historical research baiscs

8/17/2019 Historical Research baiscs

1/25

VARIOUS TYPES OF RESEARCHESHISTORICAL RESEARCH

POOJA GAUR 12603

NIHARIKA MATHUR 12614

KANISHKA PRATAP 12630

KAJAL KIRAN 12633

RAVTEJ SINGH 12641

RISHABH SHARMA 12645


2/25

WHAT IS RESEARCH?

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3/25

INTERPRETIVE HISTORICALRESEARCH


4/25

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T'" *!;-'*!" "!&*('.+ ,* !/'!.(!) (,!($'.+ &. ,*+&.'


5/25

STEPS INVOLVE= IN THE CON=UCT OFHISTORICAL RESEARCH

=!9.'.+ $! *,!%8

L,(&$'.+ *!!/&.$ ",-*(!" , '"$,*'(&'.,*%&$',.8

S-%%&*'


6/25

=EFINING THE PROBLEM

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DA B!$$!* C*, ,B,#" &. G'*" T!S(,, G&*!.'.+M,/!%!.$) 10

1208 2


7/25

LOCATING RELEVANT SOURCES OF HISTORICALINFORMATION

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8/25

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$! 130"8

E7&%! A %&+&


9/25

SUMMARIING INFORMATION OBTAINE= FROMHISTORICAL SOURCES

=!$!*%'.'.+ $!*!!/&.(# , $!&*$'(-&* %&$!*'& $,$! ;-!"$',. ,**,!% !'.+

'./!"$'+&$!

R!(,*'.+ $! -'',+*&'( &$& ,$! ",-*(!

O*+&.'


10/25

EVALUATING HISTORICAL SOURCES

I$ '" *!!* $, $! +!.-'.!.!"" , &.# &. & ,(-%!.$" $!*!"!&*(!* -"!"8

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E7$!*.&C*'$'('"%


11/25

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=,!" $! &.+-&+! , $!,(-%!.$ "-++!"$ & '&" , &.#",*$?


12/25

STRATEGY NARRATIVE AN= ANALYSIS IN INTERPRETIVE HISTORICALRESEARCH

• T! '.$!**!$'/! *!"!&*(!* %-"$ !/!.$&# *!,*$ &$ "! 9." '. &.&**&$'/! &.!/!. '! $! *!"!&*( '" '. *,(!"") $! 9.'.+" &*! &*!&# !'.+ &**&.+! '.& .&*:*&$',.& %&..!* '. $! &.&#"$" %'.8•H, '" '"$,*# .&**&$!? A. '. &$ " (,- $! .&**&$',. ! &-+! $,! *,-"$ &. !'!/&!?

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S A *!(!.$ ',+*&# , R,.& R!&+&.) !.$'$! =-$() '-"$*&$!" $! *,!%$&$ &*'"!" !. & '"$,*'(& .&**&$'/!" (,!*!.(! '" /',&$!8• T! &-$,* , $! ,*) E%-. M,**'") (,"! $, &(! & 9($',.& (&*&($!* '.$,'" &((,-.$ , R!&+&." $!.-*! '. $! W'$! H,-"!8 W'! $'" % &/! ",%!'$!*&*# /&-!) '$ '" *,!%&$'( &" '"$,*'(& .&**&$'/!8 M,**'"" ,* '" &.'."$*-($'/! (&"! , '"$,*'(& '.$!**!$&$',. ,/!*"$!'.+ '$" ,-." '.$, 9($',.8


13/25

THREE APPROACHES TO HISTORICAL NARRATION

1 THE I=EA OF HISTORY AS CONSTRUCTE= OF NARRATIVE SENTENCES

>ARTHUR =ANTO=&.$, *,,"!" $&$ '"$,*'(& &((,-.$" &*! # !9.'$',. .&**&$'/!"!.$!.(!") & $!*%$&$ !"(*'!" $! .&$-*! , '"$,*'(& $'.'.+ &. *'$'.+8 A .&**&$'/!"!.$!.(! '",.! $&$ .!(!""&*'# './,/!" $, "'$-&$',." "!&*&$! # $'%!8 A. ",$! "$&$!%!.$QT! T'*$# Y!&*" W&* !+&. '. 161Q '" & "!.$!.(! $&$ %-"$ './,/! &!+'..'.+)'( '" 161) &. &. !.) '( '" $! #!&* 1648 S,%!,.! %&'.+$'" "$&$!%!.$!,*! 164 ,- %&! ., "!."!) !(&-"! ., ,.! (,- &/! .,.$&$ $! &*

