he overdrive manual-long

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Vienna Symphonic Library

Horizon SeriesOverdrive

Performance Distortion Guitar



Contents

© 2003 Vienna Symphonic Library GmbH p 2/44

Contents

Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3TASCAM GigaStudio/GigaSampler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Emagic EXS24 mk II. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4The Mapping List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Category and instrument names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Controllers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Abbreviations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Overdrive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 700 EG_BASIC-SET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

01 EG_SHORT-NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

02 EG_LONG-NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

03 EG_LONG-NOTES_looped . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

04 EG_FLAGEOLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2305 EG_FX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

06 EG_PHRASES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

07 EG_PERF-LEGATO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

08 EG_PERF-LEGATO_marcato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

09 EG_PERF-LEGATO_ha-pu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

10 EG_PERF-BEND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

11 EG_PERF_SUB-REP_8-100. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

12 EG_PERF_REP_8-100 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

13 EG_PERF_REP_16-100 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

14 EG_PERF_REP_16-140 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

15 EG_PERF_REP_power-chord_8-100 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

16 EG_PERF_REP_mute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4217 EG_REPETITION_fast. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

18 EG_REPETITION_fast-fx . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

19 EG_RUNS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44



Introduction


IntroductionWe congratulate you on your decision to purchase the first amplified instrument of the Vienna Symphonic Library. You now own part of the

most comprehensive sample library that has ever been created. But, while the size and scope of this library are formidable, we made

effort to keep the structure as intuitive as possible.

We’ve also taken great care to record these samples. After a full two years of recording nothing but“symphonic” instruments, that (of

course) are not amplified, we applied the knowledge and experience gained during this period to create a Total Distortion Guitar that gives

you all the flexibility and sound that are trademarks of the Vienna Symphonic Library.

All of the samples were recorded in stereo, and as you can surmise from our setup, the mixture of handpicked equipment and a modern

7-string guitar helps to create a powerful sound throughout the whole range of the guitar. You will find al l of the playing styles necessary

for solo-parts and rhythm-guitars, the missing links between mere sampling and real rock performance.

RegistrationIf you want to download the Performance Tool and receive other benefits from www.vsl.co.at, please register at our website!

To do so, go to www.vsl.co.at/user. If you are a registered user already, just enter your user name and password. If you purchased your

product in a music shop or from one of our international distributors, enter your e-mail address and the password of your choice to

register.

Once you’re logged in, you can register your product(s) by selecting the Product Registration menu. Enter the serial number which is

printed on the back sleeve of the DVD case. Then click on the Register button.

Support for further platforms in the form of sidegrades (currently, Tascam GigaStudio or Emagic EXS24 mk II are available) can be

acquired in our online shop and will be registered on purchase.

Getting started

TASCAM GigaStudio/GigaSampler

Installation

The files on the DVD are packed as self-extracting files. To extract a file’s contents, simply double-click on it and specify a target folder on

your hard disk where the extracted files should be copied to. To extract single files from a packed file, use WinRar (included on DVD) to

open the archives. Some of the files are larger than 1 GB, so make sure there is enough space on your disk. For a better overview,

keeping the default directory structure of the DVD is recommended. The disk or folder where the .gig fi les are placed must be selected in

Giga’s “Quicksound – Advanced” settings.

Loading .gig files

GigaStudio/GigaSampler has its own display of active drives and directories. Here, you can access the fi les of the library. Clicking on the

“+” sign next to a filename will display the instruments it contains. You can make your selection by double-clicking on the instrument name

(loads into the next free channel) or dragging it to the channel you want. Due to the size of most of the .gig files you might run into

computer memory trouble if some instruments are already loaded and you try to load an entire file.

Description instruments

In every .gig file, there are a number of description instruments. These are written in capitals and do not contain any samples. They only

serve to identify the contents of a given .gig fi le more clearly. If you load an entire file that contains BASIC INSTRUMENTS, for example,

this description instrument will be loaded into the channel, and you will not hear anything until you select a real instrument from Giga’s

“Loaded Instruments” display. The description instruments are further explained below.



Category and instrument names


Emagic EXS24 mk II

Installation

The files on the DVD are packed as self-extracting files for PC. To extract them on PC, simply double-click on a file and specify the target

folder; or use WinRar (included on every DVD) to extract single files. To extract them on the Mac, use StuffIt Expander v6.0 or higher.

Drag the files onto the StuffIt Expander icon and specify the target folder.

Extract the content of the “Sampler Instruments” folder on the DVD to the “Sampler Instruments” folder in the Logic Audio directory. The

instruments will appear automatically in the EXS24 instrument display the next time you launch Logic Audio.

Important for Mac users: Do NOT create any further subdirectories. Mac OS/EXS24 allows a maximum of 5 directory levels, which are

already taken up by the file structure of this sample library. The creation of further subdirectories will result in their instruments not

appearing in the EXS24 display.

The “VSL Samples” folder, which contains the .wav files, can be extracted to one or more sufficiently fast hard drives.

The more hard drives that are attached to the system, the longer the loading time for single instruments will become. Therefore, we

recommend unmounting any hard drive that is not in use. Note for Mac users: PC-Exchange formatted hard drives will multiply the loading

time by a factor of 10 to 15.

Basic folder structure

The sample library is structured hierarchically throughout. This means that within the “VSL Samples” there is a main folder for the

Performance Distortion Guitar data. This directory contains subdirectories for playing techniques, e.g. “01 EG_SHORT-NOTES”. The

playing techniques directories are then subdivided into patch category directories which will be described under Category and

instrument names below.

The Mapping List

The mapping list gives descriptions of the contents of your library. In the abridged manual, every instrument’s bank number, program

number (for GigaStudio), and mapping range are listed. The full manual (.pdf file on DVD) also contains information concerning Giga RAM

usage, sample counts, and brief descriptions of every patch.

Similar instruments that, e.g., differ only in speed and have consecutive program numbers will be comprised in one description with the

name changes in brackets; e.g., “EG_feed-fx_soft (hard/bow)” for feedback samples played soft, hard, and with a bow. If the instrument

mapping differs from that of a normal chromatic instrument, the keyboard layout will be shown in an illustration. Combinations alsocontain key switch and modwheel information.

Differences between GigaStudio/GigaSampler and EXS24 mk II

Due to the differences between TASCAM GigaStudio and Emagic EXS24 mk II, some instruments may not be available in one or the other.

EXS24 does not support release control, but allows more dimensions, so that “_all” instruments for EXS24 will sometimes contain more

patches. Where such instruments dedicated to only one of the platforms appear, the entries will be marked separately with either “Giga”

or “EXS”.

Bank and Program numbers do not apply to EXS instruments because of the different structure of the EXS database.

The mapping range of EXS instruments generally is an octave lower than indicated, due to EXS’ Middle C assignment. The mapping list

gives the ranges for GigaStudio/GigaSampler; for EXS, one simply has to transpose these down by one octave.

RAM requirements for EXS instruments cannot be determined as easily as in GigaStudio; but basically, one can assume that an EXSinstrument will not require more RAM than its Giga counterpart does.

Category and instrument names

TASCAM GigaStudio/GigaSampler

The instruments contained in the files are named and sorted according to the following criteria:



Controllers


For every main group, there are description instruments. These are written in capital letters and do not contain any samples. They should

only help you to quickly find the proper section.

Generally, one should only load sounds from the quicksound database, as one will hardly ever need the full number of instruments

contained in a file, and some of the files really are quite large.

Emagic EXS24 mk II

The instrument folders contain descriptive subdirectories according to the type of patches they contain. These are intended to help you

get your bearings within the structure of the library, so that you can easily find what you need.

