the mood.

My car was waiting in the alley for a quick getaway.

My job here completed, I holstered thepistol, picked up the briefcase with the

payment in diamonds, and exited thelounge. I walked across the casino

floor to the fire exit on thewestern wall. After following a

short corridor, I exited thehotel and advanced to my

waiting car for a getawaywith a bonus payment in

my hands.

movement, I retrieved the silenced pistol, took aim, and puta bullet right between the sheikh's eyes. That was all it took.The bodyguards to either side did not see or hear a thing.

With the Sheikh dead, I grabbed the payment case and left.

Rather than leavingthrough the frontentrance, I left viathe fire exit.


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TIME TO GO

There was another way to get Schmutz. While it would've beenriskier, it could've prevented having to wait for him to return to

his room. The place where I could have taken him out was themen's restroom near the lounge. First, though, the door to thestaff room would have needed to be unlocked.

Timing for this type of hit would have been critical.There was a hotel guest who kept coming back into therestroom. I could have waited for him to use a toilet, sedatedhim with the syringe, and hid his body in the corner by thedoor to the staff room. Then I could have waited for Schmutzto show up and strangled or poisoned him while he wasusing the toilet. Another option was to wait for both men to

ASSASSIN IN THE RESTROOM

ALTERNATIVES

>> NOTE <<



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Instead, when entering the casino floor from the lobby, I wouldhave had to head through the doors on the right and advancealong the hall next to the restrooms to get to the lounge.

I could haveskipped checkingin and stillaccessed myhotel room. In thehall toward room703 on theseventh floor, Iwould have metan intoxicatedwoman by thename of Samantha. She would have given me the keycard toher room. From her balcony, I could have jumped to thebalcony of my room and entered through the back door,which was not locked.

Rather than do the briefcase trade to get the scientist, Icould have gotten him while he was taking the elevator tothe eighth floor. When his limo pulled up, I could have gotteninto the elevator on the left and climbed up through thehatch. After the scientist had entered, I could have used thefiber wire to strangle him from above and pulled his bodyup. The briefcase with the diamonds would have been mine.

I could havethen taken theelevator to theseventh floor and dealt withSchmutz in hisroom as before.To take out thesheikh, I wouldhave then placeda bomb in the DNAcase, and while waiting for the courier, stepped out into thelounge and blown it up.

be in the stalls at the same time. I could have then poisonedSchmutz first, then sedated the guest.

A security guard occasionally walked into the restroom, asdid a bodyguard after the sheikh arrived. Therefore, I wouldhave had to take care of this when I got into the hotel—even before checking in.

While leavingthe unconsciousguest would notcause problemsbecause a guardwould just wakehim up, hidingSchmutz's bodywould be anecessity. Forthat, I could haveused the container in the adjacent staff room, waiting for thestaff member who walked in routinely to leave.

It would havebeen difficult tosteal thevideotape fromthe securityoffice in the lobbywithout killing theguard there.

The best way not to get captured on tape would havebeen to avoid the camera near the entrance to the lounge.

AVOIDING THE CAMERA

SAMANTHA

SILENT KILL ON THE SCIENTIST

MISSION 11: A DANCE WITH THE DEVIL

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k Kill Anthony Martinez

k Kill Vaana Ketlyn

k Kill Eve

k Kill Maynard John

k Retrieve information from a laptop

k Escape


ANTHONY MARTINEZ

Anthony Martinez used to be one of the good guys. But hispenchant for fast cars and fancy nightclubs left him cavortingwith the wrong company. At some point, an offer turned up thatwas too tempting, and now he's neck deep into arms smuggling.As an added bonus, he and Vaana have found a mutual interestthat runs deeper than running guns.


MISSION BRIEFING

MISSION 11: A DANCE WITH THE DEVIL

VAANA KETLYN

Vaana is a woman of great renown in the Nevada desert area. Atthe age of 35, she has established an empire in her own right, andshe has a flair for the dramatic. She's also an adept Escrima-styleswordfighter. She earns a pretty penny on arms deals, whichhelps finance her high standard of living. Lately she has taken aliking to a certain less-than-straight CIA agent.