,- &"$ 30 #!&*"8 T, '-"$*&$! '" ,'.$ -*$!*) =&.$, &"" -" $,'%&+'.! &. &",-$!# ,!($'/! &. !7&-"$'/! &((,-.$ , $! , ,'"$,*# ,(-%!.$! # &$! (&" &. I!& C*,.'(! M&('.!) & +&+!$ $&$ *," ,-$ $! &((,-.$, & ,""'!!/!.$" &" $'%! *,+*!""!"8 W! (,- '%&+'.! $! %&('.! *,'.+ ,-$


14/25

2 LITERARY METAPHORS FOR HISTORICAL NARRATIVES >W8 B8 GALLIC AN= H8WHITEA" $, $! .&$-*! , $! .&**&$'/! '$"!) "!/!*& $!,*'!" &*+-! $&$ '"$,*'(&

.&**&$'/!"&*! *!&$! '. ",%! $, '$!*&*# ,*%"8 W8 B) G&'! *'$!" QE/!*# +!.-'.! ,*,'"$,*# '"" 888 !&$-*!" '( "$*,.+# "-,*$ $! (&'% $&$ '"$,*# '" &"!('!", $! +!.-" S$,*#8 QS G&'! +,!" ,. T! "#"$!%&$'( "('!.(!" , .,$ &'% &$ +'/'.+ -" & ,,&! &((,-.$ ,&$&($-&# &!.! '. &.# .&$-*& ,* ",('& *,(!"" W&$ $!# O!* -" '" '!&'


15/25

3 THE ROLE OF IMAGINATION AN= COMPREHENSION IN HISTORICALNARRATIVES >R8 G COLLINGWOO=B-$ , !7&($# '" $! .&**&$'/!) "$,*#) ,* !%,$%!.$ &($-&# (,."$*-($!? C,'.+

, $! '"$,*'(& '%&+'.&$',. '" ,.! &."!* $, $'" ;-!"$',.8 C,'.+,, &*+-!" $&$ '%&+'.&$',. &" &. '.!*!.$ &''$# $, (,%*!!. &"$ !.,%!.& '. $!*%" , (,&. ! %&!" '.$!*!"$'.+ (,..!($',." !$!!. $'" &''$# &. $! &''$# $, (*!&$! &S" C,'.+,, DT! '"$,*'&. '" &" "!!($'.+) "'%'#'.+) "(!%&$'


16/25

TACTICS USED IN “INCA QUARRYING ANDSTONECUTTING” BY JEAN-PIERRE PROTZEN•P*,$

;-&**#'.+, $! "$,.! $, '$" '."$&&$',.8 T! "$-# '-"$*&$!" & /&*'!$# , $&($'(" $&$ (&.!-"! $, &((!"" & (,.'$',. '. $! '"$,*'( &"$8 T! *!&!* '" &"! $, !(,%!&%'&* '$ P*,$

S,('!$# , A*('$!($-*& H'"$,*'&."8

TACTIC I: ON-SITE FAMILIARITY P*,$

, D'..-%!*&! ,(") 9! .,$!") &. "'!" 8 O."'$! &%''&*'$# &" &",!""!.$'& ,* &**'/'.+ -,. (,.!($-*!" $&$) '. $! (,%!$! .&**&$'/!) &/!$!!'+$ , '.,*%! ,'.',.8 F,* '."$&.(!) *,% $! (&'$& C-


17/25

Tactic 2: T! U"! #$ !%ta&t '#c()!&t"P*,$


18/25

Tactic *: +i"(a, I&"!cti#&V'"-& ,"!*/&$',. -.(,/!*" "'$! '.,*%&$',. $&$ C&..,$ ! ,-. &.# ,$!* F,*

!7&%!) P*,$


19/25

Tactic .: Mat!/ia, E0i'!&c!P*,$

$! !+!"8 H! ,-. !/'!.(! $, "-,*$ $'" '. $!"%&!* "'/!*" $&$ # '. $! "-**,-.'.+ &*!&>D'%'$'.+ %#"! $, ('" $&$ I (,- '( - '$%# 9.+!*")I ,-. 43 "'/!*"8 F'.&#) P*,$

$! '$%&*" $&$ !,"!*/! '%'.'"'.+ '."'


