history of architecture - mr. stocks virtual...
TRANSCRIPT
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History of Architecture
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Why do we need to study History of Architecture?
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Having a working knowledge of Architecture styles is essential. Such understanding deepens the appreciation of design and serves as a basis to foster creative energies.
Designers study styles of the past and present to enrich current environments. Today's Architecture is a conglomeration of different architecture elements of the past.
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Egyptian (4500-330 BC)
Known for building Pyramids for kings and pharaohs Developed Trabeated Construction. (Vertical post support a horizontal lintel) Used hieroglyphics Columns perhaps originally made from papyrus reeds lashed together, created vertical lines, which led to fluting on columns in later designs.
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Egyptian
Used straw for flooring, therefore furniture was raised on small blocks so animal-shaped legs could be seen Motifs included the lotus bud, reeds, papyrus, and lilies
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Greek (3000 BC-150 AD)
Known for their order, proportion, and refinement of design Built temples to honour their gods, surrounded by open porticos (porches) and columns Developed the truss system, a triangulated load-bearing construction to allow for sloped roofs. The triangle formed by the truss is called a pediment
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Greek
Doric (Plain square capital on top of columns)
Ionic (Capital with spiral design called a volute)
Corinthian (Capital with two rows of acanthus leaves)
Developed a system of naming the design and details of columns. These classical order of architecture, still used today, includes:
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Greek
Mastered the art of carving marble into a human form. When used for support, the human form is called a caryatid
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Roman (750 BC-400 AD)
Known for their engineering expertise, particularly the development of roads and aqueducts adapted from Greek designs
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Roman
Developed the concrete arch and dome
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Roman
Developed the barrel vault, also known as a tunnel vault or a wagon vault, is an architectural element formed by the extrusion of a single curve (or pair of curves, in the case of a pointed barrel vault) along a given distance. The curves are typically circular in shape, lending a semi-cylindrical appearance to the total design. The barrel vault is the simplest form of a vault: effectively a series of arches placed side by side.
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Roman
Developed pilasters (Columns partially embedded in the walls)
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Tuscan (Similar to Doric but without column fluting)
Composite (Capital combines acanthus leaves and volutes)
Added two classical orders:
Roman Continued
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Gothic (1150 – 1500 AD)
Gothic architecture has nothing to do with the historical Goths. It was a pejorative (derogatory) term that came to be used as early as the 1530s to describe culture that was considered rude and barbaric. InEnglishseventeenthcenturyusage,“Goth”wasanequivalentof“vandal,”asavagedespoilerwithaGermanic heritage and so came to be applied to the architectural styles of northern Europe before the revival of classical typed of architecture.
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Gothic architectural features commonly associated with ecclesiastical design include: The pointed arch and vault Tracery (Constructed of net-like decorations around upper windows)
Gothic Gothic style is very ornate and definitely has a unique look
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Gothic
Slender columns in clusters
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Gothic
Buttresses or Flying Buttresses (An architectural structure built against or projecting from a wall which serves to support or reinforce the wall. Buttresses are fairly common on more ancient buildings as a means of providing support to act against the lateral (sideways) forces arising out of the roof structures that lack adequate bracing.)
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Gothic
Another example of Gothic style
What features can you pick out?
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Baroque (1600-1715)
“Inthearts,Baroqueisaperiodaswellasthestylethatdominatedit.TheBaroque style used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music. The style started around 1600 in Rome, Italy and spread to most of Europe. Thepopularityandsuccessofthe“Baroque”wasencouragedbytheRoman Catholic Church which had decided at the time of the Council of Trent that the arts should communicate religious themes in direct and emotional involvement. The aristocracy also saw the dramatic style of Baroque architecture and art as a means of impressing visitors and expressing triumphant power and control. ThewordbaroquederivesfromtheancientPortuguesenoun“barroco”which is a pearl that is not round but of unpredictable and elaborate shape. Hence, in formal usage, the word baroque can simply mean that something is“elaborate””(Wikipedia.org).
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Baroque
Means“MisshapenPearl” Major influence came from Italy and France Ornate, symmetrical designs Flamboyant and heavy proportions
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Baroque
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Baroque
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Colonial Spanish Spanish settlers came to Florida in the 1500's
California Ranch and Colonial most common California evolving Spanish Homes Red Tile roofs Low pitched roofs Stucco Fountains Balcony Arcade (Hallway to the outside)
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Colonial Spanish
Morrish Shapes
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Colonial Spanish
Reja (Can be made out of wrought iron or wood. Used as a door or window that is open so the breeze can come through the home)
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Colonial Spanish
Heavy geometric carded doors
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Colonial Spanish
Wrought Iron detailing and chandeliers
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Colonial Spanish
Coffered Ceilings
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Colonial Spanish
Tile Risers
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Spanish Santa Fe Style Early seventeenth century
Also referred to as Adobe Style. Colonists of European extraction arrived in New Mexico early in the seventeenth century and began building houses using the same methods employed by the local Pueblo Indians.