HEIGHT: 5'7" WEIGHT: 121 lbs HAIR: RED AGE: 35

EVE

According to Eve's file, she likens herself to a spider. Luring hertarget into her web, she then moves in for the kill.


MAYNARD JOHN

According to his file, Maynard is an efficient killer. However, hisflair for the theatrical sometimes makes his job more complicatedthan it has to be.

HEIGHT: 5'11" WEIGHT: 198 lbs HAIR: WHITE AGE: 41


Basement

Atrium


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THE LOCATION

Ground Floor and Garage

z

Duel Area

MeetingRoomz


k Flexible flak vest

k Adrenaline



Since I was also a target during these missions, I found it important tocarry some firepower and some protection. Therefore, I bought a flexibleflak vest to take on this assignment. The nice thing about this vest wasthat I could keep it on even as I changed into disguises. I also decided totake along some adrenaline in case I was wounded during anunexpected engagement.

Top Floor

ReceptionDesk

Stairs to Basement

Exit

Elevator toTop Floor Elevator to

Basement

Door toElevatorShafts

Tape

PartyDisguise

PartyArea

Elevator z

RestroomzKitchen

Stage

Bar

Laptop




Target

Gunsz

Door toRestricted Area

MeatCleaver

Bar

PartyArea

Elevator

ProjectorRoom Shark Tank

Opening

PyrotechnicControls

Food Elevator to Top Floor

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I took the stairs which led from the lobby to the parking garage.

After approaching the security guard, I asked him if hehad found a briefcase that I had left there. I eventuallyconvinced him to go look for it in the back room. As heturned to walk away, I followed him through a security officeand into a small room. While he still had his back to me, Ipulled out a syringe and injected sedative into the guard,knocking him out and providing a disguise for me. With theuniform on, I returned to the lobby and turned to the left. Iwalked past the reception desk to a door that lead to astairway. I descended the stairs and exited through a doorinto the parking garage.

These elevatorswith the guardsled to the parties.

I had one more assignment before I could leave Las Vegas.

I needed to get thesecurity guard toleave his desk.

My assignment in Las Vegas tookme to a tallbuilding, wheretwo differentparties werebeing held. Due to the nature of the parties, security was tight.Just getting into the building was tough, and it would take adisguise to get anywhere within the building. I decided to goright in through the front door into the lobby. A security guardwas standing at the reception desk. I noticed a camera on thewall above him recording my entry into the lobby.

A little sedative, then I could take the uniform.

Security guards patrolled the mainentrance to the building, as well asthe parking garage area. They werearmed with pistols and reacted toanyone in the parking garage whodid not belong.

SECURITY GUARDS

HIGH-RISE HOOPLA

MAKING THE HIT


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This disguise worked.

To get to the topfloor's heavenparty, I needed touse the elevator on the right—aftera search forweapons.

As I continuedmy search, I cameacross an opentrailer. On the ground near the door was a costume for theheaven party. That was what I needed. I waited for asecurity guard who stopped nearby as a part of his patrol toturn around and walk away before I changed. I also thoughtit might be wise to leave my silverballer behind in case I wassearched for a weapon. If not, I could always come back forit. After leaving the pistol by the trailer, I returned to theelevators and approached the guards for the heaven party.As I suspected, they ran a metal detector wand over me andthen let me pass. I pressed the call button for the elevator,entered, and pressed the button to the top floor.

There wasdefinitely a lot tolook at in theballroom.

Since the buildingwas quite tall, ittook some time toget to the topfloor. However,once I arrived, I was ready to get the job done. After exitingthe elevator, I walked straight ahead past some more partyguards, then continued through a set of double doors. In themain ballroom, costumed men and women mingled and

If I had tried to touch this sick guest, guards would have beenall over me.