The description instruments / folders are:

BASIC INSTRUMENTS

These contain all basic instruments without combinations – no key switches, modwheels, release triggers, etc. All combinations and

variations in the following categories are based on the BASIC INSTRUMENTS.

BASIC COMBINATIONS

In Performance sets, this heading replaces “basic instruments” since the instruments contained are already combined. Combinations and

variations in the following categories are based on BASIC COMBINATIONS.

RELEASE TRIGGER

Instruments marked with the extension “+RS” have release samples added which are triggered upon releasing the key, thus providing a

natural release instead of the quick fade typical of an envelope release.

RELEASE CONTROLL

These allow control of the instrument’s release with the modwheel. Please note: release control instruments are only available in

GigaStudio/GigaSampler.

COMBINATIONS

Combinations of different BASIC INSTRUMENTS selected via key switch and/or modulation switch.

Two-instrument combinations are marked with a “+” sign between the instrument names. Combinations of more than two instruments are

marked with “_all“ or a designation for the range, e.g., “stac--sus” for a combination of all the basic instruments from staccato tosustained. Combined instruments with release triggers can also be found under this heading.

EXS24 mk II: in some sets, you will find combinations with “ts” suffixed to the patch name. This means that these patches are equipped

with preconfigured Alternation settings.

COMBI + 2nd TRACK SUSTAINS

2nd track sustains are a unique to the Performance Distortion Guitar’s performance legatos. These instruments work with two identical

MIDI tracks on different channels. To use this feature, put a performance legato instrument on one MIDI track, and one of the

corresponding sustained instruments on the other. Set the Performance Tool to Legato Mode and enter the settings for the legato

instrument. If you route your keyboard’s output to both MIDI channels (or copy the first track to the second later), the normal sustained

note will start where the performance legato sample ends. The advantage is that you can play longer sustained notes than with a normal

performance legato without sacrificing the fluid phrasing that the Legato Mode provides.

LAYER SWITCH

Combinations where two or more instruments are layered and can be crossfaded with the modwheel.

ControllersIn the programming of the Vienna Symphonic Library, we consciously avoided controller functions that cannot be handled via keyboard.

This means that we used only key switch and modwheel as controllers for instrument changes or dynamic layers. Our MIDI tools will

perform a lot of the functions you would otherwise have to implement by hand.



Abbreviations


The Vienna Symphonic Library website’s User Area will offer the complete articulation file structure for download. Not only will the factory

settings continuously improve; we also want to offer alternatives like artfiles optimized for breath controllers, for live play, and so on.

For complete information on the structure of single instruments, please view the PDF manual on DVD.

Key switches

Key switches are used in instrument combinations to switch from one instrument to another. Actually, this is the simplest kind of

controlling as you don’t even need a modulation wheel on your keyboard. The switching keys are mapped outside the playing range of the

instrument so that they won’t interfere with the music you play. To switch to the desired instrument, simply press the corresponding key

on the keyboard.

Modwheel

The modwheel can be used for a variety of purposes. It is a continuous controller, able to send values from 0 to 127, and thus can be

used for switching as well as for gradual blending between two instruments. Below, you can find some examples.

Use type lo (0) hi (127)

Crescendo/diminuendo switch cresc dim

Normal/vibrato switch norm vib

Dynamic layers blend p f

In combinations, key switches and modwheel are often employed simultaneously, e.g. for crescendo/diminuendo with various tone

lengths, where the dynamics are controlled by the modwheel and the tone length by key switch.

Abbreviations

1+2 key switch combination of two variations

8-100, 16-90, … note value and speed, e.g., 8ths at 100

BPM, 16ths at 90 BPM, …

all combination of all the instruments of a group

bow played with a bow

cre crescendo

dim diminuendo

do down

dyn combination crescendo/diminuendoEG electric guitar

feed-fx feedback effect

fing finger

FL flageolet (harmonics)

fx effect

GS whole tone

ha-pu hammer/pull combination

HS half tone

leg legato

MA-3 major 3rd

marc marcato

MI-3 minor 3rd

mute muted or damped

mV with vibrato

oV without vibrato

perf performance element

po-chord power chord

Qa 4th interval

Qi 5th interval

RC release controllerrep repetition

RS release samples

s seconds, e.g., 0’3s for 0.3 seconds

stac staccato

sub, subsus samples from a tuned-down low B string

sus sustained

tr trill

trem tremolo

tr-HS half tone trill

ts toolset (EXS)

wb whammy bar



Overdrive


Overdrive

The “wild side”

With the OVERDRIVE Performance Distortion Guitar Michael Hula, artistic director of the Vienna Symphonic

Library, gives tribute to his “wild side”. It was his heart’s desire to produce a total distortion guitar sample library

that could reach a professional guitarist’s level in terms of technical perfection and sound quality.

The Vienna Symphonic Library’s Performance Tool, allowing to play real legato and repetitions without the

dreaded “machine gun effect” for the first time ever in the history of sampling, makes this breakthrough in real

and authentic performance possible.

The musicians

The samples of the Performance Distortion Guitar Library were played by:

Konrad Schrenk: Guitarist, composer, arranger. Studied concert guitar and jazz guitar in Vienna. Numerous

concert tours, CD productions and international seminars.

Martin Pauser: Various live CD productions and band projects; since 2002: Degree course in electrical

engineering and sound engineering.

Thomas Meitz: Studied guitar and sound recording at the University for Music and the Performing Arts in

Vienna. Various national and international guitar seminars, pop bands.

Michael Hula.

The equipment

• Steve Vai signature, 7 strings, more than 5 octaves

• Brunetti XL II R-EVO

• Marshall 1960 TV monitors, 4x12

• Ernie Ball 9 – 52 strings



Overdrive


00 EG_BASIC-SET

BASIC INSTRUMENTS

Short and normal staccato (piano and medium), sustained tones without vibrato and with whammy bar action, and power

chords with 4ths and 5ths. EXS: feedback and special fx.

EG_stac-sh_piano

Bank/Prog: 0/1 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB

Short staccato, piano.

EG_stac-sh_medium


Short staccato, medium.

EG_stac_piano


Staccato, piano.

EG_stac_medium


Staccato, medium.

EG-L_oV_sus+RS-hard

Bank/Prog: 0/5 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB

Sustained, without vibrato, with hard release samples.

EG-L_sus_wb2+RS-hard


Sustained, with whammy bar action var. 2, with hard release samples.

EG_po-chord_quart+RS

Bank/Prog: 0/7 Mapping range: B1–D5 Release: 0.07sec. Giga RAM: 32MB

Power chords, 4ths, with release samples.

EG_po-chord_quint+RS

Bank/Prog: 0/8 Mapping range: B1–A4 Release: 0.07sec. Giga RAM: 32MB

Power chords, 5ths, with release samples.



Overdrive


EG_stac-sh_hard (EXS)

Mapping range: B1–F6 Release: 1sec.

Short staccato, hard.

EG_stac_hard (EXS)


Normal staccato, hard.

EG_feed-fx_hard (EXS)


Feedback tones, hard.

EG_scratch_B-string (EXS)

Mapping range: B1–G5 Release: 1sec.

Scratching on the low B string, with different lengths and sounds.

COMBINATIONS (Giga)

EG_basic_all

Bank/Prog: 1/1 Mapping range: B1–F6 Giga RAM: 128MB

Short and normal staccato, piano and medium, sustained without vibrato and with whammy bar action, and power chords

with 4ths and 5ths. Please note that the power chords do not have the same tone range as the other patches. Use key

switches to change technique.