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Spanish Santa Fe Style
Flat Roof Made of Adobe brick and Mud. Walls are very thick Rounded Corners Posts coming out of the walls
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Spanish Santa Fe Style
Zapata (Double corbel bracket)
Corbel Bracket
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Spanish Santa Fe Style
Niche
Beehive Fireplaces
Spanish Santa Fe Style also decorates homes with mirrors framed with tin and skulls that are hung on the walls
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English Styles Tudor, Elizabethan and Jacobean Style (1140-1700s)
Dominated by heavy masculine designs Architecture characterized by half-timbering (timbers are visible on the outside of the building) Interiors characterized by plain, plastered walls or ornately carved panels
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Daub and wattle (Used in constructing houses. A woven latticework of wooden stakes called wattles is daubed with a mixture of clay and sand and sometimes animal dung and straw to create a structure.)
Tudor, Elizabethan and Jacobean Style
Daub and wattle looks like this when it is complete
Big Beams
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Tudor, Elizabethan and Jacobean Style
Noggin-Brick work in between timber (In carpentry, a noggin, or dwang is a short length of material, usually wood, inserted between two studs, joists, rafters or similar to brace a frame or to support a fixture. It is also the term for a brickwork infill-panel in timber frame construction.)
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Tudor, Elizabethan and Jacobean Style
Tudor Arch
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Tudor, Elizabethan and Jacobean Style
High Pitched Roofs
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Tudor, Elizabethan and Jacobean Style
What features can you pick out?
Another example of Tudor style
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Georgian (1745-1799)
Two main Architects
Inigo Jones Sir Christopher Wren
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Georgian
Symmetrical designs exhibited dignity and formality, reflecting classic Greek and Roman Architecture Chimneys on each side Central entrance
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Georgian (1745-1799)
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Georgian (1745-1799)
Dormers with pedamits
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Georgian (1745-1799)
Widows – Captains walk Pilaster columns
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Georgian (1745-1799)
Coining on the side
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Georgian (1745-1799)
Cupola Finial (Used on the tops of cupola and can be a decoration on top of a pediment)
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Georgian (1745-1799)
Used brass chandeliers.
Used shell carving for decoration
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Georgian (1745-1799)
What features can you pick out?
Another example of Georgian style
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Neoclassical or Late Georgian (Federal) 1760-1801
Wanted a new architecture, Thomas Jefferson promoted this new type of architecture Architecture inspired by Roman Palladian style; even more formal Federal Style
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Neoclassical or Late Georgian (Federal)
Chimneys on either side Crown moulding over the windows Woodwork painted white Used crystal chandeliers
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Neoclassical or Late Georgian (Federal)
Rotunda Dome The Federal style is a very formal and majestic form of architecture. It was used for the capital buildings to impress the leaders of other countries when they came to visit. Very commanding.
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Neoclassical or Late Georgian (Federal)
What features can you pick out?
Another example of Federal style
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(4) American Styles 1600-1700
1. Saltbox
Wooden frame house with a ling, pitched roof that slopes down to the back One story in the back and two story's in the front Flat front and central chimney Asymmetry of the unequal sides and the long, low rear roof line are the most distinctive feature Shingles Central doors and chimney
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Saltbox
What features can you pick out?
Another example of Salt Box style
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2. Garrison Style 1600-1700
Typically is two stories with the second-story overhang in the front Pendants under the overhang (pineapple or a corn shape) Chimney at the end Older garrison homes have casement windows with small panes of glass, later versions have double-hung windows Second-story windows often are smaller than those on the first floor
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2. Garrison Style
What features can you pick out?
Another example of Garrison style
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2. Garrison Style
What features can you pick out?
Another example of Garrison style
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3. Gambrel Style 1600-1700
Symmetrical two-sided roof with two slopes on each side. Upper slope is positioned at a shallow angle while the lower slope is steep Creates more head room because of its double pitched roof Central chimney and doors
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3. Gambrel Style
Barns are made after the Gambrel style
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3. Gambrel Style
What features can you pick out?
Another example of Gambrel style
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4. Cape Cod 1600-1700
A house covered in wood with a sloped roof Central chimney and door Low cottage roof Also called a rainbow roof Can be two stories No overhang Small paned windows Plank door
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4. Cape Cod
What features can you pick out?