Ahead of me, I could see masked guards standing infront of the doors to a pair of elevators. Obviously, theelevators were the way to get to the two different parties.As I approached the elevators, the party guards waved meoff. I needed another disguise. I began looking around theparking garage to see what I could find. I came across aguest getting sick by one of the trailers. He was definitelydressed for the hell party. I considered knocking him outand hiding his body in a nearby container. However, theparty guards by the elevator had a direct view of theguest, so I couldn't take him out without them coming atme with weapons blazing.

I had to wait until the patrolling security guard was not watchingme before changing.

UP TO HEAVEN

Party guards were stationed at theelevators that led to the two parties,as well as within the partiesthemselves. Armed with pistols,these guards were specific to eachparty. Therefore, a disguise for oneparty would not have gotten me intothe other party.

PARTY GUARDS



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I killed Martinez in the restroom stall, then changed into hiscostume. With the stall doors closed, no one was the wiser.

As I walked through the foyer, I noticed a couple partyguards near a door with a sign reading "Restricted Area." Idecided to check that out later. Upon entering the rear area, Inoticed Martinez heading into the restroom. I quickly followedhim, made sure no one else was inside, then strangled him inthe stall with my fiber wire. After closing the stall door so noone would see the body, I changed into his costume, took hisdesert eagle pistol, then picked up the suitcase.

Martinez's costume got me into the restricted area.

The laptop on thedesk had theinformation Ineeded.

I wanted to seewhat was in therestricted area,so I exited therestroom andheaded back to thedouble doors with the guards. As I walked up to the doors, aguard motioned for me to enter. The disguise had worked. Icontinued down a hallway to another set of double doors.

listened to an angelic singer. At least she looked like anangel—her voice would never even make a school choir.

The bartendergave me someinterestinginformation thathelped save my life.

As was myusual practice, Iheaded over tothe bartender tosee what I could learn from him. He commented on thesinging and told me that the original singer had suffered afatal accident, and the current singer was a replacementwho stepped in at the last minute. I found that too muchof a coincidence. I decided to pay close attention to the singer.

There was my target in the demon mask.

I knew that Anthony Martinez was somewhere on thisfloor. However, with everyone in a mask, how would I findhim? A man in a devil mask walked by carrying a case.The fact that he was allowed in this party sporting a maskwith the wrong theme caught my attention. Since Martinezwas a gun runner, and the case he was carrying lookedlike it could easily hold a rifle, I knew I had found my man.He pushed through the crowd and headed toward thebackstage area. Party guards told me to move along as I tried to follow. A quick look at my map of the floorshowed a kitchen and restrooms located behind the stagearea. I could access them by heading through the foyer tothe west.



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I took the elevator back down to the parking garage, thenchanged elevators to continue down to the basement.

The basement had a very different theme than the top floor.

Two guards were stationed outside the meeting room.

When the elevator door opened, I stepped out and walked tothe other elevator, where the hell party guards werestanding. Recognizing my costume, they did not search mefor weapons and merely waved me into the elevator. With apush of a button, I descended to the basement level, wherethe hell party was located. I exited the elevator and walkedpast the dance floor and bar to a meeting room, where twoparty guards stood watch. They motioned for me to enterand let me know "she" would be on her way soon.

They were not locked, so I entered into a large office. On thedesk was a laptop. I advanced to the computer and retrievedthe information I needed. It seemed there were twoassassins in the building—and I was sure that I was theirtarget. The female assassin named Eve was probably thereplacement singer. There was also a male assassin I wouldhave to watch out for as well.

I knocked Eve down and then finished her off with her ownstiletto.

As I finished reading the files, Eve entered the room andheaded toward me. I quickly grabbed and head-butted thefemale assassin and continued to attack until I knocked herout. I then picked up the stiletto, crouched down, and killedher. I knew to never leave an assassin alive, or I would pay forit later. Besides, she had been added to my list of objectives.

I found some nice firepower. I just had to decide what I wanted to take.