Key switches:

C7 – short staccato, piano

C#7 – short staccato, medium

D7 – staccato, piano

D#7 – staccato, mediumE7 – sustained, without vibrato

F7 – sustained, with whammy bar

F#7 – power chords, 4ths

G7 – power chords, 5ths

COMBINATIONS (EXS)

"+ts" instruments are equipped with a preconfigured Alternation toolset.

EG_basic_all-vel

Mapping range: B1–F6

Short and normal staccato (piano/medium/hard), sustained without vibrato and with whammy bar action, power chords with4ths and 5ths, feedback tones, and scratching on the B string. Please note that the power chords do not have the same

tone range as the other patches. Use key switches to change technique.

Key switches:

C7 – short staccato

C#7 – normal staccato

D7 – sustained, without vibrato

D#7 – sustained, whammy bar

E7 – power chords, 4ths

F7 – power chords, 5ths

F#7 – sustained, feedback

G7 – scratching, B string



Overdrive


EG_basic_all-vel+ts

The patch is equipped with a preconfigured Alternation toolset.

EG_basic_all

Mapping range: B1–F6

Short and normal staccato, piano, medium, and hard, sustained without vibrato and with whammy bar action, power chords

with 4ths and 5ths, feedback tones, and scratching on the B string. Please note that the power chords do not have the

same tone range as the other patches. Use key switches to change technique.

Key switches:



D7 – short staccato, hard

D#7 – staccato, piano

E7 – staccato, medium

F7 – staccato, hard

F#7 – sustained, without vibrato

G7 – sustained, with whammy bar

G#7 – power chords, 4ths

A7 – power chords, 5ths

A#7 – sustained, feedback

B7 – scratching, B string

EG_basic_all+ts

The patch is equipped with a preconfigured Alternation toolset.

01 EG_SHORT-NOTES

BASIC INSTRUMENTS

Piano, medium, and hard short and normal staccato, portato with 0.3 sec., each in two variations, and 1 sec. tones without

and with vibrato.

EG_stac-sh_piano-1

Bank/Prog: 0/1 Mapping range: B1–F6 Release: 1sec. Giga RAM: 32MB Samples: 52

Short staccato, piano, var. 1.

EG_stac-sh_piano-2


Short staccato, piano, var. 2.

EG_stac-sh_medium-1


Short staccato, medium, var. 1.



Overdrive


EG_stac-sh_medium-2


Short staccato, medium, var. 2.

EG_stac-sh_hard-1


Short staccato, hard, var. 1.

EG_stac-sh_hard-2


Short staccato, hard, var. 2.

EG_stac-sh_velocity-1


Short staccato, piano/medium/hard in velocity layers, var. 1.

EG_stac-sh_velocity-2Bank/Prog: 0/8 Mapping range: B1–F6 Release: 1sec. Giga RAM: 64MB

Short staccato, piano/medium/hard in velocity layers, var. 2.

EG_stac_piano-1


Staccato, piano, var. 1.

EG_stac_piano-2


Staccato, piano, var. 2.

EG_stac_medium-1


Staccato, medium, var. 1.

EG_stac_medium-2


Staccato, medium, var. 2.

EG_stac_hard-1


Staccato, hard, var. 1.

EG_stac_hard-2


Staccato, hard, var. 2.



Overdrive


EG_stac_velocity-1


Staccato, piano/medium/hard in velocity layers, var. 1.

EG_stac_velocity-2


Staccato, piano/medium/hard in velocity layers, var. 2.

EG_0'3s-1

Bank/Prog: 0/17 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 52

Portato, 0.3 sec., var. 1.

EG_0'3s-2


Portato, 0.3 sec., var. 2.

EG_oV_1sBank/Prog: 0/19 Mapping range: B1–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 52

Tone length: 1 sec., without vibrato.

EG_mV_1s


Tone length: 1 sec., with vibrato.

RELEASE TRIGGER

EG_oV_1s+RS-soft (hard/fx1/fx2)Bank/Prog: 1/1 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB

Prog. 1–4: 1 sec. tone length, without vibrato, with soft/hard/effect #1/effect #2 release samples.

EG_mV_1s+RS-soft (hard/fx1/fx2)


Prog. 5–8: 1 sec. tone length, with vibrato, with soft/hard/effect #1/effect #2 release samples.

EG_oV_1s+RS-all (EXS)

Mapping range: B1–F6 Release: 0.03sec.1 sec. tone length, without vibrato, with soft, hard, effect #1, effect #2 release samples. Use key switches to change

release type.

Key switches:

C7 – soft RS

C#7 – hard RS

D7 – fx #1 RS

D#7 – fx #2 RS

EG_mV_1s+RS-all (EXS)

Mapping range: B1–F6 Release: 0.03sec.



Overdrive


1 sec. tone length, with vibrato, with soft, hard, effect #1, effect #2 release samples. Use key switches to change release

type.

Key switches:

C7 – soft RS

C#7 – hard RS

D7 – fx #1 RS

D#7 – fx #2 RS

EG_RS_sus-soft (hard/fx1/fx2)


Release samples, sustained, soft/hard/effect #1/effect #2.

COMBINATIONS

EXS24: "1+2" instruments are equipped with preconfigured Alternation toolsets.

EG_stac-sh_piano-1+2


Short staccato, piano, var. 1 and 2. Use key switches to change variation.

Key switches:

C7 – var. 1

C#7 – var. 2

EG_stac-sh_medium-1+2


Short staccato, medium, var. 1 and 2. Use key switches to change variation.

Key switches:

C7 – var. 1

C#7 – var. 2

EG_stac-sh_hard-1+2


Short staccato, hard, var. 1 and 2. Use key switches to change variation.

Key switches:

C7 – var. 1

C#7 – var. 2

EG_stac-sh_velocity-1+2


Short staccato, piano/medium/hard in velocity layers, var. 1 and 2. Use key switches to change variation.Key switches:

C7 – var. 1

C#7 – var. 2

EG_stac_piano-1+2


Staccato, piano, var. 1 and 2. Use key switches to change variation.

Key switches:

C7 – var. 1



Overdrive


C#7 – var. 2

EG_stac_medium-1+2


Staccato, medium, var. 1 and 2. Use key switches to change variation.

Key switches:

C7 – var. 1

C#7 – var. 2

EG_stac_hard-1+2


Staccato, hard, var. 1 and 2. Use key switches to change variation.

Key switches:

C7 – var. 1

C#7 – var. 2

EG_stac_velocity-1+2


Staccato, piano/medium/hard in velocity layers, var. 1 and 2. Use key switches to change variation.

Key switches:

C7 – var. 1

C#7 – var. 2

EG_0'3s-1+2


Portato, 0.3 sec., var. 1 and 2. Use key switches to change variation.

Key switches:

C7 – var. 1

C#7 – var. 2

EG_1s-oV+mV


Tone length: 1 sec., without and with vibrato. Use key switches to change variation.

Key switches:

C7 – no vibrato

C#7 – vibrato

EG_short_all-1


Piano, medium, and hard short and normal staccato, portato 0.3 sec., and 1 sec. with vibrato. Use key switches to change

instrument.

Key switches:



D7 – short staccato, hard

D#7 – staccato, piano

E7 – staccato, medium

F7 – staccato, hard

F#7 – portato 0.3 sec.



Overdrive


G7 – 1 sec., vibrato

EG_stac-all_1+2


Piano, medium, and hard short and normal staccato, 1st and 2nd variations. Use key switches to change

instrument/variation.

