helpless before the iron
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Gender aspects in literatureTRANSCRIPT
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HELPLESS BEFORE THE IRON
The motives of housework in I Stand Here Ironing b Ti!!ie
O!sen
"on#$ %bo&i!
'Housework is too trivia! to ta!k about( is a )uote I found in
an arti*!e b Pat +aniardi *a!!ed The Politics of Housework, -t
first I did think the idea of m essa wou!d be too
unim.ortant/ ridi*u!ous even0 The theme of housework in I
Stand Here Ironing b Ti!!ie O!sen, However/ the stor is so
moving and the .ers.e*tive on a seeming! trivia! theme of
*hores so *om.!e1 I de*ided to tr and fo*us on it, Housework
is seen not on! as a ne*essar as.e*t of surviva!/ but a!so an
obsta*!e kee.ing one awa from 2o, It *an even modif the
!anguage of the stor, To sum it u./ it is because housework
might seem so irre!evant that I de*ided to stress the
im.ortan*e of this theme in I Stand Here Ironing ,
The stor of I Stand Here Ironing o.ens u./ not sur.rising!/
with a mother ironing a dress of her daughter Emi!/ thinking
about an unsett!ing message from Emi!3s s*hoo! *ounse!!or0 'I
wish ou wou!d manage the time to *ome in and ta!k with me
about our daughter, I3m sure ou *an he!. me understand her,
She3s a oungster who needs he!. and whom I3m dee.! interested
in he!.ing,(
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It is eas to assume the narrator fai!ed as a mother, The te1t
is fi!!ed with gui!t/ whi*h is re.resented either in doused
*ries of e1*uses 'I was nineteen/( or overwhe!ming sadness in
sim.!e *onfessions '4hen 5Emi!6 saw me she wou!d break into a
*!ogged wee.ing that *ou!d not be *onfronted/ a wee.ing I *an
hear et(, The worried narrator starts reminis*ing the !ife of
her o!dest daughter who arguab! had the most diffi*u!t
*hi!dhood *om.ared to her sib!ings0 '-fter a whi!e I found a
2ob hashing at night so I *ou!d be with 5Emi!6 das/ and it
was better, But I *ame to where I had to bring her to fami!
and !eave her,( One of the most heartbreaking moments of the
stor is when the narrator rea!i7es her daughter was 'se!dom
smi!ed at(0 '8ou shou!d smi!e more at Emi! when ou !ook at
her,( 4hat was in m fa*e when I !ooked at her9 I !oved her,
There were a!! the a*ts of !ove, It was on! with the others I
remembered what he said/ and it was the fa*e of 2o/ and not of
*are or tightness or worr I turned to : too !ate for Emi!(
4hen the narrator is not b!aming herse!f/ she admits there were
se!dom o..ortunities to 2ust en2o ea*h other3s .resen*e0
'There was so !itt!e time !eft at night after the kids were
bedded down, She wou!d strugg!e over books/ a!was
eating , , , and I wou!d be ironing/ or .re.aring food for the
ne1t da/ or writing ;<mai! to Bi!!/ or tending the bab,
Sometimes/ to make me !augh/ or out of her des.air/ she wou!d
imitate ha..enings at s*hoo!,(
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In the .ortfo!io of the author Ti!!ie O!sen there is one
keword defining her work : silences. -!though this word
reffers to O!sen3s book of essas most! dea!ing with the
strugg!es of women writers/ I wou!d !ike to use the word in a
s!ight! different *onte1t, There are on! two mentions of a
man : a .artner : a husband in I Stand Here Ironing , The men as
members of the fami! are si!en*ed/ or/ to be more .re*ise/ the
narrator si!en*es herse!f when ta!king about them, One .artner
!eaves0 'I worked or !ooked for work and for Emi!3s father/
who '*ou!d no !onger endure( =he wrote in his good<be note>
'sharing want with us,(
The other is sent ;<mai!s, 4here is the .artner to he!. out at
home/ to he!. raise the *hi!dren9 The )uestion *ou!d be
answered with the )uotation of Politics of Housework from the
beginning of this essa0 'Housework is beneath 5men3s6 status,
5+en3s6 .ur.ose in !ife is to dea! with matters of
signifi*an*e, 54omen3s6 is to dea! with matters of
insignifi*an*e, 54omen6 shou!d do the housework,(
Housework is obvious! not insignifi*ant/ neither it is
trivia!, +oreover/ it *an be argued that *onstant attention on
*hores makes the ga. between the mother and Emi! even wider, -
bit of iron .o.s u. b the end of the stor/ where Emi!
=.resumab! as a 2oke> understates her mother3s work0 '-ren?t
ou ever going to finish ironing/ +other9 4hist!er .ainted his
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mother in a ro*ker, I?d have to .aint mine standing over an
ironing board,(
The smbo!i*s of housework and ironing in .arti*u!ar *ou!d be
seen in the ver !ast .aragra.h of the stor0 'Let her be, So
a!! that is in her wi!! not b!oom < but in how man does it9
There is sti!! enough !eft to !ive b, On! he!. her to know <
he!. make it so there is *ause for her to know < that she is
more than this dress on the ironing board/ he!.!ess before the
iron'
-**ording to Rose @ame!/ Emi! 'is in fa*t a disembodied dress
.ushed and .u!!ed her mother3s iron' : unti! her mother *!aims/
or wishes/ Emi! is more than that, The daughter is not
helpless before the iron, An!ike the mother herse!f,
The !ast thing I wou!d !ike to *omment on is the !anguage of
the stor itse!f, I Stand Here Ironing is in fa*t an inner
mono!ogue of 'a distra*ted mother'/ or a *!ums writer who has
!aid under the budren of *hores for most of her outh, -s the
author herse!f *!aims in her book Silences0 'The habits of a
!ifetime when everthing e!se had to *ome before writing are
not easi! broken/ even when *ir*umstan*es now often make it
.ossib!e for writing to be first habits of earsCres.onse to
others/ distra*tabi!it/ res.onsibi!it for dai! mattersCsta
with ou/ make ou/ be*ome ou, The *ost of Ddis*ontinuit3
=that .attern sti!! im.osed on women> is su*h a weight of
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things unsaid/ an a**umu!ation of materia! so great/ that
everthing starts u. something e!se in me what shou!d take
weeks/ takes me sometimes months to write what shou!d take
months/ takes ears(
-s Rose @ame! noti*ed/ I Stand Here Ironing is fu!! of
'*hara*teristi* st!isti* *!ues embedded in the o**asiona!!
inverted snta1/ run<on senten*es inters.ersed with fragments/
re.etitions/ a!!iterative .ara!!e!s/ an in*antator rhthm
evoke the narrator?s !onging not on! for a !ost *hi!d but for
a !ost !anguage whereb she *an order the *haoti* dai!iness of
a working mother?s e1.erien*e,(