I pocketed the stiletto and decided to take a look atwhat was in the rifle case. Opening the case, I discovered anFN-2000 assault rifle. I had also noticed another rifle caseby the desk. It turned out to contain a Dragunov sniper rifle.While I did not need either for this assignment, I picked theDragunov to add to my collection at the hideout. Witheverything accomplished on the top floor, I was ready tohead to the other party down in the basement. After exitingthe office, I turned left and returned to the elevator, taking itdown to the parking garage level.

DOWN TO HELL



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I followed theassassin to thetorture chamberroom.

As I passedby the bar again, Irecognized thebartender fromthe file I retrievedupstairs. He wasanother assassin: Maynard John. I walked up to him, and hechallenged me to a duel. He was my last target, and thislooked like the only way I could kill him. I accepted andfollowed him to the torture chamber room.

The duel required me to keep my eyes open and focusedtoward the center of the room. Luckily, John's red suit

was easy to see in the dimly lit chamber.

Upon entering, John locked the doorand showed me some weapons by thecouch. He then took off to get his ownweapons. I set down the rifle case andpicked up the MP7 and ammo for boththe submachine gun and the deserteagle I was already carrying. Idecided to start with the deserteagle since each shot packed quitea punch. Then I moved down thecorridor between the shelves.John started shooting at methrough the wire walls, so Iquickly took cover behind shelvesand headed around toward him.

As I saw him in the gaps between shelves, Itook shots at him. Finally, I reached thecenter area of the room and let him have itwith several shots to the body. He droppedto the ground, dead.

Vaana arrived for the meeting.

When she wantedme to remove themask, I decided totake her out.She wascarrying acane sword,and sheknew how to use it.

I assumed the guard meant Vaana Ketlyn.Not sure if she would recognize me in thecostume or not, I placed the rifle case downand got ready to pull out the stiletto ifnecessary. After a while, Vaana entered theroom and desired more than just theweapon in the case. However, when sheasked me to take off the mask, I knew Ihad to act. I quickly drew the stilettofrom my coat and slashed at her. Shetried to pull a sword out of her cane,but another slash with the stilettoand she was down. Picking up therifle case, I exited the meeting roomand headed backtoward theelevator.

I finally ran into abartender who wasnot so friendly.This one wanted tokill me.


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When his partnerfound him, hewould just thinkthis security guardhad fallen asleep.No one would eversuspect me—though they mightwonder later whathappened to the tape.

Next I headed to the entrance of the parking garage,where a security guard sat watching monitors of the area.Making sure that a patrolling guard was nowhere around, Iset down the rifle case, took out my sedative syringe, andinjected the guard. He went out like a light. I quickly stolethe tape from the machine, picked up the rifle case, andwalked back into the parking garage. I climbed into the bluevan I was using and drove to safety.

While not asexciting as someof my other meansof escape, the bluevan worked fine this time.

I needed a key to get out of the torture chamber room.

I approached the body and found a key, which I took. Ipicked up the rifle case and headed to the door. It waslocked, but the key opened it. With all of my targetseliminated, it was time to leave. I returned to the elevatorand took it back to the parking garage. There was just onemore thing I needed to do before leaving—get rid of anyevidence of me having been there. I walked to the opentrailer, changed back into the security guard uniform, andretrieved my silverballer.

HEAVEN CAN WAIT

ALTERNATIVES

BACK TO MORTALITY

To set up Vaana's death to look like an accident, I couldhave used a hell party guard disguise and entered thecontrol area east of the dance floor. After pushing thenearby guard into the shark tank, it would've just requiredsome rigging of the pyrotechnics.

I could have completed my work at the hell party first.Once I had the security guard uniform, I would haveheaded down the stairs located near the sick guest. Oncedown in the basement, I would've had to be careful not tobe seen. After killing the party guard in the film room, Icould have taken his disguise and hid his body in acontainer outside.