Key switches:

C7 – short staccato, piano, var. 1C#7 – short staccato, piano, var. 2

D7 – short staccato, medium, var.1

D#7 – short staccato, medium, var.2

E7 – short staccato, hard, var. 1

F7 – short staccato, hard, var. 2

F#7 – staccato, piano, var. 1

G7 – staccato, piano, var. 2

G#7 – staccato, medium, var.1

A7 – staccato, medium, var.2

A#7 – staccato, hard, var. 1

B7 – staccato, hard, var. 2

02 EG_LONG-NOTES

BASIC INSTRUMENTS

Sustained tones without and with vibrato, with whammy bar action (2 variations), and tuned-down low B.

EG_oV_susBank/Prog: 0/1 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB Samples: 52

Sustained, without vibrato.

EG_mV_sus


Sustained, with vibrato.

EG_sus_wb1


Sustained, with whammy bar action, var. 1.

EG_sus_wb2



EG_subsus

Bank/Prog: 0/5 Mapping range: C1–D2 Release: 0.2sec. Giga RAM: 32MB Samples: 13



Overdrive


Sustained, on a tuned-down low B string.

EG_oV_sus+subsus

Bank/Prog: 0/6 Mapping range: C1–F6 Release: 0.2sec. Giga RAM: 32MB

Sustained, without vibrato, and on a tuned-down low B string.

RELEASE TRIGGER

EG_oV_sus+RS-soft (hard/fx1/fx2)


Prog. 1–4: Sustained, without vibrato, with soft/hard/effect #1/effect #2 release samples.

EG_oV_sus+RS-all


Sustained, without vibrato, with soft, hard, effect #1 and #2 release samples. Use key switches to change release type.

Key switches:

C7 – soft RS

C#7 – hard RSD7 – fx #1 RS

D#7 – fx #2 RS

EG_mV_sus+RS-soft (hard/fx1/fx2)


Prog. 6–9: Sustained, with vibrato, with soft/hard/effect #1/effect #2 release samples.

EG_mV_sus+RS-all


Sustained, with vibrato, with soft, hard, effect #1 and #2 release samples. Use key switches to change release sampletype.

Key switches:

C7 – soft RS

C#7 – hard RS

D7 – fx #1 RS

D#7 – fx #2 RS

EG_sus_wb1+RS-soft (hard/fx1/fx2)


Prog. 11–14: Sustained, with whammy bar action, var. 1, with soft/hard/effect #1/effect #2 release samples.

EG_sus_wb1+RS-all


Sustained, with whammy bar action, var. 1, with soft, hard, effect #1 and #2 release samples. Use key switches to change

release sample type.

Key switches:

C7 – soft RS

C#7 – hard RS

D7 – fx #1 RS

D#7 – fx #2 RS



Overdrive


EG_sus_wb2+RS-soft (hard/fx1/fx2)



EG_sus_wb2+RS-all




Key switches:

C7 – soft RS

C#7 – hard RS

D7 – fx #1 RS

D#7 – fx #2 RS

EG_subsus+RS

Bank/Prog: 1/21 Mapping range: C1–D2 Release: 0.03sec. Giga RAM: 32MB

Sustained, tuned-down low B, with release samples.

EG_oV_sus+subsus+RS


Sustained, without vibrato, and tuned down, with release samples.

EG_RS_soft (hard/fx1/fx2)


Prog. 23–26: release samples, sustained, soft/hard/effect #1/effect #2.

EG_RS_subsus


Release samples, tuned-down low B string.

COMBINATIONS

EG_sus_all


Sustained, without and with vibrato, and with whammy bar action #1 and #2. Use key switches to change instrument.

Key switches:

C7 – no vibrato

C#7 – vibratoD7 – whammy bar #1

D#7 – whammy bar #2

EG_sus_all+RS-soft (hard/fx1/fx2)


Prog. 2–5: Sustained, without and with vibrato, and with whammy bar action #1 and #2; with soft/hard/effect #1/effect #2

release samples. Use key switches to change instrument.

Key switches:

C7 – no vibrato



Overdrive


C#7 – vibrato

D7 – whammy bar #1


LAYER SWITCH

Use the modwheel to switch between the parts of layered instruments. The switches have an overlapping area where the

tones of two layers blend.

EG_sus_oV+mV_LayerBank/Prog: 3/1 Mapping range: B1–F6 Release: 0.2sec. Giga RAM: 32MB

Sustained, without and with vibrato.

Modwheel:

0–65: no vibrato

55–127: vibrato

EG_sus_oV+wb1_Layer


Sustained, without vibrato, and with whammy bar action #1.

Modwheel:

0–65: no vibrato

55–127: whammy bar

EG_sus_oV+wb2_Layer



Modwheel:

0–65: no vibrato


EG_sus_mV+wb1_Layer


Sustained, with vibrato, and with whammy bar action #1.

Modwheel:

0–65: vibrato


EG_sus_mV+wb2_Layer


Sustained, with vibrato, and with whammy bar action #2.Modwheel:

0–65: vibrato


EG_sus_wb1+wb2_Layer


Sustained, with whammy bar action #1 and #2.

Modwheel:

0–65: whammy bar #1



Overdrive



EG_sus_all_Layer


Sustained, without and with vibrato, and with whammy bar action #1 and #2.

Modwheel:

0–40: no vibrato

32–71: vibrato



EG_sus_all_Layer+RS-soft (hard/fx1/fx2)


Prog. 8–11: Sustained, without and with vibrato, and with whammy bar action #1 and #2; with soft/hard/effect #1/effect

#2 release samples.

Modwheel:

0–40: no vibrato

32–71: vibrato



03 EG_LONG-NOTES_looped

BASIC INSTRUMENTS

Looped sustained tones without and with vibrato, with whammy bar action (2 variations), and tuned-down low B.

EG-L_oV_sus


Sustained, without vibrato.

EG-L_mV_sus


Sustained, with vibrato.

EG-L_sus_wb1



EG-L_sus_wb2





Overdrive


EG-L_subsus


Sustained, tuned-down low B string.

EG-L_oV_sus+subsus


Sustained, without vibrato, and tuned-down low B.

RELEASE TRIGGER

EG-L_oV_sus+RS-soft (hard/fx1/fx2)


Prog. 1–4: Sustained, without vibrato, with soft/hard/effect #1/effect #2 release samples.

EG-L_oV_sus+RS-all


Sustained, without vibrato, with soft, hard, effect #1 and #2 release samples. Use key switches to change release sampletype.

Key switches:

C7 – soft RS

C#7 – hard RS

D7 – fx #1 RS

D#7 – fx #2 RS

EG-L_mV_sus+RS-soft (hard/fx1/fx2)


Prog. 6–9: Sustained, with vibrato, with soft/hard/effect #1/effect #2 release samples.

EG-L_mV_sus+RS-all


Sustained, with vibrato, with soft, hard, effect #1 and #2 release samples. Use key switches to change release sample

type.

Key switches:

C7 – soft RS

C#7 – hard RS

D7 – fx #1 RS

D#7 – fx #2 RS

EG-L_sus_wb1+RS-soft (hard/fx1/fx2)Bank/Prog: 1/11 Mapping range: B1–F6 Release: 0.03sec. Giga RAM: 32MB


EG-L_sus_wb1+RS-all




Key switches:



Overdrive


C7 – soft RS

C#7 – hard RS

D7 – fx #1 RS

D#7 – fx #2 RS

EG-L_sus_wb2+RS-soft (hard/fx1/fx2)



EG-L_sus_wb2+RS-all




Key switches:

C7 – soft RS

C#7 – hard RS

D7 – fx #1 RS

D#7 – fx #2 RS

EG-L_subsus+RS


Sustained, tuned-down low B string, with release samples.