20/25

Tactic 1: C#)a/i"#& it C#&'iti#&" E,"!!/!P*,$

Tactic 3: U"! #$ L#ca, I&$#/)a&t" a&' L#/!L,(& '.,*%&.$" &" ! &" ,(& ,*! *,/! -"!-8 F,* '."$&.(!) P*,$


21/25

Tactic 4: R!!&act)!&t5 T!"ti)#&ia,P*,&# $! "$*,.+!"$ , P*,$

"$,.!" &. $!!*!($',. , & &*+! %&",.*# &8 I. $! 9*"$ '."$&.(!8 ! $!"$! '" $!,*# $&$"#"$!%&$'( ,-.'.+ &" $! %!$, , *!""'.+ # -"'.+ & &%%!* ,%!$&%,*,"! "&."$,.! ,. & *& ,( , &.!"'$!8 H! !&*.! $! !@(&(#, '!*!.$ &.+!" , ,-.'.+) &" ! &" $! -$''$# , +*&/'$# &" &. &' '.%&.!-/!*'.+ $! ,-*:+ &%%!*8 I. $! "!(,. '."$&.(!) P*,$

'!& , , &*+! "$,.!" !*! 9$$! $,+!$!* '. & & , '**!+-&* ,'.$-*!8 H!,-. $&$ $! -"$ *,-(! *,% $! ,-.'.+ , & !'.+ ,'.$ +,$(,%*!""! !. &. -!* "$,.! &" &(! -,. $! !) '.'(&$'.+ !*!-*$!* ,-.'.+ &" *!;-'*!8 DT*,-+ *!!&$! 9$$'.+ ,-.'.+) ,.! (&.&('!/! &" (,"! & 9$ &" ,.! '"!"8


22/25

Tactic 6: I'!&ti7cati#& #$ R!)ai&i&8 Q(!"ti#&"F'.&#) ,.! !!%!.$ , & *,-"$ '"$,*'(& .&**&$'/! '" $, (!&*# "$&$! &$ ,.!,!" .,$ ., '. $! &(! , *!"!.$ !/'!.(!8 F,* '."$&.(!) &$!* "-%%&*'E%'', H&*$:$!**! ,. $'" "-!($)P*,$


23/25

STRENGTHS

• I$ (&. '-%'.&$! $! !!($" , !# '.$!*&($',." '$'. & (-$-*! ,* "-:(-$-*!

• R!"!&*(!*" (&. &# "('!.$'9( ,!($'/'$# '.

&$$!%$'.+ $, !$!*%'.! !7&($# &$ ' &!. '.$! &"$8

• T*, '+$ ,. *!"!.$ &. -$-*! $*!."8

• C&. %&! -"! , %,*! (&$!+,*'!" , !/'!.(! $&.

%,"$ ,$!* %!$," >'$ $! !7(!$',. , (&"!"$-# &. !$.,+*&'( "$-'!"8


24/25

LIMITATIONS

• T'%!:(,."-%'.+8

• R!",-*(!" % ! &* $, ,(&$!8

•

R!",-*(!" % ! (,.'($'.+8• M .,$ '!.$'# (&-"! , & *,!%8

• I.,*%&$',. % ! '.(,%!$!) ,",!$!)'.(,.(-"'/!) ,* '.&((-*&$!8

•

=&$& *!"$*'($! $, &$ &*!&# !7'"$"8


25/25

THANK YOU

POOJA GAUR 12603NIHARIKA MATHUR 12614

KANISHKA PRATAP 12630

KAJAL KIRAN 12633

RAVTEJ SINGH 12641

RISHABH SHARMA 12645

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