Another example of Cape Cod style
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Colonial Dutch Early 20th Century Houses of stone, brick, or
clapboard Gambrel roof with a line that breaks near the ridge Flaring eaves that give the roof a bell shape Sash windows and doors typical of mainstream English/American design Low doors Inside decor includes: quilts, simple flowers and vases, hand stitched pillows, stencils, blue and white china, simple furniture, country feel, tulip motif, ducks, ocean, heart theme, used tin for their chandeliers, and blue and white checker design
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Colonial Dutch
What features can you pick out?
Another example of Colonial Dutch style
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Swedish
Known for their log cabins Hand made furniture Quilts Tulip motifs Painted ceilings Stencilling Antler chandeliers
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Swedish
Interior of the log cabin
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Swedish
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Italian Stately 1840-1920
Dominated American houses between 1850-1880 Common in expanding towns and cities in Midwest, and still-growing older cities in Northeast Lest common the South Very common in San Francisco Style began in England as part of the picturesque (Romantic) movement: a reaction to formal classical ideas. In U.S., houses followed the informal, rural models of picturesque movement.Modifiedforuseastypical“mainstreet”commercialarchitecture in Midwest. Popularised by Andrew Jackson Downing.
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Italian Stately 1840-1920
Porches Tall narrow buildings Tall, narrow windows Commonly arched or curved windows above Brackets under the eves Pediment Flat roof Steps going up to the front door
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Italian Stately
Bay Windows
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Italian Stately
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Italian Stately
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Italian Stately
What features can you pick out?
Another example of Italian Stately style
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Queen Anne Victorian 1840-1920
More asymmetrical Steps that go up to porch Collenets (cluster of columns) 3rd Floor was either a ball room or play room
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Queen Anne Victorian
Fish Scale siding
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Queen Anne Victorian
Ginger bread detail
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What features can you pick out?
Another example of Queen Ann style
Queen Anne Victorian
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Arts & Crafts 1860-1920
A deliberate attempt to expressing surface textures of ordinary materials, such as stone and tiles, with an asymmetrical and quaint building composition. The decline of rural handicrafts, corresponding to the rise of industrialized society, was a cause for concern for many designers and social reformers, who feared the loss of traditional skills and creativity The Home Arts and Industries Association was set up to promote and protect rural handicrafts. The first American Arts and Crafts Exhibition opened on April 5, 1897, with a mandateto“developandencouragehigherstandardsinthehandicrafts.”The 21 founders were interested in more than sales, and focused on the relationship of designers within the commercial world, encouraging artists to produce work with the highest quality of workmanship and design. In essence it was a revolt against machine-made products
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Arts & Crafts
Shingle Homes Mahogany wood Have bookcases on either side of the fireplace Cover nail holes with wood pegs Low pitched roof lines Large porches Exposed beams on the outside of the home Leaded glass in the doors Shed Dormer Green favourite color, green tiles and green chairs
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Arts & Crafts
What features can you pick out?
Another example of Arts & Crafts style
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Art Nouveau 1890-1910
Style based on nature, employing organic flowing forms Well know architect is Antonio Gaudi
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Art Nouveau 1890-1910
Style based on nature, employing organic flowing forms Well know architect is Antonio Gaudi
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Art Nouveau
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Art Nouveau
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Organic Architecture 1894- Present
Most famous architecture for this style was Frank Lloyd Wright Developed prairie style houses Characterized by a building that appears to“growoutoftheland”
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Art & Vogue or Art Deco 1909-1940
Decorative Style Swirling forms animals and humans This time period is when poster became popular – poster means poor mans art Worshiped the move stars and movies Time of glamour, jazz, ballroom dancing “AnythingGoes”wasthemotto Different designs Checker board designs Jute box, rumpus rooms, and old coke machines Introduced the white and black furniture and sky scraper furniture
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Art & Vogue or Art Deco
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Art & Vogue or Art Deco
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Art & Vogue or Art Deco
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Art & Vogue or Art Deco
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Art & Vogue or Art Deco
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Art & Vogue or Art Deco
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Art & Vogue or Art Deco
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Art & Vogue or Art Deco
Skyscraper Furniture White & Black Furniture
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International Style (Turn of Century-1950)
The international style term usually refers to the buildings and architects of the formative decades of modernism, before World War II. The term had its origin from the name of a book by Henry-Russell Hitchcock and Philip Johnson which identified, categorized and expanded upon characteristics common to modernism across the world. As a result, the focus was more on the stylistic aspects of modernism. The basic design principles of the international style thus constitute part of modernism. Style based on functionalism and purity of line
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Common materials included reinforced concrete, stucco, steel, and glass Stark white finishes Open floor plan and large expanses of glass
International Style
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International Style
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International Style