EG-L_oV_sus+subsus+RS


Sustained, without vibrato, and tuned-down low B, with release samples.

EG_RS_sus-soft (hard/fx1/fx2)


Prog. 23–26: Release samples, sustained, soft/hard/effect #1/effect#2.

EG_RS_subsus


Release samples, tuned-down low B.

COMBINATIONS

EG-L_sus_all


Sustained, without and with vibrato, and with whammy bar action #1 and #2. Use key switches to change instrument.

Key switches:

C7 – no vibrato

C#7 – vibrato



EG-L_sus_all+RS-soft (hard/fx1/fx2)




Overdrive


Prog. 2–5: Sustained, without and with vibrato, and with whammy bar action #1 and #2; with soft/hard/effect #1/effect #2

release samples. Use key switches to change instrument.

Key switches:

C7 – no vibrato

C#7 – vibrato



LAYER SWITCH

Use the modwheel to switch between the parts of layered instruments. The switches have an overlapping area where the

tones of two layers blend.

EG-L_sus_oV+mV_Layer


Sustained, without and with vibrato.

Modwheel:

0–65: no vibrato

55–127: vibrato

EG-L_sus_oV+wb1_Layer



Modwheel:

0–65: no vibrato


EG-L_sus_oV+wb2_Layer



Modwheel:

0–65: no vibrato


EG-L_sus_mV+wb1_Layer



Modwheel:

0–65: vibrato


EG-L_sus_mV+wb2_Layer



Modwheel:

0–65: vibrato


EG-L_sus_wb1+wb2_Layer




Overdrive


Sustained, with whammy bar action #1 and #2.

Modwheel:



EG-L_sus_all_Layer


Sustained, without and with vibrato, and with whammy bar action #1 and #2.Modwheel:

0–40: no vibrato

32–71: vibrato



EG-L_sus_all_Layer+RS-soft (hard/fx1/fx2)


Prog. 8–11: Sustained, without and with vibrato, and with whammy bar action #1 and #2; with soft/hard/effect #1/effect

#2 release samples.

Modwheel:0–40: no vibrato

32–71: vibrato



04 EG_FLAGEOLET

BASIC INSTRUMENTS

Piano and forte natural flageolet, and 5th and 8va finger flageolet tones.

EG_natural-FL_p (f/velocity)

Bank/Prog: 0/1 Mapping range: C1–A#7 Release: 0.3sec. Giga RAM: 32MB Samples: 112

Prog. 1–3: Natural flageolet, piano/forte/p and f, on every string.

Mapping:

C1–A#1: low B string

C2–A2: low E stringC3–A3: A string

C4–A4: D string

C5–A5: G string

C6–A6: high B string

C7–A7: high E string



Overdrive


EG_fing_FL_quint

Bank/Prog: 0/4 Mapping range: G3–D6 Release: 0.3sec. Giga RAM: 32MB Samples: 29

Finger flageolet, fifths.

EG_fing_FL_octav


Finger flageolet, octaves.

05 EG_FX

BASIC INSTRUMENTS

Feedback effects, soft, hard, and bowed, and scratches on the E and B strings, with the whammy bar, and effect scratches.

EG_feed-fx_soft (hard/bow)


Prog. 1–3: feedback, soft/hard/bowed.

EG-L_feed-fx_soft (hard/bow)


Prog. 4–6: feedback, soft/hard/bowed, with looped samples.

EG_scratch_E-string

Bank/Prog: 0/7 Mapping range: B4–A#7 Release: 0.3sec. Giga RAM: 32MB Samples: 35

Scratching on the low E string, with different lengths and sounds.

EG_scratch_B-string

Bank/Prog: 0/8 Mapping range: B1–G5 Release: 0.3sec. Giga RAM: 32MB Samples: 35

Scratching on the low B string, with different lengths and sounds.

EG_scratch_wb

Bank/Prog: 0/9 Mapping range: B1–A#2 Release: 0.3sec. Giga RAM: 32MB Samples: 11

Scratching with whammy bar action.

EG_scratch_fx


Scratching with effect. Tone range: B1–F2.

RELEASE TRIGGER

EG_feed-fx_soft+RS1 (hard/bow)


Prog. 1–3: feedback, soft/hard/bowed, with effect #1 release samples.



Overdrive


EG-L_feed-fx_soft+RS1 (hard/bow)


Prog. 4–6: feedback, soft/hard/bowed, looped, with effect #1 release samples.

EG_feed-fx_soft+RS2 (hard/bow)


Prog. 7–9: feedback, soft/hard/bowed, with effect #2 release samples.

EG-L_feed-fx_soft+RS2 (hard/bow)


Prog. 10–12: feedback, soft/hard/bowed, looped, with effect #2 release samples.

EG_RS_fx1 (fx2)


Prog. 13–14: release samples, effect #1/#2.

06 EG_PHRASES

BASIC INSTRUMENTS

Tremolo, trills from minor 2nd to major 3rd, power chords (4ts, 5ths, major and minor), grace noise with and without

whammy bar, on the same note and to the octave, and whammy bar down action.

EG_tremolo


Tremolo, fortissimo.

EG_trill_HS (GS/MI-3/MA-3)

Bank/Prog: 0/2 Mapping range: B1–D5 Release: 0.2sec. Giga RAM: 32MB Samples: 80

Prog. 2–5: half tone/whole tone/minor 3rd/major 3rd trills.

EG_po-chord_quart

Bank/Prog: 0/6 Mapping range: B1–C5 Release: 0.3sec. Giga RAM: 32MB Samples: 37

Power chords, 4ths.

EG_po-chord_quint

Bank/Prog: 0/7 Mapping range: B1–G4 Release: 0.3sec. Giga RAM: 32MB Samples: 31

Power chords, 5ths.

EG_po-chord_major (minor)




Overdrive


Prog. 8–9: major/minor 6-string power chords.

EG_grace-noise

Bank/Prog: 0/10 Mapping range: C2–F6 Release: 0.3sec. Giga RAM: 32MB Samples: 26

Grace noise on the same note.

EG_grace-noise_okt

Bank/Prog: 0/11 Mapping range: F3–G6 Release: 0.3sec. Giga RAM: 32MB Samples: 37

Grace noise to the octave.

EG_grace-noise_wb


Grace noise on the same note, with whammy bar.

EG_grace-noise_wb-okt

Bank/Prog: 0/13 Mapping range: E3–D6 Release: 0.3sec. Giga RAM: 32MB Samples: 29

Grace noise to the octave, with whammy bar.

EG_wb_down


Whammy bar action, downward.

RELEASE TRIGGER

EG_tremolo+RS


Tremolo, fortissimo, with release samples.

EG_trill_HS+RS (GS/MI-3/MA-3)


Prog. 2–5: half tone/whole tone/minor 3rd/major 3rd trills, with release samples.

EG_po-chord_quart+RS (quint/major/minor)

Bank/Prog: 1/6 Mapping range: B1–C5 Release: 0.1sec. Giga RAM: 32MB

Prog. 6–9: power chords, 4ths/5ths/major/minor, with release samples.

EG_RS


Release samples, hard.

COMBINATIONS

EG_trill_all


Half tone, whole tone, minor and major 3rd trills. Use key switches to change trill interval.



