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Accompanies the article "The Hidden and the Visible"TRANSCRIPT
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Sasha ChaitowPhdc., MA Western Esotericism, MA Eng. Lit.
Phoenix Rising Academy Director
www.phoenixrising.org.gr
ΣΥΜΒΟΛΑΑThe Hidden
and the Visiblesilent languages and ways of seeing
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Symbolic Perception
1. Literal interpretation: Obvious references or metaphors and historical/cultural context.
2. Allegorical interpretation: We know the object represents something else, regardless of whether it may have an esoteric dimension or not. 3. Moral/Tropological interpretation: Demands the participation of the observer: causes change on an intellectual level
4. Anagogical interpretation: Identification of perception with the object being perceived. Internalization of the symbol and perception of correspondence between microcosm and macrocosm.
St. Thomas Aquinas , (1265-1274) Summa TheologicaHenri Corbin, Mysticism and Humour
Angela Voss, Symbolic Perception
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The imagination permits the use of intermediaries - symbols and images, to develop Gnosis, to penetrate the hieroglyphs of Nature and actively apply the theory of correspondences. It is an organ of the soul, thanks to which humanity can know and visualise the mesocosm.
Antoine Faivre, Accés de l’ésotérisme occidental, p. 12
The intellectual faculty of the Imagination allows the establishment of Gnosis and frees us from the banal, dualistic and rationalist dilemma: either 'matter' or 'spirit'.Henri CorbinThe Creative Imagination in the Sufism of Ibn-Arabi
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What the eye is in corporeal things […] that very thing is the mind in the realm of the spirit.Girolamo Pico della MirandolaHeptaplus
1. True knowledge was a contemplation of Platonic ideas in visual form.
2. this had been made possible in Egyptian hieroglyphs.
George BoasIntroduction, The Hieroglyphics of Horapollo
...there must exist a grammar of thought independent of language,’ key to understanding
‘the Renaissance Eros, the Art of Memory, theoretical magic, alchemy, and practical
magic...Ioan P. Couliano,
Eros and Magic in the Renaissance
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The Hieroglyphics of Horapollo(5ος c. CE, disc. Patmos, 1419)
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If a common myth that haunts the minds of poets and initiates, it is the myth of Prometheus: the man who wins divine powers
and achieves his own salvation, and the salvation of the entire universe, through his own efforts. Humanity is thus its own
mediator.
-Albert Beguin; Robert G. Cohn: Poetry and Occultism
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Sophia Babylon
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Eros Lethe (oblivion)
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Mnemosyne
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Demeter-Persephone
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Athena