FLAMES OF HELL



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I could have also thrown a coin to distract the securityguard to the side of the parking garage elevators. Thatwould've allowed me to pick the lock and enter the servicearea for the elevator. After closing the door behind me, aclimb up a ladder would have put me on top of the firstelevator. Then all I would have needed to do was dropthrough the hatch and press the button for the top floor.

Had Eve finished her performance before I got Martinez'scostume or entered the office with the laptop, Eve wouldhave approached me and escorted me into the room.

However, what she would have had inmind for me wouldn’t have been very

pleasant. If I hadnot acted quickly

to take her out, shewould have definitely

killed me.

Then when Vaana did her show, during the finale all thejets of flame would have been aimed right at her.

If Martinez had made it to the basement, he would havewaited for Vaana in the meeting room. From the projectorroom, I could have turned on the projector to blind him, thentaken him out with a single headshot from my silverballer.

There were two ways to sneak a gun to theupstairs party. From the basement, I'd have enteredthe kitchen supply room in the north, placed a gun inthe crate, then put it into the food elevator and sent itto the top. I could've then retrieved it from the kitchen.

THE LAST PICTURE SHOW

GETTING A GUN INTO HEAVEN

EVE'S SEDUCTION

MISSION 12: XXV AMENDMENT


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k Kill Mark Parchezzi III

k Kill the vice president

k Escape by the east wing gate


MARK PARCHEZZI III

Mark Parchezzi III is the head of the Crows—a moniker for thecloned assassins created by the Franchise, a subdivision of AlphaZerox, the shadow government organization. He is by far the mostcomplete specimen and is close to perfect. He has extraordinaryphysical powers, but at an expense—he is haunted by his ownmortality and has a personal interest in uncovering the secretbehind a successful cloning process. Meanwhile, he must

eliminate the renowned Agency and its legendary ace assassin, Agent 47. Parchezzi is anexpert assassin and a master of disguise, blending in like a chameleon to carry outsubversive operations. He speaks with a deep voice that is very calm and calculating.

HEIGHT: 6'0" WEIGHT: 172 lbs HAIR: WHITE AGE: UNKNOWN

MISSION BRIEFING

MISSION 12: XXV AMENDMENT

DANIEL MORRIS

Daniel Morris is sick and tired of his position under the First Lady.He is now interim vice president after the previous vicepresident's death.


THE LOCATION

East Wing, Outside




Target

Guns

Melee Weapons

z

KitchenYard

Trellis

Exit

Briefcase

West Wing, RooftopWest Wing, 2nd Floor


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Door to Rooftop

SecretService Suit

Scaffolding

East Wing, RooftopEast Wing, Inside

Main Building, 2nd FloorMain Building, 1st Floor

West Wing, 1st FloorWest Wing, Outside

OfficeCubicles

Door toOutside

Door to2nd Floor

OfficeCubicles

Stairs to1st Floor

Stairs to2nd Floor

Scaffolding

Scaffolding

Carpenter Suit

Door toWest Wing

To BasementPassage to

Main Building

Dog

StaffUniform

Security Office

Keycard

TapeBasementPassage to

Main BuildingMuseum

Restroom

Security

Kitchen

Scaffolding

Stairs to1st Floor

Stairsto Roof

z

Oval Office

Parchezzi, 1st Encounter

z

Parchezzi, 2nd Encounter

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caught my eye was the briefcase she was carrying. Aftershe set it down on the ground and walked away to satiateher habit, I discreetly placed my silverballer into thebriefcase and walked into the museum.

I passed through the metal detector without a beep—which wasa good thing since I was surrounded by armed marines.

Without the silverballer, I had no trouble getting throughsecurity. However, the lady with the briefcase was not solucky. She was escorted to a security office along with the

My cover at the beginning of the assignment was a tourist.

I placed my pistolin a woman'sbriefcase, lettingher take the fallwhile getting myweapon pastsecurity.