Overdrive


Key switches:

C7 – min. 2nd

C#7 – maj. 2nd

D7 – min. 3rd

D#7 – maj. 3rd

EG_trill_all+RS


Half tone, whole tone, minor and major 3rd trills, with release samples. Use key switches to change trill interval.Key switches:

C7 – min. 2nd

C#7 – maj. 2nd

D7 – min. 3rd

D#7 – maj. 3rd

EG_po-chord_all

Bank/Prog: 2/3 Mapping range: B1–C5 Release: 0.3sec. Giga RAM: 32MB

4th, 5th, major and minor power chords. Use key switches to change type. Please note that the instruments do not have the

same tone range.

Key switches:

C7 – 4th

C#7 – 5th

D7 – major

D#7 – minor

EG_grace-noise_all

Bank/Prog: 2/4 Mapping range: C2–G6 Release: 0.3sec. Giga RAM: 32MB

Grace noise, on the same tone and to the octave, without and with whammy bar action. Use key switches to change type.

Please note that the instruments do not have the same tone range.

Key switches:

C7 – same tone

C#7 – octave

D7 – whammy bar, same tone

D#7 – whammy bar, octave

07 EG_PERF-LEGATO

Performance Tool: Legato Mode

BASIC COMBINATIONS

Performance legatos, normal and sliding.

EG_perf-leg

Bank/Prog: 0/1 PlayZone: B1–D6 Release: 0.07sec. Giga RAM: 128MB Samples: 695

Performance legato, forte.



Overdrive


Legato Mode settings:

PlayZone: B1–D6

Octave Offset: 1

EG_perf-leg_slide


Performance legato, forte, sliding.


PlayZone: B1–D6

Octave Offset: 1

COMBI + 2nd TRACK SUSTAINS (Giga)

EG_perf-leg_sus+

Bank/Prog: 1/1 PlayZone: B1–D6 Release: 0.05sec. Giga RAM: 128MB

Performance legato.


PlayZone: B1–D6

Octave Offset: 1

EG_oV_sus+ (mV/wb1/wb2)


Prog. 2–5: Sustained tones, without/with vibrato, and with whammy bar action #1 and #2.

EG_sus_all+


Sustained tones, without and with vibrato, and with whammy bar action #1 and #2. Use key switches to change instrument.

Key switches:

C7 – no vibratoC#7 – vibrato



COMBI + 2nd TRACK SUSTAIN-slide (Giga)

Bank/Prog: 1/7 Giga RAM: 32MB

EG_perf-leg_slide_sus++

Bank/Prog: 1/8 PlayZone: B1–D6 Release: 0.07sec. Giga RAM: 128MB

Performance legato, forte, sliding.


PlayZone: B1–D6

Octave Offset: 1

EG_oV_sus++ (mV/wb1/wb2)


Prog. 9–12: Sustained tones, without/with vibrato, and with whammy bar action #1 and #2.



Overdrive


EG_sus_all++


Sustained tones, without and with vibrato, and with whammy bar action #1 and #2. Use key switches to change instrument.

Key switches:

C7 – no vibrato

C#7 – vibrato



LEGATO COMBINATIONS (EXS)

EG_perf-leg+slide

PlayZone: B1–D6 Release: 0.05sec.

Performance legato, normal and sliding. Use the modwheel to change technique.


PlayZone: B1–D6

Octave Offset: 1

Modwheel:

0 – normal127 – sliding

EG_perf-leg+oV_marc (mV)


Performance legato, normal and marcato without/with vibrato. Use the modwheel to change technique.


PlayZone: B1–D6

Octave Offset: 1

Modwheel:

0 – normal

127 – marcato

EG_perf-leg+ha-pu


Performance legato, normal and with hammer-ons and pull-offs. Use the modwheel to change technique.


PlayZone: B1–D6

Octave Offset: 1

Modwheel:

0 – normal

127 – hammer-pull

EG_perf-leg+bend


Performance legato, normal and with bends. Use the modwheel to change technique.


PlayZone: B1–D6

Octave Offset: 1

Modwheel:

0 – normal



Overdrive


127 – bends

EG_PERF-LEGATO_LONG (EXS)

BASIC COMBINATIONS

EG_perf-leg_oV_long (mV/wb1/wb2)


Performance legato, with/without vibrato/whammy bar #1/whammy bar #2 sustained tones.


PlayZone: B1–D6

Octave Offset: 1

EG_perf-leg_slide_oV_long (mV/wb1/wb2)


Performance legato, with/without vibrato/whammy bar #1/whammy bar #2 sustained tones.


PlayZone: B1–D6

Octave Offset: 1

EXTENDED COMBINATIONS

EG_perf-leg+slide_oV_long (mV/wb1/wb2)


Performance legato, normal and sliding, with/without vibrato/whammy bar #1/whammy bar #2 sustained tones. Use the

modwheel to switch between normal and sliding legato.


PlayZone: B1–D6

Octave Offset: 1

Modwheel:0 – normal

127 – sliding

EG_perf-leg_sus-all_long


Performance legato, with and without vibrato, and with whammy bar action #1 and #2. Use the modwheel to switch

between techniques.


PlayZone: B1–D6

Octave Offset: 1

Modwheel:0 – without vibrato

33 – with vibrato

65 – whammy bar #1


EG_perf-leg_sl_sus-all_long


Performance legato, with and without vibrato, and with whammy bar action #1 and #2. Use the modwheel to switch

between techniques.




Overdrive


PlayZone: B1–D6

Octave Offset: 1

Modwheel:

0 – without vibrato

33 – with vibrato



08 EG_PERF-LEGATO_marcato


BASIC COMBINATIONS

Performance legatos, marcato, without and with vibrato.

EG_oV_perf-leg_marc


Performance legato, marcato, without vibrato.


PlayZone: B1–D6

Octave Offset: 1

EG_mV_perf-leg_marc


Performance legato, marcato, with vibrato.


PlayZone: B1–D6

Octave Offset: 1


EG_oV+mV_perf-leg_marc


Performance legato, marcato without and with vibrato. Use the modwheel to change technique.

Legato Mode settings:PlayZone: B1–D6

Octave Offset: 1

Modwheel:

0 – without vibrato

127 – with vibrato

EG_oV_perf-leg_marc+ha-pu (mV)


Performance legato, marcato without/with vibrato, and with hammer-ons and pull-offs. Use the modwheel to change

technique.



Overdrive



PlayZone: B1–D6

Octave Offset: 1

Modwheel:

0 – normal

127 – hammer-pull

09 EG_PERF-LEGATO_ha-pu


BASIC COMBINATIONS

Performance legato with hammer-ons and pull-offs.

EG_perf-leg_ha-pu


Performance legato, hammer-ons (up) and pull-offs (down).


PlayZone: B1–D6

Octave Offset: 1


EG_perf-leg_ha-pu+bend


Performance legato, hammer-ons and pull-offs, and bends. Use the modwheel to change technique.


PlayZone: B1–D6

Octave Offset: 1

Modwheel:

0 – hammer/pull

127 – bends

10 EG_PERF-BEND

BASIC COMBINATIONS

Half and whole tone bends, up and down.



Overdrive


EG_bend_up-1 (up-2/do-1/do-2)

Bank/Prog: 0/1 Mapping range: C2–E6 Release: 0.05sec. Giga RAM: 32MB Samples: 104

Bends, half/whole tone up/half/whole tone down.

COMBINATIONS


EG_bend_all

Bank/Prog: 1/1 Mapping range: C2–E6 Release: 0.05sec. Giga RAM: 32MB

Bends, half and whole tone up and down. Use key switches to change interval, the modwheel to switch between up and

down.

Key switches:

C1 – half tone

C#1 – whole tone

Modwheel:

0 – up

127 – down

PERF-LEGATO mode


EG_perf-bend

Bank/Prog: 2/1 PlayZone: C2–D6 Release: 0.05sec. Giga RAM: 64MB

Half and whole tone performance bends, with sustained target notes.


PlayZone: C2–D6

Octave Offset: 1

11 EG_PERF_SUB-REP_8-100

Performance Tool: Repetition Mode

BASIC COMBINATIONS

Performance repetitions on a down-tuned low B string, 8ths at 95 BPM, piano, forte, crescendo and diminuendo.

EG_perf_sub-rep9_8-95_p (f)

Bank/Prog: 0/1 PlayZone: C1–D2 Release: 0.07sec. Giga RAM: 32MB Samples: 234

Prog. 1–2: 8ths at 95 BPM, 9 repetition layers, piano/forte.

Repetition Mode settings:

PlayZone: C1–D2

Keyswitch StartKey: C7

First Keyswitch Delay: 10ms

Repetitions: 9



Overdrive


EG_perf_sub-rep5_8-95_cre (dim)

Bank/Prog: 0/3 PlayZone: C1–D2 Release: 0.07sec. Giga RAM: 32MB Samples: 130

Prog. 3–4: 8ths at 95 BPM, 5 repetition layers, crescendo/diminuendo.


PlayZone: C1–D2



Repetitions: 5

DYNAMIC COMBINATIONS (EXS)

EG_perf_sub-rep9_8-95

PlayZone: C1–D2 Release: 0.07sec.

8ths at 95 BPM, 9 repetition layers, piano and forte.


PlayZone: C1–D2



Repetitions: 9

EG_perf_sub-rep5_8-95_dyn


8ths at 95 BPM, 5 repetition layers, crescendo and diminuendo. Use the modwheel to switch between crescendo and

diminuendo.


PlayZone: C1–D2



Repetitions: 5

Modwheel:0 – crescendo

127 – diminuendo

EG_perf_sub-rep9_8-95_2Lay


8ths at 95 BPM, 9 repetition layers, piano and forte. Use the modwheel to blend between dynamic layers.


PlayZone: C1–D2



Repetitions: 9

Modwheel:

0 – p

127 – f



Overdrive


12 EG_PERF_REP_8-100


BASIC COMBINATIONS

Performance repetitions, 8ths at 93 BPM, piano, mezzoforte, forte, and diminuendo; and 97 BPM, crescendo.

EG_perf-rep9_8-93_p (mf/f)

Bank/Prog: 0/1 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 64MB Samples: 702

Prog. 1–3: piano/mezzoforte/forte repetitions, 8ths at 93 BPM, 9 repetition layers.


PlayZone: B1–F6



Repetitions: 9

EG_perf-rep5_8-97_cre (93_dim)


Prog. 4–5: crescendo/diminuendo repetitions, 8ths at 97/93 BPM, 5 repetition layers.


PlayZone: B1–F6



Repetitions: 5


EG_perf-rep9_8-93

PlayZone: B1–F6 Release: 0.07sec.

8ths at 93 BPM, 9 repetition layers, piano, mezzoforte, and forte.


PlayZone: B1–F6



Repetitions: 9

EG_perf-rep5_8-93_dyn


8ths at 97/93 BPM, 5 repetition layers, crescendo and diminuendo. Use the modwheel to switch between crescendo and

diminuendo.


PlayZone: B1–F6



Repetitions: 5

Modwheel:



Overdrive


0 – crescendo

127 – diminuendo

EG_perf-rep9_8-93_3Lay


8ths at 95 BPM, 9 repetition layers, piano, mezzoforte, and forte. Use the modwheel to blend between dynamic layers.


PlayZone: B1–F6



Repetitions: 9

Modwheel:

0 – p

64 – mf

127 – f



BASIC COMBINATIONS

Performance repetitions, 16ths at 90 BPM, piano; 95 BPM, mezzoforte; 100 BPM, fortissimo; 90 BPM, crescendo; and 95

BPM, diminuendo.

EG_perf-rep9_16-90_p (95_mf/100_ff)


Prog. 1–3: piano/mezzoforte/fortissimo repetitions, 16ths at 90/95/100 BPM, 9 repetition layers.


PlayZone: B1–F6



Repetitions: 9

EG_perf-rep9_16-90_cre (95_dim)


Prog. 4–5: crescendo/diminuendo repetitions, 16ths at 90/95 BPM, 9 repetition layers.


PlayZone: B1–F6



Repetitions: 9


EG_perf-rep9_16-100




Overdrive


16ths at 90/95/100 BPM, 9 repetition layers, piano, mezzoforte, and fortissimo.


PlayZone: B1–F6



Repetitions: 9



16ths at 90/95 BPM, 9 repetition layers, crescendo and diminuendo. Use the modwheel to switch between crescendo and

diminuendo.


PlayZone: B1–F6



Repetitions: 9

Modwheel:

0 – crescendo

127 – diminuendo



16ths at 90/95/100 BPM, 9 repetition layers, piano, mezzoforte, and fortissimo. Use the modwheel to blend between

dynamic layers.


PlayZone: B1–F6



Repetitions: 9

Modwheel:

0 – p64 – mf

127 – f



BASIC COMBINATIONS

Performance repetitions, 16ths at 135 BPM, piano, mezzoforte, fortissimo, crescendo and diminuendo.

EG_perf-rep9_16-135_p (135_mf/135_ff)


Prog. 1–3: piano/mezzoforte/fortissimo repetitions, 16ths at 135 BPM, 9 repetition layers.


PlayZone: B1–F6



Overdrive



Repetitions: 9

EG_perf-rep9_16-135_cre (dim)


Prog. 4–5: crescendo/diminuendo repetitions, 16ths at 135 BPM, 9 repetition layers.


PlayZone: B1–F6


Repetitions: 9


EG_perf-rep9_16-135


16ths at 135 BPM, 9 repetition layers, piano, mezzoforte, and fortissimo.


PlayZone: B1–F6

Keyswitch StartKey: C7Repetitions: 9



16ths at 135 BPM, 9 repetition layers, crescendo and diminuendo. Use the modwheel to switch between crescendo and

diminuendo.


PlayZone: B1–F6


Repetitions: 9

Modwheel:0 – crescendo

127 – diminuendo



16ths at 135 BPM, 9 repetition layers, piano, mezzoforte, and fortissimo. Use the modwheel to blend between dynamic

layers.


PlayZone: B1–F6


Repetitions: 9

Modwheel:

0 – p

64 – mf

127 – ff



Overdrive


15 EG_PERF_REP_power-chord_8-100


BASIC COMBINATIONS

Power chord performance repetitions, 4th and 5th intervals, 8ths at 94 BPM, piano, mezzoforte, fortissimo, crescendo and

diminuendo.

EG_PC-Qa_perf-rep5_8-94_p (mf/ff)


Prog. 1–3: 4th power chords, piano/mezzoforte/forte repetitions, 8ths at 94 BPM, 5 repetition layers.


PlayZone: B1–F6


Repetitions: 5

EG_PC-Qa_perf-rep5_8-94_cre (dim)


Prog. 4–5: 4th power chords, crescendo/diminuendo repetitions, 8ths at 94 BPM, 5 repetition layers.


PlayZone: B1–F6


Repetitions: 5

EG_PC-Qi_perf-rep5_8-94_p (mf/ff)Bank/Prog: 0/6 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 32MB Samples: 285

Prog. 6–8: 5th power chords, piano/mezzoforte/forte repetitions, 8ths at 94 BPM, 5 repetition layers.