In order toeliminate thoseplanning toassassinate the president, I first had to get into the WhiteHouse. I decided the best way in was as a tourist wanting tosee the museum in the east wing of the presidentialmansion. I knew that I would have to go through a metaldetector in order to enter the museum, but I didn't want toleave my silverballer behind. While considering my options, Inoticed a tourist walk behind a bus for a smoke. What

THE MUSEUM

The marines were in charge ofsecurity in the east wing and mainbuilding at the White House. Armedwith M14 rifles, they did not take anychances and would shoot at anysuspicious person. Their patrols andguard positions made it tough toinfiltrate the White House.

US MARINES


k Silverballer with silencer type two and large clip

k Adrenaline

k Flexible flak vest


For this mission, I decided to go loaded for bear. Eventhough it would be tough to sneak weapons into theWhite House, I knew that it would not be easy to takeout Parchezzi. Therefore, I decided to take along mysilverballer with a large clip for a firefight, as well assome extra protection.

MAKING THE HIT


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This keycard in the security office got me into the main building.

I was also able to steal the security videotape, as well as get mypistol out of the case while in this room.

I needed to retrieve my silverballer from the securityroom. I had no trouble getting in as a marine. Inside werea couple marines at desks and the woman who carried inthe briefcase containing my pistol. On the desk next toher was a keycard for the main building. I walked overand picked it up. I then picked up the briefcase, and whileno one could see, I retrieved the pistol and quicklyholstered it. I also noticed a video recorder for thesecurity cameras on the desk of one of the marines. Iwaited until he stood up and moved the briefcase into theopposite cubicle, then covertly stole the tape. Not wantingto overstay my welcome, I exited the security room andheaded through the dining room to the hallway leadinginto the main building.

The doorway to the basement passage was at the end of thishall. This passage took me right into the Main Building.

briefcase. I could retrieve it later. For now, I needed adisguise to get out of the museum and farther into the eastwing. In the lobby area, a marine guarded the doors withwarning signs that informed tourists they would be shot ifthey tried to enter. However, I saw the museum staff wentthrough those doors without any trouble.

Saving my sedative syringe for later, I pushed the museum staffmember into the wall and knocked him out. That provided mewith a disguise.

In order to get a disguise as a museum staff member, Iwalked into the restroom near the single marine guard andwaited. Before long, a staff member walked in. Once the doorclosed, I pushed him into the wall and knocked him out withmy fists. I then dragged his body against the wall acrossfrom the toilet and took his suit. I realized that this disguisewould only let me into the staff area of the east wing andthat I would need a different disguise to get to the mainbuilding. However, I needed to be a staff member for now.

This lone marine patrolling the yard outside the kitchen was mysource for another disguise.

After exiting the restroom, I walked past the marineguard and through the double doors. I then entered the stafflocker room to the right and continued into the kitchen.About that time, a marine walked through the kitchen to anoutside yard. Following him to see if I might find anopportunity for another disguise, I watched him beginmarching a patrol. No one else was around, so I came upbehind the marine and sedated him with a syringe. I did notneed his rifle, but I changed into his dress blue uniform andhid his body behind a ventilation unit in the yard.

THE MAIN BUILDING



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The vice presidentwas the first oneto be killed.

Before long,I heard a dogbarking. I thensaw the vicepresident comeout into the yardarea, taking thedog for a walk. I watched him walk over to the window of theOval Office in the west wing and talk to someone inside. Ideduced that it must have been Parchezzi. I also realizedthat this might be the only time I would find the vicepresident alone, so as he walked away, I approached himfrom behind. With the ease of a veteran assassin, I pulledout my fiber wire and strangled the vice president. While thedog continued to bark, I dragged the body behind the bushesand dropped it next to the unconscious Secret Service agent.I picked up the vice president's desert eagle pistol andholstered it, adding to the arsenal I was already carrying.

With the keycard, Iwas able to enterthe west wing.

I had to walk tothe left of the areafilled with cubiclesto get to the OvalOffice.

With one targeteliminated, itwas time to goafter Parchezzi. Iknew he was in the Oval Office, so I next had to enter thewest wing. I walked over to the door at the northwesterncorner of the yard area and swiped a keycard in the scanner.The door opened, and I entered a hallway where a SecretService agent watched for trouble. I proceeded through theoffice maze to the door of the Oval Office and entered.

I walked across the first floor of the main building to get to thesecond basement passageway.

At the end of the hall, I swiped the keycard through a sensor toopen a set of double doors. I was in a basement passagewayleading to the main building. After climbing some stairs, Ientered the first floor. While the vice president was in thisbuilding, there was no way I could take him out with all of themarines guarding him. Therefore, I walked across to thewestern side of the building and continued though anotherbasement passageway that led out to a yard.

This Secret Service agent provided another disguise, as well as akeycard for the west wing. I was careful to hide the body behindsome bushes.

I found a single Secret Service agent patrolling thisarea. While he stopped near the doorway for a break, Imoved in behind and plunged a syringe filled with sedativeinto his neck, knocking him out immediately. I dragged hisbody behind some bushes and relieved him of his west wingkeycard, as well as his suit and submachine gun.

Secret Service agents were thesecurity for the west wing. They werearmed with pistols and submachineguns. Like the marines, they tooktheir job seriously and had noproblem shooting anyone whoappeared to be a threat.

SECRET SERVICE AGENTS

THE WEST WING


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While the silverballer was quiet, Parchezzi's guns would alarmthe guards anyway. Therefore, I switched to heavier artillery.

The chase continued through the maze of cubicles onthe second floor of the west wing until we reached the roof.Once he reached the eastern end of the roof, Parchezzidecided to make a stand and began firing at me from behindair conditioning units. The time for subtlety was over. I drewthe desert eagle pistol I had taken from the vice presidentand crouched down, using other air conditioning units forcover as I advanced and taking shots as opportunityallowed. Once I was about halfway across the roof, andthere were no more obstacles between the two of us, I stoodup, took careful aim, and put two .44 magnum rounds rightinto Parchezzi's chest. The albino clone assassin was nomore, and a threat to the government of the United States ofAmerica had been neutralized.

Parchezzi'scustom pistol wasnow mine.

I retraced mysteps through theWhite House tomake my escape.

Parchezzi waswaiting in the Oval Office.

After the explosion, I chased Parchezzi through the west wing. Heheaded up the stairs to the second floor, then onto the roof.

Parchezzi was waiting inside. After a brief conversation,he surprised me by detonating a remote bomb plantedbehind me. Though I was wounded a bit, I survived thanks tomy flak vest. However, before I could draw a weapon,Parchezzi had fled. Keeping my weapons holstered, I ranafter him through the side door of the office since the maindoor was impassible due to the explosion. As fire sprinklersrained down on me, I pursued the albino assassin to thestairway in the northern part of the west wing and up to thesecond floor. While I briefly caught sight of him from time totime, I did not want to pull out a weapon for fear the SecretService agents all around would open fire on me. Instead, Iwaited until I could catch Parchezzi somewhere alone andfinish him off.

I hid behind cover as I got closer to Parchezzi.

AWAY INTO THE MOONLIGHT



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I stopped off in the restroom where I had knocked outthe museum staff member and exchanged my black SecretService suit for my designer suit and silk tie. I thencontinued out through the security area, careful to exitthrough the green gate on the right side rather thanthrough the metal detector. With as much firepower as Iwas packing, I would have definitely set it off. A dozenmore steps and I was through the gate and out onto the streets ofWashington D.C.

I exited from theWhite Housegrounds throughthe eastern gate.

Sure that the firefight on the rooftop had been heard by themarines and Secret Service agents, I holstered my weapon andran up to Parchezzi's body—not only to make sure he was dead,but to take his classic 1911 pistol for my collection. While Icould have dropped to the yard below or climbed up thescaffolding into the main building, I thought it would be best toblend in with the crowd. Therefore, I headed back inside thewest wing. After descending to the first floor, I essentiallybacktrackedthrough the base-ment passagewaysand the main build-ing to the lobby inthe east wing.