PlayZone: B1–F6



Repetitions: 5

EG_PC-Qi_perf-rep5_8-94_cre (dim)


Prog. 9–10: 5th power chords, crescendo/diminuendo repetitions, 8ths at 94 BPM, 5 repetition layers.


PlayZone: B1–F6



Repetitions: 5



Overdrive


COMBINATIONS

EG_PC-all_perf-rep5_8-94_p (mf/ff)

Bank/Prog: 1/1 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 32MB

Prog. 1–3: 4th and 5th power chords, 5 repetition layers, piano/mezzoforte/forte repetitions, 8ths at 94 BPM. Use the

modhweel to change power chord interval.


PlayZone: B1–F6Keyswitch StartKey: C7

Repetitions: 5

Modwheel:

0 – 4th

127 – 5th

EG_PC-all_perf-rep5_8-94_cre (dim)

Bank/Prog: 1/4 PlayZone: B1–F6 Release: 0.07sec. Giga RAM: 32MB

Prog. 4–5: 4th and 5th power chords, 5 repetition layers, crescendo/diminuendo repetitions, 8ths at 94 BPM. Use the

modhweel to change power chord interval.

Repetition Mode settings:PlayZone: B1–F6


Repetitions: 5

Modwheel:

0 – 4th

127 – 5th


EG_PC-Qa_perf-rep5_8-94


4th power chords, piano, mezzoforte, and forte.


PlayZone: B1–F6


Repetitions: 5

EG_PC-Qa_perf-rep5_8-94_dyn


4th power chords, crescendo and diminuendo. Use the modhweel to switch between crescendo and diminuendo.

Repetition Mode settings:PlayZone: B1–F6


Repetitions: 5

Modwheel:

0 – crescendo

127 – diminuendo

EG_PC-Qa_perf-rep5_8-94_3Lay


4th power chords, piano, mezzoforte, and forte. Use the modwheel to blend between dynamic layers.



Overdrive



PlayZone: B1–F6


Repetitions: 5

Modwheel:

0 – p

64 – mf

127 – f

EG_PC-Qi_perf-rep5_8-94


5th power chords, piano, mezzoforte, and forte.


PlayZone: B1–F6


Repetitions: 5

EG_PC-Qi_perf-rep5_8-94_dyn


5th power chords, crescendo and diminuendo. Use the modhweel to switch between crescendo and diminuendo.


PlayZone: B1–F6


Repetitions: 5

Modwheel:

0 – crescendo

127 – diminuendo

EG_PC-Qi_perf-rep5_8-94_3Lay


5th power chords, piano, mezzoforte, and forte. Use the modwheel to blend between dynamic layers.


PlayZone: B1–F6


Repetitions: 5

Modwheel:

0 – p

64 – mf

127 – f

EG_PC-all_perf-rep5_8-94


4th and 5th power chords, piano, mezzoforte, and forte. Use the modhweel to change power chord interval.


PlayZone: B1–F6


Repetitions: 5

Modwheel:

0 – 4th

127 – 5th



Overdrive


16 EG_PERF_REP_mute


BASIC COMBINATIONS

Muted performance repetitions, 16ths at 95 and 125 BPM.

EG_perf-alt9_mute

Bank/Prog: 0/1 PlayZone: B1–F6 Release: 1sec. Giga RAM: 64MB Samples: 234

Performance repetitions for Alternation mode, 9 repetition layers. Each repetition is equipped with a fadeout so that it is

possible to play slower parts than the original recording tempo.


PlayZone: B1–F6


Repetitions: 9

EG_perf-rep9_mute_16-95 (125)


Prog. 2–3: performance repetitions, 9 layers, 16ths at 95/125 BPM.


PlayZone: B1–F6


Repetitions: 9

17 EG_REPETITION_fast

BASIC INSTRUMENTS

Fast repetitions, with constant dynamics and crescendo/diminuendo, 16ths at 140 to 200, and 220 BPM.

EG_fast-rep9_140 (150/160/170/180/190/200/220)Bank/Prog: 0/1 Mapping range: B1–F6 Release: 0.15sec. Giga RAM: 32MB Samples: 624

Prog. 1–8: 9 repetitions, 16ths at 140/150/160/170/180/190/200/220 BPM.

BASIC COMBINATIONS

EG_fast-rep9_dyn_140 (150/160/170/180/190/200/220)


Prog. 1–8: 9 repetitions, crescendo and diminuendo, 16ths at 140/150/160/170/180/190/200/220 BPM. Use the

modwheel to switch between crescendo and diminuendo.



Overdrive


Modwheel:

0 – crescendo

127 – diminuendo

RELEASE TRIGGER

EG_fast-rep9_140+RS (150/160/170/180/190/200/220)


Prog. 1–8: 9 repetitions, 16ths at 140/150/160/170/180/190/200/220 BPM, with release samples.

EG_fast-rep9_dyn_140+RS (150/160/170/180/190/200/220)


Prog. 9–16: 9 repetitions, crescendo and diminuendo, 16ths at 140/150/160/170/180/190/200/220 BPM, with release

samples. Use the modwheel to switch between crescendo and diminuendo.

Modwheel:

0 – crescendo

127 – diminuendo

EG_RS_fast-repBank/Prog: 2/17 Mapping range: B1–F6 Release: 0.15sec. Giga RAM: 32MB Samples: 78

Release samples for constant dynamics repetitions.

EG_RS_fast_dyn


Release samples for crescendo/diminuendo repetitions. Use the modwheel to switch between f and p samples.

Modwheel:

0 – f (crescendo)

127 – p (diminuendo)

18 EG_REPETITION_fast-fx

BASIC INSTRUMENTS

Fast repetitions with effect, 16ths at 140 to 210 BPM.

EG_fast-rep9_fx_140 (150/160/170/180/190/200/210)


Prog. 1–8: 9 repetitions, 16ths at 140/150/160/170/180/190/200/210 BPM; tuned down, low, middle, and high in

piano, mezzoforte, forte and fff.

Mapping:

C – tuned down; D – low; E – middle; F – high

C2–F2: piano

C3–F3: mezzoforte

C4–F4: forte

C5–F5: fff



Overdrive

RELEASE TRIGGER

EG_fast-rep9_fx_140+RS (150/160/170/180/190/200/210)


Prog. 1–8: 9 repetitions, 16ths at 140/150/160/170/180/190/200/210 BPM; tuned down, low, middle, and high in

piano, mezzoforte, forte and fff, with release samples.

EG_RS_fast-rep_fx_140


Release samples for the +RS instruments.

19 EG_RUNS

MAJOR RUNS - MOD_up-do

Major and minor scale octave runs, up and down, for every key note on the chromatic scale, beginning with C. Please note

that the runs' last playable note is an octave below the highest mapped note for upward runs, and an octave above thelowest mapped note for downward runs.

EG_run_C-ma_200 (through to B-ma)

Bank/Prog: 0/1 Mapping range: C2–D#6 Release: 0.1sec. Giga RAM: 32MB Samples: 268

Prog. 1–12: Octave runs from C major to B major, at 200 BPM, up and down from every note of the scale played. Use the

modwheel to switch between upward and downward runs..

Modwheel:

0 – up

127 – down

MINOR RUNS - MOD_up-do

EG_run_C-mi_200 (through to B-mi)

Bank/Prog: 1/1 Mapping range: C2–D#6 Release: 0.1sec. Giga RAM: 32MB Samples: 270

Prog. 1–12: Octave runs from C minor to B minor (harmonic), at 200 BPM, up and down from every note of the scale

he overdrive manual-long

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