I did not want to gothrough the metaldetector on my way out.

ALTERNATIVES

From there, I would have climbed up the scaffolding to thesecond floor of the main building and waited for the carpentersto move away from the open window so I could climb in.

Looking back on the assignment, I felt bad about havingsedated a marine—even though I was actually helping himdo his job. I could have foregone a marine uniform and afterwalking out into the yard behind the kitchen, waited for themarine to go back inside. That would have allowed me toclimb up the trellis onto the east wing rooftop.

ROOFTOPS AND SCAFFOLDS


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MISSION 13 SPOILERa

Then from the southwestern room of the second floor ofthe main building, I could have shot the vice president whilehe took the dog for a walk.

By leaving the sniper rifle in the case on the west wingrooftop along the western wall, I could have then used it tokill Parchezzi after chasing him up for the final gunfight.

Before entering the Oval Office to confront Parchezzi, I couldhave placed remote bombs on the west wing rooftopbetween the air conditioners and the scaffolding. Then whenthe other assassin moved back and forth shooting at me, Iwould have detonated the bombs to take him out.

By carefully moving through the southern row ofrooms, avoiding marine guards, I would've eventuallyreached the southwestern room, where a carpenter's suitwas lying on a desk.

Then after climbing down another scaffolding onto thewest wing rooftop, I could have waited by the door on thewestern side for a janitor to come out. After knocking himout to get a keycard and his uniform, I'd have hidden thebody so it could not be seen from the doorway. With thejanitor's uniform, I could have moved about the west wingunnoticed.

In order to get a sniper rifle into the White House, I wouldhave had to upgrade my rifle case so it could pass throughan X-ray undetected.

SNIPER

BLOWING UP PARCHEZZI


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After the White House assignment, Diana paid a personalvisit to my hideout. Her purpose was to warn me that thebuilding was surrounded by SWAT teams and that she had aplan to get me out. While I read the written plan she handedto me, Diana executed her real plan and injected me with atoxin to make me appear dead while I was actually stillbarely alive.

At my funeral, Diana mixed the antidote with her lipstick,placed my silverballers on my chest, and gave me a final kiss.

In order to wake up from the toxin, move the left thumbstickback and forth or press the movement keys repeatedly.

While lying there, I felt myself stir back to consciousness.With a gun in my hand and surrounded by enemies, I preparedto make my last stand.

k Leave no witnesses—eliminate everyone attending the funeral

OBJECTIVES

MISSION BRIEFING

REQUIEM

MY FUNERAL

Church Grounds

THE LOCATION

Cars

Start

Church

Mausoleums


Melee Weapons

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Since I had limited ammo and couldn't pick up anotherweapon without losing my shield, I concentrated on headshots and kept moving to keep the guards in front of me atall times. Once all the guards were eliminated, I knocked outthe priest—then shot him.

The man in the wheelchair and the reporter ran away assoon as the shooting started. I just needed to head towardthe cars and finish them off.

Finally, it was over.

I kept my sights on the priest and ran after him sinceeveryone else was shooting at me.

As I approached the priest from behind, I grabbed himand used him as a human shield.

The guards stopped shooting for fear of hitting thepriest. However, I had no such restrictions and took carefulaim—trying to make every shot count.



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To the south of the church were a couple of mausoleums. Icould have entered either one for cover; however, the oneclosest to the church contained a number of items thatcould have come in handy had I run out of ammo. Theyincluded a hedge cutter, a shovel, a screwdriver, and akitchen knife. While they were not much, they were betterthan nothing. I could have thrown everything but the shovelat enemies, then taken their guns.

Rather than going for a human shield, I could have headedup the steps near the pulpit and taken cover behind thisshort wall.

Another option was to run out through the openings andtake cover behind this stone ruin.

ALTERNATIVESFINDING COVER THE MAUSOLEUMS

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